Vocalist Shemekia Copeland will celebrate the release of her Grammy-nominated album, Blame It On Eve, with a live performance at The Egg in Albany on Saturday, Jan. 18, 2025.
Shemekia Copeland’s latest album, Blame It On Eve, received a Grammy nomination for Best Contemporary Blues Album. The title track, written by John Hahn and Will Kimbrough, received nominations for Best American Roots Performance and Best American Roots Song. These three nominations now bring her total to eight. Upon release, Blame It On Eve debuted at #1 on the Billboard Blues Chart.
Born in Harlem in 1979, Shemekia Copeland released her debut album “Turn The Heat Up” in 1998 when she was only 18. The New York Times and CNN, among many others, praised her talent, larger-than-life personality, dynamic, authoritative voice, and true star power. Copeland’s music has continued to evolve over the years along with her notoriety and skill.
Blame It On Eve was recorded in Nashville with producer Will Kimbrough, who also produced her previous three albums and doubles as an instrumentalist and songwriter. Each of the 12 songs has substance and contains jaw-dropping performances from Copeland and the band.
“There’s serious business on the new album,” Copeland says. “But there are a lot of smiles here too, a lot of joyous moments. It’s my blues for sure but it’s the brighter side. Issues are always important to me, but so is rocking, dancing and just having fun. And that’s something we all can all agree on.”
Tickets are on sale now. Learn more and purchase tickets here.
Sometimes an intimate theater experience can deliver just as big of an impact on a live music fan as a massive arena setting can. Murray’s Law, acoustic duo Brian Murray and Jimmy Law from well-loved jam band Dogs in a Pile, delivered just that, a larger than life sound and overall experience inside the small and cozy Swyer Theatre of The Egg on Sunday evening in Albany, New York.
Superstition strikes as to never miss a sunday show, especially when you can catch such great talent steps away from your apartment. The October 20, 7pm show started just minutes after, with a very gracious and thankful Murray and Law to those in attendance. The small theatre held a tiny but extremely devoted crowd, already releasing cheers and woos of support, eager to hear what the artistic duo had in store. Incredible sound, for one, was obvious almost at an instant and rang true through the two-set night.
Playing as a stripped down acoustic duo made a truly pleasant listening experience, as fans were able to better focus and dial in on the intricacies of their individual sounds as musicians, and further amplified by the quality of sound in the room. They traded on and off between impressively fast and fun fingerpicking to hard and steady jamming in front of a simple setup of a few tall candles, beautiful, colorful mosaic lamps and endless guitar pedals that eventually lent the audience some fun reverb bouncing off the walls of the Egg.
The night’s setlist was a carefully, and well crafted arrangement of DIAP tunes, covers from american folk and country greats and favored jam bands. John Hartford’s “Joseph’s Dream” opened up the show with easy listening before dropping into the intricate fingerpicking, or “travis picking” stylings of Merle Travis’ “Cannonball Rag”. The already amped up audience got to sample a new Dogs tune titled “Look Johnny II”, sandwiched right in between an expected and wanted Grateful Dead cover, “Jack-A-Roe,” where Law’s raw vocals shined, and an impressive rendition of Jim Croce’s “Walkin’ Back to Georgia.” A collective appreciation swept over the room and while most stayed seated, groups towards the back just couldn’t contain the groove, surrendering, dancing and loudly applauding through the night.
With a nod to the venue being titled the Egg, Murray joked the nut of his guitar fell off and had to be assembled back together like humpty dumpty just seconds before walking on stage. Lighthearted fans joked in response that we got a two-for-one concert/comedy special deal. After a quick break, the guitarists continued to excite the crowd in set two with their own ‘Go Set”, the Dead’s “Cosmic Charlie” and “Lazy Susan,” a new track Murray penned in Nashville, during a time he just so happened to meet Lucas Nelson. A personal highlight of the show was the heartfelt cover of recently deceased Kris Kristofferson’s “Sunday Morning Coming Down,” and Murray’s emotional vocals that accompanied it. Encore came to wrap up the special evening with a double header of Trey Anastasio Band’s “Ether Sunday” and the Allman Brothers’ “Soulshine.”
With Dogs in a Pile riding high popularity waves in the current scene and a ever-growing Dog Pound of fans, it was a true treat to be able to experience such a remote setting bursting at the seams with talent in musicianship and appreciation by both the duo and fans alike. Be sure to catch the full Dogs in a Pile group at Putnam Place in Saratoga for their New Year’s Run!
10/20/24 Murray’s Law at the Egg , Albany NY Setlist
Set 1: Joseph’s Dream, Cannonball Rag, You Didn’t Hear It From Me, Today, A Thing Called Love, Wildflower, Jack-A-Roe, Look Johnny II, Walkin’ Back To Georgia, Mr. Banker, Shenanigans
Set 2: Go Set> Cosmic Charlie>Go Set Ending, Lazy Day, Lazy Susan, Sunday Morning Coming Down, Burning Daylight > No Excuses > New Shoes> Power Trip
Union College and The Egg have announced details for the four-day residency by Eisenhower Dance Detroit from October 15-18.
The residency includes community outreach, a professional experience for local dancers and a public performance at The Egg.
A mini-residency in mid-September included an audition for local college dancers and a rigorous weekend rehearsal process for those selected. Jolita Brettler, Melanie De La Cruz, Ava DuBoff, Hailey Dunn, Livi Gwinnett, Grace Newcombe, Emily Tobar and Abby Wilder, all Union College dancers, will perform “State of Mind” by Eisenhower Dance Detroit (EDD) Executive Director Stephanie Pizzo alongside members of EDD at The Egg on Friday, October 18.
About working with the Union students, EDD dancer Lillie Hamilton said, “We admired their eagerness, dedication, maturity and focus.” About the experience of learning and rehearsing the work in a brief period of time, De La Cruz claimed, “Honestly, I feel stronger, both physically and mentally.” Dunn added that the intensity of the process was “challenging emotionally, physically and socially but I feel as though I have grown both as a dancer and as a human being.”
The residency is made possible by the partnership of the venue and college as well as a major gift from Gus (Union class of ’59) and Sue Davis (Sage class of ’60) in memory of their daughter Stephanie.
The residency culminates at The Egg on Friday, October 18. From 7:15pm to 7:45pm, Laurie Zabele Cawley, Interim Dance Director at Union College, will partake in a pre-show talk with EDD’s Pizzo conversing about the company and the evening’s program. The 8pm performance will feature “Legacy Island” by Filipino Norbert De La Cruz III; “En-code” by Australian, disabled choreographer Marc Brew; “Hyper” by hip-hop ballerina Micaela Taylor and “See Me” by the athletic Christian Denice. The aforementioned “State of Mind” will close out the evening.
Returning to the Capital Region in mid-October, the company will conduct three lecture/demonstrations, three movement workshops and eleven master classes at Union College and seven other locations in the local area. The activities will reach participants from elementary age to senior citizens.
The schedule of activities is found below. Activities with an asterisk are free and open to the public
Tuesday, October 15
Two movement workshops at Mont Pleasant Middle School from 1:09pm to 2:42pm
Two dance technique classes at Schenectady High School from 1:08pm to 2:41pm
An advanced modern dance class at Skidmore College from 3:40pm to 5:30pm
An intermediate ballet class in Union’s Henle Dance Studio from 5pm to 6:30pm
Wednesday, October 16
An intermediate modern dance class at Skidmore College from 10:10am to 12pm
An intermediate ballet class at Emma Willard School from 3:45pm to 5:15pm
A movement workshop for Proctors’ Acting Academy from 4:15pm to 5:15pm
An intermediate modern class in Union’s Henle Dance Studio from 5pm to 6:30pm
Thursday, October 17
An introductory modern class at UAlbany from 10:30am to 11:50am
An adult/senior class in Union’s Henle Dance Studio from 11:15am to 12:30pm
Two lec/dems at the Albany Academies between 11:30am and 12:30pm
A mixed genre exploratory class for adults & seniors at SPAC’s School of the Arts from 12:45pm to 2pm*
An open master class in Union’s Henle Dance Studio from 6pm to 7:15pm*
A lec/dem in Union’s Henle Dance Studio from 7:30pm to 8:30pm*
Tickets for the Eisenhower Dance Detroit performance are $35 and $45 and may be purchased in person at The Egg box office at the Empire State Plaza, by calling 518-473-1845 or online.
Dynamic acoustic duo Murray’s Law is set to deliver an exclusive performance at Swyer Theater at The Egg in Albany on October 20.
The acoustic duo features Brian Murray and Jimmy Law from the acclaimed New Jersey jam quintet Dogs in a Pile. Murray’s Law delivers an acoustic experience that highlights their vibrant covers and a compelling mix of original compositions, making each performance a bold and engaging experience.
The intimate setting of the Swyer Theater offers the perfect backdrop for audiences to connect with the raw musical prowess and captivating energy that Brian and Jimmy bring to the stage.
Murray’s Law emerges from the profound creative synergy between Brian and Jimmy, known for their role in Dogs in a Pileâa band currently riding the wave of success with a string of notable achievements. Dogs in a Pile has captivated the Capital Region for years, recently making regional headlines after announcing their second annual headlining New Year’s Eve run at Saratoga Springs’ Putnam Place.
They further solidified their reputation with a stellar summer tour featuring sold-out performances at prestigious venues like Colorado’s Gerald R. Ford Amphitheater. Their participation in the “Pigeons Frasco Dogs Tour” showcased their ability to electrify audiences on large stages nationwide.
For more information on the upcoming performance by Murray’s Law and to purchase tickets to the show, click here.
Many know of Suzanne Vega for her infamous tunes such as “Luka” or “Tom’s Diner,” but they may not know that she’s been a New York native since she was two-and-a-half years old and that her brand new world tour just launched here in Albany.
The tour, titled “Old Songs, New Songs, and Other Songs,” is in celebration of a new album she teased throughout her live performance. No word on a title or release date as of yet, but she did perform new songs and announced on-stage that it should be out late this year, if not early next year.
The stage of The Egg itself was dressed simply, with no fluff. A stool, two guitars (one with quite the pedalboard), and some mics. Suzanne Vega walked out and was accompanied by Guitarist Gerry Leonard.
Wearing a black pantsuit and a welcoming smile, Suzanne Vega walked to the microphone and graciously accepted the applause the Albany crowd enthusiastically gave. Taking a small bow and putting on a black top hat, she started in by leaning into the ‘old’ with tunes like “Gypsy” and “Small Blue Thing” and weaving back and forth in time throughout her catalog, reminding us of her soft, soulful, yet powerful voice and one-of-a-kind musical storytelling.
In between songs, she takes moments to talk to the audience and the intimate setting of The Egg is perfect for it. She tells the stories behind some of her songs and gives more insight to who she wrote them for and why. imparting a personal touch into the show and sheds light on things in her life, especially a specific camp counselor with whom she worked alongside at another nearby camp many years ago. Before letting any story get stale, however, Suzanne gets to the music and delivers.
Gerry Leonard’s smooth and airy, guitar blended with Suzanne’s acoustic guitar and vocal accompaniment seamlessly as he turned his solo instrument into a soundscape by employing looping pedals to sustain melodies and rhythms. This was best exemplified by the final song of the set “Tom’s Diner” where a makeshift drum beat was created and looped while guitar plucks melodically assisted.
In addition to his glowing performance on Tuesday, Leonard also co-wrote Vega’s 2014 album Tales from the Realm of the Queen of Pentacles and has worked with other talented musicians such as David Bowie, Roger Waters, and Duncan Sheik.
Suzanne Vegas world tour will continue on to the Kupferberg Center for the Arts in Flushing, NY on September 27 and at Old Dutch Church in Kingston, NY on October 4.
The performing arts centers at The Egg and the University at Albany, which jointly present Dance in Albany, are proud to present Savion Glover on Saturday, April 13, 2024, at 8 pm at The Egg.
Glover has visited the region for performances and speaking engagements on many occasions, most recently as part of the Dance in Albany series in April 2023. “PaRT.TU The LaST HooFeR STaNDiNG” is the second installment of Glover’s Cinema Stage CoLLeqSHuNz which continues to explore the boundaries between mental health and self-expression. According to Glover, the show creates an environment where the highest form of sensitivity is necessary to welcome complete comprehension.
Born in 1973, the tap dancer, choreographer, and actor has graced the stage since childhood. Before he was a teenager, Savion Glover made his mark in the leading role of the Broadway musical The Tap Dance Kid, starring alongside Hattie Winston, Samuel E. Wright, Martine Allard, Jackie Lowe, Barbara Montgomery, Alfonso Ribeiro, the recently deceased Hinton Battle, who won a Tony Award for his performance, and the late Alan Weeks, a long-time Capital Region resident who ran the Student Theatre Outreach Program (STOP) at The Egg for many years.
Glover developed his own dancing style, “free style hard core.” The Tony Award winner eventually worked with dancing greats Gregory Hines and Sammy Davis, Jr. Among his credits are starring roles in major motion pictures like Jelly’s Last Jam, for which he made history as the youngest-ever recipient of a National Endowment for the Arts grant. As a choreographer, his work has helped maintain tap dancing as an art form in the modern dance world. His starring role in the musical Bring in ‘da Noise, Bring in ‘da Funk, which he also choreographed, debuted on Broadway in 1996. The musical chronicles events in African-American history and brought him another Tony for Best Choreographer.
Savion Glover was made known to the younger generation with recurring appearances on Sesame Street. He also holds the credit as the live captured dancing motion behind Mumble the Penguin in Happy Feet, the film on which he also served as co-choreographer.
Tickets are $36 and are available at The Egg Box Office on the Concourse Level of the Empire State Plaza in Albany, by phone at 518-473-1845 and online. After Glover’s show, there is one performance remaining in the Dance in Albany series. The Ellen Sinopoli Dance Company will take the stage at The Egg on Saturday, May 18 at 8 p.m.
Amid a winter storm that ushered in spring, banjo virtuoso and father of modern bluegrass, Tony Trischka, performed to a crowd of brave travelers in The Egg’s Swyer Theater on Saturday, March 23.
Roughly 30 fans braved the elements to see Trischka’s tribute to Earl Scruggs, the legendary three-finger banjoist, titled EarlJam. Featuring Michael Daves (vocals, guitar) Jared Engel (bass) and Brittany Haas (fiddle), the show traced the story of Scruggs from his childhood to his later years.
Celebrating this tour, Trischka said, “Earl is my North Star, a lifetime pathway. And I’m not alone. Through his music, this shy kid from Flint Hill, North Carolina went on to enrich countless thousands of lives. At the age of 13, when I first heard 16 notes of Scruggs style banjo playing, I put down my folk guitar and mercilessly pestered my parents to buy me a banjo. Once in my hands, that 5-string became my obsession and has been for close to 60 years.”
“The depth of his genius becomes ever more apparent when I transcribe his solos, which I’ve been doing my entire musical life and with renewed vigor. Discovering new twists and turns in his playing is pure joy and in fact the inspiration for this tribute show.”
Tony Trischka on Earl Scruggs
The show was full of Scruggs songs, including popular fare “Salty Dog,” “Foggy Mountain Breakdown,” and the seminal TV show theme, “The Ballad of Jed Clampett,” as well as covers mixed in, ranging from Bob Dylan to Grateful Dead and The Band.
Trischka, a Syracuse native, is a not only a banjo innovator, but he is also an educator, influencing everyone from Béla Fleck to Steve Martin.
A treat for fans of new era bluegrass enjoyed “Brown’s Ferry Blues,” the first track off Trischka’s upcoming album, recently recorded with Billy Strings.
While it was a cold, miserable night of weather outside, Trischka and the music of Earl Scruggs kept it memorable inside for the small crowd of dedicated fans, paying them a nod during “Mama Don’t ‘Low” by changing the lyrics to “Mama don’t ‘low no snow driving ’round here.”
Tony Trischka’s EarlJam – The Egg, Swyer Theater – Saturday, March 23, 2024
Setlist: Kentucky Bullfight, Reuben, Heavy Traffic Ahead, Salty Dog, Foggy Mountain Breakdown, Six White Horses, Earl’s Breakdown, Martha White Theme, Fiddle and Banjo, Ballad of Jed Clampett, Can’t Stop me from Dreaming, Mama Don’t ‘Low, Rainy Day Women #12 and 35, Brown’s Ferry Blues, Liza Jane, Casey Jones, Chinese Breakdown, Here Comes the Bride, Gentle on My Mind, You’ve Got to Die, Farewell Blues, Fox Chase
Blues legend Taj Mahal and Gambian legend-in-the-making Sona Jobarteh graced the stage of the Hart Theater at The Egg on Thursday, March 7 for an immaculate night of globe-spanning music.
Taj Mahal – photo by Conor McMahon
Sona Jobarteh is the first female griot kora master, hailing from one of the five principal kora-playing families in West Africa. With a history spanning 1,000 years, Sona continues a legacy handed down for generations, for the first time to a woman who makes her presence known on the stage and in her home of The Gambia. Jobarteh’s humanitarian activism has led to her founding The Gambia Academy, an institution dedicated educational reform for Africans on the continent of Africa.
Pairing her virtuosity on the kora and the guitar with ethereal vocals, Sona and her band blended traditional West African music with blues and pop from the Mother Continent, and in doing so created an original sound that is at times hypnotic. Walking out one at a time – first the percussion and bass, then guitar and finally Jobarteh – the audience was led immediately to engage in a call and response song, “Jarabi,” with an outset intention to engage all for this very full evening of music.
For an hour, Jobarteh demonstrated with precision the kora while her band crafted beats unlike any other. Each song was given an introduction, with meaning and spirituality invoked throughout, making the connection to the music deeper as the performance progressed. Jobarteh is a beacon of light from West Africa, shining farther west than her ancestors could have ever imagined.
Sona Jobarteh and her band at The Egg – photo by Pete Mason
Harlem-born Taj Mahal took the stage a short while later, strutting out to center stage in his signature Panama hat, surrounded by at least seven guitars of varying sound and size. Opening with “Wild About My Lovin’,” his vocals were tinged with age and rasp, perfect for a gritty blues love song. “Fishing Blues” and the classic “Corrina” followed, after Taj Mahal noted that he had a lack of radio hits over his career.
“Queen Bee” was dedicated to the guys in the audience, with a suggestion that they play this song for their girl the next chance they get. A hint of the Caribbean could be heard in the steel drums of Robert Greenidge (formerly of Jimmy Buffett’s Coral Reefers Band) throughout the evening, while the Hawaiian steel guitar of Bobby Ingano on a cover Santo and Johnny’s “Sleepwalk” creating a creole stew of blues from across the hemisphere.
Taj Mahal and his band with Sona Jobarteh and her band
For an encore, Sona Jobarteh and her band were welcomed back to the stage to perform, “Giant Step.” Watch the song below and photos by Conor McMahon.
Taj Mahal Setlist: Wild About My Lovin’, Fishing Blues, Corrina, Bettye and Dupree, Cakewalk into Town, Queen Bee, Slow Drag, Roscoe’s Mule, Lovin’ in my Baby’s Eye, Sleepwalk, Blackjack Davey, Giant Step (with Sona Jobarte and her band)
The human body is made up of 206 bones and on Wednesday, February 28th, the voice of Paul Janeway touched every single one of them during a dynamic, soul-shaking performance at The Egg in Albany. Along with his 7-piece powerhouse jazz ensemble, St. Paul & the Broken Bones cooked up a near perfect mix of colorful showmanship, joyful jams, and fantastic fan interaction as the band not only celebrated their third time playing the beloved venue, but also the ten year anniversary of their breakthrough debut album, Half The City. It was their first time back in the area since wowing the crowd last year at the annual Saratoga Jazz Festival.
Paul Janeway of St. Paul & the Broken Bones performing in Albany on 2/28/24.
A wet and windy Wednesday night outside The Egg, things started cooking inside with an impressive opening set from Bowling Green, Kentucky’s Sugadaisy. Combining a modern grunge vibe with a healthy dose of psychedelic pop, the venue’s excellent acoustics made them sound huge right off the rip. Sparked by a Daniel Johnston Hi, How Are You T-shirt worn by one of the guitarists, there were moments you simply couldn’t help but think of Nirvana’s Kurt Cobain. Unsure what to make of Sugadaisy at first, by the time they finished their short, but energetic set, it’s fair to say they’d won the Albany crowd over and earned a slew of new fans. Following a brief set change, it was finally time for St. Paul & the Broken Bones to take over.
Sugadaisy opened the show for St. Paul & the Broken Bones on 2/28/24.
Rising to prominence with over a decade of near constant touring, the Birmingham, Alabama-based rock n’ soul band boasts more than a million monthly listeners on Spotify, have released 5 studio albums and shared stages with a veritable who’s-who of music royalty that includes the likes of Sir Elton John and The Rolling Stones. Known for the signature falsetto voice of their flamboyant frontman Paul Janeway (aka St. Paul), The Broken Bones also consist of bassist Jesse Phillips, guitarist Browan Lollar, drummer Kevin Leon, keyboard player Al Gamble, trumpeter Allen Branstetter, trombonist Chad Fisher and Amari Ansari on saxophone.Â
St. Paul & the Broken Bones performing at The Egg on 2/28/24.
Kicking off their headlining set in style, each member of The Broken Bones came out one-by-one to the darkened stage, seamlessly picking up their instruments to join in on the opening “Marvin Jam” before the always dapper-looking Janeway sauntered out of the shadows to a massive applause. Instantly turning up the funk with “Flow With It (You Got Me Feeling Like), St. Paul & the Broken Bones wasted no time getting right to their biggest chart topping hit, “Call Me,” which the crowd immediately recognized and sang along to. All warmed up and feeling good, Janeway would take a brief moment to acknowledge the audience and make note that their debut album, Half the City, had been released ten years ago this week. Thanking the crowd for helping give them a career, the band would then play the album’s title track followed by an emphatic, soul-wrenching rendition of “I’m Torn Up,” the album’s opening song.
“I can’t let it down, this hope I feel
Oh this city has made me cry but I still can’t leave her
The streets paved with pain of all my past loves
Please don’t let it die cause I have had enough”
Lyrics from “Half the City”
From something old to something new, St. Paul & the Broken Bones would change things up a bit with a pair of songs, “Wolf in Rabbit Clothes” and “Sea Star” from their most recent album, 2023’s Angels in Science Fiction. Growing up on a steady diet of gospel and soul music like The Stylistics, Sam Cooke and old school Marvin Gaye, it’s easy to see where St. Paul & the Broken Bones draw their influences from, but it’s not often you hear a white man that sings falsetto with the power and control of Janeway. What really sets him apart, however, is the way he’s able to command the entire stage. Working both sides while simultaneously showcasing some fancy footwork (and fancy shoes), Janeway’s presence was mesmerizing.
St. Paul & the Broken Bones performing in Albany on 2/28/24.
Singing falsetto from the depths of his soul, so hard in fact, that at times it had him dropping to his knees reaching for the notes, like he did on “Grass is Greener.” After receiving a huge ovation for his efforts, Janeway quietly disappeared back into the shadows. Far from a one-man-show, The Broken Bones took over from there with an extended “Roach Clip” jam that saw each member taking turns soloing in the spotlight and the energetic Amari Ansari running from one side of the room to the other wailing away on his saxophone to the delight of the ultra-attentive Albany crowd.
The powerful horn section was heavily featured once again during “LivWithoutU,” before the dirty, slowed-down groove of “Minotaur” put the audience in a near euphoric trance. Building the energy back up with a pair of tunes from 2018’s Young Sick Camellia, “GotItBad” > “Apollo” would bring the main portion of the show to a close and leave fans hollering for more.
Baby
Is there a right when all is wrong?
Is there a partner when we’re left all alone?
Oh, but I wanna feel something real
Lyrics from “Sanctify”
St. Paul & the Broken Bones performing in Albany on 2/28/24.
Returning to the stage now wearing a sparkling sequin cape, Janeway would take his theatrics to the next level. First falling to floor and rolling around like a guitar-less Marty McFly as he crooned the lyrics to “Like a Mighty River,” the crowd who had largely remained seated to this point, finally got up on their feet when Janeway suddenly jumped off the stage to join them.
St. Paul & the Broken Bones performing in Albany on 2/28/24.
As fans quickly grabbed their phones to snap obligatory selfies, the connection between the artist and the audience here felt completely authentic. Singing “Sanctify” while climbing all the way up to the soundboard area of The Egg’s backrow, the man who once thought he wanted to be a preacher found his Albany congregation in the palm of his hand. High-fiving as many of them as he could on the way down, the entire room seemed to be smiling ear to ear. Back on stage for the disco-vibed “Last Dance,” the energy in the Egg had reached its boiling point. Already three songs into the encore, fans were given one last treat and one final song from Half The City as “Broken Bones and Pocket Change” would bring the stellar performance to a close. After a well-deserved standing ovation, even the seasoned ushers were left commenting on just how good of a show this was.
St. Paul & the Broken Bones performing in Albany on 2/28/24.
After playing in Buffalo the next night, St. Paul & the Broken Bones officially wrapped up their year-long Angels In Science Fiction tour in Charlottesville, VA on March 3rd. After taking a couple weeks off, the band will return to their stomping grounds of Birmingham, Alabama for a hometown throwdown on March 23 before setting off on a lengthy European tour later this summer.
St. Paul & the Broken Bones | February 28,2024 | The Egg | Albany, NY
Setlist: Opening Marvin Jam, Flow With It (You Got Me Feeling Like), Call Me, Half the City, I’m Torn Up, Wolf in Rabbits Clothes > Sea Star, Grass Is Greener, Roach Clip, Livwithoutu, Minotaur, GotItBad > Apollo.
Encore: Like a Mighty River, Sanctify, The Last Dance, Broken Bones & Pocket Change.
