Category: Interviews

  • Big Splash, Big Women: Natalie Merchant, Sandra Steingraber, and Judy Hyman to perform in Anti-Fracking concert in Binghamton

    Natalie Merchant is coming to Binghamton for an anti-Fracking concert. She is standing up in support of the anti-hydraulic fracturing movement in New York and she is not alone. Along with her comes one of Ithaca NY’s favorite musical talents The Horse Flies. The concert will also feature the author of Raising Elijah and speaker Sandra Steingraber, who is an outspoken opponent of hydrofracking.

    Natalie Merchant’s music is haunting, magical, when you listen to her music you can travel to a different place, a different time. You cannot put a label on her style and genre! Natalie stated about her latest album Leave you sleep, “I have always loved many different styles of music but had barely scratched the surface of those genres on my own recordings. This time in the studio I really wanted to experiment so I called on some of the most accomplished musicians in Cajun, bluegrass, reggae, chamber, and early music, jazz, and R&B, as well as Balkan, Chinese, and Celtic folk”.

    Natalie has deep roots in NY. She was born in 1963 in Jamestown, New York, where she spent her childhood. In 1981, while attending Jamestown Community College, she started singing for a band called Still Life, which would go on to become 10,000 Maniacs. Throughout her entire career, Merchant has also been dedicated to supporting a wide array of non-profit organizations lending both financial support and raising public awareness. Scenic Hudson, The Center for Constitutional Rights, Riverkeeper, Doctors without Borders, Greenpeace, and The Association to Benefit Children, and The Southern Center for Human Rights are among the groups to which she has been devoted. She was recently appointed by the governor of New York to serve a five-year term as a member of the New York State Council on the Arts. Merchant is donating her performance to help raise money for the anti-fracking effort.

    The Horse Flies with members Judy Hyman, Richie Stearns, Jeff Claus, Taki Masuko, Rick Hansen, and Jay Olsa, will open the show with a guaranteed astounding performance. The Horse Flies have had a long run, since 1981, perfecting their magical, mysterious, haunting, powerful, beautiful, fold rooted rock sound. Hyman and Stearns toured with Natalie Merchant and performed on Merchant’s The House Carpenter’s Daughter and Leave Your Sleep albums. The House Carpenter’s Daughter features Claus’s song, “Sally Ann”.

    Sandra Steingraber is an ecologist, author, and cancer survivor who recently won the Prestigious Heinz Award. Steingraber is donating her entire financial award to the fight against hydrofracking, including covering some of the costs of the concert. Steingraber has spoken at conferences on human health and the environment in the United States and Canada and has been invited to speak at lectures at Harvard, Yale, Cornell, Columbia University, and the Woods Hole Research Center.

    “Fracking is wrong. Fracking is unmitigatable. Sooner or later, steel and concrete disintegrates. Sooner or later, gas wells open portals of contamination between drinking water aquifers and the toxic materials held in the bedrock below. Doing fracking “right” simply means building time bombs with longer fuses. There are no places in New York and no children in New York that we are willing to sacrifice.” –Sandra Steingraber.

    After taking over 20,000 public comments, New York environmental officials are getting ready for the final phase of work on their proposal to allow hydrofracking of natural gas in the state. Major environmental groups hired their own technical experts to review the states proposal. One large problem, they say, is the lack of a plan to dispose of the millions of gallons of wastewater that the drilling will produce. Also missing is an assessment of potential health risks from fracking operations, and of the effects on both humans, especially children, and the environment.

    I recently sent an email to Judy Hyman asking her what you would like to say to the governor of NY. Here is her response.

    “Mr. Cuomo …

    I would like you to imagine the implications of having a high volume-horizontal-slick water-hydrofracturing gas pad 100 feet from your house (the setback indicated in the current version of the sGEIS). Your home. your family, your property, your lifetime of hard work. Please think about all the risks and implications. Is that really how you would want to live?

    I don’t want to live that way either. But if you allow permitting to proceed, my home and my health will become vulnerable.

    The process is not safe. There are accidents, spills, contaminations, both intentional and accidental, everywhere its happening.

    The economic argument doesn’t work either. Industrializing my area will harm our existing, sustainable economy of education, wineries, organic farming, and tourism.

    The patriotic argument has also been disproven as the industry is making plans to ship gas oversees and significant investment dollars in drilling are coming from outside the U.S.

    I hope you’re listening to the people of New York. We’ve been working hard to reach you. The vast majority are opposed to this method of drilling. I’m pleased that New York State is still on moratorium. I hope New York will show the world a better way to grow our economy by investing in conservation and renewables. Please lead us in this direction.”

    Chris Tate of the Finger Lakes Clean Water Initiative says, “Bringing together both Sandra Steingraber and Natalie Merchant, both very powerful, strong women, both mothers wanting to protect their children. And that’s really what this is all about. It’s protecting our clean water, we have a lot of clean water in New York State and we want to keep it that way.”

    The event will take place at The Forum Theatre – 236 Washington Street, Binghamton on March 10th 2012. Showtime is 7 pm. Proceeds from this show will benefit the Finger Lakes Clean Waters Initiative! Tickets to the March 10th event can be purchased at the Forum Theater Box office or through Ticketmaster.

  • An Inner View: Mikaela Davis

    An Inner View: Mikaela Davis

    Mikaela Davis is a great example of the diverse musical artistry that is electrifying the Flower City. She embodies originality, vision, and prolific virtuosity as a singer and player. Her songwriting abilities mixed with the mastery of the harp, have put her in a position to make highly creative music of a new and exciting ilk. I caught up with Mikaela recently to talk about her new record, a recently televised concert on WXXI, and all the things that the future holds.

    Mikaela DavisErik: How did you get started with your musical education, and when did you first start writing songs?

    Mikaela: Ever since I was little I knew I would be going to school for music. I decided to go to school for the harp, auditioned at schools, and ended up at the Crane School of Music in Potsdam for harp performance! I started writing songs when I was 12 for piano and voice. This was a way for me to let out stress, sadness, happiness, or whatever other emotions I felt! I put on two concerts of all original songs in 7th and 8th grade. I took a break from writing music, then started up again in late high school, deciding to start writing on the harp instead of the piano.

    Erik: What escalated the decision to take on the harp, an instrument that takes incredible patience to master?

    Mikaela: Actually, the harp is the instrument I started off with. In 3rd grade, I started up the harp and the piano at the same time. They offered harp in my school district (Penfield), so every school owns a harp or two. I wanted to learn how to play the harp so I could practice under the skylight in my living room and let my Oma (grandma) hear me. She passed away a year before I started taking harp lessons, and I was very close with her growing up.

    Erik: Who are your biggest influences overall, and what influences play out most in your approach to the writing process?

    Mikaela: My biggest influence is Sufjan Stevens, although I’m not sure if his writing style is reflected in mine. I’m also a big fan of Elliott Smith, The Beatles, The Remains, T.Rex, and so much more!!

    Erik: The Bug Jar seems to be your performance home in the Rochester market? Obviously, you do play other venues here, but what is most appealing about most of your shows taking place within that uniquely great venue?

    Mikaela: I really love playing at The Bug Jar. Mostly because I get to play with other amazing bands! I just recently played a show with My Brightest Diamond and it was such a great experience. There is a different crowd every time I perform, which means new fans!

    Erik: How is it juggling the performance and writing schedule with the demands of musical curriculum at a school like Crane?

    Mikaela: During school, I usually hang low with gigs and writing. I have a lot of work to do during the semester, as well as arranging one harp ensemble piece every semester! It’s a lot of fun, and can be tiring at times, but driving home for a weekend gig or recording session is always worth it.

    Erik: How is the whole recording process going over at Red Booth? Do you have a release date planned for the album, and what can we expect from the piece in general.

    Mikaela: Alex Patrick (keys and guitar), Alex Cote (drums and percussion) and I recorded most everything over the summer. We’ve been adding things here and there, and recorded a newer song, I’m Just Tryin’ To Be Your Friend, over Thanksgiving break. Red Booth Studios is great, such a warm environment. I always looked forward to going in and getting to hang out with Brian Moore (the engineer and owner). He’s a great guy and really knows what he is doing; I trust him 100%!

    Erik: I was wondering if you could tell me a little about your backing musicians, and their backgrounds?

    Mikaela: Alex Patrick plays the keyboard and guitar in my band. He is a jazz guitar performance major at the Eastman School of Music. Alex Cote plays the drums and percussion and attends SUNY Purchase for jazz drumset performance. We all went to high school together and graduated the same year. The band actually came together by accident. I used to play by myself. Alex Cote wrote some bell parts to my songs, and slowly started adding drums to more performances. The three of us hang out all the time, so eventually Alex Patrick started writing guitar and keyboard parts to each song. They add so much to the sound!

    Erik: How exciting was it, getting the opportunity to do OnStage for WXXI? Great performance by the way. How has the response been from friends and fans?

    Mikaela: Such a great experience! It was so different being filmed by such large cameras, rolling around as we were playing… kind of scary! The response has been great! My family is always so supportive of me which I am so grateful for. I definitely have some new fans from the experience too which is great.

    Erik: Do you have any plans to take the show on the road when things settle down in your life? Any touring plans imminent?

    Mikaela: I want to go on tour this summer after the CD is released to get the word out, and travel to some cool cities. I’m honestly not sure what I want to do in the future, but if I could live off of touring and writing music for a little while, that would be the dream.

    Erik: I ask this of many! Rochester is a highly diverse musical scene that is starting to get the attention it deserves on a national level. What do you think of your “home city,” and the great things that are taking place at this time.

    Mikaela: I have always loved Rochester. I can think of so many amazing people and bands that come from this city. I feel that Rochester will become more alive. There is definitely a lot of music cooking up in here; it just needs to get out into the world.

    Stay tuned for more Mikaela news in the near future. We intend to announce more information on the release of her record as it becomes available. Also, catch her when she plays shows in Upstate. You will be mesmerized by what Mikaela and her band are bringing to the table.

  • Matt Dalberth of BURN EVERYTHING discusses genre differentiation, new material

    Matt Dalberth of BURN EVERYTHING discusses genre differentiation, new material

    Matt Dalberth has been part of the Upstate music scene for upwards of 15 years and through stints in bands like 40 Oz Failure, Fallguy, and his current band, Burn Everything; the charismatic front man has always been heavily involved in a project that has carried tremendous weight. I caught up with Matt recently to see how things were going in the world of Burn Everything.

    Erik:  Tell me about the creation of Burn Everything, and how it all came together in the beginning.

    Matt: In 2007, Charlie Street (guitar), Tony Castronova  (drums), and myself were all in a more straight forward, old school hardcore band called Fallguy. (here is a link to a Fallguy video from 2006 http://www.youtube.com/watch?v=X2xlk4NSbTk ) Around this time, Charlie began writing some heavier, more technical, and tuned down songs that didn’t really fit under the Fallguy umbrella. We put Fallguy to bed, and began working on the material that would make up the first Burn Everything EP, released in 2008.

    Erik:  Just because I saw something  posted on your Facebook page about it, how do you feel about the labeling of bands? I mean, really, why does it have to be so fucking complex? Your thoughts on the 10,000 labels you may wear as a band?

    Matt: Is Burn Everything a hardcore band with metal riffs? Are we a metal band with hardcore ideals and leanings? I honestly don’t even know myself anymore, and I don’t care. The words “hardcore”, and “metal”, mean a million different things to a million different people now a days anyway. We make the music we make for us, and fortunately other people really seem to like it as well. We have reviews of our EP from websites and blogs all over the world, and they all hear different things and influences in our music. I think that’s really cool, who wants to be pigeonholed? At the end of the day, there’s ultimately only two types of music, regardless of genre, sub genre or label: Good music and bad music.

    Erik: Last Run Through Ruins is a much more mature record on every possible level. Tell me how you approached the recording of that, in comparison to your first EP?

    Matt: We don’t ever really set out to write any specific way. We definitely are rooted in a specific sound, but the sound is always mutating and changing within those confines. Its a constant challenge to fit lyrics into the way those guys put riffs together and make the vocals flow naturally, and that’s one of the things that keeps Burn Everything fresh and exciting to me. Usually Charlie, Damian, or Mike will bring riffs they have been writing at home to the rehearsal spot, and we will jam those out as a full band and piece them together till they become something we are excited about. As for the riffs and song structures that ended up becoming the songs on “Last Run Through The Ruins”, I remember when they were presented to me by the band for the first time. I immediately noticed the progression. The music was darker, more frantic, and incorporated more time and rhythmic shifts then ever before. I really wanted to push myself with the lyrics, to match the tone and mood of those songs too. Instead of coming from a personal lyrical standpoint, about things that had happened in my life, or politics, or whatever, I spent a few months writing a bunch of  fictional short stories, and used those as the basis for the album. It was a blast to write like that, and I am real proud of the way the record came out.

    Erik: What are your favorite venues to play in Upstate, NY, and why?

    Matt: We prefer to play places that keep the cover charge at the door low. We don’t mind playing clubs and bars, but our best and favorite shows we have played, have been the real punk rock vibe, DIY ones: put on by and for people who genuinely love this kind of music. We played an all ages show a few weeks ago in a warehouse in Ithaca, that was awesome! No stage, no security, awesome promoter, and the kids were all going off and having fun. That’s what its all about. Our music is online to download for free off of our Facebook page, and we encourage you to do so. If you like it, share it with your friends and come hang out at a show. Sing in to the mic, have fun.

    Erik:  What can we expect this year from the band. Touring? Recording? What’s on the agenda?

    Matt: We are busy right now working on new material, recording it in February, and hope to have a 7” out by spring. The new songs we have been working on are even more aggressive, and a little more out there than anything we have done so far, riff and sound wise. We have been playing a few live, and they have been getting a great reaction. This summer, we are aiming to do some weekend tours, and swapping shows with our friends in bands out of town.

    Erik:  Matt, you are an important part of the rock scene in Rochester’s history I mean, I still can not forget the first time I heard “Headrush” man. What are your thoughts on the evolution of your musical career from the early years? And also, what are your thoughts on the Upstate scene today?

    Matt: When i first started singing in bands, I had no idea what I was doing, just having fun. I would scream all wrong, and would lose my voice after a few songs. Can you believe there is actually a right and wrong way to do this crap? I have always loved heavy music, and at 34, still love it every bit as much as I did when I first discovered punk rock and metal at 12 years old. I am a lifer, and I will do this until I physically can not do it anymore,  because I love it that much. The upstate music scene has a lot of great DIY and underground bands right now, doing it for the right reasons: To have fun, play shows, and hangout.

    Catch Burn Everything at the Bug Jar in Rochester on March 17th. The band will be part of the club’s St. Patrick’s Day Metal Extravaganza! This is a “do not miss” show!

    For more information on Burn Everything –
    http://www.facebook.com/burneverythingnow

    -Erik Jensen

  • Nuno Pereira of A WILHELM SCREAM discusses new album, influences

    Nuno Pereira of A WILHELM SCREAM discusses new album, influences

    Being New Yorkers, Massachussetts generally reminds us of sports teams we’d like to see die in horrific plane crashes, tea parties in loin cloths and an unrepentant mutilation of the letter R. New Bedford, Massachusetts own A Wilhelm Scream is one of the bright marks in an otherwise spotty relationship we have with our countrymen to the east. I had a chance to speak with vocalist Nuno Pereira about their upcoming album, marijuana cigarettes and the difficulty of being in a punk rock band in 2012.

    Brian: Your last release was an EP that came out in 2009 on Paper and Plastick Records. Since then, there has been much anticipation for new material from you guys. I recently saw you at Bogies in Albany, NY and you played a few new songs that fucking shred. What’s the outlook on a new release at this point?

    Nuno: Well, let me just start by saying that I, maybe more than anyone, can’t fucking wait to release this record. The actual music/vocals are all done. From my understanding we’re just waiting to get the record mixed and mastered at the Blasting Room, and then we’ll be at the mercy of artwork/record label business. So, short answer..it’s done when it’s done.
    Brian: As your albums have progressed, especially from Career Suicide forward, the music has evolved into a faster, angrier sound. Do the new songs continue that tradition?

    Nuno: I think as a group we write songs that relate to our situations. If the times are tough, songs get angry, if its personal stuff then the songs are a bit more cathartic. Musically speaking my dudes are always getting better, that will be heard on the new record. So get ready for some riffage and maybe bring a new pair of undies. ha.
    Brian: I was listening to the Benefits of Thinking Out Loud the other day and I consider the change in sound between the Champagne Of Bands, to a smaller degree Benefits and then ultimately Mute Print to be one of the most dramatic changes a band I know of has gone through. What do you attribute it to?

    Nuno: Again, the band is always trying to push the envelope of our musical limits and that lends itself to progress. When we were young we wrote songs that spoke to what we were going through then. As we grew older and learned new ways to do our thing we would apply those lessons from record to record. Also, recording at the Blasting Room really lit a fire under our asses.
    Brian: You’ve been together for well over a decade, write challenging, complex music and tour often. What’s the secret to keeping the band fresh and not wanting to stab each other?

    Nuno: Marijuana cigarettes.
    Brian: When I saw you guys in Albany, you did a Smackin Isaiah song. What are the odds of hearing more S.I. in live sets? And have you ever considered rerecording some of the S.I. songs?

    Nuno: Sometimes it’s fun to dig up the old tunes and jam. Honestly though i just want to play new shit. To answer your second question, we have batted around the idea of “re-mastering” the old shit. Time will tell.
    Brian: You guys are playing the Belvedere reunion in May! As soon as I heard those guys were reuniting the first thing I thought was A.W.S. would be perfect for that shit. Do you consider Belvedere an influence on your sound?

    Nuno: Those dudes were good friends of ours, still are. We love their sound and although i don’t think they influenced our sound per se, I would say that as far as musical peers go they’re top notch and we can’t fucking wait to get together with those dudes again.
    Brian: Who would you consider to be the biggest influences on your sound?

    Nuno: Everyone in the band has their own influences. For me personally I would say Propagandi, Bad Religion, and lately Buju Banton and Thin Lizzy.
    Brian: If you could resurrect one defunct band to do a tour with, who would it be?

    Nuno: Great question! I would have to say Operation Ivy or Thin Lizzy..do all the members have to be alive? If so, I take back Thin Lizzy and replace them with ummm…..Fugazi?
    Brian: Speaking of Op Ivy, Lookout Records announced recently they were shutting down after many years as a staple label in the punk scene and despite releasing several classic albums. Although in this one case it’s hardly a surprise, it’s not at all an isolated occurance. How do you feel the collapse and closure of so many punk rock and underground labels has effected the way albums are made and released today?

    Nuno: It sure is tough these days to do this punk rock band shit. everyone that has put years of blood, sweat, tears, and cash into it knows that. It’s my firm belief that making music can never be about the short term gains that some bands are looking for. The idea that a group or a label can “blow up” over night by signing the right band or playing a certain “mainstream” sound is fucking retarded. It’s this kind of capitalist mentality that crushes the smaller bands/labels. Having said that, I love that bands are now releasing their own albums and are having success doing so. I also believe that in time the labels that care about our scene will continue to grow and discover new bands to get hyped about.

    For more on a Wilhelm Scream:
    www.awilhelmscream.com

    -Brian Lawrence

  • Jon Strader of NO TRIGGER discusses pressures with new album, “Tycoon” to be released February 21st

    Jon Strader of NO TRIGGER discusses pressures with new album, “Tycoon” to be released February 21st

    No Trigger is a punk band from Worcester, Mass. Formed in 2000, they recorded two demos which they later remastered, compiled and released as Extinction in Stereo and toured extensively. After signing to Nitro Records, they released Canyoneer in March of 2006 and again toured extensively. Then they went silent. Rumors swirled that they’d broken up. Suddenly in 2010 No Trigger announced they would be recording a new full length with the original lineup. In the meantime, they released a 7″ on Mightier Than Sword records called Be Honest. I had a chance to talk with guitarist Jon Strader.
    Brian: Tycoon is your first full length release in 5 years. After so long, what was it like writing and recording a new album?

    Jon: A big relief. Honestly, a lot of the ideas, parts, and some of the songs have been floating around for years now. To have them finally tracked, was the best feeling. We even recorded the first song we ever wrote as a band.

    Brian: The punk scene has changed a lot in those five years. Do you feel that’s effected your songwriting process at all and if so, how?

    Jon: I don’t think it has changed our song writing process. Tycoon is a No Trigger record. What’s amazing is seeing the style genre that is booming now. There are so many great bands coming out making killer records that sound like we are back in late 90’s early 2000 punk. It’s about time.

    Brian: Canyoneer is one of my all time favorite albums, did you feel a lot of pressure to match or exceed it this time around?

    Jon: Well thank you. That is the reason why we knew we needed to get this record finished. Of course there is pressure. We wrote Canyoneer almost 7 years ago now. The maturity in our song writing and lyrics can definitely be heard on this record. We actually have all the original members back in the band who recorded Canyoneer. The pressure comes from our only full length being able to carry us for this long. We knew we had to exceed that to carry us another 7 at least.

    Brian: With so many bands who consider No Trigger an influence, who do you consider your biggest influences as a band?
    Jon: We all grew up listening to basically the same bands. We are very much influenced by the early Fat Wreck / Epitaph rosters. Those bands paved the way for all of us starting out. When you start touring with other bands and they become bands you can connect with, I think those become our biggest influences.
    Brian: I recently saw you play at Bogies in Albany, NY with A Wilhelm Scream and After the Fall, what would you consider your favorite bands to tour with?

    Jon: Our brothers in AWS have been around with us from the start. We come from the same Massachusetts mentality. It just works. We also have traveled the world with Set Your Goals. Those have been some of the most memorable times to date.

    Brian: If there was one band from when you started playing shows you could make reunite to play with again, who would it be?

    Jon: Marathon from Rochester, NY. Members have gone on to play in Polar Bear Club and Attica! Attica! but we all know that. Right!?

    Brian: Tycoon comes out February 21st on No Sleep Records, what’s next for you guys after the release?

    Jon: We are currently sorting out some worldwide excursions of course. CD release shows are being planned for March as well. Hopefully we’ll be back to Fest in Florida this October. That’s the best weekend to look forward to all year.

    Brian: Thanks for taking the time to do this interview!
    To preorder Tycoon:
    http://www.nosleepstore.com/​artist/No-trigger
  • Adam Merola of THE TRUTH BY BLOOD AGENCY discusses expansion into PR services, encourages bands to submit for consideration

    Adam Merola of THE TRUTH BY BLOOD AGENCY discusses expansion into PR services, encourages bands to submit for consideration

    Adam Merola is part of the great team over at The Truth By Blood Agency.  As a co-founder of the company, he and his staff have put together what I would consider to be one of the best artist service agencies on the eastern seaboard. Primarily focused on the Metal genre, the group has expanded the horizons of each band that they are currently handling. I had an opportunity to chat with Adam about the direction of this exciting business, and the path it has taken to get to current time.

    Erik:  How did the team come together that would become the Truth By Blood Agency? How did it get started?

    Adam: A couple of years back I had come across Jeremy Stanton at Save Our Scene Productions. Originally I was inquiring about booking a date for one of my bands in NY. The show ended up being a record label showcase, and at that time the band I was working with was offered a deal to sign with this record label. The label ended up screwing everyone over. Throughout the whole process I had stayed in contact with Stanton because he was involved with some of the bands on the label as well. In the end, we decided to form what is now called The Truth By Blood Agency.

    Erik:  You seem to handle all aspects of the band management experience. Tell me about the mission on keeping everything in house, so to speak, and how this benefits you more?

    Adam: The Truth By Blood Agency is basically a parent company to multiple divisions. We offer management and booking and we are currently starting to dip into the PR aspect of the business. We believe in doing the most we possibly can for the bands that we work with. One way we ensure that we are doing that is by surrounding ourselves with industry professionals and experts in each category. Stanton is the Director Of Marketing, Christine Palmer is handling our PR and I manage the booking side of things with the help of our agents. By offering these services to our bands, we believe it will benefit them as well as us. We have plans to break our PR department into a separate division and we are also toying with the possibility of a clothing line.

    Erik:  When choosing the bands you have selected to represent, what criteria do you use to make your decisions?

    Adam: We currently work with different levels of bands. First and foremost we look for quality. If we don’t like the band’s music we will not represent them. We are always looking for bands that know they need to work hard to reach their goals. There are too many bands out there that say they want to make it in the music business, but aren’t willing to put in the work. In addition, we look for general things like draw, tour history and marketability.

    Erik:  Tell me a little bit about the bands that you are currently handling?

    Adam: Currently we have a roster of 8 bands, and we are always looking for more. We are hoping 2012 is going to be a big year for us. A Night At The Chalet, Mummified In Circuitry, Conforza, Rebuilding The Ruins, The Harteck, Elysion Fields and One Last Time are all either releasing an album or have recently released an album. This means we are planning a lot of tours and CD release parties.

    Erik:  Do you have any other bands that you are looking to add to the roster?

    Adam: We are always looking for new bands at The Truth By Blood Agency. I can say that we do have a few bands in the works, but unfortunately that information will have to wait for a later time. We do have submission instructions in the “Notes” tab on our Facebook page. Any bands interested should be checking that out!!

    Erik:  I see you have a pretty strong relationship with Innerstrength Records, obviously you are handling a couple of their artists. How did this come into being?

    Adam: I will start by saying that Innerstrength Records is a great label to work with. We had been working with Heal These Wounds from Innerstrength for a short period of time. One of the bands I manage (Mummified In Circuitry) had also signed with them. We had developed a good working relationship with the label and ended up working with some of their bands as well.

    Erik:  I know your help is spread out in many different areas around a couple of states? What is the future plan with the expansion of your plan?

    Adam: Currently we have agents in NY, MA and FL. Our goal is to have strong points in key markets in the United States. We definitely plan to expand. but have not worked out the details in full as of yet.

    If you are interested in applying for representation through the company, check out the information below. Serious Inquiries only please! This is a serious step up for your band, and requires the flexibility to go, go, go!

    If your band is interested in working with The Truth By Blood Agency and you think you have what it takes….Feel free to send us a submission.

    Please complete the following information and send it to adam.onenightstand@gmail.com and stanton.truthbyblood@gmail.com (we will get back to you)

    We ask that you are 100% truthful in your answers

    Required Information

    Name of your band:

    Hometown:

    Contact Information:

    List of band members names/positions/ages: (ex: John Smith(25) – Vocals)

    Band website/Link to EPK: (Facebook/ReverbNation)

    At least 2 MP3’s: (Mediafire/Facebook/ReverbNation)

    Draw / How many people can you bring to hometown/away shows:

    How long has your band been together with the current lineup:

    Availability/Has your band toured:

    A high resolution picture of the band: (promo shot preferred)

    A high resolution band logo:

    Band Bio:

    For more information on Truth By Blood Agency-
    http://www.facebook.com/TruthByBlood

  • Sean-Paul Pillsworth of NIGHTMARES FOR A WEEK discusses Pedigree, camaraderie and Cincinnati

    Sean-Paul Pillsworth of NIGHTMARES FOR A WEEK discusses Pedigree, camaraderie and Cincinnati

    Nightmares For A Week from Kingston have honed their songwriting in bands such as Jerk Magnet and Anadivine, Sean-Paul Pillsworth and Bill Manley recruited Steven Markota, formerly of Astronauts to complete their lineup. Since 2008, NFAW have released an EP, A Flood Tomorrow on Broken English Records and a 7″ and a full length, Don’t Die on Academy Fight Song Records. I got a chance to talk to Sean-Paul about Pedigree, camaraderie and oddly, Cincinnati.

    Brian: Bill and Sean-Paul had previously been band mates when you guys formed NFAW, which was a significant departure musically. Did you find it easier to write together despite the difference in the style of music?

    Sean-Paul: Writing in NFAW has been easier, towards the end of Anadivine everything felt forced. There was no real musical goal or even an influence that was holding AD together, and ultimately it’s what tore it apart. NFAW has always been on the same page when it comes to writing. Bill and I have been writing songs for over a decade so we know each other well, having Steve in the band is a great way to regulate ourselves and throw some new ideas into the experience.

    Brian: The Kingston/Woodstock area tends to be a haven for many different styles of high caliber musician. How has growing up in that musical climate affected your growth as a musician?

    Sean-Paul: I would say it has affected us, maybe not always in a positive way. I remember seeing local Kingston/Woodstock shows when I was younger and thinking “Man I’ll never be able like that, nor do I want to”. I do remember going to the Sleeping Turtle in New Paltz and seeing Lounge and Cooter and thinking “I can do this”. One thing that the Kingston/Woodstock scene made me realize was that you shouldn’t come out of the basement until you’re ready to play. I’m not saying you have to be amazing, but I remember playing shows for a while and bands wouldn’t have bass players, singers just because they didn’t find anyone yet. That was alien to me, I was always under the impression that when you started a band/project that you should be “ready to play”, I’ve seen some rooms clear out pretty quick.

    Brian: When I listen to you play, I feel like I hear some None More Black influence and of course Jawbreaker. Who do you guys consider your biggest influences as a band?

    Sean-Paul: Our biggest influence as a band would probably be the Replacements. I can’t say that’s everyone’s individual main influence, but their music and their attitude/outlook on being a band is inspiring. They really didn’t give a shit and they were having a blast.

    Brian: From your inception as a group, to your songs themselves, through your growth, it seems such a large part of who you are as a band is based on camaraderie, friendship and a genuineness that comes out in the music. How do you find playing shows and recording different with such a genuine and positive vibe as contrasted with other projects you’ve been involved in?

    Sean-Paul: When we started NFAW we had one thing in mind, have fun. We really never expected much to happen, maybe play some local shows drink beer and that was it. A large part of our sound is because we still hold on to that same mentality. So the genuine/friendship/positive vibe we give off is a direct result of that. I’ve played in a lot of projects and it seems the overall reason they’ve all fell apart is because those core thoughts were gone. It’s interesting to see what happens to people when they get bored in a project or even the opposite, they experience some sort of success. These situations usually are followed by reinvention. Which in a lot of the bands I’ve been in was a terrible idea, why mess with what got you to where you are?

    Brian: You’ve played a lot of shows and ranged out extensively, including appearances at the last two Fests. What cities are your favorites to play in and what bands are your favorite bands to play with?

    Sean-Paul: Our favorite cities are anywhere but Cincinnati. Our favorite bands to play with are Aficionado, Caleb Lionheart, Gameday Regulars, Measured in Grey, Drag the River, the Parting Gift, Dead Unicorn…there’s a million more.

    Brian: With 2012 setting in, a New Year beginning, thoughts tend to turn toward the future. What’s next for Nightmares For A Week?

    Sean-Paul: 2012 will bring at least two new releases, touring and a lot of partying.

    Brian: And last, unfortunately it took a great loss to make it happen, but I thoroughly enjoyed the Jerk Magnet reunion show. What are the odds of seeing another Jerk Magnet show at some point in the future?

    Sean-Paul: I would never rule out Jerk Magnet playing again. We all still talk (for the most part) and I think we all still enjoy the music we made. It did take a real tragedy to have us play a show again and I hope if there is a next time it’s just because a group of people want us to play a basement and drink beer.

    Brian: Thanks for taking the time to do this!

    Nightmares for a Week is embarking on a short Northeast tour
    January 26, 2012 New Paltz, NY Bacchus with Nightmares For a Week and Year on a Mountain
    January 27, 2012 Brooklyn, NY Saint Vitus with Grey Area, Luther and Nightmares For a Week
    January 28, 2012 Philadelphia, PA The Fire with Grey Area, Luther, Nightmares For a Week and One Win Choice
    January 29, 2012 Albany, NY Valentines with Nightmares For a Week, The City Never Sleeps and Orphan Legs

    For more information on Nightmares For A Week-
    http://www.facebook.com/nightmaresforaweek

    -Brian Lawrence

  • LAESTRYGONIA discusses future plans, formation

    LAESTRYGONIA discusses future plans, formation

    Laestrygonia is a great new band based out of Geneva, NY. The exciting thing about these guys that you notice upon first listen, is the originality they are bringing to the table. Opting to not include a vocalist, the bands plays a very aggressive brand of progressive instrumental metal. This format of music can bring out the best in the collective musicianship of a band, and Laestrygonia is definitely capable of creating some big noise within the scene. The band consisting of Shaun Secaur and CJ Darrow on guitar, Nick Hotaling on bass and Dave Hadley on drums, is my pick for the band most likely to make huge waves this year within the scenes. I had a chance to catch up with them recently

    Erik:  How did the band originally get together?

    SHAUN:  Dave asked me to join based on our experience together in our old band, Vigilance. He was already playing with then guitarist Alex.

    DAVE:  Yeah, I just moved into this house and everyone was a musician who lived there so naturally something came up.  We were playing together for a while and I decided to call Shaun and see if he’d be interested and thankfully he was!

    NICK:  I just came downstairs and said I was the bassist.  I usually play guitar and didn’t even have a bass so I got one off ebay and joined, haha.

    CJ:  Alex left the band and they asked me to play because I already knew Shaun and was into that kind of music.

    Erik:  Who are your biggest influences personally, and as a band?

    SHAUN:  I have a really broad range of influences musically, but as far as what I draw on for Laestrygonia, it’s mostly more ambient, melodic heavy stuff. Cloudkicker obviously, Agalloch, Year of No Light, Jesu, and maybe some Opeth. But personally, I try to incorporate shifting melodies over harsh riffing in the style of the cascadian black metal bands like Wolves in the Throne Room and Altar of Plagues.

    DAVE: Cloudkicker is a HUGE influence for me in this, Ben Sharp is a musical genius.

    NICK:  Justin Beiber

    Erik:  Choosing a path of playing instrumental heavy music is a daring path. What made you decide to go in this direction?

    SHAUN:  I think we all decided early on that there’s just a lot more freedom to do what we want without a vocalist. How many times have you heard a band that you love musically but just can’t stand the vocalist? It was about freedom of musical ingenuity, and also having a vocalist can sometimes be a pain in the ass. Not having a vocalist focuses on the emotion of the music itself, which makes us work harder to create more diverse, emotive songs musically.

    Erik:  Are you guys planning on going back into the studio. And what can we expect?

    SHAUN: We have a new song finished and some other new ones started, so we definitely want to be recording again within the next couple months.

    DAVE:  I’d like to try “mic”ing live drums next time, the first time was on an electronic kit. Our buddy Jon recorded for us the first time and did an awesome job, so I’m anxious to see what we can do the 2nd time around.

    NICK:  I’m just excited to record with my new equipment!

    Erik:  I see that you are playing a limited schedule at this point. Are there any plans to spread out and diversify through the state? What are your performance plans for the year?

    SHAUN: Us playing a limited schedule isn’t our choice, we’d play every night if we could. We’re still working on getting our name out there and trying to get shows in different areas to help spread the word faster. BOOK US.

    DAVE: We have a small tour planned for Europe in a few months…… Haha! I wish.

    NICK:  Dave and I have been talking about a little weekend thing where we just play a Friday, Saturday, Sunday. We may be trying to head towards Boston with it. But that’s still being talked about.

    Erik:  The Finger Lakes region has a rich history of turning out some pretty spectacular touring bands? What are you overall thoughts on the Upstate scene?

    SHAUN: All of us in the band have been in different bands, probably 5 or 6 collectively, all of varying genres in the “heavy” classification, but from my area I’ve noticed a lot fewer bands starting up. I remember when I was in high school, there were so many local bands playing shows every weekend. I think that’s moved from the Syracuse/Auburn area to the Rochester area more recently, but the bands that are left are a lot more serious. Band members seem more committed, and the overall quality is more mature, albeit less abundant. I’d very much like to see shows in all the bigger upstate cities again, but with a serious lack of venues it can be challenging. Especially for younger local bands that can’t play in bars.

    DAVE:  I’d say that pretty much sums it up, except it seems that a lot of people have shifted their interests to pop punk.

    NICK: There’s nothing wrong with pop punk…..

    For more information-
    http://www.facebook.com/Laestrygonia

    -Erik Jensen

  • Charlie McClure of NEON GUILLOTINE discusses new album, upcoming show dates

    Charlie McClure of NEON GUILLOTINE discusses new album, upcoming show dates

    Based out of Cortland, NY, Neon Guillotine is a somewhat new addition to the Upstate metal music scene. You would never know that based on the chops shown off on tracks that are posted on their Facebook page. With the release of the band’s first full length on the horizon, only good things can come for this exciting up and comer. Recently, I had a chance to get the lowdown from drummer Charlie McClure, about the band’s future and past.

    Erik:  How did the Neon Guillotine come together?

    Charlie: Prior to the formation of Neon Guillotine, all members had been in bands and played together at one point or another. This particular band started with Joey and two other guys that were trying to get an old band back together and they asked Jeff and I to come try out. It was soon apparent that Joey, Jeff and I were on the  same page musically, which was not consistent with the other members of the band.  That’s when the three of us decided to go our own way. After a few months of writing we recruited Andreu on Bass and began playing shows. We then decided to bring in another guitar player to complete our sound and after a couple try-outs we found Tanner. We finished out the summer playing shows and wanted to finish the line up with a keyboard player and gained Brennan, Tanner’s roommate to fill the position.

    Erik:  Always curious how bands come up with their name! How did you choose Neon Guillotine?

    Charlie: While looking for some tattoo inspiration, I google image searched guillotines. There was an image of a neon one, and Neon Guillotine stuck with us. When suggested to the other members they all really liked it. The former name, Thousand Yard Stare, was replaced with Neon Guillotine from there after.

    Erik:  Tell me about your home scene of Cortland? What are your thoughts on it?

    Charlie: Cortland doesn’t have much of a metal scene, making it difficult to book shows. We are trying to make the genre more accessable  to ears it may not normally reach. Coming from a college town doesn’t make it easy, you are surrounded by clubs and country bars and there is no demand for metal. So it’s our goal to play as often as we can and with as many other metal bands. Luckily we have formed a good relationship with a venue right in Cortland and been able to play on a regular basis, with bands that wouldn’t normally have the opportunity to stop in our town.

    Erik:  I understand that the band will be releasing it’s first full length record soon! Tell me about the recording process, and what to expect on the record?

    Charlie: The recording process has been a lot of fun. It’s also been hard work but hopefully it pays off. This album has taken a little longer than expected, money being major issue but we are almost done. As far as what to expect from the album our goal was to write something that was new, technical, catchy and above all heavy. Our goal is to bring something original to the table.

    Erik:  You have a big show going on in Cortland on Feb. 24th, tell me about what you have planned for the evening? And who is on the bill with you?

    Charlie: Our intention is to have our full length album and new tee-shirt designs available to our fans by this date. We plan on playing a great show with some great bands including, Dead by Wednesday, Kind Snyder, Chamber Law, Sanjuro Fields and more to be announced. We are going to promote it like crazy and hope for a good turnout.

    Erik: You are in a band that is somewhat new to the scene. What do you have planned over the next year as far as playing shows?

    Charlie: After the release of our full length, were hoping to head out on our first self funded tour down the east coast. We would like our music to reach more people and get ourselves established in the metal scene. We plan on playing as many shows as we can, eventually booking bigger venues with bigger bands.

    Erik:  If you had a choice of bands to play with from this Upstate scene, that you have not played with, who would they be?

    Charlie: We would like the opportunity to play with Structured To Collapse, Thoughts in Reverse,  and Chains of Honor. We feel that our music is similar and like what they’re doing. We always enjoy playing with new bands in the genre and spreading our music. Our goal is to be heard.

    Make sure to check out Neon Guillotine on Feb. 24th at The Palm Gardens in Cortland, NY. The rest of the line-up for that night includes: DEAD BY WEDNESDAY, King Snyder, Chamber Law, Every Last Breath, and Sanjuro Fields.

    -Erik Jensen

  • Inside the EXPOSED MUSIC FESTIVAL; an interview with Dan Jensen, founder

    Inside the EXPOSED MUSIC FESTIVAL; an interview with Dan Jensen, founder

    Over the years there have been many tours and festivals that have taken place all over the world.  Most of these events showcase bands that are already signed and have a massive following.  Personally, I am not opposed to huge acts being on tour and making their money.   While these events do usually draw crowds these types of tours do nothing to support the underground music scene!  The underground is thriving with new and exciting talent but the issue is how to harness that talent into a successful major tour.  One new tour that is doing just that is the Exposed Music Fest!  The Exposed Music Fest is a nationwide tour that goes to cities all over the country to showcase the areas local talent.  The tour works closely with Stand and Deliver Records and brings all the advantages of a major tour and festival right to the underground.  The following is an interview with Dan Janssen, the founder of the Exposed Music Fest.

    Rob:How did the fest get started?

    Dan: Over the last three years, Exposed Music Festival (formally known as The Slave to the Metal Music Festival) has featured, debuted, and unified local acts in cities coast to coast. Hosted by Fuse TV’s Juliya Chernetsky and Suicide City’s and Demilitia’s bass player Jennifer “JennCity” Arroyo (also known for her former days with KITTIE), this ongoing festival-style tour has exposed more than 750 unsigned bands to more than 35,000 fans in just 75 shows during 2011! We expect 2012 to be even more exciting and successful by offering new programs and adding new sponsors. Recently, we started programs for bands to get involved in our personal distribution project or opt to be photographed onstage during their acts for excellent publicity shots. Both options are free of charge to bands who sign up for Exposed events. Another avenue we are considering is getting other local artists involved at our shows to also display their talents to the community and possibly their target demographic, spreading the fan base even more. For example, local tattoo shops can advertise their work and meet like-minded people, or local Internet-based TV or radio shows can broadcast/document our festival. At the end of the day we want these bands to gain fans, have fun and help their scene to grow.

    Rob:Whose idea was it to go to different cities and promote local bands?

    Dan: It was mine. I’ve worked on every side of this industry including management, concert production, and a musician. I work with several record label A&R from Major to Indie and thought this would be a good way to go out and find some diamond’s in the rough. Labels rarely go to shows anymore, unless a band is drawing hundreds of people to a show and creating a major buzz outside their local scene its highly unlikely anyone will see them. With our connections the hope is to find talent, work with them and try and get them to that next level. You wouldn’t believe the talent we see in these “minor” markets. There are so many groups that if they had the right direction they could be successful in this business. Unfortunately there are too many “voices” in this business who claim they know the “right” way and really it handcuffs these kids and keeps them local. We try our best to break that mold and give them the right advice if they ask for it.

    Rob: What record companies and national acts are affiliated with this tour?

    Dan:There are industry reps/bands that we all work with, more then I could list. The label that sponsors this event is Stand and Deliver Records but we have connections at pretty much every label out there thru our various affiliates. For instance, with the standout rock bands I’ve found on this event I’ve showcased them separately for Kim Stephens, Kim owns forward entertainment and works for or is associated with Capitol, Atlantic and Universal. He is credited with signing such acts as Matchbox 20, Collective Soul, most recently Saving Abel, Sick Puppies, and Adelitas Way to name a few. We don’t push the record deal aspect as much as helping the bands gain fans and teaching unity in their music scene. Labels aren’t signing potential anymore, so a band really has to be a 10 out of 10 to gain label interest. We do find these groups from time to time and will set up a separate showcase for these bands at a later date.

    Rob: Are there any locals that have been “exposed” or became famous from this tour via the music festival?

    Dan: Well were brand new and have only been doing this since Feb of 2011. All of the bands get exposure from this, and I’m confident every band that put forth any sort of effort has gained something from playing this. We don’t sign bands as were just a production company, but we can shop them if they are good. The biggest problem with festivals like this is that they promise record deals that they can’t deliver. We don’t want bands thinking if they play this event they will get signed, so we really don’t try to push that aspect of it. The opportunity is there for the bands that stand out though. I just recently did a showcase for a band called The Everyday Losers out of Indiana and I’m real excited about their chances. Other standouts I’ve seen are SkinKage, Novus Follium, It’s tough because labels aren’t so quick to take a chance anymore on bands so the process is a bit longer and were hoping 2012 we can claim responsibility for some of the acts in 2011! We also look for bands that we can take on tour with us. SkinKage out of Charlotte, NC is an unsigned act that we are bringing on the road with us for this tour. They have some label interest but the label wants to see how they do on tour, so naturally we decided to take them out and see what they can do!

    Rob: What is the goal of the tour?

    Dan: When we meet bands we feel are of high caliber in quality and initiative, we now have the opportunity to introduce them to our friends at our sponsoring organizations, such as Stand and Deliver Records, The End Records, and Skullsnbones.com. Supporting local artists and musicians and trying to help them spread their “art” in their communities and possibly nationwide is our goal with the Exposed Music Festival. And as we continue to grow, we will continue to put on the highest quality events and stand out as the best local music festival in your city.

    Rob: When?

    Dan: February 4th at the California Brew House in Rochester and check the facebook page for other exposed shows in your area!

    For more information on Exposed Music Festival

    http://www.exposedfestival.com/

    http://www.facebook.com/xposedmusicfest

    https://twitter.com/#!/ExposedMusic

    http://www.skullsnbones.com/