Author: Sophia Strange

  • Devon Allman at DBGB’s, Buffalo, December 1st

    On December first, Duke’s Bohemian Grove Bar (DBGB’s) in Buffalo was proud to welcome back the next generation of the World Famous Allman Brothers Dynasty, Devon Allman. Having just recently finished recording sessions for his first solo album Turquoise, Duke’s was proud to be included in this breakthrough album’s release tour. His album features Myles Weeks on bass and Yonrico Scott on drums, with contributions from North Mississippi Allstars’ Luther Dickinson, Ron Holloway and many others. It’s well worth a listen to hear the next generation of Allmans in true form.

    The crowd erupted into cheers and applause when Allman and his band arrived on stage and proceeded to tune their equipment and launched into “When I Left Home”.  After the song Devon thanked the crowd for coming out to see him and the band. Allman, who just returned from a European tour with Royal Southern Brotherhood, commented that the band literally just came together the Monday prior to the show, with some of these members having just met that day for the first time.

    Surprisingly, for having known each other for such a brief period and with limited time to practice, this band sounded incredible. Allman showed his ability from the start on the guitar with incredible pinpoint fretwork and powerful soulful vocals that took his songs elsewhere altogether.  Finding inspiration in a wealth of influences from Memphis soul and the guitar-driven blues-rock of the 1970s to jazz and R&B, Allman infuses his songs with a high-octane performance.  After a brief set break, the band returned to the stage to deliver several more songs to the excited audience at DBGB’s.  The band, sitting on bar stools for this portion of the show, appeared very relaxed and moved into “Melissa” which brought a thunderous roar from the crowd.  The band finished off the night with an encore of “One Way Out”. With a love of music that is obvious, Devon Allman and his band delivered an evening of virtuoso instrumentation and a show that was packed with one great song after another.

    Setlist: When I left Home, Set Me Free, Homesick, Strategy, Memphis, Into the Darkness, Torch, Dangerous (bass Solo), Draggin My Hart Around (brief setbreak) Melissa, Turn Off the World, Time Machine, Mahalo

    Encore: One Way Out

  • End of the World Shows across Upstate NY on December 21st

    It’s the end of the world as we know it, so let’s use that as an excuse to see some live music shows in Upstate New York! On Friday, December 21st, the Mayans, who couldn’t foresee the Spanish coming, have predicted 12/21/2012 as the end of something; probably autumn.

    Terrible movies like 2012 have highlighted this and while mass hysteria is always fun to watch, it’s better to celebrate this event with a memorable night out and about. There are quite a few bands planning ‘End of the World’ shows across New York, so here’s a list and links to venues, compiled by Lindsay Jones.

    Capital District

    Albany

    Red Square: Manhattan Project with Convolved

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    The Bayou Cafe: Conehead Buddha

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    Lake George

    Towers Hall: Capital Zen, Cosmic Dust Bunnies, High Peaks Band, Indigo Sun

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    North Country

    Monopole: Flabberghaster

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    Syracuse

    The Westcott Theater: Project Weather Machine/Timbre Coup

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    Rochester

    Sticky Lips BBQ Juke Joint: Moho Collective

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    Water Street Music Hall: Donna the Buffalo/Sim Redmond Band

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    Buffalo

    Nietzsche’s: Family Funktion and the Sitar Jams

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  • Black Friday Special: Lucid at The Bayou Cafe, November 23rd

    The day after Thanksgiving brought out a North Colonie crowd to see North Country favorites Lucid and Albany’s fast risers Formula 5 on Black Friday. The crowd poured in throughout the night and writer Jenni Wilson checked out the night’s music.

    Lucid

    It could have been the fact that everyone was home for Thanksgiving break, or perhaps the high energy both Lucid and Formula 5 exude, but the Bayou Café was packed wall to wall throughout the entire night. Lucid played an energy driven set opening with “Can’t Get Me High,” and kept the crowd dancing throughout. This was only the second time I was able to see Lucid and I was once again very impressed. Lowell Wurster, in charge of percussion and vocals, laid down bluesy choruses with his raspy voice giving each song its own authenticity in the jamband community. This band has a professionalism that you do not often see in a younger band. They are fully accompanied by guitar, sax, keyboards, and various percussion instruments including bongos.  The highlight of the night was definitely “Spliff Blues” and “Highest Vibration” which had the energy high throughout the bar. After the band packed up and left they made a trip out to Lake George to play a surprise show with Twiddle and Capital Zen, just further proving their dedication and love for the music they play in Upstate.

    Formula 5

    After missing them for the past few months, I finally got a chance to see Formula 5 after numerous friends telling me to GO SEE THIS BAND! and I picked the perfect night. Packed into the Bayou (a pleasant feeling once again), the four-piece band (interviewed by Jenni Wilson last week) opened up with a good starter in “Hot Box” followed by “Catch Me,” with guitarist Joe Davis very guitar happy and sounding a solid bit like Trey. “King Harvest,” with a slight twist, was a unique call and showed that this group is a true jamband, playing originals and covering the rarer songs, not “”The Weight” or “Brown Eyed Girl”. The more ambitious or rare the cover, the higher praise and respect you’ll gain from an audience. Speaking of that, I was blown away by Peter Gabriel’s “Sledgehammer,” a solid cover with a nice jam in the middle. “Coming Home” featured Mike McDonald on keys, followed by “Mister Elixer” that was intensely extrapolated. Tuning up “The Music Never Stopped,” a cover debuted at Autumation in Lake George, had a little something extra in it and generated the crowd to dance, with many likely unknowing of the song’s Grateful Dead roots; it was a young crowd. “Goin’ Down,” a Freddie King song better known as the theme to Eastbound and Down preceded “3 Ring Circus,” a song off Formula 5’s upcoming debut album, slated for release in January of 2013.  An encore of “Weekapaug Groove” and original “Movin’ On” capped off more than two hours of music that satiated the crowd after a full Thanksgiving night of family and food.

  • A guide to New Years Eve shows across Upstate NY

    The end of 2012 is approaching and New Years Eve looms. Here’s a list of shows across Upstate New York with links to the venue page where you can buy tickets. Thanks to Lindsay Jones for the help in compiling the list If you have any updates to the list, post in the comments below and we’ll add them to the list.

    Capital District:

    Consider the Source with Timbre Coup at Red Square

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    Ten Year Vamp at Graney’s Stout

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    Funk Evolution with Skeeter Creek at Proctors

    Sirsy at Putnam Den

    Saranac Lake Lucid at The Waterhole – tickets via Ticketfly

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    Oneonta Driftwood, Horseshoe Lounge Playboys at B-Side Ballroom

    Ithaca Jimkata at The Haunt

    Oswego  House on a Spring w/ The Blackened Blues at Old City Hall

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    Rochester Winter Boogie with Rubblebucket, Marco Benevento and Driftwood at Water St. Music Hall (December 29th)

    The Buddhahood & Subsoil at Lovin’ Cup

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    Buffalo Aqueous, Funktional Flow, Universe Shark and Slip Madigan at Nietzsches

    Average White Band at The Tralf

    Burlington Rubblebucket with Marco Benevento, Higher Ground

  • 5th annual Snoe.Down announced March 21-24, 2013

    moe. and Great Northeast Productions are very happy to announce the return of Snoe.down to Vermont, March 21st through March 24th, 2013.

    Now in its fifth edition, Snoe.down is the all-ages winter music & sports festival hosted by moe. The festival returns to central Vermont and Vermont’s most popular and dynamic ski and snowboard destination, Killington Resort in Killington, and Spartan Arena in neighboring Rutland, for a weekend of winter fun and music (lineup to follow).

    For tickets visit -> moe.org/festivals/snoedown/tickets

  • The New York Banjo Summit at The State Theater, November 2nd

    Dan Smalls Presents and the State Theater of Ithaca hosted a magical experience with the New York Banjo Summit on Friday November 2, 2012.  All in attendance in the nearly packed house were treated to a mixture of history, storytelling, music and showmanship from an all-star line up of musicians spanning many styles of banjo music.  I left the theater feeling utterly grateful to have been in the audience.

    One would be hard pressed to find a venue as suitable as The State Theater for this kind of show.  The theater itself dates back to around the 1930s, the time period the banjo asserted itself as an American instrument in popular culture.  It’s quaint and relatively small with a historical feel and an overhanging balcony assuring that even the cheap seats get a good mix of the stage sound.  Every note rang clearly and precisely in the room. Even the breathy, husky lilt of the voices of the pioneers on the stage reached out and touched our ears.

    [youtube http://www.youtube.com/watch?v=DXZ2xQIYVV8&w=560&h=315]

    I was anticipating some great music and had done my research before arriving, but I still found myself surprised by how much I learned about the banjo and banjo music in general.  Somewhere between a songwriter’s circle complete with a story or 10, a showcase and a presentation, this show truly left the audience with a well rounded view of how varied the music birthed out of a banjo can be.

    [youtube http://www.youtube.com/watch?v=6kThZrIuEj0&w=420&h=315]

    Some highlights for me included a poignant expression of a proletariat anthem “How Can A Poor Man Stand Such Times and Live,” raising the hair on my arms with its lyrics still so relatable.  This is part of how this instrument crept deeply into the hearts of the American people; it backed so many songs of struggle of the working man and the enduring qualities that make us human.  I was also taken completely aback by Richie Sterns!  As much as Bela himself has tailored the banjo to suit his particular expression, so has Richie Sterns with this aggressive and progressive rockabilly lean. Utilizing several effects, Sterns’ play was edgy and crisp; his demeanor truly grateful and amiable  Of course, Bela Fleck’s unique style of heavily working harmonics and his tuning pegs relentlessly left us breathless as he took his solo spotlight moments.  There is something sacred in the air when Bela plays with such intensity and the audience shared in some beautiful moments of near meditation. Tony Trischka is a true showman and it was downright fun to watch him interact with Bela and the rest of the band and to hear his quips and stories.  He is also a master at the instrument blending more contemporary play with jazz and  the essence of old foot tapping barn-thumpers.  Under his hands, many styles of banjo play converge.  Trischka and Bela created an impressive display of a four armed banjo beast, both playing the same instrument at the same time with astonishing precision and speed.  Weissberg delightfully taunted with “Dueling Banjos” and ultimately delivered an interesting slightly deconstructed version of the fan favorite.

    [youtube http://www.youtube.com/watch?v=zRaAfmhObSY&w=560&h=315]

    The backing band was also superb with fiddle player Alex Hargreaves receiving a fair share of attention. I would have liked to have heard the upright bass up in the mix a little more prominently, but that is likely personal taste over a genuine criticism.

    All in all, the New York Banjo Summit was a beautiful, touching and evocative experience in lovely Ithaca that I will honestly carry with me my entire life. If you have a chance to catch this tour somewhere, even if it is only from clips online, I urge you to do it!

  • Rustic Overtones at the Putnam Den, November 16th

    Rustic Overtones at the Putnam Den, November 16th

    The Rustic Overtones returned to the Putnam Den in Saratoga last Friday, having played in Upstate New York fairly regularly since reuniting five years ago. I’ve seen them here at the Den before and also in Troy at Revolution Hall and in Albany at Jillian’s and every show is better than the last. I started listening to Rustic when I was attending college in Boston in the mid ’90s.  Always up for a show, some friends invited me to go see one of their favorite bands and right away I was hooked.  The band had great energy, they played hard, they liked Jager shots and their fans knew the words to all their songs.

    It’s great to see this band still playing, with Dave Gutter a phenomenal songwriter and frontman. Rustic songs cover a wide range of sounds, from bubbly melodic pop to heavy distorted rock, with a good dose of funk, jazz and occasional psychedelic trippyness.  The lyrics are catchy and clever but also honest as Dave projects the emotions in the songs onstage.

    After an opening set by Stone Revival Band, Rustic took the stage right around midnight and played for almost 90 minutes before taking a short break and coming back for a two-song encore. The solid set consisted of material from their most recent releases: 2009’s New Way Out and this year’s EP Let’s Start A Cult and their 2001 major label record Viva Nueva.

    There were quite a few memorable moments for me at this show.  I was getting a beer at the bar when “Iron Boots” started and the fan next to me was telling his friend “this is probably their best song”. That brought back memories of my friends taking me to see my first Rustic show, the first show I had seen with a Morphine cover, which was an unexpected surprise. “Rock Like War” prompted a fan at the front of the stage to show Dave the tattoo on her chest of the the lyrics in his handwriting.  He joked that she could have fit the whole song.” Going Out With A Bang” from the new EP was a great song to close the show with it’s refrain of “you’ll never be alone again because we are your friend”.

    Read an interview with Rustic Overtones’ saxophone player Ryan Zoidis

    Setlist:  All Together Now, Let’s Start a Cult, Hardest Way Possible, Iron Boots, Honey White, Common Cold, Rock Like War, I Like It Low, Troublesome, Crash Landing, Gas On Skin, C’mon, Oxygen, Carsick > Combustible

    Encore: Downside Of Looking Up, Going Out With A Bang

  • Dark Star Orchestra is Truckin’ Up To Buffalo: An Interview with Drummer Dino English

    Dark Star Orchestra kicks off their U.S. tour right with a two-night stand at the Town Ballroom in the heart of Buffalo this Friday and Saturday.  Dark Star Orchestra never seems to forget to show Buffalo some love, but we are more than happy to welcome them back for what will be two very special nights of Grateful Dead music.  Do not sleep on getting tickets for Friday, as Saturday night’s show is completely sold out.  Tickets can be purchased here.  

    Dark Star’s drummer Dino English took a minute to talk about the Buffalo scene and life on the road with NYS Music.

    NYS Music: How often do you catch yourselves straying outside the boundaries of a given era’s style? I imagine it must be tempting and almost subconscious to play the big bombs of a late-era Bertha or the Lydian jams of Cassidy when you’re supposed to be coloring inside the lines of the early 70s.

    Dino English: We stick to the arrangement of the time period but sometimes the arrangement we end up playing  is an educated guess from having played so many shows.  We encourage each other to listen to each  show but it’s not a requirement. And daily time constraints dictate that we often can’t listen to the whole show all the time.  We talk over arrangements right before we go on or even on stage but sometimes a detail will slip by all of us at which point we take a guess.  Our main concern is to play the best music we can for the audience that night.  … However we see fit.

    NYS Music: Buffalo has quite a pedigree in the history of the Dead. Do you honor that in a way that is different from how you might approach a gig in a town without so much history?

    Dino: We love playing Buffalo because the fans have such a history with the Grateful Dead.  It’s an enthusiastic crowd.  That synergy between audience and band propels us to play well most of the time.

    NYS Music: The term “psychedelic” gets tossed around rather cheaply but I think you guys have been in this long enough to have a deep appreciation for what it really means. What is it about Grateful Dead music that provides a platform for this experience and where else have you come across it?

    Dino: I think you are referring to the experience which occurs with this music that is hard to articulate.  Some call it “psychedelic”, others call it the “x factor” or simply “it”.   Many Grateful Dead fans have experienced “it” but usually in their own way …although it may seem ( or may be) that everyone in a room is experiencing the same thing at the same time.  They just know they took part in something that happened which seems to encompass something larger than themselves.  It’s both a communal and a private experience which results in the feeling of “having your mind blown”.  It’s the part that gives Grateful Dead music, experienced live, a bit of a spiritual experience.  Whole books have been written on trying to define what it is about GD music that causes this or why it happens.  I can just say “it” does happen but as always “it” can be elusive.

    For us on stage, the music plays the band. We, the band, allow the music to take us over so that we may simply be a lightning rod for the energy that flows through us.  It has some elements of being possessed by a spirit greater than oneself.   (If you are a star wars fan, you might call it “the force”).  It’s a genuine feeling of the music simply playing through you.  Very little thought goes into it.  You actually want to not think too much because if you are being distracted by your thoughts, you aren’t in the moment with the music.  If this feeling is happening on any level with the band, usually the audience feels it too.

    NYS Music:  Jerry is famously quoted as saying “some people really go to pieces on the road.” What are some nuggets of Dead-style wisdom you guys have picked up from your time on the road?

    Dino: I’d like to think we have learned from the mistakes from those who have travelled before us but as the song goes “it’s so easy to slip”.   Everyone deals with things in their own way the best they can.  Sometimes we are on top of the world, other times we are barely hanging on and all of us at different times are usually in different spaces mentally. Being in the Dark Star Orchestra is something like being on a bucking bronco.  You try to enjoy the ride for as long as and as much as possible without getting thrown off.

    For tickets and show details visit www.darkstarorchestra.net

  • CD Review – The Rusty Doves Live

    I think it’s safe to say that at this point, anyone around the general CNY area has heard about the folk-Americana/ jazzy swinging newgrass duo, The Rusty Doves.  The pair has played countless types of shows around the Utica area from opening up for acts like Rusted Root to playing their lively music for children in the Utica City School District.  I was more excited than usual to take a hot off the press copy of The Rusty Doves’ newest effort, especially after learning it was a live recording.  As I’d hoped, this disc is nothing short of a pure delight and captures the style, energy, and extra special quality that The Doves embody.  I have to immediately and highly recommend that this become a part of your music arsenal, especially if you are already a fan of this project.  If you are new to the Doves’ music, this is an excellent chance for you to find out what all of the fuss is about.

    I had a chance to speak with Jerry D, the duo’s bassist, about how this CD came to be.  The recording is of a show they performed about a year ago with Strung Sideways, another great local group.  When Jerry and Alyssa (Stock, vocals and mandolin) heard the tracks back, they were very pleased with the quality and way their music was represented.  They’d become somewhat frustrated with attempting to get the same energetic sound out of their music in a studio setting and were happy to hear their true music selves reflected back at them from this set of songs.  They decided to run with it, and that brings us to this album, officially releasing on November 3, 2012 with a shindig at The Green Onion Pub on Genesee Street in Utica, NY.

    This effort is delightfully grassroots.  As I understand it, the recording was done by Strung Sideways themselves and the business as usual aura created a great scene for Jerry and Alyssa to simply be themselves and do what they do; make cheerful (though sometimes deliciously, deceptively dark in subject matter) and organic music.  Most of the songs represented here are covers reflected through The Doves’ unique prism, but “Shadow Blues” is an original composition.  Whether interpreting the songs of others or crafting their own creations, The Rusty Doves’ sets always are cohesive.  They have a distinct style that they are able, or perhaps more appropriately compelled, to carry from one song to the next regardless of the genre the original artist worked in.  They know who they are and this translates.  It is folk and it is Americana, but it also draws from a big band and swing sound which really sets the Doves apart from some of their brethren on the circuit.  Their modern selections come out sounding expertly antiqued.  There is no denying Jerry and Alyssa’s musicianship either.  The way each dances through keys on their respective instruments shows a mastery of craft.  They leave no room for laziness, stock structures, or the easy way out of a song as they chromatically build one chord upon another; the chugging rhythm of the mandolin to the perfect counterpoint of bass.

    I expect your journey into this live compilation to be a pleasant one.  Once you fall in love, please share this great music with a friend and help the network grow for these dedicated independent musicians.

  • Venue Spotlight: The Waterhole – Saranac Lake

    Venue Spotlight: The Waterhole – Saranac Lake

    The Waterhole, the north country’s premier live music venue, is in the spotlight this week. The original building dates back to the late 1800’s and was built as the Saranac Lake Village Livery and Stables.  They rented, shoe’d, and took care of the fire department’s horses.  With the advent of the automobile, the need for a livery died, and the downstairs became a tire vulcanizing shop, and some say that the 2nd floor turned into a brothel.

    In 1970 Bill Grogan and friends opened it as The Waterhole #3, named after the 1967 Western comedy film of the same name (considered to be a comic remake of The Good, the Bad, and the Ugly) starring James CoburnCarroll O’Connor and Margaret Blye.

    In the mid eighties, the “godfather” Billy Allen bought the business and brought live music with him. Seeing the lack of venues in the area for music,  he dreamed of a performing arts center in town.  Under his ownership he renovated and expanded the upstairs, and brought live music to Saranac Lake.

    Today, The Waterhole’s Upstairs Music room is considered one of the “must play” venues in Upstate NY. The highlight each year is the annual Winter Carnival, which brings the regions top touring acts to town in a 9 day stretch in early February. Recent Winter Carnival performances include Donna The Buffalo, The Ominous Seapods, Lucid, Hot Day at The Zoo, and Raisinhead. Look for The 2013 Winter Carnival announcement soon on .com.

    For more information on The Waterhole visit them online at www.saranaclakewaterhole.com