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  • Gnarstock 2012 in East Durham 8/18/2012!

    Gnarstock 2012 is a 2 day event featuring over 40 bands, DJ’s and acoustic acts. Tickets are 20 dollars and are available as a two day package only. Gnarstock is being held in East Durham, NY at the Michael J. Quill Irish Cultural and Sports Centre. Lineup is:

    Day 1: The American Nightmare, The Medium, Be The Deceiver, Know Your Strength, Karma’s Choice, An American Tal,e Mikey Toy,s Impaling The King, Abandon Me,! DJ Torquemaster/ DJ J4b0/ DJ Johnny B, EVV Primative, Boxer Brown, This Renaissance, Par 6, Breathtaker

    Day 2: I Am The Anchor, Palemen, SCIO, Burn The Charts, Promise Me Tomorrow, As The Sky Falls, Arrest The Dreamer, Burning Down Paris, Like Lions, The Color Glass, Ghetto Bop Cowboys, OH! Yeller, Triumph On Tragedy, Dawn of the Hero, Changing Tides, Carriers, I Was A Hero, Johnny Booth, Stay Gold, Frontlines, Morgan’s Accident, Decades, The Viking, Forget Tomorrow

    Also featuring acoustic performances by: Chris Bivona And/Or (Conor Grocki), Fable Danger (Mike Mrozinski), Courage Underwater, Goldmember (members of OH! Yeller), Seany. K3 (Sean Kawczak), Shapeshifter

    Gnarstock is being sponsored by Explore Apparel. And Upstate Metal! Watch for an Upstate Metal booth at this event.

    http://www.facebook.com/events/337485432960554/

  • THE DEVASTATED Premieres New Music Video; Announces Tour with Fear Factory

    THE DEVASTATED Premieres New Music Video; Announces Tour with Fear Factory

    THE DEVASTATED has teamed up with Metal Injection for the premiere of the music video for “Devil’s Messenger”, the title-track off their new album. Directed by RAGE [Hatebreed, All That Remains, Anthrax] and Kevin Boston, this is the first video from the band’s debut album, Devil’s Messenger, released exactly a week ago.

    The music video for “Devil’s Messenger” can be seen here. http://www.metalinjection.net/tv/view/8511/the-devastated-devils-messenger-video-premiere

    In support of the release, THE DEVASTATED is currently on the road with DR. ACULA and DESIGN THE SKYLINE and have just announced that come May 1, they will hit the road with FEAR FACTORY, SHADOWS FALL, THE BROWING and LEGACY OF DISORDER on the “Noise In The Machine” tour. A full list of dates can be seen below.

    The “F*ck All Your Friends Tour” Dates with Dr. Acula:
    2/28 – Charleston, SC @ Jimbo’s Rock Lounge
    2/29 – Spartanburg, SC @ Ground Zero
    3/1 – Virginia Beach, VA @ Shakes
    3/2 – Richmond, VA @ Kingdoms
    3/3 – Wilmington, DE @ Harmony Grange
    3/4 – Lemoyne, PA @ The Champ
    3/5 – Fullerton, PA @ Planet Trog
    3/6 – Danbury, CT @ Tuxedo Junction
    3/7 – Providence, RI @ PVD Social Club
    3/8 – Long Island, NY @ Broadway Bar
    3/9 – Poughkeepsie, NY @ The Loft

    The “Noise In The Machine” Tour Dates with Fear Factory:
    5/1 – San Antonio, TX @ Backstage Live
    5/2 – Dallas, TX @ Trees
    5/3 – Houston, TX @ Scout Bar
    5/5 – St. Petersburg, FL @ State Theater
    5/6 – Ft. Lauderdale, FL @ Culture Room
    5/9 – Winston Salem, NC @ Ziggy’s
    5/10 – Philadelphia, PA @ Theater of Living Artist
    5/11 – Hampton Beach, NH @ Wally’s Pub
    5/12 – New York, NY @ Gramercy Theatre
    5/13 – Baltimore, MD@ Sonar
    5/16 – Pontiac, MI @ The Crofoot Ballroom
    5/20 – Denver, CO @ The Summit Music Hall

    For more information on THE DEVASTATED, please visit:
    www.facebook.com/thedevastated
    www.twitter.com/thedevastated

  • Timbre Coup ends February residency at Jillian’s of Albany

    Timbre Coup ends February residency at Jillian’s of Albany

    All good things must come to an end but all great things deserve an encore. Thursday night, Timbre Coup’s February residency at Jillians of Albany came to an end with their most powerful performance of the month, reeling in dozens of new fans to their rock/techno fusion. The crowd danced and writhed to the jams that developed from songs both new and old, leaving no doubt to the legacy the band is creating through their shows in the Capital District. Guitarist/bassist Dan Gerken said “The residency showed me that not only does acoustic Timbre Coup work, it was one of our strongest sets! You will be seeing more of this completely organic sound of ours very soon. We were happy to be able to experiment with the 4 show run we had.”

    timbre coup residencyFor their CD release party ‘Knuckles and Valleys’, the show featured a tracks including March, June, October and a stellar rendition of July to close the show. A sandwich of Arnold Schwarzenegger->Give it to me baby (Rick James)->Arnold Schwarzenegger was unexpected but they nailed it and an appreciative crowd asked for more. Jams out of Watching You and Radio were met with a packed dance floor for both young and old in attendance. This could wind up being a yearly or possibly bi-annual residency and would continue to foster the positive response the band had received in the past two years.

    Timbre Coup heads to Syracuse next to play the Westcott Theater on Saturday March 10th with Dirty Paris and Higher Organix, bringing the best of Albany to the Salt City. Dirty Paris and Timbre Coup return the next weekend to co-headline St. Patrick’s Day at Red Square in Albany making for a great Saturday night and continuing their notably worthy presence in their hometown of Albany.

    Check out pictures from Mike Wren here 

  • The First Niagara Rochester Fringe Festival will make its debut in Downtown Rochester’s East End on September 20-23, 2012

    In the tradition of most fringe fests, the First Niagara Rochester Fringe Festival will act as a facilitator, with venues themselves choosing and producing their own shows based on applications from artists, groups and producers.  Applications will be accepted until April 14 at www.rochesterfringe.com for shows at these official venues: Bernunzio’s Uptown Music, Blackfriars Theatre, George Eastman House, Geva Nextstage, Hatch Recital Hall (at Eastman School of Music), Kilbourn Hall (at Eastman School of Music), Java’s, Max of Eastman Place, Montage Music Hall, RAPA and Rochester Museum and Science Center (RMSC). More East End venues will be added, and seven others are already planning their own events.

    Festival producer and Rochester native Erica Fee made the official announcement Friday, first giving a brief history of the term “fringe festival” which was used to describe independent shows that sprang up around the Edinburgh International Festival in Scotland, now the largest arts festival in the world. “Rochesters four-day Fringe will have that fun, expect-the-unexpected feel, while showcasing everything from theatre and dance, to visual arts and music, to comedy and family entertainment. There will truly be something for everyone!” explained Fee. “Four days. Dozens of shows. All on display throughout Rochester. It’s a festival the likes of which Rochester has never seen before. A spectacular celebration of the performing and visual arts in the heart of Rochester’s East End, featuring world-renowned performers as well as up-and-comers.”

    For official Rochester Fringe Festival information visit www.rochesterfringe.com

  • Big Splash, Big Women: Natalie Merchant, Sandra Steingraber, and Judy Hyman to perform in Anti-Fracking concert in Binghamton

    Natalie Merchant is coming to Binghamton for an anti-Fracking concert. She is standing up in support of the anti-hydraulic fracturing movement in New York and she is not alone. Along with her comes one of Ithaca NY’s favorite musical talents The Horse Flies. The concert will also feature the author of Raising Elijah and speaker Sandra Steingraber, who is an outspoken opponent of hydrofracking.

    Natalie Merchant’s music is haunting, magical, when you listen to her music you can travel to a different place, a different time. You cannot put a label on her style and genre! Natalie stated about her latest album Leave you sleep, “I have always loved many different styles of music but had barely scratched the surface of those genres on my own recordings. This time in the studio I really wanted to experiment so I called on some of the most accomplished musicians in Cajun, bluegrass, reggae, chamber, and early music, jazz, and R&B, as well as Balkan, Chinese, and Celtic folk”.

    Natalie has deep roots in NY. She was born in 1963 in Jamestown, New York, where she spent her childhood. In 1981, while attending Jamestown Community College, she started singing for a band called Still Life, which would go on to become 10,000 Maniacs. Throughout her entire career, Merchant has also been dedicated to supporting a wide array of non-profit organizations lending both financial support and raising public awareness. Scenic Hudson, The Center for Constitutional Rights, Riverkeeper, Doctors without Borders, Greenpeace, and The Association to Benefit Children, and The Southern Center for Human Rights are among the groups to which she has been devoted. She was recently appointed by the governor of New York to serve a five-year term as a member of the New York State Council on the Arts. Merchant is donating her performance to help raise money for the anti-fracking effort.

    The Horse Flies with members Judy Hyman, Richie Stearns, Jeff Claus, Taki Masuko, Rick Hansen, and Jay Olsa, will open the show with a guaranteed astounding performance. The Horse Flies have had a long run, since 1981, perfecting their magical, mysterious, haunting, powerful, beautiful, fold rooted rock sound. Hyman and Stearns toured with Natalie Merchant and performed on Merchant’s The House Carpenter’s Daughter and Leave Your Sleep albums. The House Carpenter’s Daughter features Claus’s song, “Sally Ann”.

    Sandra Steingraber is an ecologist, author, and cancer survivor who recently won the Prestigious Heinz Award. Steingraber is donating her entire financial award to the fight against hydrofracking, including covering some of the costs of the concert. Steingraber has spoken at conferences on human health and the environment in the United States and Canada and has been invited to speak at lectures at Harvard, Yale, Cornell, Columbia University, and the Woods Hole Research Center.

    “Fracking is wrong. Fracking is unmitigatable. Sooner or later, steel and concrete disintegrates. Sooner or later, gas wells open portals of contamination between drinking water aquifers and the toxic materials held in the bedrock below. Doing fracking “right” simply means building time bombs with longer fuses. There are no places in New York and no children in New York that we are willing to sacrifice.” –Sandra Steingraber.

    After taking over 20,000 public comments, New York environmental officials are getting ready for the final phase of work on their proposal to allow hydrofracking of natural gas in the state. Major environmental groups hired their own technical experts to review the states proposal. One large problem, they say, is the lack of a plan to dispose of the millions of gallons of wastewater that the drilling will produce. Also missing is an assessment of potential health risks from fracking operations, and of the effects on both humans, especially children, and the environment.

    I recently sent an email to Judy Hyman asking her what you would like to say to the governor of NY. Here is her response.

    “Mr. Cuomo …

    I would like you to imagine the implications of having a high volume-horizontal-slick water-hydrofracturing gas pad 100 feet from your house (the setback indicated in the current version of the sGEIS). Your home. your family, your property, your lifetime of hard work. Please think about all the risks and implications. Is that really how you would want to live?

    I don’t want to live that way either. But if you allow permitting to proceed, my home and my health will become vulnerable.

    The process is not safe. There are accidents, spills, contaminations, both intentional and accidental, everywhere its happening.

    The economic argument doesn’t work either. Industrializing my area will harm our existing, sustainable economy of education, wineries, organic farming, and tourism.

    The patriotic argument has also been disproven as the industry is making plans to ship gas oversees and significant investment dollars in drilling are coming from outside the U.S.

    I hope you’re listening to the people of New York. We’ve been working hard to reach you. The vast majority are opposed to this method of drilling. I’m pleased that New York State is still on moratorium. I hope New York will show the world a better way to grow our economy by investing in conservation and renewables. Please lead us in this direction.”

    Chris Tate of the Finger Lakes Clean Water Initiative says, “Bringing together both Sandra Steingraber and Natalie Merchant, both very powerful, strong women, both mothers wanting to protect their children. And that’s really what this is all about. It’s protecting our clean water, we have a lot of clean water in New York State and we want to keep it that way.”

    The event will take place at The Forum Theatre – 236 Washington Street, Binghamton on March 10th 2012. Showtime is 7 pm. Proceeds from this show will benefit the Finger Lakes Clean Waters Initiative! Tickets to the March 10th event can be purchased at the Forum Theater Box office or through Ticketmaster.

  • Timbre Coup ‘Knuckles and Valleys’

    Timbre Coup ‘Knuckles and Valleys’

    The third album from Timbre CoupKnuckles and Valleys, following the release of 2010’s Check Out This, will be released on Thursday, February 23rd on the final night of their month-long residency at Jillian’s of Albany.

    timbre coup knuckles and valleysTwelve tracks for the twelve months of the year, written over the course of 2009, one song each month and gaining the appropriate monthly title as the year progressed. The writing process, as shared by drummer Matt Pickering, “Some songs we tried to capture the mood or feeling of the month in lyrics of music, a couple we just wrote what we were feeling at the time. The mixing on the album reflects how we think the months sound.” The songs have all been played live but for those new to Timbre Coup, they can see how the music portrays the month while existing fans will hear different versions of songs they are already familiar with.

    With tracks as easy as these to name in order, a brief description of what to expect from this impressive junior effort:

    January – There’s some Tool in here, along with a Middle Eastern jazz infusion and dark vocals, inspired by gritty 90s grunge. Great start to the album/year.

    February – A great bass line opens up into a groovy beat, followed by a refrain “This has only just begun” with a mellow sax not unlike “Careless Whisperer.”

    March – Instrumental prog-rock goodness; this could be a soundtrack for a boat adrift at sea, encountering storms and finally placid at the end.

    April – A musical thunderstorm, great lyrics and wonderful guitar work on a hallmark track.

    May – Bass n drums foundation with building guitar licks before a break in the song; the song starts again with more intensity in the second half, growing to great heights. Solid.

    June – A homemade electronic feast without missing a beat, strongest track so far, makes for great dancing; lyrics include ‘Keep it pumpin’ till the night is through, it’s a summer rhythm…’

    July – Spastic guitar propels the tune forward, the arching solos create the melting rhythms.

    August – Another Middle Eastern infusion at the outset, lyrics are celebratory “The day is mine!” as the quartet turn to Mexican influences for an end of summer jam.

    September – An airy trance starts off the ninth track, a purely electronic track from four musicians who create a spooky techno song without needing a laptop; pure musical talent in the month of September.

    October – Harsh and gritty, machine-gun guitar vs. sweep solo guitar.

    November – Indie rock at first, but quickly supplanted by the come-to-expect deep grooves that accent the lyrics and harmony vocals.

    December – Industrial beats mark the beginning, rocking and jamming all the way through. A perfect way to cap off a magnificent album.

    So, what’s your favorite month?

    Key tracks: April, June, September, December

  • Fifth Headliner, Daryl Hall Announced for Xerox Rochester International Jazz Festival

    Daryl Hall “Live from Daryl’s House” with Special Guest Keb ‘Mo will perform Thursday June 28 at Kodak Hall at Eastman Theatre. Hall will join previously announced Xerox Rochester International Jazz Festival headliners Norah Jones, Diana Krall, and Steve Martin, whose concerts have already sold out, and Zappa Dweezil Plays Zappa.  A second show for Steve Martin was added last week. The pre-festival show featuring Bonnie Raitt on May 27, has also sold out.  The “Club Pass” has also sold out, earlier than ever before in the Festival’s history. The 11th edition of the XRIJF is June 22-30.

    “Securing todays leading young artists and veteran headliners for our Kodak Hall at Eastman Theatre series each year brings about a challenge of timing and serendipity. This year we’ve been extremely fortunate. We are ecstatic to announce another Kodak Hall show during the festival with perhaps one of the greatest selling artists of our generation in Daryl Hall,” says John Nugent, the festival Artistic Director.

    Tickets will go on sale Friday February 17 at 10 a.m. at http://rochesterjazz.com. Tickets will also be on sale at the at the Kodak Hall Oval Lobby Box Office, located at the corner of Gibbs and Main Streets in Rochester, for one day only on February 17 from 10 a.m. – 5 p.m. The fastest and easiest way to order tickets is online at http://rochesterjazz.com with the festival’s new e-ticketing system where festival patrons can pick their own seats. Customers who don’t have computer access may order by calling 585-454-2060.

  • The Pink Floyd Experience, Palace Theater

    The Pink Floyd Experience, Palace Theater

    Good cover bands are hard to come by, as seen by the local acts that fill bars and clubs around the country each weekend, singing the songs of the past. The bigger names – Dark Star Orchestra and The Fab Faux are notable because they accurately recreate the music of the Grateful Dead and The Beatles, respectively, without donning costumes or trying to make the music their own. They have simply learned the music and play it as close to the original as possible and in doing so, fill a void left by the absence of the bands they cover. Some would call them tribute bands, but that distinction is reserved for the groups that take on the style and exact lineup of the original band (i.e. The Fab Faux has five members) and leaves little room for error or interpretation.

    pink floyd experienceFor a band as complicated as Pink Floyd, both in terms of music and history, the number of cover bands is akin to The Beatles; there’s The Machine, Australian Pink Floyd, Brit Floyd and the band I was fortunate to see, The Pink Floyd Experience from San Diego, California. Opening up on February 16, 2012 with the entire album ‘Wish You Were Here‘ and nailing all five epic songs (Shine on Your Crazy Diamond I-V, Welcome to the Machine, Have a Cigar, Wish You Were Here, Shine on You Crazy Diamond VI-IX) without skipping a beat. For my favorite album of them all by Floyd, I was impressed.

    Then a brief intermission where the lights revealed family night at The Palace Theater. Many fans are older now and brought their kids, mostly teenagers but a few tweens as well. Families were milling about, grabbing concessions and ignoring merchandise with mellow aplomb; surely this is the exact opposite of Floyd when they played Wish You Were Here at venues like this back in the 1970s. But a mixed crowd leads to a new generation or two with the ability to enjoy some of the greatest music ever written. Ranging from the psychedelia of the 60s to the rock anthems of the 70s to the rock opera of The Wall in the 80s and the scraps left over in the 90s when David Gilmour toured and Roger Waters didn’t, Pink Floyd spans 6 decades of music and returns to stadiums this summer (and The Times Union Center June 28th) with The Wall once again. The light show isn’t the same with The Pink Floyd Experience, but they make a great effort to recreate the entire experience, nailing the music and sound but lacking with the lighting.

    Set 2 started out with On the Run->Time from Dark Side of the Moon before mellowing out into the spooky vibrations of Set the Controls for the Heart of the Sun. An extended sax solo front stage recreated the ‘Careless Whisper’ feeling from 1984, forgetting that the extended sax solo should remain in the 80s. Learning to Fly, the lone 1990s Floyd offering was anthemic and ensured that all eras were covered tonight. The group announced that they would play a song for Syd Barrett but sadly, no Bike but Interstellar Overdrive instead. Money and a short version of Echoes (minus the spaciness) followed, along with another sax solo before a random guy in a jacket adorned with light bulb took the stage for the stormy intro to Hey You. The surround sound effects were at their best here, getting fans to turn their heads as the sound traversed throughout the audience and segued into Comfortably Numb. A packed sandwich of Run Like Hell -> Another Brick in the Wall Part Two -> Run Like Hell got the audience singing along with the band while the giant pig took to the space between the audience and the stage, drifting up and down until fans had left the show shortly before 10pm.

    The members of The Pink Floyd Experience lauded Albany for providing a great turnout once again. This was a show that is very worth seeing, although I would have liked another 45-60 minutes of some more obscure songs. But I can’t complain, good cover bands are hard to come by.

    Dopapod with special guest Timbre Coup
    Jillians

    Following The Pink Floyd Experience, I headed over the Jillians, where Timbre Coup continued their residency for February, opening up for funk/electronica group Dopapod, another regular in the Capital District. Coup’s electric set for a packed house continues to be one of the highlights of music in the area, cornering the electro/prog-rock market and garnering new fans throughout the month of February. Dopapod followed with strong set of songs from their new album ‘Drawn Onward’ and random and funky dance numbers. Dopapod will be back in a couple short months, potentially opening up for a bigger name in the electronica genre. It’s a big week next week for Timbre Coup, with their CD release party of ‘Knuckles and Valleys’ on 2/23 at Jillians with Higher Organix opening. Don’t miss the final night of their Jillian’s residency!

  • GOOD RIDDANCE reunites, announces first batch of tour dates

    GOOD RIDDANCE reunites, announces first batch of tour dates

    After five years of silence since their “final” show, which was recorded for posterity and released under the name ‘Remain in Memory”, Good Riddance has announced that they’ll be returning to the stage. The band had this to say on their website.

    “Since that final show I have been asked countless times about getting back together and playing again. I never really considered it an option, seeing as how we’d played our final show (“final” being the key word) and all. When I would ask these people why they wanted us back the most common answer was “The songs! We miss the songs!”

    As it turns out we miss them as well.

    After nearly five years, Good Riddance has decided to perform as a band again. The number of shows, when and where and all the other specifics have yet to be determined but for those of us who really missed the songs and those of you who maybe never got to see the band play, there will be Good Riddance shows in 2012 and perhaps beyond.”

    The band has subsequently announced a handful of European festival dates. Step it up, America! To read the rest of the statement, or see the tour dates, you know, in case you’re planning a trip to Europe for Groezrock, check out the bands site.

    http://grpunk.com/

  • IRON MAIDEN’S ‘Maiden England” tour to stop at Darien Lake

    Iron Maiden announced their longest string of US dates in many years. The tour starts June 21 in Charlotte, N.C. and concludes in Houston, Texas on August 18. Alice Cooper will be support until July 21, and Rockland County’s own Coheed and Cambria will take over thereafter. Iron Maiden’s set will be arranged to mirror the Maiden England video in both song selection and production somewhat closely.

    “We have great fun playing the History of Maiden Tours because it gives us an opportunity between new albums to go out and play songs from our earlier catalogue. It’s always fantastic seeing the crowd reaction from a new generation of fans who have never experienced some of these tracks performed live before, and of course we know our longstanding fans will enjoy seeing the original Seventh Son Tour re-visited – with many other surprises!” Said frontman Bruce Dickinson.

    “Our intention is to play about two thirds of the original track list of Maiden England (shown below*), including some songs we have not played live in a very,very long time, plus other favourites we just know the fans are going to want to hear! We always try to give our fans a great show musically, but we have always tried to make it as entertaining and memorable an experience as we can visually. And we all feel this show is going to do that splendidly! We can’t wait to get started in Charlotte”.

    The tour stops at Darien Lake in Buffalo on July 16th with Alice Cooper as support.

    Tour Dates:
    21st June – Charlotte, NC – Verizon Wireless Amphitheatre
    23rd June – Atlanta, GA – Aarons Amphitheatre
    26th June – Boston, MA – Comcast Center
    27th June – Wantagh, NY – Jones Beach
    29th June – Philadelphia, PI – Susquehanna Bank Center
    30th June – Washington, DC – Jiffy Lube Live
    2nd July – Newark, NJ – Prudential Center
    5th July – Chicago, IL – First Midwest Bank
    8th July – Quebec, QC – Colisee Pepsi Arena
    11th July – Montreal, QC – Bell Center
    13th July – Toronto, ON – Molson Amphitheatre
    14th July – Sarnia, ON – Bayfest
    16th July – Buffalo, NY – Darien Lake Performing Arts Center
    18th July – Detroit, MI – DTE Music Theatre
    19th July – Indianapolis, IN – Klipsch Music Centre
    24th July – Winnipeg, MB – MTS Center
    26th July – Calgary, AB – Scotiabank Saddledome
    27th July – Edmonton, AB – Rexall Place
    29th July – Vancouver, BC – Pacific Coliseum
    30th July – Auburn, WA – White River Amphitheatre
    1st August – Salt Lake City, UT – USANA Amphitheatre
    3rd August – San Francisco, CA – Shoreline Amphitheatre
    6th August – Phoenix, AZ – Ashley Furniture HomeStore Pavilion
    9th August – Irvine, CA – Verizon Wireless Amphitheatre
    12th August – Albuquerque. NM – Hard Rock Pavilion
    13th August – Denver, CO – Comfort Dental Amphitheatre
    15th August – San Antonio, TX – AT&T Center
    17th August – Dallas, TX – Gexa Energy Pavilion
    18th August – Houston, TX – The Woodlands