OT The Real is the latest Black Soprano Family artist to drop. Following the release of his debut BSF release Zombie in 2023 which featured appearances from BSF and Griselda affiliates the likes of Benny The Butcher, Conway The Machine, 38 Spesh, Rome Streetz, Elcamino and Amir, with production handled exclusively by AraabMuzik.
Prepare for War released under OT The Real’s own Independent Label
In like manner the Philadelphia native returns with, Prepare for War under his own independent label. Notably, the 10 track, 30-minute project stays close to home featuring several trendsetting Philadelphia rappers. Likewise, the project’s cover art is not only an ode to the city, but an inside look into the strenuous gangland conditions in his hometown.
Prepare For War features appearances and production from Houston native Sauce Walka, legendary underground producer Harry Fraud, fellow rising Philly artist Ot7Quanny, and Philly veterans Gillie Da Kid, AR-AB, Gray Rizzy and others. Moreover, OT will also be releasing a new video for the project’s focus track, “Active,” which features Sauce Walka, in addition to the “Hellstar” music video released in anticipation of the project.
Valley Stream native Swoosh God hopes to check off all boxes with the release of his new project Still Swoosh. Moreover, the “sexy drill” artist has also released the music video for his catchy anthem “My Life My Dream” featuring fellow Long Island native and “sexy drill” innovator Chow Lee and produced by hip hop mainstay Harry Fraud.
Swoosh God releases his comeback project “Still Swoosh”
For his part, Swoosh God hopes this marks the start of his second wind. After all, the Valley Stream native originally made waves during the “Soundcloud” era of hip hop, and created a virtual cult-following. Notably, Playboy Carti inked the cultural shape shifter to his label imprint at Interscope Records.
After departing his deal with Carti, Swoosh got back on his independent grind, showing why he attracted such attention after and labeled a future star. After all, his discography includes collaborations with Lil Uzi Vert, Juicy J, Rich The Kid, Famous Dex, Matt Ox, a placement on the NBA2K Soundtrack. Now, Swoosh God is back with Still Swoosh and a music video for “My Life My Dream.”
Still Swoosh
Swoosh God’s latest project is a succinct 8 song and 19 minutes including “My Life My Dream” and another uptempo Chow Lee feature “Two Of Us.” Aided by a pleasing contemporary sped-up cadence, Swoosh interpolates old-school pop samples and sped-up drums to get his effortless flows off, with the production often resembling a jersey club mix. Nonetheless, the unique New York swagger and style adds a certain flair that has been dubbed “sexy drill,” a voluptuous counter to it nefarious predecessor.
Rock the Bells’ second annual Immersive hip hop cruise nears as the first-wave of performers are made public. Hip hop legends the likes of Rakim, Jadakiss, E-40, Digable Planets and AZ will be gracing the stage during the voyage known as “Rock The Bells Cruise: A Hip-Hop Experience.” In like manner, a host of influential DJ’s — including DJ Jazzy Jeff, Kid Capri, Mannie Fresh, The Finisher Mister Cee, DJ Scratch — will be present to set the tone for what will be an authentic hip hop experience. Moreover, hip hop pioneer Roxanne Shante and Torae will return as hosts.
Rock the Bells’ Immersive hip hop cruise Sets Sail on November 13
Rock The Bell Cruise: What to Expect
Much like last year’s “timeless hip hop cruise,” this year’s festivities will feature classic hip hop for hip hop heads. Additionally, the hip hop platform will be partnering with Sixthman, a leading festival and music cruise entity, to help bring about this first of its kind expedition. After all, “Rock the Bells Cruise” will be offering an immersive five-day hip-hop experience across beautiful waters and inspiring scenery. Hip hop will be taking over every corner of the ship with themed parties, meet & greet autograph sessions, rap karaoke, open mic nights, and much more.
Keeping the heads ringing, Rock the Bells Cruise is back!” “Hip-Hop heads get ready for a bigger and more action-packed schedule that continues the tradition of celebrating the icons across all Hip-Hop culture while also looking ahead to the next 50 years.”
– Sixthman CEO Jeff Cuellar
The week-long cruise will sail from Miami and make two stops in the Bahamas at Great Stirrup Cay and Nassau. Prices range from $1,180 to $7,191, while cabins are already on sale to the public. For more information visit the Rock The Bells Cruise official website. Moreover, keep an eye out for more reveals as a full slate of performers, activities, and other details will be available within the coming months.
NYC Bluegrass hip-hop group Gangstagrass has released their latest funk-infused single titled, “Good at Being Bad.” The group stands for a unique and true musical genre of their own creation that merges the styles of country/bluegrass and hip hop. The latest single from the group exhibits their talent and diversity greatly.
Gangstagrass has also revealed a new 10-track album titled, The Blackest Thing On The Menu. The group delves deeper into the fundamental sounds of each genre, while preserving their own unique blend and sound. “Good at Being Bad” is complete with masterful mandolin playing, dynamic production, and energetic vocals.
The tune seamlessly blends funk with Gangstagrass’s distinctive fusion of bluegrass and hip-hop. The group originated in Brooklyn, but the sound they possess transcends city, state, and country. They are a diverse blend of sound, and the two genres reflect a coming together of American values.
This rebellious collective has achieved unparalleled success in crafting an innovative sound rooted in historically significant heritage. Gangstagrass emphasizes the value of education, frequently conducting workshops for K-12, college students, and adults of diverse backgrounds. Whether through engaging Q&A sessions, historical lessons, or spontaneous music tutorials, the group staunchly advocates for imparting well-rounded knowledge to everyone.
“Working with Gangstagrass was awesome. I had been hip to them for a few years and was really diggin’ what they were doing. Mixing bluegrass with hip hop! Quite out of the box thinking. A lot of worlds coming together. I have always been a fan of bluegrass and have worked on a few records. When we got in the studio, I thought the band was exceptionally talented. Also, I was a rapper myself in the late 80’s and early 90’s, so this scratched my classic hip hop itch with a new school twist. So, to record these amazing lyricists with a live smackin’ band… what more could you ask for!!”
Boo Mitchell
Gangstagrass’ music is a must-listen. Their amazingly different sound is something to certainly lay your ears on.
To listen to Gangstagrass’ latest single, “Good at Being Bad,” via streaming service, click here.
After 22 years two men have been convicted in the murder of hip hop legend Jason Mizell, aka Jam Master Jay. An anonymous Brooklyn federal jury delivered the verdict in the trial of Karl Jordan Jr. and Ronald Washington on Tuesday, February 27.
The Run-DMC star, DJ and pioneer was shot outside of his recording studio in Jamaica, Queens on October 30, 2022 in what has been deemed retaliation for a drug deal gone wrong.
A 10-count indictment unsealed in October 2020, revealed the motive behind the murder to be 10 Kilograms of cocaine purchased by Jam Master Jay. With the plan to distribute the drugs between Washington, Jordan Jr. and other co-conspirators having gone awry. In light, Washington and Jordan Jr. sought revenge, slaying the hip hop legend in front of witnesses, according to prosecutors.
“He was a man who got involved in the drug game to take care of the people who depended on him,” assistant U.S. attorney Artie McConnell said in his summation.
The men’s names have long floated in connection to the case. After all, Jordan Jr. and Jam Master Jay were neighbors in the Hollis neighborhood of Queens. Meanwhile Washington — known as “Lil D”– is his godson and son to former Run-DMC road manager “Big D.” Neither Jordan Jr. nor Washington testified.
Jam Master Jay’s Legacy
Jam Master Jay remains an integral figure in hip hop history. Moreover, along with Joseph Simmons and Daryl McDaniels, the trio broke barriers for hip hop. In fact, Mizell had been part of Run-DMC’s anti-drug message. In light of hip hop’s increasingly provocative agenda the trio spread positive messages including lyrics such as “we are not thugs / we don’t use drugs.” However, according to prosecutors and trial testimony, he racked up debts after the group’s heyday. Thus, the celebrated DJ moonlighted as a cocaine middleman to cover his bills and habitual generosity to friends.
All in all, this brings and end to a case that’s been open for nearly 22 years. When the case ran dry rap royalty put together reward money in hopes of finding closure.
“Twenty years is a long time to wait for justice,” Assistant U.S. Attorney Artie McConnell had told jurors in a closing argument, urging them: “Don’t let this go on for another minute.”
Two of New York’s upcoming stars join forces as Swoosh God and Chow Lee team-up for “My Life My Dream,” offering a taste into New York City’s new wave. The Harry Fraud produced record meshes well with the drill mold of production that has taken youthful contemporary music by storm. Featuring a looping sample from rock band Staind and their hit-record “So Far Away,” Swoosh God and Chow Lee take turns riding the beat.
Swoosh God and Chow Lee team-up for “My Life My Dream.”
About Swoosh God
For his part, Swoosh God hopes this marks the start of his second wind. After all, the Valley Stream native originally made waves during the “Soundcloud” era of hip hop, and created a virtual cult-following. Notably, Playboy Carti inked the cultural shape shifter to his label imprint at Interscope Records.
After departing his deal with Carti, Swoosh got back on his independent grind and continued to show why he was so heavily sought after and labeled a future star; including collaborations with Lil Uzi Vert, Juicy J, Rich The Kid, Famous Dex, Matt Ox, a placement on the NBA2K Soundtrack. Now, Swoosh is back with “My Life My Dream,” and a forthcoming project, Still Swoosh, set for release on March 1.
About Chow Lee
Fellow Long Island native Chow Lee continues to climb the metaphorical ladder. With his trademark sped-up flow, he adds an undeniable swagger to “My Life My Dream” that brings the song full circle. Moreover, Chow has seen his stock rise within the last year, performing at industry showcases while linking up with other upcoming talent like Swoosh God and Cash Cobain.
Conway the Machine remains prolific with his output, as New York City meets upstate New York in this latest release by the 2024 XXL lyricist of the year nominee. For his latest effort, Conway teams-up with Joey Bada$$ to bring “Vertino,” a classically inspired production with rugged lyrics and a gutter feel that sees both artists in their element. Produced by Camouflage Monk, this marks a return to the submerged production style where Joey Bada$$ made his bones. Notably, the duo go back-and-forth in a lyrical exchange as the nearly 6-minute record is a drawback to song structures of yesteryear. Set in the crux of Hell’s Kitchen, they take turns cheffing up rhymes and stamping their spots in the game. With Joey Bada$$ delivering a standout moment as he juxtaposes hip hop and drug game.
Could sell you news stories but this crack still sells Rule number one, never ghost the clientele Fiends linin’ at my door, they need that sh*t now Ten Crack Commandments, yo, I knows it too well This the same dope I’m dishin’ out, just on a different scale Let me break it down if you don’t see the vicious steel You see I got them hooked on the real I bossed up in and went to Columbia for the deal Like fuck the “pop a pill” shit, this that pure raw they wanna feel Scarcity in the market, now I’m spendin’ the margin And it’s only a problem if the product ain’t what it’s promised ‘Cause any competition get demolished These n*ggas know my sh*t hit the hardest, to be honest Graduated from the school of Hard Rock with my honors Started on the block and made it to the top from the bottom Used to cook it at my grandmama spot, we was starvin’ Right or wrong, the truth be timeless Block away from Marcy Projects, we was prospects
– Joey Bada$$, “Vertino”
Conway the Machine and Joey Bada$$ join forces on “vertino”
Released under Conway’s DrumWork Music Group, the Buffalo native has been on a tear since the release of 2022’s God Don’t Make Mistakes. In fact, 2023, was Conway’s most commercial and critically successful year to date. Notably releasing Wont He Do It (his second consecutive solo-album to top the DSP charts) in May of 2023, simultaneously launching a worldwide tour. He then put his label head hat on, returning with Conway The Machine Presents: Drumwork The Label. In like manner he then released the 38 Spesh collaboration Speshal Machinery, Palmero (with Wun Two), Conductor Machine alongside Conductor Williams and most recently, Hall & Nash 2,with Westside Gunn & The Alchemist — which also topped the DSP Charts.
Ultimately, Conway continues to release music at a prolific rate, having announced the release of Won’t He Do It: Side B “Vertino” serving as the lead single.
Hip hop’s golden age comes together as Saigon recruits the legendary Pete Rock for his new single “Get Loose.” Coupled with Swedish, multi-platinum producer Fredro, “Get Loose” is the second single release from Saigon and Fredro’s forthcoming album, The Jordan Era. “I’ve always thought Pete was a dope rapper since “The Creator,” reveals Saigon. “I took the opportunity to get him to step away from behind the boards; where he is most comfortable, and ‘Get Loose’ with me,” he resonates. “With all of the negativity in Hip-Hop, and the world, I just wanted to create something fun with Pete.”
Saigon & Fredro team-up with Pete Rock
After announcing their new album and releasing the first single and video, “Lyrical Genius,” featuring Grandmaster Caz, Saigon continues to pay homage to hip hop’s golden era with this latest release with The Jordan Era‘s production entirely by Fredro. After all, on “Get Loose” the Brooklyn native channels the frenzied, experimental sound of hip hop from the early 90’s, while Pete Rock is at his introspective best. Moreover, the project features guest appearances from the aforementioned Grandmaster Caz and Pete Rock. Along with Big Daddy Kane, Kool G Rap, Grand Puba, Sadat X, Rockness Monsta, Craig G, Ill Skratch and possibly more.
Saigon and Fredro’s The Jordan Era album is set for release on May 3 via the iconic Payday Records.
Bluegrass Hip-Hop group Gangstagrass has released a music video for their latest single, “The Only Way Is Through.” The release of the new video featuring musical icon Jerry Douglas, as well as their recently dropped single is propelling the group forward and further narrowing the gap between bluegrass and hip-hop.
The composition showcases the meshing of expert banjo artistry, dynamic production, and the unique facets of Gangstagrass music. The vocals are whisked through an inspiring chorus, complete with the Lowdown Brass Band on horns.
Gangstagrass was birthed as a studio experiment in 2006 by Brooklyn-based producer Rench. The combination of country/bluegrass vocals, guitar, and hip-hop beats allowed for Gangstagrass to evolve. The group grew into a vibrant and improvisational band, forging unity and creative diversity from the most unexpected of origins.
The group harmonizes an array of talents from Rench, R-SON the Voice of Reason (MC), and Dolio the Sleuth (MC, Vocals), in addition to featuring Dan “Danjo” Whitener (Banjo, Vocals), and B.E. Farrow (Fiddle, Vocals), among other brilliant instrumentalists.
Gangstagrass has culminated various sounds from across the country. The ensemble has skillfully blended the traditional sounds of fiddles and banjos with contemporary hip-hop beats. This unseen blend and innovation have propelled the band to worldwide success.
The music video for the recently released single, “The Only Way Out Is Through” shows the members of the group performing the song whilst facing the camera. Throughout the video, random objects like silly string, paper balls, cardboard, foodstuffs, etc. are being hurled at each person in the spotlight.
The music video is meant to be humorous, wacky, and borderline absurd. The directors of the video, Tough Dumplin and MZ.ICAR did an excellent job at conveying the groups fun spirit and goofy nature, while also showcasing the grand musicianship with the single played throughout.
To learn more about the group Gangstagrass, visit their website here.
The Hip-Hop Education Center and Lincoln Center for the Performing Arts (LCPA) will present the inaugural Fresh, Bold & So Def Symposium: A Tribute to Women in Hip-Hop on April 5 at the Lincoln Center’s Alice Tully Hall. This will be the first conference of the three-part series that will spotlight the often-unsung heroines who have played a pivotal role in shaping the landscape of Hip-Hop culture.
The mission of the Hip-Hop Education Center is to empower individuals and communities by catalyzing social change and equity through research, curated curricula, collaborative programming, career and leadership training, and the development of a living archive.
The Fresh, Bold & So Def Symposium aims to showcase the rich tapestry of talent and innovation that these trailblazing women offers in a male-dominated industry as a means of empowering future and seasoned artistic leaders to push Hip-Hop culture forward with new perspectives and daring insight, backed by prominent leaders in the community.
“The Hip-Hop Education Center is extremely proud to elevate the achievements and contributions of women in Hip-Hop at one of the most prestigious performing arts institutions in our country,” Martha Diaz, the Chief Curator for Hip-Hop Education Center shared, “Having a platform where our history is honored and can be shared, documented, and made accessible to the masses is not only monumental, it is empowering!” She added.
B Girl G.I.Jane
The morning sessions will focus on mostly educating local high school students on the elements of Hip-Hop culture through hands-on workshops, a career cipher, and more, while the afternoon symposium, tailored to industry professionals, will offer panel discussions, fireside chats, performances, and networking opportunities.
The inaugural celebration will include over seven different panels that will include the DiSRUPTERS: Women Who Dare To Be Different, the first panel moderated by author and journalist Kathy Iandoli on paving new career pathways with trailblazers Erica Ford, founder of violence prevention organization LIFE Camp, also a renowned graffiti artist and designer Claw Money, legendary DJ and radio host Jazzy Joyce, and Rosa Clemente, the first Afro-Latina to run for Vice-President of the United States on the Green Party ticket.
BOSS UP! The Art of Negotiation, will be a lecture with Wendy Day, the founder of the Rap Coalition, a not-for-profit organization helping artists navigate the industry more advantageously. GAME CHANGERS: Trailblazer Mentoring The Next Generation of Girls & Women in Hip-Hop, featuring legendary stylist and fashion designer Misa Hylton of Misa Hylton Fashion Academy, Tiffany Miranda of Girls Make Beats, Ladies of Hip-Hop founder Michele Byrd-McPhee, music industry veteran Sophia Chang of Unlock Her Potential, and Shyvonne Sanganoo of Lower East Side Girls Club.
Straighten Your Crown: Staying Grounded and Centered in Self-care, a fireside chat with artist and Hip-Hop ambassador Toni Blackman and music industry executive Shanti Das on how community and mental health affect quality of life
Blow the Whistle: Culture Shifting Women, will be a panel discussion on navigating misogyny in the culture with filmmaker and scholar Rachel Raimist, pioneering MC and author Sheri Sher of the Mercedes Ladies, Elizabeth Mendez-Berry, Vice President and Executive Editor of One World, May Praseuth, Founder and Executive Director of The Good Foot Arts Collective, Juana Sperling of female rap group JJ Fad, and writer and producer Kim Osorio
Mic Check: First Ladies Cypher, a fireside chat with pioneering MCs Sha-Rock, Pebblee Poo, Debbie D, and Lisa Lee, moderated by Martha Diaz
The award winning journalist Dr. Joan Morgan will present Hip-Hop Feminist Futurism and later fans will be able to participate in workshops rooted in breaking, beat-making, graffiti, and oral history with Community for Urban Dance & Art, Girls Make Beats, Ladies Love Project, and Lower East Side Girls Club. The panel will host performances by Ladies of Hip-Hop and Full Circle Souljahs of world-renowned Hip-Hop dance duo Kwikstep and Rokafella.
Fresh, Bold & So Def Symposium will take place on April 5, 2024, inside Lincoln Center’s Alice Tully Hall. Tickets are Choose-What-You-Pay and go on sale on February 22, and fans can view the full schedule by visiting LincolnCenter.org/SoDef.
