Category: Capital Region

  • Dirty Dozen Brass Band brought Mardi Gras to Albany

    On Saturday February 9th, the legendary Dirty Dozen Brass Band brought their thirty plus years of funky syncopation to the Massry Center for the Arts at The College of Saint Rose in Albany.

    The opening band, The Chronicles, are Albany natives and I arrived in time to catch the last four songs of their opening set. Their sound made me imagine Lettuce and The Roots, canoodling in a jazz bar, full and polished with energy to spare. I’ll be hoping to see them at a venue where the space is more dance friendly.

    After a short intermission, the Dirty Dozen Brass Band took the stage. On tour promoting their newest album Twenty Dozen, they are not quite a dozen, but seven musicians. Original members Gregory Davis (trumpet/vocals), Roger Lewis (baritone sax), Kirk Joseph (sousaphone) and Kevin Harris (alto sax) were joined by three younger musicians, a trombonist, keyboardist and Terrence Higgins on drums. At 24 years old, Terrence may be younger than the band, but he holds the rhythm down.

    Starting out with “Big Chief” and continuing on into “Burn Down the Levee” and “Oo-Poo-Pah-Doo” before returning to “Big Chief”, DDBB had me wishing Massry was better suited to let loose and dance. Through fiesty solos and a hot backbeat, most of the crowd remained seated, even after prompted by Davis to stand up. “Just for tonight, it’s Mardi Gras in this 20° weather” he instructed us. “You aren’t in Albany anymore.” He had us all clapping and singing along after demanding “When I call to you, you respond!” When the power failed in some mics, they powered through it, their sound saucy and resonating in the room. Davis kept us involved, shouting out over the crowd for us to sing a long.

    During “Git Up”, again we were instructed to stand and dance, and this time it worked. Most of the audience complied and were clapping and dancing with the beat. Towards the end, Davis brought two audience members onstage to dance, which they did with enthusiasm, if nothing else.

    Not to leave the crowd unsatisfied, DDBB stitched songs into a closing medley with “Big Mamou” followed by a favorite “When The Saints Go Marching In” reprised by “My Feet Can’t Fail Me Now.” Leaving the stage to a standing ovation and much fanfare, we were graced with one last song, a duet by Davis and Lewis. They perform a very sweet and sultry “Saint James Infirmary Blues” which was a beautiful end to a very intimate show.

    Listen to “Jook” from their new album Twenty Dozen

  • Lucky Jukebox Brigade, Camper and HAP playing The Parting Glass in Saratoga on February 23rd

    On February 23rd at 9pm, Bearbuck Productions is bringing to The Parting Glass three great bands from Upstate New York. Included on this night are The Lucky Jukebox Brigade, a local mainstay from Albany; Camper, a new group out of Skidmore College with a pop sound, and HAP, another group of Skidmore music students, featuring members of Bailiwick, creating an imaginative indie folk  sound that winds through the golden age rock & roll.

    The show is only $5 and with Saratoga’s The Parting Glass being the #3 Irish Pub in the World, it will be warm inside the venue even if it’s cold outside.

    More info on the show here

    The Parting Glass

  • Willy Moon introduces himself to Upstate NY at Dinosaur Bar-B-Que, February 15th

    Willy Moon graced the small stage at Dinosaur Bar-B-Que in Troy this past Friday night, a free show courtesy of WEQX, for a short 45 minute set that had ladies dancing on the stage, Willy dripping in sweat and the crowd shaking to each song he performed.

    willy moonWith the crowd packed up and close to the lip of the stage, playback coupled with an intense drummer and guitarist held their own while Willy glided across the stage as though he were on a Hoverboard. With a voice like Elvis, moves like Jagger (which came from Elvis) and the looks and style of Joseph Gordon Levitt, Willy sang James Brown, soul numbers off his soon to be released debut album, as well as his popular hits “Yeah Yeah” and “I Wanna Be Your Man”. At one point, Willy looked a little winded, saying “I’ve been eating too many of these ribs and I’m all fucked up”, which got him cheers of applause from a crowd who could relate.

    Check out the interview with Willy Moon. This kid will be big one day

  • Solid Sound Fest releases A-Z lineup for June 21-23 at MASS MoCA

    With Wilco and a Comedy lineup already announced, Solid Sound Festival announced the rest of their lineup for 2013 in alphabetical order, leading to a lineup of more than 30 bands spread out over June 21-23 in North Adams, Mass

    solid sound fest lineupThe Solid Sound Fest lineup, from A-Z (with a few gaps filled in for good measure)

    A. Sam Amidon & Al Madrigal

    B. “Border Music” (featuring Marc Ribot and David Hidalgo) & The Blisters

    C. Neko Case

    D. The Dream Syndicate

    E. Euclid Records returns to set up shop

    F. Foxygen

    G. Golden Eagle (local restaurant) & Mt. Greylock (the highest peak in MA)

    H. John Hodgman

    I. I is for “I Got You” which we’re pretty sure Wilco will play either Friday or Saturday.

    J. Mikael Jorgensen & Greg O’Keeffe, and Jen Kirkman

    K. Glenn Kotche & Darin Gray (On Fillmore), providing a live soundtrack to WNYC’s Radiolab

    L. Low & Lucius

    M. Medeski, Martin & Wood with Special Guests, and Mark Mulcahy

    N. Nels Cline & Julian Lage

    O. Os Mutantes

    P. The Autumn Defense (Patrick Sansone & John Stirratt)

    Q. Questions? Visit Solid Sound FAQ.

    R. Reggie Watts & The Relatives

    S. Story Pirates

    T. T is for Early Bird Tickets, which will be gone soon. Get yours now.

    U. Urban Birding

    V. V is for Valentine’s Day and “You and I” is the perfect soundtrack, right? V also =  vegetarian & vegan food options.

    W. White Denim (and of course Wilco)

    X. Artist Xu Bing

    Y. Yo La Tengo, playing a full set as well as live-scoring the film The Love Song of R. Buckminster Fuller

    Z. Z is for Ze full lineup. See you in June. Tickets here.

    solid sound fest lineup

  • Start Making Sense: A Talking Heads Tribute at The Bayou in Albany, February 7th

    After what felt like eternity, Start Making Sense: A Talking Heads Tribute made their return to the Capital Region on Thursday, February 7th. The Bayou Café in Albany welcomed the musicians with open arms and fully packed the dance floor. Start Making Sense recreates the music of Talking Heads known for their funky and punk New Wave 80’s dance parties.

    The night opened up with “Thank You for Sending Me An Angel”, lots of whoops and hollers as the drums start to rally the crowd. One of the many things I love about the Talking Heads music is the constant roller coaster volume of the lyrics. Start Making Sense is always a loud show, with every word being screamed at the top of everyone’s lungs such as “Pulled Up” and “Slippery People.” At one moment, you are yelling and stomping, giving way to your rebellious urges. The next you are gently grooving to “And She Was” and being swayed by “Air.”

    Start Making Sense performs the vast music styling’s of the Talking Heads with skilled ease and pure appreciation.  Lead man Jon Braun recreating David Byrne is spot on, including his clothes, crazy facial expressions and legendary vocals. Braun and the band have great flow with their dance moves, always a crowd pleaser. Before set break, Braun announced how “Thankful and happy the band was to be back in Upstate New York” and listed a few of their upcoming shows.

    The crowd does its best to keep up with Start Making Sense’s nonstop fireball energy being hurled throughout the second set. It’s a treat to watch the musicians laughing to each other and having just as much fun as we are. I personally enjoyed the second set better because I knew more of the songs. “Nothing but Flowers” followed by “Cities” was the best way to resume the dance party. “Burning Down the House” was electrifying. The show ended with wild keyboard ranges from “Girlfriend Is Better” into a mellow yet enthusiastic “Crosseyed and Painless.” Start Making Sense will lightly tour around the east coast, making stops in Maine, Vermont and Delaware, before returning to their home state of Pennsylvania. As the lights came on and the band started to pack up, my friends and I already were planning our next show to see them.

    Setlist:

    Set 1: Thank You For Sending Me an Angel, Pulled Up, Slippery People, And She Was, Air, Uh Oh Love Comes to Town, Psycho Killer, Drugs, Born Under Punches, Animals, Found A Job, Mind, What A Day That Was, Naïve Melody

    Set 2: Nothing But Flowers, Cities, Life During Wartime, Not In Love, Stay Hungry, Big Business/I Zimbra, Once In A Lifetime, Making Flippy Floppy, Burning Down the House, Girlfriend Is Better, Crosseyed and Painless

  • AVATAR opens for SEVENDUST at Upstate Concert Hall Feb 6th

    When Sevendust comes to upstate it is guaranteed to be a great time.  Combine their powerful sound with the Italian Gothic metal sensation Lacuna Coil and Swedish-based melodic death metal band Avatar doing their first U.S. tour – be prepared to have your face melted.

    When Avatar came onto the stage, the audience didn’t know what to think of this five piece ensemble.  Upstate Metal ran into the founder and drummer, John Alfredsson, an hour or so before the show at Pizza Hut of all places and got the lowdown on the set.  The plan was  for 30-40 minutes of in your face metal, a little theatrics, and hopefully to impress the American crowd.  Well, I think they undersold the “little” theatrics, but they definitely impressed the American crowd.  When John founded the band in 2001 with singer, Christian Rimmi, it took the duo 2 years to get settled in and find the rest of the permanent members.  So, with almost 10 years of touring Europe under their belt it was time for them to break into the states.  Being on a Sevendust & Lacuna Coil tour guaranteed Avatar a lot of metal heads will see their music for the first time.  Were they ready? Absolutely.

    Christian’s theatrics proved to entice and excite the crowd at Upstate Concert Hall.  Guitars shredded and drums pounded but all eyes were on the frontman to see what the hell was he going to do next.  Coming out in a black executioner style mask for the first song, he then headed backstage to change it up a bit.  When Christian reappeared for the second song, a friend of mine and Upstate Metal editing master, Chris Fleischmann accurately described him as the result of Alice Cooper and Freddy Kruger having a love child.  A demented love child that fronted a band of Swedish misfits.  In a good way.  The set played out and Avatar won themselves some fans.  They hung out at the merchandise table for most of the night and was even seen at the bar a time or two.  I’d say run out and buy their new album, Black Waltz, but who am I kidding.  Go over to iTunes and give it a listen.

    Important Links:

  • An Interview with Jeremy Salken of Big Gigantic

    The first time I saw Big Gigantic, I was floored by the amount of energy exuding from the stage to the crowd. They have all the aspects of any amazing electronic show: the mind blowing light show, the high energy and the improv jams, but also the jazz stylings that you would only find in a classically trained saxophonist. Dominic Lalli (sax and production) and Jeremy Salken (drums) have pioneered their own genre of music fusing together electronic, bass-centered music with smooth jazz and acoustic drums.  Their sound is truly one of a kind and they have made their presence well known in the electronic scene. I had the pleasure of chatting on the phone with Jeremy just days before their show in Clifton Park at Upstate Concert Hall.

    Jenni Wilson: Alright, we’ll start off with a little history behind Big G. When and how did you two meet?

    Jeremy Salken: We met through the Boulder, Colorado music scene. We both were playing in funk and jazz bands, any gig we could get and we kind of met through that and ended up moving in together. Dom found a computer and started making some beats and it all kind of progressed from there.

    JW: Who would you say are some of your biggest influences?

    JS: Everything. Herbie Hancock, John Coltrane, all jazz music. Radiohead, a bunch of new stuff like Skrillex and Bassnectar. We get influences from everywhere. We are always looking to push ourselves. Dom’s always trying to push the way we make music and the angles its coming from.

    JW: You have clearly forged your own path in the electronic music scene, but being that what you play is still so different from other acts, how would you go about defining your music  to someone who has no connection to the electronic music scene?

    JS: It’s really hard to explain, honestly. It’s one of those things were still kind of trying to figure out. Its really not jazz and electronic. We call it electronic dance music or live electronic music. We take so many different styles from drum and bass, hip hop, dubstep, sometimes moombahton.

    JW: What exactly inspired you to blend live sax and live drums with electronic?

    JS: Dom has been playing sax for  a while he has his masters in jazz performance. I’ve been playing drums since I was a little kid, self-taught. Naturally we wanted to bring different instruments together and we wanted to find a way to fuse electronic beats. We wanted to be able to throw a party and keep everyone dancing but still get to play our instruments and improvise and build and drop.

    JW: Your tour schedule looks jam packed. Is this busiest you guys have ever been?

    JS: It’s pretty normal, we’ve stay relatively busy since we started so it feels very natural. We have more time coming up than we ever have. Things are kind of chillin out. We have a nine-week tour in the fall, so this five-week tour is  a short one compared to that.

    JW: The last time I saw you guys was main stage at Camp Bisco and I know you guys ended up playing some of the top U.S. festivals last year. What festivals do you think you’ll be leaning towards this summer?

    JS: We’re on Summercamp and Snowball in March, but we played so many last year this year will be more mellow and we try not to repeat festivals. A lot of festivals don’t like to repeat. We’re working on our new album and doing a big tour in the fall. We’re also working on a Red Rocks gig. There are also a couple of other festivals that I can’t really announce yet.

    JW: What is your favorite part about playing a festival, and how does that compare to playing a headlining tour?

    JS: It’s definitely different. We love playing festivals because Dom and I have been going to festivals before we were in this band. We’re huge fans of the festival vibe. It’s awesome playing in front of so many people with a huge crowd and massive energy. But we also love getting indoors and containing all of that energy and playing with a more intimate crowd.

    JW: You guys have put out an album almost every year since 2009, is there any new material planned for 2013?

    JS: We’re working on an album for the fall now hopefully before our tour. And hopefully we’ll have that and ya know, that’s been kind of the main focus.

    JW: Will your show at the Upstate Concert Hall be your first trip to the Albany area, aside from Camp Bisco? What can we expect from you guys at this show?

    JS: No we’ve been to Albany a bunch, probably our third show. We played The Big Up Festival, and we’ve also played in Rochester. We played a sports bar (Jillian’s) about a year and a half ago in Albany. We try and hit that area (Buffalo, Rochester, Albany)  because we love coming to the Northeast. It’s gonna be a party. I wouldn’t miss it if I were you guys. We have a new light rig that we dropped on New Years and we’re bringing that out. We’re playing a bunch of new music, Dom’s been working on some new stuff so it’s gonna be a non-stop party.

    JW: Alright last question. There have been rumors floating around that you and Jennie Garth recently started dating. Is this true?

    JS: True. I haven’t been asked that on an interview but I’ve been asked it more and more since Jam Cruise. Our story broke in the National Enquirer with a bunch of false information. It said I was 41, which I wouldn’t mind if it was true but it’s not. It was funny being in the National Enquirer because obviously they don’t have reputable news. They called every member of my family and Dom trying to get all of this information and obviously nobody gave them anything so they ended up making everything up.  They said we met at Coachella and have been dating for a really long time. That isn’t true. We didn’t meet at Coachella, we met in October so it’s impossible. It’s pretty nuts what kind of information they’ll print. Even with no information they will print whatever they want.

    You can catch Big Gigantic at Upstate Concert Hall in Clifton Park on February 12th  and at Water Street Music Hall in Rochester on February 17th.

  • Listen to the new Formula 5 album

    Formula 5, one of the fastest up and coming acts in the Capital District are about to release their debut, self-titled album, and has your first listen to these tracks. If you don’t know about Formula 5, here’s a primer from an interview with the band last fall.

    formula 5 albumAs for the tracks, take a listen below. We’ll have a full review later this month, so take a listen to a solid debut album from Formula 5, and catch them for their CD Release show on March 2nd at Red Square in Albany with Funktional Flow from Buffalo supporting. They are also playing on February 15th with Vasudo at Acoustic Cafe in Bridgeport, CT; March 1st with Funktional Flow at The Monopole in Plattsburgh; March 12th with Assortment of Crayons at Oasis Cafe in New Paltz; March 22nd at The Waterhole in Saranac Lake with Project Weather Machine; and May 11th at Upstate NY’s first BIG outdoor event of the year – The Upstate Spring Revival in Lyons, NY

  • The Garcia Project brought Good Vibes to the Putnam Den on February 1st

    As soon as The Garcia Project took the stage at the Putnam Den on February 1st, you knew it was going to be a mystical evening.  The crowd was a mix of old hippies and new hipsters, from dreadlocks to backward hats, from women in long skirts twirling as they danced to men in jeans and suspenders, it was an eclectic mix. There were bikers, office workers, students and retirees.  It didn’t matter who was enjoying the groove – they were smiling and taking in the good vibes.  And who could blame them, the music of Jerry Garcia is timeless, and The Garcia Project has taken the time, energy, and their talents to master that sound.

    From the first notes of the night, “Sugaree”, the dance floor was full and people were singing along.  The set went on and songs went off to spectacular jams, only to be pulled back into the pleasing duo of Mik Brody and Kat Walkerson on vocals.  In math, there is a theory that the sum of two parts can not be greater than the whole.  Thankfully in music, that logic is thrown out – because while Mik and Kat are great singers on their own, they are better together.

    When you looked to the stage and you weren’t noticing Mik intently staring down at his guitar, much like Jerry used to do, or Kat’s exaggerated facial expressions as she sang her heart out, you noticed the light show.  The Garcia Project brought along a Macbook, a projector, and a light guy (Dutch Masterson)- a perfect combination to set the mood.  The psychedelic scenery covered the large stage and then some. Intricate designs and other visual effects graced the backdrop as the band played on.

    The Garcia Project is obviously a tribute band to Jerry Garcia Band.  A tribute band is quite different than a cover band because they don’t merely mimic the songs, but rather the whole sound and feel of the band.  That can mean using the same brand of instruments, similar amps and modifiers, and even looking like the original band.  As a fan of the original band, you go and enjoy the show knowing that this is the closest you are going to get to the real thing.  It transports you into the past and into an atmosphere that is reminiscent of an historic vibe.  Luckily that vibe is still alive in those like minded individuals around you at a show like this one at the Putnam Den.  In order for a tribute band to be successful, fans need to look at them as the authority on the artist they are emulating.  The Garcia Project pulls it off effortlessly.  Don’t believe it?  Go see them live and then go check out old YouTube footage of The Jerry Garcia Band.  Listen to how Jerry plays off Gloria Jones and Jackie LaBranch and compare that to Mik Brody and Kat Walkerson.  Listen to the jazz influenced bass of the legendary John Kahn and feel the similarities of The Garcia Project’s own Dan Crea.

    The Garcia Project is the whole package starting with the incredibly talented Scott Guberman on the Hammond B3 organ and Leslie speaker.  Aaron Martin sets the pace on drums.  The masterful guitar work of Mik Brody, himself, fills the role of Jerry on guitars and vocals.    The night was song after song of a delightful mix of Garcia classics and a few covers – some made famous by the Grateful Dead, and some lesser known but carrying that same Garcia vibe.  The dance floor stayed packed all night, especially during the livelier tunes and the long jams that took you to another time.

    The Putnam Den pulled out another great night of music and Grateful Dead and Jerry Garcia fans, both young and old, had a great experience that took them into the night.

    Setlist:
    Set 1: Sugaree, Tore Up, They Love Each Other, He Ain’t Give You None, Tough Mama, Evangeline, Strugglin’ Man, Second That Emotion
    Set 2: Lonesome and a Long Way From Home, Mission In the Rain, Breadbox, Positively 4th Street, Don’t Let Go, Midnight Moonlight, Sisters and Brothers, Tangled Up in Blue, Deal
    Encore/Grateful Dead Set: Half Step, Shakedown Street, Eyes of the World, Cumberland Blues

  • Willy Moon playing Dinosaur Bar-B-Que in Troy on Friday, February 15th

    Every so often, a random musician plays in Upstate New York that scratches heads. One might ask, “Isn’t this guy bigger than playing a small venue for free?” or “How did they get these guys here?” – this can be said for The Lumineers playing a free show at Upstate Concert Hall in December, or Spanish DJ Danny Avila, who will be headlining Coachella and Ultra Music Festivals, playing The Westcott Theater on February 4th. Upstate New York being so accessible to New York City, it’s easy for acts to stretch out and get to the smaller locales and venues, and for that, Upstate New York is truly blessed.

    willy moonFor your consideration, another ‘Wow, HE’S playing up here?!’ is heading to the Dinosaur Bar-B-Que in Troy pm on Friday, February 15th. New Zealand-born and London-based singer Willy Moon. This is a free show that is part of the WEQX Miller Lite Concert Series. The show will start at 10pm. Get there early and eat some GREAT Bar-B-Que!

    Now, you may be wondering, “Who the hell is Willy Moon?” Well, you have probably heard one of his songs from a recent iPod ‘Bounce’ commercial. With just a few songs under his belt, his first album comes out later this year, aptly titled Here’s Willy Moon. He has a couple other tunes, particularly his debut “I Wanna be Your Man” and “Yeah, Yeah”. Willy sounds like he has a little Buddy Holly and Jerry Lee Lewis influences in his music, plus some slick footwork based on his moves in the videos below. Check them out below and don’t miss this treat at Dinosaur Bar-B-Que on February 15th

    One of those ‘stick in your head all day tunes, in a good way’ – “Yeah Yeah”