Tag: music festival

  • Oldtone Music Festival Co-Producer Trevor Roush Discusses Music, Participation and Walton Goggins

    From Sept. 5-8, on Cool Whisper Farm in North Hillsdale, NY the Oldtone Music Festival will bring music lovers old and young together to celebrate the music of the past and even the future.

    Oldtone Music Festival

    Ahead of the 2024 installment of one of the largest roots music festivals, I had the chance to speak with Trevor Roush, the co-producer of the Oldtone Music Festival. The festival is booting up again for the first time since 2022 following the worldwide pandemic caused music venues and festivals everywhere to close. On that fateful day, a small one-day festival was held and an unlikely visitor helped bring it back bigger and better than ever three years later.

    But first, what is the Oldtone Music Festival? A three-day music festival in the Hudson Valley, Oldtone Music Festival aims to promote and preserve Roots music. “Roots music to me is just all music.” says Trevor Roush, “At Oldtone, it’s not just bluegrass. We have Conjunto music, which is, a traditional Mexican music, folk music, Cajun music, old-time string band music, New Orleans jazz, New Orleans R&B… You know, it’s just all music.”

    As I spoke to Trevor, he was looking over volunteers who had shown up from across the country to help put together the festival. “I feel like what’s important to me about roots music, and I’m seeing it firsthand right now is that it brings people together. Cross-generationally, and cross-culturally, they all believe in this type of music. And, you know, I’m watching 40 volunteers of all different ages from other parts of the country build stages right now and set up tents. It’s like a real family-type art… There is no there is no one person here with one job. Everyone’s sort of all over the place.”

    The motto of Oldtone is “Participation is preservation.” Trevor explains how participation preserves Oldtone, “You’ve seen this. Through the pandemic, if there’s a restaurant that somebody really likes or a community, if you’re not there patronizing it, it’s not gonna be there. And if you believe in something, you need to support it. “There’s so many different ways to support things. Like, you could volunteer or, you can buy a ticket. That’s kinda the easiest way. But, I feel like once somebody is involved, they’re involved for a lifetime. And they’re also excited about getting other people involved in it.”

    This familial bond and community is an essential part of Roots music in general. According to Trevor, “The music is passed down. A lot of the tunes are passed down, from, you know, the older generation to a younger generation. And there are songs about families, and working and the familiarity of doing the same task. A lot of the songs are about raising a hog and slaughtering a hog. That type of thing.”

    The pandemic that shut down most of the music touring and festival circuits in the world, unfortunately caused the demise of the Oldtown Music Festival. After much thought and changing the business to a nonprofit, they are back and better (and bigger) than ever. The lineup now features the grammy-winning winning Los Texmaniacs, as well as many other acts from across the country and beyond.

    Los Texmaniacs

    Trevor explains what’s changed, “We have reorganized as a nonprofit, which is different. That’s made it so the festival could come back through fundraising efforts and stuff like that. We have some more support, in that way. The festival always relied on musicians basically doing us a favor and playing for far less than they normally would play for just because they believed in the festival. Believed in us. So, now we’re at a point where, we can start to pay bands what they deserve, which is nice. Realistically, we’re back to where we were. 2019 was our best year. After that, as you would imagine, things got harder. We were on a roll in 2019. If we can make it back to 2019-type numbers and attendance, we’re doing good. The support is already at those levels, which feels nice. It was nice to bring this back, but we also want to bolster the [involvement] in this area. There’s a large Latinx community and we wanna get those folks more involved in the show.”

    When asked how the Oldtone Music Festival was able to return this year, Trevor responded, “It’s on a working farm, and the farmers were supportive of us having it brought back. And the neighbor to the farm is this actor called Walton Goggins. He came to the festival in 2021. We did a one-day one, and he reached out to us and he was like, ‘This is amazing. I want to be a part of this.’ He’s been super helpful in helping us reach out to people that we’ve never been able to contact before and being an advocate for the festival. And also him feeling like he has a place – a calling in the community now. He’s been just an advocate, which feels really nice and supportive.”

    Oldtone Music Festival
    Walton Goggins by Shayan Asgharnia

    Walton Goggins, the Emmy-nominated actor, known for Fallout, and Sons of Anarchy, joined the festival this year as executive producer. But, I was curious about what got Trevor involved in the festival. He said, “So, I’m not a musician. Which I feel like is good in some ways. I can focus on organizing things, and not have to also worry about… the co-organizer is also a musician. and he’s said he’ll never play in the festival again because he’s just too chaotic organizing and doing stuff like that. But I guess where I came to this music was, I was working for my friend’s band and, I really like this music. What were their influences? And then you start going down this, rabbit hole. You start at one point and work your way back to, what was the root? Where where does this music come from? And then you can spur off of that into so many different ways where it’s “oh, wow. I really like this type of string band music.” And, then it’s like, “Now I’m l really interested and excited about Italian string band music.” And you can endlessly just be, discovering new things, and that’s what I like about curating something like Oldtone. The older generation gets inspired by the younger generation and vice versa and all the musicians are there sharing experiences with each other.”

    I asked, “Can you see a future of roots music? Not just growing, or, continuing to exist, but, can you see it, evolve into something new? Different? Has it already?”

    He responded, “Yeah. I feel like it sort of is evolving, and I feel like there are people out there that have started on the scale of, an Oldtone-type festival. Or, I know people that have played Oldtone before that are now, some of the largest touring acts and, are having crossovers with, Post Malone and people like that. And people, in that pop music world are, like, “What’s the root of this music that I’m making?” And, “How do I learn more about it?” The more industry-driven pop world is almost supporting, in a way, the roots music world just by notoriety. Those people with a bigger audience, [are] bolstering some of the people in this world.” He added, “There are some people who play Oldtone that have their hands in the pop world, they could come and play something like this and feel, more comfortable. It’s fun for them, and they could feel comfortable doing it without having the backlash of, ‘You didn’t play your your hit.’ You know? So it’s really nice for musicians to have an outlet for the things that they enjoy. Music’s funny. You’re always moving forward and backwards at the same time. As a musician, you’re developing your musical tastes all the time.”

    oldtone festival

    What’s Trevor most excited about? He says, “I’m excited just to get it back. And personally, artist-wise, there is a woman from, Montana called Kiki Cavazos who is kind of elusive and really hard to get. And she is coming this year and it was no small task to get her here. They enlisted some buddies from New Orleans to basically go up there and kidnap her from Montana and drive her from Montana to New York. And then she’s going to do a run with her old buddies The Deslondes. That’s what I’m excited about. She played Newport Folk Festival in 2016 or 17 and kind of faded away and had some kids in Montana. And this is her coming out party again.”

    Kiki Cavazos

    Trevor said, “They can expect to have a good time.” He adds that you don’t even have to be a fan of roots music to enjoy yourself, “There’s a lot of volunteers on-site right now that have been here and are the most integral parts of it that are like, “I don’t even like this kind of music. I just like being around these people.” And everyone’s so nice and everyone’s so welcoming. There’s something for everyone. You will have your eyes opened to something special.”

    When asked if there was anything else he would like to add, Trevor responded, “Just give a little nod to the weather so it doesn’t rain too much on Saturday.” And in a phrase that encapsulates the entire meaning of Oldtone, he adds, “But that’s no problem with us. We’ll still have fun.”

    Day Lot Gate Times:

    Thursday: 4 pm -12 am
    Friday: 11 am -12 am
    Sat: 9 am -12 am
    Sun: 10 am – 4 pm

    Full Oldtone Music Festival 2024 Lineup:

    Los Texmaniacs
    Foghorn Stringband
    Kiki Cavazos
    The Deslondes
    Jesse Lége & Bayou Brew
    Danny Paisley & Southern Grass
    Sweet Megg
    JP Harris
    Dumpster Debbie
    Will Mentor
    Jordan Thibodeaux, Joel Savoy & Cedric Watson
    Down Hill Strugglers
    Rance Chase
    Krissie & The Kranks
    Chattanooga Dogs
    Maura Gahn
    Moonshine Holler
    The Alum Ridge Boys & Ashlee
    Wild Leek River
    The Talking Hearts
    The Neon Moons
    Zach Bryson
    Beg, Steal or Borrow
    Slinky Armadillo

    Buy tickets to Oldtone Music Festival and learn more here.

    Oldtone Music Festival 2024 trailer
  • Phish’s Mondegreen: A Photo Essay

    It’s been just over two weeks since Phish’s Mondegreen music festival in Delaware, the band’s 11th in their more than 40 year career, and a reunion of fans as the band’s 2024 summer tour wound down.

    phish mondegreen photos
    Phish Mondegreen photo by Filip Zalewski

    Spread out widely across the grounds of The Woodlands and Dover Motor Speedway, fans found themselves walking miles at a time to make it into the festival. And that’s before you’re dancing and driving your step count up and up. If you walked around 30 miles in those four days, you seem to fall in the median of the 40,000 attendees, based on anecdotal data.

    Amid the huge jams and festival Phish that was heard over eight sets, there were plenty of non-musical highlights as well, particularly the art installations that peppered the festival area.

    Over four days time, you’d have had the opportunity to see Luke Jerram’s Museum Of The Moon, where a 21-foot recreation of the Moon was suspended in mid-air, shining brightly through the trees at night. Just past the security checkpoint, you could see Lars Fisk’s Dodge Ball (a dodge caravan reimagined in the shape of a ball) and on the far side of the concert field, Henk Hofstra’s Eggcident installation.

    phish mondegreen photos
    The Cerealist Bowl photo by Taylor Weinberg

    There was the parallel reality of Nova Heat, Olivier Grossetête’s Cardboard City Hall (which had to be dismantled a day early on Saturday, due to expected high winds) and Leigh Fordham Hall, which doubled as a game show stage before and after Phish each day.

    Standing out as the most memorable and unique was The Cerealist Bowl, which was a speakeasy that required a password, featuring costumed servers and strange performance art, uniquely, a man who sat in front of a cotton candy machine, slowly covered in stringy pink sugar fibers.

    phish mondegreen photos
    Heliosphere photo by Brian Ferguson

    Centered in the festival field was The Heliosphere, a beacon of light that bumped late-night music post-Phish, and served as a way to find yourself in these expansive grounds, making the immense festival feel much smaller, manageable even.

    There were of course some downsides, including fan complaints during and after the festival citing ADA shuttle issues and accommodations. Add in communication issues between production team and staff in the campgrounds (also with shuttles) and there were some things that could have been done better. But nothing on the music or art end was lacking at any point of the weekend.

    Museum Of The Moon photo by Derek Java

    Even though the threat of severe weather on the final day led to a single afternoon set of Phish instead of two evening sets, fans took this in stride, rejoiced at the idea of afternoon Phish at a festival (something scrapped for Mondegreen, but a staple of all 3.0 fests, Magnaball, Superball and Fest 8.

    While some who lived proximate to Delaware and were home Sunday night, others had time to rest before they ventured home, as planned, on Monday. For a four day run, the idea of music ending a little earlier was welcome to some older fans, allowing time to soak in these few days of Phish before heading back to civilization.

    While the severe weather never materialized, the band made a smart call to plan for safety, to ensure the music was not impacted, and informed fans with plenty of advance notice, a notification going out on the Mondegreen app around 5pm on Saturday evening.

    Overall, the festival was a huge success by all standards, with fans left wondering how long until they return to Dover for Phish Festival #12.

    Below, view photos from Phish’s Mondegreen via four NYS Music photographers, each with a different style and eye for the band over the four day music festival.

    Derek Java

    Brian Ferguson

    Filip Zalewski

    Taylor Weinberg

  • Second Annual GrassRoots Unplugged Comes to Trumansburg this September

    Finger Lakes GrassRoots festival has announced the return of the GrassRoots Unplugged concert. The second annual unplugged festival is held from September 7 to 8 at the Trumansburg Conservatory of Fine Arts.

    Trumansburg

    GrassRoots Unplugged is a two day, two stage, musical gathering featuring some of your favorite GrassRoots performers in an intimate setting. Conclude the perfect summer with Sim Redmond, Rose & the Bros, Kevin Kinsella and more at TCFA September 7-8.

    This festival is one for the community. The mission of the Finger Lakes GrassRoots festival is to unify the community and to create a cultural hub for future generations to enjoy. At least ten acts prepare to perform at the unplugged festival.

    Performances are held from 1:30 to 9:30 on both days. Tickets are $25 a day or $40 for both days. For children 12 and under, admission is free. Sunday will feature our fabulous dance floor including a Sunday Square Dance with caller Casey Carr and GrassRoots Unplugged musicians. The fest also includes a visual arts section, and a children’s fun area.

    For more information on the GrassRoots Unplugged festival coming to Trumansburg, NY, click here. Click this link to purchase your daily tickets or tickets for the whole weekend.

  • Canandaigua Announces 2024 Art and Music Festival

    The Canandaigua Business Improvement District has announced the 2024 Art and Music Festival, celebrating local musicians, artists, and businesses throughout the city.

    The festival begins on Friday, July 19 at noon and goes through the weekend, ending on Sunday July 21. From 12 pm-7 pm on Friday and 10 am – 5 pm on Saturday and Sunday, Historic Downtown Canandaigua will feature over 150 restaurants, artists, and musicians.

    canandaigua art and music festival

    For 34 years, the historic sidewalks of Downtown Main Street have hosted the Art and Music Festival, aimed to celebrate the works of artists belonging to several mediums. Although its start was small and featured a few artists scattered around the region, the festival has grown into a mounting success in the last three decades. Now in its 35th year, Downtown Main Street is home to over 150 artists and musicians and includes activities, classes, demonstrations, and raffles.

    After an extensive jury process, artists are selected to display their works throughout the entirety of the festival. Each year, new artists in almost every category, including ceramics, pottery, jewelry, woodworking, fiber, glass, photography, and gourmet foods, showcase and sell their creations at booths. Art students at local schools join in on the fun, too, showing off their coursework for all to see.

    Musical acts at the festival will take place for the entire weekend on the Maxion Stage at Commons Park. The concerts start at noon every day. This year, the Art and Music Festival features select musical acts from all genres, including Bluegrass, Blues, Rock & Roll, Jazz, and singer-songwriter Acoustic performers from all over Upstate New York. Returning performers and newcomers alike, the musicians performing at the Art and Music Festival will be bringing their best for the entire weekend.

    Throughout the entirety of the festival, a wide range of activities are available in Historic Downtown. Activities include a musical petting zoo, an interactive experience complete with instruments to explore. Demonstrations of pottery making, candle creation, and glass flameworking are readily available. Lastly, the Golden Palette Studio Trail includes special events and access to original art, crafts, classes, services, and unique gift items.

    For more information, visit the city’s website, linked here.

  • Good Vibes Radiate at the Levitate Music & Arts Festival

    Over the weekend of July 5-7, Levitate Music and Arts Festival returned to the Marshfield Fairgrounds in Marshfield, MA for the 11th installment.

    This family friendly festival is full of good vibes, art, music and community, featuring three stages, a skate ramp as well as a kids zone.

    There were many food and beverage vendors which offered a great variety of cuisines and dessert options, as well as a large number of vendors selling their artwork and handmade items, offering henna, jewelry, glitter hair and make up.

    As you walked through festival, you could watch artists work on large murals, an incredible sight to watch them work and create over the three day festival. Large sails were suspended overhead, and a misting tent helped provide shaded areas for festival attendees to take a break from the sun and chill out.

    This year there was a stellar line up of performers, as there has been in past years, with every performance a treat to see.

    Friday

    Kicking off the weekend of music was the Levitate Foundation Winner Blue Light Bandits, playing on the Soul Stage, where fans later caught Lee Ross and Stolen Gin. The Style Stage saw performances from Grace Bowers, Neal Francis and Orebolo, with crowds greeting them with excitement.

    The Stoke Stage held performances from Jon Muq, The Moss, Dirty Heads (who played songs “Medusa”, “Bum, Bum”, “Sloth’s Revenge”, “Burn Slow” among others) and Mt. Joy who closed out the music on Friday.

    Orebolo

    Saturday

    The overcast day with off and on misty weather didn’t stop the crowds from enjoying the day. Eagerly awaiting the 12:30pm start time, multiple entrances were filling fast. While in line, attendees chatted about their experiences on Friday and what they were looking forward to doing or what bands they were planning to check out that day. Playing first on the Soul Stage was the band Snacktime from Philadelphia, along with The Mark King Band and Joe Samba later that day.

    The crowds swarmed around the other stages through the day, with The Hip Abduction, Iration, and Tash Sultana playing sets on the nearby Style Stage. Staggered set times gave everyone plenty of time to catch many shows throughout the weekend. G. Love & Special sauce, Cory Wong, and The Elovators all had great sets on the Stoke Stage.

    Sunday

    Sunday was the warmest day of all three days at Levitate Music and Arts Festival but that didn’t stop the crowds from continuing to enjoy the festival. Performing throughout the day was Gracie Grace & All The Good Boys, Little Stranger, Daniel Donato’s Cosmic Country, The Rins, Richie Mitch & the Coal Miners, Ziggy Alberts, Karina Rykman, Oliver Anthony played his well-known hit song “Rich Men North of Richmond.”

    Closing the main stage were Charlie Crockett and the highly anticipated performance from Sublime, who drew multiple generations of fans, playing a great selection of hits such as “What I Got,” Pawn Shop,” “Saw Red,” and “Bad Fish.”

  • Electric Forest 2024: A Magical Recap

    Electric Forest 2024 friends and family all gathered from thousands of miles away to experience the magic that resides in the middle of the woods in Rothbury Michigan. The festival ran from June 20 to June 23 but people gathered days before this to set up camp and embrace the full forest experience. 

    Electric Forest 2024
    DRAMA, Photo Credit: Maddie McCafferty

    Early arrivers got treated to pre-party sets at the Evolve Afters stage where performances by Super Future and Tripp St. wooed the crowd. Their experimental bass music gave people the perfect hype to kick off this festival weekend. 

    Day 1 – Welcome to the Forest

    First time Forest attendees and vets quickly entered the grounds the first day in a heavy anticipation of what the festival had in store for them this year. Art installations encompassed the scene including beautiful murals, interactive games, light installments, huge statues, and more. So many people are seen embracing their creative spirit from checking out vendor shops, to watching live painting, and exploring the art spread across the trees.

    The heat was booming which made The Observatory stage set in the middle of the trees the place to be. It also helped that international electronic producer CloZee’s Odyzey label was doing a stage takeover. This featured performances from Dixon’s Violin, Redrum, Zen Selekta, Super Future, Tripp St., Zingara, and Marsh. 

    Zen Selekta’s energy at the Observatory was insane. She knows exactly how to handle a crowd and leave them wanting more. Her music intertwines dark vibes with ethereal melodies and ethnic influences. 

    Electric Forest 2024
    Zen Selekta, Photo Credit: Maddie McCafferty

    Over on the Ranch main stage though DRAMA had a soulful performance. This multicultural collaboration is between producer Na’el Shehade’s chic house-infused production style and vocalist Via Rosa’s inspirational delivery. Their dynamic is so complementary it plays on patterns of hip-hop and bossa nova. 

    Back at the Observatory Zingara made her return to Electric Forest, but this time with a night time set. Fresh off of her Code of Dreamz tour, she gave the crowd tons of new music and remixes to listen to. She performed her tracks, “Unlock Your Keys,” and “Up is Down.” Seeing a Zingara set transports music through the mind and body in a unique way. 

    Zingara, Photo Credit: Maddie McCafferty

    The Observatory stage had a round of insane performances from some of the most talented producers. After countless artists played, the electronic rhythmic figure CloZee came on stage for a secret set. She shared she always wanted to play at this specific stage but with her status now it became difficult with the available capacity around that area. This made her secret performance even that much more special and intimate for the lucky fans who got to experience it. 

    Electric Forest 2024
    CloZee, Photo Credit: Maddie McCafferty

    Day 2 – Bass Rush 

    It’s a Forest tradition that on the second day bass-heads camp out at the Tripolee stage for the numerous dubstep artists that throw-down hard one after the other. People brought out their chill-bos and flow toys for the hard-hitting tunes. 

    Up and coming artist Canabliss kicked off this day with her pink visuals. She plays on funky beats and is constantly remixing booming tracks. Canabliss even remixed the latest Irish hit “The Spark” making people go crazy. She did mix in some of her own tunes including “Saudade.”

    Electric Forest 2024
    Canabliss, Photo Credit: Maddie McCafferty

    More talented women steam-rolled the crowd with their high energy. The bass that day was flourishing to say the least. Dubstep producers Level Up and ALLEYCVT each had a set that was unbelievable. Level Up brought Subtronics out for their latest collab they’ve been working on together. 

    ALLEYCVT’s visuals and pyro took her performance to the next level. This was her debut at Electric Forest and it did not disappoint. Headbangers were going wild during her set and moshing at any chance they got. Many people left her performance immediately wanting to see more.

    Electric Forest 2024
    ALLEYCVT, Photo Credit: Maddie McCafferty

    Later into the night Pretty Lights had their comeback performance at Ranch Arena. After 10 years Pretty Lights came back to the fields in Michigan and they left zero crumbs. They brought their own fusion of electronic beats, poetic samples, and modular synthesizers. This musical project is transformative and definitely leaned into more of a jam experience in the Forest. 

    Back at the Tripolee stage though the late-night dubstep DJs were still giving hard-hitting performances. Boogie T, ATLiens, Wooli, and BTSM finished the round up. BTSM closed out the stage with their mesh of heavy bass and techno. Lately they have been performing with their new anime visuals from Attack on Titan and watching that from the crowd is insane to see. 

    Electric Forest 2024
    Boogie T, Photo Credit: Maddie McCafferty

    Day 3 – Rain Rain Go Away 

    Okay maybe it’s not the rain so much as the storms that Forest goers had to undergo this day that needed to go. Many started off their day at the Brainery getting in their daily dose of positive affirmations and good vibes. All week different classes were held there including meditation, yoga sessions, and shuffling courses. 

    Others who entered the festival grounds early attended a party at the Chapel where people got to celebrate their freaky unique selves. And if some attendees got there at the right time special wedding ceremonies would take place.

    Electric Forest 2024
    Super Future, Photo Credit: Maddie McCafferty

    Unfortunately though this day ended quite early as everyone inside the festival grounds was told to evacuate to their campsites due to severe storms coming in. The intense thunder storms lasted for hours flooding campsites with heavy rain and creating so many mud pits. Many artists didn’t get to perform their set due to this.

    They didn’t open the festival back up until after midnight pushing so many artists to now overlap with one another. When the gates opened back up fans ran to the stages to get a good spot for the few late night producers who didn’t lose their set. Subtronics got to throw down at Ranch. His tesseract visuals are stunning and his mixing is top of the EDM game by a landslide. He got to play his flip of Hozier’s song “Too Sweet” and his latest single “Sploinky Dub.”

    Tripp St., Photo Credit: Maddie McCafferty

    LSZEE, also known as the project by LSDREAM and CloZee, made their first ever debut as a duo this night. They performed so many unreleased songs and fun remixes. The euphoric energy these two artists brought is unmatched. The two know how valuable certain sound wave frequencies play on mood and they utilize this to take their audience on a journey. These renowned producers got to perform their songs “FRENCH DREAM” and “CHRYSALIS” for the first time as well. A night that people thought might not happen throughout the day was finished with an absolute breathtaking experience. 

    Day 4 – The Forest Family 

    Despite the third day having quite the unexpected journey, so many people were ready to fully embrace what the final day of Forest had to offer. Many who missed out on the scavenger hunt the days before went to the “Time Travel Agency” to receive their quest and start their excursion. Others went inside the Dream Emporium to watch a wrestling match, roller-skate, and even go kayaking. 

    An absolute highlight of the final day, if not the entire weekend, was the return of Lightcode by LSDREAM. In the afternoon at Sherwood Court, LSDREAM presented his sound healing and ambient bliss-inspired project. This meditative experience is one that no words can do justice. It truly is so transformative that it left so many people in tears. The exercise is unlike no other that sets to reopen peoples’ hearts and minds to what not only the festival, but the human experience should consist of.

    Level Up, Photo Credit: Maddie McCafferty

    Later in the day, the up and coming trio Levity performed a set at the Observatory. This group first started taking off last year at Electric Forest when the festival needed someone to cover a slot at the Honeycomb stage and one member just so happened to bring his USB. Their 2023 last minute set ended up popping off online and caused this group to get so much commotion behind their name. It truly is a full circle moment watching Levity grow from a last minute fill-in to a night time set at forest. This group encompasses what Electric Forest is all about and their performance was nothing short of eccentric. 

    Levity, Photo Credit: Maddie McCafferty

    Experimental bass artist INZO also had a performance that was exceptionally moving. He played on Sherwood Court and of course utilized his signature Alan Watts verbiage. Some tracks fans got to hear were “Overthinker” and “Drift Like a Cloud, Float Like Water.” 

    Into the night, fans gathered at Ranch Arena for GIGANTIC NGHTMRE. This is a project by Big Gigantic and NGHTMRE that has such heavy hitting beats. The layered sound from the drums, saxophone, and mixing on stage blends effortlessly. The trio definitely know how to pump up a crowd and provide that much needed energy boost. The pyro matched with the fun visuals and fireworks were captivating. The group also performed a good amount of riddim which is exactly what the Forest family needed. 

    GIGANTIC NGHTMRE, Photo Credit: Maddie McCafferty

    After GIGANTIC NGHTMRE ended many gathered up for a performance from the dubstep king himself, Excision. However, this was shortly met with an evacuation announcement due to another wave of severe storms that were coming in. Unfortunately there was no re-entry after the evacuation notice and this sudden goodbye left many upset. 

    As much as the storms were such an inconvenience to people it didn’t ruin the Forest family’s time. You can’t control the weather, but you can control how you respond to the weather. And how people responded to it was by dancing in the rain, creating parties at campsites, and enjoying this time everyone got to spend together in the middle of the woods in Michigan. 

    ALLEYCVT, Photo Credit: Maddie McCafferty

    That is exactly what Electric Forest is all about. As much as you can play out how your weekend is going to go and schedule what artists you’re going to see, you truly can’t plan for everything. Surrendering to those moments of disarray and wonder can lead you to some of the best times. “While timing is everything, the present is where true discovery lies.” Electric Forest has always provided those moments of discovering what is really important and serves as a reminder of why we’re all here on this Earth: to let go and enjoy our time together. Maybe we didn’t get to see an Excision Electric Forest set, but at least we got to dance in the rain with our friends.

  • Bonnaroo 2024: A First-Timer’s View of ‘Roo

    Bonnaroo 2024 was my first time attending a music festival of this size as well as camping there. Going into it, I had no idea what to expect or how vast the grounds and crowds would be. The sheer scale of the festival was awe-inspiring, and was a humbling experience to be part of.

    The festival drew over 70,000 Bonnaroovians to the festival in Manchester, TN over four days, June 13-16 with the festival completely sold out. Throughout the festival, the temperature soared to a high of 94 degrees, but that didn’t dampen the spirits of Bonnaroovians from partying all day and night.

    Bonnaroo Day 1: June 13

    I arrived at the media camping grounds at 8 am to claim my spot and swiftly set up camp before the gates for Centeroo opened at noon. At noon, I made my way to Centeroo for the first time and walked the grounds. Right away, there was a contagious energy of excitement on the ground from veteran Bonnaroovians returning home to first-timers like myself in awe of all of it.

    While exploring Centeroo, I made my way to the House of Matroomony. I heard about this house performing weddings at Bonnaroo and thought the idea was cute; little did I know when I walked in there, I would witness and photograph the first wedding of Bonnaroo. The couple was Savannah and Nathan Ingle, who were officiated by Virginia Slim Jim. What a way to kick off my Bonnaroo.

    Savannah and Nathan Ingle center left and right, Virginia Slim Jim in the center

    My first show of the day was later in the evening Durand Bernarr at the This Tent. His set was high energy, and he had a fantastic stage presence and the crowd was eating up his performance from the moment he walked out in his all-denim look. Throughout his performance, he sang songs from his EP En Route released May 31 this year. I stayed at This Tent for the next show Nation of Language. This was my first time hearing and seeing them perform, and it was a thrilling experience. The band has an 80s synth pop melodic sound to them that really works and kept the crowd grooving. They started their set off with ‘A New Goodbye’ from their new studio album Strange Disciple. From the This Tent, I quickly had to make my way to the What Stage to catch headliner Pretty Lights.

    Durand Bernarr

    Pretty Lights had such an imaginative backdrop behind the DJ booth, a wall of circuit panels with wires that was part of his setup. With a band accompanying him, Derek Vincent Smith started his set by hyping up the crowd and giving them a performance of “Swirl Song/Sun Machine,” the lighting that followed keeping the crowd hyped and flowing to the tunes.

    Towards the end of the song, hearing the crowd sing lyrics from David Bowie‘s “Memory of a Free Festival” – ‘Sun Machine is coming down and we’re gonna have a party’ – was such a magical moment. Hearing the crowd of that magnitude for my first time at the festival was just a small taste of what would come the next couple of days. To finish off my first day of Bonnaroo, I made my way to That Tent to see Geese. Another first-timer seeing and hearing of this band, who brought their punk-rock fusion and had the crowd in their grasp from the moment they got on the stage.

    Pretty Lights Crowd

    Bonnaroo Day 2: June 14

    Friday was a jam-packed day for music. Starting my afternoon off at the That Tent for MIKE who brought his profound sound that showcased his lyrics and wisdom within the music. Throughout his set, he got great crowd participation whenever he interacted with them. He performed songs from his new record ‘Burning Desire’ and a couple of songs that were untitled and were still a work in progress. The crowd loved each song he did.

    After MIKE’s set, I headed towards This Tent for Bonny Light Horseman. The band brought a calm demeanor with their folk sound and strong lyrics behind each song. It was a nice change of pace, from all the hustle and bustle that a festival can bring. After the calm, I made it to Which Stage for The Japanese House who continues the same level of calm in her performance. A blue sky and cloud backdrop set the tone perfectly for it. She performed an unreleased song called ‘Smiley Face’. In her words, it’s “about my big gay love,” and the crowd went absolutely crazy for it.

    MIKE

    Drivers Era at the What Stage had tremendous energy throughout their whole set. There was amazing chemistry between the band and the crowd that carried the performance. ‘Turn Up the Music’, ‘Get Off My Phone’ and ‘Feel You Now’ started the set, and all around you couldn’t have walked away after their set without having a smile on your face. I then raced over to This Tent to catch Grouplove, my second time seeing them perform, and I knew the moment that they took to the stage they were going to take everyone on a ride with them. The atmosphere was so electric and contagious. I had such a fun time photographing them.

    The Drivers Era, Ross Lynch

    I got a little break before heading back to Which Stage for Lizzy McAlpine. Her stage setup was quite unique, it was giving off living room vibes, with a band set up straight across the stage with her being right in the middle and having stage light stands as her backlight across them all. Her performance felt very intimate, no matter where you were in the crowd. She started her set with ‘doomsday’ that got everyone in their feelings from the start. In the middle of her set, she did a mashup of Rascal Flatts “Bless the Broken Road” and John Denver’s “Leaving on a Jet Plane” that the crowd loved.

    After getting in my feels with Lizzy, Maggie Rogers took the Which Stage next. Maggie had by far one of my favorite artist’s entrances of the festival. Her band started playing the intro to ‘It Was Coming All Along’, and she rose from a lift on top of her stage stairs case, and when she popped up, the crowd went crazy for her. She went on to perform ‘Drunk’ and ‘That’s Where I Am’ but by the end of her third song, I had scurried off to the What Stage for headliner Post Malone.

    Maggie Rogers

    Post Malone’s intro was the most exciting thus far this weekend, starting with a string quartet walking out and beginning to play softly, then getting louder, followed by a female guitarist who gave a killer guitar solo that led into the band’s intro to ‘Better Now’ and his entrance to the stage was accompanied with pyrotechnic fireworks. The crowd was beyond ready for Posty, and from the moment he took to the stage, the crowd sang every song along with him. He had such a smooth transition into ‘Wow’ and a mashup of ‘Zack And Codeine’ and ‘Psycho.’

    Post Malone

    To wrap up my night, I headed back to the Which stage for my most anticipated show of the night T-Pain. I don’t think people really realized how many hits this man has. His set was packed with almost all of them, he started his set with ‘Take Your Shirt Off’ and then went into ‘Up Down’ then ‘Bag of Money’. After the third song I quickly went to put my camera away to go join the crowd for the rest of his set.

    To be part of this crowd was truly insane, everyone was having such an amazing time singing, and two stepping the night away. He had such tremendous stage presence throughout the whole set. My favorite songs he performed were ‘Good Life’, ‘Black and Yellow’, ‘Kiss Kiss’, and his cover of Sam Smith’s ‘Stay With Me’ blew me away! Crowd favorites were ‘2 Step’, ‘Low’, cover of Journey’s ‘Don’t Stop Believin’ and of course ‘Buy U a Drank’. He wrapped up his set by doing ‘All I Do Is Win’ and ‘I’m on a Boat’.

    Bonnaroo Day 3: June 15

    I managed to get some sleep after T-Pain’s late set, which went into the early morning. By noon, it had reached the festival’s hottest temperature at 94 degrees. I made my way to Outteroo and headed towards Plaza 3 House of Yes Pride Parade. This was the fourth year that the House of Yes has hosted the Pride Parade.

    When I arrived and entered the House of Yes was a truly heartwarming moment, to be surrounded by the queer community and feel love in the air instantly. Knowing everyone in that room was in a safe space to be their authentic self and no judgment by anyone. Just before the pride parade kicked off, a little dance party broke out in the House of Yes. Everyone was enjoying themselves, and soon enough, the parade kicked off, and the party continued outside. From the House of Yes, the parade took everyone to Where in The Wood for the after-party, where the dance party continued with a DJ set.

    I made my way back into Centeroo to catch my first show of the day, The Maine at the What Stage. The rock band brought high energy that had the crowd dancing from their opening song ‘Blame’ and they performed ‘Sticky’ and ‘Slip The Noose’. I finally had a nice break from the sun before going to the Which Stage for Brittany Howard. I’ve been a big Brittany Howard fan for quite some time now, and to finally have gotten to photograph her and see her perform was such a dream. Her vocals are so unique and powerful, the energy she gave off the stage was amazing. ‘Earth Sign’ started her set, with her soulful vocal chops that set the tone for her set. Her soulful voice continued into ‘Georgia’ and the song ‘Stay High’ gave the crowd an insight into the wide range of her vocal ability and sound she has developed.

    From one soulful performance to another one. I made my way back to What Stage for Jon Batiste. As with Brittany, I was excited for Jon’s set. His vocals and lyrics are so powerful, and on top of that, there aren’t that many people who can pull off a sequin suit, but he did. There are no words to describe the sheer radiant energy he was giving to the crowd. My favorite song he performed was ‘Freedom’, an energetic song and mood booster that had the crowd on their feet dancing.

    Jon Batiste

    I boogied my way back to Which Stage for my favorite artist at the festival, Renee Rapp. I’ve been lucky enough to have seen her perform before, but this was my first time photographing her, and she did not disappoint. Her fans were among the loudest at the festival at that time. I love how Renee is able to do such smooth transitions from her upbeat songs ‘Talk Too Much ‘and ‘Poison Poison’ right into her softer song ‘Bruises.’ I enjoyed the rest of her set once I was done, my personal favorites were ‘Not My Fault’, ‘Pretty Girls’, ‘Tummy Hurts’ and the song she hates ‘Too Well’. After her set, I walked away from it with one of the biggest smiles on my face.

    Renee Rapp

    To end my night, This Tent had the Dashboard Confessional Emo Superjam. Bonnaroo is known for doing Superjams where a mix of artists perform a set based on the theme and it’s always a festival highlight. When I got there, I saw Dashboard Confessional and Andrew McMahan doing Something Corporate’s “I Woke Up In a Car.” By this point, I was running on about 5 hours of sleep, and it was finally catching up to me. I left the Superjam early and called it a night.

    Dashboard Confessional and Andrew McMahon, Emo SuperJam

    Bonnaroo Day 4: June 16

    I couldn’t believe it was the final day of the festival, and I had so much in store for myself that day. I couldn’t miss seeing Chappell Roan on the Which Stage. This artist is right up there with T-Pain, Renee Rapp, Brittany Howard, and Jon Batiste for my must-see performances while here. She’s been having one hell of a year, and had by far the biggest crowd for any artist at the festival. She and her band are dressed in all latex doctor/nurses outfits. The sheer volume of the crowd could be heard throughout the festival grounds and camping grounds. ‘Femininomenon’ got the party going with a song ‘with a fucking beat.’

    With every song, the crowd was singing right along with Chappell. She then went into ‘Naked in Manhattan’ and ‘Super Graphic Ultra Modern Girl’. Hands down the most anticipated song of hers I was looking forward to and also a crowd favorite is ‘HOT TO GO’. To see the sea of people in the crowd doing the dance was so magical and definitely a core memory for me from the festival. She debuted a new song called ‘The Subway,’ another show that left a smile on my face afterward.

    Chappell Roan, photographed from the crowd

    With a little break, I headed to the What Stage for Carly Rae Jepsen. Right from the start, she brought out high energy, and there was a strong crowd connection from the beginning when she sang ‘Now That I Found You’. Unfortunately, due to thunder and lightning, her set was cut short, but after the weather cleared up, she was able to get back on stage and finish her set. Due to the weather, the schedule changed a little, but that’s just festival life for you.

    Which Stage had Goth Babe, and they were another artist that I hadn’t heard of before, and I really didn’t know what to expect. When he came out to start his set, I was pleasantly surprised. He had an indie vibe to him with a hint of pop. I definitely jammed to his music while in the pit and instantly became a fan. For as much as I wanted to stay for his set, I had to head out to catch Megan Thee Stallion on What Stage.

    Goth Babe

    Megan knows how to put on a show! She started her set with ‘HISS’ accompanied with pyrotechnics. The crowd roared when she came out and kept the energy going with ‘Ungrateful’ and ‘Thot Shit’. For the last time of the festival, I made my way back to Which Stage for Jason Isbell and the 400 Unit. With his Americana sound, he slowed down the pace and had everyone bobbing and singing to ‘King of Oklahoma’ and ‘Stockholm.’

    Here is where I made an executive decision to stay for two songs of his instead of the three in order to make it to my last show of Bonnaroo at the This Tent for Taking Back Sunday. I made it just in time as the band was starting to play ‘S’Old.’ The crowd was electric for the pop-punk group, and honestly, it was such a perfect way for me to end my Bonnaroo experience.

    bonnaroo 2024
    Megan Thee Stallion

    Reflection

    I am forever thankful to have had this opportunity to have come and cover Bonnaroo 2024. Before I got to Bonnaroo, I heard and read about The Bonnaroovian Code and didn’t really think too much about it. As I sit here reflecting on my time on the farm I understand now when everyone says ‘The Bonnaroovian code isn’t just for four days a year in Tennessee – it’s for all Bonnaroovians, everywhere and all the time. Bringing the spirit of Bonnaroo with you out into the world.’ I can’t wait to go back for round two in 2025.

  • A Look Ahead to Bonnaroo 2024

    We are just one week from the kick-off of the 22nd year of Bonnaroo in Manchester, TN, from June 13th to 16th.

    This year’s lineup includes headliners: Pretty Lights, Post Malone, Red Hot Chili Peppers, and Fred Again… closing the weekend. Alongside the headliners, a variety of other artists will be performing throughout the weekend, including Maggie Rogers, Dominic Fike, René Rapp, Chappell Roan, Brittany Howard, Megan Thee Stallion, Carly Rae Jepsen, Diplo, Jon Batiste, T-Pain, and many more.

    Out of the 150+ acts this year, 10 will represent the Empire State at Bonnaroo, including Geese (Thurs, That Tent 10pm), Nation of Language ( Thurs, This Tent 7:45pm), Say She She (Thurs, That Tent 3:45pm), Joe Russo’s Almost Dead (Fri, That Tent 9:15pm), Interpol (Fri, This Tent 9:45pm), MIKE (Fri, That Tent 1:15pm), Bonny Light Horseman (Fri, This Tent 3pm), Joey Bada$$ (Sun, That Tent 8:30pm) Taking Back Sunday (Sun, This Tent 7:45pm) and Armand Hammer (Sun, That Tent 1:15pm).

    Bonnaroo preview
    Brian Hensley

    Beyond the Music

    Bonnaroo is not just about the music. There are many activities throughout the festival, such as parades all through Outeroo, free yoga classes, a village market, campground plazas where the community can come together to explore art and activities no matter where you are camped out at a plaza is nearby, and of course, your classic Ferris Wheel and the Fountain.

    Now, we cannot overlook the diverse food vendors this year. There’s such a diverse group of vendors that sound delicious if you are looking to be more adventurous with your food, such as Pho Cue Vietnamese & Barbecue, The Empanada Spot, Ugadi Indian Grill, and so many more. If you’re craving something more familiar, vendors like Chicken & Waffles, Daddy’s Dogs, and Fat Beef Burger have you covered.

    The Bonnaroo website is an amazing source for all things Roo-related. It provides details on how to get to Bonnaroo, where to stay, the festival, and the camping ground map. For anyone with food allergies or dietary restrictions, head to the Food Vendor section; there, you will find vendors that fit your needs.

    You can still purchase day tickets from the website. Also, there’s a Bonnaroo app for IOS and Android that you can download to have all things Bonnaroo at your fingertips.

    Food Vendors

    Bonnaroo preview

    Daily Schedules

    Bonnaroo preview
  • Boston Calling draws the crowds over Memorial Day Weekend

    Boston Calling Music Festival brought thousands of music lovers of all ages to the Harvard Athletic Complex in Allston, MA over this past Memorial Day weekend, May 24-26, 2024.

    The weather was perfect for this three-day outdoor music festival where more than 50 talented Artists performed across four stages. The Boston Calling website offered helpful information in advance of the event.

    The festival grounds in general were easy to navigate with the Happy Valley Red Stage and the Green stage being the main stages and closest together. There was a great selection of food vendors with many offerings, beverage stands, sponsor booths, Ferris wheel and 2 stands to buy merchandise for the festival and various artists.

    Friday, May 24

    Kicking off the music was Divine Sweater performing on the Happy Valley Red Stage. Performances on Friday also included The Wolff Sisters, Justin Clancy, JVK, and KEI closing out the orange stage with a high energy performance.

    On the Allianz Blue stage Kieran Rhodes, Maris, Ric Wilson, Cannons, and Young the Giant played great sets.

    Happy Valley Red Stage also held performances by Beach Weather, David Kushner, and Leon Bridges. The Green Stage had performances by Mandi Diaz, Luke Hemmings, Renee Rapp who performed popular songs “Pretty Girl”, “Bruises”, “Poison, Poison”, and Ed Sheeran played an incredible set using a loop pedal and his guitar, playing a variety of hits such as ” The A Team”, “Thinking out Loud” and “Bad Habits”.

    Saturday, May 25

    Senseless Optimism playing on the Happy Valley Red Stage, also played on that stage was Bad Rabbits, Frank Turner & the Sleeping Souls, who while on stage said it was their first time back to Boston Calling in 10 years.

    Trey Anastasio & Classic TAB had fans of all ages dancing and singing to songs such as “Moma’s Dance, “Everything’s Right Jam” and “Sand”. The Orange stage had performances from Highwater Haulers, Cakeswap, Paper Lady, and Ward Hayden & the outliers.

    On the Allianz Blue Stage ToriTori, Motherfolk, Tanner Usrey, The Red Clay Strays and Jessie Murph who sang “Devil gotta Dance”,”Cowboys and Angels”, as well as an unreleased song titled “Bad Behavior”. The Green Stage held performances from The Castellows, D4vd, who backflipped onto the stage and played popular songs such as “Backstreet Girl”, and “Here with Me”, KHRUANGBIN, and Tyler Childers who started the set off with “Whitehouse Road”.

    Sunday, May 26

    The Happy Valley Red stage and the Green stage holding performances by Chappell Roan, Hozier, Megan Thee Stallion, and the final headliner of the 2024 Boston Calling Music Festival, The Killers. Other popular artists that had played earlier in the day also drew in the fans were Royel Otis, The Revivalists, and The Heavy Heavy. Playing on the blue and orange stage, The thing, Francis of Delirium, Christone of the Ingram, Blondshell, ALVVAYS, TYSK, TYSK, TYSK, Billy Dean Thomas, Zola Simone, and Freshwater.  

  • Bronx Summer Jam Is Back For The Third Year

    Bronx Summer Jam will be back for its third season this June 30. Bronx Summer Jam brings a community of all ages together with local artists and a positive space for music lovers.

    Unlike most festivals, the summer jam is free and attendees can easily get tickets on eventbrite. The festival has also started to receive sponsorships from small businesses in the Bronx. With the volume of artists, the festival is split between two stages, the Kings stage and the Sirens stage.

    This grassroots festival was created by nightlife and entertainment company Sounds and Sirens Productions and the media agency The Fox and The King who started collaborating in 2019. Sounds and Sirens serves the NYC and Westchester area of New York and offers live sounds for bands, event production and promotion as well as booking services. The Fox and The King is located in the Bronx and focuses on promoting local artists and supporting the DIY music scene. 

    Last year’s lineup included artists like Bronx native Drew Torres and the NYC based band The Phoenix Within.

    The first summer jam in 2022 was created to get music fans together again after the COVID-19 Pandemic. “I’m inspired and humbled by our progress with Bronx Summer Jam over the last few years.,” DJ Mike said, Founder of Sounds & Sirens in a press release. “I’ve always believed that music brings people together in the best ways. Bronx Summer Jam expands on that year after year, fostering community, promoting artists, and providing a free platform for people to come and experience what local music is all about.” 
    The festival will run between 1 p.m. and 7 p.m. To RSVP, you can find the eventbrite page here.