Cake returned to Ommegang Brewery in Cooperstown, on Saturday, June 22, greeting over 7,000 fans who went the distance to attend this sold-out show in Central New York during a heat wave.
Cake, from California, has been around since the 1990s and has released original songs (“Going the Distance,” “Short Skirt” and “A Long Jacket”) and covers (“I Will Survive”) that never seem to age. Cake always makes an effort to stop in New York throughout their tours. This show was the fourth time Cake has been invited to play at the Ommegang Brewery.
Although Cake isn’t from New York, it felt like a homecoming show. The backdrop of the stage and the tree on stage blended into the mountains of New York surrounding the brewery and stage. The show opened melodically with Willie Nelsons’ ‘Sad Songs and Waltzes’ before launching into back to back songs from across their entire song catalogue – “Opera Singer,” “Rock and Roll Lifestyle,” “Long Time,” “Frank Sinatra”. Lead singer, Jon McCrea, who’s voice hasn’t aged a bit, also wasn’t stingy in use of the famous vibraslap throughout their set especially since many audience members egged him on by playing their own vibraslaps from the crowd.
The show slowed back down for ‘Mexico’ and the fans’ voiced echoes the words and melodies back to them. The frontman explained that they usually stop for a set break but they would continue to play ‘Shadow Stabbing’ and fight the impeding storm to stay away.
Sadly, lightning struck right after the song concluded and everyone was asked to evacuate the grounds to wait out the storm. Emails were sent out at around 10pm stating the show was cancelled, despite most people lacking any phone reception in the mountains to receive the update.
People went home soggy and disappointed after a short and sweet show and an hour long wait to know if the show would continue. But many Cake fans were satisfied to hear and singalong to songs old and new on a mostly beautiful day in New York and were relieved to know Cake will still be touring.
Cake is heading back to California to continue their tour in July. Perhaps, perhaps, perhaps they will be back to Ommegang soon to finish the show they started and plant a tree for the Cake Forest.
Cake – Ommegang Brewery, Cooperstown, NY – Saturday, June 22, 2024
Setlist: Sad Songs and Waltzes, Opera singer, Perhaps, Perhaps, Perhaps, Long Time, Rock and Roll Lifestyle, Meanwhile, Rick Jamesâ¦, Frank Sinatra, Sheep Go To Heaven, Mexico, Shadow Stabbing
On Friday, June 21, Manhattan-based singer-songwriter Morley released her newest single, “It’s Hard to Stop.” The single is the first off of her forthcoming album, Follow the Sound, set to release on September 27.
In collaboration with her husband, Chris Bruce, “It’s Hard to Stop” is a soft, soothing recollection on the tenderness of the human condition and heartbreak.
Over the course of the last decade, Morley has received widespread critical acclaim for her contributions to the arts. Before releasing her first album, Morley worked for the Alvin Ailey American Dance Center, a modern dance company based in Manhattan, as a choreographer. During her tours with the dance center, she began writing and composing original music.
Morley’s style combines elements of jazz, folk, and classic Americana glued together by free-flowing improvisation. “It’s Hard to Stop” is no different. The single incorporates elements of acoustic folk and indie with her bluesy voice reminiscent of Nina Simone.
Since then, she has used her music to become a widespread advocate for social justice. Morley has performed all over the world, including for and alongside prominent activists, charities, and religious figures, including His Holiness the Dalai Lama, Nelson Mandela, and Virgin Unite. In 2019, Morley released the album Borderless Lullabies, which continues to raise funds for K-I-N-D (Kids In Need Of Defense).
Now, Morley is ready to unleash her creativity through a combination of her iconic folk and jazz-inspired sounds. Along with her husband, producer Chris Bruce, Follow The Sound has contributions from several artists and instrumentalists. Meshell Ndegeocello (bass), Shara Nova a.k.a. My Brightest Diamond (vocals), Toumani Diabaté (kora), Jon Cowherd (piano), Chris Bruce (guitar, bass), Arun & Trina Ramamurthy (violins), Jack DeBoe, Jay Bellerose and Abe Rounds (drums), and Cole Kamen (trumpet) all contributed to the highly-anticipated album.
‘It’s Hard To Stop’ arose from an improv, a stream of consciousness while Chris and I were playing in our apartment one night. Looking out the window at all those city lights got me thinking about all the dreams and tender hearts striving to have a beautiful life inside them, glimpses of our highest possibilities came to mind, and how hard it is to stop from wanting things to be different in the world than the way they are, right now.
Morley
For more information on the artist and future releases, visit their website. To Stream “It’s Hard To Stop,” click HERE.
Mr. Jive has cooked up a 12 song showcase worthy of a glance from a wider audience, titled, Hurry Up Please It’s Time”
Opening with “Monsters Write Pretty Songs,” Buggy immediately announces “Good luck,” with a thickly stacked vocal on top of the meandering rhythm guitar that jolts and grabs attention. The crispy blend of gospel and Doobie-esque backing vocals weave a soft takeoff before eventually punching the opening notes of “Scheherazade of Schenectady.” The first single off the record is appropriately verbose, as it touches on principles of fiction writing and brings up the heat after the smooth opener.
Relaxedly defiant, “Don’t Quit Your Day Job,” hints of the prog influence to come later in both “The Music is Beside the Point,” and “The Calendar is a Liar.” Distorted and stanky, the song that garnered the NPR shoutout from Bob Boilen and Bobby Carter somehow still gives front porch rocking chair vibes while hiding a middle finger attitude behind a content and fulfilled smile.
In “Another Song I Ain’t Allowed to Sing,” Buggy Jive offers reminders of his emotional range and musical intent while slowing down the pace, but featuring right-up-front lead vocals and an ocean of harmonies that keep the energy flowing. This range and intent returns in spades on “Autumn Is Burning.” The mid-album walking groove breaks out major key on a bridge change that feels like a full breath after the intentionally dark verse progression. While “Old Man Screams at Sky,” hits more like a barnhouse dance party than gospel groove, those dynamic controls and natural chord voicings remain steady and present.
“Ignore Them Fools,” and “Alpha the Beta,” both ooze confidence, with the former feeling like a class in session and the latter like a player on the field in action. “Alien Robot Love Song About Love,” and “Hurry Up Please It’s Time,” the final two tracks of the album, lay heavy wet grooves that drag the listener deep into the songwriters’ pocket lyrically and musically.
The entire work displays an adventurous attitude as a musician and a deep sensibility surrounding vocals that act as an homage to his influences, both perceived and expressed. Buggy Jive took a big swing on this record, and his dedication and emotion are both easily seen and felt throughout.
On June 14, award-winning songwriter and indie singer Fox Indigo, residing in Brooklyn, released her new single “Trail of Hearts.” With the tragic lyrics, and a soulful voice full of emotion on top of the energetic, jumpy backing track, Fox Indigo tells the tragic story of an intricate love triangle that ends in betrayal, heartbreak, and jealousy from all parties. Her newest single, “Trail of Hearts,” is just another example of her masterful storytelling through music.
Fox Indigo is an award-winning singer, songwriter, and producer living in New York City. Before venturing out as a solo artist, Indigo was the frontwoman of indie rock band American Fever. After her departure from the group, she went on to compose the score for the independent musical “BLOOM,” which she also co-wrote, starred in, and directed. In 2023, the cast performed the full musical at the SheNYCArts festival in New York. “BLOOM” won Indigo and her co-writer Ashlyn Bondurant the Rooftop Writer’s Award in 2023.
During the COVID-19 pandemic, Fox Indigo wrote her first solo album, Man on the Moon, and released in 2022. Following the release of her musical, she is back and better than ever with her new song, “Trail of Hearts.” The single marks the highly-anticipated return of the pure, raw talent Fox Indigo embodies through her storytelling.
When juxtaposed against other music in the indie rock scene, “Trail of Hearts” immediately stands out. It’s clear that Fox Indigo draws her inspiration from a wide variety of artists. Sufjan Stevens, Beethoven, Regina Spektor, and the Beach Boys, (just to name a few) are only the beginning. As a classically trained musician, Fox Indigo mixes elements of jazz, rock, funk, and classical genres into her music. This single is no different.
Upon first listen, “Trail of Hearts” doesn’t sound like the typical indie-rock song. Piano chords in the pre-chorus and chorus and Fox Indigo’s punchy style of singing bring out the elements of jazz. Fox Indigo’s inspirations from classical music come through with the help of the violins. Combined with a group of talented musicians and other producers at the New School and Brooklyn College, “Trail of Hearts” displays Fox Indigo’s talent for composition.
The song’s lyrics bring it to the next level. With Fox Indigo’s growling vocals make lyrics like “And I’m so tired of having to get over things / Can’t anything stick? / For now, we’re young & beautiful / She is so beautiful / But it’s a goddamn trick” sound desperate and angry. It’s an honest perspective of how love triangles affect our emotions, lead us to jealousy, and test our patience with the ones we love. At other times, her wavering falsetto makes highly emotional moments like “She burns like the sun we idolize / God, she’s just like Marilyn Monroe / Leaving a trail of hearts / But she doesn’t know” sound as passive-aggressive, jealous, and vindictive as it should be.
Who wouldn’t be heartbroken and angry if their partner was looking at someone else, especially someone who is as beautiful as the iconic Marilyn Monroe? With this song, Fox Indigo shows us an honest look at how love triangles affect us. Through the brassy sounds of her jazz-inspired voice and the fusion of genres otherwise separate, “Trail of Hearts” is a fresh new single that showcases the artist’s incredible ability for storytelling.
“Trail of Hearts” is availible for listen on all streaming platforms, as well as this link.
The Ashokan Center, located in Olivebridge, NY, announced the lineup for the twelfth rendition of their Summer Hoot Music and Nature Festival. From August 23 through the 25, attendees can enjoy an array of activities, including parades, music workshops, nature walks and hikes, petting zoos, and more.
The festival will also feature live performances from local, regional, and nationwide musicians, comedians, and other performers.
Nestled deep within the Catskill Mountains, The Ashokan Center has dedicated more than five decades to the conservation, protection, and preservation of New York’s forests. As a non-profit retreat center, they host a variety of programs and community engagement activities. Most notable are their Music & Dance camps, an opportunity for people of all ages to engage in their favorite activities and collaborate with one another. The Ashokan Center’s unique educational offerings explore natural science, history, environmental issues, arts and music, and writing through programming for children and adults.
In February 2013, Mike Merenda and Ruth Ungar planned a festival to raise awareness for the Center. The plan was to create a fun, engaging space for all ages to enjoy the culture and nature of the Catskills. Over 400 people attended the first Winter Hoot, but that was only the beginning.
During the summer of that year, the team built two outdoor stages on “Hoot Hill,” giving the festival its name. This launched the Summer Hoot Music and Nature Festival we know today, which has brought in crowds of over 1,200 attendees year after year.
In addition to raising money for the Ashokan Center, the Hoot aims to invite locals and visitors alike to gather in the mountains for a friendly, upbeat celebration of the unique culture, community, and beauty of the Hudson Valley and Catskills region.
“The Hoot is a way to share the joy and freedom I was privileged to experience in my own childhood at Ashokan, and keep the party going for generations to come.”
Ruth Ungar Merenda
In addition to live music on two stages on Ashokan’s Hoot Hill, the Hoot Music and Nature Festival offers a wide range of programming for the entire family. All-day activities for children in the Kids Zone, including daily kids’ parades, will be hosted all weekend long. Music workshops, blacksmithing demonstrations, morning gong baths with Love Waves, yoga classes, guided hikes to Ashokan’s historic Cathedral Falls, and an all-hours Jubilee Jam Tent are merely just a few examples of the exciting weekend planned.
The full lineup and information for the Summer Hoot Music and Nature Festival are listed below. For more information, visit here.
Summer Hoot 2024 Lineup
THE MAMMALS are Indie folk ambassadors and songwriting ninjas featuring Hoot producers, Ruth Ungar & Mike Merenda. The band is known for its high-energy shows, original repertoire, and Americana sound. Their music blends old-timey, vintage pop, and contemporary folk.
TUBA SKINNY is a New Orleans-based traditional jazz street band. Known for their interpretations of early jazz, ragtime, and blues music from the 1920s and 1930s, they have recently branched into other genres such as traditional New Orleans soul and R&B. Their instrumentation includes cornet, clarinet, trombone, tuba, tenor banjo, guitar, frottoir, and vocals.
STEVE POLTZ is a Canadian-American singer-songwriter and guitarist. He is a founding member of the indie-rock band the Rugburns and collaborated on several songs with singer Jewel, including the 1996 single “You Were Meant for Me”, which reached number 2 in the US.
BRIDGET KEARNEY is a Brooklyn-based musician and songwriter. She is a founding member of the band Lake Street Dive and winner of the 2005 John Lennon Songwriting Contest in the Jazz category.
JAY UNGAR & MOLLY MASON have contributed immense vision and hard work to preserving the Ashokan Center and its music and nature programs. From organizing big-picture development to playing “Home Grown Tomatoes” and “Ashokan Farewell” for visiting 5th graders nearly every week, their leadership and love of Ashokan helped to preserve the land and a “safe place to try new things” for thousands of adults and children to experience yearly.
THE BIG TAKEOVER is a seven-piece band from New York’s Hudson Valley known for their original music that blends Jamaican pop genres like reggae, ska, and rocksteady. The band blends their own unique sounds with those of Motown, retro soul, and R&B. Jamaican-born singer and songwriter Nee Nee Rushie leads the band.
NAIIKA SINGS is a Brooklyn-based Hoot favorite known for soulful performances and creative, dynamic performances that engage any audience. A variety of genres, including R&B, folk rock, pop, world music, and jazz influences her music. Naika Sings surely stands out in a crowd. Join them for their performance at the Summer Hoot and Music Nature Festival.
JEFFERY BROUSSARD & THE CREOLE COWBOYS is a Creole & Zydeco group from Louisiana. One of the most influential accordionists and vocalists in modern Zydeco music, Jeffery Broussard continues to be one of the genre’s most dynamic performers. Join them for an unforgettable night of Zydeco music.
SETH BERNARD & JORDEN HAMILTON are a beloved singer/songwriter and hip/hop-influenced duo from Michigan. They perform original music on electric guitar and cello, combining classical music with a hip-hop influence to create a unique, fun, and original sound.
GUACHINANGOS is an energetic Latin-American ensemble from NYC fusing Mexican son jarocho with Colombian cumbia and other rhythms.
LAURAL MASSÉ & VINNUE MARTUCCI are a Hudson Valley-based vocal and piano jazz duo. As the founder of the band Manhattan Transfer, Massé toured worldwide and appeared on TV. Vinnue Martucci teaches jazz history part-time at the State University of New York at New Paltz. He accompanies Massé on a monthly live show on WAMC in Albany.
THE CITY STOMPERS are a percussive Appalachian dance troupe from New York City that will bring their dance performance to the Toshi stage and invite attendees to join in the evening square dance in the Pavilion.
ARM-OF-THE-SEA THEATER is an inventive, larger-than-life, storytelling troup focused on eco-educational stories and themes. Through visual storytelling and great live music in original works of mask and puppet theater, Arm of the Sea Theater has dedicated nearly 3 decades to family-friendly, creative environmental storytelling.
CAROLINA MAMA is an Argentinean songwriter. A graduate of prestigious arts programs at Buenos Aires’ Universidad Nacional del Arte and NYC’s New School of Jazz and Contemporary Music, Carolina also records and tours with Samir LanGus and the GRAMMY-nominated vocal group ROSA.
DAVID & JACOB BERNZ are a son-father duo from Beacon who have been performing throughout the Hudson Valley for many years. David is known for his tribute to The Weavers (Work O the Weavers) and as a two-time Grammy award-winning producer for Pete Seeger albums, Pete Seeger at 89 (2008) and Pete Seeger and the Rivertowns Kids (2010). Together David and his son Jacob sing original material and new versions of older tunes blending modern and traditional sounds.
GASLIGHT TINKERS is a band from Brattleboro, Vermont, known for their high-energy, danceable shows that blend traditional New England fiddle music with global rhythms. Their sound is a joyful, exciting journey with unexpected textures and turns. The band draws inspiration from their musical backgrounds in traditional folk, Caribbean, Celtic, and rock, creating a delightful blend of genres that are simply unforgettable.
BRENDAN DANIEL is a founding member of Town Meeting from New England. As a harmonica prodigy, Brendan Daniel is surely a performance you will never forget. His rich voice and skilled harmonica playing are a sight unlike any you have seen before.
NATE THE GREAT is a master juggler, musician, and comedian who is hilariously fun for the entire family. Join him at the Summer Hoot for a fun-filled magic and comedy show!
Melanie Martinez’s return to New York City on June 5th for her Trilogy Tour at Madison Square Garden (Night One) marked a significant moment for the artist and her fans. Following her memorable performance at Radio City Music Hall last year, Melanie once again captivated her audience with a meticulously crafted show that highlighted her evolution as an artist.
As a native New Yorker, she played to a packed arena filled with passionate fans of all genders and ages; a true testament to her enduring appeal and artistic vision.
Melanie Martinez 6/5/2024. Photo by Emma Goldschmidt
Melanie Martinez: An Album Retrospective
Martinez’s Trilogy Tour followed her journey as an artist through her 3 existing albums: Crybaby, K-12, and Portals. Her debut studio album, Cry Baby, was released in 2015. It was a concept album that told the story of a character named Cry Baby through whimsical yet dark songs.
Her sophomore album, K-12, released in 2019. This continued the story ofCry Babywith a corresponding feature film; showcasing Melanie’s talents not just as a musician but also as a filmmaker and storyteller.
In 2022, Portals explored themes of rebirth and transformation, marked by an ethereal and otherworldly aesthetic. Known for her theatrical live performances, Melanie’s concerts are immersive experiences that blend music, visual art, and storytelling.
Melanie Martinez 6/5/2024. Photo by Emma Goldschmidt
Album 1: Crybaby
The concert began with a bang as Melanie appeared on an elevated platform for “Crybaby,” dressed in a pink cotton dress surrounded by dancers in bunny ears and “crybaby” costumes. The stage backdrop featured cradle imagery, setting the tone for the whimsical and dark narrative that defines the Crybaby album. Fans dressed in elf ears, dresses, and bows screamed in delight as the platform gradually lowered, seamlessly transitioning into “Doll House.” Here, Melanie and her dancers performed a doll-like choreography, with expressive movements that visually spelled out “d-o-l-l-h-o-u-s-e.”
The attention to detail continued with “Sippy Cup,” where her dress swayed to the beat as she reached the main stage. The show maintained its high energy with “Carousel,” featuring a two-headed rabbit carousel and pyrotechnics that mirrored the burning carousel imagery. For “Alphabet Boy,” Melanie rose on a platform stylized as alphabet blocks. During “Soap,” actual bubbles filled the stage, enchanting the audience.
“Pity Party” brought inflatable candles to the stage, with heart-shaped balloons falling from the ceiling during the song’s climax. Melanie’s playful use of a pink axe added a dramatic flair, much to the crowd’s delight. The first album segment concluded with “Play Date” and “Mad Hatter,” with Melanie disappearing in a cloud of smoke.
Melanie Martinez 6/5/2024. Photo by Emma Goldschmidt
Album 2: K-12
Transitioning into the K-12 segment, the stage transformed into a school bus that landed in front of a school backdrop, revealing Melanie in her schoolgirl costume. The nostalgic “Wheels on the Bus” set the stage for the school-themed songs, including “Class Fight,” where Melanie and a dancer balanced on a seesaw.
“Show and Tell” saw Melanie as a marionette, complete with ribbons tied to her wrists, which she dramatically broke free from at the song’s end. The theatricality continued with “Nurses Office,” where Melanie was wheeled out on a gurney by dancers dressed as nurses. “Strawberry Shortcake” featured Melanie on a platform stylized as a strawberry shortcake, glowing ethereally.
“Lunchbox Friends” depicted a narrative acted out by dancers, while “Teacherâs Pet” was a solo performance with Melanie emerging from a desk, rolling on the ground, and utilizing fire pyrotechnics. “High School Sweethearts” featured dancers parading with lit-up sweetheart candies bearing cheeky messages, culminating with Melanie being “shot” by a cupid’s arrow on screen and lowered beneath the stage.
Melanie Martinez 6/5/2024. Photo by Emma Goldschmidt
Album 3: Portals
The final segment, focusing on the Portals album, began with “DEATH,” aligning with the theme of rebirth. Melanie appeared in a floral, earthy dress with a fairy/alien mask, surrounded by dancers in minimalist forest nymph attire. The stage transformed into a cemetery, complete with giant headstones and a gate opening on the screen.
In “VOID,” Melanie danced with her mask on against a backdrop of a wispy black void. “TUNNEL VISION” featured a light ring that followed her, creating a mesmerizing effect. “FAERIE SOIREE” brought inflatable mushrooms to the stage, while “LIGHT SHOWER” had Melanie sitting on a giant slug prop, twirling gracefully.
“SPIDER WEB” saw Melanie donning wings on a platform, accompanied by a dancer in a fly costume, portraying a passionate young fan. “BATTLE OF THE LARYNX” was a dramatic solo performance where Melanie wielded a sword against a dragon on screen, complete with intense fire pyrotechnics.
Melanie Martinez 6/5/2024. Photo by Emma Goldschmidt
Night One of Melanie Martinezâs Madison Square Garden run was a spectacular blend of music, theatrics, and storytelling. Each song was a meticulously crafted experience, demonstrating Melanieâs unparalleled attention to detail and artistic integrity. From her set designs and elaborate costumes to her dynamic choreography and powerful vocals, Melanie proved why she remains a trailblazer in the music industry. Her return to New York was nothing short of triumphant, leaving fans eagerly anticipating what she will create next.
On August 24, EagleMania will return to North Creek, NY, for their headlining EagleMania Music Festival. The festival includes two live performances from The Brass Machine and the World’s Greatest Eagles Tribute Band, EagleMania.
EagleMania Music Fest – official website
Set against the backdrop of Gore Mountain, fans and attendees have the opportunity to explore the scenic location during the festival. All tickets include a pass for a complimentary skyride along the Northwoods Gondola. This gives fans the ability to hike, camp, or enjoy the views around them, all while listening to music we all know and love.
For over a decade, EagleMania has performed all over the country. Eagles, one of one the biggest bands of all time, had a major influence over thousands of fans. As lifelong fans of the classic rock band, EagleMania has dedicated their band to replicating their classic, steady sound. The band is comprised of five members, all with different experiences, stories, and expertise. However, there is one thing they all share in common, and that is their love for Eagles’ music.
Joining a little over ten years ago, EagleMania has gone through several lineups. For the last few years, the band’s official seven members: Frankie Reno, Marc Hoffman, Ken Darcy, John Gaechter, Dennis Espatman, Ron Negro, and Josh Leclerc, have been bringing their Eagles tribute all over the country. Yet, they still remained one of the biggest tribute bands of the decade. Their slogan, “The World’s Greatest Eagles Tribute Band,” exists for a reason. Since the creation of the band, they have promised to bring audiences an authentic, well-developed replication of Eagles’ music. Through thorough breakdowns of albums, hundreds of hours practicing, and a decade of performing, EagleMania has proven that they are nothing if not deserving of the title.
Below is the lineup and information on the bands performing at EagleMania Music Festival. For ticket and festival information, visit here.
August 24 @ 1:00 pm – The Brass Machine
Led by frontman “Kidd” Kyle Yagielski, The Brass Machine is one of the hottest brass bands on the scene. Formed in Buffalo, NY, The Brass Machine features a rotating cast of musicians for each performance and includes a huge variety of horns, guitars, keys, drums, and more. They have performed with many noteworthy groups, such as Earth, Wind, and Fire, and several music festivals. With The Brass Machine, no two shows are ever the same! Join them at 1:00 pm for an opener that weaves together funk, jazz, and R&B.
The Brass Machine – official website
August 24 @ 3:30 pm – EagleMania
EagleMania will be headlining the festival, following the performance of The Brass Machine. The EagleMania show consists of authentic, show-stopping renditions of Eagles’ greatest hits, as well as music from the solo acts of Don Henley, Glenn Frey, and Joe Walsh. Join the World’s Greatest Eagles Tribute Band for their performance of the songs you know and love at 3:30 pm.
On May 24, Manhattan-based indie pop artist Macinizby released her debut single, “Closet.” The thoughtfully crafted single tells the coming-of-age story of a queer person finding their way through life, love, and heartbreak.
Released right before the beginning of LGBTQ+ Pride Month, “Closet” opens the door for the next generation of queer artists and musicians to come into the spotlight.
Photo Credit: Hellen Elizondo
Before her solo debut, Macinizby had already built a reputation for herself as a drummer in the city’s indie rock scene, playing with acts such as Bec Lauder and The Noise, Breaker, and Rose Paradise. However, unlike her work as a group performer, “Closet” gives us a deeply personal perspective of who Macinizby is, not only as an artist but as an individual, writer, and producer.
Produced alongside Jacob Geoffrey, “Closet” stands out from Macinizby’s past indie rock records with her group acts. The single acts as a method of storytelling for Macinizby. It’s hard to ignore the passion in her voice, let alone the meaningfulness of the lyrics. Reminiscent of the early days of Avril Lavigne and other pop-rock artists of the early 2000s, Macinizby puts her own creative spin on a classic teen love story.
The steady guitar riffs, coming-of-age angst, and bouncy vocal melody brings this song back, while the storyline brings us into the modern day. With “Closet,” time travel is absolutely possible. Any listener instantly feels as if they’ve traveled in time to a music video from 20 years ago. Macinizby’s “Closet” is a great way to introduce new audiences to the pop-rock genre.
As for the storyline, it is clear from the beginning what the artist is trying to convey. The struggles of a queer relationship are highlighted very poignantly. Yet, there is a sense of comfort that Macinizby’s lyrics and voice provide. Even in a situation as difficult as m maintaining a relationship, there is still hope. Love may or may not be the end result, but while it is there, it’s best if we enjoy it.
Get ready to rock…but also be prepared to shed some gay tears.
Macinizby
For now, we must wait. But, there is no doubt that Macinizby’s new song, and solo career, are highly anticipated. Fans can listen to “Closet” on all major streaming platforms, as well as with this link.
If there’s an irrefutable truth about the hip hop ecosystem is that it caters to the youth. Much like Wu Tang Clan‘s popular mantra, hip hop really is for the children. After all, since its inception, rap music has long resembled youthful cosplay in a reflection of one’s environment and beliefs. From the Village People attire of Afrikaa Bambaataa and crew, to crack era MC’s putting on their best street hustler ensemble, hip hop’s rise came as a change of pace from the conforming hymns of jazz & soul music.
Hip hop’s ethos was ever-changing before settling on what we see today.
With the golden era rappers of the ’80’s and ’90’s acting as vanguards for artistic representation, rap music — thought to be a fad more than a respected art form — was brought to new heights with inventive forms of story-telling. Albums like Paid In Full, Criminal Minded, It Takes a Nation of Millions to Hold Us Back, The Score, 36 Chambers, Ready to Die, Illmatic and many more transformed the movement from frantic, counter-culture and youthful exuberance, into dissectible urban diaries.
After all, at its peak the literary elements warranted examination much like a James Baldwin poem. The raw anger, angst and imagery, for better or worse, is the product of socio-economic plight which demanded thought-provoking conversation. Ultimately, as its popularity soared, hip hop took the form of an uncouth political candidate with an in-your-face bravado as it pandered to the roar of a pent-up generation wanting its voice heard.
Controversy Sells
Soon enough label execs began cashing in on the latest trend. And subsequently conscious raps made way for more abrasive lyrics with a focus on aggressiveness and over-the-top hubris. In the end hip hop’s bouncy beats and mercurial nature made kids and young adults a prime market.
Growing Pains
Nonetheless, rap music’s raunchy and explicit nature fit right in with the late 80’s and ’90’s ethos of violence and erratic behavior, a time where pop culture’s biggest stars struggled to exist as functional human beings. However, unlike other genres, rappers don’t string together guitar solo’s or sing beautiful high notes. They become stars by selling you themselves, or who they say they are. Thus in a world where “Money, Cash, Hoes” is the modus operandi, they became caricatures, while typecasting themselves artistically for record sales.
Truthfully I wanna rhyme like Common Sense But I did 5 mill’ â I ain’t been rhyming like Common since
-Jay – Z, “Moment of Clarity”
And as the business of hip hop grew rappers became spokes in a wheel. With the formula for success as redundant as it is profitable. Your typical major label rapper consists of a charismatic individual with inner-city cultural norms, armed with the gift of gab and quick-witted use urban of idioms. Equipped with the latest fashion and jewelry, yet lacking the tools for artistic transcendency. Thus, after some time, many rappers become frozen in their distinct era, becoming human time-capsules. And in an ever-changing world, the sound of hip hop has done a complete 180, going from rigid boom bap to fluid and experimental, which continuously leaves rappers feeling dated .
Where Do We Go From Here?
Fundamentally, when your target audience’s prefrontal cortex has yet to form, it leaves little room for character development. For instance, sitcoms on Disney Channel or Nickelodeon only last about 3 seasons — as it doesn’t make sense to develop characters and shows that will eventually age out of their demographic. In hip hop, very few rappers get the opportunity to mature their sound and if they do, it is almost always well past the point of commercial appeal. Consequently most promising rap careers tend to mirror that of a once-great NFL running back. For every Peyton Hillis, Jay Ajayi and Todd Gurley, there is a Blocboy JB, Makonnen and Desiigner, amongst many, many more.
Can you spot the difference?
Under those circumstances older acts that wish to maintain relevance must evolve (or de-volve) as their sound must have a Benjamin Button like trajectory, consistently aging down to make way for the new norm. It’s why a megastar like Drake perpetually stays tapped in to younger, underground artists, often employing younger acts to aid in his creative process. Because, despite his best efforts to present a contrary image, Drake doesn’t think like a teen or young adult.
Even the big 3 have to adapt to hip hop’s revolving landscape
Similarly, J. Cole’s latest track “Grippy,” a remix of Cash Cobain’s hit-record “Dunk Contest,” is in accordance with this phenomenon. The “No Role Modelz” rapper’s attempt at the”sexy drill” sound has quickly become social media fodder, with Cole sounding out-of-touch while letting Nas down in the process. Hell, even the likes of Kendrick Lamar needed an easily digestible follow-up to the critically-acclaimed To Pimp A Butterfly. 50 years in the making, hip hop is firmly entrenched in a civil war between old and new.
On To The Next One
However, despite all the constant rethoric regarding “OGs,” in hip hop, make no mistake, the youth set the pace. With every 40 plus occupier of the culture ready to placate their younger counterparts in a means to avoid the poignant rays of “old head” that would leave them outside the club of relevancy. For this reason rappers and media personalities alike must duck, dodge and weave in the never-ending battle for the fountain of youth.
Youth is akin to a superpower in rap’s revolving landscape
Yet, sadly, this leaves many legends of the genre outside the scope of musical relevancy. And for better or worse, the ageism in hip hop only affects the talent, the faces that you see. The ones you don’t are the one signing the checks and profiting from it all. Yet when a legend like Method Man feels out of place in an ecosystem he once thrived in, it serves as an eye opener to the hip hop’s cyclic nature. Moreover, as we’re firmly in the streaming era, maturation in hip hop is once again on the back burner. As artists look for their next Tik Tok hit and viral moment, there is no time to look back and appreciate the past (unless there’s a sample to be had), as hip hop is perpetually on the lookout for the next trend.
The All Things Go music festival is making its NYC debut in 2024, adding to its already impressive legacy with an inaugural event at Forest Hills Stadium. Taking place on September 28th – 29th, this marks the festival’s expansion beyond its DC-area roots, where it will celebrate its 10th anniversary.
Stellar Lineup for All Things Go NYC
Headlining this year’s New York lineup are powerhouse performers Reneé Rapp, Janelle Monáe, Chappell Roan, MUNA, Ethel Cain, and Julien Baker. The festival continues its tradition of showcasing a diverse and inclusive range of artists, with performances from Holly Humberstone, Del Water Gap, Towa Bird, and more. This female and non-binary-focused lineup underscores All Things Go’s commitment to fostering diverse and inclusive spaces within the music community.
boygenius 2023
A Festival for the Forward-Thinking
All Things Go has always been more than just a music festival. Since founding in 2011 in Washington, DC, it has dedicated itself to creating forward-thinking digital and live music experiences. The festival has collaborated with a slew of innovative artists, including Billie Eilish, boygenius, Lana Del Rey, Lorde, Mitski, HAIM, Janelle Monáe, Charli XCX, MUNA, Lizzy McAlpine, Carly Rae Jepsen, Bleachers, and Tove Lo, among others.
Lana Del Ray 2023
A Celebration of Inclusivity and Community
All Things Go has cultivated a renowned community of devoted fans who embrace inclusivity and diversity, embodying the festival’s ethos. This spirit of community and celebration of underrepresented voices has earned the festival accolades and recognition over its 10 year history.
Maggie Rogers 2023
Tickets and More
For eager fans looking to secure their spots, tickets for the New York edition of All Things Go will go on sale on Friday, June 14th, at 10 AM ET. Purchase tickets through the festival’s official website at allthingsgofestival.com. Given the festival’s history of rapid sell-outs and the stellar lineup, we highly recommend early ticket purchases.
Muna 2023
As All Things Go prepares to launch its first New York festival, anticipation is high for what promises to be an unforgettable weekend. With a lineup featuring both heavy-hitters and emerging talents, and a continued commitment to creating inclusive and forward-thinking music experiences, All Things Go NYC is set to become a staple in the city’s vibrant festival scene. Stay tuned to your favorite music news sources for more updates and get ready to be part of music history this September at Forest Hills Stadium.
