Category: Genres

  • EVERYONE DIES IN UTAH Kill the Lost Horizon on April 6th with Local Support

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    Last Saturday, April 6th, Everyone Dies In Utah came to the Lost Horizon in Syracuse on their Dark Hearts & Open Eyes tour with The Overseer and Bleach Blonde. To support them were some of the finest upstate metal acts: Redfield, Meira, and Turn the Tide. This show was exactly what it promised to be; a showcase for up-and-coming talent in the various forms of underground music. While the bands all did very well and had good energy, the crowd seemed less enthusiastic. I’m not sure why this is the case, but by the end of the night, EDIU most certainly made the crowd come alive.

    Local metalcore sextet Turn the Tide opened the show and did what they always do; they “kept it metal”. Their high-energy stage presence and tight stage-move choreography kept things interesting, on top of talented musicianship and vocals. Not even drummer Mike Hopper’s overhead microphone falling on top of his drum set could stop the flow of their musical onslaught. However, being the first band has some serious drawbacks, and the crowd didn’t really give these guys as much energy as they deserved.

    Following them was Meira, a metalcore quartet that sounds like there are way more people than that. Playing songs from last year’s debut EP, Closure, plus a new song, these guys brought their dark, brutal sound to the stage with full force. The crowd started to pick up a bit as they went on, and some dedicated fans revealed themselves and sang along with them. They showed a lot of promise and cohesiveness with just the four of them, and proved that they are not messing around.

    Redfield, a local fan favorite, was the last local band to play. This metalcore act has gone through some lineup changes to date, and I think some of it showed. The vocals and rhythm section were spot-on, and brought the familiar partying energy we’ve all come to know and love, but it seemed as though at least one of the guitarists were new to the band and still needed to learn parts of some songs. However, vocalist Travis Bartlett carried the energy they are known for and engaged the crowd well, and induced some singing along of their newest songs.

    Pop-punk band Bleach Blonde were next, and they created some mixed feelings. They have a light, fun sound, and the music itself was performed excellently. Their drummer truly stood out with his skill and fills, but the whole band kept it together very well. That is, except for the singer. I don’t know if he couldn’t hear himself or what, but I don’t think he sang one note on key the entire show. That wouldn’t be too big of a problem if he wasn’t also boring on stage. This may sound harsh, but I think this band would have a much more promising future with a different singer.

    The Overseer, the last supporting act, took the stage by storm and brought some life back to the crowd after the previous band had finished. With their engaging stage presence, musical skill, and varying effects, these guys most certainly made a good impression on the crowd. They proved to be nice guys too, hanging with the other bands and talking to the audience about Syracuse University in the Final Four between songs. This band is definitely one to watch, because as good as they already are, it can only go up from here.

    When Everyone Dies In Utah took the stage, it was like a tidal wave. Strobe lights, keyboard effects, and brutal postcore music seemed to completely revive the crowd. It seemed many of the people in the crowd came to support the local bands, which is good, but the ones that stuck around to see EDIU were most certainly impressed. Somehow, they are able to combine brutally heavy verses and breakdowns, super catchy choruses and riffs, and electronica all into one distinct sound. They also proved to be nice guys, taking the time to talk to me for an interview after taking down the massive amount of equipment they had.

    Here’s my interview with Everyone Dies In Utah:

    http://www.youtube.com/watch?v=ogBYZeFC330

    My interview with Meira:

    http://www.youtube.com/watch?v=XSKIMvHpQvs

    My second interview with Turn the Tide:

    http://www.youtube.com/watch?v=y0NRs6AyRvA

    (Here’s my first interview with TTT, just so you’re all caught up and learn everyone’s names…):

    http://www.youtube.com/watch?v=zTaX0cJz_N0

    www.facebook.com/315MusicReviews

  • MushroomHead Comes to The Lost Horizion April 23rd!

    Cleveland bred group MushroomHead will be taking the stage April 23rd at the Lost Horizon. Forming back in ’93, they began as a side project of various other local musicians.

    Their over the top stage performance and wild, mind-tripping sound and masks they wear caught on so they decided to take it up another level by making it an official band. Throughout the years they’ve gone through line-up changes and have a solid group now, and even downsized a bit; I bet it’s easier on the roadies! 13 years in the underground, 6 amazing studio albums, how can you not want to witness these guys live? Local bands such as Elephant Mountain, Meira, Wagner 3000, and Dear Mr. Dead are playing in support.  Show some local support and get ahold of the bands for some pre-sales priced at $15. Show starts at 6pm and doors open at 7pm be there!

    Elephant Mountain:

    A stoner-rock Syracuse native band, Elephant Mountain formed back in ’09 in a practice space with the birth of two songs that night. They’ll be returning to the stage on this night to support MushroomHead and to showcase a new drummer. There also maybe a surprise in-store so let’s see what the night may bring.

    Meria:

    This Syracuse based metal-core band released an ep back in in September titled “Closure”. You can find a digital copy in their BandCamp for free but if your feeling not so cheap in these tough times throw ’em a dollar! They’re also competing to be on the Warped Tour in Buffalo, Ny. If you want to cast a vote go to this link and show some more love:

    http://www.battleofthebands.com/u/meiraofficial

    Wagner 3000:

    One man’s sick music dream on an acid trip is all I can say about these guys.

    Dear Mr. Dead:

    A 5 piece band hailing from the ‘cuse area also not classifying themselves as anything but rock ‘n’ roll! But if you wanted to place a title on them you could go with Godsmack meets Disturbed.

  • Interview: Blood of the Martyrs

    botmimagesBlood of the Martyrs is a ministry band hailing from Virginia that started back in 2007. They travel the states as a DIY band, getting up close and personal with their craft and with the fans, bridging out with anyone who comes to the shows. This is the second time they’ve been at The Dungeon bringing along the New Jersey-based band, Alive In The Dark, with them for a few stops and sharing the stage that night with locals such as Jonestown, This Above All and Collisions In Grey And Red. I’d like to thank Larry Moore of The Division Sequence/Wrapped In Noir/M.D.I.G (Mom Dad I’m Gaelic).  I hope everyone enjoys it as much as I did and hit them up with likes and check out their music since they put a lot of effort into what they do and put on one hell of a show! Also hit up Larry for shows in your area and/or flyer work, the man has talent and does a lot in the scene.

    http://www.youtube.com/watch?v=35p0LZ0QPVc&w=560&h=315

    Here’s my first nation band interview with Blood of the Martyrs for 315 Street Team and Upstate Metal. Thanks To Larry Moore of the Division Sequence for setting this up.

    BOTM pages:
    http://www.facebook.com/Bloodofthemartyrs?fref=ts
    http://www.myspace.com/bloodofthemartyrs
    http://bloodofthemartyrs.bandcamp.com/al…
    http://www.youtube.com/user/BLOODOFTHEMA…
    http://twitter.com/BOTM_BAND

    315 Street Team:
    http://www.facebook.com/315StreetTeam?ref=ts&fref=ts

    http://www.youtube.com/user/rundownmaggot666

    The Division Sequence:
    http://www.facebook.com/TheDivisionSequence?ref=ts&fref=ts

  • Video Release: Surrender the Fall – “Some Kind of Perfect”

    stfpromo2012Attention music lovers! Today, Surrender the Fall dropped the official music video for their latest single, “Some Kind of Perfect.” Watch it below.

    Since the release of their debut record, Burn in the Spotlight, Surrender the Fall has developed a small fan base which continues to grow as the days pass. So far, the band has released two videos for their single – “Love Hate Masquerade” and now, “Some Kind of Perfect” – filled with a explosive riffs and fiery lyrics. Check it out below and let us know what you think!

  • In This Moment releases new video for “Adrenalize”

    In-This-Moment-BloodGreat news from the music world today- your favorite female-fronted band and mine, In This Moment have just released the official music video for their second ‘Blood’ album single “Adrenalize.” Watch it below!

    Since the debut of their fourth studio album Blood back in August, In This Moment have risen even higher in fame to the point of having their shows sold out, as such was the case at their March 30 show in Clifton Park. So far, two singles have been featured from the album- the title track and “Adrenalize,” which revisits some of the popular sexy, sultry themes and some of Maria’s favorite motifs that have appeared in past works. Watch it below and tell us what you think!

  • EVERYONE DIES IN UTAH Coming to The Lost Horizon with Local Support From REDFIELD, MEIRA, TURN THE TIDE, and More

    Up-and-coming post-hardcore sextet Everyone Dies In Utah is making a stop at The Lost Horizon in Syracuse on Saturday, April 6th as part of their Dark Hearts & Open Eyes Tour. Featured on the tour with them are pop-punk/rockers Bleach Blonde and hardcore powerhouse The Overseer. Joining them, and representing the Upstate metal scene very well, are local acts RedfieldMeira, and Turn the Tide. This show promises to be an exciting mix of metal and rock that features many hot new acts with promising futures. If you want to see some promising talent before everyone else has heard of them, here’s your chance.

    EVERYONE DIES IN UTAH:

    Signed to Tragic Hero Records and with two albums released, Everyone Dies In Utah is starting to gain some ground. This band features solid, heavy verses and melodic, catchy choruses, balancing the two very well and keeping their musical doors open to experimentation. Killer riffs, pounding drums, powerful bass lines, strong vocals, and electronic dabbling all contribute to this band’s signature sound. If the humor in many of their song titles is any indication (e.g. “Bed, Bath & Beyonce”), then EDIU promises to put on a fun show that will get the energy going in the crowd.

    THE OVERSEER:

    To support the heavier side of the headlining act, The Overseer can definitely relate. Having just released their debut LP, We Search, We Dig, this band is ready to start making a splash. With their experimental metalcore sound, which many people compare to Underoath, they serve as a more than appropriate supporting act. Something tells me that these guys won’t continue to be a supporting act forever.

    BLEACH BLONDE:

    When it comes to making a splash, these guys have just started to get their feet wet. Yet to release an EP or LP, they have three songs on iTunes in a single. And you know what? It’s enough to get to know these guys. Bleach Blonde is undoubtedly the least heavy band on this tour, appealing more to the catchy side of EDIU. They have a light, fun, pop-punk sound that is a definite standout and they certainly have the potential to draw a much larger audience.

    REDFIELD:

    Upstate New York’s premier partycore band, Redfield is ready to take the stage again to support their upcoming EP. Having recently released two of the songs from it, these guys are certainly generating more buzz than ever before. Their electrifying stage presence and groovy metalcore sound will certainly bring the energy at this show, as they always promise to do.

    MEIRA:

    Brutal metalcore hopefuls Meira are going to unleash havoc on the Lost Horizon at this show. Their debut EP, Closure, released in September of last year, was one of the best local releases of the year. Their live show is nothing short of the brutality they demonstrate on the EP, either. This is yet another band that ideally represents the Upstate metal scene with these national bands.

    TURN THE TIDE:

    By far one of the fastest rising local bands of the last year, Turn the Tide are an excellent opening band to set the mood for the rest of the show. Yet, they have much more promise than to just be openers forever, and have already headlined a few shows in the short time they’ve been together. They are a hard-working band whose talent is only exceeded by their determination, planning to bring that to their debut EP this summer.

    This show is going to be, without a doubt, a showcase for rising stars. The best time to see a band live is when they are still relatively unknown, because they have to work the hardest to make themselves known, and make fans out of the people who happen to be at their shows. Many of these bands are still trying to get their names out there to get more fans, and every one of them deserves it. If you want to see a show with high energy, a mix of sounds, and top-notch Upstate representation, then this is going to be the best way you could spend this Saturday.

  • Preview: OTHERWISE with GIRL ON FIRE in CNY April 3rd

    After touring with Papa Roach, Otherwise is playing at the Webster Theater Underground in Hartford, CT on Tuesday, April 2nd.  This will be the band’s first time playing the venue since before the release of their debut record, True Love Never Dies. Opening for them is Girl on Fire. A night full of excitement, head banging, and killer guitar riffs await the rock lovers of Hartford, CT on April 2nd and then in Upstate New York at The Uptown Theater in Utica Wednesday night.

    Otherwise_Photo1_2013_HR

    OTHERWISE:

    Originally from sin city, Las Vegas, this four-pieced hard rock alternative band is one that has put their blood, sweat, and tears into their debut album, True Love Never Dies. The band consists of the Patrick brothers, Adrian (vocals) and Ryan (guitar/vocals), Vassilios Metropoulos (bass/vocals), and Corky Gainsford (drums/vocals). You may recognize Adrian’s voice from the metal duet done with In This Moment’s Maria Brink, “The Promise”, for their third record, A Star-Crossed Wasteland, accompanied by a steamy music video. The band first gained notice by having their leading single, “Soldiers” played nationally through Sirius XM’s Octane channel, yet they remained unsigned at the time. Finally, when they signed with Century Media, Otherwise was produced by Jay Baumgardner (Godsmack, Bush, Papa Roach, Seether, Sevendust, and P.O.D.). Most certainly, the band’s music will be haunting the back of your mind for quite some time.

    All in all, a very great line up, one that will leave the crowd buzzing for a long while.  Get ready for a rocking and kick-ass night! This will be an explosive experience that will leave your ears ringing for quite sometime!

  • Last Shot (short story) by a.g. devitt

    I kissed Emily in the hallway outside her apartment. The fluorescent tube above was about to die, and it blinked and hummed as it clung to life.

    “Come inside,” she said, giving me a look that hit below the belt.

    “I can’t,” I said. The light above grew brighter then died, leaving us in shadows. An old woman from across the way stuck her head out as if sensing the darkness, the odor of Marlboro Reds spilling out into the hall before she went back in.

    “You don’t have to do this.”

    “I do.”

    “Why?”

    “I’m the only one who can.”

    “No,” she said, resting her head against my chest. “You’re just the only one who will.”

    I had met Emily three months ago. She was a bartender and a good one. At the end of the night my tab would only count one drink. I’d tip her for each one I’d actually had. One night I closed down the bar. She’d said it was her turn.

    “What’s this guy done?” she said, leaning her weight against the wall. She hung on to my jacket, pulling me gently into her. I wanted her to open the door. I wanted to follow her in. I wanted to take off her clothes and lose myself. I have an addict’s brain. I need constant stimulation or I start to get bored. And when I get bored I get dangerous.

    “He’s hurt a lot of people.” My voice shakes. Nerves? Anxiousness? Fear? I almost wanted it to be fear. It had been so long since I’d felt it.

    “You can beat him?”

    “I have to try.”

    “You won’t come back. Even if you win.”

    “There is no win,” I said. “There’s only lose.”

    “You don’t have to lose me.”

    But I did. She was changing me. Healing me. I was starting to feel happiness, and that in turn brought my guard down more and more. The walls I built were not to keep other people out.

    They were there to keep me in.

    “The words. I can’t say the words.” I kissed the top of her head. Tilted her face towards mine.

    “You don’t have to. I love you, too.”

    She was making me weak. And I needed to be strong.

    “I can’t say goodbye, either.”

    “So don’t.”

    Even in leaving her, she was perfect. I wanted to kiss her one last time, but that would be too dramatic. I loathed theatrics. I just looked at her, making a mental photograph. One I would remember for the rest of my life.

    Like pulling off a Band-Aid, I turned and left her. She didn’t call after me. My ears strained to hear any final words. All I heard was her key in the lock. The door opening and closing.

    Outside was February. A winter storm had dumped two feet of snow over everything. All the dirt. All the filth. Covered over in virgin white that glowed beneath the streetlamps. Even at this late hour snow blowers were blowing. Cars passed by slowly, tires crunching the tightly packed snow in the streets. My own feet crunched along. The wind blew fresh powder from the tops of the high banks between the road and me.

    I looked up, hoping for stars.

    I would have liked there to be stars.

    Instead there was a pale pink canvas stretched above. Light pollution and cloud cover. The reds of taillights and traffic stops. The streetlamps hummed.

    I felt alone.

    I looked at my mental picture of Emily. I adjusted it so the lighting was better. Made her eyes look less sad.

    I gave myself two blocks alone with her before dissolving the photograph. To do what I was about to do, I needed to be cold. My enemy was ruthless. I needed to be just as bad.

    I turned the corner at State Street. The diner was open. I thought about getting coffee. I looked at my watch. There was time.

    A bell rang as I pushed through the door. I stomped the snow off my shoes. A middle-aged waitress with dark red hair was sitting at the counter reading something on her cell phone. She looked up at the sound of the bell.

    “Just one?” she said. She smiled when she said it, as if to offer comfort for the fact I was alone.

    “Counter is good,” I said, choosing a seat that let me see all the angles.

    “What can I start you with?” I was glad she didn’t comment on the weather. People always comment on the weather because it’s the one thing we all have in common.

    “Just coffee. Black.”

    She came back with little buckets of creamer and an assortment of sweeteners. No one ever believes you when you want it black.

    My fingers twitched for a cigarette. Coffee was often just as much something to occupy my hands as it was about caffeine. I needed my hands to be steady. I had one shot and could not miss.

    The bell above the door rang. I looked up. I mentally kicked myself for hoping it was Emily. That she had followed me from her place. That she didn’t want to lose me and would stay with me so I couldn’t confront the monster I was about to face. “I won’t let you,” she’d say. Then she’d give me that look. The look that made me want to pick up the chains and gladly shackle myself to her. The chains I had to escape before they ever had a chance to bind me.

    But it was just an old couple. He in a fur hat and mackinaw. She in a beige coat and bonnet. They went straight to the second booth, right by the window, as if it was theirs. The waitress brought them their coffees without taking an order.

    They were regulars.

    This was their spot. Their warm, bright place in the world.

    I was just a stranger passing through. Neither unwelcome nor noticed. They were all ignorant of my fate. Of the service I was about to perform.

    Would I have wanted it any other way?

    The old woman hung up her handbag and coat on the hook beside the booth. The old man set his hat on the table. He unbuttoned the mackinaw with arthritic fingers. His face tinged in pain, softening when he looked at his wife. Their hands met across the Formica countertop, and for a moment they looked as young as they must have been when they first met.

    I looked at my photo of Emily. Tried aging her. Tried to see myself as that old man.

    I couldn’t.

    I left a ten on the counter for coffee and rent. The old couple paid me no mind as I walked past. The cold February wind punched my face as I hit the sidewalk, slowly building up a momentum as I crunched down the street. Towards my fate. Towards the moment when I would learn if I was tough enough.

    “Got a light, mister?” The girl could have been no more than fifteen. She was wearing a hooded sweatshirt with the hood up, skinny jeans and Chuck Taylors. No gloves. I don’t know how she wasn’t frozen to death.

    I pulled the Zippo from my pocket and did a trick for her.

    “Nice,” she said, leaning into the flame and taking a drag.

    “You need gloves,” I said, snapping the lighter shut.

    “I left home in a hurry,” the girl said. “My mom’s boyfriend. They’re fucking.”

    There was nothing to say to that. So I didn’t.

    “Here,” I said, pulling the leather gloves from my hands. “They’ll be a little big for you.”

    “I can’t take your gloves, man. The light was plenty.”

    She had a ring through her nose. I wondered if the cold made it stick.

    “I don’t need them,” I said. “I need to keep my hands free.” I needed my trigger finger free.

    “Thanks,” she said, slipping them on. She held her hands in front of her. They looked oddly disproportionate to the rest of her. Like Mickey Mouse.

    “You got any money?”

    “Why?” she said. “You robbing me?”

    I pulled some bills from my pocket. Handed her a twenty.

    “Go sit in the diner up the street. It’s warm in there. They have pie.”

    “Pie goes straight to my hips,” she said.

    “Coffee’s good,” I said.

    “Why you doin’ this?” she said.

    “I never got to have a kid,” I said. “So tonight, you’re it.”

    I turned and continued my walk. She hollered “thank you” to my back but I kept walking. I put my hands in my coat pockets. The alley was close by. That’s where I needed to go.

    I passed a bar. Thought about getting a drink. Decided that was a bad idea. I heard music, though. Shine a Light by the Stones. I’d always liked that one.

    I kept on walking. Past a closed up jewelry store. Past a twenty-four hour Laundromat. Empty. Past a consignment shop and a tattoo parlor and an antiques store. I couldn’t hear Shine a Light anymore but I kept it playing in my head. It had been playing the night I first had Emily. It reminded me of her. I looked at the photograph one last time.

    Then I tore it to shreds.

    I stood in the mouth of the alley. In the cold. In the snow.

    I made my heart a thing of winter itself.

    I crossed from light into dark, swallowed by the shadows of the brick buildings on either side of me. I jumped up and caught the fire escape with both hands. The cold metal stung my gloveless fingers.

    It slowly came down from my weight.

    I climbed.

    No more Emily. No more Stones. No more old people in diners. No more light. No more hope. No more coffee.

    No more.

    Each rung I climbed brought me closer. I felt it. Inside of me. The blackness that had been there since birth. The raven whose dark wings beat against my brain.

    Inside me was madness and hatred and violence. With each rung of the ladder I remembered the faces of all the people I had hurt. All the lives I had destroyed.

    I could not back down now.

    I had to be stronger than my enemy.

    Reaching the top, I swung my legs over and onto the flat roof, snow covered roof. I looked for fresh prints.

    I was alone.

    Stepping to the edge, I looked to the street below. I hoped the cigarette girl was warm. I hoped the old couple made it home safely.

    I hoped Emily could love someone again.

    I took the old Colt Python from inside my coat. Thought of each life I’d taken with it. And of the first one I had taken. Here. At this very spot.

    “One more,” I said to no one.

    I put the muzzle under my chin and looked up. Inhaled.

    No stars.

    Only gray.

    Exhale.

    © 2013 by A.G. Devitt
    All rights reserved. No part of this document may be reproduced or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without prior written permission of A.G. Devitt

  • PIERCE THE VEIL, MMF, LETLIVE & ISSUES Rock Upstate Concert Hall on March 24th

    After playing the Upstate Concert Hall on Halloween of 2012, Pierce the Veil returned on Sunday, March 24th with a whole new lineup of supporting bands, and came back to rock with a vengeance. Lead singer Vic Fuentes said himself  during the show that the crowd was not only much rowdier than that of the Halloween show, but they were “the best crowd on the entire tour so far”. A statement like this leaves us to wonder: who’s responsible for that? Did PTV leave a good impression on the crowd last time, or are we Upstate metalheads just the best crowd in the world? I’d like to think it’s a little of both, and that Vic wasn’t just saying that.

    223

    Rapcore/postcore rising stars Issues opened the show, and got things moving to a quick and fun start. They played their new EP, Black Diamonds, in its entirety, which is a good enough length for an opening set, but left many of us dying for more. There were some minor flaws with the sound, including very dull and quiet guitars, but they played it off well with their charisma and rhythmic unity. Clean vocalist Tyler Carter and unclean vocalist Michael Bohn are like perfect alter egos of each other, and co-dominate the stage with a band that plays a unique blend of catchiness and heaviness.

    233

    Following them was letlive.Epitaph Records’ unstoppable postcore quintet. This band certainly kept the momentum going, and any audio troubles were certainly worked out by the time they took the stage. Frontman Jason Butler was bouncing all over the stage, and at a few points was singing hanging upside down from the rafters. Displaying high intensity and musical prowess, they served as a great segway for Memphis May Fire. These Rise Records veterans really brought the metal, and the crowd loved every minute of it. They played a fairly long set, and no one in the crowd was tired at all, it made it all the more exciting in anticipation for the headlining band. Of course, the excitement got to quite a few people, as the incessant mosh pits of each act caused numerous slight injuries. Props to the security at Upstate Concert Hall for being on top of things.

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    Pierce the Veil took the stage at approximately 9:45 with confetti cannons, light and sound effects, and a very appropriate chanting of “this is the Street Youth Rising Tour!” They played eleven songs, including many fan favorites, and most of their hit new record, Fearless Records’ 2012 smash Collide With the Sky. I, along with nearly every other person in the room, sang every lyric to every song, and the room seemed to be on fire with music and spirit. Vic conversed with the crowd, as did hyper-energetic bassist Jaime Preciado, and they were joined onstage by their good friend Jason Butler of letlive. for their collaboration song, “Tangled In the Great Escape”. The band and the crowd gave each other a continuous cycle of energy that blew the roof off the venue. It’s no wonder Vic said we were their greatest crowd of the tour.

    135

    In the weeks prior to the show, we attempted to contact PTV‘s management so I could do an interview with them, but we were never contacted back. This was very disappointing to me, as I had hoped to capture some of their famous friendliness and connection with their fans, and the fact that we were ignored made me feel quite the opposite. However, when I saw them live, I started to understand. Their connection with the fans is still strong through music, and they are out to help the fans, never hurt them. Anything could have gone wrong with the interview through the publicist, so I shouldn’t blame them for something that is possibly out of their control. I also came to realize that some bands do in fact think they’ve gotten too important and that is ridiculous. These bands would be nowhere without us (the fans), because everything in this scene stems back to the fans; we are its backbone. Pierce the Veil and friends played that night like they haven’t forgotten this, let’s hope they never do.

  • Interview: SURRENDER THE FALL’s Jared Cole talks to Upstate Metal

    This is the band that is not afraid to speak their mind and sing out what everybody in the venue is thinking. Their music has a very fresh rock sound, with catchy tunes that will haunt you for months, maybe more. This is the kind of music that loosens you up after a long day or week. The words that melodically leave their lips are very interpretive; their style is very edgy and rough, in a very good way. It’s that good-time feeling kind of rock, the kind that is also very blunt. Say hello to the hard-rockers of Memphis, Surrender the Fall.

    Surrender the Fall2

    Formed in 2005, band members consist of Jared Cole (vocals), Eddie Tyre (guitar), Anthony Pitts (guitar), Devin Hightower (bass), and Rick Anderson (drums). Surrender the Fall has been to hell and back; Tyre, being a lifelong resident of New Orleans, lost everything in Hurricane Katrina; Pitts was promised career in football until a knee injury. Of course, there was the case of their loved ones succumbing to sicknesses and passing away. Through all of the tragedy, Surrender the Fall strove for greatness. Before showing off their amazing talent, they took the necessary precautions to make sure everything sounded absolutely perfect. Eventually, they booked killer gigs such as in New Orleans, and with a great turn out, and they soon signed with Rum Bum Records. Rum Bum sent Surrender the Fall to Sonic Ranch in El Paso, TX (Taking Back Sunday, ZZ Top, Madonna, Devildriver) to record with producer/artist Lennon Murphy (Lennon, Devil’s Gift). After a five and a half week period, the band recorded what is now their debut 12 tracked record, Burn in the Spotlight, filled with songs on “love, hate, pain and everything in between.” The album was released September 18, 2012, with leading singles “Love Hate Masquerade” and currently, “Some Kind of Perfect.” Upstate Metal’s Kate Drexel had the chance to interview the band’s front man, Jared Cole.

    Media Credit - Kate Drexel
    Media Credit – Kate Drexel

    UM: How did you come up with your band name?

    JC: Surrender the Fall…we sat down, and took paper and pen and started writing ideas about band names. It was the hardest thing in the world to do; meanwhile people come up with names like Alien Ant Farm or Butthole Surfers…we set out to figure out this name and, to be honest, we didn’t have the meaning right off the bat. We kind of put the words together that sounded good, and we sat down and thought about it for a while and it’s like “Surrender the Fall”…it’s liking giving up the fall. You don’t fall, you don’t fail; if you don’t fail, then you’re still going and that’s success, that’s following your dream, that’s doing it in a diligent way so that nothing and no one can tell you not to, like they can’t keep you from it. Giving up the option for failure. That’s what it means. And well, we’re five stubborn assholes who refuse to stop doing this…one way or another, we’re going to figure out how to piss everybody off with rock and roll music. I forget now who said it, somebody called us “The Bastard Stepchild of Rock ‘N’ Roll”…it was not in an interview, but it was something along those lines…The Bastard Stepchild…the Assholes That Refuse to Quit Playing.

    UM: Who are your biggest influences?

    JC: Biggest influences…Elvis, Michael Jackson, Prince, U2, Metallica, Guns ‘N’ Roses, Willie Nelson, Johnny Cash…again, we’re all about music without prejudice, we take influences from everything and everybody. Anybody that would do it, no matter what, anybody that would get behind the mic and say it, and didn’t give a fuck what anybody else thought. Those are our influences.

    UM: How did you get to become a part of the My Darkest Days tour?

    JC: I think it was a package deal; we sent some of our stuff to their management, kinda worked the details out on the business end and joined with them. Obviously we have never met before or anything like that but they’re some of the coolest guys you’ll ever meet. We love those guys…we actually saw Matt Walst not too long ago, they were…of course you know that he’s filling in for Three Days Grace right now, and we talked to him over at the Shinedown show out there, and they were playing a Battle Creek show same night we were.

    UM: What’s the story behind “Some Kind of Perfect”?

    JC: Well, I’ll answer that by saying this: “Some Kind of Perfect” and quite a few other songs that we have are very open to interpretation. Sometimes when I write, I draw from a couple of different scenarios to influence me to get me the vibe and “Some Kind of Perfect” is basically about having a goal and having dreams and then thinking this is what’s going to be perfect, which in this case, a band trying to make it and trying to make it in this music business and then they decided to leave it and expected me to go with them and I was at a crossroads in my life where I had to say “You know what? I can’t go” I believe in this enough to see it through and just to keep pushing on and we parted ways. I saw this movie…I forgot what they were talking about but the lady said to another person, “You need to update your fairy tale.” At that point, I had to update my idea of perfect and that it didn’t matter that it wasn’t the perfect that it began with, it was at least some kind of perfect. I think it’s all about following your heart and doing what you know you were born to do, regardless of anyone else in your life. That you can have the strength and the will and the determination to follow it through and see it through no matter what, and it can mess up along the way, get some scrapes and bruises along the way but it’s still perfect because it’s exactly what you set out to do and you didn’t let anyone push you away from that. Like I said, it’s very interpretive so people can pull their own feeling from it and relate to it in different ways and I think that’s the best thing about music in itself is that when people write, it’s not always what the listener thinks it is, and the listener can…I know I found myself growing up, hearing songs and then being able to meet the guy that wrote the song and I was like “I had no idea the way I felt about that situation in my life until I heard your song and that’s exactly how I felt about it.” I think it’s cool to be able to connect with people in that way.

    UM: What does your music reflect about you guys?

    JC: That we have a really good time on stage. Our live shows and our music go hand in hand. When we did this record, we wanted it to be big, we wanted it to be loud, and we wanted to write these songs that people could grab a hold of and sing with us, because it’s a party. When people pay money and spend the time to see us do something, they want the connection and that’s all about that for us, it’s all about connecting with the audience and connecting with each other on stage and everybody is looking at everybody having a good time. Our music, it reflects us as people; we’re the band that says what everybody else is thinking but they’re afraid to say it. All of our music is honest, it’s real, it’s not a over-fabrication of anything, and I think that’s why we’ve related so well on these tours that we’ve done so far, and the fact that our first major tour was with All That Remains and Nonpoint, they’re metal bands, and I’m sitting there going, “Holy shit, these guys are helping us with our launch…” And I love metal, my guitar player Ed was in a metal band and I used in a metal band, so I mean, it’s sort of blunt but we’re just rock ‘n’ roll. We got up there and every night after night after night, everybody got it, and everybody dug it. We never got a bad review, we always went up and gave it 110% every single night and I think people gravitated towards it because it was honest because we talk about it on stage and we get off stage and we live it. And it’s real and it’s…I think that’s what it is: it’s live, it’s loud, it’s honest, but hopefully it’s catchy enough to where it sticks in your head a little bit.

    UM: Favorite venue and why?

    JC: Oh, man! It’s a toss up, actually, and I’m not saying this because I’m biased but Rams Head is one and The Machine Shop is the other, and they’re for the exact same reasons: the stage, the sound, the atmosphere at both venues are incredible. The fans that come out and the people that come out are so ready to go. It’s not like they show any prejudice towards any other band, it’s not like the crowd that comes and sit in the back until the headliner comes on. These guys are fucking ready. Both places and we loved it; man, and we were…it’s actually the first time we played at both of those places on the My Darkest Days tour. We had five, six hundred people at Rams Head and I think The Machine Shop sold out, so it was amazing. Those are the two of the ones that stick out. I still watch YouTube videos of the Rams Head show; it was one of my favorite shows I’ve ever played. It’s just the energy and the crowd, we got off stage and everybody was so cool, everybody wanted to hang out…it’s what we live for, it’s what we love to do.

    UM: What do you guys do during your down time?

    JC: I sit around and write a lot, plus seeing new cities, we’ll go and see different things. My drummer plans on seeing every capital of every city, we’ll go see the sites and what not, if we have time. A lot of times we’re hanging out at radio stations and going to get set up and…this and that, but a couple of the guys like to hit up the casinos and blow a little money, some of the other guys like to get a little bit of their drink on and hanging out, meeting some of the local people. We sit on the bus for long enough; you’re around everybody, all day so sometimes we like to split up; sometimes we go in pairs, sometimes we don’t go out. At the same time, it’s kind of like whatever; it depends on where we are. We’ll sit and write, we like to play Black Ops, I don’t ever play video games…I’m not good at it at all. I’ll sit around and play Black Ops and…I’m big into movies so just normal stuff. Stuff to pass the time when you don’t have anything going on.

    UM: When composing a song, where do your ideas come from and how do they evolve?

    JC: I just write about life…I write about my life and the things going on and things that I’ve learned, thing’s that I’m feeling; sometimes it’s in the past, sometimes it’s present, sometimes it’s things that I want later on in life and it’s a product of what that moment does to me right then. We sat down and said we were going to try and write good songs. We weren’t going to stick to any kind of genre or anything like that, and we were just going to write, to write good songs. I personally feel like that’s what we did. I don’t know what the rest of the world thinks, I hope they think the same thing but it’s just…I don’t know…it’s just life and stuff that we care about and stuff that happened to us. We’re musicians, we’re all artists and we’re all just a bunch of crazy fuckers.

    UM: What does music mean to you?

    JC: Ah, man…music…it’s a hard thing to say, you know, ‘cause I don’t know if there’s a word that…it’s a paramour, it’s a drug, an addiction; music is life and it’s a living and breathing thing. It’s the opiate of the masses. No one that I have ever met that does not connect with music in someway, you know, that it affects their life…it’s the energy. Sometimes it’s food, sometimes you get lost and that’s all you need is music. Sometimes you don’t need physical food; sometimes it quenches the thirst or solves your problem…I don’t know…it gives people hope. I mean it’s all the same things to us too. We got into this because we love music and we love the creative process of music…it’s the only thing we know. This is the most important thing to me, this is the only thing I know how to do and for me, it’s life.

    Surrender the Fall album