This fall, Brooklyn is set to experience a kaleidoscope of psychedelic marvels as New York rising stars Boojum take over Brooklyn Art Haus for a four-show run of “Electric Wonderland.” The residency will feature the band’s distinctive fusion of improvisational jam-band rock and immersive theatrical performances, redefining the live music experience.
Every other Friday from September 13th through October 25th, Boojum will turn Brooklyn Art Haus into a playground of psychedelic fantasy, taking participants on a journey into the fantastical realms of Alice in Wonderland and other Lewis Carroll classics. Meant to be more than a series of concerts, “Electric Wonderland” is planned as an evolving spectacle, with every performance a new adventure featuring surprise guests and a dynamic setlist that guarantees no two nights are ever the same.
“Electric Wonderland goes beyond music. We are creating a one-of-a-kind visually and sonically stunning theatrical experience,” said Sarah Elaz, bassist of Boojum. “By making every night of this residency different with no repeats and plenty of unexpected twists, we are embracing and evolving what it means to be a part of the modern jam band scene.”
The residency marks a pivotal moment for Boojum as they build on their debut performance of “Electric Wonderland” at Brooklyn Bowl to establish a new home for their ambitious, immersive production. Boojum’s debut EP, Electric Wonderland Vol. 1: Down the Rabbit Hole, released in April, set the stage for what’s to expect, offering a tantalizing glimpse into the group’s ability to blend jam, EDM, funk, pop, and progressive influences into a captivating theatrical experience for fans seeking a feast for their eyes and ears.
Expect elaborate costumes, intricate choreography, and spellbinding projections that complement Boojum’s eclectic and improvisational soundtrack. For those ready to dive into the rabbit hole where psychedelic rock meets theatrical spectacle, “Electric Wonderland” promises an unforgettable journey.
The life, career and death of Wu Tang Clan member Ol’ Dirty Bastard was chronicled for the first time ever in a new documentary on A&E. Ol’Dirty Bastard: A Tale of Two Dirtys examines the late rapper’s life as he juggled between down-to-earth family man Russell Jones/Ason Unique and enigmatic rap star, Ol’ Dirty Bastard. Known as the most unconventional in a crew full of colorful MC’s, his eccentric public persona, off-the cuff rhymes and unwillingness to conform to industry norms made him a fan-favorite (marked by the fact that he was the first member of the Wu to release a solo album with 1995’s Return to the 36 Chambers: The Dirty Version).
All in all, ODB was very cognizant of what, and who he represented amidst hip hop’s “shiny suit” era. Often making conscious lifestyle choices in order to keep his image as raw and gutter as possible. This includes the famous limo ride to get food stamps during an MTV biography piece, his foods stamp ID card on his debut album cover, as well as his unconventional delivery. In essence, ODB sought to juxtapose the glamors of the entertainment industry with the realities of inner-city life. As a result, he spent much of his career playing the role of agent provocateur.
Yet his constant his need to live up to the expectations of the Ol’ Dirty Bastard persona led to his untimely demise. Marked by first hand recountings from Wu Tang members Ghostface Killah, Raekwon, GZA, as well as ODB’s widow and her children with ODB, A Tale of Two Dirtys captures the essence of a one-in-a-lifetime personality, devoted father and troubled psyche. After watching, here’s what we learned about the late great Dirt McGirt.
A Tale of Two Dirtys captures ODB and Russel Jones.
Beginning
Although known for his out-of-this-world persona, ODB — born Russell Jones — grew up shy and reserved. That is until his cousins GZA and RZA introduced him to hip hop and began the journey of one of the great expressionist musicians of the 20th century. However, his infatuation with petty crime would manifest itself from a young age with repeated arrests for boosting clothes. He sought out teachings of the 5 percent nation for discipline, and earned the name Ason Unique after memorizing the 120 lessons, supreme alphabet, as well as the supreme mathematics. After watching the 1983 kung fu flick Shaolin and Wu Tang, Ghostface Killah details bringing the film to RZA and urging him to watch it. Which inspired RZA to kick-start the group. Dirty got his name from RZA after watching the 1980 film, Ol’ Dirty Kung Fu.
Throughout the documentary, ODB’s widow Icelene Jones vouches for the devoted family man, revealing that ODB’s sole purpose for pursuing a rap career was to provide for his wife and kids. She also details their unstable life after marriage, as the duo and their 3 children bounced from family homes to shelters, where they lived for 6 months before he signed his record deal. However, his ego got the best of him after tasting success, as he began relentlessly indulging in women. He fathered 13 children before his death, 3 of them with his wife.
Career
As ODB’s drug abuse, arrests and behavior became too unpredictable, Elektra Records pivoted away from him because he was described as a “liability.” His famous Grammy interruption also caused Elektra Records tons of industry backlash, as they dealt with being embarrassed by not being able to control their artist. Additionally, former Roc-A-Fella records employee Choke No Joke claims that, Damon Dash signed ODB to the label after his two-year prison sentence, for publicity and that he didn’t really care about helping him overcome his drug addiction. He even claims that ODB didn’t know he was signing with Roc-A-Fella upon his release from prison. He also did not know Dame Dash would be there.
He was aware of what the Ol’s Dirty Bastard image was and worked to accentuate it. Which is why the now famous artwork for his debut album features pictures of ODB in a trashed apartment. He served as his own creative director and would even call for more “blunts” and “40s” if the room was too clean. In like manner, his need to remain rooted in order to authenticate the ODB character meant that he often found himself in compromising situations (like his 1994 shooting back home in Brooklyn). In true ODB fashion, he made an appearance at a Wu Tang Clan show at Hammerstein ballroom while on the run from the police before letting the crowd know that he had to leave due to an outstanding warrant.
Drug Abuse
As detailed by his wife, ODB’s drug abuse began with weed, then weed and cocaine blunts, then weed and crack cocaine blunts. Moreover, his 1994 shooting accentuated his drug abuse. As he racked up missed court dates due to drug arrests, he was ordered to attend rehab but escaped. He was eventually caught at a McDonald’s in Philadelphia while giving out autographs, as two police officers were fans, knew who he was, and knew he was on the run. After a getting out of his 2-year prison stint he began abusing drugs again. ODB’s family details finding him unconscious for the last time during a studio session. Icelene then emotionally recounts her immediately lashing out at everyone in the room for enabling and taking from him.
In the vibrant land of New York City, each borough offers its unique culture, style, and history. In music, the historic jazz clubs of Harlem, projecting unforgettable stars like Duke Ellington, to the indie rock bands in Brooklyn, Manhattan’s Broadway avenues, Queen’s melting pot of cultural musicians, the Bronx’s hip-hop roots, and Staten Island’s hidden diamonds, the city offers something for everyone.
The Rockwood Music Hall is a small live music venue on NYCâs Lower East Side, with world-class sound and a storied history. Anchored by a 9âx9â stage and a Welte & Sons baby grand piano, Rockwood hosts artists of all genres and musical styles, 7 days a week.
The club is filled with vibrant jazz-loving people from all over the world. The musicians are all top-rate and playing their hearts out for an adoring and sympathetic crowd.
Irving Plaza is a ballroom-style music venue located within the Union Square neighborhood of Manhattan in New York City. It was featured on the Complex City Guide list of “50 Best Concert Venues of America” in 2013.
Webster Hall is one of New York’s most significant large 19th-century assembly halls, and it became famous for its Bohemian masquerade balls in the 1910s and 1920s.
Known for its mix of local talent and acoustic acts, the funky venue has an intimate stage for all performances. As a local staple of the East Village, locals and visitors love then venue.
The Bitter End is a 230-person capacity nightclub, coffeehouse, and folk music venue in New York City’s Greenwich Village. It opened in 1961 at 147 Bleeker Street under the auspices of owner Fred Weintraub. The club changed its name to The Other End in June 1975. However, after a few years, the owners changed the club’s name back to the more recognizable The Bitter End.
The Mercury Lounge is celebrated as an iconic indie venue due to its acoustics, its fostering and even launching of upcoming artists, and its no-frills, rock n’ roll presentation. It has made numerous top-ten lists over the years including that of Billboard Magazine. It has a capacity of 250 people.
LPR is a music venue and multimedia art cabaret in New York City founded in 2008. The performance space was designed and engineered by John Storyk/WSDG. It has become known for its focus on artistry, bringing contemporary classical music into the club setting, offering a variety of setups so that a seated classical performance can be followed by a standing set by a rock band or a DJ.
Sounds of Brazil, known as S.O.B.âs, is a legendary live music venue in the lower Manhattan neighborhood of SoHo. It was opened by owner and director Larry Gold in June 1982. Gold opened the venue to expose the musical wealth and heritage of the Afro-Latino Diaspora to as many people as possible.
Nublu is a unique club and record label from the cultural epicenter of New York City, the East Village. There are three entities of the Nublu universe, a live music venue, a record label, and a recently launched Nublu Jazz Festival which has premiered in NYC, Sao Paul and Istanbul.
Being a staple in the East Village, the venue is owned and operated by rock and roll lifers. Known for the raw and gritty charm, the establishment hosts rising stars.
The Gramercy Theatre is a music venue in New York City. It is located in the Gramercy neighborhood of Manhattan, on 127 East 23rd Street. Built in 1937 as the Gramercy Park Theatre, it is owned and operated by Live Nation as one of their two concert halls in New York City, the other being the nearby Irving Plaza.
The Red Lion is a living, breathing Rock-n-Roll juke box. This is the place where bands get their start, making their bones, paying the rent and barely paying their tab. Just like the Rolling Stones did with their first three albums: Interpreting the songs they loved the best.
The Rooftop at Pier 17is New York Cityâs most scenic concert stage. A dynamic open-air entertainment venue, set five stories above the East River, concert goers annually see their favorite artists within an intimate atmosphere (3,500 capacity), all from a one-of-a-kind rooftop location with direct views of such iconic skyline landmarks as the Brooklyn Bridge, Empire State Building, Statue of Liberty, and One World Trade Center.
Groove is a venue that remains, honoring the rich musical tradition of Greenwich Village. Groove has seen many changes since opening in 1998, but the mission to uplift local musicians and fans and to preserve the soul of American music continues to this day.
Dueling Pianos is an all-request, rock-and-roll party where you pick the playlist. Two top piano entertainers, mixing music, comedy and audience interaction in a singalong, laugh-along, dance-along show! Itâs everything from Billy Joel to Bon Jovi, Britney Spears to Bruno Mars. Nothing is off-limits from pop, rock, country, hip-hop, hairbands, disco, punk rock, standards, showtunes.
The Beacon Theatre was developed by Samuel “Roxy” Rothafel and built as a movie palace with 2,894 seas across three levels. The theater is designated as a New York City interior landmark and is listed on the National Register of Historic Places.
Part palace, part industrial shed, Park Avenue Armory fills a critical void in the cultural ecology of New York, supporting unconventional works in the performing and visual arts that cannot be fully realized in a traditional proscenium theater, concert hall, or white wall gallery. With its soaring 55,000-square-foot Wade Thompson Drill Hall and an array of exuberant period rooms, the Armory enables a diverse range of artists to create, students to explore, and audiences to experience epic, adventurous, relevant work that cannot be done elsewhere in New York.
The National Sawdust commissions, produces, and presents cultural programming rooted in sound, supporting artists in various disciplines who are passionate about experimentation and innovation. In its intimate venue equipped with a state-of-the-art spatial sound system, National Sawdust connects audiences to the performing arts’ powers to inspire deep thinking, joy, and uphold human dignity.
Elsewhere is a multi-room music venue, nightclub, and arts space in Bushwick, Brooklyn. Our focus is underground and unbound music, presented with love. Since 2017, Elsewhereâs three stories of dance floors and stages have been home to expansive sonic offerings for all New Yorkers to explore. We are and will forever remain fiercely independent.
Located next door to The Brooklyn Monarch, The Meadows is quickly becoming a late night hotspot. This 500 capacity venue is an oasis, complete with a full bar, food, and trippy picturesque backyard with a seasonal outdoor stage.
Skinny Dennis is located in the heart of Williamsburg, Brooklyn. The bar features 18 beers on draft, our signature cocktails, a vintage jukebox and our INfamous Willie’s Frozen Coffee. Since February 2013, Skinny Dennis has been home to the some of the best live country & roots music in New York City. Offering high quality musical entertainment 7 nights a week.
Quirky Brooklyn bar prized for ‘divey’ vibes, eclectic decor & live performances in the back room. The eclectic decor within the bar adds and build unique character and is a local favorite.
Opened in September of 2008, the warehouse venue hosts big-name acts & up-and-comers. Before opening, the space was used for recording the NPR program “Ask Me Another.”
On November 24, 1928, Brooklyn Paramount introduced the most immersive entertainment experience the world had ever seen. Crowds stretched around the block to leave the world behind for a baroque palace of overwhelming spectacle and groundbreaking performances. Emboldened as âAmericaâs first movie theater built for sound,â Brooklyn Paramount set the stage for a storied saga of beginnings.
Located within the former horse stable of the ASPCA HQ, The Atrium is a cocktail bar and plant based restaurant that transforms into a late night music space. The room is crowned by a historic skylight and imposing 20â² columns that frame a monolithic travertine bar. The Atrium hosts a diverse range of record selectors over dinner service and internationally touring DJâs later in the evening.
With 15,000+ square feet of space on each of two floors featuring high ceilings and ample open space. 3,000 person capacity uniquely positioned to take advantage of the burgeoning Hollywood movie and TV rental business in Brooklyn. The Hangar also has a pre-approved NY State-certified Soundstage/New York State Qualified Production Facility (QPF) for usage rights.
Opened in 1999, Pete’s Candy Store continues as Williamsburg’s original live music venue. Featuring acts such as Will Oldham, Beth Orton, Devendra Barnhart and Norah Jones, this small venue and neighborhood tavern developed an early reputation for special shows and rare treats. While the list of noteworthy performers is quite lengthy, Pete’s Candy Store has always been a free venue and has booked mostly unknown and unsigned bands, many of which have gone on to greater recognition.
The Kings Theatre, formerly Loew’s Kings Theatre, is a live performance venue in the Flatbush neighborhood of Brooklyn, New York City. Opened by Loew’s Theatres as a movie palace in 1929 and closed in 1977, the theater sat empty for decades until a complete renovation was initiated in 2010.
The Ford Amphitheater at Coney Island is an outdoor live entertainment venue within the Childs Restaurants building on the Riegelmann Boardwalk in Coney Island, Brooklyn, New York City. The venue opened in June 2016.
Founded in 2014, Câmon was born out of a desire to amplify the underserved creative voices of LGBTQ/QTPOC people (and allies) and to serve as a safe space for the queer community.
Brooklyn Music Kitchen is Brooklynâs newest music infusion giving local and global artists the opportunity to perform, record and stream their live performances from a fully loaded sound and video stage.
TV Eye is a new kind of night club on a geographical and cultural frontier, proudly occupying both a space on the edge of the Bushwick/Ridgewoodborder and in the vanguard of contemporary nightlife.
Industrial-chic venue of rehearsal space, art studios & rooftop bar with live music, films & snacks. From indie to R&B offers a great offering of rising artists.
Established in 2013, Babyâs All Right is an independently funded & operated music venue in the heart of Williamsburg. Its intimate, 250-capacity show room has hosted past perfomers including SZA, Cypress Hill, Lil Yachty, Blood Orange, Charli XCX, Mac DeMarco, James Murphy, David Byrne, Hot Chip, Courtney Barnett, Willow Smith, Jack White, Billie Eilish & many more.
This spot is a favorite hangout and go-to spot for live music and draft beers. Regularly hosting live performances, the venue has the perfect atmosphere for a casual night outing.
The Music Hall of Williamsburg us operated by the Bowery Presents, a group stemming from Bowery Ballroom that was brought by AEG in 2017. The Music Hall of Williamsburg has a capacity of 650 people and has shows on most nights of the week.
Imagine retreating back in time to enjoy live jazz in an intimate, restored 19th-century Victorian brownstone in the historical district of Brooklynâs Bedford-Stuyvesant neighborhood. Brownstone Jazz presents jazz concerts complete with a piano, bass, drum set and other acoustic instruments as well. A Southern fish-fry buffet and open mic sessions add to the experience.
Gemini & Scorpio, two funky Brooklyn gals, have been running the second-largest non-commercial New York City events list since 2002, spreading the word on underground happenings you’d otherwise never hear about. They are also the makers of themed costume parties with live entertainment: legendary happenings from wild circus throw downs to dazzling vintage dance socials to one-of-a-kind Russian baths bashes.
Address: 267 Douglass St 3rd floor, Brooklyn, NY 11217
Issue Project Room A pioneering Brooklyn-based performance nonprofit founded in 2003, ISSUE presents projects by interdisciplinary artists that expand the boundaries of artistic practice and stimulate critical dialogue in the broader community. ISSUE serves as a leading cultural incubator, facilitating the commission and premiere of innovative new works spanning genres of music, dance, literature and film.
Formerly Queens Theatre in the Park and before that Queens Playhouse, is an American professional theatre, located in Flushing MeadowsâCorona Park, Queens, New York City, New York.
Address : Flushing Meadows Corona Park, 14 United Nations Ave S, Queens, NY 11368
Terraza 7 is a live music venue and community center; the perfect hub for local art, political expressions, and your favorite coffee or mixed drink. Located in the heart of Queens, New York, between Elmhurst and Jackson Heights, two locations containing the most diverse population of immigrants on the planet, is committed to a progressive model of business that grows within its community base on local values.
The Wolfhound is a contemporary Irish pub in Astoria Queens NYC. We serve lots of Guinness as well as craft beer + domestic favorites along with a seasonal cocktail list We pack the calendar with weekend events – live music, DJ parties, and more. Trivia on Tuesdays. Rocking since August 2016.
Forest Hills Stadium is a historic outdoor music venue that has welcomed fans to the picturesque New York City neighborhood of Forest Hills, Queens for over 100 years. Designed to optimize acoustics and with no obstructed views, the 13,000 capacity stadium is the only outdoor venue of its kind and size in the city.
Flushing Town Hall is a performing arts center and historic town hall at 137-35 Northern Boulevard in the Flushing neighborhood of Queens in New York City. It served as the seat of government of the village of Flushing until the village became part of City of Greater New York in 1898.
Featuring programming of diverse formats and media, Knockdown Center aims to create a radically cross-disciplinary environment. The particularity of our architectural environment and history leads us to gravitate toward projects that demonstrate a sensitive reactivity to site and environment.
Gantry Plaza State Park is a 12-acre state park on the East River in the Hunters Point section of Long Island City, in the New York City borough of Queens. The park is located in a former dockyard and manufacturing district, and includes remnants of facilities from the area’s past.
The Paradise Theater, formerly Loew’s Paradise Theatre, is a movie palace-type theater located at 2417 Grand Concourse in the Bronx. Constructed in 1929 at the height of grand movie theaters, in the later 20th century the building was used also for live entertainment.
The Women’s Housing and Economic Development Corporation (WHEDco) developed the Bronx Music Hall (BMH) as a performance venue and community cultural center dedicated to honoring, showcasing and cultivating music, dance, theater, and interdisciplinary arts in the Bronx.
The Bronx Brewery The Brewery is committed to using what we create and where we create it to bring people together, while celebrating the rich and diverse creative scene in our home borough and across New York City and Manhattan.
Pregones was founded in 1979 when a group of artists led by Rosalba Rolón set out to create new works in the style of Caribbean and Latin American âcolectivosâ or performing ensembles.
THE POINT Community Development Corporation is dedicated to youth development and the cultural and economic revitalization of the Hunts Point section of the South Bronx. Its programming falls within three main headings all aimed at the comprehensive revitalization of the Hunts Point community: Youth Development, Arts and Culture, and Community Development.
An Beal Bocht Cafe, in operation since 1991, began as a small cafe. Serving only non-alcoholic beverages, it centered as a spot for artist to gather and performs, and quickly cemented itself as a neighborhood favorite.
Orchard Beach is the only public beach in the New York City borough of the Bronx. The 115-acre, 1.1-mile-long beach is part of Pelham Bay Park and is situated on the western end of Long Island Sound. Orchard Beach indeed has music, with Salsa Sundays held every Sunday from Memorial Day weekend to Labor Day weekend, from noon to 5 pm, as well as Pride in the Bronx in June, Camping, Pelham Bay Park canoeing and much more!
The St. George Theatre is a performing arts venue, picture palace, and office complex at 35 Hyatt Street in St. George, on the North Shore of Staten Island, New York City. The 2,800-seat St. George Theatre was built for Staten Island theater operator Solomon Brill and opened on December 4, 1929.
Harbor Lights is Staten Islands own professional Theater Company presenting Broadway actors in beautifully designed productions at an affordable price.
Located at the heart of the 204-acre campus of the College of Staten Island (CSI), a four-year senior college of The City University of New York (CUNY), the Center for the Arts (CFA) is one of the leading, state-of-the-art, performing arts centers in Staten Island.
Address: 2800 Victory Blvd #1P-116, Staten Island, NY 10314
“Diorama” explores all the unique nuances of Sam Rappaport’s voice and vision. The track opens up rather smoothly, with notes of contemporary jazz but with a modern undertone. A soft piano melody carries the tune to its heights and to its valleys. Rappaport’s soothing vocals and lyrics fall perfectly along the instruments throughout the entirety of the tune.
The track explores Sam’s inner fears, loves, and life experiences. “Diorama” refers to a layout of all of what makes up oneself. Sam wants to study his own diorama, who he truly is, what makes him who he is. What is he afraid of and what are the fundamental aspects of his person. What does he love, desire and need, and why?
My dad used to take me to the Natural History Museum growing up, and I would love looking at the dioramas. I started thinking, what if there was a diorama for my life and fears, what scenes would it show? So, I guess the main concept is reflectionâorganizing all one’s little traumas into a diorama for public viewing.
Sam Rappaport
Be sure to keep on eye on Sam Rappaport’s further releases by checking his Spotify, Instagram and YouTube. Visit Rappaport’s website to hear the new single “Diorama” For more information on the artist, click here.
Bushwick folk-indie artist Fox Indigo released her lyrical upbeat new single “Gravity” with Rexius Records.
Indigo has a beautiful almost haunting voice. The instrumentation melts together with her vocals perfectly. Her single’s production has a classic indie sound and a catchy chorus, but her talent brings “Gravity” to the next level.
“Gravity” is “about pursuing someone who’s leaving a toxic relationship & how you’re aware that it’s a terrible idea, but you can’t stop yourself. How gravity keeps pulling you back no matter how hard you fight it,” Indigo told NYS Music.
“Gravity” is the second single released this year as “Trail Of Tears” came out in June.
During quarantine, Indigo single handedly created her first album Seven Seas from scratch in her bedroom. In 2022 she signed with Rexius Records and finally released Seven Seas
Indigo says songwriting comes naturally to her. “Sometimes a melody feels like a pre-existing cosmic idea floating in the ether, waiting for the right soul to grab it,” she said. When it comes to lyrics she usually “vomits” words in a notebook and chooses the most meaningful lines.
Along with singing and songwriting, Indigo has other creative passions. She has been organizing her own events for the past 10 years and even started a music collective called Get Carried Away Collective. Her goal with the collective is to uplift other DIY artists like herself. “I’ve grown pretty tired of how traditional venues treat artists in this city over the past decade of performing here and I wanted to create a space where people could put on their own shows,” she said.
With her solo work, Indigo has another project in the works. She is aiming to complete an EP by next spring.
Her advice to other young DIY artists is to keep creating things they are passionate about. “In a world stifled by corporate influence & inflation, reach out to your community to work together on projects, outside of the oppressive venues and corporations. We’re powerful when we work together,” Indigo said.
To keep up with her work you can follow her on Instagram at @foxindigomusic.
This Sunday at The Brooklyn Monarch, MC’s better act like they know, as KRS-One headlines the annual Tour For Life concert this Sunday, August 18. Uniquely, Tour For Life is essentially a rap concert that also advocates for mental health awareness within the hip-hop community. At each stop, on-site therapists offer free sessions, live art, giveaways, community mending art projects, and performances. Presented by Full Blast Booking, a Connecticut-based booking company that specializes in booking tours, Tour For Life has raised over $60,000 for mental health non-profits over the past three years. Hence, this year’s tour will be raising money for organizations such as Mental Health Connecticut.
KRS will headline Tour for Life this Sunday August, 18.
Tour For Life’s Final Weekend
Yet, Brooklyn will be the final stop for Tour for Life. This weekend’s performances, from August 15 – 17, will see Tour For Life make stops in various neighboring east coast states including Rhode Island, Connecticut and New Hampshire. Meanwhile, performances will feature hip-hop headliners Sage Francis, Billy Danze of M.O.P., and Rome Streetz. Supporting this stop on the tour will be artists such as, Duece Bug, Konflik, Sosoon + Tony Dimes, DTaylz, Neema MC, Mickey Bourbon, Mic Hoffa, and more.
With this intention, Tour for Life also works to provide a platform for legendary headliners, as well a the many talented and independent artists from all over the nation. Thus, with the tour’s final stop will see hip hop pioneer/legend KRS-One replace initial headliner Redman. However, with one of the most comprehensive discographies in hip hop as well as a bevy of thought-provoking lyrics, KR-One is no stranger to nuance nor the healing properties of rap music.
Tour for Life Dates and Lineups
8/15 Manchester, NH- The Shaskeen feat. Sage Francis + Akrobatik
8/16 Providence, RI- Alchemy feat. Billy Danze of M.O.P.
8/17 Hamden, CT- Cellar on Treadwell feat. Rome Streetz
8/18 Brooklyn, NY – The Monarch feat. KRS-One (+ surprise guests)
Set to begin at 6:00 p.m. at 23 Meadow St, tickets for Tour for Life’s closing weekend can be found on Full Blast Booking’s official website.
DIIV, a beloved band from Brooklyn, has once again captured the hearts of fans with their latest album, Frog in Boiling Water. This record showcases a band that has truly evolved while staying true to their atmospheric roots. The album and its singles—such as “Brown Paper Bag,”—have been met with widespread fan acclaim.
Frog in Boiling Water is more than just a collection of songs; it’s a testament to DIIV’s perseverance and growth. The album’s creation was a four-year odyssey that nearly pushed the band to its limits. With a desire to push their sound to new frontiers, DIIV embarked on an ambitious journey, navigating their own relationships and the pressures of the music industry. Fraying friendships, financial strains, and creative differences marked the process, but the band emerged from this chaos with an album that dives deep into new lyrical and musical territories.
The result is a record that is as gorgeous as it is haunted. Frog in Boiling Water balances powerful rhythms inspired by post-industrial sounds, creating a sound that is both mighty and ethereal. It’s a mesmeric reflection on endurance, capturing the essence of existing.
If you missed DIIV at their most recent homecoming show at Brooklyn Paramount, make sure to catch them live the next time they’re in New York. With each performance, DIIV not only solidifies their place in the indie music scene but also redefines what it means to create immersive, emotional art.
Lunar Vacation is the musical embodiment of a summer daydream. Hailing from Georgia, this indie rock quintet is made up of five lifelong friends. Their debut album, Inside Every Fig Is a Dead Wasp, was a gentle introduction to their hazy, feel-good vibe. But now, with their upcoming sophomore album Everything Matters, Everything’s Fire, they’re ready to turn up the volume and the feels.
The Show
When Lunar Vacation hit the stage at Brooklyn Steel on August 1, they weren’t just there to warm up the crowd—they were there to make sure everyone was floating on cloud nine before Vacations started their set. Starting with “Set the Stage,” they did just that. The track was like the musical equivalent of opening a window on a perfect summer day, inviting everyone to lean in and soak up the goodness.
As they transitioned into “Cutting Corners,” you could feel the energy in the room amp up. The sharp guitar riffs sliced through the Brooklyn air, locking the band into a groove that had the crowd swaying and grinning. “Unlucky” blended sadness and hope, captivating the audience with its lyrical contrast.
By the time they hit the final notes of “Tom,” the crowd was fully under their spell. The song ended the set with a burst of energy, leaving everyone feeling like they’d shared something truly special.
Lunar Vacation, with sunny tunes and deep lyrics, navigated the stage with confidence. And with Everything Matters, Everything’s Fire on the horizon, it’s clear this band is only just beginning to light up the indie music scene.
Setlist: Set the Stage, Cutting Corners, Unlucky, Monterey, Tom
This fall S2O, one of Asia’s most highly anticipated music events, is making its United States debut. Running from August 31 to September 1, the immersive water music festival, is proud to bring electronic music’s biggest names to the Brooklyn Mirage during Labor Day weekend.
Known as “the world’s wettest festival,” S2O has celebrated the Thai New Year with a killer festival since 2015. The festival is known for upholding numerous New Year traditions in Thailand, including the Songkran tradition of spraying one another with water for good luck, for which it is most famous. In the almost decade since its creation, S2O has gained recognition for its innovative blend of electronic dance music and spectacular water effects. The unique festival concept aims to harness the power of water as an elemental force of joy and unity, bringing together fans from all backgrounds to celebrate the Thai New Year.
Since the festival’s creation, S2O has entertained thousands with the biggest names in electronic music, garnering fans and visitors from all over the world. Its resounding support has made S2O the largest Thai New Year celebration in the world. The high anticipation of the festival has made it continental, bringing it to other neighboring countries in Asia. Now, the United States joins the list, standing alongside spectacular past shows in Vietnam, Japan, Taiwan, South Korea, and Hong Kong.
This year, S2O brings some of electronica’s biggest acts to Brooklyn in celebration. Headlining the festival are Marshmello and Subtronics, with an exciting lineup of supporting artists like Alan Walker, B2B, and more.
S2O Full Lineup
Saturday, August 31, 4 pm – 12 am
Headliner: Marshmello
Accompanied by: Alan Walker, timmy, Borgeous, Dzeko
Additional support: Sensei, Jokah
Sunday, September 1, 4 pm – 12 am
Headliner: Subtronics
Accompanied by: Said the Sky, B2B, William Black, ARMNHMR, Kaivon, Level Up
Additional support: Zion, Jomu, Cyberpunk, PSYXTOI
Attendees will immerse themselves in a water music festival experience with experiential elements. The Brooklyn Mirage’s 200-foot LED wall and indoor lounge guarantee the ultimate Songkran (Thai New Year) celebration. Regardless of culture or individual traditions, S2O promises a celebration fans will never forget. Tickets are now available on S2O’s website. However, two-day passes are now sold-out, with limited Sunday tickets still available.
Billie Marten played a surprise show at Union Pool on Wednesday, July 24. The British indie/folk singer-songwriter announced the show in a handwritten note on Instagram teasing “mostly new stuff” to be played. Marten began her set with an announcement of a new record that she had just spent ten days recording down the street from Union Pool. She didn’t give a solid idea of when this new album might be coming out, but Marten’s last album, Drop Cherries, released just over a year ago on April 7, 2023.
Opening for Billie Marten was writer and musician Jana Horn. If you like Big Thief and Adrianne Lenker, you might also enjoy Jana Horn’s work. Intimate, interpersonal talk singing poetry over folksy drums and unique bass lines. She rode the line between banter and awkwardness perfectly, and the crowd had a great time. Marten then came out quietly onto the stage in Union Pool’s back room, which has the vibe of a Christmassy saloon. One pink light drenched Marten onstage with her acoustic guitar in her spaghetti strap top, light wash jeans, and red converse.
The show was very low-key. Marten’s pickup came loose and the sound engineer scrambled down from his spot up on the balcony as the crowd parted around him. Billie Marten told the audience to talk amongst themselves, and the room filled with a buzz until she was ready to play again. There was plenty of audience banter as Marten changed tunings between each song. We only got to hear four or five new songs, so there is definitely more to come down the road. Hopefully, Billie Marten will be able to put the finishing touches on her album soon, as we are all eagerly awaiting her next show in NY.
