The first ever WAV (World A Vibes) Music Fest has been announced for Mar. 28, 2025.
At UBS Arena, Spice, Skeng, Valiant, and Kraff, with more to be announced, will perform at the first full dancehall show at the venue.
The Jamaican musical genre, dancehall, while historically only finding widespread popularity on the island, has risen in popularity by extraordinary amounts in the past few years. Thanks to advocates such as Nicki Minaj among others, the excitement has culminated in bringing the first-ever Dancehall show to UBS Arena, located only 30 minutes from Penn Station or Grand Central via LIRR in Belmont Park.
The festival lineup reveals the presence of some of the biggest stars of dancehall, while also featuring many young and exciting talents. The “Queen of Dancehall”, Spice, innovative and top streaming dancehall artists Skeng, Valiant, and the rising star Kraff have been announced to perform. More electrifying artists are set to be announced in the first week of Dec. Nicki Minaj has said of Skeng, “No one is a bigger fan than me!” while Spice has collaborated with major artists such as Minaj, Missy Elliott, Busta Rhymes, and more.
The organizers highlight New York’s vibrant energy as the perfect setting for the WAV Music Fest, emphasizing a platform to showcase and support emerging talent while fostering cultural and artistic appreciation within society. In the dynamic city of New York, known for its entertainment hub and cultural diversity, the festival aims to provide an unforgettable musical celebration of dancehall.
K-Pop global sensation SEVENTEEN delivered two unforgettable nights of captivating performances, stunning costume changes, and lighthearted antics to New York’s own UBS Arena as a part of their SEVENTEEN [RIGHT HERE] World Tour, celebrating the group’s accomplishments and current endeavors alongside their international fanbase.
Photo: PLEDIS Entertainment
Since their last US tour in 2022, 13 piece K-Pop powerhouse SEVENTEEN has seen a skyrocketing level of success. The first Korean Pop act to headline Lollapalooza Berlin and perform on Glastonbury’s iconic Pyramid Stage, the group is no stranger to making and breaking records- they are, after all, the group responsible for the best selling K-Pop album of all time at more than six million sales with their release FML.
Currently embarking on their SEVENTEEN [RIGHT HERE] World Tour, the group looks back on what they have accomplished thus far and forwards into the exciting future ahead of them as they span venues across the United States and Asia- including New York’s very own UBS Arena in Belmont.
This tour’s two nights in Belmont marks the group’s fourth visit to the New York area, especially exciting for SEVENTEEN member and New York native Vernon who has noted that his memories of the city are especially precious as they are tied to touring with his group and being able to return to his birthplace time and time again thanks to the group’s global fanbase.
October 25 marked the first of two nights SEVENTEEN was to spend in New York, and the anticipation for the night could be felt well before the show had commenced- as all seasoned K-Pop fans will tell you, the concert truly begins hours prior. The closer to the venue, the more it was possible to pick out fellow Carats- that is to say SEVENTEEN fans (named in reference to the carats that make a diamond shine)- decked out in elaborate, fabulously curated, and sometimes even handmade outfits alongside positively glowing faces as they anticipated the show to come.
The themes for the night’s outfits were rather distinct- the first party donning seventeen’s signature color palette of pink, blue, and white, the second dressed in black and pops of sparkling red in reference to the group’s recent release “Maestro,” and the third subtle- or not so subtle- nods to fanbase favorite moments and inside jokes, including but not limited to member Hoshi’s passion for tigers and iconic “Horangae” claw pose and the now infamous black, red, and white jacket worn by two competitors on group-forming competition show Boys Planet where they performed SEVENTEEN’s “HOT”.
Outfits are only the beginning of the concert necessities, however. Carats carrying both official and custom pickets depicting the fan’s favorite member or a celebratory slogan, the group’s official light stick either freshly purchased or bedazzled to the gods, paper banners from fan projects with encouraging messages written in Korean for the members to see, and homemade goods for any and everyone lovingly referred to as “freebies” filled the halls of UBS, the merchandise and food lines a fanbase mixer and the concourse a runway.
Inside the Arena, the pre-concert sparkle was in full effect. Carats were excitedly syncing their light sticks for the corresponding light show to come, posing for photos, and exchanging even more freebies (I was gifted an adorable custom SEVENTEEN at UBS Arena photo card from a lovely blue t-shirt and face glitter clad duo as they made their rounds), singing along to the music videos playing and most noticeably- dancing.
Photo: PLEDIS Entertainment
For the uninitiated, dance is its whole own beast in K-Pop. Almost every single release comes with corresponding choreography that some fans will learn to the point of recording in fully produced videos or forming a group dedicated to covering their favorite artists’ moves.
SEVENTEEN in particular shines on the dance floor. The group’s dedicated performance unit includes members Hoshi, Jun, The8, and Dino, though it truly isn’t difficult to describe the entire group as a set of all-rounders- that is, artists who have mastered the dancing, singing, and rapping aspects of their career.
Just prior to the SEVENTEEN [RIGHT HERE] tour kicking off, it was announced that members Jun and Jeonghan would not be participating. As of September 26, Jeonghan began his mandatory South Korean military service, and Jun is currently exploring acting opportunities in China. While heartbroken, fans took the loss in stride, their presences felt in the arena throughout the night with pre-recorded vocals playing during their parts and accompanying visuals depicting the group as the full roster of thirteen. The two were sorely missed but present all the same.
As SEVENTEEN took the stage, the energy was electric. Wonwoo sang the opening line to “Fear” as the ring of backup dancers around him collapsed to the ground, the production leaning into full-on theatrics right off of the bat.
The red screen behind those on stage already split down the middle to reveal the remainder of the members stood upon a pyramid of stairs, their silhouettes a striking visual. By the time the full group had united on the main stage, fireworks had been set off and lasers were in full effect, setting an exciting precedent for the rest of the evening.
Captivating performances of “Fearless”, “MAESTRO”, “ASH”, and “CRUSH” followed with intermittent VCR interludes paired with an introductory ment from each member that established a communal excitement for the remainder of the show.
Photo: PLEDIS Entertainment
The first section of the night was concluded with a VCR that allowed for the first of many costume changes, which led directly into a series of unit songs that allowed each set of members show off their specialized skillset. First up was the hip-hop/rap line comprised of S.Coups, Wonwoo, Mingyu, and Vernon with “Water” and “MONSTER”, the former featuring an absolutely addictive bit of choreography in the final chorus and the latter feeling perfectly timed for a show just over a week prior to Halloween.
Photo: PLEDIS Entertainment
Once “MONSTER” wrapped, it was time for the performance/dance line to shine. Members Hoshi, The8, and Dino took the stage to perform the effortlessly smooth track “Rain” that emphasized the trio’s fluidity and body control and “Lilili Yabbay”, named after the verbal counts the dancers used to memorize the track’s choreography.
Photo: PLEDIS Entertainment
The vocal line- Woozi, Joshua, DK, and Seungkwan, took the stage after to perform “Candy” and “Cheers to youth”, the former perfect for a waltz in the rain and the latter a glitteringly nostalgic track that opened with corresponding confetti cannons and featured various polaroid photos of the members throughout the years behind them- a lovely testament to how far the group has come and yet another heartwarming nod to Jun and Jeonghan.
Introducing the next stage was a VCR depicting the group playing ping pong, showering one another in feathers during a pillow fight, and generally just enjoying one another’s company over a warm, homely backdrop. A metallic time machine-like structure delivered the group back on stage where they resumed their activities: lounging on bean bags, attempting a badminton rally, and playing basketball, the group’s familial rapport on full display.
The following performance of “Oh My!” was intermittently paused to allow the members to tease one another, attempt a shot at the basketball hoop, and generally just mess about on stage. It was almost surreal to observe their banter live after seeing the same rappport on their web variety series GOING SEVENTEEN, which in turn proved that yes, they are genuinely that silly in person.
In a dramatic turn of events just prior to the final chorus, the members turned to the time machine only to find it had malfunctioned… and dropped them in the middle of the jungle. Various dancers emerged from the stage in inflatable costumes and engaged the members in an over-the-top dance battle that had the audience at the edge of their seats between bouts of laughter.
SEVENTEEN has made it clear that they don’t take themselves too seriously, and it’s no wonder why- they don’t feel the need to. The sillier moments like an inflatable costume dance battle are counterbalanced with their flawless performance and sharpened skills that speak for themselves in a way that culminates in an air of effortless entertainment. The group knows they’re talented, and because of this have no qualms leaning into the silly and absurd.
“Oh My!” was followed by a series of lighthearted tracks including personal favorite “Snap Shoot” and the ever-vibrant “God of Music,” closing out the third section of the show.
Other tracks performed after a costume change into a palette of effortlessly stylish neutrals include the group’s recent release “LOVE, MONEY, FAME” in collaboration with DJ Khaled, the strikingly impactful “MARCH” that had pyrotechnics for days, and arguably one of the group’s most successful releases, “Super”.
As is tradition for most if not all concerts, the end of “Super” marked the point in which the artist would make a casual goodbye and the audience would put on an act of pretending there isn’t an encore to be anticipated ahead of them- however, SEVENTEEN’s encore comes with terms and conditions. In order to determine the encore stage’s length, fans must first prove themselves through the power of dance.
Cheers were heard throughout the stadium as the cameras panned from one fan to the next, dancing their hearts out to other fan favorite tracks absent from the set list, and lo and behold, the members re-appeared in their final outfits of the evening to perform “Adore U”.
Photo: PLEDIS Entertainment
Now came time for the time-honored SEVENTEEN tradition that every Carat dreams of experiencing at least once in their life. The real end of the show comes in the form of “VERY NICE”, or “AJU NICE” as it’s colloquially known, a track released on SEVENTEEN’s first album repackage. “AJU NICE” is iconic, “AJU NICE” is eternal, and “AJU NICE” is never ending- literally. The beginning of the song is a standard performance, the chorus exciting and bright, and then the members pivot to a dance battle with an audience member or pass the mic off to a fan near the barricade to sing a line or two, and plot twist- you’re right back in “AJU NICE”.
All of this to say night one in New York wrapped with a total of eight “AJU NICE”s that felt so complete as a conclusion there was no need for the pretense of elongated will-they-won’t-they departures, as SEVENTEEN had left everything out on the floor, just as Carats had from their seats- something “AJU NICE” made sure of. The perfect bow on the evening, night one of SEVENTEEN in New York had come to a close.
Photo: PLEDIS Entertainment
An absolute tour-de-force in live performance, SEVENTEEN is not a group to be overlooked regardless of whether or not you’ve ventured into the K-Pop world before. Perfectly balancing precise skills and unbelievable vocals with incredibly down to earth attitudes and a clear, genuine love for bringing their music to the stage, SEVENTEEN is a refreshing class act that knows they’re talented and isn’t afraid to be themselves all the same.
Setlist: Intro + Fear / Intro + Fearless / MAESTRO / Prelude + ASH / CRUSH / Water / MONSTER / Rain / Lilili Yabbay / Candy / Cheers to youth / Intro + Oh My! / Snap Shoot / God of Music / HOME / Intro + LOVE, MONEY, FAME (feat. DJ Khaled) (English Ver.) / MARCH / SUPER / Adore U / ’bout you / Campfire / VERY NICE
Hot 97’s annual Summer Jam concert event came and went this past weekend. The annual hip hop showcase held at Elmont’s UBS arena where artists like Cash Cobain, Lola Brooke, 41, French Montana, Davido, Doja Cat, Sexyy Red and legacy acts such as Method Man & Redman all performed. While the concert celebrated hip hop old and new, Method Man made it clear that this might be his last time performing at the annual hip hop festival.
As Hot 97 took to Instagram to share highlights from the event, Method Man shared in the comments that the audience’s reaction was not to his liking. With the legendary rhymer stating that the audience was “not our crowd at all.” However, the “Tical” rapper held no qualms towards Hot 97 pillars and hosts Ebro and Peter Rosenbengerg, but simply stated that “at this point the generation gap is just too wide for me.”
With the historic radio station celebrating their 30th annual Summer Jam event, Method Man, Redman and the likes of Rakim and Big Daddy Kane were brought out to commemorate three decades of hip hop at the radio station. Moreover, Big Daddy Kane shared a heartfelt moment with the crowd, bringing out the late Mister Cee’s brother and sister to commemorate the legendary, late DJ’s tribute with a moment of silence, instructing the crowd to throw up C’s.
However, despite this, Summer Jam has routinely curated its setlist to cater to hip hop’s newer acts. With focuses on Cash Cobain — who has taken airwaves by storm with his hit-record “Fisherrr”– drill rappers 41 and Sexxy Red, with A Boogie serving as a celebrity host. From afar the lack of crowd reaction seems to be the result of hip hop being quick to discard its legends, rather than learn and study their work, which is a stark contrast to country much and rock & roll acts. As Meth and Red performed their hits includng their 1999 collaborative single “Da Rockwilder,” hip hop showed why it may not always be the best idea to cling to the youth for relevance, as it may result in legends not getting their just due.
HOT 97’s Summer Jam festival sees UBS Arena in Elmont, New York as the host for the event’s 30th anniversary. The festival sees a stellar lineup of some of hip hop’s most notable names. This includes Doja Cat, Sexxy Redd, Offset, Method Man, Redman and many more.
Hip hop’s biggest celebration begins June 2 at UBS Arena in Elmont, Long Island. Summer Jam 2024 sees an explosive celebration of HOT 97’s legacy and the biggest names hip hop has to offer. Cemented rap artists of today, legends of the past, and rising stars all gather at Summer Jam to show their talent and to make the crowd move.
Headlining this historic occasion are chart-toppers Doja Cat, Davido, and Offset, alongside fan-favorites such as Sexyy Red, the legendary duo Method Man and Redman, rising star Sleepy Hallow, Detroit’s pride Tee Grizzley, and the dynamic 41 Kyle Richh, Jenn Carter, and TaTa.
Legendary Hip Hop Duo, Method Man and Redman
Summer Jam started humbly and become a cultural phenomenon. The festival has continuously pushed boundaries and shaped the landscape of hip-hop. With icons Method Man and Redman joining forces to set the stage on fire, this year’s lineup reflects the evolution of the genre and pays homage to the artists who have contributed to its legacy over the past three decades.
Summer Jam at UBS is something that’ll recur. UBS Arena is the festival’s new home now that its fully built and ready for massive audiences. The arena has been meticulously designed to elevate fans’ audio experience during performances, and those in attendance can vouch.
Summer Jam 2019 at Metlife Stadium
General public tickets will officially go on sale on Friday, March 22nd at 10 am on HOT97.com and ticketmaster.com. You do not want to miss Summer Jam at UBS Arena.
Rock and Roll Hall of Famer Stevie Nicks has expanded her wildly successful 2023 tour with 13 additional performances added. The Live In Concert tour will make stops in New York State on Feb. 14 at the UBS Arena and June 12 at MVP Arena.
General on-sale for the additional dates will begin on Friday, February 9 at 10 a.m. local time at LiveNation.com.
STEVIE NICKS 2024 TOUR DATES:
Sat Feb 10 – Atlantic City, NJ – Mark G Etess Arena Wed Feb 14 – Belmont Park, NY – UBS Arena Sat Feb 17 – Baltimore, MD – CFG Bank Arena Wed Feb 21 – Greenville, SC – Bon Secours Wellness Arena Sat Feb 24 – Hollywood, FL — Hard Rock Live^ Wed Feb 28 – New Orleans, LA – Smoothie King Center Sun Mar 03 – Omaha, NE – CHI Health Center Wed Mar 06 – North Little Rock, AR – Simmons Bank Arena Sat Mar 09 – Arlington, TX – AT&T Stadium* Sat May 04 — Charlotte, NC — Lovin’ Life Music Fest — First Ward Park+ Tue May 07 – St. Louis, MO – Enterprise Center – JUST ADDED Fri May 10 – Thackerville, OK – WinStar World Casino and Resort^ – JUST ADDED Tue May 14 – Nashville, TN – Bridgestone Arena – JUST ADDED Sat May 18 – San Antonio, TX – Frost Bank Center – JUST ADDED Tue May 21 – Highland, CA – Yaamava’ Resort and Casino – JUST ADDED Fri May 24 — Napa, CA — BottleRock Festival — Napa Valley Expo+ Mon May 27 – Salt Lake City, UT – Delta Center – JUST ADDED Thu May 30 – Denver, CO – Ball Arena – JUST ADDED Tue Jun 04 – Indianapolis, IN – Gainbridge Fieldhouse – JUST ADDED Sun Jun 09 – Uncasville, CT – Mohegan Sun – JUST ADDED Wed Jun 12 – Albany, NY – MVP Arena – JUST ADDED Sat Jun 15 – Hershey, PA – Hersheypark Stadium – JUST ADDED Tue Jun 18 – Grand Rapids, MI – Van Andel Arena – JUST ADDED Fri Jun 21 – Chicago, IL – Soldier Field*
As the clock struck midnight and confetti filled the air, Billy Joel made history with his unforgettable inaugural performance at UBS Arena on New Year’s Eve 2023. Returning to Long Island for his first concert since 2018, Joel’s momentous show marked not only a thrilling start to the new year but also a significant milestone in his illustrious career.
At 74, Joel’s energy and musical prowess remained as captivating as ever. Having announced the conclusion of his decade-long residency at Madison Square Garden in July 2024, this performance became a cherished moment for fans, signaling the beginning of the end of an era. Joel’s decision to conclude the residency after his 150th show to prioritize family time underscored the significance of each live appearance, making the UBS Arena debut a cherished affair for both the legendary artist and his dedicated audience.
Billy Joel took the stage at 10:30 pm, kicking off the night with a series of enthralling performances even before the anticipated countdown to midnight. The evening commenced with the captivating Regina Spektor, setting an electrifying atmosphere and paving the way for Joel’s grand entrance. The timing was impeccable, aligning perfectly with the audience’s anticipation for the transition into the new year. As the iconic countdown from Times Square illuminated the arena, Joel seamlessly serenaded the crowd with the timeless tunes of “Auld Lang Syne,” swiftly followed by a heartfelt rendition of “All You Need Is Love.” These musical choices forged a sense of togetherness, uniting thousands in a poignant moment of celebration and unity.
Among the unforgettable moments of the evening was Joel’s surprising cover of “Start Me Up,” infusing his timeless style into the classic Rolling Stones hit. Later on, Joel shifted gears to perform “Souvenir” marking his return to the song since 2018.
At the heart of his New Year’s Eve performance at Elmont’s UBS Arena, Billy Joel paused to share a glimpse into his future plans while addressing the audience. With his trademark wit, the Piano Man reassured fans about his continued relationship with Long Island. “Just because I’m selling that house doesn’t mean I’m leaving Long Island. I still have a house on Long Island,” Joel affirmed, referring to his longtime property in the village of Centre Island. “I’m just gonna spend a little more time in Florida like old Jewish guys from Long Island do.”
Billy was accompanied by a stellar ensemble of incredibly talented musicians, each adding their unique touch to the musical extravaganza. Mark Rivera on saxophone, Tommy Byrnes on guitar, Crystal Taliefero handling percussion and lending her powerful vocals in a stunning rendition of “River Deep,” Dave Rosenthal on keyboards and serving as the musical director, Andy Cichon on bass, Chuck Burgi on drums, and Mike Delguidice on rhythm guitar and backing vocals—these individuals formed the backbone of the performance. The seamless synergy and years of collaboration between Joel and his bandmates were unmistakable, creating an electric atmosphere that ensured an unforgettable night of music and cherished memories for the audience.
The encore was a rollercoaster of emotions, featuring anthems like “We Didn’t Start the Fire,” “Uptown Girl,” “It’s Still Rock and Roll,” “Big Shot,” and “You May Be Right.” Each song carried its own resonance, sparking sing-alongs and an electric atmosphere that reverberated throughout the arena.
Joel’s decision to conclude the night with this powerhouse ensemble of hits was a testament to his commitment to delivering an unforgettable experience. The energy, passion, and sheer joy exuded by Joel on stage were infectious, leaving a lasting impression on Long Island and setting the bar high for future performances at UBS Arena.
As the clock struck 1 am, bringing an end to the performance, the arena echoed with cheers, applause, and a shared sense of gratitude for being part of a momentous occasion. Billy Joel’s New Year’s Eve debut at UBS Arena will undoubtedly be etched into the memories of all who were fortunate enough to witness this historic event, marking a new chapter in the legacy of one of music’s most enduring icons.
Billy Joel – UBS Arena – Sunday, December 31, 2023
Setlist: My Life, Pressure, Everybody Loves You Now, The Downeaster Alexa, Start Me Up, An Innocent Man, The Lion Sleeps Tonight, Barbara Ann, The Longest Time, Big Man On Mulberry Street, Movin Out, Half A Mile Away, Vienna, Don’t Ask Me Why, Allentown, New York State of Mind, The River of Dreams, Whole Lotta Love, Auld lang syne, All You Need Is Love, Only the Good Die Young, Nessun dorma, Scenes From an Italian Restaurant, Souvenir, Piano Man Encore: We Didn’t Start the Fire, Uptown Girl, It’s Still Rock and Roll to Me, Big Shot, You May Be Right