Author: Sophia Strange

  • Oaktoberfest review

    Oaktoberfest review

    Words by Amy F. Fischer – It was a gorgeous day at Oak Mountain in the cozy town of Speculator, NY.  Three jambands I saw religiously in college were all playing at the 1st Annual Oaktoberfest.  This mountain has the potential to be a great venue for live music, with overnight camping encouraged, food that was dirt cheap, a beer truck with a great selection (including Lake Placid’s Ubu Ale, a personal favorite) and you were allowed coolers if you wanted to bring your own.  All this and almost 12 hours of music for $35… and if your kids were 10 or younger they got in FREE. Certainly a family-friendly event, Matt Yaeger (Owner/Director of Matt’s Music Together, LLC) held mini class demonstrations in between music sets for the kiddies.  The purpose of his program is to encourage music and movement for children 0-4 years of age with their families.

    oaktoberfestTwo sets of The Deadbeats started the day off right; as always, the band jammed a long list of favorites.  This band has had a Wednesday night residency at Valentines in Albany for almost two decades.  Their impressive song repertoire of the Grateful Dead and Phish, as well as many other classic rock covers and their own originals, keeps fans dancing the whole time and wanting more.  On this sunny Saturday afternoon they pulled out a great “Cassidy” (Grateful Dead), “Rock and Roll” (Velvet Underground), a gorgeous “If I Could” (Phish), and a “Big Yellow Taxi” (Joni Mitchell).

    Jerkwater Ruckus was next on stage.  For those that weren’t around when they were out playing live regularly, you missed a special era.  These six musicians started playing in 2000, but other than a few recent reunion shows have not played together as a sextet in quite a few years.  A bunch of us old “groupies” were there to rock it old school.  A friend I hadn’t seen in over ten years hopped a plane from Colorado just to see these guys.

    My favorite part of the entire day was when all the kids started accompanying the second Ruckus set with hand drums, sticks, egg shakers, streamers and a large colored parachute.  What a treat it was to see a new generation dancing and playing along to a band that in the past was only enjoyed after their bedtimes in dingy, smoke filled bars in the Northeast.  A bluegrass version of “Mother” by Pink Floyd was only topped by my favorite band original, “Yet”, a multi-part number that to a Phish fan I could describe as the Ruckus’ “Divided Sky”.

    The kiddies were then put to bed and the parents were able to enjoy some grown-up time with Conehead Buddha.  CB was a major part of the jamband scene in Upstate NY a decade ago as well… I am thrilled to see them playing out more often again.  Most songs were recognizable, all were danceable, and a great time was had by all.  The show ended with a memorable “Sights” -> “Psycho Killer” -> “Sights” with the bonfire raging and a starscape that makes you appreciate going up north.

    I hope to see everyone in Speculator next year!

  • The Purple Pig Music Festival, September 28-30, Naples, NY

    The Purple Pig Music Festival, September 28-30, Naples, NY

    There’s a chill in the air, the leaves are turning gold, and the grapes are ripe for the pickin’.  That’s right, it’s time for the first ever Purple Pig Music Festival at Odd Fellows Farms in Naples, NY.  The festival will feature two nights of relentless roots and reggae music by Giant Panda Guerilla Dub Squad as well as a premiere set from Naples native Aaron Lipp and Friends.  Other bands include The Prickers, Pink Elephant, White Woods, Axis Armada, My Stolen Bike, Tryptic Soy, Easthill Ramblers, Naked Grey, Roots Collider, Landmark, Wonderland House Band, Universe Shark, and Family Dinner.  The festival gates open at 2pm on Friday September 28th with music starting at 5pm.  Pack some warm threads and your camping gear, as The Purple Pig offers on site camping for a small fee of $5 a night or $10 for the entire weekend.  Tickets for the festival are $10 a day or just $20 for the entire weekend!

    There will be no shortages of fuel for dancing as the Purple Pig will offer a gluttonous array of food, fine brew, and local wine.  This festival has down home done right written all over it.  It’s the perfect way to celebrate Upstate NY in all it’s autumnal glory.  Details and updates can be found on the event page. 

    Listen to tracks from Giant Panda Guerilla Dub Squad’s latest album “In These Times”

    [soundcloud url=”http://api.soundcloud.com/playlists/1694271″ height=”200″ iframe=”true” /]

  • Highlights of Utica Music and Arts Festival

    With a sprawling lineup spread out over a dozen venues and three nights, seeing all that Utica Music and Arts Festival (UMAF) has to offer is a daunting task. Contributing writers Pete Connors and Lindsay Jones, as well as Online Editor Pete Mason, went to a few shows this past weekend to see a small sample of UMAF 2012.

    Thursday September 13th – by Pete Connors and Lindsay Jones

    The 5th installment of Utica Music Fest kicked off on Thursday night with Pink Floyd tribute band Childhood’s End, a special Saranac Thursday at the Saranac Brewery. Leigh D’Agastino of Saranac Brewery said she was very happy with the turnout for the kick off party, a “much larger crowd than 2011.”  The crowd was a bit older but most were enjoying the set (and $3 Saranac’s) with some even breaking out their air guitars to play along. The band breezed through “Pigs” and more obscure Floyd tunes before taking on multiple selections from Dark Side of the Moon, including “Breathe”, “Time”, “Money”, “Us and Them” and “Eclipse”.   There were few lulls in the set as it was easy to tell that they had been covering Floyd for 30 years, as keyboardist Steve Schad pointed out while introducing his band mates before the end of their set.

    Post-Saranac, Nail Creek Pub was the place to be for UMAF headliner Zach Deputy. The Cleveland, Ohio based soul outfit Winslow got the crowd dancing while early arrival Zach Deputy mingled with the crowd andposed for pictures, and was generally happy to be part of the weekend.  Zach took the stage and it was going to be a special night. He kept the energy high from song one and the crowd was locked in and happy to go along for the ride, knowing that there were two more days of music to come.

    Friday September 14th – by Lindsay Jones

    Friday night started at Pier’s and Blake, an up and coming venue located in a turn of the century mill building, which had long been vacant and recently been turned into a restaurant as part of the effort to revitalize downtown Utica.  Slip Madigan, a hardworking band out of Buffalo was finishing up their set, and upon recommendation from a friend, there was no disappointment, with improvisational and original work both impressive. As they closed, a secondary stage was set up in the small anterior room, where smaller but very popular acts were playing setbreaks, including Syracuse bluegrass favorites, Boots and Shorts and Home Body,a crazy good, eclectic electronic duo out of Massachusetts.

    As Twiddle, a Vermont based band with a strong local following prepared to take the stage, the room filled with artists, locals and those looking for a solid dance party. Twiddle has a captivating organic style and was heavy on the funk. Their prog-rock feel, along with their solid hooks had the audience captivated and dancing long into the night.

    Saturday September 15th – by Pete Mason

    Nail Creek Pub was once again the start to the night, with Utica natives Sassafras Jenkins taking to the porch. their psychedelic The Doors-meets-Traffic sound and soaring guitar licks from Irwin Winkler made them a huge highlight right out of the gate. With the full band in sync, they sounded great and will surely benefit from a larger room to play in the future. A notable cover of “White Rabbit” and their original “Make it painless” were highlighted by Irwin’s guitar, Nikki on tambourine and vocals and Ryan on keys and vocals. Look for an interview with this group on before years end.

    Over at Swifty’s, Side Effect, a jazz trio made up of Mazza, Allanson and Lockwood took to the bar. Of note was “Waiting for the win”, a funky number with great guitar, as Mazza meandered around the bar thanks to cordless amp while bass and drums held down the fort.

    Ending the night at Pier’s and Blake with Aqueous was the right way to go. With many up and coming bands around the state, Aqueous has shown that they are one of the next to make the jump to a full touring act (see Jimkata, Timbre Coup). Precision tightness whether composed or mid-jam, clear communication as to the direction of the jam and most of all – They look like they are having the time of their lives on stage! Some bands miss this mark and get too serious, but Aqueous does it right. Following their set over in the smaller room, Birdseed Bandits roused the late night crowd with a cover of  Mumford and Sons “The Cave” that provided a late night jolt to a weary but happy crowd.

    Overall, Utica Music and Arts Festival was a fun, potpourri of music and fun, spread out around the city. A concentrated version for next years festival should prove to be beneficial to both bands, venues and fans, keeping the music local and everyone dancing throughout the night.

  • Third Annual Love-a-palooza Mixes Live Music, Art and Beer

    On Saturday September 22nd, Genesee Brewery and Lovin’ Cup Presents the 3rd Annual Love-a-palooza, Music & Arts Fall Fest in Rochester, NY. For only $5, you get an entire day of fantastic bands, beer sampling, vendors and fun! Featuring musical performances by RIPROC, Extended Family, Ultraviolet Hippopotamus, Occupanther, SubSoil, Jimkata, Manhattan Project, Papi Chulo, The Third Party Candidate and Silent Disco, and more.

    Beer is sponsored by Genesee as well as great breweries offering beer tastings such as 3HB, Roc Brewing, CB’s, Rohrbach’s and Naked Dove. As a bonus, 3HB & Clown-Shoes Brewing (Boston) will release their hybrid beer for the first time!

    Artisans will also be on hand for a variety of hand made crafts, designs and artistic creations, including Henna Art, Mariah Rose Tattoos, Ilana Zatkowsky Sugar and type, Snyder Handcrafted Syrups, Claire Flare, Malex Demmerly Prints & Glasswork, A Different View, Moorethenart, CTW Metal and many others.

    See you Saturday at Lovin’ Cup, 300 Park Point Drive

     

  • The End Men, Sept 13th at O’Donnels in Utica

    Thursday night of Utica Music and Arts Festival was a wild one from inside the festival camp and as a result, I was fashionably (read: stressfully) late to the start of The End Men’s first show of the 2012 UMAF.  Not a smart move in O’Donnels, as an enthusiastic crowd will indeed surge forward (or back, according to your perspective), boxing the band into the end of the long hallway that is the bar’s layout and causing a truly standing room only vibe.  This crowd was absolutely nothing short of enthusiastic and well they should be.  The End Men, from Brooklyn, haven’t graced a Utica stage since earlier this year at Mardi Gras at The Uptown Theater and we were clamoring hungrily for their gritty, raw, deliciously grungy tunes and gravelly, passionate vocals.

    In keeping with the manifesto of the festival, music and art collided in the unobtrusive, wood paneled room, as a crush of local photographers strained in to get up close and personal shots of Liv and Matthew doing what they do best, hooking a crowd like a fish on a line.  The crowd was star studded by a few fellow musical types too, Randy Niles, and the crew from Ghost and Goblin.  I grabbed a beer and elbowed my way in up close, trapped between Randy, the pool table, and the band.

    This band just draws you in, particularly by their total commitment to what they’re doing.  They live and breathe this music, the rhythm and the lifestyle of creation and sharing and being as rock as possible.  It just is them, inseparable from their beings.  Matthew’s guitar is utterly relentless and there are few things in this life I enjoy more than watching Liv thrash the shit out of a set of drums.  She goes hard, pounding sticks into skins in swinging arcs of movement that catch the eye as much as the sounds catch the ear.  She is equally capable of swinging the eights and finessing around a verse like a jazz drummer as she is to suddenly raise her arms high into the air and pummel with intensity belied by her small frame.  She is one of my very favorite drummers, not only to listen to, but also to watch.

    Matthew himself is no slouch in the intensity department.  His demeanor is amusing, boyish, giving and joyful leaving little doubt that he is living his dream of entertaining people and doing so along side a companion he values and respects.  It’s a tongue in groove type lock down with these two and I think it’s safe to say you’ll not only like the music, but you’ll like the two of them personally an awful lot by the time the set’s done.

    We’ve had a lovely opportunity to watch this band grow over the course of the past couple of years and I’m continually impressed by their progress.  When we first met them as a trio, the music and show-person-ship was totally enjoyable, but what stood out m most was their individual personalities.  This is no longer the case, and I submit anyone passing by on a street or cornered by a friend and made to sit and listen would stop short and stick around, only later to be impressed by how freaking nice they are.  They’ve locked down deep into their niche, a drum and guitar duo unlike most of the rest on the scene.  The first thing setting them apart from the pack is just how talented Liv is on the drums.  So multifaceted and intelligent it’s stunning to watch her work.  Matthew’s vocal is also unique, hovering somewhere between Waits and Springsteen with the perfect amount of rumble and a cavalier attitude of fun and his approach on guitar is, well, it’s fantastic!  A carnival barker over a cacophony of merriment, sound in theory and practice.

    They mugged a little for the photogs, most of which have become personal friends of this duo, with Matt telling a joke or two between songs that amuse and coax the listener to relate.  A straight paparazzi outright flash mob, photographers literally crawled across the floor, over tables, and undulated themselves into spaces you’d not believe just to catch the perfect shot of this magic.  It was a seamless performance and I thought to myself more than once, ‘this is how it’s done.’  I felt gratitude to be able to round out my somewhat frenzied day with a little bit of groundedness.

    You bet I love this band, and I can’t get enough.  Call your local venues and promoters and suggest you cannot live without more of The End Men in your life.  They will recharge your batteries like a jump in a parking lot by the coolest vagabond you ever saw.

    Photos by NVP Photography

  • An Interview with Keller Williams

    An Interview with Keller Williams

    On the heels of a summer playing shows and festivals throughout the country, both solo and with The Travelin’ McCoury’s, Keller Williams embarks on a cross-country tour that spans much of the rest of the year. We sat down with Keller Williams for an interview to talk about his new album Pick and talk about his style of music and some unique  burning topics that Keller was happy to answer.

    Keller plays September 21st at Upstate Concert Hall in Clifton Park and September 22 at The Westcott Theater in Syracuse.

    Lauren Lagowski: I gave Pick a good listen a few times through. I’m always impressed with how you marry your humor with your incredible talent on the guitar. Where does the inspiration for much of your lyrics come from?

    Keller Williams: I like to keep things light and fun and not take myself too seriously. I just put myself in the place of the audience, keep things in a positive direction, and the rest is just entertaining myself.

    Lauren: Pick is a unique and awesome bluegrass album that is just a lot of fun to listen to.What was your favorite part of making this album?

    Keller: It’s just beautiful playing with such awesome musicians and the vocals in the group are stellar. It was a fun album to make.

    Lauren: Have you ever considered having a more permanent band or do you like the freedom of switching it up and playing solo when you want?

    Keller: I consider the whole solo looping thing my day job and everything else is just a lot of fun. The freedom and being happy doing both is a beautiful thing. Playing solo is fun and makes me want to play with other musicians and playing in groups makes me want to play solo. It just keeps things interesting for everyone involved.

    Lauren: I feel as though switching it up and dipping your toes in different genres has helped you develop as an artist..would you agree?

    Keller: Definitely. I like playing dabbling in different genres. In fact this winter I’ll be playing with a six-piece R&B group that I assembled. We started messing around with things in the studio and it’s really funky. I’m really excited to explore that more.

    Lauren: That sounds awesome! Where is your favorite place in this wide world to play?

    Keller: I’ve played at a lot of amazing places. I love playing Red Rocks and I love playing at The Egg in Albany, there’s so many great ones.

    Lauren: Pick is a unique and awesome bluegrass album that is just a lot of fun to listen to.What was your favorite part of making this album? It’s just beautiful playing with such awesome musicians and the vocals in the group are stellar. It was a fun album to make.

    Lauren: Why does it seem all your album titles are one word? Is there a purpose or did it just happen like that?

    Keller: Not really. I just like to keep things simple and express in one word, what the album is all about. No guess work for the listener.

    Lauren: We are excited to welcome you back to Upstate New York. Do you have any special memories of this part of country?

    Keller: I’ve played so many great festivals in this part of the country. I have so many great memories of playing out this way. You can’t beat the sunny, warm days and the cool nights with the fans sticking it out and having fun all the while.

    Lauren: You obviously have some bluegrass roots. What are some of your other musical influences and genres that really inspire you?

    Keller: Victor Wooten, Jaco Pastorius, The Grateful Dead are all major influences in my musical sphere. Michael Hedges is another big one.

    Lauren: Who would you like to work with in the future?

    Keller: I’d love to work with the guys of Soulive and also The Slip. I think they’re all really talented and put out some amazing music.

    Lauren: You get to play with a lot of great musicians. What’s your favorite on-stage collaboration you’ve been apart of?

    Keller: I guess the one the sticks out in my mind right now was recently at NedFest in Nederland, Colorado where I played with my friends Steve Kimock, Kyle Hollingsworth, and Dave Watts.

    For news and tourdates, visit Keller Williams’ website.

  • Master Thieves talk about their latest release ‘Nature of Gravity’

    A chance to sit down with three of the members of Master Thieves – though a wonderful time – felt far too brief. Chuck Dorgan (guitar/vocals), was joined by vocalist Denise Shuart, as well as bassist and vocalist Jacob Alaniz. Sitting across from the three you can feel the closeness, care and admiration they have for one other. That same feeling is also palpable on stage with all five members, which they all agree lends to the joy of creating and performing music together.

    Dorgan is the first to admit that putting a band together is no easy task, one that takes patience and perseverance. Lately, from what this writer has seen, that patience is finally paying off. Jokingly, he states, “I think the band is on version 4.2.,” noting that he first formed the group in 2006 with an entirely different set of members. There never seemed to be a “meeting of the minds,” however, when it came to the musical aspect.

    Dorgan met Shuart at the Syracuse-based Shenanigan’s during an open mic hosted by a mutual friend in 2007. From there they decided to perform an open mic at Shifty’s, and shortly after the guitarist decided to bring her into the fold, after getting on stage for a tune or two. Shuart herself is a classically trained vocalist (opera) and also studied viola and violin, always a treat to see brought out for a song or two during a gig. With musical influences such as Pat Benetar and K.D. Tundstall, Shuart taken the time to learn the background of the singers she emulates and was surprised to find out they are classically trained – or the product of classically trained parents – as she was.  Shuart also laughingly points out that singing in a band like Master Thieves is extremely enjoyable. It’s a credit to her talent and dedication as the only woman in a group of musically talented men and the ensemble, as a whole, has a great amount of respect for one other.

    Drummer Eric Tozer, first asked to join a bluegrass band due to Dorgan’s reluctance with the way things were going with the Thieves, subsequently joined the band. It was an easy transition for the drummer – who joined in the fall of 2009 – bringing along some straight-up funk, with influences including greats such as Galactic, James Brown, Karl Denson, the Meters and the Greyboy Allstars, just to name a few. Songs he would like the band to tackle, said Tozer Deep Banana Blackout’s “God Made You Funky”. And while the summer of 2012 has been a bit dry for the band (as far as gigs go), Tozer did get to marry the love of his life, wife Renee. Now that the dust has settled, however, the band is ready to knock some socks off.

    Guitarist Brian Golden, of Norwich, NY, Tozer’s best friend, best man and long-time fellow musician, was brought into the fold shortly after the group’s then-lead guitarist exited to pursue other avenues. Golden, said Dorgan,  brings “a very bluesy feel to his music,” much of which is influenced by the artistry of  Hendrix, Clapton, Derek Trucks and Stevie Ray Vaughan, to name a few. As for a tune Golden would like to cover with the group … Hendrix’s “Bold As Love.” The band, added Dorgan, would love to see its lead guitarist relocate to the Syracuse area (where the various other members are based), a sentiment shared by Golden himself.

    Bassist Jake Alaniz, who stepped in at a crucial time in the band’s development (the recording of its first album, Robbing the Blind) said it was tough to step in and re-record someone else’s bass lines, yet it was necessary for consistency in the album. Once completed, Dorgan said it was like trying to give up a cute puppy; it was just too hard to do. Alaniz’s bandmates all agreed it only made sense to add the inspirational bassist to the group. Alaniz – who also performs with the popular CNY, Grateful Dread tribute band Dark Hollow – has been more than willing to share his musical talents. With a strong background in music – much thanks to his father the late David ‘Ese’ Alaniz – Alaniz said he finds inspiration in all different types of music, encompassing a wide range of artists. When asked, he couldn’t name just one song he would love to cover, because it changes so often. He did say, however, that he walked into rehearsal one day and proclaimed the band needed a reggae song, a genre that’s a clear focus on the group’s latest release, Nature of Gravity.

    A true sign of a natural leader, Dorgan spent most of the interview highlighting his fellow bandmates’ talents. To be fair, Master Thieves is a labor of love for the guitarist, singer and songwriter. His inspiration, he added, was The Band, and he modeled much of his hopes on what the band could accomplish on that group’s success. Other inspirations? The Grateful Dead, Phish, and every other band that takes the stage knowing that soul – more than anything – makes for good music.

    On Nature of Gravity, the band also has two other members who step-in for much of the album. Young saxophonist and guitarist Mikey Dufresne (I was very impressed considering he is in his mid to late teens) and keyboardist Mark Nanni (known best for his work with Los Blancos) both added their talent to the new release; something that truly creates an amazing, dynamic sound. And while Master Thieves’ debut recording, the aforementioned Robbing the Blind, was a good start, Nature of Gravity is much more of a collaborative effort, said Dorgan. From blues to rock, reggae to Americana, the songs have the ability to make you laugh, cry or inspire one to dance (or hula hoop!)

    Camaraderie, said Shuart, is the most important element of the band.

    “We can be playing … and we know each other well enough to know that each member is given the ability to have some freedom to freestyle, but when necessary there are moments to hold back,” she added. “Yet there is never a feeling that we are stepping on each others’ toes. When there is a disagreement, the issue is dealt with and [we] move on. The band works very hard to make sure they know the sound we are going for … we thoroughly practice, and are fully prepared, before stepping into the studio.”

    Dorgan said he feels that Subcat Studios really enjoys having the band record there because its members arrive “fully prepared to knock out each tune. The Nature of Gravity CD release party, kindly hosted at the Redhouse, was a wonderful experience, said the band’s members (during the show, the band teased fans by telling them about a seventeen minute jam near the end of the album, what I consider the icing on the already rich red velvet cake).

    Most of all there is a palpable sense of love, joy and kinship shared among this group that makes it feel more like a tight-knit – and functional – family unit. Such feelings are translated beautifully to their music and their performances.

    The band has a few gigs lined up this month:
    September 7th, 9:30pm @ Limp Lizard in Liverpool NY
    September 15th , pm @ 58 Main in Brockport NY (Dorgan’s hometown)
    September 22nd @Tipp Hill Music Fest time TBA

    The band has a few favorite places they like to play in the CNY area by the way, including The Westcott Theater, Bull and Bear, Thunderbird Lanes and Coleman’s. The band is hoping to make it to more locations around CNY, such as Al’s Wine and Whiskey Lounge and Dinosaur BBQ, among many others. The Thieves most recent CD is on sale at the Soundgarden (and at every gig they play), and don’t forget to pick up your very own t-shirt (and other merchandise) that the group has for sale. Be sure to look up Master Thieves on Facebook and Reverb Nation to catch a taste of the group’s unique sound and stay up to date with what’s going on by visiting masterthieves.net

    by Ashleigh Dunseath

  • The Utica Music and Arts Festival explores new ways to bring the region together

    A little something extra at this year’s Utica Music and Arts Festival!  The 1st Annual Industry Meet and Greet will be held at The Radisson Hotel, Friday, September 14th from 6:00 to 8:00 p.m.

    Every year, the organizing committee of the Utica Music and Arts Festival strives to create an experience not only enjoyable, but valuable to the artists we call family and the environment that makes or breaks them.  This year we take the time, in our 5th turn around the sun, to remember a commitment we hold dear: networking.

    More than a festival experience, the UMAF has been structured from its inception to provide a plethora of opportunities for artists to meet and mingle with each other, make lasting connections with other artists they can continue to work with, form touring caravans, gig share, and join forces in a variety of ways.  We desire strongly that everyone cooperate and collaborate in an effort to become increasingly more self sustainable in a changing industry. The committee enthusiastically explores all options available to assist our family of artists in rebooking locally and attempts to place them in performance spaces most suited to that end.  Venturing further beyond that threshold, this year the team has conceptualized a pilot Industry Meet and Greet which will occur on Friday, September 14, 2012 from 6:00 p.m. to 8:00 p.m. at festival headquarters, The Radisson.

    All performers are invited to attend and gain access to professionals who may be able to advance your presence in Central New York.  We are happy to provide them for perusal should you have them in a compatible format.  This includes demos, business cards, download cards and other materials linking to online content, press kits both digital and physical, and mailing list information.

    Members of the industry in the niches of booking, talent buying, press, and promotion have been invited to attend this two hour, informal gathering and to mingle with each other and our artist roster, exchange materials and contact information, and discuss strategies for continued success and experience in The Mohawk Valley and outlying points of New York State.  Invitations have are being sent out to specifically identified industry persons and these invitations will entitle their recipients to access any and all of the performances of over 200 artists over 3 days in Utica, NY and our first annual Industry Meet and Greet.  We mean to keep this informally structured, but are here to facilitate needs you may anticipate or encounter.  This even will foster increased cooperation between independent agencies operating in the Central and Upstate New York region so that we may all be successful in the endeavors that move us.

    Please remember to keep on the cutting edge of information regarding the UMAF by checking the official website, joining our Google Plus Circle, and ‘liking’ our Facebook Page.

    This embedded presentation will provide a few more details, as will the article available on the festival’s website.

    Let’s prove you can do business, earn your living, and have a great time all at the same time and let’s explore even more ways we can cooperate together at this year’s UMAF!

  • Utica Music and Arts Festival Enters 5th Year

    Utica Music and Arts Festival Enters 5th Year

    The 2012 Utica Music and Arts Festival marks 5 years strong!

    In less than one month, the 5th annual Utica Music and Arts Festival will hit the streets of Utica, NY.  September 13, 14 and 15th, headliners Badfish, Zach Deputy, XVSK, and Twiddle will be joined by returning favorites Hank & Cupcakes, My Pet Dragon, Shane Maux from Belikos (now in Duk Duk Goose), Randy Niles, j. Schnitt, The Rick Short Band, Brian Mulkerne, Brass Knuckle Intercourse, Autumn Fire, and The End Men, and more than 150 other artists!  In all, approximately 200 performers on 19 stages, the UMAF is CNY’s largest music festival.

    It is the mission of the Utica Music & Arts Fest to revitalize Utica’s historic appreciation of the musical arts while providing a stimulus to our local economy. The intention is to initiate the creation of a solid, growing, and eternal network of industry professionals, centered in Utica with local, national, and international expansion.

    Artists will exhibit their work in the Radisson which is also festival check in.  This year the hotel will venue not only performing artists and out of town bands and fans, but also two ‘firsts’ for the UMAF, an Industry Meet and Greet and a wine tasting event.

    Utica Greens Festival, sponsored by Price Chopper, takes place on Varick Street from 12 noon to 6:00 p.m. on Saturday the 15th.  The UGF is the part of the UMAF that highlights our families and community and will feature vendors, an exhibition by Bailey’s Karate, a pop-up skate park brought to us by Lifted Apparel and Board Shop, belly dancing, face painting, a community Zumba bash in the street, and many regional dishes to taste under the Greens Tent.     The UGF is a part of the UMAF and all bands on Varick Street during that time period are free to the public.  Access to the Greens Tent, however, requires a donation, a portion of which will benefit Pack A Back, a community organization that gathers school supplies for the Utica City School District students.

    The UMAF is thrilled to announce a relationship with this year’s San Gennaro Feast occurring at the Cathedral of the Theotokos of Great Grace during the weekend of the UMAF.  SGF attendees will benefit from musical acts which have been provided by the UMAF playing songs for all ages.  Performances begin on Friday at 7:00 p.m. and run until 11:00 p.m. and on Saturday from 2:00 p.m. to 10:30 p.m.

    Strangers Helping Strangers is a charity organization gathering canned goods at the Radisson, the festival’s hub.  SHS encourages festival attendees to bring a nonperishable food item or personal toiletry with them to check in and these items will be donated to a local area charity.

    Additional information is available at the Official UMAF website with Official Venue Listing and 2012 Performing Artists.

    Tickets are available online, through contact with volunteers and organizers, and at the following locations.  A limited number of 3 Day All Access Passes for the 2012 Utica Music & Arts Fest are available for purchase starting at $60.00 plus applicable fees.  After these tickets are sold out, tickets will continue to be sold for $70.00 in advance and will go up to $80.00 day of show.

    A limited number of 3 Day VIP All Access Passes for the 2012 Utica Music & Arts Fest are available for purchase starting at $80.00 plus applicable fees.  After these tickets are sold out, tickets will continue to be sold for $90.00 in advance and will go up to $100.00 day of show.  Discounts are available for ticket bundles, as detailed on the website.  Individual shows may be attended without a weekend pass by paying a cover charge which will vary according to venue ($5-$15) or by purchasing a day pass which will only be available once the festival has begun.

    Ticket Outlets:
    The Brewery Giftshop –  830 Varick St. Utica
    Utica Coffee Roasting Company – 92 Genesee St. Utica
    Puff N Stuff – 333 Genesee St. Utica
    Big Apple Music – 8441 Seneca Turnpike New Hartford
    Cafe Domenico – 2011 Genesee St. Utica
    Lifted Boardshop – 709 East Dominick St. Rome
    Pizza Boys New York Mills – 9 Clinton St. New York Mills

    Thank you to our sponsors and participating venues:  Price Chopper, Lifted Apparel and Board Shop, Bank of Utica, Puff N Stuff, Pizza Boys New York Mills, Saranac, Mohawk Valley Promotions, United Auto Sales, Jagermeister, BLU, The Celtic Harp, The Nailcreek Pub & Brewery, The Stage at Saranac Thursdays, Piers & Blake, Shots Sports Bar, Dick Smith’s Tavern, The Radisson, O’Donnell’s Pub & Grill, Sickenberger Lane, The Cage, The Green Onion Pub, and the St. Gennaro Feast.

  • Interview with Dave Schools of Mickey Hart Band

    Interview with Dave Schools of Mickey Hart Band

    Dave Schools, bassist for Widespread Panic for the past 26 years, has found a new role in the time that Panic has taken off, bassist for Mickey Hart Band. Playing with Hart, one of two original drummers for the Grateful Dead, has been a new venture for the bassist who has spent the vast majority of his career playing with Widespread Panic. We sat down for an interview with Dave Schools prior to the Mickey Hart Band performance at The Tralf in Buffalo.

    Lauren Lagowski: You recently moved to San Francisco and soon linked up with Mickey Hart, what was the first meeting with Mickey like and how did he invite you to join the band?

    Dave Schools: Turns out that we are neighbors in the beautiful western part of Sonoma County. Seemed like a good idea to the both of us that we got together to see how far we could push mutual love of outer space and rhythm. Obviously, it went pretty far because we now have this killer band and a great album, Mysterium Tremendum.

    LL: Bassists play in tandem with drummers, how has playing with Mickey and Ian Herman differed from playing with Todd and Sonny from Panic?

    DS: I look forward to playing with different drummers because I always learn something new that I can add to my arsenal. The Mickey Hart Band experience has been especially fruitful in that I have three unique drummers to learn from. Mickey combines shamanism and science with a natural born love of all things membranophonic. Ian (Inx) Herman is simply a beautiful person and truly communicative drummer. And then there is Sikiru Adepoju, the master of the talking drum. I can’t even begin to tell you what I have learned from him. If I did I’d have to kill you and then he would have to kill me.

    LL: What role did The Grateful Dead have on the early development of Widespread Panic?

    DS: We all grew up in the 70’s loving classic and psychedelic rock so it was only natural that we played some classics as we learned how to be a band. Grateful Dead tunes were part of that canon because they were the only band from that era that were still touring and creating viable new sounds when we were coming of age. Their music was a great starting point for us because there was an inherent looseness to the tunes. From this we learned how to listen to each other and from there we began to craft our own songs and sounds.

    LL: Recently at Gathering of the Vibes, the band played a handful of Grateful Dead classics intertwined with some songs off the new album Mysterium Tremendum. How did the band determine the Dead songs they would cover over the course of the tour, and how much input do you and other band members have in the setlist each night?

    DS: We really love the Tremendum material and obviously enjoy playing. After all, we are the ones who assembled it in real time. Playing the Dead material is more like a celebration of Mickey’s musical legacy. It gives a second dimension to the set as well as a chance to showcase the talents of the newer faces of the band in a familiar setting for long time Dead Heads. We chose the Grateful Dead tunes that seemed to fit this group’s natural abilities. We don’t want to be a cover band….we want to continue to evolution of the legacy of Mickey Hart. Everybody has input in the setlist, but Mickey gets final approval. And as always things can change at anytime during the show!

    LL: In Burlington last weekend, Mike Gordon sat in with Mickey Hart Band. What was it like playing with him and have you kept in touch with Mike since filming 2002’s Rising Low?

    DS: I’ve known Mike since Panic and Phish played their first show together down south in the late 80’s or sometime in those days. We would switch off opening and heading slots depending on where we were. So we’ve always kept in touch but it had been awhile since we had a chance to hang out. But that’s the wonderful thing about playing on the road: seeing your friends and catching up.

    LL: What are some of your musical influences that are reflected in this tour?

    DS: Each other….all day and all night…. Seriously though, we have surprised ourselves this tour with some interesting jams and cover tune choices. But I can’t tell you about those.

    LL: What kinds of things do you do differently in an intimate and carefully tuned acoustic environment like the Tralf? Is it difficult transitioning from sheds and amphitheaters?

    DS: What we strive for is consistency in being able to hear one another onstage. If that can happen there is no difference. Of course it’s always great to be able to really see the audience up close. I’ve heard great things about the Tralf.