Author: Darren Kemp

  • The 31st Annual The Gathering at Chaffee’s: A Mud Stomping Good Time

    What is it that mother nature has against music this year? Between the floods at All Good and Summer Camp, multiple Statewide Festivals, and even Phish having major issues with rain, you’d think that old lady has a severe case of PMS. (In this case, being Prevent Music Syndrome). That being said, even six inches of mud and dozens of stuck cars could not extinguish the musical fire and heated good times that encapsulated the 31st annual Gathering at Chaffee‘s.

    Held just west of Erie Pennsylvania, this for-charity festival is held on the grounds of the Chaffee family. The family has a huge land, filled with wooded and clear areas giving everyone their ideal shot at a nice place to pop a tent. The weather started out nice enough on Friday, with a stellar crowd that left many old timers murmuring that it was the biggest year ever. Given the promotional team of Ryan Bartosek and Tracy Evans from Erie’s premier music venue the crooked i and the perfect mid-sized festival lineup, this reporter was not surprised at the turnout. Friday featured headliners Aqueous and Funktapuss, who both fail to disappoint pretty much every time they take the stage. Many local and out of state bands preceded them, including Michigan’s Dragon Wagon, whose self-described “Bluegrass Folk Rock with a shot of Irish whiskey” music started a virtual hootenanny throughout their well-attended mid afternoon set.

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    And then the rains came. Saturday started off foreboding with weather forecasts indicating their might be as much as 24 hours of straight downpours. This did not dissuade the weekend citizens though, as many walked by shouting things like “It wouldn’t be Chaffee’s without rain!” Luckily the forecasters were off a bit and the rain cleared up in the afternoon just as the sound of Phish’s “The Lizards” as covered by Eric Brewer and Friends permeated the air.  Ohio’s Stagecoach Robbery then performed a simply shredtastic set with a sound somewhere in between high octane Umphrey’s and filthy blues. This band will be missed as this was unfortunately one of their last performances.

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    Upstate’s Conehead Buddha and Florida’s Cope filled out the the Saturday headlining spots. Conehead, now in their 20th year, had the mud flying as people stomped and hollered through a set filled with a myriad of influences and spot on improvisational moments. Continuing the trend, Cope, yet another hard to define genre mystifying band, played a frenzied set filled with high points, including  a bluegrass version of everybody’s hard rock favorite Tool’s “Sober” which its doubtful many humans would imagine could ever work. It worked spectacularly. Don’t miss the fun next year, as the gathering will be back. Bring your boots and hoots!

  • Buffalove Photo Review – The Sights of a Premier Festival Done to Perfection

    It’s around 10:30pm at the debut edition of the Buffalove festival and 3/4’s of Aqueous have taken the stage. Skins wizard Nick Sonricker is standing backstage enjoying a beer. Noticing the odd look on this reporters face, he offers “No worries man, they won’t need me for a while.” The rest of the band starts playing the familiar intro to Pink Floyd’s “Shine On (You Crazy Diamond)”. The crowd delivers a deafening roar and Nick finally makes his way to the drum set. What followed was one of the most spot on, goose bump inducing covers one could imagine. Simply perfect. (Check it out here)

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    This was just one of dozens of unforgettable experiences that this festival delivered over two days in late June at the Willow Creek Winery in Silver Springs, NY. From Aqueous’s top notch Friday night headlining set, to the sick Buffalove jam featuring musicians from multiple bands, to the one two punch of Funktional Flow’s “Wappy Spayberry” (Umphrey’s McGee) into Phish’s “Sand”, there was nary a dull moment to be found. Partners Richard Zanghi and Cody Conway’s Buffalojams  festival could not have had a more spectacular introduction. The staff and grounds of the winery were perfect, the sounds of board wizard Ryan Nogle were spot on, and the weather … given the apocalyptic nature of most every festival this year, the beautiful conditions could not have been dreamed of beforehand. But fear not, if you’re feeling some regret having missed this stunner, Buffalove 2 will be back next year!

  • Aqueous Announces Extensive Fall Tour of New York, Midwest and Atlantic Coast

    Buffalo’s favorite intense groove rock experience Aqueous has announced an extensive fall tour that brings the band to many new markets as well as established ones. The band has been hitting the road harder then ever this year and this new batch of dates will bring them to over 120 shows for 2013.

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    Highlights include the tour kick-off at the esteemed Brooklyn Bowl with Turkuaz and Jimkata for the Catskill Chill music festival pre-party. Several Upstate NY dates follow as well as the band’s second international date in Montreal. October features a four-show North Carolina run and will also bring them close to one of their mentors; performing an after party for the Rochester Phish show (w/ Jimkata). Washington D.C. and Brooklyn will be treated to some undoubtedly well planned Halloween antics to start off November before a pilgrimage to jam-mecca Nectar’s in Burlington and another pair of upstate dates in Buffalo and Rochester.

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    The summer may fade, but the rage lives on. Check out the full schedule below!

    Aqueous Fall 2013 Tour Dates with Upstate NY highlighted
     
    9/4 – Brooklyn Bowl – Brooklyn, NY * w/ Turkuaz & Jimkata
    9/7 – The Catskill Chill Music Festival – Hancock, NY
    9/11 – 123 Pleasant – Morgantown, WV * w/ The Main Squeeze
    9/12 – Thunderbird Cafe – Pittsburgh, PA * w/ The Main Squeeze
    9/13 – Night Lights Fall Festival – Sherman, NY
    9/14 – Barnaroo – Dover, OH
    9/20 – The Dubland Underground – Rochester, NY
    9/21 – Nietzsche’s – Buffalo, NY
    9/26 – The Waterhole – Saranac Lake, NY
    9/27 – Java Barn @ St. Lawrence University – Canton, NY
    9/28 – Gert’s @ McGill University – Montreal, QC
    10/2 – Papa Pete’s – Kalamazoo, MI
    10/3 – The Gramophone – St. Louis, MO
    10/4 – Hideaway Saloon – Lexington, KY
    10/5 – The Empty Glass – Charleston, WV
    10/8 – The Blind Tiger – Greensboro, NC
    10/9 – One Stop @ Asheville Music Hall – Asheville, NC
    10/10 – The Saloon @ NC Music Factory – Charlotte, NC
    10/11 – 185 King Street – Brevard, NC
    10/16 – Electric Haze – Worcester, MA
    10/17 – Thirsty Moose Taphouse – Portsmouth, NH
    10/18 – The Putnam Den – Saratoga Spring, NY
    10/19 – The Crooked I – Erie, PA
    10/22 – Water Street Music Hall – Phish After Party – Rochester, NY * w/ Jimkata
    10/23 – The Lost Horizon – Syracuse, NY * w/ Tauk
    10/24 – Black Oak Tavern – Oneonta, NY * w/ Tauk
    10/25 – The Lot – Ithaca, NY * w/ Tauk
    10/26 – Jungle Boogie Festival – Lake George, NY
    11/1 – The Bayou – Washington, DC * w/ Tauk
    11/2 – The Knitting Factory – Brooklyn, NY * w/ Tauk
    11/6 – Urban Nest – Asbury Park, NJ
    11/7 – Nectars – Burlington, VT *
    11/8 – Shaskeen Pub – Manchester, NH
    11/9 – Church – Boston, MA
    11/15 – The Dubland Underground – Rochester, NY * w/ Tauk
    11/16 – Nietzsche’s – Buffalo, NY * w/ Tauk
    11/20 – Tonic Room – Chicago, IL * w/ Brown Bag
    11/22 – Scarlet & Grey – Columbus, OH
  • Metal Done Right – Baroness at the Club at Water Street

    Savannah, Georgia’s Baroness brought their progressive “stoner” metal grooves to Rochester’s Club at Water Street Wednesday August 7th. Touring behind their newest album, Yellow and Green, the group was joined by label mates Royal Thunder. Royal Thunder is a three-piece progressive rock band from Atlanta. Their sound is a mix of the old and the new; imagine a mix of The Cult and Evanescence with a more hypnotic progressiveness. Featuring the vocals and impressive bass skills of MLny Parsonz, the trio impressed the small crowd that had made it in early during their 40 minute set.

    Baroness, by all accounts, appear to be on the cusp of success. While they still perform their own soundchecks and headline smaller venues, they are able to pull a close to capacity crowd for a decent ticket price  on a Wednesday despite the distance from their far away southern roots. Many attendees were adorned in black Baroness shirts and colorful tattoos and the beer was flowing at full blast as go-time approached.

    The glowing trademark on the band’s Bad Cat amplifier head beckoned the black fashioned masses closer. Blue oyster cult filled the pre-show music as the band took the stage to the muted sounds of “Highway Star”. The set started acoustically unassuming before a barrage of power chords enlightened the onlookers into a sea of metal signs.

    The band’s sound is a mix of unassuming melodic mellowness with brutal reminders gleefully tossed eloquently into the mix. Picture Mastodon meets early Clutch with a twist of classic rock ground in and the potential to surpass the sum of their influences.  The crowd chatted little, transfixed by the sonic spectacle on stage. Many songs had epic qualities, building, subsiding, peaking, running the gambit of emotions in one composition.

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    The show mostly showcased the band’s newest effort, but had enough older tracks to keep things interesting. Unlike most harder shows, the audience seemed content to stand and watch for most of the show, but in true metal fashion a decent mosh pit broke out during the encore. Pull your Sabbath tees out of the basement and go check out some Baroness!

    photos by Jacob Silco

  • Black and Blues: The Black Crowes and Tedeschi Trucks Band at CMAC

    The Black Crowes brought their long history of hits and booty shaking Rock n Roll to Canandaigua’s CMAC Amphitheater on a simply weather-tastic Wednesday, July 31st, along with Tedeschi Trucks Band. As the crowd made their way in from the lots and started to fill the pavilion and lawn, New York City’s London Souls provided some stupendous entrance music. The power guitar bass and drums trio formed in 2008 and has already climbed the touring ladder high enough to open for some major league acts. The band’s sound is largely based on a myriad of classic rock influences, with enough taste of jam to make a proper sandwich. Those that made it in early enough got themselves a treat and those that did not should make it a point to see these guys when they come back through. Catch them in upstate again October 22nd at Rochester’s Club at Water Street and October 26th with Umphrey’s McGee at the Town Ballroom in Buffalo.

    The Black Crowes
    The Black Crowes

    Next up was the husband and wife duo of Derek Trucks and Susan Tedeschi with eight other top notch musicians to fill out the self monikered Tedeschi/Trucks Band. Trucks is well known for being a young guitar prodigy touring with The Allman Brothers as a teenager and spending years in his own band until joining forces (in more ways than one) with fellow shredder and top-notch vocalist Susan Tedeschi in 2010. They tour with a full horn section, extra vocalists, and plenty of percussion. It’s hard to call this band an opener, as it was very apparent in the crowd that many were in attendance for them as much as the headlining act. There’s nothing cooler than watching a husband and wife lovingly try and out-shred each other and the crowd ate it up and asked for seconds.

    Tedeschi/Trucks Band
    Tedeschi/Trucks Band

    The Crowes hit the stage after about a 30 minute break and wasted no time getting into it with their classic “Jealous Again”. Chris Robinson, who seems even taller in person, was adorned appropriately in a white Buffalo Dead t-shirt and “skinny” blue jeans. Mr. Robinson, of course, is a longtime proponent and activist for marijuana regulation, so this reporter was not surprised to smell an interesting skunky scent emanating from the stage. The band ripped through hit after hit and a decent enough collection of deep cuts to please any fan. For the encore, most of the Tedeschi/Trucks Band joined them onstage for an incredible moment of jamtastic virtuosity covering Eric Clapton’s “Don’t Know Why” and Joe Tex’s “Show Me”. Twelve musicians all at the top of their game melding in unison was the cherry on the top of a sundae of an evening.

    Setlist: Jealous Again, Thick N’ Thin, Blackberry, Another Roadside Tragedy, How Much for Your Wings?, Bring On, Bring On, Wiser Time, She Talks to Angels, Oh! Sweet Nuthin’ (The Velvet Underground), Soul Singing, Thorn in My Pride, Remedy

    Encore: Don’t Know Why (Eric Clapton), Show Me (Joe Tex cover)

  • Flashback: A Phan Looks Back at Phish at Darien Lake, August 7, 1993

    I first heard of this band called Phish in the middle of my first year of college at SUNY Alfred from a fellow architecture student. He had a few tapes which he copied for me (which in turn I was able to trade for a box full which now resides in the “dusty memories” corner of my basement). This was back in the day where you couldn’t just turn on YouTube or cruise to the Phish spreadsheet to hear whatever show you wanted – you had to actually work for it! Despite my musical background, which was mostly metal and classic rock at that point, the band impressed me immediately. The juxtaposition of incredibly structured songs wrapped in periods of ‘anything goes’ was completely new to me and I became engrossed in learning about all things Phish.

    Phish Darien Lake

    It wasn’t until the summer of ‘93 that I finally had an opportunity to catch the band live, but by then I had heard dozens of tapes, knew the studio albums by heart, and was beyond psyched for my first experience. My friend Ron and I traveled up from Candor, NY, just south of Ithaca, up to Buffalo to meet some of his friends. As luck would have it, his friends parents were quite well-off and we spent the early afternoon in a gorgeous custom pool with attached hot tub before collecting everyone and heading towards Darien Lake. After a quick and delicious stop at Buffalo’s Mighty Taco we got to the venue a few hours before show time.

    After scoring my first ever lot grilled cheese and a nice fan-made “Gone Phishin’” t-shirt, we wandered in to find a good spot on the lawn. The weather was perfect and the shrieks of nearby tourists in the next door amusement park only added to the overall excitement in the air. I was immediately taken aback by the crowd, while it certainly reminded me of the two Grateful Dead experiences I had gone on, there was something different about it, almost intangible…

    The band wasted no time coming out of the gate with an especially “Taboot” version of “Llama”, arguably one of the greatest openers in the bands repertoire. While my ears remained transfixed to the auditory mastery unfolding before them, my eyes started to wander around the crowd around me, trying to quantify that intangible feeling I had noticed earlier. What I observed was astounding. Everyone stood, transfixed by the music. Chatting was minimal. The sea of people knew every word, every note, every nuance of the songs being performed. People danced to their own hearts, with no qualms of judgement. This was not a place to worry about mortgage statements, exes or bosses that make you work all weekend. This was a time to live in the moment and become immersed in the pureness of music mastery. The rest of the set was loaded with treats for new timers and seasoned veterans alike. From the simple recreation of “Bouncing around the Room” to the fierce peaks and improvisation in a “Reba>Maze” pairing, which remain as some of my favorite versions of those songs to this day.

    Then stuff got awesomely weird as the first notes of Colonel Forbin’s ascent rang out and the crowd collectively shit their tie-dyed britches. The Colonel went on quite the journey this sunny August day, as Trey’s narration appropriately took us through the “roller coaster of the mind” as unknowing park dwellers went on their own metal and wood coaster journey’s nearby. Eventually the Colonel found the Famous Mockingbird and the band closed the set with a spirited version of classic set closer “Cavern.”

    After far more than the 15 minutes Trey promised us, the band came back for the second set and launched into the familiar notes of Strauss’s “Also Spracht Zarathrusta”. More typical lengthwise to the 3.0 versions of this tune, it was a quick one and launched immediately into my very first experience with Mike’s Groove. Mike’s Groove has had a lot of variations throughout Phishtory, but the standard is the trio of “Mikes Song”, the segue instrumental “I am Hydrogen”, and the raging rock of “Weekapaug Groove” to close it.  This particular Mike’s would stray far from the standard. Two distinct jams in the Mike’s section, with the second being so atypical it is often marked on setlists as “Irish Diddy Jam”. Sandwiched in the middle of this monster was my first experience hearing (or knowing about) the Jon Fishman penned poem “Kung”. We stood up, we ran to the hills, we imagined 1000’s of stampeding golf carts hell-bent on stealing our rich minerals. I gave Ron the 10th of what would be dozens of “Did that just really happen?” looks that night.

    Little did I know, this Mike’s was just getting started. Instead of the typical segue into “I Am Hydrogen” the band went into yet another rarity, the beautiful and succinct Trey instrumental “The Man Who Saw Into Yesterday”. Continuing the groove madness, the Phish version of the Jewish prayer “Avenu Malkenu” came next. “Our Father, Our King, be gracious with us and answer us, even though we have no deeds; treat us with charity and kindness, and save us.” But who would save us? Instead of the typical “Weekapaug” exclamation point, “The Sloth” came down from the ghetto to slice our nipples. No one complained.  In fact we all felt like laughing. And we laughed and laughed until we fell apart during the ensuing “Sparkle” which was set on super-holy-phuck-turbo speed. No bathroom songs in this show. The set continued with a well executed version of THE original Gamehendge song,  “McGrupp and the Watchful Hosemasters” which segued into a hilarious take on Prince’s “Purple Rain” with the typical Phished up version of Argent’s “Hold Your Head Up” to follow. The set then closed with arguably Phish’s greatest show closing tune, a rip roaring, unrelenting “Run Like an Antelope” complete with fireworks and a laser light show from inside the theme park.

    Two decades later this show still resounds as one of the greatest experiences I’ve had. Five Gamehendge related songs, a Kung, audience signals, the most atypical Mike’s Groove I have seen to this day, and just the overall experience of euphoria and belonging in the air made it something I will never forget. It was truly a life changing experience and Phish has endured as a major portion of my being ever since. I wear a handcrafted gold Phish ring on my hand. My car is adorned with a PH1SH license plate. I saw my 3oth show on my 30th birthday. My son was conceived during Coventry weekend. Twenty years later, I’m still upside down.

    Setlist via Phish.net

    Set 1: Llama, Bouncing Around the Room > Poor Heart > Stash[1] -> Makisupa Policeman, Reba[2], Maze, Colonel Forbin’s Ascent > Fly Famous Mockingbird[3] > Cavern

    Set 2: Also Sprach Zarathustra > Mike’s Song[4] -> Kung -> Mike’s Song > The Man Who Stepped Into Yesterday > Avenu Malkenu > The Sloth, Sparkle, My Friend, My Friend[5] > McGrupp and the Watchful Hosemasters -> Purple Rain > Hold Your Head Up, Run Like an Antelope

    Encore: Carolina, La Grange

    [1] Unfinished.
    [2] No whistling.
    [3] Narration dealt with the “Roller Coaster of the Mind.”
    [4] Aw Fuck! and Oom Pa Pa signals.
    [5] Beginning featured Trey on acoustic guitar.

  • Baroness and Royal Thunder coming to Water Street Music Hall August 7th

    Savannah, Georgia’s critically acclaimed stoner/sludge metal outfit Baroness has had a trying year. Sidelined just a month after the release of their latest album Yellow and Green by a bus accident in London that left several members injured, they are just getting back on the road again.

    This Wednesday, joined by label mates Royal Thunder, they will be bringing their fierce musical onslaught to Rochester’s Water Street Music Hall. Ticket’s are $15 and can be purchased here or at the Water Street box office. Doors at 7, showtime at 8. Throw on some black and come rage! 16+ w/ ID.

  • The Black Crowes and Tedeschi Trucks Band headed to CMAC, Canandaigua NY July 31st

    Atlanta’s southern/blues rock legends The Black Crowes are bringing their arsenal of hits to Canadaigua’s Constellation Brands Performing Arts Center next Wednesday July 31st with Tedeschi Trucks Band. Closing in on their 25th anniversary next year, the band recently released their 4th live album Wiser for the Time.
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    Blues shred-master Derek Trucks and his wife Susan Tedeschi will provide a delicious appetizer to the Crowes finale. Recently renamed the Tedeschi Trucks Band, this group provides much more then the name would indicate as a full 10-member touring extravaganza. Their new album Made Up Mind drops August 10th.

    Opening the show will be New York City’s classic rock loving improvisational trio The London Souls. Early weather forecasts look excellent and tickets are still available. Get on your dancing shoes and come on down to groove. $40 for pavilion, $30 for lawn. 6PM. All ages.

    Get tickets to Black Crowes and Tedeschi Trucks Band here or at the CMAC box office.

  • moe. Shreds the Lot at ‘Party in the Park’ in Rochester

    Upstate improvisational legends moe. brought their jam marathon’s to Rochester’s Party in the Park series June 20th. Often locally referred to as “Party in the Parking Lot”, this series deserves more credence. While it’s correct that the events take place in an area also often used to park cars, what is missed by local denizens is that there is ample space provided, an excellent “big-time” stage, copious amounts of affordable vending, convenient entry and exit points, a picturesque view of the Flour City bridge and tons of nearby parking. People must not care that much though, as this event was packed from end to end.

    moe party in the parkmoe. came straight out of the gate at full speed with fan favorite “Happy Hour Hero”. The first set was a short one, but offered excellent takes on “Sensory Deprivation Bank” and “Akimbo” as well as some voice box fun from Chuck Garvey. During setbreak, fans enjoyed music from buskers, beer from Rochester based breweries Rohrbachs and Genesee, and several food trucks filled with tasty treats.

    moe party in the parkSecond set began while the sun was going down, allowing fans a glimpse at moe.’s top tier light show.  Also offered was plenty of shreddy guitar interplay between guitarists Chuck Garvey and Al Schnier. Highlights included a fiery “Wicked Awesome”, the always epic “Brent Black” and a top-speed encore combo of “Spine Of A Dog->Meat”.

    Setlist: moe., Party in the Park, Rochester, NY – June 20, 2013

    Set 1: Happy Hour Hero > Sensory Deprivation Bank, Understand, The Ghost Of Ralph’s Mom, Hi and Lo > Big World > Akimbo
    Set 2: Haze > Wicked Awesome, Puebla > Billy Goat > Tailspin > Brent Black
    Encore: Spine Of A Dog > Meat

    Upcoming Party in the park shows include John Browns Body on 7/11, Great Big Sea on 7/18 and Leon Russell on 7/25

  • Hey Man, Nice Comeback: 1990’s Alt-Rock Legends Filter Release New Album and Rage Montage Music Hall

    “That guy, you see that guy? He gets it. He knows how to support live music”, said Filter front man Richard Patrick as he was pointing right at me. “And wearing a Tool shirt,  that band is awesome!”. People are slapping me on the back and handing out high fives. I give him the double metal sign back and the band blasts into another song.

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    Much of Filter’s June 18th show at Rochester’s Montage Music Hall went like this. As a more than 20 year vet on the national touring scene, Mr. Patrick certainly knows how to successfully work an audience. The band delivered an exceptional set full of energy, including classics like “Take a Picture”, “Do You (Trip Like I Do)”, and “Zero”, each of which were mixed in with enough deep cuts to make even the most jaded Filter vet (if such a thing could exist) ecstatic. Towards the end of their set the band delivered an angst-filled take on The Turtles classic “Happy Together”. After the song, front man Richard Patrick exclaimed they had never played that before and that we had all ‘made history together.’ This was a fantastic performance by adept performers that have managed against all odds to stay fully on top of their game. Syracuse’s Without Regret and Rochester’s Ghostfeeder opened the show with high energy performances of their own.

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    Filter is touring in support of their new album The Sun Comes Out Tonight. Released June 4th, the disc blazes through 12 songs in under 50 minutes. The disc opens with the headbanging track “We Hate it When You Get What You Wanted”, an obvious and excellent nod to those with envy issues. The rock keeps flowing through the following track and lead single “What Do You Say”. The lighter side of Filter is apparent with the family oriented “Surprise” and drug-haze-aftermath ode “Watch the Sun Come Out Tonight”. The entire album does an excellent job at merging the tapestry of Filter’s 20 year career of playing with different genres into one cohesive unit. Present are the full steam ahead headbangers, the introspective dark-edged softer tracks and forays into electronica influenced rock. The album ends with a twosome of songs, “It’s My Time” and “It’s Just You”, both of which invoke a non-copycat similarity to mega-hit “Take a Picture”. An excellent offering by seasoned veterans. Twenty years later, Filter has still got it. Check them out on the Summerland Tour throughout July.

    Key Tracks: What Do You Say, Come Watch The Sun Come Out Tonight, Take That Knife Out of My Back