NYS Music 2024

Tag: jazz

  • Jazz at Lincoln Center Orchestra Turns Holiday Standards on Their Head

    On Thursday. December 19, the Jazz at Lincoln Center Orchestra did what they do best – they tossed common musical conventions to the wind while elevating songs to a new level.  

    Photo Credit: Aidan Lukomnik

    The Jazz at Lincoln Center Orchestra, just back from a two-week tour around the U.S., was welcomed to their Big Band Holidays performance with a rousing round of applause. Standing on their home stage of Rose Theater, the Orchestra played ten songs from a catalog of more than thirty holiday standards ranging from religious to anti-holiday. But these weren’t your normal holiday songs. 

    “You might have heard Frosty the Snowman before, but you’ve never heard it like this,” Musical Director and Trombone player Christopher Crenshaw said. That was the theme that prevailed throughout the show: you ain’t heard it this way before. Across an hour and a half of music, standard holiday compositions were eschewed for new ways to play, throwing each song into a new context and making the audience consider their perception of just what a holiday song sounds like. 

    Christopher Crenshaw at Rose Hall, Photo Credit: Aidan Lukomnik

    Starting with two classics, the band played a sped-up and swung version of “Here Comes Santa Claus” and then transitioned into an extremely melancholic version of “Dreidel, Dreidel, Dreidel.” The first act was spiced up by Robbie Lee singing the anti-holiday song “Blue Xmas (To Whom it May Concern)” and “Merry Christmas Baby.” Lee’s vocal intonation was incredible – moving from a gravelly embodiment of the Grinch in “Blue Xmas” to clear and pure desire in “Merry Christmas Baby.” 

    However, the pinnacle of the first set was Sherman Irby’s solo in the “Merry Christmas Baby.” His saxophone transported audience members and, it seemed, members of the orchestra from a 1,200+ person venue to a dark and smoky jazz club inches from the stage. For the length of the solo, no one took a breath, and for a moment, all there was in the world was his music. It was a Blues solo at its finest.    

    Sherman Irby, Photo Credit: Aidan Lukomnik

    The second set was punctuated by the dulcet vocals of Ekep Nkwelle, who sang a spiritual version of “Mary Had a Baby” and then upended all religious expectations with a downright sexy version of “Santa Claus, Santa Claus.” Nkwelle’s vocals during “Santa Claus, Santa Claus” felt straight out of film noir with desire, danger, and pain clear as day, while Chris Lewis’ solo put an exclamation point on the number.

    As the night came to an end, the hometown crowd responded to the orchestra’s take on holiday classics with their you ain’t heard it this way before swagger, with a standing ovation. 

    Setlist: 

    Set 1: Here Comes Santa Claus> Dreidel, Dreidel, Dreidel>Blue Xmas (to Whom it May Concern) > Merry Christmas Baby > (I’m gettin’) Nuttin’ for Christmas 

    Set 2: Up on the House Top > Mary Had a Baby > Santa Claus, Santa Claus >Blue Christmas > Frosty the Snowman

    The Big Band Holidays show has two more performances at Rose Theater on Saturday the 21st and Sunday the 22nd. 

    Photo Credit: Aidan Lukomnik
    Photo Credit: Aidan Lukomnik
    Photo Credit: Aidan Lukomnik
    Photo Credit: Aidan Lukomnik
    Photo Credit: Aidan Lukomnik
    Photo Credit: Aidan Lukomnik
    Photo Credit: Aidan Lukomnik
    Photo Credit: Aidan Lukomnik
    Photo Credit: Aidan Lukomnik
    Photo Credit: Aidan Lukomnik
    Photo Credit: Aidan Lukomnik
    Photo Credit: Aidan Lukomnik
    Photo Credit: Aidan Lukomnik

  • A Joyful Holiday with Samara Joy and The McLendon Family

    Samara Joy and The McLendon Family, accompanied by Buffalo’s George Brown and the God’s Purchase Choir, took the stage at UB’s Center of the Arts on December 17. The night was full of smooth jazz and Christmas spirit.

    samara joy

    As the audience were walking into the auditorium, Samara had a slideshow going of some of her family photos, giving the audience an insight into her family and her upbringing.

    Once the audience settled in their seats, the band, composed of Shedrick Mitchell on Piano, Eric Wheeler on bass, and Charles Haynes on drums, came out first and started to play the intro to “Christmas Time is Here,” then Samara came out and began to sing, getting everyone right into the holiday spirit with her jazz rendition of the song.

    samara joy

    After the song, she introduced herself and brought out members of her family to sing a few songs with her. She brought out her father, Antonio McLendon, her uncle, Laurone McLendon, and her cousins Tommy Niblack and Tierra “Lovey” Rowe, and rounding out the crew is Stephy Bloom Samara’s vocal director. She then brought out Buffalo’s George Brown and the God’s Purchase Choir who filled in the riser in the back. With her family and the choir, they perform “O Holy Night” and “Everybody Knows It’s Christmas.” Their renditions of these songs had such a warm gospel feel to them with the full auditorium enjoying every moment.

    samara joy

    The night wasn’t just full of Christmas spirit as Samara and her band sprinkled in other songs including songs “You Stepped Out Of A Dream,” “Peace Of Mind/Dreams Come True” and “Now And Then” from her recently released album Portraits. They also performed renditions of “Reincarnation of A Lovebird” by Mingus, “Chega de Saudade,” also known as “No More Blue”s by Antonio Carlos Jobim, and Billie Holiday’s “Left Alone.”

    Samara Joy, truly has a once in a generation voice. At such a young age of 25, she already has such a seasoned voice. Being able to resemble some of the great jazz artists, such as Ella Fitzgerald and Billie Holiday, and still having her own sound is a true testament to her talent. Throughout the whole performance, from the moment she started singing, her voice automatically just took you on a journey with her all night.

  • Caffè Lena Launches New Peak Jazz Series to Showcase World-Class Jazz Talent

    Caffè Lena has announced the launch of the Peak Jazz Series, an exciting addition to its monthly concert offerings. Made possible by the generous support of Joseph and Luann Conlon, this series is dedicated to fueling the growth of jazz in Caffè Lena’s renowned listening room.

    Hailing from Saratoga Springs, the nation’s oldest continuously operating coffeehouse new Peak Jazz Series will focus on ensembles that lean toward cool jazz, fusion, and funk, offering audiences a dynamic and diverse jazz experience.

    Peak Jazz Series

    By ensuring a steady flow of world-class jazz acts, the series enriches Caffè Lena’s programming and reaffirms its commitment to fostering live music in an intimate and premium setting.

    The Peak Jazz Series joins the already thriving Jazz at Caffè Lena Series, hosted by accomplished jazz pianist Chuck Lamb. Each month, Chuck and his trio welcome a special guest to the stage, offering unique collaborations with some of the most remarkable names in jazz. Recent highlights include performances with Jimmy Greene and Stanley Jordan, showcasing the diversity and brilliance of the genre.

    “We’re thrilled to expand our jazz programming. With the Peak Jazz Series adding a fresh layer to our monthly offerings and Chuck Lamb’s Jazz Series continuing to bring in extraordinary guests, Caffè Lena is solidifying its place as a top destination for live jazz in the region.”

    Sarah Craig, Executive Director of Caffè Lena

    “Supporting the Peak Jazz Series at Caffè Lena is an exciting opportunity to celebrate the depth and diversity of jazz,”said Joseph Conlon, sponsor of the Peak Jazz Series. “We’re proud to help bring extraordinary ensembles to such an intimate venue, showcasing the energy, artistry, and innovation that define this genre. Our hope is to inspire both long-time jazz enthusiasts and new audiences to connect with the music in meaningful ways.”

    The Momentum Series, also made possible by the Conlons in honor of Thom O’Neil, will continue to bring high-energy performances—solo and band—that fill the room with electrifying energy. Together, these series provide unparalleled opportunities to experience the power of live music across genres at Caffè Lena.

    Caffè Lena invites jazz enthusiasts, music lovers, and the community to experience the debut of the Peak Jazz Series and its exceptional lineup of artists. For tickets and information, visit www.caffelena.org.

  • Moon Hooch Brings Relentless Energy to Bowery Ballroom

    If you want to rave to a collection of saxophones and woodwinds, then Moon Hooch is the band for you. Yes it’s weird, yes it’s wild, and yes it’s a fun show to dance to. 

    Moon Hooch at Bowery Ballroom 12.7, Photo Credit: Aidan Lukomnik

    On Saturday, December 7, Moon Hooch brought their energetic mix of Jazz and Electronic music to Bowery Ballroom in downtown Manhattan.

    A truly New York sound, Moon Hooch was born when Michael Wilbur (Horns, woodwind, vocals), Wenzl Mcgowen (Horns, woodwind, synth), and James Muschler (original drummer) met at The New School. The band, now with Cyzon Griffin on drums, started playing together as buskers across the city. Often playing in the subway, Moon Hooch was banned from the Bedford Ave L station for bringing in crowds that were dangerously large. 

    Audience Member; Photo Credit: Aidan Lukomnik

    That history of busking can be heard in their music, as the trio at times evokes the guttural sounds of an oncoming train paired with high-pitched notes reminiscent of a closing subway door. They even use found objects, like a traffic cone, on stage as a mute to alter their sound. 

    Photo Credit: Aidan Lukomnik

    On December 7, COFRESI opened for Moon Hooch. The drummer and beatmaker brought together modern techniques (looping, drops, Trap and Dancehall melodies) with samples from hits like, “Ain’t No Sunshine,” “Stand By Me,” “Mr Sandman,” and “It’s Tricky” to create a sound all his own.

    COFRESI Photo Credit: Aidan Lukomik

    As Moon Hooch took the stage, audience members head banged, grinded, and jumped up and down – emphasizing how many different musical sub-cultures came out to see the band. 

    The band’s physicality is impressive, as Michael Wilbur and Wenzl Mcgowen dance throughout a set that’s over an hour while Cyzon Griffin’s rapid drumming holds down the beat. Throughout the set there wasn’t an idle monument with high energy songs one after another, only rarely bringing in classical music phrases to give the audience a breather before the beat drop.

    Photo Credit: Aidan Lukomnik

    At the same time, that lack of idleness has its own drawbacks. After a while, songs in the set started to run together with limited ability to determine where one song stops and the other begins. This run-on of songs was exacerbated by similar musical motifs and almost identical lighting cues that could cause a listener Deja Vu. While the band sometimes threw their hands up to engage the audience, they never stopped to talk to the crowd. Better performance pacing, verbal engagement with the crowd, and breaks between songs would do the band well. 

    Photo Credit: Aidan Lukomnik

    On this tour the band isn’t just bringing their relentless energy, they’re also trying to do good. At each city, the band is auctioning off a (small) tree and giving away all of the proceeds to replant trees across the country. In NYC they also worked with Support and Feed – a food equity organization that works to address challenges in food desserts and provide information on plant-based food.

    Photo Credit: Aidan Lukomnik
    Photo Credit: Aidan Lukomnik
    Photo Credit: Aidan Lukomnik
    Photo Credit: Aidan Lukomnik
    Photo Credit: Aidan Lukomnik
    Photo Credit: Aidan Lukomnik
    Photo Credit: Aidan Lukomnik
    Photo Credit: Aidan Lukomnik
    Photo Credit: Aidan Lukomnik
    Photo Credit: Aidan Lukomnik
    Photo Credit: Aidan Lukomnik
    Photo Credit: Aidan Lukomnik

  • “Old Friends Beckoned, New Sounds Reckoned” Jazz Project Arrives at Caffe Lena in 2025

    Caffe Lena in Saratoga Springs has announced four-piece jazz project, “Old Friends Beckoned, New Sounds Reckoned,” slated to hit the stage on January 11, 2025.

    "Old Friends Beckoned, New Sounds Reckoned" Jazz Project Arrives at Caffe Lena in 2025

    Matt Steckler, Yayoi Ikawa, Lonnie Plaxico & Tony Lewis present an evening of original jazz that draws upon collective inspiration, touching the heart with one cohesive brushstroke. The names Steckler, Ikawa, Plaxico and Lewis suggest four musicians who have intersected at different points on a jazz timeline. With the project Old Friends Beckoned, New Sounds Reckoned, their shared histories converge as singular new ideas emerge. Using original scores as a canvas, the quartet strives for a deeper vibe rooted in shared sacrifice.

    Matthew Steckler, aka Matty Stecks, performs and composes in several musical settings internationally. Primarily as a saxophonist, he brings a dynamic, holistic approach to the live musical experience. As a composer and bandleader, Matthew has been recognized for his seminal work with the projects Pretzil Stex, Dead Cat Bounce, Persiflage & Musical Tramps, and been featured at festivals and major concert series in North America and Europe.

    Born in Tokyo, Japan, but raised musically in New York, pianist/composer Yayoi Ikawa is an experience of ingenuity and compassion. After recording a straight-ahead jazz piano trio on Nippon Crown release “Angel Eyes” in 2004, she self-produced “Color of Dreams” displaying her original compositions. Since then, her group has featured in various music festivals and concerts in the U.S., Italy, Japan, Costa Rica, Guadeloupe and Martinique. Yayoi believes that Jazz is a social activity, and strives to learn from elders, collaborate with peers and pass it on to future generations.

    "Old Friends Beckoned, New Sounds Reckoned" Jazz Project Arrives at Caffe Lena in 2025

    Bassist Lonnie Plaxico’s musicianship is probably best expressed in his masterful integration of different forms combining the rigorous technique of classical, the improvisation of jazz, and the rawness of funk into one exhilarating musical experience. Plaxico’s recording and performance catalog is equally impressive for its caliber, depth and diversity. He has appeared with such luminaries as Sonny Sitt, Junior Cook, David Murray, Alice Coltrane, Stanley Turrentine, Joe Sample, Abbey Lincoln, and Dizzy Gillespie. He has also recorded five critically acclaimed albums as leader.

    Tony Lewis is a drummer/songwriter from the South Bronx, New York who has worked with a variety of stellar artists including Little Richard, Sting, B.B. King, Dizzy Gillespie, Vernon Reid, Cyndi Lauper, Me’Shell N’degeocello, Rakim, Sam Moore (Sam & Dave), Michael Hill’s Blues Mob, and Craig Harris. As a child growing up in the Bronx, Tony’s early influences being around family and friends would prove to be a launching pad that led him to attend New York’s prestigious LaGuardia High School of the Arts.

    Together, this 4-piece union of ultra-talented jazz musicians are sure to light up Caffe Lena with an amazing display of their capabilities. Tickets are available online and are currently at $30.37. The exciting new show takes place on January 11 from 8:00-9:00PM. Caffe Lena is located at 47 Phila Street in Saratoga Springs.

    For more information on “Old Friends Beckoned, New Sounds Reckoned” and to purchase tickets, click here.

  • Introducing The Queens Jazz Trail Map

    Flushing Town Hall has shared a unique and interactive Queens Jazz Trail Map, an illustration come to life that teaches the A-Z of Jazz History in Queens.

    Queens Jazz Trail flushing town hall

    A cornerstone cultural and creative hub for the people of Queens, the Flushing Council on Culture and the Arts housed within Flushing Town Hall is a thriving multi-disciplinary arts center that boasts a theater, gallery, garden, classroom, and rehearsal space. 

    In membership with the New York City Cultural Institutions Group and in affiliation with the Smithsonian, the FCCA gave Flushing Town a major renovation to accommodate their versatile programming that has brought the Queens community together for over thirty years.

    Originally written by Marc. H Miller, illustrated by Tony Millionaire, and designed by Cindy Ho, The Queens Jazz Trail was an endeavor pursued by the FCCA in the hopes of shedding light on Queens’ neglected history as a key part of the jazz scene from the 1920s onwards. 

    The map received a major update in 2023 by jazz historian Ben Young and was brought into the digital world, expanding the map’s informational content tenfold. With icons that denominate musicians by their instrument type and a search function that accounts for instrument, name, or neighborhood, The Queens Jazz Trail Map is a treasure trove of information for jazz lovers and genre newcomers alike.

    Names that may grace your screen include but are not limited to Louis Armstrong, Fats Waller, Billie Holiday, Ella Fitzgerald, and Dizzy Gillespie – all jazz greats that called the borough of Queens their home. 

    Make sure to check out the online Queens Jazz Trail Map here, and be sure to visit the Flushing Town Hall’s Gift Shop to pick up the physical version too.

    For more information on the Flushing Town Hall, Flushing Council on Culture and the Arts, and other similar and future ventures from their team, visit the official website here.

  • Wasia Project Brings Classical Indie Jazz to NYC

    The Artist

    Hailing from the UK, Wasia Project has quickly become one of the most exciting indie bands on the rise. The sibling duo Olivia Hardy and William Gao (along with drummer Luca Wade and bassist Tom Pacitti), fuse together jazz, classical, and indie pop, creating a sound that is as soothing as it is emotionally charged. With heartfelt lyrics and lush arrangements, the band has won over a dedicated fanbase both in the UK and overseas.

      The Show

      On Monday, Sept 30, night one in NYC of the “Isotope Tour” kicked off— and it did not disappoint. The show began with an atmospheric interlude, “Isotope,” which set the mood for an introspective and emotional night. Wasia Project then launched into “My Lover Is Sleeping”, immediately captivating the crowd with Olivia’s dreamy, tender vocals. The audience was buzzing, absorbing every word, as the band poured their hearts out on stage.

      A key standout moment was “Petals on the Moon,” which had the entire venue jamming to William’s piano solo. The duo’s chemistry on stage is undeniable, and their shared musical bond radiated through every track, but especially on “Burning Eyes Are Calling” and “How Can I Pretend,” where Olivia’s emotive voice soared over William’s intricate piano melodies.

      “U R So Pretty” was an emotional high point in the set, with its delicate lyrics and vulnerability. The song had the crowd cheering, resonating deeply with everyone in the room. The night’s energy took a shift with “My Vine” and “Cover,” with Olivia’s vocals floating effortlessly over lush instrumentals.

      The band’s raw emotion, combined with their experimental soundscapes, made for a captivating debut performance in New York City. If you missed them this time, be sure to catch Wasia Project soon —they’re just getting started, and their future looks incredibly bright.

      Setlist: Isotope (Interlude Intro), Is This What Love Is, My Lover Is Sleeping, U Deserve, Petals on the Moon, How can I pretend, Burning Eyes Are Calling, Takes Me Back Home, Remember When, U R So Pretty, My Vine, Cover, To Get Better, Somebody Come Through, Tell Me Lies

    • BADBADNOTGOOD Share the Love at Free Show in the Lower East Side

      BADBADNOTGOOD played a generous 80 minutes of high-energy jazz-rock during a free show at Awake in New York’s Lower East Side, Saturday Sept. 20. The band teamed up with the vintage clothing store as part of a promotional drive for their new three-disc LP, Mid Spiral.

      badbadnotgood
      One incarnation of BADBADNOT.

      The mutating Canadian 5-piece came into the night off a four-night run at the Blue Note, and seemed keen to put their new material through its paces in a way they perhaps couldn’t have at the jazz institution a few blocks north. They looked to create a party atmosphere from minute one, and the revved-up crowd were happy to play along with drummer Alexander Sowinski’s high-octane crowd-work.

      BADBADNOTGOOD have always provided up-tempo moments on their records, but Mid Spiral feels like a departure from their earlier work; it climbs to high altitude on opener Eyes On Me – and stays there for the duration. This makes for a charged live show: four-to-the-floor percussion, supported by a rhythm section that might be at home at a bossa nova show, drive distorted guitar turns and upbeat horns.

      Listeners can detect jazz fusion influences as well as subtle notes of jazz contemporaries Thundercat and Kaytranada; indeed, at several points Sowinski made a point to recognize the band’s musical foundations. Fans of this record would do well to check out those two artists, as well as Dutch 9-man collective Jungle By Night.

      This was somewhat of a bootstrap affair and the performance from BADBADNOTGOOD put the LES tenement building through its paces. During bumpier moments one couldn’t help but throw a concerned eye to the creaking ceiling; at quieter points the crowd was reminded that this vintage clothing store has the acoustics of… well, a vintage clothing store.

      The performance was an interesting exercise in gig-based sensory deprivation: with no stage available, the crowd had to rely on their ears – and their feet – for the full experience. But the record makes for a compelling performance nonetheless as keys, guitar, saxophone, trumpet and drums deftly trade prominence throughout. A pared-back saxophone solo late in the day made for some light relief from the 100 mph efforts up to that point; bandmates were invited back in one by one to reach a thrilling climax to the night – the evening’s high point.

      Sowinski began the show by introducing BADBADNOTGOOD as a group of people who care deeply about music, one another and the direction the world is heading. While this latter point may have felt incongruous with the boutique clothing store setting (not to mention the army of iPhones pointed towards the band), the evening was a thrilling celebration of music and those who come together to enjoy it.

    • Award-Winning Documentary “Swing 46: The Last Swingin’ Supper Club” Screening October 6 in NYC

      Swing 46 in NYC has announced the special screening of award-winning documentary on the venue, titled “Swing 46: The Last Swingin’ Supper Club.” The airing takes place on October 6 at the jazz club itself.

      The famous jazz and supper club Swing 46 prepares to host an honorable screening along with a Q&A session with the filmmaker. The night gives a snapshot of this historic music venue, which has been a home of music, performance, dancing, and memories for decades. The documentary tells the tale of a music venue born out of the retro swing renaissance of the late 90’s, hosting live music, diners, and dancers for nearly three decades.

      The COVID-19 Pandemic has taken its toll on this great music venue which features live music six nights a week, acclaimed food, and a stunning atmosphere that has drawn many globally. A portion of the funds raised will benefit Swing 46’s daily operations and expenses helping to sustain this iconic music and supper club.

      In addition to providing a home to the New York City Swing Dance Community and world
      renowned artists, Swing 46 became a beloved tourist destination, welcoming jazz fans and dancers from around the world. If funding does not become available to help this beloved club pay ongoing bills like rent, utilities, payroll to staff, and other necessities, it will not be able to continue to operate. Swing 46 may be forced to close its doors permanently and NYC will lose another precious live music venue.

      For more information on the impact and magnitude of the jazz club and to purchase tickets to the October 6 event, click here.

    • Northwest Jazz Festival: Get Ready Two Nights of Memorable Music in Lewiston

      The largest outdoor jazz festival in Western New York returns to Center Street in Lewiston, NY on Friday, August 23, and Saturday, August 24 with the 2024 Northwest Jazz Festival. Get ready for an unprecedented celebration of the Great American Songbook on the Main Stage during the two days of the festival.

      The Northwest Jazz Festival begins at 5pm on Friday, August 23rd through 10:30pm, and again on Saturday, August 24th from 12:00pm – 10:30pm. The historic village will come alive with live music, food/beverage vendors, jewelry tent and more with five stages throughout the festival grounds. The festival is free to attend (no coolers or carry-ins) with a limited number of tickets available for preferred seating at the Main Stage, for up-close viewing, beginning at 6pm.

      In addition to the Main Stage, the festival highlights musicians from Western New York and throughout the country. Swing Buffalo will present Friday Night Dance with the Anderson Big Band at the Center Street Friday night. Local vocal group, Harmonia Vocal Ensemble will perform Saturday as well as local favorite Janice Mitchell and Jim Beishline Trio.


      The Main Stage will feature hometown favorite, Pete Malinverni. Since leaving his hometown of Lewiston, NY, Pete has become a prominent figure in New York City’s jazz community since the early 1980s. He has consistently honed his craft, exploring the rich repertoire of the Great American Songbook, including compositions by Cole Porter, Duke Ellington, and Leonard Bernstein, alongside his original works. Alongside selections from the Great American Songbook, Malinverni also draws inspiration from a variety of sources, offering a sincere reflection of his identity as both an artist and an advocate of spreading joy through music. Join us for an evening of welcoming home Pete Malinverni and enjoying Pete’s incredibly entertaining jazz.

      Saturday evening will continue with a creative program by the Jazz at the Ballroom organization, which has presented special programs on the Great American Songbook. The ensemble will also feature bassist Dylan Shamat, vocalist Olivia Chindamo, vocalist Vanessa Perea, vocalist Wyatt Michael, trombonist Rob Edwards, saxophonist Adrian Cunningham, and more.

      The festival’s Great American Songbook Celebration will end with a Grand Finale presented by the Jazz at the Ballroom all-star ensemble on Saturday, August 24th at 8:30 pm. Look for the silver lining, walk on the sunny side of the street, and dance cheek to cheek with a swinging lineup Inspired by Bing Crosby’s 1944 hit “Accentuate the Positive.” The Grand Finale will be a night of memorable music that kept people company through the ups and downs of the 1920s to 1940s. These timeless classics will live on forever.

      The full line-up at Northwest Jazz Festival:

      Friday, August 23, 2024
      5:30 pm – 7:00 pm | Comienzos – Frontier House Stage
      6:00 pm – 7:15 pm | Pete Malinverni Trio – Main Stage 
      6:00 pm – 7:30 pm | Matt’s Music Vocal Performance Team – Center Street Stage
      6:45 pm – 7:45 pm | Rick Strauss – DiCamillo Courtyard
      7:00 pm – 8:00 pm | Simon Fletcher Duo – Peace Garden
      7:45 pm – 9:15 pm | Will Holton –  Frontier House Stage
      8:15 pm – 9:45 pm | Swing Buffalo presents Friday Night Dance ft. Anderson Big Band – Center Street Stage
      8:30 pm – 10:15 pm | Anaïs Reno with the Pete Malinverni Trio & Special Guest Peter Bernstein – Main Stage

      Saturday, August 24, 2024
      1:00 pm – 1:45 pm | UB Zodiaque Dance Company –  Main Stage 
      1:00 pm – 2:30 pm |Jonathan Hughes Quartet –  Frontier House Stage
      1:30 pm – 3:00 pm | Harmonia Vocal Ensemble – Center Street Stage
      2:00 pm – 3:30 pm | Wazmopolitan Duo – Peace Garden
      2:15 pm – 3:15 pm | Elliot Sneider Duo: Gershwin Songbook  – Main Stage 
      3:00 pm – 4:00 pm | Stu Weissman – DiCamillo Courtyard
      3:15 pm – 4:45 pm | Donny Frauenhofer Trio –   Frontier House Stage
      3: 45 pm – 5:15 pm | DeeAnn DiMeo Quintet – Center Street Stage
      4:00 pm – 5:30 pm | Jazz at the Ballroom Presents “Get out of Town” – Main Stage 
      4:45 pm – 5:45 pm | Stephen Guerra Duo – Peace Garden
      5:15 pm – 6:15 pm | Walt Sopicki – DiCamillo Courtyard
      5:30 pm – 7:00 pm | Wes Lewis Group –  Frontier House Stage
      6:00 pm – 7:30 pm | Wendell Rivera Latin Jazz Ensemble – Center Street Stage
      6:15 pm – 7:45 pm | Jazz at the Ballroom Presents “Flying High” – Main Stage 
      7:15 pm – 8:15 pm | Ann Mitchell Trio – Peace Garden
      7:30 pm – 8:30 pm | Dave Hill – DiCamillo Courtyard
      7:45 pm – 9:15 pm | John Bacon Quintet – Frontier House Stage
      8:15 pm – 9:45 pm | Janice Mitchell and Jim Beishline Trio – Center Street Stage
      8:45 pm – 10:15 pm | Jazz at the Ballroom Presents “Accentuate the Positive” – Main Stage