Talk about saving the best for last, On April 9, that was the case for Dreamville’s Bas as he stopped at the famed Irving Plaza in New York City for the last stop on his ‘WE ONLY TALK ABOUT REAL SHIT WHEN WE’RE F*CKED UP’ North American Tour.
The show featured three openers: Blxckie, Reuben Vincent, and Hoosh. Each opener each played for around 20 minutes, giving a taste of their style and sound. This shorter set times and the overall quality of the openers worked really well for getting the crowd ready for Bas to take the stage. It was obvious that Bas picked musicians he respects and enjoys listening to to open for him, something emphasized by a story he told about first hearing Blxckie’s music while in South Africa during his set.
Bas graced the stage under a red glowed ambience and sintilating sounds of his live band. Bas was particularly good at interacting with and engaging the crowd. The show kept a great energy with the crowd getting into songs from We Only Talk About Real Shit When We’re Fucked Up and Bas’ back catalog. Bas brought backing vocalists who really filled out his live sound and added a sense of harmony to the performance. These vocals were such a nice touch that really show his attention to detail in putting together a performance.
The show ended with Bas inviting a fan up to rap J. Cole’s verse on his song “Lit.” Clearly energized, the fan selected from the crowd excitedly performed with Bas. Longtime collaborator and Dreamville leader J.Cole popped onto the stage to the surprise of the fan and the crowd. Cole went on to finish the song with the fan and perform “H.Y.B.” with Bas and his classic smash hit ‘No Role Modelz’ rounding out a great night of music and vibes.
Setlist: Light of my Soul, Home Alone, 179 Deli, Black Jedi, Choppas, Yao Ming, Diamonds, Methylone, Dopamine, Ricochet, Clouds Never Get Old, Night Job, Khartoum, Risk, Decent, U-Turn ft. Blackie, Passport Bros, Boca Raton, The Jackie, Paper Cuts, Dr. O’blivion, Wait on Me, H.Y.B., Costa Rica, Down Bad, Tribe and Lit.
On Thursday, April 4, with a spectacular fusion of raw energy, lyrical prowess, and dynamic emotion, Kevin Gates took the stage of Irving Plaza for his “The Ceremony Tour,” leaving the New York City audience amazed. The tour stop was filled with heartfelt yet raw emotion, furthermore solidifying Gates and his status as a rap heavyweight, as he commanded the stage with the same unapologetic attitude that has defined his career.
After a series of DJ playlists to warm up the crowd, the opener of the night was DJ Chose, who has collaborated with Kevin Gates on some of his greatest hits and has a few of his own. DJ Chose lauded his accolades and made sure the crowd had the right energy before Kevin’s arrival. After DJ Chose, Kevin Gates’s DJ executed a final round of musical wind up with some industry favorites ensuring the crowd was ready for Kevin Gates to take the stage.
After an astounding ovation upon taking the stage, Kevin Gates opened with “Speed Dial” to which the crowd recited word for word. Kevin went on to perform songs “In God I Trust,” “Free At Last,” “Arm and Hammer” and more. A southern classic that got everyone up off their feet was when Kevin Gates performed “TWMD” which went viral during New Orleans Mardi Gras last year. As the song came on, the entire arena erupted into a frenzy as his fans belted the lyrics, completely losing themselves in the song.
Notably, Gates’ crowd control and poise was evident, as he purposefully took moments to talk with his supporters over the mic. Moving at a brisk but necessary pace, he took a minute to evangelize his fans. Speaking about his time incarcerated and having to miss his daughter’s birthday, Gates focused on having the work ethic and drive to make his situation right, as he encouraged his fans to keep their head held high even in the darkest of times. Bringing the show to a close with popular tracks such as “Me Too,” “2 Phones,” and “Breakfast”, Kevin went out with a bang amongst a flurry of smoke from CO2 cannons, as he mysteriously disappeared behind the set. Tickets for the rest of the “The Ceremony” tour are available here.
Kevin Gates Setlist: Speed Dial, Facts, Push It, Yonce Freestyle, Arm and Hammer, TWMD, Wassup With It, In God I Trust, Scars, Imagine That, Free At Last, It Won’t Happen, Healing, Birds Calling, Power, Great Man, Fatal Attraction, Breakfast, Luv Bug, Posed To Be In Love, Heal You, Lil Yea, Me Too, One Thing, All Thee Above, Bad For Me, Time for That, 2 Phones, and Broken Men.
Over the Easter Weekend, Sleepy Hallow’s Boy Meets World Tour arrived in New York City. Prior to Sleepy coming on stage and bringing down the Palladium, fellow New York artists such as Rah Swish, Rowdy Rebel and others graced the stage for the warmup.
After a roaring ovation upon taking the stage, Sleepy performed some of his more introspective tracks including “Anxiety,” featuring Doechii, where he’s opened up about his mental health, the hardship he has faced in the past year crafting and releasing his latest album, Boy Meets World. The crowd joined in singing word for word while Sleepy Hallow performed other hits such as “Die Young,” featuring 347AIDAN, “Pain Talk” featuring Lil TJAY, and more.
During the show, Sleepy Hallow invited label mate Eli Fross to perform alongside him.
Sleepy Hallow decided to surprise the New York crowd by inviting some of their own on stage. He brought out Bronx artists: Cash Cobain and Bay Swag who bought the Slizzy Experience to the Palldium in performing viral hit “Fisherrr.”
Sleepy Hallow ended the night with some of his classic hits, “2055,” “Deep End Freestyle,” “Basketball Dreams,” and “1999.” Tickets for the rest of the Boy Meets World Tour are available here.
NYC-based folk group The Folklorkestra are releasing a new unique and titillating album titled, A Strange Day in June on March 29.
A Strange Day in June is an album that had me intrigued instantly. The sounds that emanate from this album are nothing short of mystical and diverse. Many of the tunes feature much mandolin, woodwind, and acoustic percussion.
The opening track, “The Girl I Never Knew” consists of a kind of eastern melody coupled with a very Mediterranean sound. The usage of mandolin, shakers, accordion, and operatic vocals make for something real captivating.
Each song on the album has a unique sound that almost entrances the listener. The second track, “My Cousin the Spy” has a sort of Latin-folk sound that starts off like ballroom music. It later evolves with its saxophone-heavy progression, with many backing instruments carrying the melody.
John Kruth
The Folkorkestra is led by John Kruth, who has been active in the music industry for decades. He’s worked with countless other notable names like Meat Puppets, Jim Belushi, Steve Buscemi, Allen Ginsberg, Laurie Anderson, and more.
The group draws inspiration from various genres and sounds from around the world including American folk, jazz, chamber music, as well as eastern instruments, and European melodies. The group consists of versatile, multi-instrumentalists, Kathy Halvorson, Premik Tubbs, Kenny Margolis, Ray Peterson, and Rohin Khemani.
The Folklorkestra’s recent album, A Strange Day in June is certainly one to check out. It is complete with unique, diverse, and intriguing sound. Each song has a different feel and tells a different story. Each song combines multiple sounds together and makes it something you’ve never heard before.
The artisanship exhibited throughout the album is something to gaze at. There are miniscule sounds that inhabit every crevice of the songs. The songs are sonic portraits, displaying moving images via the music. There is a lot of character and charm from this album.
To learn more about The Folklorkestra and their upcoming work, click here. Stay up to date on the release of A Strange Day in June, releasing March 29.
Chelsea Music Festival has announced its 15th season of events with all new Connecting the Dots performance this Summer. The festival consists of nine evenings of shows from June 21 to 29.
This summer festival is led by Artistic Directors Melinda Lee Masur and Ken-David Masur. Connecting the Dots consists of concerts, conversation, visual and culinary arts over the span of the nine nights. The festival will focus on the restorative powers of the arts in the ways that music and art both calm and reinvigorate the brain and nervous system.
The festival sees a multitude of talented and diverse performers and artists. Each exhibit and performance take place at various locations around NYC and some locations are yet to be announced. Each night of the festival will be different from the last and the diversity allows all types of audiences to be included and wowed.
Aizuri Quartet
2024 CHELSEA MUSIC FESTIVAL LINE-UP
Connecting the Dots— 15th Season Opening Night
Friday, June 21 at 7pm – location to be announced
World Premiere of A Night at Birdland by composer Nicky Sohn performed by WindSync
Featuring Aizuri Quartet, pianist Andrea Lam, violinist Max Tan
Chamber works by John Williams & Tebogo Monnakgotla
Performance of Dancing Stars by Augusta Read Thomas with conductor Ken-David Masur
My Super Awesome Brain | Family Night
Saturday, June 22 at 10:30am at Pier 57, 25 11th Avenue, NYC
10:30am – Family Event featuring WindSync
Jazz Doubleheader | Birnbaum & the Bach Preludes and Cardume Trio
Saturday, June 22 at 7pm – location to be announced
7pm – Preludes Album (Chelsea Music Festival Records label) featuring pianist Adam Birnbaum, percussionist Keita Ogawa (Snarky Puppy), bassist Matt Clohesy (Darcy James Argue’s Secret Society) based on 12 preludes from Bach’s Well-Tempered Clavier
8:30pm – Late Night with Cardume Trio featuring jazz percussionists Rogério Boccato (Orquestra Jazz Sinfônica do Estado de São Paulo), Keita Ogawa, and Brazilian bassist Cleber Almeida
Festa Junina
Sunday, June 23 at 7pm at Pier 57, 25 11th Avenue, NYC
Traditional Brazilian Forró music to celebrate summer featuring percussionist Rogério Boccato, Brazilian bassist Cleber Almeida, and accordionist Vitor Goncalves
Patitucci & Friends — 15th Season special event with Jazz, Song & Chamber Music
Monday, June 24 at 7pm at High Line Nine, 507 W. 27th Street, NYC
Jazz bassist John Patitucci and pianist Renee Rosnes – with Caleb Hudson on trumpet
Austrian duo baritone Daniel Gutmann (prize winner at Elīna Garanča’s ZukunftsStimmen)& pianist Maximilian Kromer (International Brahms Competition winner)
Featuring pianist Robert Fleitz (1st Prize in 2022 John Cage Award)
Reception curated by Chef Rachel Snyder
Midsummer Night Magic— Visions & Stories
Tuesday, June 25 at 7pm at Czech Center, 321 E. 73rd Street, NYC
Selections from The Lee Trio album “Midsummer Night Magic” (Chelsea Music Festival Records label releasing June 2024)
Fern Flowers by Uljas Pulkkis
Five Trios by Edmund Finnis
Piano Trio No. 2 in F Major, Op. 80 by Robert Schumann
Fantasiestücke, Op. 88 by Robert Schumann
Robert Schumann lieder with Austrian duo baritone Daniel Gutmann and pianist Maximilian Kromer
Performance of the Dumky Piano Trio No. 4 in E minor, Op. 90, B. 166 by Antonín Dvořák (120th anniversary of his death)
Wednesday, June 26 at 7pm at Czech Center, 321 E. 73rd Street, NYC
World Premiere commissioned by the Festival by Czech composer Jacob Beranek
Music by Ania Vu featuring soprano Marisa Karchin, pianist Robert Fleitz
Piano Trio in G Minor by Bedřich Smetana (200th anniversary) performed by pianist Andrea Lam, violinist Max Tan, and cellist Angela Lee
Piano Quartet No. 2 in G minor by Gabriel Fauré (100th anniversary of his death)
Closing Reception | 2024 Art Exhibition – Kelly S. Williams
Thursday, June 27 at 7pm at High Line Nine Gallery 8, 507 W. 27th Street, NYC
Closing Reception for Kelly S. Williams, 2024 Visual Artist-in-Residence
Art Exhibition open June 3-29 at High Line Nine
Featuring Harlem Quartet performing Jessie Montgomery and Dizzy Gillespie
Reimagined Gems— Vignettes Across Time
Friday, June 28 at 7pm atSt. Paul’s German Church, 315 W. 22nd Street, NYC
Featuring Harlem Quartet performing Caroline Shaw and Fanny Mendelssohn Hensel
World Premiere by Ania Vu
Soprano to Marisa Karchin and Caleb Hudson on trumpet
Pieces from Caleb Hudson’s 2024 album,Nothing Less, including Corelli arrangements
Reception curated by Chef Rachel Snyder
Superhero Brain | Family Event
Saturday, June 29 at 10:30am at St. Paul’s German Church, 315 W. 22nd Street, NYC
10:30am – Family Event featuringfamily-friendly, interactive activities led by music neuroscience scholar Dr. Jessica Phillips-Silver (Growing Brains)
Festival Finale | Jazz Plasticity with Helen Sung
Saturday, June 29 at 7pm at DiMenna Center, 450 W. 37th Street, NYC
JazzPlasticity features the Helen Sung Quartet with pianist Helen Sung (2021 Guggenheim Fellow), drummer Kendrick Scott, saxophonist/clarinetist John Ellis, an bassist David Wong; this program was inspired by Helen’s time as jazz artist-in-residence at the Columbia University Zuckerman Mind Brain Institute and in partnership with Arts & Minds.
Reception curated by Chef Rachel Snyder
John Patitucci
Tickets for Chelsea Music Festival’s Connecting the Dots go on sale Wednesday, May 15, 2024. For more information, visit ChelseaMusicFestival.org.