Author: James Corbett

  • Album Review: Natalie Cressman jazzes it up on “Turn The Sea”

    Natalie Cressman on her new album Turn The Sea opens boldly with the title track and an intro featuring a riff championed by the bass and keyboards. Horns enter with gumption, playing an arrangement that perfectly fits the song. Cressman’s sultry jazz vocals seem to rhythmically play with the band’s accents and swells. Natalie’s harmonies provide an airy dissonance that one comes to expect in a jazz/fusion track.

    The album transitions into “Fortune’s Fool”, a more R&B inspired track with heavy kick drum beat emphasis. The backing band offers many distinct instrumental layers that complement Cressman’s vocals. The track comes to a close with an inspiring ascending vocal line that is matched by the band.

    “Do Not As I Do” offers a departure from the rest of the album. The bass introduction creates a surprising tension. The track segues into a wondrous electric guitar solo. The bass clarinet additions during the solo really set this track apart. The vocal chorus hits hard and strong. It’s amazing how Natalie’s vocals can take the words “Do Not As I Do” and make them sound sweet and positive.

    “Checkout Time” is a true testament to Natalie’s vocal prowess. She holds down the whole track without any percussion or substantial backing instrumentals. The keyboards, bass and guitar serve to add subtle licks and lines that elevate Natalie’s precision vocals. I also really appreciate the orchestration and production on this track. The different vocal parts and harmonies seemed to be pieced together strategically to evoke emotions in the listener. The atmosphere that Natalie creates in this song is truly incredible.

    Finally, “Stolen Away” sends the listener off on a solid upbeat note. This track is an amalgamation of the different styles presented throughout the album. The track goes through many different sections and ends with an in-your-face funk jam. This track gives the listener the best overall sense of what Natalie Cressman and her band are all about.

    As a whole, Turn the Sea demonstrates an awesome blend of jazz, fusion, funk, and R&B. Natalie and her band are an unbelievably talented group of musicians that crafted a jazz album that entertains from start to finish.

    Key Tracks: Turn the Sea, Fortune’s Fool, Checkout Time, Stolen Away

  • Album Review: Bryan Howell’s ‘Lightning Through My Soul’

    Bryan Howell’s ‘Lightning Through My Soul’ begins with a straight- ahead rock track, “Why Oh Why”, complete with hand claps and some sweet backup vocals. There’s a cool ending breakdown with a tasteful guitar solo and some accented full band hits. The album segues into “Dry My Tears”, a feel-good anthem. The atmospheric guitar tone goes over nicely with the bouncy chorus backup vocals.

    Lightning Through My SoulThe album continues with “East Coast Girls”, an upbeat summertime rock track. The vocal lines match the guitar strumming pattern and really play off of each other. There’s also some auxiliary percussion to get you moving towards the end. Finally, “Cold Little Heartbreaker” begins with a melancholy acoustic section that boasts perfectly timed delay on the vocals. The triumphant rock guitar comes in, followed by the floor tom driven rock beat. Howell’s vocals really project on this track, his confidence very evident.

    Overall, this album offers up all of the awesome traits of a summertime rock album. From sweet guitar tones, chords and patterns to happy, sing-a-long choruses, this album does everything it should.

    Pick up the album through Bandcamp and check out Bryan’s Facebook page and his website.

  • Record Store Day 2013: A Look at The Upsides and Downsides

    Record Store Day 2013 is upon us!!! On Saturday, April 20th, thousands will flock to their local independent record store in pursuit of exclusive, limited-quantity vinyl releases from their favorite artists. Record Store Day was started in 2007 by a coalition of independent record store owners as a “way to celebrate and spread the word about the unique culture surrounding over 700 independent record stores in the US and similar stores internationally.” Jack White is this year’s Record Store Day ambassador. He owns his own vinyl shop in Nashville and presses his own records, making him the perfect man for the position.

    “The List”, containing information about each and every Record Store Day exclusive release is up on RecordStoreDay.com. I took a look through and found some unbelievably awesome releases. These are the ones that caught my eye: Trey Anastasio Blue Ash and Other Suburbs” on a 7” Picture Vinyl, Dave Matthews Band Live Trax Vol. 1 4LP Blue Vinyl Box Set, Grateful Dead Rare Cuts & Oddities 1966 on 12” Vinyl, GZA/Genius Liquid Swords 12” Vinyl Chess Box Set, Page McConnell Unsung Cities and Movies Never Made on 12” Vinyl, Phish Lawn Boy Deluxe on 12” Vinyl, The xx Jamie xx edits on 12” Vinyl and The Roots Things Fall Apart on 12” Vinyl (2LP).

    Vinyl Record/LP sales have been on the rise over the last few years. From 2011 to 2012, Vinyl sales went up 17.7 percent, going from 3.9 million to 4.6 million respectively. These sales increases show that consumers are craving vinyl, and what better way to lure them into a record shop than with an exclusive day of vinyl-only releases. Record Store Day draws unbelievable support from artists, labels, record stores and passionate music fans and overall the day is in the good spirit of keeping music alive.

    However, Record Store Day isn’t all good. Not every independent record store can participate, and the ones that do aren’t always able to stock all of the releases. For example, Last Vestige is an independent record store in Albany, NY that has been around since 1986. Owner Jim Furlong has issues with getting some of the releases because he can’t compete with bigger stores that have major connections with distributors. Furlong says, “This has become a big deal where every year, a bunch of different labels, in conglomeration with Record Store Day, manufacture these limited edition pieces and the bigger chains that do business with these labels throughout the year or with the bigger distributors, get first crack or get the majority.” In addition, Furlong encounters problems with people complaining that he doesn’t stock enough of the Record Store Day releases. He adds, “It is annoying and if you don’t have enough, people start badmouthing you on Facebook. I’ve seen some other stores get grief because either they didn’t get it when they thought they would and somebody waited in line and they had to jump in their car and run to Newbury Comics and hope they could find it there. And it just seems that it takes away from the whole joy of it all, having this big friendly competition.” Furlong goes on to say, “The topper is, within a couple weeks after they’re sold, you see on eBay all of a sudden, this stuff’s going for crazy money.” Overall, Jim Furlong and Last Vestige have a frustrating time trying to make happy everyone that comes in to shop on Record Store Day. Without strong distributor relationships, small-scale independent shops don’t have the means to stock all the releases that people are looking for. If people can’t get they want, they get angry and take to the Internet, causing frustration and annoyance for owners.

    On the other hand, The Sound Garden in Syracuse, NY, really thrives on Record Store Day. The Sound Garden is an independent record store that has one other location in Baltimore, MD (this location was ranked #2 on Rolling Stone’s list of The Best Record Stores in the USA). When I asked Eric Brush, the General Manager of the Syracuse location, about what releases he stocks for Record Store Day, he said, “We stock at least one of every release on ‘The List.’” He goes on to add, “Since record store day started, we’ve almost doubled the quantity of releases we order.” Brush had mentioned earlier that The Sound Garden was part of the original group of independent record stores that banded together to start Record Store Day. When I asked Eric Brush about how a smaller store can get involved he responded, “They have to have a relationship with some of the vendors that are putting out the merchandise and we have a relationship with every single one. But [if you don’t], there are other avenues that you can get into throughout the industry. There are one-stop distributors that carry every release from every label and manufacturer all in one place, but they charge you a little bit more. They are a part of Record Store Day and they get a very limited quantity to offer to their customers. This works against smaller stores because they just don’t have access to the quantities that we do.” Brush also talked about criteria that you must follow to be a participating record store for Record Store Day. He said that stores must sign an agreement saying that they won’t sell the releases online at all (to prevent price gauging). Brush confirms, “One thing I do know is that if you get caught selling that stuff online, you’re exempt. They just don’t take kindly to that.” Overall, The Sound Garden does well with Record Store Day because they have the relationships to stock every release so that their customers can get exactly what they want.

    Overall, Record Store Day is a great event for some, in that it helps raise awareness about independent record stores and give recorded music sales a little bump. However, it is unfortunate that some independent record stores are too small to compete with larger stores for their desired quantity of titles. Whether it’s Record Store Day or not, these independent record stores will always have competition. This event advocates for people to go out to their local brick and mortar record store, which is a huge step in the right direction. There’s no doubt that Record Store Day is an awesome way to for these independent stores to gain customers and ultimately make record collecting cool again.

  • Hearing Aide: Alan Evans Trio travels through space on Merkaba

    Alan Evans, co-founder, writer and producer of Soulive has released his sophomore album, Merkaba, with his group Alan Evans Trio. The album demonstrates a mastery of the classic organ trio driving funk/soul groove. Alan Evans is accompanied by three extremely talented musicians: Beau Sasser (Melvin Sparks) on organ and Danny Mayer (On the Spot Trio) on guitar and special guest Mike Feingold (Jay-Z, Erykah Badu) on banjo, guitar and keyboard.

    Alan Evans is an experienced record engineer, producer, drummer and writer who has dedicated the last 15 years to honing his skills. He met Danny Mayer when On the Spot Trio came to record at Playonbrother Studios in Hatfield, MA and had Alan produce their record. Alan got the idea for the formation of the trio after re-locating from Playonbrother studios to his own home recording studio in South Deerfield, MA. Beau Sasser has played several shows with Alan Evans, exhibited a natural knack for the organ and is known as a guru of the instrument’s rich history.

    Merkaba was produced, recorded and mixed in its entirety by Alan Evans at his home recording studio. The album offers the listener a multitude of different aural pleasures spanning from the quality of the production to the atmospheric chord progressions. Merkaba is a cosmic-themed funk journey through decades of time and space.

    The album kicks off with “Thor”, a bright, up-beat funk groove that gets its foundation from Alan’s syncopated beat. This track has a lot of space, which allows the listener to appreciate the precision with which the instrument tones ring out or bleed into the space. The album slows down to a powerful bluesy soul track, “Life Is Harder To Live.” This track gives off a laid back, slow-grooving summertime vibe that is highlighted by the full-bodied organ tone and crunchy guitar strumming. The album then travels back in time to the ’60s for “They Call Me Velvet.” The organ tone on this one sounds like it’s straight off of a Doors studio album. The coordinated stab and stop approach is evident on this track and it reminds me of The Meters. “Biscuits” has a deep, dark progression and feel that brings out the listener’s funky, wince face. The album comes to a close with the ever-so-slowly moving R&B/soul track, “Givin’ to You.” This track is driven by the sultry and sexy acoustic guitar riff. I think this one serves its purpose as the finisher, sending the listener drifting away with its repeated phrases.

    A passionate Alan Evans says of Merkaba, “I can’t wait for everyone and anyone to hear this album. This album is all of me. This album is for the loves of my life and there are songs on here that I never thought would see the light of day but the timing was perfect.”

    Key Tracks: Thor, Life is Harder to Live, Givin’ to You

    Alan Evans Trio Website, Facebook, Twitter

  • Alan Evans Trio play Syracuse, Buffalo and Albany, April 17th, 18th, 19th

    Alan Evans Trio head to Upstate New York in mid-April for a trio of shows in Syracuse, Buffalo and Albany, April 17-19. The band, which features Alan Evans from the legendary soul jazz trio Soulive, brings their refined blend of rock, blues, R&B/soul and funk grooves that send the listener on a cosmic journey. Music fans of all types will be rewarded with an experience that embodies the record-producing, drum-playing Alan Evans’ personal musical vision.

    Alan Evans Trio features Alan Evans on drums, Beau Sasser on organ and Danny Mayer on guitar. The tour continues to Buffalo, Albany and then head to North Carolina for four dates and closes with a date in Atlanta, GA.

    Get tickets for the show here and visit The Westcott Theater’s website here for more information on upcoming shows in Syracuse!  The Monk, a 5-piece band from Syracuse, NY will be opening the Westcott show, a dynamic group with a fusion of Funk, Rock, R&B/Soul, Latin, Hip-Hop and Dance music.

    Tickets for the Buffalo and Albany shows can be picked up here.

    Alan Evans Trio also performs at Rock n Roll Resort on April 13th in Kerhonksen, NY. You can check out more about the festival here.  

  • The Wood Brothers got up close and personal with The Westcott Theater on February 23rd

    The Westcott Theater offered music fans of all tastes an intimate musical experience last Saturday night, as The Wood Brothers took the stage. The band is comprised of brothers Chris (upright bass) and Oliver Wood (acoustic and electric guitar), accompanied by drummer Jano Rix.Wood Brothers Westcott Theater

    The Westcott Theater had a seated floor area for this show, which I have never seen them use. The seated floor gave the room a much more intimate vibe, encouraging the audience to sit back and listen attentively to the music. The Wood Brothers began their set with a few acoustic tunes that featured Rix alternating between playing a unique percussive guitar instrument (referred to by Oliver Wood as the “shitar”) and a melodica. Right from the start, a few bold characteristics were evident. The power of both the vocal harmonies and the lyrical melodies was immense. Chris Wood’s bass was an essential part of the group’s sound and was brilliantly mixed for the space (I could feel it in my shoes, but could also pick out the distinct textures of the upright bass). Rix added his percussion/drums fittingly to the music, while also offering precise vocal harmonies.

    The Wood Brothers went on to play a blend of new and old songs, including the older “Postcards From Hell” (Loaded, 2008) and the newer “Payday” (Live, Volume 1: Sky High, 2012). The Wood Brothers announced that they would also be trying out some new tunes and arrangements. One of these experiments involved Oliver telling the crowd to be silent while the band huddled around a condenser area microphone in the middle of the stage. They proceeded to play an acoustic version of “Shoofly Pie” as well as a new track. I thoroughly enjoyed this experience because the silence in the room enabled me to hear the intricacies of the acoustic instruments as well as the subtleties in the vocal melodies/harmonies.

    By the end of the show, the younger crowd had filled in the small space in between the first row of seats and the stage, grooving out to the band’s exquisite blend of folk, blues and rock. The Wood Brothers really turned it up for their last few songs and encore, with Oliver shredding electric guitar and Chris slapping strings on songs that were more upbeat and rocking. Jano had gone back to play drum kit and exhibited his advanced musicianship during a percussion break during the encore. Overall, I was taken aback by the raw quality and authenticity of the music. The Wood Brothers pleased a few different types of music fans with their performance at The Westcott Theater. The folk fans got their distinct vocal harmonies, melodies and passionate lyrics, the blues fans got tight instrumentals and a soulful tone and the rockers got some grooving rock songs with raging guitar solos.

    The Wood Brothers website and on Twitter, Facebook 

  • Emancipator loosened up The Westcott Theater on January 27th

    The Westcott Theater in Syracuse, NY has been a go-to venue for Syracuse University students and area residents for years. Recently, the Westcott has offered an eclectic blend of bookings that span across many different music styles and genres. This particular night was no exception to this relatively new trend, as Oregon-based producer Douglas Apping took the stage with live violinist Ilya Goldberg under the moniker of Emancipator.

    The crowd was primed well by openers Beatkid, Tor and Eliot Lipp, who offered fast-paced infectious dance grooves that drew from several subgenres of electronic dance music like House, Drum n Bass, and Dubstep. I had broken a sweat and felt loosened up by the end of Eliot Lipp’s set, anxiously waiting to see what Emancipator would bring next. As Emancipator began their set, the overall vibe of the crowd seemed to change from raging craziness to a slower, more relaxed feel. Emancipator’s advanced lighting rig grabbed my attention right away. The rig included thirteen LED lit triangles that towered over the two artists. It was obvious that the lights were programmed for each song, as they seamlessly changed with each subtle transition in the music.

    Emancipator seemed to build in the layers in each track carefully, which allowed the set to take on a free-form. Emancipator barely used any distinct riffs from any of their albums, but did include brief teases of “Jet Stream” and “Kamakura” from their latest album Safe In The Steep Cliffs. Douglas and Ilya seemed to be in a trance, lost in their own musical take on down-tempo, trip-hop grooves.

    The performance was especially enjoyable and unique because the music warranted multiple potential responses. One could dance to it, just stand and relax to it or immerse one’s mind in the detail and complexity of it. An even blend of these types of expressions was apparent in the audience and I was eagerly sampling each one. This show presented me with three things that I look for in a live music experience: a danceable groove, some musical complexity to ponder and a chill crowd to experience it with.

    www.emancipatormusic.com

    www.thewestcotttheater.com

    Emancipator on Twitter