Category: Genres

  • CIRCLE THE SUFFERING Destroys the Fusion Room on Live EP

    After hearing Circle The Suffering’s new live EP, Live at the Fusion Room, I now firmly believe that every single band should record a live EP. While many bands show excellence in the studio, where they are allowed to make a lot of mistakes until the final product sounds good, being able to show that kind of unison and tight performance as a band in a live recording is a whole different ballgame. Circle The Suffering does just this with their new EP, which is up for free download. It almost makes me wish that it had a price for download, because it would be worth every penny.

    CTS comes out swinging with their epic MMM (Melodic Metal Masterpiece), “Apollo”. In four and a half minutes, this song feels like three different songs in one, and takes you on a journey like an epic tale told through brutally melodic metalcore. The transition between songs is seamless, and each song shifts styles in a manner that is cohesive and exciting. “One Deceitful Day” keeps up the momentum, and is followed by the single, “Above All”, and the EP concludes with the onslaught that is “Quicksand”. Throughout all four songs are shifts in musical style, which include, but are not limited to, melodic metalcore, super heavy breakdowns, insane guitar riffs and drum fills, and quick bursts of rap-influenced vocals. The constant changes add variety to the sound of the band, but does not make them wishy-washy in any way. From the second they take the stage, you know who these guys are and how heavy it’s going to get.

    Since the last time I reviewed CTS, they have improved tremendously. They were never bad, but they had some room to grow and improve, and boy, did they ever. Their vocals have come a very long way, particularly in the screams. They were powerful and guttural, never faltering for a second. The clean vocals were also good, but not quite as much, getting drowned out once in a great while. There is absolutely nothing wrong with the music, as the whole band sounded tight and together the entire time. There was one instance where a guitar amp seemed to go out, but it was recovered quickly. The drums are in time, the riffs are shredding, and the rhythm is killer. Everything gels very well into one cohesive unit, which is no easy feat for a live recording.

    Overall, Circle The Suffering’s new live EP is melodic metalcore at its finest. If this is how good they sound live, then their studio recordings are going to blow us away. They’ve certainly stepped their game up, and have proven themselves as a force to be reckoned with in local metal. I couldn’t think of a better way for them to present themselves to the world than with Live at the Fusion Room.

    Go “like” Circle The Suffering and download their EP here: https://www.facebook.com/CircleTheSuffering

  • Interview: YOUNG BLOOD

    The lights begin to dim and the mixed chatter amongst the crowd turned into screams and cheers of excitement. A familiar drumbeat fills the room and the people begin to clap with the rhythm. Concert attendees sing along to the classic rock song “We Will Rock You”, famously performed by Queen. The new faces on the stage continue to encourage the audience to sing along. They then begin to play what they had in store for their elated fans. Entrancing melodies transfer from instruments to fans and fill ears and souls with the unique sound of Young Blood, a band that emerged from the shadows and captured the hearts of many music lovers. As fans surmounted, intrigue arose regarding the band and its origin. Who is this band? Where did it come from?young blood

    Young Blood is a rock/alternative band from Rochester, New York, that recently toured with pop punk/alternative band Yellowcard. Together the five members, Ben Dean (lead vocals), Joey Arena (guitar), Chris Klumpp (guitar), Corey Baiera (bass), and Bryan Struczewski (drums), have released two singles on their YouTube account (“Little Vices” and “Chemicals”).

    Upstate Metal’s Kate Drexel had the opportunity to interview the band’s guitarist and founder of the band, Joey Arena.

    Upstate Metal: How did you come up with your band name?

    Joey Arena: I came up with the name years ago, actually. I’ve always been young at heart, you know, and everybody wants to live forever, and be young, and I think I fear may grow old, but I want to choose to stay young as possible on the inside…so kind of having that young blood.

    UM: How did you meet each other?

    JA: Chris [Klumpp] and I have played together before, and all the other kids were just people we kind of knew through friends of friends or in passing. We wanted to play with fresh faces that we’ve never played with before and everybody was a friend of a friend of each other, and we were kind of random about it, picked a bunch of random talented dudes.

    UM: How long have you been together?

    JA: Chris and I have been together for about five months of planning this and the approach we wanted to take on this, like having Ben [Dean] in the band. Bryan [Struczewski] got into it about three months ago and Ben got into it about two months ago, and Corey [Baiera] is the newest, he came in about a month ago. This is the original lineup so we kind of just pieced this puzzle together with no rush because we wanted to find the right people for the right job. As this lineup, I guess I would say a month and a half. The idea of the band had been brewing for about five months.

    UM: Who are your inspirations?

    JA: That’s such a difficult answer because we have tons of inspirations. We grew up from different backgrounds, which is cool. Ben is a very indie person; he likes a lot of weird music. Bryan used to play in a lot of hardcore bands, stuff like that. Chris is like…I don’t know…we all just come from really different backgrounds. Then we all come together and like the same bands, like we love, like stuff that we grew up on through high school heartbreak, like Garbage, Taking Back Sunday, Berlin, and 30 Seconds to Mars, and all of these awesome bands. But individually we come from different places. I love 80’s music; I’m a huge 80’s rock person. My mom raised me on Bruce Springsteen and stuff like that. I picked up a guitar because of Nirvana, because of Kurt Cobain. I have a sick obsession with Kurt Cobain.

    UM: How did you manage to be a part of the Yellowcard tour?

    JA: We knew they were going to be taking on another band and our manager is friends with their booking agent. We gave them our new music that was unreleased, and everybody dug it, and that was like, “yeah, come on tour with us.”

    UM: When do you think the album will be out?

    JA: We are currently in the studio, finishing up the rest of the tracks. We’re hoping to get it finalized no later than early summer but we are shooting for the spring, but that can go anytime because we just got bunch of choices that fell into our laps. We wanted to take the rest of February off to finish getting the demos organized so we can finish recording those. At the same time, we can’t pass up tours; we are a very tour hungry band, we love to live on the road.

    UM: Where do your song ideas come from?

    JA: Musically, I do most of the songwriting. Like I’ll structure out a song and the band will put like two sentences to it, like once we bring it into the studio. Whatever emotion I’m feeling, I will put it through the guitar, which is kind of weird to say that, like how; obviously, singers whatever they’re feeling emotionally will be put in lyrically. Well, I do that with guitar; if I want a more aggressive song because I’m feeling aggressive or I’m feeling anxious or if I feel like I want to write a love song. It goes as far as what I am feeling musically. Lyrically, like “Little Vices” is really cool as far as what Ben put out, like his experiences…he can explain it a lot better than I can because his lyrics are like crazy. Lyrically, its kind of like he wants to have this relationship with this girl no matter who can stop him, like if fate isn’t bringing them together, he’s not going to believe in fate- that type of thing. It’s not going to stop these two people from willing to be together. A lot of people blame the Devil or God for things not happening. This song is like “you control your own life, you control your own actions. If you want something bad enough, just do it yourself. You’re the only one who can get in the way.” Then there’s “Chemicals”…it’s along the same line as the other song but it’s really about this person who is possibly the worst individual we have ever met in our entire life. It makes for a good song.

    UM: What does your music reflect about you guys?

    JA: When we write how we want our music to portray us, we are all over the wall, we are rock and roll, no genre, no sub-genre, we are just music. We don’t want anyone to put a title on us or put us in a category. We push the envelope in certain spots but we bring it back, to common grounds, to the common listener. We are really just writing for ourselves, we play music because it’s what makes us happy. And if there are fans that understand that and there are fans that can relate to our lyrics, relate to that feeling because everybody feels love, hate, sadness, happiness, everything, and we just want to put that into our music so that when someone puts our record on its literally an emotional roller coaster. We want something for everybody and because not everybody wakes up happy, not everybody wakes up sad, not everybody wakes up angry, there’s some kind of feeling for everybody.

  • PIERCE THE VEIL Return to Upstate Concert Hall with MEMPHIS MAY FIRE and More

    After an explosive tour with a deadly lineup, Pierce the Veil are returning to the Upstate Concert Hall in Clifton Park on March 24th with some equally impressive support. On Halloween of 2012, PTV came to Clifton Park with the help of Sleeping With Sirens, Tonight Alive, and Hands Like Houses. Now they’re coming back with the help of Memphis May Fire, letlive., and Issues. This promises to be an incredible show that mixes some very different styles of music. It’ll be a night of high energy and killer performances, all covered by us here at Upstate Metal.

    ptv

    Pierce the Veil:

    After the massive success of their third album, Collide With the Sky, on Fearless Records, Pierce the Veil has been on the road non-stop and traveled across the world in support of the album. Known for their high vocals, experimental alt/rock-metal style (which they refer to as “Mexicore”), and high-energy live shows, they are bringing it all back to Upstate New York for the second time in six months. They’ve been both praised and criticized for the direction they’ve taken on this new record, as it has evolved from the sound of the first two. Either way, bad reviews of their live shows are hard to come by, and they are a worthy headliner for this powerhouse show.

    Memphis May Fire:

    Rise Records veterans Memphis May Fire were just at the Upstate Concert Hall on January 29th and The Lost Horizon in Syracuse on February 2nd with For Today and others on the Fight the Silence Tour. They’re coming back to continue supporting their third album, Challenger, as one of the heavier bands of the bunch. With their melodic metalcore sound, MMF are ready to blow it up again on stage with what promises to be an explosive performance.

    letlive.:

    After being signed to Epitaph Records in 2011, longtime prog/post-hardcore veterans letlive. are touring all over the country. They’re playing some shows with up-and-coming band Issues around the area, and this is one of them. This is an exciting addition to the show, as they provide a blend of heavy postcore with slightly pop punk hooks and pure metal riffs. Their unique sound will complement the rest of the bands well, but are definitely standouts on their own.

    Issues:

    Tyler Carter’s (in)famous new rapcore/metalcore band, Issues, is opening the show. After leaving the band Woe, Is Me as their clean vocalist, Carter’s new project has been met with praise as well as criticism from fans of Woe, Is Me. This band is much different from Carter’s previous band, and is an interesting  departure from it. Combining rap beats and metalcore sound, Issues brings an eccentric sound to the table for the wide array of styles for this show. Love them, hate them, or undecided, they are definitely worth seeing to determine how you feel about this controversial and unique band.

    With a variety of sounds and styles, this concert is going to have something for everyone. Make sure you don’t miss your chance to see four great bands all under the same roof!

  • FORSWORN Continue Their Sound Evolution with “Repercussions”

    Over the years, Forsworn have gone through a lot of changes. Originally As The Sky Falls, they have underwent numerous shifts in the lineup, and have evolved in sound every time they’ve went into the studio. However, one thing has stayed the same throughout the years, and that is their undying anger, attitude, and passion. Honing a new sound on their latest single, “Repercussions”, Forsworn demonstrate that they are still as angsty as ever. This song definitely presents the band in a whole new light, and their style has adapted as well.Forsworn

    Rating: ***1/2

    This new single displays a transition into a slow, heavy, metalcore style with punk-metal influence. It is stripped down to basic power chords that ring out with dominance and power. They come out swinging with this song, delivering angry lyrics with powerful vocals. Just when you think it’s going to do one thing, it changes. In the middle of the song, the guitar comes in with some Tom Morello-style riffing. This was a very healthy addition to the song, adding some variety and even more excitement to the sound. The breakdowns in the song aren’t really breakdowns, but more of a slower run-through of the verse. In a sense, the whole song is almost like one big breakdown, but with more melody and even more anger.

    http://www.youtube.com/watch?feature=player_embedded&v=bbZvrao5ypQ#!

    Some may be disappointed in their new sound, clinging to the sound of their popular sophomore EP, Here’s To Your Failure. Others are embracing this new sound and are welcoming the new stage of Forsworn’s growth as a band. Those who have gotten the chance to see them perform their new set live have given them positive feedback. I think some of their fans are having a hard time with this new style because they haven’t seen them perform it live yet. Having seen it twice, I can honestly say that these guys sell it up there and own the stage, as they always have. Of course, they’ve recently lost three of the original members of the band, and things must be very different now. However, they show no intention of stopping.

    Love it or hate it, Forsworn demonstrate with their new song that they are going to do what they want. If you like what they are doing, they can promise you a killer show. They are loyal to their fans, but will not be told what to do and what songs to play. They have shown, as they have many times, that they will not be stopped on their path of musical destruction. Whatever you think of their new style, you can’t deny that Forsworn are a passionate, talented band that will continue to drive themselves to greatness.

    Check out Forsworn here: https://www.facebook.com/forswornband

  • Album review: Edge of Attack

    white

    Son, we live in a world that has heavy metal, and heavy metal has to be played by men and women with passion. Who’s gonna do it? You? I have a greater responsibility (as a reviewer) than you could possibly fathom. You weep over the death of hair bands, and you curse the Edge of Attack. You have that luxury. You have the luxury of not knowing what I know. You don’t want the truth because deep down in places you don’t talk about at parties, you want guitar solos, you need marathon drum solos. We use words like old-school, thrash, power. Edge of Attack uses these words as the backbone of a life spent defending something. You use them as a punchline. I have neither the time nor the inclination to explain them to someone who rises and sleeps under the blanket of awesomeness that Edge of Attack provides, and then questions the manner in which they provide it. I would rather you just said thank you, and went on your way.

    Edge of Attack isn’t about to apologize for the nostalgic sound that harkens back to acid washed jeans and teased out hair that was ever-present in the 1980s. (Nor am I apologetic for invoking Jack Nicholson’s iconic Col. Jessup from “A Few Good Men”. Both have a time and a place, and when that all comes together, it sounds pretty awesome.) The crew from Grande Prairie, Alberta, Canada only recently released their third installment (February 19th), a self-titled CD that makes good on their promise to provide old-school metal “with a modern edge.” It’s a formula that’s dangerous to handle, as nostalgic metal certainly has an appeal to an older demographic, but to be attractive to everyone, you have to provide something different.

    Edge of Attack has ten, of what I call, war anthems. Each song portrays a battle being fought, from “In the Night,” (To fight or die, is your fate.) to “Set The World Aflame”. The CD’s opening song, “In Hell” has an Icelandic Folk Metal influence akin to Korpiklanni, but the vocals are sincerely their own. Their work has an eclectic blend of sounds interwoven within this CD. That’s aided by the fact that three of the songs feature vocals from outside the band – Ivan Giannini, Ryan Bovaird (Hallows Die, out of Ontario) and PelleK (Damnation Angels, out of England) – which enhances the overall experience. An awkwardly-placed “howler monkey”, three-minutes into the song nearly taints what, otherwise, is a refreshing lyrical experience provided to the listener by lead vocalist, Roxanne Gordy.

    [A howler monkey describes the occurrence of lyrics being barked, grunted and bellowed, rendering the song incoherent; nonetheless, it has become commonplace in metal today.]

    The signature track on the CD would have to be, “Set The World Aflame,” Timing in at nearly eight-and-a-half minutes, it presents a bombastic display of heavy metal goodness, showcasing Trevor Swain’s machine gun drums to the feverish guitar work of Jurekk Whipple (lead), Dallas Dyck (rhythm) and Denver Whipple (bass).

    Not to take away from the band’s abundance of talent, or this CD to which I find to be a joyous experience, Edge of Attack works the nostalgic metal formula just well enough to be good. So much so, whatever it is preventing them from catapulting into the stratosphere, is somewhere in the night. And, it can be certain, they will be fighting. Otherwise, you want this CD. You need this CD.

    Available on iTunes, here.

  • His Only Star (A Novella) – Christopher Stocking

    Front_Cover

    “Do you ever look at the stars and wish you could snatch them out of the sky?” Oliver asked. “You know, to keep in a box all for yourself?” “What would you do with a box of stars, Oli?” Trista asked. Oliver shrugged. “I don’t know, change the world?” When fifteen-year-old Oliver sneaks away on a train with his friend, Trista, he discovers that life has more to it than the small world he is trapped in. It’s full of sex, drugs, and danger. But, before Oliver can come to terms with these, he must first learn that everyone has their demons, and he must come to accept them. But what if it’s too late?

    Buy Christopher Stocking‘s book today and support Upstate New York writers.  Find it at Amazon at http://goo.gl/BmnI2.

    Chris Stocking is a self-published Science-Fiction/Fantasy Author. He grew up in Wayland, is currently attending The College at Brockport–majoring in print journalism–and plans to attend graduate school for Creative Writing. He lives in Dansville, New York, with his wife, Casey.  He is also a contributor to Upstate Metal and the author of several short dark fiction stories that can be found on the site.

  • Blood on my Hands (Short Story)

    BloodOnMyHands

    I heard the front door burst open and already knew what to expect—Pa was home from the saloon. Ma was already crying, and I could hear the powerful thwack as Pa’s fists struck her. The screams and cries were terrible, almost unbearable. “Why?” Ma screamed. I pressed my ear to my bedroom door to listen closer. Pa mumbled something about a “cheatin’ whore,” and a “good for nothin’ bitch.” Nothing out of the ordinary.

    I opened the door and crept into the common room. Ma’s crimson blood stained the floor, and the front of her white dress. She lay in front of the couch in the fetal position as Pa flung powerful kicks at her midsection. His spurs rang loudly with each blow.

    “Git away from her,” another voice said sternly. I turned and saw my older brother, Sam, come charging out of his room. Pa looked at Sam and laughed. His eyes were dull and blood from Ma’s broken nose dripped from his knuckles onto the wooden floor. “I won’t let you keep doin’ this to Ma,” Sam said through clenched teeth. “How long is this gonna go on for?”

    “Shut up, boy,” Pa snapped. “You have no business interferin’ here. This is between me,” he looked back at Ma, “and your whore mother.” He looked back at Sam and then flicked his eyes over to me. “What are you doin’ here girl?” he asked. He approached me and put a bloody hand on my shoulder. He reeked of whiskey. “You git back to bed now, Sarah, you hear me? Go on, git.”

    I looked at Ma. Tears flooded down her cheeks and mixed with the blood on the floor. “Go on Sarah,” she whispered.

    Pa’s face twisted with rage and he looked back at her over his shoulder. “You shut your mouth,” he screamed. “You have no place talkin’ with your whore mouth.” He spun me around and patted me on the behind, forcing me to step toward my room. What choice did I have? A fifteen-year-old girl against my drunken Pa? I’d be lying next to Ma, bleeding just as badly.

    I stopped in my doorway and glanced back. Sam charged at Pa and wrapped his strong arms around Pa’s waist. He pulled as hard as he could and dragged Pa backward. Pa roared and ripped Sam’s hands from his body, and then picked Sam up by the shoulders and threw him into the kitchen. I winced as I heard the table and chairs scatter across the room, followed by Sam’s groans. Pa looked at me and pointed. “Git in your room, now,” he said darkly.

    I stepped inside and slammed the door. I didn’t know what to do. He’d been doing this for so long and I didn’t know how I could make it stop. I couldn’t think of a time when he didn’t come home drunk and swinging. I didn’t even respect the bastard. I had no feelings or emotion toward him.

    Ever since I can remember he’d always smelled of whiskey. Ma told Sam and me stories of how she met him at the saloon. She was struggling to survive. They brought the railroad out here to the west, and led everyone right past our little town. Ma relied on Pa to bring home what money he could. After I was born, Pa started using most of what little money he earned at the saloon. Ma learned the hard way that whiskey turned Pa into a raging lunatic. She couldn’t leave him, though. She needed him for the money.

    So, now, here we are, dealing with Pa’s anger and rage when he comes home blind drunk. Sam tried when Pa went too far with Ma; but, that never worked. The sound of Pa’s last strike on Ma seemed to hang in the air for a moment. Then Pa grumbled and stormed off to bed.

    Now, like every other time, I had to go out and make sure Ma was still alive. Every time I wondered what I would do if I came out and she was dead. I always assumed I would just stare at her for a long while, unsure of what to do.

    I opened my door and cautiously entered the common room. I made sure to check the hall leading to Ma and Pa’s room, to make sure Pa had fully retreated to bed. I approached Ma and helped Sam lift her up onto the couch.

    Blood poured from Ma’s broken nose, along with several cuts on her cheeks and chin. Both of her eyes were already bruised, and tears streamed down her bloody face. “Ma, we can’t keep doin’ this,” Sam said. His tone and face were stern. He pulled a red handkerchief from his back pocket and gently dabbed her gashes.

    “What choice do we have?” Ma asked. “We can’t survive without him.”

    “Sure we can, Ma,” Sam answered. “I can git a job. I’m plenty old enough. Or we can run to Mexico.”

    “Git a job where?” Ma asked. She winced as the handkerchief touched her wounds. “The railroad took all the jobs from us. And, you know we can’t afford three train tickets.”

    “I’ll bet he does it on purpose,” I said. Ma and Sam looked at me as if I were a mute speaking for the first time. “Goes to the saloon, I mean. He spends all that money on whiskey, just to keep us here. I don’t know how much longer I can take it, Ma.”

    “Sarah…” Ma began. She paused and looked at me for a moment. “You may be right. But, there’s still nothin’ we can do. I reckon you should run along to bed. Everything will be fine in the mornin’, like always.”

    “Until Pa comes home ragin’ drunk again tomorrow night,” I protested. “He’s gonna kill you one of these times, Ma.”

    “Git goin’ to bed, Sarah. That’s an order.”

    I stared at her, and then looked at Sam. His face was still stern and grave. I could tell he was doing his best to hold back from crying.

    “Just do what Ma says,” Sam ordered. A sing tear streaked down his face, and rage built up inside me. Never before had I seen Sam cry. He’d always been the tough older brother. The one who was never phased by anything. He was the strong one, the brave one; the one who could handle anything. But, now Pa had gone too far. Something had to be done. I surely wasn’t gonna sit around any longer while Pa ruined my family. I kissed Ma on the cheek and made my way back to my room. I tasted her blood on my lips, and clenched my hands into fists. I slammed the door behind me and the flaking metal hinges nearly broke off.

    As I climbed into bed I could hear Ma and Sam talking about protecting me, and making sure I was safe from Pa. But, Pa had never hit me. Not yet, at least. Why where they so worried about me? They were the ones constantly getting beat.

    My eyes closed and I drifted to sleep. Most nights, I would have been haunted by nightmares of Pa chasing after me—liquor bottle in one hand and his shining silver Colt revolver in the other.

    The revolver. The beautiful, gleaming six-shooter he kept on his nightstand. The week before he bought it was one of the best weeks of my life. He hadn’t gone to the saloon one day that week so he could save up to buy his prized gun. He almost named it after me, too. Almost. It was that week that I heard the coyotes howl at night, instead of Ma’s screams. I miss the coyotes.

    On this night, though, I wasn’t haunted by the nightmare. In fact, I didn’t dream at all. I can only remember darkness. Just an empty, blank night of sleep.

    I awoke the next morning to Pa telling Ma she had to go to the general store in the next town and pick up a few things, and to watch out for Big Bill Waterson, the bandit who had been wanted by every lawman in the west. I never heard him apologize. Not once. Although, he never apologized to her any other time, so why should this time be different?

    I slid out of bed and walked into the common room. Pa was polishing his revolver while Sam tended to the cattle. Pa looked at me and smiled. “Git dressed,” he said excitedly. I narrowed my eyes at him. “Don’t look at me like that, girl,” he snapped. “I said git dressed, we’re goin’ to the range. Unless you don’t wanna go shootin’?”

    I stared at him. Never before had he allowed any of us to go near his revolver. Now he wanted to take us shooting? Maybe this was his apology. Maybe this was his way of saying sorry for all the years of senseless abuse. Surely a day of shooting out on the range would make all of us feel better. “This is your last warnin’, girl.”

    I sprinted into my room and frantically put on a pair of brown trousers and a black shirt. Not traditional for a lady; but, I certainly didn’t want to go shooting in a bulky dress. As I walked back into the common room I heard the whinny of a horse from down the road. Ma was back from the general store. Good, that meant we could leave for the range sooner.

    I heard the wagon pull up to the front of our ranch house, followed by a loud snap of cracking wood. Pa looked out the window. “Son of a bitch,” he roared. He charged outside and Ma shrieked as he grabbed her by the hair. “What did you do?” he yelled.

    “I didn’t do anything,” Ma answered through her tears. She grabbed Pa’s hand and tried to pull it away.

    “Liar,” Pa yelled. He breathed heavily and spit shot from his mouth. “We can’t even afford to have this fixed. What are we gonna do now? Huh? How are we gonna fix this?”

    “Let her go,” I screamed. Pa looked at me with wide eyes.

    “What did you say?” he asked quietly. Sam jumped the cattle corral fence and glared at Pa.

    “Let her go, Pa,” he said. Anger was present in his voice.

    “Or what? Huh?” Pa answered. “What are you gonna do?” he laughed. “Git back to the cattle, boy.”

    I stepped closer to him and reached a hand out. Pa held the revolver to Ma’s forehead and I froze. “Pa, put the gun down,” I said calmly.

    “No,” Pa answered. “Your mother has cost me far too much anger and money. She doesn’t do a damn thing but sit at home all day while I make all the money.”

    “You mean the money you piss away at the saloon every night?” Sam asked.

    “I told you to git back to the cattle,” Pa screamed.

    Sam stepped toward Pa, and there was a loud bang. I felt the warmth of Ma’s blood as it sprayed on my face, and watched as Ma fell to the ground. Blood flooded from the wound in her forehead and pooled around her.

    I stared at her. Ma’s eyes were wide in a dull, lifeless stare.

    “No,” Sam screamed. Tears ran down his face as he charged at Pa.

    Pa turned and squeezed the trigger. The bang from the revolver echoed off the distant mountains, and I watched as Sam stopped and clutched his stomach. He raised his hands and stared at the blood that stained them. Pa squeezed the trigger again and Sam fell over backward. The bullet pierced him directly between the eyes and he crashed to the ground.

    I flicked my eyes between Ma and Sam. They both stared up at the sky as the crimson blood flowed from their bodies.

    Pa looked at me for a moment, and then stepped closer. He put a hand on my shoulder and smiled. I felt a light pressure on my lower stomach and gazed down at it. The blood-covered barrel was pressed against my body. I looked back up at Pa.

    “It’s not your fault,” he said.

    “I never blamed myself,” I answered calmly.

    The smile faded from Pa’s face and twisted into a look of anger. “We both know who’s to blame here,” he said grimly. He looked back at Ma’s body, and then back at me.

    I smiled. “Yes we do.” Pa blinked and I snatched the gun from his hand. Before he could move I pressed the barrel against his head and squeezed the trigger. The gun flashed and I looked at Pa’s corpse as it lay at my feet. I knelt down by his head and reached down to close his eyes. No, he didn’t deserve it.

    I looked at him a moment longer, and then approached Ma. I closed her eyes and kissed her on the forehead. I tasted the familiar taste of her blood, and knelt next to my brother. I closed his eyes, and kissed his forehead. The taste of his blood was foreign and I wiped it from my lips.

    The horse whinnied behind me and I turned around and looked at the magnificent black stallion—Pa’s prized horse. I knew what I had to do now. I had no other options. I ran into my parent’s bedroom and opened the top drawer of Pa’s nightstand. I grabbed the box of revolver rounds and returned out front where I detached the horse from the cart and mounted the beast.

    I had to survive on my own now. I had no family left and no idea where fate would take me. But, I was sure there was no way I would let anyone put me down like Pa put Ma down. I fought to save my family, and failed.

    I remembered what Pa told Ma earlier. Big Bill Waterson. I had nowhere else to go, so why shouldn’t I try my luck with him? I was already a murderer, so I deserved to run with one. The only proof I would need was the blood on my hands.

  • Review: MURDER BY DEATH in Ithaca

    Tuesday night at the The Haunt in Ithaca, NY saw two great bands play: Murder by Death opened up for headliner Man Man. I had seen Murder by Death play in Rochester about 7-8 years ago, and was now excited to hear where they’d taken their music. I was also looking forward to checking out what kind of sound Man Man were bringing to the table.

    Anyone that isn’t familiar with Murder by Death should know that they are more of a blend of alternative and indie rock music. Throw in the amazing talent of Sarah Balliet on the cello and you have yourself a force to be reckoned with! When he was up on stage singing, Adam Turla poured his heart and voice into the music and successfully drew everyone in the crowd into each note of every song. Murder by Death had a great list of music set up for us to enjoy, such as some of their early music like “Until Morale Improves”, “The Beatings Will Continue”, and “To My Hill” which is off of their most recent album Bitter Drink, Bitter Moon.

    Coming up next was Man Man, and they instantly impressed me with their music. Man Man put on an interesting show, and all of the fans were loving every second of it. The vocalist, Honus Honus, put on an alien mask for the intro song and gave the audience everything they were expecting with his singing. The music was definitely intriguing and was reminiscent of Mars Volta in a way.Their music was very compelling and I am definitely looking forward to listening to more of their music! From start to finish, Man Man put on an amazing show; the audience had fun and had a great time, and I got to experience new music that I will definitely explore!

    Overall, the combination of Murder by Death and Man Man was an excellent experience. For anyone who has access in the near future to any of their shows, I highly recommend putting on hold any plans that you have and go see their shows! You will not be disappointed. If you have not experienced indie rock or experimental rock to the fullest and are looking to explore these two genres, go see these two great bands play and get immersed in their music!

  • Sevendust: Live at Upstate Concert Hall on Feb 6th

    From the first chords of “Decay” the sold out crowd of Upstate Concert Hall went crazy.  There was something in the air on February 6th.  Sevendust always packs the house in Upstate New York, and they should.  Their brand of alternative metal has withstood the test of time and their newest releases, like “Decay” show that the band isn’t going anywhere.

    “Decay” highlights everything great about Sevendust: the dueling guitars of Clint Lowery and John Connolly, hard hitting rhythms of Morgan Rose and the soulful energy of Vinnie Hornsby, along with Lajon Witherspoon’s unmistakable melodic howl.

    sevendustThe tour is supporting the  new album Black Out the Sun and tried to do that with just two songs. The opening number “Decay” and the only other song they played from the new release, “Till Death”.  With a catalog as large as theirs, fans appreciated the mix from over the years, but any emphasis on the new release might have been overshadowed by past hits.

    The second song of the the set was “Praise” from Sevendust’s third album Animosity.  The crowd went crazy as front man Lajon Witherspoon belted out powerful vocals at the top of his lungs and the crowd fired back knowing most the words to this and every song after it.  The sun was blacked out and the night was still young.  Lajon and company went on to play “Denial” (Home/1999), “Ugly” (Next/2005) and “Bitch” from Sevendust’s debut gold album nearly 16 years ago.  Before the band took a little breather and talked about how great it was to be back in Upstate NY.  It’s home to some of their best shows and biggest fans.  The next two songs were thoughtful and well placed.  A calm before the storm that resulted in harder, edgier work.  “Trust” and “Angel Son” are both from Sevendust’s Animosity album, however “Angel Son” was originally written for a compilation album Strait Up, dedicated to the life of Snot‘s former lead singer Lynn Strait who tragically passed away in a car accident at the age of 30.  This is as close as Sevendust will ever come to a ballad and it highlights the range and talents of the band.

    Morgan Rose was able to set the pace throughout the night adding mesmerizing drum solos.  Their were times that the waves of sound threatened to blow the crowd back through the front doors.  But as the set moved on and the music got faster, the drums got louder and the crowd spread out and the pit finally opened up to a circle were only the strong survive.  “Waffle” (Home/1999) led the charge and went into “Strong Arm Broken” (Cold Day Memory/2010) and then “Till Death” from the new release.  The Set ended with “Pieces” (Next/2005) and the appropriately names “The End Is Coming”  (Cold Day Memory/2010).

    sevendustThe variety of songs over Sevendust’s long career is a testament to their staying power and influence in the industry.  After 16 years of pushing the envelope and bringing hard-nose, in your face music to the masses they are still experiencing incredible success.  Their most recent single “Decay” has been getting a ton of airtime on FM stations all over the country and SiriusXM’s Octane channel.

    The encore was extra special for the audience and the band.  The first song was “Splinter” from Sevendust’s 2010 release Cold Day Memory.  And then, Upstate New York’s own Joey Belladonna was pulled onto the stage to help sing “Face to Face”.  It took a lot of coaxing to get the shy lead singer from the legendary metal band, Anthrax, to the stage but when he finally came out from hiding behind the speakers to the crowd, people in Joey’s hometown of Oswego could have heard the roar.

    Overall the night was a huge success, opening band Avatar from Sweden is definitely a rising star to keep an eye on and support act, Lacuna Coil is always a crowd favorite.  Look for an upcoming interview with Lacuna Coil’s Andrea Ferro.

  • Review: P.O.D., THREE DAYS GRACE & SHINEDOWN in Glens Falls

    Three Days Grace and Shinedown rocked the night Saturday, February 23 in the small town of upstate New York, Glens Falls at the local venue, Glens Falls Civic Center. Supporting this co-headlining tour was the over twenty-year old nu metal band, P.O.D. (Payable on Death). With the departure of Adam Gontier and the stories being shared online, everyone was dying to see what temporary lead vocalist for Three Days Grace, Matt Walst, had in store for us.
    The mixed chatter amongst the crowd died as soon as the lights dimmed, letting everyone know that the fun was about to begin. P.O.D. started off with one of their latest singles, “Lost in Forever”. Through the speedy set list, “Youth of the Nation” brought out the youth in the crowd as they bounced along with the beat – some crowd-surfed, as others waved their arms around to the rhythm of the song. The following song, “Alive”, really filled the arena with a lively aura as the bright, colorful lights hit the audience’s glowing, joyful faces and shining down upon this incredible band. P.O.D. ended with Sublime’s biggest hit, “Lovin’ Is What I Got”, which got everyone in the whole venue to sing along.

    The anticipation for Three Days Grace’s arrival kept building up as the crew set up the stage with a backdrop of a post-apocalyptic city in ruins. A sign stood there with a drape covering what was really behind. They continued to place objects like HAZARD barrels, and then the fog machine began to work its magic. Smoke began to roll across the vacant stage and the quiet background rock music grew louder and then changed to Rage Against the Machine’s hit “Killing In the Name”. The crowd began to bob their heads along to the beat, singing along, all having no clue what was about to occur next. The music was cut off as the whole venue was enveloped in darkness. The mysterious sign’s lights flickered and the drape fell, revealing a sign that read “WELCOME TO FABULOUS LAS VENUS NEW YORK.” The music changed to an eerie song sung by Nancy Sinatra, “Bang Bang (My Baby Shot Me Down)” along with the sound effects of a rainstorm. The stage lit up with a blue hue, and the rain sounds ended as drummer, Neil Sanderson, emerged from below and sat behind his kit. Next to arrive was keyboardist, Dan Rosenoer, who sat in his perch next to Neil. Following Rosenoer was lead guitarist, Barry Stock, then finally, the Walst brothers, bassist Brad and Matt, emerged from the shadows. Matt stepped up to the microphone, preparing for their cue…the anticipatory silence with the exception of the wildly cheering fans. Neil started the rhythm of the beginning song, “Chalk Outline”, as Barry did his guitar riff, and the pyro brightened up the venue. The excited fans sang along with Walst, as he began to show off his vocal talents, blowing us all out of the water. The song ended with Walst doing a high jump from the platform below Sanderson’s kit as the nearby barrels shot up flames. The crowd continued to sing along to all of the songs from the setlist as well as crowd surf, jump up and down, and have the time of their lives. Following “The Good Life”, Neil and Dan did a piano and drum solo together. Then after Dan exited the stage for a brief break, Neil stayed on to do his legendary drum solo. Filled with wild beats, this began the encore of the band’s setlist. The final two performances were a Limp Bizkit cover, “Break Stuff”, featuring the band’s tour manager, Shawn Hamm, and “Riot”. Overall, it was a killer performance!

    After clearing the stage, it was Shinedown’s turn to blow us all away. A banner was raised in front of the stage bearing Shinedown’s logo. The eagerness of the crowd rose with every ticking minute, wondering what their arrival would bring. Finally, the background music was cut, darkness swallowed the venue, and behind the banner was a brightly lit computerized orb. The banner dropped and a series of videos appeared on the screen, all of which blurred together. Then the drummer began to hit his beats as a series of colorful lights washed over the excited faces. The stage, then the voice they’d all been waiting for emerged from an unknown location. Eyes of eager fans searched wildly to see the rest of Shinedown on a stage in the middle of the venue. The lyrics of “Enemies” invaded fervent ears then suddenly stopped, as front man Brent Smith, guitarist Zach Myers, and bassist Eric Bass are escorted to the main stage where they finished the number. The following song had everyone clapping along to the beat of the drum as Smith encouraged them and a familiar guitar riff accompanied the rhythm, then the crowd all sang along to the highly energized track, “Devour”. The rest of the setlist went by fairly quickly and each had its own soothing melody. Taking a break from the calming music, the next familiar tune to fill our ears was one that famously promoted The Expendables, “Diamond Eyes”, a sea of voices chanting “Boom-lay, boom-lay, BOOM!” The high energy returned, having everyone jumping to the rhythm, pumping their rocker horns, and singing along with the lyrics. Shinedown continued their acoustic setlist, with the exception of “Sound of Madness”, bringing back the energy. They covered several songs acoustically, including Lynyrd Skynrd’s “Simple Man”, all performed on the center stage. The setlist ended with their latest record’s leading single, “Bully”, a fantastic way to close the evening.

    All in all, the concert was incredible, filled with lively spirits of the crowd and the perfectly balanced setlist leaving the crowd in high spirits. Various moments stood out, all equally amazing and mind-blowing. Most importantly, was the strong connection between the bands and the ever-adoring fans, one that carried on throughout the evening. This certainly was an unforgettable night.