Category: Interviews

  • JUST A MEMORY releases new video, Leila Dean discusses plans for 2012

    JUST A MEMORY releases new video, Leila Dean discusses plans for 2012

    Just A Memory has gone from just another face playing multi-band gigs around town; to renaming themselves, recreating their presence, and finally recording a professionally produced EP this year. This has seen them be extremely pro-active in the local scene and expanding their reach into other cities as well as states. I applaud them on all of this. Through it all, the band remains grounded and focused. I had a chance to quickly say hello at the recent MIC conference with Leila Dean, and find it not so surprising that Just A Memory was front and center at the workshops offered, soaking it all in. I also see that they are taking off and shifting gears, perhaps using that experience as fuel, as they have taken their act to a new level entirely.

    One of the things that excited me as I continue writing about music is seeing and hearing a local band grow right before my eyes. In the last two years I have watched many bands come, go, come back, and some just disappear. Many had or have a ton of potential. Some realize it and some stay where they are, wheels spinning in the sand. One group of Syracuse-based musicians have grown by working their asses off, always pushing for that next level, and simply creating a road map and following their dreams.

    I just saw their recently completed video for the song ‘Battlefield’ of off the EP and was smiling away as I saw them as potential stars now. So, I tracked them down online to get some insight into what’s up, what’s new, and what’s in the spotlight ahead. Enjoy!

    Dave:  Saw your video that you posted on Facebook, very cool video!

    Leila:  Thanks man!

    Dave:  Who is this? Lol (We are chatting on Google)

    Leila:  Leila, today.  HAHA! I actually handle 99.9% of the band business, so it’s usually me.

    Dave:  Gotcha, how long did it take to make it?

    Leila:  We handled it all in two days; one in the end of summer and one a couple of weeks ago. Probably about 15 hours of shooting total.

    Dave:  Where did you shoot it?

    Just:  At a fantastic historical site out in Utica, Rutger Park Mansions.  I’m actually putting together a mini documentary on it today to post to our site as well.

    Rob’s best friend’s mother is a part of the Landmark’s Society of Greater Utica and got us in there. We did a fundraising event for them last summer and fell in love with the place.

    Dave:  Cool! Are you shopping it around?

    Leila:  The documentary?  Haven’t even thought about it!  That’s a great idea though.

    They could use some attention.  They are in the middle of what is going to be a $1.5 million restoration project on two of the mansions.

    Dave:  How about the song video?

    Leila:  We aren’t sure yet.  We have some really huge news coming in the New Year that will get the video some attention, but I don’t know about shopping it.

    Dave:  Do you mind if I send it to a few people?

    Leila:  Please, by all means!  Share the love!

    Dave:  LOL, record types, hey you never know!

    Leila:  You may just cause a bidding war.  HAHAHA!

    Dave:  You guys have been playing all over, where are some of the places you’ve traveled to and how’s that going? Oh, by the way, yes I am interviewing you now.

    Leila:  Always working, huh?  HAHA!  We’ve been to Atlantic City a few times, Virginia Beach, Worcester, Massachusetts; we’ll be playing a great spot in North Boston and the Legendary Dobbs in Philly next month.  We’re also all over CNY.  It’s going great!  We actually latched on to an opportunity in Niagara Falls last month that is turning out to be a great move on our part, as well.

    Dave:  That’s awesome, and Virginia Beach is a favorite of the Garlow’s. Any plans on a CD in 2012?

    Leila:  Absolutely!  We’ll be releasing more info on that as it unfolds.  Expect a full length in the first part of 2012!

    Dave:  Keep me in the front of the line!

    Leila:  You got it man!

    Dave:  Cool! I appreciate the time and look for this on Upstate Metal!

    Leila:  Fantastic.  You rock!

    Dave:  Peace, beautiful lady! I’ll talk to you again soon!

    Watch their video!
    [youtube http://www.youtube.com/watch?v=EG-EZqPp30o&w=560&h=315]

    Just A Memory can be found on these sites:

    ReverbNation: http://www.reverbnation.com/JustAMemory
    Facebook:  http://www.facebook.com/JustAMemoryMusic
    Blog: http://justamemorytalks.blogspot.com/
    MySpace: http://www.myspace.com/JustAMemoryMusic

    -David Garlow
    Picture credits-Robyn Stockdale: Graphik Nature Studios

  • Doug Rice, Stephanie Tupper of ARMED WITH VALOR discuss creation of band, time off to

    Doug Rice, Stephanie Tupper of ARMED WITH VALOR discuss creation of band, time off to

    Based out of Syracuse, Armed With Valor has seen a great amount of success in the short year that they have been performing together. As individual musicians, they are workhorse veterans that have been involved within the regional music game for years. The buzz in Upstate about this band is picking up on a daily basis. Fans of bands like In This Moment, Arch Enemy, and Walls of Jericho, will find much joy in what Armed with Valor is bringing to the table. I had a chance recently to talk to vocalist Stephanie Tupper and bassist, Doug Rice about the early origins of the band, and the promise of things to come.

    Erik:  It has been a quick moving first year for the band, and things have gone extremely well for you. How did the band come together out of the ashes of your previous bands?

    Doug – Well, it was last fall (2010) that the band I was in with Fred and Brad (Torment the Vein) started winding down. Our singer/2nd guitarist announced that he was leaving and we were basically finishing off the shows we had for the remainder of the year. By the time we got down to our last few shows, the three of us had pretty much decided that we were NOT going to continue on with that band.

    Stephanie -My band (Amelia Is Dead) was going through something similar in that right around the time TTV called it quits, we basically lost our rhythm section. We played our last show in January with fill-ins, but then things just kind of started to fizzle out afterwards. I guess that was a few weeks into February.

    Doug – By March, Armed with Valor had gotten a few songs together and had started discussing what we were going to do for a singer. A few days later, we had started hearing rumblings that Amelia had broken up, so I called Stephanie up immediately. Our bands had played a few shows together in the past  so we already had a bit of a working relationship. I basically just told her that we were doing something COMPLETELY different from our old band and wanted her to come check it out. Likewise, she also wanted to try something different from her previous project, so… we sent her a recording of one of the songs. She showed up 2 weeks later with some ideas and by the end of practice, that was that. Offered her to join right then and there and Armed with Valor was born. Spent a few months writing and hashing shit out and by July, we were just dying to get out and do it. Been going pretty much balls out ever since.

    Erik:  Response to your EP has been really impressive in Upstate NY forums. Tell me about the recording process, and what you set out to achieve when entering the studio.

    Doug : The CD idea more or less came just from the fact that we didn’t want to be out and about for long without a GOOD recording. That being said, we were also totally broke. I mean, we had all just gotten out of two serious regional bands at the time and without doing shows, we just didn’t have a lot of dough for the process. Luckily, my friend Matt Corey and I had been discussing doing some recording for a long time previous. I basically negotiated with him to see what he could do for us, discussed it with everyone and decided to do a 3 song demo/EP.

    Stephanie – We all decided on 3 songs not just because of the money situation, but more to the point, we REALLY only had about 4 songs that we felt great about. We basically just took the 3 that best went together and went with those. Ironically, the three we used turned out to be our “lightest” songs. It wasn’t totally by design, it just kind of happened. Regardless, we had already been recording and re-recording stuff for months in Fred’s basement as we were writing, so we had already kind of been doing pre-production all that time. It was a pretty simple process. Matt was awesome to work with. Just went in and got it done. Tracked the three songs in three days.

    Doug – Yeah, we think it turned out great. We talked with Matt a lot about what we wanted to do with it and how we wanted it to sound and he just nailed it. For a three song demo, we couldn’t be happier… especially considering that we hadn’t even played our first show at the time.

    Erik: You are spreading out rather quickly within the scene. Tell me about the bands that have you played with, and the brotherhood you have formed with many of them? What impresses you most about the scene?

    Doug – Yeah, we’ve tried to get back out and into a lot of the areas our old bands used to play frequently. We’ve tried to reconnect with some of the bands we used to play with in those previous projects.  Oddly in just the short time we were away, some of those bands didn’t even exist anymore… or they don’t quite jive with what THIS band is doing now. That being said, we haven’t had any problem making new friends.

    Stephanie – Probably what impresses me most about the scene is it’s diversity. I mean, a lot of the bands do SIMILAR styles, but most of them find a way to make it their own somehow. That and the pure caliber of a lot of the bands out there is super high. There are some absolutely amazing young bands out in the area that play way above their years. On the other hand, you’ve got some real veterans out there that continually raise the bar and set an example.

    Doug – We have had the good fortune to play with some awesome bands already in our short time out.  As I said, some of our friends we’ve been able to get hooked back up with are going strong. Nine Round, is one of those veteran type bands that really brings it. Cry to the Blind, is getting ready to release a new record and they’re sounding great. Then you’ve got, Neon Guillotine, out of Cortland. Young from both the band and individual standpoint, but immensely talented. Divot, a three piece out of Elmira, is really great. Razed in Hell, is extremely young, but one of the most promising bands in the area, I think. Bruce Campbell, Made in China, Walking With Titans… the list goes on and on.

    Erik:  I understand that you are taking some time off in January and February, what do you have in the works during that time frame?

    Stephanie – Uh, not too much. LOL. I think the most important thing is writing. Basically, since we got to the point where we started doing shows, we just haven’t found the time to be as focused in our writing process and making new music. We’re REALLY picky so it’s not easy.

    Doug – Some bands can shit out a song in one sitting. I wish we could do that. I suppose on the positive side of it though, we’re really able to come up with stuff that sticks, I think. I mean, sometimes we catch ourselves and are like, “Are we overthinking this?”, but most of the time if we’re all digging it by the end we’d like to think that others will too.

    Stephanie – Yeah, so writing and really just taking a little break. We’ve been going nonstop since July, so a recharging of the batteries doesn’t hurt either. We want to be even better when we come back out by the end of February.

    [youtube http://www.youtube.com/watch?v=5U_ggxeiPxc&w=420&h=315]

    Check out Armed with Valor-
    Facebook: http://www.facebook.com/armedwithvalor

    -Erik Jensen

  • BJ Carter, Michele Sestito of THE UNTOLD LIES discuss beginings, influences

    BJ Carter, Michele Sestito of THE UNTOLD LIES discuss beginings, influences

    The Untold Lies is based out of the fertile metal playground that is the Finger Lakes region. BJ Carter(guitar) and Michele Sestito(vocals) are veterans of the Upstate New York metal scene. BJ was instrumental in the late 90’s and early 00’s in bands such as 40 oz. Failure and Torment The Vain. Michele has been in several projects as well and is the daughter of Dave Sestito, the inventor of DLS Effects. Over the course of the last year, the band has grown into a unit that is ready to conquer the regional and national music scene at large. I caught up with BJ and Michele last week to talk about the evolution of the band.

    Erik: I know that both of you come from a diverse musical background? Tell me about your beginnings in musical education through the bands you were in to this point?

    Michele: I started off playing guitar for a band at the age of 13. It was an alternative rock band and it helped really develop a certain style of music I wanted to perform. I also have always been an acoustic writer and singer so I like to combine the heavy feel with beautiful music. Through the years, I have learned what sounds best with my vocals.

    BJ: I also started playing guitar at 13. My first band was a cover band doing everything from Guns n’ Roses and Motley Crue to Alice in Chains and Pearl Jam as well as Metallica and Megadeth. Shortly after that band broke up I started writing more groove oriented metal riffs in my room. This lead to me being in bands like 40oz. and Torment the Vein. After taking a 5 year break, I wanted to start writing again and started getting back to my roots, but with a modern feel.

    Erik: Michele, How is it growing up with someone who was very important in the evolutionary process of helping create the rock band? More importantly, how did that effect the goals you have set for yourself in the music industry in general?

    Michele: It made it a lot easier. I grew up always wanting to be a musician like my father, starting at the age of 2 banging on my little piano. It really came natural to write and perform and having the great support and wisdom of a talented musician, helped me a lot. It really made me realistic and devoted to accomplishing something that people will hopefully understand and relate too.

    Erik: BJ, like many musicians, the road to where you are going, compared to where you have been…can be a real carousel of ups and downs? How did the band come together originally, and what process did you go through in putting together what would become The Untold Lies?

    BJ: It started off as Glenn Paddock and I jamming in his apt just coming up with riffs and a few vocals. We jammed with various singers and drummers but it took a year to complete the current line-up and get people that were all on the same page musically. Ultimately you have to all be happy with the music you are making. If one person feels they are compromising their beliefs then they become unhappy and it makes everyone unhappy. The lineup we have now is diverse in styles but we blend together better than any band I have ever been in.

    Erik: You can hear a ton of influences in what you are doing. As far as the development of the sound you were looking to create, are there any preconceived ideas of what you were looking to achieve? Also, I read someone’s comment on your live show the other day. They called the band, “Evanescence with balls!“ What do you make of this good hearted comment!

    Michele: Really, we as a band developed our style together, and we all have ideas which make our sound as a whole. I think if you listen to the album you will hear many different influences from one song to the next. And I love the fact that we are being compared to such a great band! We will continue to put forth our all in live shows to entertain and hopefully make great impressions.

    BJ: I remember when I sat down to start writing I told myself I wanted to have the rawness and honesty of Guns n Roses, Appetite For Destruction. I figured if I aimed at that album and it came out even 1/4 as good, we were doing a good job. That is the album that made me pick up a guitar in the first place. It is also what me pick it up again 5 years after not playing at all. Being compared to Evanescence is definitely flattering to us especially since we are just starting out.

    Erik: The songs you have recorded thus far that I have heard are quite mature. I am a big fan of “Undevoted.” What can we expect from the band as far as studio output in the near future?

    Michele: THE UNTOLD LIES are at a creative peak and the album is almost done. I can promise some more great songs to come!

    BJ: I agree. Every new song we say “This is the best one.” We are on a roll creatively and we are going to keep writing and hope to have the album out by late winter.

    Erik: There are alot of bands making noise in the Upstate Metal music scene? Being veterans of this scene, what makes this area so special for the both of you? There is a camaraderie that can not be matched anywhere on the East Coast?

    Michele: It’s my home. I love the people in the scene and there is such great undiscovered talent here. People just need to see! I started as a baby in this city and now I am an adult and still find so much love and support. It’s moving.

    BJ: The upstate fans have always been rabid fans. They make you want to put in the extra effort live and in the studio. I got my start in high school playing places like The Rum Runner, Cooley’s and The Lost Horizon. Then after High School, making the Penny Arcade a second home it seems. I couldn’t wait to get back out and play live again. It was like part of me was dead for the last 5 years as I sat stagnant with no avenue to just let it all out.

    For more information on THE UNTOLD LIES-
    Facebook: http://www.facebook.com/TheUntoldLies11

    -Erik Jensen

  • EVERY TIME I DIE releases statement about confrontation at annual Christmas show in Buffalo, New York

    As we previously posted, Every Time I Die had a run in with Club Infinity security at their annual Christmas show in Buffalo, New York. The video was posted and opinions were formed, and in a recent email to Upstate Metal the band had to say this about the incident:

    “Apparently there’s an Internet. And on it, there seems to be a video floating around from our Christmas show in Buffalo last Friday. Is it of us playing a brand new song for the first time? No. It’s of a bunch of people pushing and pulling other people. It’s hardly a fight. It was a misunderstanding manifested in an aggressive fashion. The club had a strict “no people on stage” policy which we were not made aware of…we have a strict “we love when people get on stage” policy that security was not made aware of. While outside earlier that evening, a certain security guard even told me how awesome the last “Five Finger Death Punch” show was because people rushed the stage. There has always been a rule in Every Time I Die and that is “do what Five Finger Death Punch does. No more, no less”. Therefore, I fully expected that with fair warning (which I can be seen giving) kids would be allowed to join us in typical ETID/FFDP fashion. Security was not having it. With the safety of our fans being top priority, we tried to ameliorate the situation. It was hot and confusing and irrational and immediate as most fights are and in retrospect we have discovered that it was all due to a lack of communication. We respect the venue, the promoter and the securities obligation to keep the band safe. Had they been informed of our complete disregard for our own lives, however, perhaps they wouldn’t have seen the stage raiders as a threat, but they did, and interests clashed. To the venue, we are sorry for the unfortunate miscommunication between us and your staff. To the people that travelled, we are sorry about our set being cut short and the fact that most of you didn’t get to receive a Shitty Secret Santa gift…to our friends, how much fucking fun was that?”

    From the stand point of watching the video, it’s pretty simply put that the video makes the entire mishap seem a bit worse than what it was. It wasn’t a matter of “security brutality”, and it was clearly a miscommunication. Did the staff overreact? Quite possibly. To be human is to err. Of course with the ever rising costs of overhead to keep a venue up and running, I suppose a touch of panic was understandable. However, if a venue is going to book hardcore or metal bands, they shouldn’t bitch about the crowd getting so into it. After all, it IS Every Time I Die.

    For more information on Every Time I Die-
    Facebook: www.facebook.com/everytimeidie

    -Christine Palmer

  • Ken Delaney and Joe Sweet of NINE BALL discuss reconnection; upcomming release

    Ken Delaney and Joe Sweet of NINE BALL discuss reconnection; upcomming release

    In the early to mid nineties, grunge and alternative metal ruled the airwaves! In upstate New York, there were definitely some bands that were catching the attention of the recording industry. The movement was on! Utica was the home of Nine Ball! They were one of the bands that you went to see, and envisioned playing to a much larger national audience. The band was aggressive, progressive, and lyrically and vocally so far beyond their peers, that I still have a tough time not believing that they were not on the national stage. Towards the end of the nineties, the band called it quits and left a bevy of fans upset and hungering for more. Well, close to fifteen years later, they will get their wish! After playing the clubs for the past year, Nine Ball released their new CD in June! And, quite simply, it is a monster of energy! I was able to catch up with Ken Delaney and Joe Sweet recently to get the scoop on all things Nine Ball!

    Erik:  How did Nine Ball come together as a group in the early 90’s?

    Ken:  Nine Ball was the vision of Joe, and Scott. They had put together the original version of what we call 9 Ball in the early 90’s. They played alot of shows in the area, and picked up a large following at the time. Joe, and Scott decided that they wanted the band to go in a different direction musically, and parted ways with their guitar player, and drummer at the time. Joe had his mind set on one guitar player Jay Wiley to fill the spot, and Scott had suggested that Joe get in touch with me to fill the drummer position. We clicked instantly, and began writing song after song.

    Erik:  When a band is gaining the momentum you were as a group in the 90’s, what made you call it quits back in the day?

    Joe:  Back in the 90’s there was a lot going on. I’d have to say it was a combination of a few things. For starters, we were very young and still learning who we are and who we wanted to be. Some of us moved on to have families and explore that side of life. It was very difficult to do both at the time. And for me, my outlook on life was changing. I felt like a lot of the questions I was asking were being answered and my music was becoming less aggressive. Plus back then, there was still smoking in all the clubs. That made it very hard on my throat night after night. I thought there was no way it could last if I keep going that route. Performing is a big part of my life and I have to stay healthy in order to do it full time.

    Erik: I know that you guys were looking to do different things after the break up of Nine Ball? How did your other projects come about after Nine Ball’s split?

    Ken:  I think it was a combination of  many different things. Some of us went on to other projects, and some of us decided to take a break from music all together. Joe decided to pursue a different style of music, and started a great project called  Jomamma and the Funkdaddys. I went back to my metal roots, and hooked up with two great musicians to form a band called Duck Duck Goose.

    Erik: What made you guys re-connect and decide to put this band back together?

    Ken:  It all started with a text message between Me, and Joe in October 2009. We were getting alot of requests, and motivation from friends posting stuff on Facebook about how they would like to see a Nineball reunion. During our text conversation we agreed it would be fun to give it a shot, and see if we could spark some interest. I figured it would be worth a shot to reach out to Scott, Nineball”s original bass player, with a text and see if he would be interested in getting Nineball back together. He responded with a Hell Yeah within seconds. So with three past members of Nineball set to go, the big question was who would we find to play guitar? Both of Nineball”s guitar players from the past were in other states, and doing other things with life. We tried out a couple of local guitar players that did not fit what we were looking for. In December 2009 Joe suggested that he would reach out to one of the area’s most talented guitar players (Dallas Sheppard) and see if he would be interested.. Dallas said he would join the group for the reunion show that we had scheduled at The Electric Company on Febuary 12th. 2010  and within 2 weeks Nineball was rehearsing for the show..

    Erik: For me, you guys were an important part of my music seeking youth? I remember my first show was the NORML benefit at Atlantis back in 93 or 94. Did you guys catch any grief from fans and friends to re-unite during the long time apart?

    Ken:   During the 15+ years that we were apart, I know that I was confronted by many old fans, and friends of the band, and I would say that it stands true for all of us. We had a really loyal fan base back in the 90’s that never wanted Nineball to part ways when we did. It seemed like every time I ran into someone they would always say Nineball should get back together.

    Erik: Obviously, there is a new member that joined the fold. Could you tell me a little about him?

    Ken:  Our guitar player Dallas is the only one in the band that is not a former member of Nineball. Dallas is one of the area’s most respected guitar player’s. When he joined Nineball, he was in three other bands ( Band Whore) as we call him. He is without a doubt the best choice we could have made to fill the spot. He has added so much to our sound with his techniques, style, and sound.

    Erik:  Your new CD is due for release in June, can you tell me about the process of putting this album together?

    Ken:  We all decided it was time to record our first album in August 2010. We set a goal of getting in the studio the beginning of 2011.  We decided that we would record some old material, along with the new to give this album some history of Nineball. Next was deciding on where we wanted to record the album, and It was a clear cut choice to all of us that we wanted to do this album with Jocko at Moresound studios in Syracuse. Jocko had reached out to us, previously and said he was really interested in working with us on this project. We scheduled 4 days in February, and decided that we also wanted Jocko to produce the album. The album was completed in five full studio days, and we worked our asses off to get it done in 5 days. Drum tracks were done in 9 hrs. Bass in 1 and a half days, and guitar, and vocals covered the rest. If anyone knows Jocko, they know how amazing he is at his craft. If you don’t know! You need to! We could not be happier with the finished product. We decided to have Brendon Flynn ( Jocko’s Roommate) do the artwork for the cover after looking at his artwork in the studio.

    Erik: This CD is a very cohesive piece of music that soars musically, vocally, and lyrically. Some of it seems quite personal, and even autobiographical in many senses. Can you tell me about the origin of the song’s themes!

    Joe:  The older material mostly comes from a part of me that was questioning things. As young adults I think it’s very important that we question things. I’ve questioned everything from Religion to Government just to make sure that I feel that I’m doing the right thing, and that I can make decisions that I can live with for the rest of my life. That’s how we get the answers that we are looking for. For example in the song “Enterprise” I was really searching for enlightenment. I knew in my heart that there was something there but just didn’t know what yet. So I questioned…because I wanted to know more. It was a burning desire I had as a youngster. The newer material like “Martyr, Soldier Boy and Stand Up” comes from a different perspective. It still has that edge with a touch of anger, but ultimately I’m more confident in my beliefs. Not as much questioning and more reasoning. For example “Soldier Boy” reflects my feelings about our troops still being at war while our government has claimed victory. There has been no victory if we are still at war. Like the war on terror or the war on drugs. We still have hundreds of thousands of our brothers and sisters still over seas when they where promised they would come home. We seem to shift the war from one country to the next. They never really come home. My heart goes out to them and I pray for their safe return.

    Erik: What can we expect from Nine Ball this year?

    Ken: We are already set to start writing material for our next album, and plan on hitting the studio early next year. We are booking alot of shows throughout central NY to support our CD.

    For more information on NINEBALL –
    Facebook: http://www.facebook.com/nineballrocks?ref=ts

    -Erik Jensen

  • A Super Gnarly Christmas: Volume II sure to get your nog flowing

    A Super Gnarly Christmas: Volume II sure to get your nog flowing

    Like supporting local artists in Upstate NY? Dig Christmas music with a twist? Need a stocking stuffer for someone who does? Here ya go.

    “A Super Gnarly Christmas: Volume Two” was slated to hit local shelves on Black Friday. Offering 22 tracks by 22 artists. Alongside  6 commercials by Arison Cain, Rob LaVine, and Adam Hunt, which make up the “DemonDS” tracks. All of which are from the Upstate area, the comp seeks to give area listeners a wide variety of holiday inspired original music, as well as a handful of cleverly re-imagined cover tunes.

    Though you may want to give it a serious listen for content before playing it at grandma’s house.

    As Corey Putney (the idea guy behind Super Gnarly’s resurrection) puts it “The album is dirty, fun, festive, offensive, and beautiful. It’s a blend of each and every genre in a way that just makes sense, and I hope that everyone enjoys listening to it as much as all of us had making it.”

    In keeping with the holiday spirit, one can always expect a wide variety of Christmas music compilations to flood the market, agonizingly hoping to move each and every unit prior to Christmas eve so remaining copies don’t go into the local $1 bin at the gas station on the 26th.

    That being said, instead of dropping cash on yet another copy of “Grandma Got Run Over By A Reindeer” while secretly saying to yourself “Bitch shoulda ducked,” check out some local up and comers instead.

    The idea of a band whose name is Bruce Campbell, covering Latin Xmas classic “Feliz Navidad,” makes this listen practically mandatory. Load up the Boomstick and grab a copy while you can.

    Track listing:

    DEMONDS “GHOSTS ON FILM (INTRODUCTION)”
    BRUCE CAMPBELL “FELIZ NAVIDAD”
    LEO LEMAY “ALL I WANT FOR CHRISTMAS IS YOU”
    [YOURNAMEHERE] “BLUE CHRISTMAS”
    LANDSLIDE VICTORY “DECK THE HALLS”
    APACHE CHIEF “AN UPSTATE CHRISTMAS”
    DEMONDS “THE LAND OF MISFIT SEXTOYS”
    SHAWN VANBROCKLIN “SANTA BABY”
    WOOF NASTY “CAROL OF THE BELLS”
    AARON ADAIR “HAPPY CHRISTMAS (WAR IS OVER)
    BABY BLUE BIRD ”BABY, IT’S COLD OUTSIDE”
    COREY PUTNEY “BABY PLEASE COME HOME”
    DEMONDS “WOMP & CIRCUMSTANCE”
    JESSE TAYLOR “I WON’T BE HOME FOR CHRISTMAS”
    ADAM MCANULTY “YOU & ME”
    DAMIEN MORROW “HAVE YOURSELF A MERRY LITTLE CHRISTMAS”
    SETH EGGLESTON “YULE SHOOT YOUR EYE OUT”
    FOLDING HOMES “HOLIDAZE”
    DEMONDS “BLACK MASS APPEAL”
    AFTER THE AVALANCHE “LAST CHRISTMAS”
    MATTY C BEATS “O HOLY NIGHT”
    DREW B CROHNS “AULD LANG SYNE”
    PRANCER & THE VIXENS “RUDOLPH THE RED NOSED REINDEER”
    DEEP REST “WHEN CHRISTMAS COMES YOU’LL DO CHRISTMAS THINGS WITH CHRISTIANS AND YOUR COUSIN CHRISTIAN”
    DEMONDS “THE REASON FOR THE SEASON”
    JAZZTIME STARLIGHT CHRISTMAS ORCHESTRA ENSEMBLE “EVERYBODY SHAKE YOUR HANDS (IT’S TIME FOR CHRISTMAS)”
    DUSTIN NICHOLSON “TWAS THE NIGHT BEFORE CHRISTMAS”
    DEMONDS “STREET NAMES (EPILOGUE)”

    For more information, and to keep up to date on release news visit: http://www.facebook.com/pages/A-Super-Gnarly-Christmas-Volume-Two

    -Greg Allis

  • Rob Traynor of Black Water Rising discusses song structure; originality

    Rob Traynor of Black Water Rising discusses song structure; originality

    rob-traynor-of-black-water-rising-discusses-song-structure-originalityBlack Water Rising hails from Long Island, N.Y. and from the moment this writer came across them back around 2007ish, I was hooked. The power driven drums and bass punch you square in the chest from the first note. The guitars have enough balls to grab you by the neck and slam your senses into submission as the vocals of Rob Traynor, more power and no frills, complete the assault. They have you thrusting your fist in the air and banging your head along with the songs and never let you go. Their ‘Bio’ on Facebook simply says it best;

    “BLACK WATER RISING is a collection of soul baring, angst ridden, riff heavy material that is proudly anchored in the foundations of traditional Hard Rock song writing. Giant guitar driven monster riffs served up on a bed of crushing grooves with soaring melodic vocals and big hooks. Basically, NO FRILLS RIFF ROCK! Lyrically the message is socially and politically driven by the dark times we live in. With darkness seemingly growing by the day, BLACK WATER RISING is a name that fits this band like a glove. The philosophy of BWR is simple, they are not looking to reinvent the wheel; they just want to give it a much needed alignment in these musically stale times.”

    Vocalist/Guitarist Rob Traynor generously took some time to speak with me about who they are, where they have been, and where they are going. Enjoy.

    David – Let’s go from the beginning, when and where did the band begin?

    Rob – The band has been around now for about 4 years. Around 2005 I sat down and wrote a bunch of songs that would later become the BWR debut album. I had turned Mike my drummer on to the songs demos, he liked what he heard and we headed into the recording studio to rerecord the songs with real drums. We decided to form a band. After we completed about 5 songs we were introduced to Johnny as we were looking for another guitarist. Johnny introduced Oddie who filled out the band on bass. The chemistry was there, we jelled as a band and the rest is history. After finishing the album we set out to release the album and entertained some record deal offers but none seemed worth being involved with so we decided to do things on our own. We are all from previous bands that had record deals. Johnny was in Stereomud, Mike was in Boilerroom, and I was in Dust to Dust, so we had been down that road before with record deals so we were a little hesitant to get involved with anything that didn’t seem worth it. We started a Myspace page and released a few songs one of which was picked up by Octane on Sirius Satellite Radio here in the states, called “Brother Go On,” the song did rather well and ended up staying in rotation for over two years! A buzz started building on the band, we started making a lot of fans and we got the album out through SONY RED distribution here in the states.  We did a little touring around the Northeast and Midwest here in the states eventually, interest came in from Europe to get the album out there, so that’s when Metalville Records came into the picture and here we are today.

    David – Black Water Rising, how did the name come to be?

    Rob – I was listening to a Clutch song called “In the wake of the swollen goat,” and heard the line “Black water’s rising and it ain’t gonna stop.” I said to myself that would make a cool band name, and it fits the vibe of the band so I ran with it. Black water is a geological event that occurs when there is an earthquake and muck and mud on a swamp or lake floor is dispersed into the water above and turns it black and murky. Or you could just imagine a broken public toilet if that is what you fancy. Just another struggling black band.

    David – What is the bands recorded history and where can they get it?

    Rob – Our debut CD is in most record stores worth a shit. If it ain’t there, demand it. Everywhere online, iTunes, Amazon, etc.

    David – How does your writing process work? Do you have a certain philosophy?

    Rob – I write a riff which may lead to a melody, which then leads to the creation of other parts that eventually comprise a basic song structure on which other melodies are written. From this the vibe directs my lyrical approach. Most of my songs really write themselves, they build themselves. The pieces fall into place. Lyrically I write what’s on my mind. Political and sociological themes seem to make up the majority of my lyrics because it is these two categories which affect all of our lives on a daily basis. Through my music I have a voice to express my thoughts. I write from a lower middle class, blue collar, working mans point of view. Caught in the daily struggle, and just trying to get by. You may agree or disagree with what I have to say, and that is totally cool, but I speak my mind. I believe my music and message is empowering and positive with substance. I have something to say. Anyone can write about being a wanna be millionaire gangster, panties and parties, or how your Mommy or Daddy didn’t give you your allowance this week. That’s not my world, save that shit for the Lady Ga Ga’s, Kanye West’s and Justin Diaper’s, I don’t write about that shit nor do I have the desire to. As for what song lyrics mean the most to me, I mean what I say and I say what I mean. Not much to it, I just make it rhyme and I feel them all.

    David – I had a band say, the song comes first, originality second. I wasn’t sure how to take that. What are your thoughts?

    Rob – I agree. Write a good song; don’t worry about sounding “different.” I get off on a great song that moves me, not whether a band sounds unique.

    David – What is in the works now? Any new video plans? Are you guys working on a new album yet?

    Rob – Just finished a video for “No Halos” from the debut album and we are wrapping up a new album for a 2012 release. Very excited about the new album, and i cannot wait to turn folks on to it.

    David – Who have you played with and toured with, and what’s in the future?

    Rob – Lots of great bands, I couldn’t mention them all. We toured with Kings X that tour sticks out, shows went over great. We are working on some tours for the New Year.

    David – I see so many bands giving the store away for free these days online. I also never see these bands getting signed. What advice would you give to someone taking that road and trying to get signed?

    Rob – Just keep pushing your stuff out there, if it is any good it will get recognized by fans and industry. Sharks smell blood, so if you are starting to create a buzz they will come.  Deals aren’t what they once were and most are awful.

    David – What does Black Water Rising use to get your sound, gear head question?

    Rob – I think the sound really comes from the music style and vocals. Our gear is really your standard LP’s into Marshalls, Jazz bass into SVT, and Ludwig drums. Rock band 101.

    Nothing fancy, just tried and true.

    David – Thanks for the time and I look forward to hearing more from you guys, hands down one of my favorite bands.

    Rob – Thank you brother!

    You can find Black Water Rising on-

    Facebook: http://www.facebook.com/pages/Black-Water-Rising/14816181590?sk=app_2405167945

    Myspace:  http://www.myspace.com/blackwaterrising

    Website: http://blackwaterrising.com/

    -David Garlow

  • Jason Acevedo of NINE ROUND discusses lyrical composition, band dynamics

    Jason Acevedo of NINE ROUND discusses lyrical composition, band dynamics

    Jason Acevedo of NINEROUND

    An Inner View with Jason Acevedo of Nine Round

    Jason Acevedo is the lead singer and lyricist for the highly talented Seneca Falls juggernaut, Nine Round. The band featuring Acevedo, guitarist John Farley, bassist Steve Sarratori, and Tommy D’Eredita, have been firing on all cylinders since the winter of 2009. Unlike many of the band’s musical peers struggling to get themselves on a high profile bill, Nine Round has been involved with a substantial amount of shows featuring national acts. The spirit of hard work is what earned the band opportunities such as opening K-Rockathon, and sharing a bill with Hatebreed among others. The seeds for success were planted long ago in bands such as One, Diamond Tyr, Bully, Saint Chaos, and Muggsy’s Boneyard. These aforementioned bands represent just a sample of the work that the members of Nine Round have been involved with in the past.

    The sky is the limit for this band, and with good reason. Quite simply, their no holds barred intensity is refreshing and needed within the Upstate metal scene. I caught up with Jason to talk about all things Nine Round!

    Erik: I knew that you were playing with Muggsy’s at the same time that the core of this band came together? How did you get involved with the project initially?

    Jason:  Actually, that band was pretty much all done.  Steve starting playing with Nine Round.  He played me a few songs that they were working on and I really liked them.  He sent the message, I went to some practices and wrote some lyrics to some songs.  From there I waited until they decided to give me a shot. The rest is history.

    Erik:  From the get-go, this band was playing an unprecedented amount of shows with National acts. How did it feel to start off this quickly, and what were some of your favorite moments?

    Jason:  Starting off like that was amazing. It really pulled us together as a band, personally and musically.  We have had some great moments for sure. One that strikes me is standing on the stage at K-Rockathon 15 and seeing all of those people. It was truly like a dream. Then getting respect from some of the other “bigger” bands solidified the day. Honestly though, the best moments for me are just being up there and playing and doing something that I love. That’s good for me.

    Erik: You are surrounded by some great talent man, how does it feel to share the stage with this group of Upstate music veterans? This is the supergroup of upstate NY metal! You do know this, right?

    Jason:  It really feels great playing with these guys. I watched Steve and Johnny play in bands for years and always respected their talents.  Tommy and I were only a couple years apart in school so I have gotten to watch him grow over the years also.  For it to all come full circle like this is fucking awesome to say the least! They are great musicians and great friends. We all learn from each other every time out there.

    Erik: When you guys went into the studio to record your debut, you went in with an arsenal of great tunes. Lyrically, you take the game to the next level. Where do you get your inspiration. You write glorious songs of oppression, and I want to know what makes you tick.

    Jason:  Thanks for the kind words man! I feel that the better I connect with the lyrics, the better I will perform it live. The songs are all part of me in one way or another, whether its through personal experience or something I have seen.  People often look to music for explanation or ways to vent strong feelings. If my lyrics make you happy, good. If they make you want to rip someone’s fuckin’ head off, EVEN BETTER!!!

    Erik:  Being that you were in the armed forces, a song like, “Soldier,” is intriguing to me! The song makes a very big statement. How you feel about your time in the service, and the fold that lead to this song being created?

    Jason:   My time in the service was really confusing.  I love my country and would die for it, but sometimes its really hard not to ask yourself, “what is going on here?” That song kind of pulls back and forth between fighting for your country and feeling insignificant to the people that don’t understand war.  There is a sickness in America where people feel entitled to everything.  They don’t understand what it’s like in other places.  Hunger, suffering, disease, etc.  I’m not trying to preach but the bottom line is: appreciate what you have and appreciate the people that put their asses on the line for you to have it!  So, I wanted to write a song from my perspective as a soldier and give an honest outlook of how I felt going through it.

    Erik:  Obviously, when Marullo left, you took some time off to re-tool what you were doing. How has this whole process been? What happened with that guy?

    Jason:  We did take some time off and it was needed and well deserved in my opinion. Just to get our heads back in the game! It’s always fun when you get in the creative mode and start writing the next chapter of your band.  This is when you appreciate the artists you work with the most. For us, it always comes down to repetition. This winter we will be writing a ton of new material so keep your eyes open for some new Nine Round!!! As far as Eric goes, let’s just say it didn’t work out. I feel that it’s best to leave situations as such, internal.  It would be unfair for me to give his perspective or the perspective of this band. What I can do is speak for myself.  Eric was part of alot of great times for this band.  He is a talented dude and I wish him the best of luck.

    Erik:  I understand that you are working on some new material. What is going on with the recording process right now?

    Jason:  Right now we are just throwing a ton of ideas around.  We don’t want to rush our music.  When we feel comfortable that we have a great set of songs, we will be back in the studio.  There is a possibility of knocking a few out this winter just to get the ball rollin’

    Erik:  I know you have this huge Christmas show coming up…a hometown affair! How does it feel to do these hometown shows? They have become the talk of the town every time they take place.

    Jason:  Hometown shows are always great. The obvious factor is that there are lots of people. It’s also sweet to have a room full of your friends and family. The personal connection is comforting and inspires me to kill it.

    Erik:  There is a great amount of respect among peers in the Upstate Metal community. Who are some of your favorite bands to play with, and do you have a wishlist of sorts?

    Jason:  Honestly, there are alot of great bands out there in New York State. I have respect for every band we play with and I will leave it at that man. We will play with anyone willing to have us, anytime!

    -Erik Jensen

  • Red Jumpsuit Apparatus invades SUNY Canton; talks latest release, and determination

    Red Jumpsuit Apparatus invades SUNY Canton; talks latest release, and determination

    Red Jumpsuit Apparatus

    “How could you possibly want to stay in the same place forever?!” vocalist Ronnie Winter says securely about the progression of his career. “No band ever recreates their first album. It’s just not possible.”  Drummer Kris Comeaux assertively adds. Ascertaining resurrection, Red Jumpsuit Apparatus has exceeded all circumspection in the release of “Am I the Enemy”.   Reconnecting with their melodic roots and driven sentiments, I found myself falling in love all over again with a band that had all but perished.  Mesmerized I worked my way through the track listing; I found an array of genres displaying this bands adaptability and loyalty to their vision.

    Restfully sitting adjacent to me I found myself encompassed by the definition of musicianship. “There are people who don’t like me, and they don’t like my band, because I’m not afraid to tell people exactly how it is…” Ron appreciatively speaks “That’s how everybody I know is.  But that is not how everybody else in the industry is. I’m not out to make friends, I’m out to make great music, and communicate with people who can be honest with themselves. “. And that is exactly the passion and drive you can expect to receive from this band within albums and live performances.

    Swimming in an industry plagued with repetition and deception, Red Jumpsuit put their foot straight through the floor in making their position known and clear they are here for the long run. “When you’re home you want to be on the road, and when you’re on the road you just want to be home. I need to wake up and reach out every day. This is it. It’s your calling and you can’t ignore it.” Kris, adamant in his conviction speaks.  Destined and fortuitous you cannot help but absorb the atmosphere and energy surrounding you in the presence of this band.  Freeing themselves from the major label confines Red Jumpsuit Apparatus has a liberated disposition and the weaponry of creativity at hand.  Musically unable to be defined by one specific message; “I write about anything and everything…write it exactly how you feel it” Ron states about being the primary song writer of the band.  When asked if the coming and going of members had an effect on the sound he replies; “The way you hear the (new members play) it changes the way you write.”

    Shifting positions, I brought forth the question of cause. Having gained massive notoriety for their song “Face Down”, which was about the tumultuous childhood both Ronnie and Randy endured, this band set out on a mission to be more than musicians. Ron looks down at his To Write Love on Her Arms shirt proudly. “…we never really stopped; just the first time got a lot of press. We get emails every day from people who reach out to us daily”. Taking the time to read and respond to as many fans as possible, Red Jumpsuit never lost sight of what was truly important to them. Renewed with a sense of determination and self-worth this band breathes into the atmosphere, I situated myself on stage left, ready to experience what has to become Red Jumpsuit Apparatus. Screaming, adoring, bright eyed fans lined the gymnasium. Delivering a powerful performance of a mixture of their three releases, you will not be disappointed. Red Jumpsuit Apparatus is primed to remain a fixture in this industry.  You can purchase their latest release “Am I The Enemy” through Itunes, and you can check out the bands facebook at: www.facebook.com/redjumpsuitapparatus

  • An Interview with the multi-talented Jennifer Hartswick

    An Interview with the multi-talented Jennifer Hartswick

    Jennifer Hartswick has been in the live music scene for over a decade, contributing to Phish’s studio work on The Story of the Ghost and Farmhouse. She is best known for touring with Trey Anastasio Band since 2001 in its various incarnations and sitting in with a wide range of bands including Umphrey’s McGee, Zach Deputy, Karl Denson, Keller Williams, Everyone Orchestra, Cornmeal, Dumpstaphunk, Addison Groove Project, and Soulive.

    Jen’s trumpet and soulfilled voice are immediately noticeable wherever she graces the stage, either sitting in with others or with her current projects, The Jennifer Hartswick Band, Van Ghost or Wyllys and the New York Hustler Ensemble. Her latest release, Ocean Floor, debuted in November and presents Hartswick in all her talents, highlighting her beautiful voice.

    jennifer hartswickNYS Music was able to sit down with Jennifer at Rock N Roll Resort in Kerhonksen, NY over Thanksgiving weekend to discuss her musical history, how she got started with TAB and her current musical endeavors. Jen was forthcoming and shared a great deal about her musical upbringing in Vermont and her role in TAB. Just after this interview, she rehearsed with Zach Deputy for a later collaboration, and saw her take the stage with Dumpstaphunk later that night on “Be Mine.”

    Pete Mason: What is your earliest musical memory?

    Jennifer Hartswick: When I was three, I distinctly remember a black and gold Maxell tape of Ella Fitzgerald singing skat. I asked my mom, ‘Why isn’t that lady singing words?’

    PM: When did you start playing trumpet?

    JH: It was 1990 when I was 10 years old, the year before Natalie Cressman (current TAB trombonist) was born. Before that I played piano, clarinet, flute and saxophone.

    PM: Growing up in Sheffield, Vermont, what was your musical upbringing?

    JH: I came from a different musical world than most kids. My family has a classical background so growing up I would see classical and opera music anywhere possible – Boston, New York, anything in Vermont. My aunts and uncles, my brother, mother and grandmother are all brilliant musicians, so when we had family gatherings, music was always around and a totally normal part of life.

    PM: How did you voice develop? Did you naturally have a singing voice, being born into a musical family?

    JH: I always sang, but I’ve never considered myself a singer. I’m a trumpet player first, even though I sing a lot more these days.

    PM: How did you get connected with Trey?

    JH: When I was in high school, I performed in a school band and we took part in one competition each year. Dave “the Truth” Grippo (of Giant Country Horns fame) was a judge one year when I was 16. After the competition was over, Dave came backstage and literally parted the waves of kids and came up to me to say “You’re having WAY too much fun up there! I want to have that much fun with you!” When Trey was recording One Man’s Trash, Dave mentioned me to Trey when he needed a trumpet on his solo album. That led to recording on The Story of the Ghost (Birds of a Feather) and Farmhouse (Gotta Jibboo) and when he put together the touring band in 2001, he brought me along. The group was formed in January and we started touring in February. In the trio, Grippo led the horn section, which also included Andy Moroz on trombone.

    PM: Starting at 19 in Trey Anastasio Band and touring the country in 2001 and 2002 seems to have been quite the change of pace.

    JH: It was completely different than anything I had experienced up until then. It was the beginning of my what would become my career. My life. Playing great music with wonderful people is the core of what that band is all about. And now it’s cool to see Natalie, who is like my little sister going through the same transition at the same age. When I got home from the first tour, I told my grandma how exciting it was and her reaction was “Ya know, you’re not the first trumpet player in this family to tour the country on a bus!“ She had played trumpet with the Cleveland Browns and traveled with the team in the 40’s when there were bands with football teams. She was one of the very first majorettes for the Browns. I thought I was doing something new and exciting…turns out Gramma had already been there done that!

    PM: Why did you move to Chicago in 2006?

    JH: We needed a change of scenery; I had just gotten married and my husband Wade was working with Umphrey’s McGee on the road full time. While there I played a little and taught private music lessons. It was definitely a growing period, a huge shift from the eastern seaboard to the Midwest; I started over in a way.

    PM: To what extent do you collaborate with Trey on songs? You seem to lead the horn trio now onstage.

    JH: It’s a very comfortable setting. If someone has an idea, they’ll throw it out into the mix. I’m very lucky to have a boss who cares about our opinions. The older I get and more experience I gain I realize what a gift that is. As far as leading the horn section…it’s been 13 years and I’ve just grown to know the heartbeat, pulse and flow of the show, so you go by what feels right, particularly this past year; everyone has a really solid role.

    PM: What are your favorite songs to play with TAB, original and cover?

    JH: “Money, Love and Change,” it’s such a rocker. “It Makes no Difference,” such a beautiful song.

    PM: What are you listening to currently?

    JH: I’m listening to a lot of indie rock, m83’s new album Hurry Up, We’re Dreaming. Also Snarky Puppy, their new album is Tell Your Friends; they are a huge band of probably 9-12 members, but not big for the sake of being big. They are very composed and tight, everyone has a purpose, with the music composed by the bass player. When I listen to them, I’m constantly thinking “How the heck did you come up with that? It’s so complicated and beautiful.”

    PM: What are your musical plans for the New Year?

    JH: I’m playing with Wyllys and The New York Hustler Ensemble New Years Eve at Sullivan Hall after Phish. Early in the New Year, Van Ghost has a new album coming out titled Domino Effect and the Jennifer Hartswick Band has a spring tour in the works to support the new album. In between, there’s not a lot of downtime.

    PM: When did you start Jennifer Hartswick Band? What sound were you looking for when the band idea grew into a reality?

    JH: We started in 2003. The band has gone through many changes in the last 10 years as we’ve all grown up and matured. What was once a group of ten friends taking long, meandering, drawn out solos has turned into a tight and deep five-piece soul machine. With age comes the wisdom to embrace the ‘less is more’ mentality which is something that is second nature to us now. The band consists of Nick Cassarino on guitar, Dezron Douglas on bass, Rob Marscher on keys and Nikki Glaspie on drums; all of whom are masters of their craft.