Transatlantik is a series of performances and conversation featuring the work of diasporic artists engaged with the artistic and political concepts of negritude and créolité. Artists include Aruán Ortiz and Anaïs Maviel; Sélène Saint Aimé; KāFOU (Val Jeanty and Cassie Watson Francillon); Vodou drummer Renald St. Juste, and Patrick Chamoiseau, the Martinican author and theorist of créolité. An afterparty with Alexis Marcelo, DJ Buddy and DJ Jeff Brown is also to be expected.
There is a total of four separate shows from November 22 to 23. November 22 sees one show at 7:30pm at Greenwich House Music School. November 23 sees three shows at varying times, at CARA, Greenwich House Music School, and Francis Kite Club respectively. Each show explores unique themes regarding negritude, creolization, Afro-Carribean cultures, and more.
TRANSATLANTIK Series of Events:
Friday, November 22, 2024
7:30pm (doors 7:00pm)
Greenwich House Music School
Sélène Saint-Aime’s Creole Songs
Renald St. Juste
Saturday, November 23, 2024
2:30pm (doors 2:00pm)
at CARA
Patrick Chamoiseau
in conversation with Sélène Saint-Aime, Aruán Ortiz, and Anaïs Maviel
Saturday, November 23, 2024
7:30pm (doors 7:00pm)
Greenwich House Music School
Reimagining Tropiques, Then and Now: Aruán Ortiz, Anaïs Maviel, and Aliya Ultan
KāFOU: Val Jeanty, Cassie Watson Francillon
Saturday, November 23, 2024
10:00pm–midnight
at Francis Kite Club
Afterparty with Alexis Marcelo, DJ Buddy and DJ Jeff Brown
Tickets are $15 in advance, $20 at door, and $25 for both nights. 11/23 conversation and afterparty are free. For more information on FourOneOne and Transatlantik and to purchase tickets, click here.
Hailing from the UK, Wasia Project has quickly become one of the most exciting indie bands on the rise. The sibling duo Olivia Hardy and William Gao (along with drummer Luca Wade and bassist Tom Pacitti), fuse together jazz, classical, and indie pop, creating a sound that is as soothing as it is emotionally charged. With heartfelt lyrics and lush arrangements, the band has won over a dedicated fanbase both in the UK and overseas.
The Show
On Monday, Sept 30, night one in NYC of the “Isotope Tour” kicked offâ and it did not disappoint. The show began with an atmospheric interlude, “Isotope,” which set the mood for an introspective and emotional night. Wasia Project then launched into “My Lover Is Sleeping”, immediately captivating the crowd with Olivia’s dreamy, tender vocals. The audience was buzzing, absorbing every word, as the band poured their hearts out on stage.
A key standout moment was “Petals on the Moon,” which had the entire venue jamming to William’s piano solo. The duo’s chemistry on stage is undeniable, and their shared musical bond radiated through every track, but especially on “Burning Eyes Are Calling” and “How Can I Pretend,” where Olivia’s emotive voice soared over William’s intricate piano melodies.
“U R So Pretty” was an emotional high point in the set, with its delicate lyrics and vulnerability. The song had the crowd cheering, resonating deeply with everyone in the room. The night’s energy took a shift with “My Vine” and “Cover,” with Olivia’s vocals floating effortlessly over lush instrumentals.
The band’s raw emotion, combined with their experimental soundscapes, made for a captivating debut performance in New York City. If you missed them this time, be sure to catch Wasia Project soon âthey’re just getting started, and their future looks incredibly bright.
Setlist: Isotope (Interlude Intro), Is This What Love Is, My Lover Is Sleeping, U Deserve, Petals on the Moon, How can I pretend, Burning Eyes Are Calling, Takes Me Back Home, Remember When, U R So Pretty, My Vine, Cover, To Get Better, Somebody Come Through, Tell Me Lies
A recording of the legendary Allman Brothers Band’s final concert at the Beacon Theatre in 2014 is being released on October 25, nearly 10 years since the finale.
On Tuesday, October 28, 2014, after 45 years of performing the greatest live music in rock history, the Allman Brothers Band had arrived at its final concert. The dream created by Duane Allman in 1969 had come to fruition, gone through triumph and tragedy, joy and sorrow, flourished and faltered, and ultimately persevered to reach the pinnacle of the blues/rock genre. The road had seemingly gone on forever, but, in 2014, the group decided that forever would come to an end at the Beacon Theatre in New York City.
On Friday, October 25, in recognition of the 10th anniversary, rock ‘n’ roll history will be shared as the Final Concert 10-28-14 is officially released via Peach Records. Re-mastered here with improved sound quality, Final Concert 10-28-14 will be available digitally on October 25 and as a special 3-CD package with extensive 16-page booklet featuring exclusive photos and liner notes on November 22.
The Beacon was the appropriate location for the ABB to make its last stand; the Allmans had logged more appearances there than any other venue and had also set a Broadway record, with 237 consecutive sold-out shows at the venerable hall. Starting in 1989, the Allman’s annual run at the Beacon became a rite of passage in Manhattan.
Fans from around the globe traveled to the Upper West Side to be captivated by the group’s riveting shows. The band wanted a set list that would be a montage of its career, one that would pay homage to the original six – Duane, Gregg, Jaimoe, Butch, Berry Oakley and Dickey Betts – while also drawing from the group’s vast catalogue. With input from everyone, Warren Haynes compiled a spectacular, three-set show. Almost 30 songs, drawn from six ABB albums, along with three strong covers that represented the musical trajectory of the group.
Track listing for Final Concert 10-28-14:
Disc 1:
Little Martha
Mountain Jam
Don’t Want You No More
It’s Not My Cross To Bear
One Way Out
Good Morning Little School Girl
Midnight Rider
The High Cost of Low Living
Hot ‘Lanta
Blue Sky
You Don’t Love Me/ Soul Serenade/ You Don’t Love Me
Disc 2:
Statesboro Blues
Ain’t Wasting Time
Black Hearted Woman
The Sky Is Crying
Dreams
Don’t Keep Me Wonderin’
In Memory of Elizabeth Reed
JaMaBuBu
In Memory of Elizabeth Reed (reprise)
Disc 3:
Melissa
Revival
Southbound
Mountain Jam Reprise
Will The Circle Be Unbroken
Mountain Jam Reprise 2
Whipping Post
Farewell Message
Trouble No More
“Having joined the Allman Brothers Band in 1991, I had no idea what I was getting myself into as a percussionist joining two drummers on stage. Fast forward 23 years to the last show we played as the Allman Brothers Band. I feel honored to have been part of such a historical musical force that was and is the ABB. Love live the ABB!”
Percussionist Marc Quinones
To pre-order and pre-save the Allman Brothers Band final concert 2014, click here.
sweet93, the moniker of New York City-based guitarist and vocalist Chloe, excitedly shares her latest single, “what’s true?” Her first release of the year continues to establish sweet93 as a project destined for exponential sonic growth.
The track is a swirling shoegaze lullaby that rocks the listener back and forth. sweet93 embodies the hazy, drifting summers of the early 90s – a time when the lullabies of Slowdive and the sweetness of Mazzy Star ruled the alternative rock scene. Based in NYC, Chloe’s songs are the soundtrack to a waking dream.
“what’s true?” holds an intensely soothing aura around it that captivates listeners and brings them to a kind of lo-fi dreamscape. The track is relaxing yet uplifting, calming yet refueling, spacey yet grounding. With the release of this single, sweet93 plans to embark on her first US tour with support from her friend and collaborator, Porches.
SWEET93 LIVE US TOUR DATES:
OCTOBER
15 – Cambridge, MA – The Sinclair
16 – Washington, DC – The Atlantis
17 – Philadelphia, PA – Underground Arts
18 – Durham, NC – Motorco Music Hall
19 – Atlanta, GA – The Masquerade
21 – Nashville, TN – Exit/In
22 – Chicago, IL – Lincoln Hall
24 – Saint Paul, MN – Amsterdam Bar and Hall
25 – Kansas City, MO – recordBar
26 – Omaha, NE – Reverb Lounge
28 – Denver, CO – Bluebird Theater
29 – Salt Lake City, UT – The Urban Lounge
31 – Portland, OR – Wonder Ballroom
NOVEMBER
1 – Vancouver, BC – Hollywood Theatre
2 – Seattle, WA – Barboza
6 – San Francisco, CA – Bimbo’s 365 Club
7 – Los Angeles, CA – The Fonda Theatre
9 – Phoenix, AZ – Valley Bar
12 – Dallas, TX – Dada Dallas
13 – Austin, TX – Antone’s
15 – Birmingham, AL – WORKPLAY
16 – Indianapolis, IN – HI-FI
20 – Brooklyn, NY – Brooklyn Steel
“‘what’s true?’ changed shape several times before I realized what I was actually trying to say. I spent days in my room trying to tell some version of a story, when in reality I was struggling with understanding reality at all… Lately I’ve been filled with more questions than answers, like when nothing is real and no one’s around – what’s actually true?”
Chloe aka sweet93
For more information on sweet93’s new release and upcoming tour, click here.
New Hope Club, the British trio comprised of George Smith, Blake Richardson, and Reece Bibby, have been charming fans worldwide since 2015. Their infectious guitar-driven pop and catchy choruses quickly made them standouts in the pop music scene. Their 2020 self-titled debut album solidified their status, with hits that have defined their sound and energized audiences everywhere.
Now, they’re back with new music, including their latest single “Trouble in Paradise,” which is out now, with more music on the horizon.
New Hope Club at Baby’s All Right by: Yisroel Teitelbaum (@thebigpic.inc)
Beyond music, Richardson is gearing up to play a young Paul McCartney in the highly anticipated Beatles biopic, Midas Man.
Richardson’s casting has fans buzzing with excitement, eager to see how he continues expanding his creative reach.
The Show
On a warm night, New Hope Club took the stage at Baby’s All Right, turning the intimate venue into a buzzing cauldron of energy. This show gave NY fans an intimate, up-close experience with the trio in one of the city’s coziest venues.
As soon as the band hit the stage, the atmosphere was electric. They opened the night with the crowd favorite “Worse,” instantly igniting the room. The trio’s tight harmonies and infectious energy had the crowd dancing, singing, and smiling from the first note.
Throughout the night, the band treated fans to a mix of their biggest hits and some sneak peeks of what’s to come. They performed their newest track “Trouble in Paradise,” and the crowd responded with in an excited frenzy. The song, packed with their upbeat rhythms and smooth vocals, was an instant hit and gave a taste of the new, New Hope Club.
Richardson, with his effortless charisma, led the crowd through the set. The crowd interaction made the show feel intimate and personal, the boys exuding a chemistry that can only come from years of friendship and performing together.
A highlight was “Who Do You Think You Are?” where their vocal harmonies captivated the crowd, swaying together. The boys performed “Let Me Down Slow,” prompting the crowd to join in a massive singalong that echoed throughout the room.
Closing the night with the explosive “Permission,” New Hope Club left Baby’s All Right on a high note. As the band waved goodbye, the crowd chanted for an encore, not quite ready for the night to end.
New Hope Club proved from start to finish why they’re one of the most exciting young bands today. Their blend of charm, talent, and crowd interaction created a memorable night for everyone in attendance.
Looking to the Future
For those who missed the magic at Baby’s, make sure to catch them next time they’re in NYC. With new music and a movie debut ahead, the band’s future success promises to be even bigger. Don’t miss out!
Get ready, Jimkata fans! The Psychedelic super pop jam band is back with a fresh new single, “Off The Rails” that’s set to be the soundtrack of your fall.
Known for their electrifying blend of indie rock and synth-driven beats, Jimkata has been a staple of the indie music scene, and their latest track doesn’t disappoint. The single offers a glimpse into their upcoming album, Running In Place which is released Friday, October 4th and is packed with the band’s signature energy and fresh new vibes.
To celebrate the release, Jimkata is hosting an Album Release Party Friday at Asbury Hall aka Babeville in Buffalo, and you won’t want to miss it! This is your chance to catch them live, hear your favorites plus hits off the new album, and experience the magic that only Jimkata can deliver. Big Something is opening the show.
NYS Music spoke to Jimkata ahead of the show and album release.
NYSMusic: What kind of themes or stories are fans going to hear on this new album? Did anything unexpected inspire you guys this time around?
Jimkata: I think as musicians and individuals we’ve all been navigating our way through a lot of changes and challenges the last few years. We started working on this album as a three piece, sort of doing what we could here and there while touring and Packy and Aaron becoming new fathers, while also trying to fund the process entirely independently. It hasn’t always been easy the last few years but it feels like a “pressure makes diamonds” type of situation. In that time, we added Cooper into the band full time on bass/synths and have been discovering a new sound or really, just advancing it to a new level. It’s hard to sum it up musically or lyrically since I think it’s pretty diverse between songs but I know for sure I pushed myself into some new territory at times while writing and recording this one. There were plenty of unexpected “aha” moments.
NYSMusic: If you could describe the new album in three words, what would they be? What kind of wild ride can Jimkata fans expect?
Jimkata: Full Spectrum Jimkata. We chose to incorporate both studio and live tracks to try to encompass where we’re at right now. It felt natural to end the album with the live stuff since this process began with a lot of isolated sessions, often just one or two of us working on a demo at home or with a producer. Then after playing a bunch of shows on the fall tour, building some chemistry on stage between the four of us, we knew we needed to get all of us in a room to work on the remaining new songs as a band and capture the vibe. I think the emotion of our songs gets amplified at shows because of the energy in the room and we wanted to show what that currently sounds like literally but also channel that into the studio stuff too.
NYSMusic: How do you decide which older songs to include in the setlist alongside the new tracks? Are there any fan favorites you always keep in rotation?
Jimkata: Sometimes it’s by fan request. Someone messages us about wanting to hear a certain song one night and we say, yea lets do it. Sometimes it’s something one of us brings up in a rehearsal. Like, “Hey what about this song?”. Sometimes we feel like we need a certain tempo or vibe at a specific time in a set and there are a few that always seem to do the trick. Its kinda tough because we have so many to choose from now but we’ve been embracing the whole catalog a lot more these days. We definitely know which songs seem to be clicking with the crowd but are always testing out new ideas or further enhancing an old song.
NYSMusic: Any songs on the new album that ended up surprising you or going in a completely different direction than you thought?
Jimkata: Almost all of them but probably the song Running in Place was the big surprise. It came together after a frustrating day in the studio where we seemed to be losing creative steam on a different song. We thought about what kind of song we needed vibe wise to round out the album and it just wasn’t it. Jocko (producer) asked if I had any other demos laying around and I rifled through a bunch of song ideas for them and the immediate reaction to Running in Place (aka ‘Spirals’) from everybody was, “Yea this one!”. We were getting really close, if not already past the deadline we gave ourselves so I went home and finished writing the song over the weekend and sent it around to everybody. We went back in and tracked it in a day and overnight we had this brand new tune that didn’t exist a week ago. Lyrically we felt like this idea of Running in Place resonated with how we felt about life lately- working your ass off trying to keep up with everything and in some ways feeling like you’re moving forward but other times like you’re just running on a treadmill.
The middle section on “Off the Rails” was also an unexpected moment of inspiration. We stumbled into the breakdown section while playing it live in the studio. Then weeks later, I’m driving there to record vocals, listening to the song, and I come up with this vocal idea. It’s almost insane sounding and we wanted to lean into that unhinged character. I really enjoyed yelling like a crazy person in the vocal booth, something I’m not sure I’ve done before but clearly was exactly what I needed to do and is probably a more accurate portrayal of how stressful life has been at times in the last few years for me. “
NYSMusic: What’s one piece of advice you’d give to upcoming and inspiring indie artists trying to find their voice and grow their audience in today’s music scene?
Jimkata: We don’t really know what to tell anyone since it seems like today’s landscape is very different from the one we started with and even the “professionals” are always trying to figure out what the hell is going on. However, we’ve seen a lot of things come and go in a short amount of time and things change, but some things remain true. Obviously social media is important, but I’d say don’t forget to just get out there and play a show, a party, whatever. Get together with friends and jam, go to shows and meet other musicians, other bands. Don’t be afraid to make mistakes, suck, mess up in front of people, write songs you might not like later. Just laugh and learn from it. With a world of talented people on a screen in our pockets it can be intimidating and feel like maybe you’ll never be “good enough” to put yourself out there. But music is art, expression. It’s not always about technical ability although that’s important too. It’s about expression and having fun and sharing an experience with others not just on a screen, but in person.”
Iconic English rock band Oasis has announced the North American Leg of their historic OASIS LIVE ’25 world tour which features two shows at MetLife Stadium in East Rutherford, NJ.
The North American leg, produced by Live Nation and SJM, will see Oasis play stadiums in Toronto, ON; Chicago, IL; East Rutherford, NJ; Los Angeles, CA; and Mexico City, MX, next summer with Cage The Elephant as the special guest across all dates. Currently, the Oasis Live ’25 tour boasts shows in at least five countries – UK, Ireland, US, Canada, and Mexico. This historic world tour plans to go to other continents outside of Europe and North America later next year.
The previously announced dates on the Oasis Live ‘25 tour sold out immediately culminating in the biggest concert launch ever seen in the UK and Ireland, with over 10 million fans from 158 countries queuing to buy tickets. Days after their return, the band claimed their 8th UK No. 1 album with the 30th anniversary of their electrifying debut album Definitely Maybe, while at the same time occupying two other spots in the top 5 UK albums chart.
Oasis Live ’25 Tour Dates
JULY 2025
4th – Cardiff, UK – Principality Stadium (SOLD OUT)
5th – Cardiff, UK – Principality Stadium (SOLD OUT)
11th – Manchester, UK – Heaton Park (SOLD OUT)
12th – Manchester, UK – Heaton Park (SOLD OUT)
16th – Manchester, UK – Heaton Park (SOLD OUT)
19th – Manchester, UK – Heaton Park (SOLD OUT)
20th – Manchester, UK – Heaton Park (SOLD OUT)
25th – London, UK – Wembley Stadium (SOLD OUT)
26th – London, UK – Wembley Stadium (SOLD OUT)
30th – London, UK – Wembley Stadium (SOLD OUT)
AUGUST 2025
2nd – London, UK – Wembley Stadium (SOLD OUT)
3rd – London, UK – Wembley Stadium (SOLD OUT)
8th – Edinburgh, UK – Scottish Gas Murrayfield Stadium (SOLD OUT)
9th – Edinburgh, UK – Scottish Gas Murrayfield Stadium (SOLD OUT)
12th – Edinburgh, UK – Scottish Gas Murrayfield Stadium (SOLD OUT)
16th – Dublin, IE – Croke Park (SOLD OUT)
17th – Dublin, IE – Croke Park (SOLD OUT)
24th – Toronto, ON – Rogers Stadium*
25th – Toronto, ON – Rogers Stadium* (JUST ADDED)
28th – Chicago, IL – Soldier Field*
31st – East Rutherford, NJ – MetLife Stadium*
SEPTEMBER 2025
1st – East Rutherford, NJ – MetLife Stadium* (JUST ADDED)
6th – Los Angeles, CA – Rose Bowl Stadium*
7th – Los Angeles, CA – Rose Bowl Stadium* (JUST ADDED)
Roger Bryan and The Orphans is a Buffalo-based rock band that boasts sounds of alternative flare and indie spirit.
They are comprised of vocalist Roger Bryan, drummer Mike Sobieraj, Matt Lavin on bass and Dave Calos on guitar. The band originated in Buffalo in 2008 and have cycled through members before finally finding the core four Orphans.
The name Roger Bryan and The Orphans comes from the idea that the bandmembers were originally parts of other bands, but these groups dissolved, bringing them together as orphans of their past. The band’s sound contains a mix of soft indie and edgy alternative. The combination of this sound does the band well as they use their dynamic sound to express their musicianship over the years.
Over the course of 5 albums, multiple EPâs and singles, they have created a catalog of ragged glory that continues to grow and evolve while managing to keep a heart still stitched on its worn sleeve. Their latest album Days or Nights/That’s Life! combines songs from their 2023 EP That’s Life! along with some recent, polished tracks.
Around seven years in, there were big changes within the band. Mike and Roger found themselves reduced to a duo wondering where exactly to go. Eventually, the duo built it back up with Matt Lavin. Dave Calos was the last to join a couple weeks later.
Since then, Roger Bryan and The Orphans have released many works, each with their own unique sound. The group does not conform to a single sound, they have dynamic songwriting techniques, and a variety of sound to output. That said, the group’s overall tone is recognizable as something of their own.
The band has a couple upcoming shows in October and November, both in Buffalo. On October 11 at Jackrabbit music venue and eatery, Roger Bryan and The Orphans see the stage with Johnny Nobody for a live recording of their catalogue. November 16, at the Cave music venue, the band performs for their label Harvest Sum’s 20th anniversary show.
To learn more about Roger Bryan and The Orphans and to hear their works, head to their Bandcamp by clicking here.
On the eve of Indiginous People’s Day at The Warehouse in Amityville, Long Island, Original Music Matinee will host an extensive, original, musical bonanza.
The show begins at 2pm sharp on October 13 and lasts for eight hours. In that time frame, at least 10 bands are to perform, with a variety of genres in store. All the bases are to be covered here – acoustic to metal to punk to pop and more. The show sees a variety of bands from the Long Island area including Ramener, The Buddy System Forever, Hostile Intent, Sharp Violet, Terror Garden, The Walk-a-bout, Deladie, and Original Gossip.
Performing as solo acts are fellow Long Island artists Stephen Robinson and Richie Schweers. These two artists kick off the show with their acoustic jams and soulful voices before the heavy metal, punk and hard rock bands take the stage to change the pace. The real kicker is, to see all these talented performers is only 10 bucks.
The All-Original Music Matinee at Prohibition promotes local artists and bands who create original pieces, contrary to cover/tribute bands. The aim of this organization is to get these up-and-coming, original acts on bills akin to that of tribute bands, like bar venues and event spaces in Long Island.
Terror Garden Live at The Village Pub in Long Island
All-Original Music Matinee Schedule
2:00-2:30 Stephen Robinson (Solo Acoustic)
2:45-3:15 Richie Schweers (Solo Acoustic)
3:30-4:00 Ramener (Metal)
4:15-4:45 The Buddy System Forever (Indie Punk)
5:00-5:30 Hostile Intent (Metal)
5:45-6:15 Sharp Violet (All-girl power punk)
6:30-7:15 Terror Garden (Hard Rock/Metal)
7:30-8:15 The Walkabout (Australian rock)
8:30-9:15 Deladie (Female-fronted melodic punk and metal)
9:30-10:15 Original Gossip (Rock ‘n Roll)
Ramener
For more information on the upcoming All-Original Music Matinee at The Warehouse and to purchase tickets online, click here.
National Sawdust has announced the release of their 3-part album playcast series, Live from National Sawdust. The first of this series to release is Joy on October 18.
Drawing from the countless transportive and transcendent performances presented and recorded live at National Sawdust over the decade since its inception, the series—part playlist, part podcast, part radio show—offers a curated journey through the evolution of contemporary music.
New Sounds presents playcast selections on its daily show on WNYC Radio and the full playcasts, with commentary from hosts Prestini and Ousley is presented from their YouTube channel. The music featured in the playcasts will also be available on Apple Music Classical.
Amidst its 10-year Anniversary season recalling the groundbreaking musical and sound-based work shared in one of the best-sounding halls in New York City, National Sawdust now brings these singular performances to listeners everywhere.
Co-Founder Paola Prestini
The initial drop from this series features pieces that fall under the theme of joy — followed, in November, by Faith, and December, by Healing. For the first time, listeners can experience these vibrant pieces, specially mined from the National Sawdust archive.
Joy features works by composers including Andy Akiho, Bach, Beethoven, Magos Herrera, Emma O’Halloran, Caroline Shaw, and Paul Wiancko. The first collection Joy also includes performances from Andy Akiho, Aizuri Quartet, Attacca Quartet, Theo Bleckmann, Magos Herrera, The Refugee Orchestra Project, Brooklyn Rider, Ian Rosenbaum, and Chris Thile.
As Live from National Sawdust explores its given theme, each episode offers a behind-the-scenes look at the creative processes of artists, blending live performances, studio recordings, and intimate interviews. These playcasts give listeners an immersive experience and takes them on a journey through the minds of the artists and the stories behind the music.
Host Andrew Ousley
To listen to the playcast series Live from National Sawdust on October 18, click here. To learn more about National Sawdust and their background click here.
