NYC Bluegrass hip-hop group Gangstagrass has released their latest funk-infused single titled, “Good at Being Bad.” The group stands for a unique and true musical genre of their own creation that merges the styles of country/bluegrass and hip hop. The latest single from the group exhibits their talent and diversity greatly.
Gangstagrass has also revealed a new 10-track album titled, The Blackest Thing On The Menu. The group delves deeper into the fundamental sounds of each genre, while preserving their own unique blend and sound. “Good at Being Bad” is complete with masterful mandolin playing, dynamic production, and energetic vocals.
The tune seamlessly blends funk with Gangstagrass’s distinctive fusion of bluegrass and hip-hop. The group originated in Brooklyn, but the sound they possess transcends city, state, and country. They are a diverse blend of sound, and the two genres reflect a coming together of American values.
This rebellious collective has achieved unparalleled success in crafting an innovative sound rooted in historically significant heritage. Gangstagrass emphasizes the value of education, frequently conducting workshops for K-12, college students, and adults of diverse backgrounds. Whether through engaging Q&A sessions, historical lessons, or spontaneous music tutorials, the group staunchly advocates for imparting well-rounded knowledge to everyone.
“Working with Gangstagrass was awesome. I had been hip to them for a few years and was really diggin’ what they were doing. Mixing bluegrass with hip hop! Quite out of the box thinking. A lot of worlds coming together. I have always been a fan of bluegrass and have worked on a few records. When we got in the studio, I thought the band was exceptionally talented. Also, I was a rapper myself in the late 80’s and early 90’s, so this scratched my classic hip hop itch with a new school twist. So, to record these amazing lyricists with a live smackin’ band… what more could you ask for!!”
Boo Mitchell
Gangstagrass’ music is a must-listen. Their amazingly different sound is something to certainly lay your ears on.
To listen to Gangstagrass’ latest single, “Good at Being Bad,” via streaming service, click here.
The spring headline tour begins April 25 at The Sultan Room in Brooklyn. The Ballroom Thieves are native to New England and are performing at 17 dates across the country.
The indie-folk duo utilizes various instruments like the violin, cello, upright bass, and guitar. Consisting of Calin Peters on the classic strings and Martin Earley on vocals and guitar, The Ballroom Thieves are celebrating the announcement with their second single, “Tender” from their upcoming record, Sundust, out April 12.
The single includes the duo’s signature vocal harmonies atop a finger-picked acoustic guitar and a whimsical pedal steel that creates a spooky demeanor in the tune. “Tender” is an ode to the importance of creating space within a song.
To purchase tickets for The Ballroom Thieves’ upcoming headlining tour, click here. To stream “Tender” on all platforms, go here.
The Ballroom ThievesHeadline Tour Dates:
April 25 Brooklyn, NY @ The Sultan Room
April 26 North Wayne, PA @ 118 North
April 27 Vienna, VA @ Jammin Java
April 30 Asheville, NC @ Eulogy
May 1 Greenville, SC @ The Radio Room
May 2 Chattanooga, TN, ID @ Barking Legs Theatre
May 3 Nashville, TN @ The Basement
May 8 Davenport, IA @ The Redstone Room
May 9 Stoughton, WI @ Stoughton Opera House
May 10 Evanston, IL @ SPACE
May 11 Ann Arbor, MI @ The Ark
May 12 Toronto, ON @ The Monarch Tavern
May 26 Farmington, ME @ Sandy River Music Festival
May 30 Burlington, VT @ Higher Ground, Show Case Lounge
Members of New York City’s metal scene are scrambling to rebook shows as Saint Vitus Bar in Brooklyn was shut down by The NYC Department Of Buildings in the middle of Balmora’s set at the Mindforce show on Feb. 16. Many are questioning what happened and what to do next.
Saint Vitus Bar has been in operation since 2011 but since 2017, the company started receiving complaints about its certificate of occupancy, which got the attention of the city’s building department.
As Gothamreported, in May and June of 2023, the venue received dozens of identical complaints alleging a lack of maximum occupancy signs, an inappropriate certificate of occupancy, and a missing Public Assembly Certificate of Operation. The complaints started threatening to get the city involved, falling silent until September. This recent complaint sparked the inspection during the metal show.
As of Friday, September 22, 2023 the following are facts about 1120 Manhattan Avenue know to the public as Saint Vitus Bar: 1) Saint Vitus Bar does not have any maximum occupancy signs posted anywhere, and more often than not they host more people than their allotted maximum capacity. 2) Saint Vitus Bar’s most recent Certificate of Occupancy on file with the Department of Buildings does not allow it to operate as an eating/drinking establishment. There is no other Certificate of Occupancy or Letter of No Objection that supersedes their Certificate of Occupancy dated November 12, 1953…I will continue to make this complaint on a daily basis until either the Department of Buildings performs an inspection or until Saint Vitus Bar can remedy their situation.
The main question plaguing the venue owners and staff is who could have made these complaints. Do they have some personal vendetta against the venue? Why would the DOB come during the show? As one of the last independent venues operating in the city, it is a loss for the underground community. Bands scheduled for February and March now have to cancel shows and find new venues, which is difficult in a city like New York where acts are booked months in advance.
With the fishiness of the similar complaints, people believe it might be one disgruntled community member who was upset by the noise. Obviously, the venue needs to get their paperwork and rules in order, but hopefully, this isn’t the end of Saint Vitus.
Hip hop’s golden age comes together as Saigon recruits the legendary Pete Rock for his new single “Get Loose.” Coupled with Swedish, multi-platinum producer Fredro, “Get Loose” is the second single release from Saigon and Fredro’s forthcoming album, The Jordan Era. “I’ve always thought Pete was a dope rapper since “The Creator,” reveals Saigon. “I took the opportunity to get him to step away from behind the boards; where he is most comfortable, and ‘Get Loose’ with me,” he resonates. “With all of the negativity in Hip-Hop, and the world, I just wanted to create something fun with Pete.”
Saigon & Fredro team-up with Pete Rock
After announcing their new album and releasing the first single and video, “Lyrical Genius,” featuring Grandmaster Caz, Saigon continues to pay homage to hip hop’s golden era with this latest release with The Jordan Era‘s production entirely by Fredro. After all, on “Get Loose” the Brooklyn native channels the frenzied, experimental sound of hip hop from the early 90’s, while Pete Rock is at his introspective best. Moreover, the project features guest appearances from the aforementioned Grandmaster Caz and Pete Rock. Along with Big Daddy Kane, Kool G Rap, Grand Puba, Sadat X, Rockness Monsta, Craig G, Ill Skratch and possibly more.
Saigon and Fredro’s The Jordan Era album is set for release on May 3 via the iconic Payday Records.
Bluegrass Hip-Hop group Gangstagrass has released a music video for their latest single, “The Only Way Is Through.” The release of the new video featuring musical icon Jerry Douglas, as well as their recently dropped single is propelling the group forward and further narrowing the gap between bluegrass and hip-hop.
The composition showcases the meshing of expert banjo artistry, dynamic production, and the unique facets of Gangstagrass music. The vocals are whisked through an inspiring chorus, complete with the Lowdown Brass Band on horns.
Gangstagrass was birthed as a studio experiment in 2006 by Brooklyn-based producer Rench. The combination of country/bluegrass vocals, guitar, and hip-hop beats allowed for Gangstagrass to evolve. The group grew into a vibrant and improvisational band, forging unity and creative diversity from the most unexpected of origins.
The group harmonizes an array of talents from Rench, R-SON the Voice of Reason (MC), and Dolio the Sleuth (MC, Vocals), in addition to featuring Dan “Danjo” Whitener (Banjo, Vocals), and B.E. Farrow (Fiddle, Vocals), among other brilliant instrumentalists.
Gangstagrass has culminated various sounds from across the country. The ensemble has skillfully blended the traditional sounds of fiddles and banjos with contemporary hip-hop beats. This unseen blend and innovation have propelled the band to worldwide success.
The music video for the recently released single, “The Only Way Out Is Through” shows the members of the group performing the song whilst facing the camera. Throughout the video, random objects like silly string, paper balls, cardboard, foodstuffs, etc. are being hurled at each person in the spotlight.
The music video is meant to be humorous, wacky, and borderline absurd. The directors of the video, Tough Dumplin and MZ.ICAR did an excellent job at conveying the groups fun spirit and goofy nature, while also showcasing the grand musicianship with the single played throughout.
To learn more about the group Gangstagrass, visit their website here.
On Saturday, February 3, 2024, Lucius returned home to a sold-out crowd at Brooklyn Steel. At the grand finale of their highly anticipated “Wildewoman, The Anniversary Tour,” fans poured into the venue with palpable enthusiasm. Opening act Jeff Taylor kicked off the festivities, setting the stage for the iconic duo’s entrance.
Originating from Brooklyn, Lucius, the indie band and songwriting duo composed of Jess Wolfe and Holly Laessig, curated a series of select shows to commemorate the album’s tenth anniversary that catapulted them to stardom. Returning to their roots in the city where it all began, the night held special significance for the band and their devoted fans. With multiple critically acclaimed albums under their belt and collaborations with esteemed artists such as Harry Styles, Roger Waters, and John Legend, Lucius has solidified their place in the music industry.
With vibrant hues and bold colors, the audience matched the band’s dynamic energy as the lights dimmed. The anticipation had almost reached a breaking point before they stepped out onto the stage. Made more magical by a beautiful set design, mirrors enveloping the band and reflecting back out onto the audience, the connection between the audience and the band was undeniable as the beginning notes rang out. The evening featured an array of highlights that included a special sit in by long time friend and collaborator, Louis Cato. The band also took time to read aloud letters from fans, each one recounting the impact of their music on their lives. The band played through “Wildewoman” in its entirety, interweaving a few other special songs into the setlist.
Taking an immersive turn, Lucius ventured into the crowd for their encores, symbolizing the evening’s themes of unity and celebration. Amidst the audience, they delivered an emotionally charged rendition of “Two of Us On The Run” and a fitting Beatles cover of “Goodbye.” As the evening concluded and the band navigated back through the crowd, a sense of nostalgia intertwined with excitement lingering for Lucius’ next move.
Setlist: Woman, Right Down the Line, Wildewoman, Turn It Around, Go Home, Tempest, Hey Doreen, Nothing Ordinary, Housewarming, Dusty Trails, Until We Get There, Wild Heart, Dont Just Sit There, Stranger Danger, Ice Cream, Monsters, It Doesn’t Matter Anymore, Wonderful, How Loud Your Heart Gets, Genevieve
Coachella’s 2024 lineup will include five artists from New York between all three days of both weekends. Among these artists includes Lana Del Rey, who also headlines the festival along with Tyler the Creator and Doja Cat.
Lana Del Rey, born in Manhattan, will be the opening performer on Friday, April 12 and 19. The Bronx native Ice-Spice and Brooklyn-based indie-pop band The Drums will perform at the festival on Saturday, April 13 and 20. Performers on Coachella’s final nights include Brooklyn-born Bebe Rexha and rock band Taking Back Sunday from Long Island.
Cover of Lana Del Rey’s latest album, Did You Know There’s a Tunnel Under Ocean Blvd. Credit: YouTube Music.
Grammy-nominated singer Lana Del Rey was born in Manhattan, and raised in Northern New York State. In 2005, Del Rey moved to New York City to pursue a career in the Music Industry. Her self-titled debut studio album was released in 2010, and her second studio album, Born to Die (2012), put the New York native on the map. Since then, Del Rey has released a total of nine studio albums, most recently 2023’s Did You Know There’s a Tunnel Under Ocean Blvd, and has been nominated for and won several awards. Currently, the singer is up for four Grammy Awards at the 2024 Ceremony, including Album of the Year and Best Alternative Music Album for her latest release.
Ice Spice during an Interview discussing a collaboration with Nicki Minaj. Credit: Billboard.
Born and raised in the Bronx, rapper Ice Spice is a young and emerging artist in the music industry, and this year will be her first time performing at the Coachella festival. Her debut extended play, Like, was released in 2023, and her debut studio album, Y2K, is due for release this year. The rapper also collaborated with English singer and record producer on the song “Boy’s a Liar.”
Jonathan Pierce, founder and last remaining member of The Drums. Credit: Bandcamp
Indie pop band The Drums was initially formed in 2008, by Jonathan Pierce and Jacob Graham as Goat Explosion, and later added Adam Kessler and Connor Hanwick. Graham exited the band in 2016, and since then Pierce has operated The Drums as a solo project. The Drums’ self-titled debut album was released in 2010. Since then, The Drums’ has released six albums, most recently Jonny (2023.)
Cover of Bebe Rexha’s third studio album, Bebe. Credit: beberexha.com
Brooklyn native Bebe Rexha first found success as a songwriter, with credits on Eminem’s single “The Monster” as well as other songs for Shinee, Selena Gomez, and Nick Jonas, among others. Her debut studio album, Expectations, was released in 2018, and was preceded by its lead single “I’m a Mess.” One week before the release of Expectation, Rexha performed live 2018 Summer Jam Music Festival, the same day on which “I’m a Mess” was released. Since then, she has released three albums, most recently 2023’s Bebe, and has been nominated for and won several awards.
The Members of Taking Back Sunday, from left to right: Mark O’Connell, Jesse Lachey, Shaun Cooper, and Adam Lazzara
Taking Back Sunday was formed in November 1999 by guitarists Eddie Reyes and Jesse Lachey in the Long Island town of Amityville. The band is currently made up of four members, John Nolan (lead guitar, keyboards, vocals,) Adam Lazzara (lead vocals,) Mark O’Connell (drums, percussion,) and Shaun Cooper (bass guitar.) Their debut studio album, Tell All Your Friends, was released in 2002, and their eighth and most recent work, 152 (2023,) was their first studio in seven years since 2016’s Tidal Wave.
Visit the Coachella website for tickets. Read the full 2024 Coachella Music and Arts Festival lineup below, which includes five artists from New York.
The music and art scenes in Brooklyn hold a rich and diverse history that plays a fundamental role in shaping American music culture. Music and art cohesively work together to display emotion, purpose and influence one medium on the other, with the ability to connect communities of people from different backgrounds and cultures through audio and visual languages. Brooklyn’s music and art scenes bring unify the borough with diversity, a melting pot and continually at the forefront of American culture.
The West Indie Day Parade
Now, and in decades prior, music and art have become a way of life to the rhythm of Brooklyn, one that is kept alive and running by successive generations of immigrants and transplants from across the world and nation. The power of creativity is not just about entertainment, but about sparking a community to create change, awareness, freedom and unity, becoming a culture that exists as a city’s heartbeat.
The culture of art exploded in the early 1980s from street art, which put the spotlight on local talent, including TAKI 183 who entangled the graffiti movement, highlighting the power of making a statement and pushing extensive boundaries. In the 2000’s, the Brooklyn art scene got hotter with the digital age and the use of technology as a tool to present digital born art, increasing our understanding of unique characteristic features. Artists began collaborating and the rise of art hubs allowed for universal creativity. Today, art in Brooklyn is accessible and continually celebrated.
Music records the collective and diverse history of Brooklyn, spanning across genres and generations. In the 1920‘s, jazz became the central sound, evolving and influencing numerous genres to this day. By the 1960s and 70s, the borough became a hub for soul, funk and R&B, and by the 1990’s, the growth of hip hop culture continues national influence today. By the 21st century, the rise of music festivals including BRIC, Afropunk, Brooklyn Folk and Brooklyn Hip-Hop festivals – as well as dozens of cultural and smaller music festivals, parades and events – continuing to bring the borough together through all walks of life.
The West Indie Day Parade
The West Indian Day parade has become one of New York’s major cultural celebrations and takes place on Labor Day to parade down the eastern parkway. West Indian culture trace their ancestors back to the Caribbean, where the island takes pride in multifaceted colorful dances, parties, and annual carnival celebrations.
With vibrant sequins and feathers, the parade highlights an extraordinary range of people and places that show all walks of life and the importance of unity. Caribbean art has become a diverse reflection of culture, seen in their costumes and elaborate face masks in a wide variety of styles inspired by natural and spiritual cohesive elements. The colorful traditions of Carnival and rich presentation of cultural identity has a boundless impact on the art that emerges through the historical parade that showcases pride, heritage, culture and the importance of identity.
Cultural identity has served as a catalyst for artistic expression, defined by music and art, allowing artists to explore their roots and traditions that serve as an intertwined visual language, creating a narrative that speaks to people of all ethnicities, religions and backgrounds. Not only does the West Indian Day parade attract a community for the annual celebration, it celebrates a bigger purpose of honor, respect, and support from the borough.
The Brooklyn Record and Arts Fair
The Brooklyn Flea Record and Art Fair – held on Saturday, September 30, 2023 at the Marsha P. Johnson State Park – celebrated 12 years of vinyl treasures with over 40 labels, record stores and collectors. The impact and resurgence of vinyl records on the music industry has revolutionized the creation of music, distribution, consumption, and ultimately helped acknowledge the value of the music community. Vinyl allowed music to become more accessible, enabling a visually captivating and engaging representation that highlights a deeper appreciation for the overall experience of music.
The record fair celebrates the unity of both mediums, a way for people of all ages to come together to see vendors that also value the evolution of music over the ages. Including alternative, indie, rock, metal, jazz, classical, pop, blues and much more. Artists and music enthusiasts come together to appreciate the tangible experience of holding a physical record that connects them to the roots of music, enhancing the auditory experience that keeps the love for music alive.
Art and music go hand in hand, sharing a relationship that evokes an emotional response and involves elements of rhythm, harmony and texture that coexist with one another. Music and art are tools for communication, ingrained into the fabric of our society, our relationships and can be understood universally beyond culture and language.
The harmony between the two share narrative moments, they inspire and influence one another, that create a unique dynamic that allows music and art to become part of the culture. Art and music share an intertwining relationship that cohesively evokes emotions, community and promote creativity. Building a culture as seen in Brooklyn permits an exploration of identity, communication and reflects symbiosis between the two art forms.
monarch’s If You Ask Me is unapologetically raw, with a refreshing theme of self-ownership. The clear-cut language adds intensity to the song’s powerful message- stressing the resistance to give in to outside influence or control.
Photo by, @pawprints777 on Instagram
Lyrically, the song takes us to the aftermath of boundary-pushing chaos in a compelling way. The relationship between the lyrical skill and instrumental intensity elevates the overall experience that the song brings.
Based in Brooklyn, rock group monarch formed in 2021. This spirited band has always gone beyond the limits of musical expression, captivating audiences with their powerful performances. With a reputation for powerful live performances, this group is a noteworthy act that will leave a mark on the local music scene. Monarch has plans to take the stage all over NYC in 2024 and amaze a wide range of audiences with their electrifying energy.
Sarah hopes the song lyrics and feel can bring comfort to those who can, regrettably, relate to this kind of circumstance. The song should also let listeners know that “they’re not alone in the feeling of feeling taken advantage of”. Sarah adds, “I had trouble writing a song of this essence, our music isn’t typically ‘angry’ in this sense, so I had trouble at first going into that headspace. Although it is part of my story, we created a powerful song out of it.”
“I wrote the lyrics for this song after the countless times someone has crossed my boundaries, made me uncomfortable, someone being too touchy etc. On the other hand you shouldn’t have to teach someone how to respect people and their space.”
-Sarah Michelle Lee (Vocalist)
If You Ask Me is more than just a song; it’s an experience that guides listeners to a place where chaos and order clash.
The New York City psychedelic rock scene gained a formidable new entrant when Brooklyn-born Boojum took the stage for their first-ever show on Saturday, January 20.
Performing at the combination music venue/recording studio at Brooklyn’s Firstlive, the four-piece band of Chris Mackin (guitar/vocals), Josh Santiago (guitar/vocals), Sarah Elaz (bass/vocals), and Dan Shein (drums) debuted twelve original songs, with lyrics by poet and translator Tom Mackin.
Boojum was born out of a unique one-night-only event at New York’s Brooklyn Bowl that saw Elaz join the Beatles jam band Walrus (Mackin, Santiago and Shein) for a performance inspired by Lewis Carroll’s Alice in Wonderland. Refining that original music and doing away with the theatrical trappings of the “Walrus in Wonderland” show, Boojum’s debut was musically focused, showcasing a creative abundance across an inspired two-sets that kept attendees rapt with refreshing original jams.
While the strength of Tom Mackin’s songwriting was apparent when the audience insisted on an unprompted call-and-response during “Vanish Away,” the highlight of the evening was the original “The Mouse.” This bass-driven funky groove led the audience into a fist-pumping “Oysters” to close the first set. When the band retook the stage attendees were treated to another series of originals, peaking with the grooving “Looking Glass House.”
The full technical capabilities of Firstlive were also on display Saturday night, with Boojum not only leaning into the jam-scene trend of offering a multi-camera live stream of the show but also using the performance to begin recording an inaugural live album.
In recording their debut EP live, Boojum heightened the atmosphere with added excitement for attendees. The decision to eschew the controlled environment of a studio for the spontaneity and vibrancy of a live performance demonstrated confidence in craft and a belief in the power of the band’s live presentation.
Boojum’s debut performance is sure to leave a lasting impression when the inaugural show turns into a full album this spring. Their next performance is at The Sultan Room on March 16. The show will feature dancers, visuals, and guests with the band performing wonderland inspired songs from their forthcoming EP and more. Tickets are on sale now.
Boojum – Firstlive, Brooklyn – January 20, 2024
Set 1: Cheshire Cat, Vanish Away, Pig Baby , Vorpal Blade, The Mouse > Oysters
Set 2: Mr W. Rabbit > Snark 1, Looking Glass House > Sundial, Caterpillar Hookah
