Tag: Artpark

  • Artpark Introduces Dave Wedekindt As New President

    Western New York based arts and cultural non-profit venue Artpark has announced the induction of their new president, Dave Wedekindt.

    Established in 1974 in collaboration between New York State Parks and the Artpark & Company nonprofit, Artpark has presented the folks of Western New York with astounding performing arts programs each summer for the past fifty years. 

    With over 150 acres to their name, Artpark hosts a myriad of creative endeavors including but not limited to those of visual artists, dance and cirque arts performers, cutting-edge theater casts, local, national, and international musicians across all genres, poets, writers, and more. 

    Artpark weaves their creative environment with that of the Niagara River and Gorge through forested trails, sculpture gardens, and outdoor recreation areas that encourage visitors to not only appreciate the creative minds around them but the earth that enables such endeavors and its significance within Western New York’s Indigenous population.

    Now in its 50th year, Artpark has announced the appointment of their newest president, Dave Wedekindt. A lifelong Western New Yorker and Amherst local, Wedekindt has worked with Artpark & Company for six years already, first as Director of Marketing & Sales and then as Vice President of Concerts & Marketing, eventually being promoted to Vice President in 2022 before stepping up as the Interim President in April of this year, just prior to the non-profits anniversary.

    Wedekindt’s career as an arts management professional spans nearly 30 years. With extensive experience in strategic planning, leadership, programming, marketing, development, finance, and event operations for other large not-for-profit organizations, his new position is promising.

    Beyond and prior to his work with Artpark & Company, Dave is a graduate of SUNY Fredonia with a BS in Business Management and subsequently an alumnus of internship programs at Rockefeller Arts Center, Chautauqua Institution, the Buffalo Philharmonic Orchestra, Rockwell Hall, and Shea’s Performing Arts Center where he took on his first full-time role as Associate Director of Development in 1995. 

    From there, Wedekindt was recruited for the University At Buffalo Center for the Arts’ Associate Director of Marketing role. Growing the presence of the then only four-year-old organization, Dave was promoted to Director of Marketing in 2003 and served on a number of committees beyond his personal responsibilities across the University.

    Flaming Lips at Artpark – photo by Patrick Htoo

    Dave is also a steadfast advocate for a wide variety of arts organizations in the area, having served on the Board of Directors of MusicalFare Theatre in Amherst since 2017 in addition to chairing the Marketing Committee and serving as a member of the Board of Directors for Arts Services Inc. in Buffalo from 2017-2023. Throughout his career, Wedekindt has volunteered his time and expertise across several other committees, professional panels, and more.

    In his new position, Dave is pointing the organization forwards towards its Power 2030 strategic plan alongside the Board and its many stakeholders to include a continued revitalization of Artpark’s grounds and venues, expansion of its programmatic season, and more.

    To learn more about Wedekindt’s initiatives as Artpark’s newly announced president and the organization at large, be sure to check out their official website here.

  • Ross & Rocky Lynch Go Global in 2025 With “The Driver Era: Obsession Tour”

    The Driver Era: Obsession Tour has been announced for 2025. The tour sees shows from January 18 to July 18, with two shows in New York State.

    the driver era obsession tour

    Ross and Rocky Lynch are set to ignite stages worldwide in 2025 with their highly-anticipated The Driver Era: Obsession Tour. The 40+ city tour in North America includes a stop at SummerStage in Central Park in NYC, on Monday, June 9, and at Artpark Mainstage Theater in Lewiston, NY on June 6.

    The 2025 tour promises to deliver the duo’s signature alternative sound with electrifying performances that blend fan favorites and exciting new music. 

    The band’s latest single, “You Keep Me Up At Night,” released in Fall 2024, has already captivated listeners worldwide, racking up impressive streams as the brothers dive deeper into their personal experiences, adding a new layer of emotional depth to their evolving sound. “You Keep Me Up At Night” follows their previous hit single “Get Off My Phone,” continuing the duo’s exploration of relatable, raw, and intimate themes.

    THE DRIVER ERA: OBSESSION TOUR DATES: 

    Sat Jan 18 – Auckland, NZ – Town Hall  

    Tue Jan 21 – Brisbane, AUS – Fortitude Music Hall  

    Fri Jan 24 – Sydney, AUS – Hordern Pavilion  

    Sat Jan 25 – Melbourne, AUS – Festival Hall  

    Mon Jan 27 – Adelaide, AUS – Hindley St Music Hall  

    Fri Mar 07 – Fort Lauderdale, FL – War Memorial Auditorium  

    Sat Mar 08 – Tampa, FL – Yuengling Center  

    Mon Mar 10 – Birmingham, AL – Avondale Brewing Company  

    Tue Mar 11 – Atlanta, GA – Coca-Cola Roxy  

    Thu Mar 13 – Moon Twp, PA – UPMC Events Center  

    Fri Mar 14 – Chicago, IL – Byline Bank Aragon Ballroom  

    Sun Mar 16 – Cincinnati, OH – The Andrew J Brady Music Center  

    Wed Mar 19 – Waukee, IA – Vibrant Music Hall  

    Fri Mar 21 – Austin, TX – Stubb’s Waller Creek Amphitheater  

    Sat Mar 22 – Houston, TX – 713 Music Hall  

    Mon Mar 24 – Denver, CO – Fillmore Auditorium  

    Wed Mar 26 – Salt Lake City, UT – The Union Event Center  

    Fri Mar 28 – Garden City, ID – Revolution Concert Hall  

    Fri Apr 25 – Buenos Aires, AR – Estadio Obras Sanitarias  

    Sun Apr 27 – Santiago, CL – Teatro Caupolicán  

    Wed Apr 30 – Rio de Janeiro, BR – Sacadura 154  

    Fri May 02 – São Paulo, BR – Tokio Marine Hall  

    Fri May 30 – Milwaukee, WI – BMO Pavilion  

    Sat May 31 – Minneapolis, MN – The Armory  

    Mon Jun 02 – Sterling Heights, MI – Michigan Lottery Amphitheatre

    Tue Jun 03 – Indianapolis, IN – Everwise Amphitheater at White River State Park  

    Thu Jun 05 – Toronto, ON – Coca-Cola Coliseum  

    Fri Jun 06 – Lewiston, NY – Artpark Mainstage Theater  

    Sat Jun 07 – Uncasville, CT – Mohegan Sun Arena  

    Mon Jun 09 – New York, NY – SummerStage in Central Park  

    Wed Jun 11 – Philadelphia, PA – The Met Philadelphia presented by Highmark  

    Fri Jun 13 – Asbury Park, NJ – Stone Pony Summer Stage  

    Sat Jun 14 – Boston, MA – Leader Bank Pavilion  

    Mon Jun 16 – Baltimore, MD – Pier Six Pavilion  

    Wed Jun 18 – Virginia Beach, VA – Venue TBA  

    Fri Jun 20 – Raleigh, NC – Red Hat Amphitheater  

    Sat Jun 21 – Charleston, SC – Firefly Distillery  

    Sun Jun 22 – Charlotte, NC – Skyla Credit Union Amphitheatre  

    Tue Jun 24 – Nashville, TN – Ascend Amphitheater  

    Fri Jun 27 – St. Louis, MO – Saint Louis Music Park  

    Sun Jun 29 – Kansas City, MO – Starlight Theatre  

    Tue Jul 01 – Irving, TX – The Pavilion at Toyota Music Factory  

    Thu Jul 03 – Phoenix, AZ – Arizona Financial Theatre  

    Sat Jul 05 – Las Vegas, NV – Brooklyn Bowl  

    Wed Jul 09 – Seattle, WA – WAMU Theater  

    Thu Jul 10 – Vancouver, BC – Doug Mitchell Thunderbird Sports Centre  

    Sat Jul 12 – Portland, OR – Theater of the Clouds  

    Tue Jul 15 – Mountain View, CA – Shoreline Amphitheatre  

    Wed Jul 16 – San Diego, CA – Gallagher Square at Petco Park  

    Fri Jul 18 – Los Angeles, CA – Hollywood Palladium  

    “We’re super excited to put on the best show we’ve ever done. Get ready to dance. This tour is really about inviting fans deeper into our world. Songs like ‘You Keep Me Up At Night’ play a huge role in that, giving us the chance to explore more personal and authentic themes night after night.”

    Ross and Rocky Lynch

    For more information on The Driver Era: Obsession Tour and to purchase tickets, click here.

  • Two Door Cinema Club Brings Nostalgia Back to Western NY

    Northern Ireland’s alternative icons Two Door Cinema Club made a stop at Lewiston’s Artpark on July 29 for their North America tour. This band has provided the anthem for teenage youth throughout the years making their fanbase span from an array of ages. 

    Photo Credit: Maddie McCafferty

    The indie band Flipturn opened up the night in Artpark with their cinematic sound. This Floridian group are no strangers to the alternative scene. Their slow burn of a rise in stardom is definitely one to watch out for. Their signature guitar riffs and airy vocals pave way for introspective nights. This is especially so with their performance of their hit single, “August.” Flipturn got to play a new song they’ve been working on called, “Juno,” that so many people loved.   

    Flipturn, Photo Credit: Maddie McCafferty

    The trio that makes up Two Door Cinema Club is Alex Trimble (singer/guitarist/programmer), Sam Halliday (guitarist/singer), and Kevin Baird (bassist/singer). The group met in school and chose to skip university in order to put full focus into their band. Luckily, that worked out for them. They released an EP in 2009 and numerous singles, but nothing gained huge traction until their debut album Tourist History came out in 2010. 

    Photo Credit: Maddie McCafferty

    Their album had such a grip on the youth that they were charting numerous Billboard records and being used in soundtracks for films. The way Two Door Cinema Club is able to make the present moment feel nostalgic through their sound is why so many people love them. It’s also why so many people drove out to get a glimpse of their talent on a random Monday night in July. 

    In summertime feels fashion, Two Door Cinema Club opened with their song, “This Is The Life” off the very renowned album that got them so much traction. They are no strangers to the Buffalo area and their welcome back was legendary. They brought life into the crowd with their humor and electropop sound. Their music so punchy and full of energy it makes just about anyone want to groove to it. 

    Photo Credit: Maddie McCafferty

    The band played an array of their discography making longtime fans so fulfilled. Songs off of their sophomore album Beacon were performed including, “Next Year” and “Sun.” They took the audience through the years of the 2010s not shying away from any of their bold musical decisions. Of course though they had to finish with the track that everyone knows from Two Door Cinema Club, “What You Know.”

    Photo Credit: Maddie McCafferty

    This July night in Lewiston was one that took everyone down memory lane and had people in their feels. Artpark is the perfect venue for getting that beautiful sunset show and if you haven’t been then you’re missing out. Upcoming shows at Artpark include, Backroads Blue Festival on August 10 and Stray Cats on August 13. Get your tickets here

    Setlist: This Is the Life, I Can Talk, Sleep Alone, Sure Enough, Changing of the Seasons, Next Year, Do You Want It All?, Something Good Can Work, Costume Party, Bad Decisions, Everybody’s Cool, Come Back Home, Handshake, Lucky, Lavender, Are We Ready? (Wreck), The World Is Watching, Eat That Up, It’s Good for You, Undercover Martyn, Cigarettes in the Theatre, Messenger AD (Intro), Sun, What You Know

  • Slash Shreds the Stage at Artpark

    After postponing four recent shows, Slash’s Serpent Festival is back on track with a stop at Artpark in Lewiston, NY on July 30. The tour celebrating the blues features a rotating support cast with the legendary Keb ‘Mo, ZZ Ward, Robert Randolph sharing the stage on this night.

    Following the recent passing of his stepdaughter, Slash postponed four shows in the week leading up to the show in Lewiston, leaving others shows to be determined. After resuming the tour the night before, Slash slithered into Western NY and played a killer mix of 13 songs, many from his 2024 release, Orgy of The Damned.

    Forming the S.E.R.P.E.N.T festival, Slash wanted to spread positive vibes through music and charity. “Solidarity, Engagement, Restore, Peace, Equality, N’, Tolerance” is the acronym. With charitable causes selected by Slash, a portion of every ticket sale on the tour is donated to the chosen groups.

    The former guitarist for Guns N’ Roses and Velvet Revolver has taken on the blues genre and gave the middle finger to any ‘traditional’ blues guidelines, creating his own style for others to emulate and build on. So, for those who showed up for covers of “November Rain,” “Night Train,” or “Patience”, I hope you weren’t too upset.

    Following a short set from Randolph, ZZ Ward took control of the stage and the crowd with her classic, raspy blues vocals and left the crowd in awe after her brief set. Setlist included an original “Put the Gun Down” and an immaculate rendition of “Grinning in Your Face” from Son House. Finishing her set, she announces she will meet everyone at the merch tent to say hi, as her supporting cast jams out for another minute or so with classic blues chords

    Following Ward’s stellar performance, Keb ‘Mo took his shot with the crowd. After a couple songs, he admits he had been drinking all day and casually continued through his set. Fun, classic, and boisterous are three words that accurately describe the set. Having seen him in 2023, this night’s performance was by far the better of the two. He seemed more at ease and loose, which was perfect for the crowd before him, as the fans of an old 80’s hair band quickly learned why Keb has won multiple Grammy’s.

    With an appetite for destruction, Slash arrived on stage around 845 and wasted no time in shredding the stage as the Niagara River rages behind the venue. The black top hat, the aviators, the ripped tank top, and skinny jeans. This is the style that most fans of GN’R will know from the late 80s and 90s. Here we are in 2024 and slash still rocks the same look, with the same hair, and he rips the guitar like no other, playing originals and covers with ease.

    While the setlist included a large number of tracks from the newest album, Slash blew created a frenzy as he played a rendition of “Papa Was a Rolling Stone” and continued with T-bone Walker’s “Stormy Monday” and “The Pusher”. Known for jaw dropping solos, Slash did not let the fans down tonight as he went hog wild on “Metal Chesnut” toward the end of the set.

    No to be outdone, the supporting cast for Slash proved they were now slouches. Keyboardis/vocalist Teddy Andreadis provided enough sound and entertainment for a show of his own, poking away at the keys and puffing the harmonica, ala John Popper style, all well providing bone chilling vocals throughout the night.

    Bassist Johnny Griparic seemed to have the most fun on stage. Solo parts from start to finish, smiling and pointing at fans, and doing his Captain Morgan impressions at stage front.

    On the drums, Micheal Jerome sat in back like most drummers and kept pace with every beat and every antic that was going on. Barely breaking a sweat, I might add.

    Finally, guitarist Tash Neal provided ample support for Slash, going note for note with one of the greatest guitarists out there. Blistering solos and crisp vocals create a match made in heaven as Neal proves his worth. The onslaught of both smooth and heavy blues are presented flawlessly with this amazing stage of musicians.

    Rounding out the night, Slash absolutely crushed a cover of “Stone Free” that would have Jimi dancing in the grave. Following a brief pause, the two-song encore brought back many fans who were already heading the parking lot. “It Takes a Lot to Laugh, It Takes a Train to Cry” and “Shake Your Money Maker” completed a night that began some serious rain but finished with some sweltering blues.

    The tour continues with another 11 stops and a rotating guest list that includes “Kingfish” Ingram and Samantha Fish.

    Slash setlist: Parchman Farm Blues (Bukka White cover), Killing Floor (Howlin’ Wolf cover), Born Under a Bad Sign (Booker T. & the MG’s cover), Oh Well (Fleetwood Mac cover), Big legged woman (Freddie King cover), Awful Dream (Lightning Hopkins cover), Papa Was a Rolling Stone (The Temptations cover), Stormy Monday (T-Bone Walker cover), The Pusher (Hoyt Axton), Metal Chestnut, Crossroads (Robert Johnson cover), Stone Free (The Jimi Hendrix Experience cover)
    Encore: It Takes a Lot to Laugh, It Takes a Train to Cry (Bob Dylan cover), Shake Your Money Maker (Elmore James cover)

  • The Flaming Lips Dazzle at Artpark

    The Flaming Lips performed their blend of psychedelic musical theatrics at Artpark for their ‘Yoshimi Battles the Pink Robots 2024 Tour’ on a breezy Monday evening, July 22.

    The mixture of long-time fans and new fans with different ages buzzed with excitement to share the moment with Flaming Lips, anticipating a jubilant celebration of their 2002 album: Yoshimi Battles the Pink Robots.

    Before the show started, “Okie from Muskogee” was playing in the background, carrying the fans slowly driven into an energizing mood. The Flaming Lips opened the stage with “Fight Test,” while the band shared the stage with four Pink Robots growing and dancing before their eyes.

    The first set was the album Yoshimi Battles the Pink Robots. The band took a break after the song “Approaching Pavonis Mons by Balloon,” leaving the audience eager for more.

    The second set starts with their nonsensical hit “She Don’t Use Jelly” as fans of all ages sing along with the band. Wayne Coyne (lead singer) performed in his trademark giant plastic bubble, throwing balloons to the crowd, setting the tone, color, and phenomenal props for the extraordinary performance.

    The whole night felt like a fun night at psychedelic karaoke as all the lyrics lit up the back of the stage so the audience could sing in unison for their two hour set. Although the audience really didn’t need too much help.  The band finished their set with “Race for the Prize” and a oversized “Fuck Yeah Artpark” inflatable balloon and celebrated this beautiful moment with the crowd.

    This moment of experiencing Flaming Lips performance would be remembered as one of the best and most colorful summer concerts at Artpark or even in Western New York. If you missed them or you hope to see them again, the Flaming Lips will be taking their Pink Robots tour to Toronto, September 8th.

    The Flaming Lips – Artpark, Lewiston, NY – Monday, July 22, 2024

    Set 1: Fight Test, One More Robot/Sympathy 300-21, Yoshimi Battles the Pink Robots, Pt. 1, Yoshimi Battles The Pink Robots, Pt. 2, In the Morning of the Magicians, Ego Tripping at the Gates of Hell, Are You a Hypnotist??, It’s Summertime, Do You Realize??, All We Have Is Now, Approaching Pavonis Mons by Balloon (Utopia Planitia)

    Set 2: She Don’t Use Jelly, Flowers of Neptune 6, The Gold in the Mountain of Our Madness, What Is the Light?, The Observer, The Yeah Yeah Yeah Song, Suddenly Everything Has Changed, Pompeii Am Götterdämmerung, A Spoonful Weighs a Ton, Race for the Prize

  • In Focus: Train Chugs on Through Artpark

    Train performed at Artpark Amphitheater on Friday, July 19, with Yacht Rock Revue opening, with both bands had the crowd singing and dancing to their classic songs all night.

    Train

    Yacht Rock Revue is not your typical tribute band. They add their own flare to the songs they sing, an array of classic hits songs from the 70s and 80s. Within their set, they also mixed in some of their original songs as well in the mix that the crowd loved. The band got the crowd grooving early on in the night, gearing them up for Train.

    Yacht Rock Revue

    Train started the night with a classic ‘Calling All Angels’, and the crowd immediately engaged with lead singer Patrick Monahan. The way that he kept everyone so engaged from start to finish was truly a true show of his artistry. He picked up the beat with his next song, “If It’s Love.” During this song, he grabbed the phones of some of the crowd and took selfies of them. It was a very sweet moment to see the interaction that he was having with the crowd when he was doing this, and had a smooth transition to “Get To Me.”

    When you go to a Train concert, you can tell he’s been doing this for a while because of his smooth transitions from song to song and stage presence. Not to mention his fantastic song discography. Crowd favorite songs were “Play That Song,” “Hey Soul Sister,” and of course, the classic “Drops of Jupiter.” with the crowd embracing the iconic piano intro.

    Many in the audience likely left the show with sore throats from singing, but with giant smiles on their faces.

    Train – Artpark, Lewiston, NY – Friday, July 19, 2024

    Setlist: Calling All Angels, If It’s Love, Get to Me, Save Me, San Francisco, Meet Virginia, Free, Over the Hills and Far Away (Led Zeppelin cover with Pat’s son, Rock, on vocals), Long Yellow Dress, Play That Song, Parachute Angel in Blue Jeans, 50 Ways to Say Goodbye, Marry Me, Bruises, Hey Soul Sister, Drive By, We Were Made for This, Hotel California (Eagles cover with Yacht Rock Revue), Drops of Jupiter

  • Artpark: 50 Years of Live Music and Arts

    For 50 years, Lewiston’s Artpark has been one of the premier concert venues for Western New York. Juxtaposing local and internationally renowned artists with the scenic landscapes of the Niagara River, the venue seamlessly mixes nature and art. On this Silver Jubilee, let’s look back to the founding of Artpark and trace how it became a hub for visual and performing arts. 

    Artpark's MainStage theater
    An aerial view of the Artpark Theater

    25 miles north of Buffalo in the heart of Niagara County lies Lewiston. While the town of 16,000 was founded in 1818, it holds a much deeper natural and precolonial history. The town overlooks one of New York’s natural wonders: The Niagara Gorge. The rapid Niagara River cuts a large canyon dividing Lewiston from Ontario, Canada on the other side. Surrounding this striking canyon are pristine woods, home to over 450 species of plants and animals. The area’s forests, containing stunning rock formations, are a reminder of Western New York’s prehistoric glacial history. 

    Long before Artpark – or even Lewiston’s – founding, this area has been home to countless cultures. On Artpark’s current site, excavations have uncovered over 2,000 years of indigenous history. The most striking monument to this is an 1,800 year old burial mound within the park. Recognizing this important indigenous history, Artpark frequently collaborates with indigenous artists. In addition to displaying works by indigenous artists, Artpark hosts the annual Strawberry Moon Festival. The Festival highlights the arts and culture of local indigenous groups, while highlighting the interconnectedness of humanity.

    A view of the Niagara River Gorge from Lewiston

    While the beauty of Lewiston has drawn visitors for countless decades, Artpark dates its history back to 1974. In that year, the New York State Parks Commission and nonprofit Artpark & Company collaborated to found the park. In that year, the Earl W. Brydges Artpark State Park was established, encompassing 150 acres of arts, music, and nature spaces. The park’s current facilities consist of land reclaimed following the construction of hydroelectric power plants along the river. 

    Since its beginning, artpark’s mission has been to “produce and present excellence in the performing and visual arts, and create a unique cultural experience in a casual, natural setting.” Tracing its artistic history, Artpark has succeeded in this mission. 

    Dispatch Artpark
    Dispatch at Artpark, photo by Patrick Htoo

    Artpark began as a hub for avant-garde visual artists. Inspired by its natural surroundings, many of the park’s early exhibitions dealt with the impermanence of art. Due to this, many of the pieces were destroyed, removed, or left to decay. Bolstered by robust state-funding, the site attracted hundreds of artists throughout its first decade in operations. 

    Among these early works was Adam Sonfist’s Pool of Virgin Earth. The piece – consisting of a 25 ft diameter – basin was meant to catch seeds falling from the area’s trees. By making art from the natural surroundings, Sondfists’ works highlighted the ethos behind Artpark’s early years.

    "Pool of Virgin Earth" at Artpark
    Adam Sonfist’s “Pool of Virgin Earth”

    These experimentations continued, attracting 200 artists through the 1980s. In 1974, artist Gordon Matta-Clark erected “Bingo,” a criticism of urban decay and government handling of the Love Canal Crisis. Art took all forms at the park, with artists even burying an “oldsmobile time-capsule” under the soil as part of artistic experiments. 

    The 1990s marked a shift in Artpark programming. With a funding cut to visual arts, the park began to highlight outdoor concerts more and more. 

    While music was highlighted more starting in the 1990s, it played an important role in Artpark’s operations from the start. The park’s opening included the construction of its MainStage theater. The theater hosts an 82” by 96” stage and indoor seating for 2,400 people. Additionally when the theater’s rear gate was opened, an additional 2,000 could watch from the outdoor lawn. With these immense facilities, Artpark’s mainstage was one of the largest theaters in the state. 

    The venue opened to the world on July 25, 1974 with a performance from the Buffalo Philharmonic Orchestra. Opening with “O Canada” and the “Star-Spangled Banner,” the orchestra performed nine pieces ranging from Tchaikovsky to Chopin

    A paper program for the Buffalo Philharmonic Orchestra’s opening performance at Artpark

    The venue’s first year of performances is a who’s who of the greatest names in music history. Miles Davis, John Prine, Don McLean, Blue Öyster Cult, and more all played at Artpark, bringing audiences everything from jazz to hard rock. Included within these legends was a young Bonnie Raitt, selling tickets for only $3. 

    In addition to concerts, Artpark’s theater was a haven for stage performance. 1975 was the first full year of stage performances, including five performances of Man of La Mancha. These performances drew over 10,000 visitors to the park. Since then, Artpark has produced 104 productions, attracting 2.5 million to the venue. Performances have included Shakespeare’s Hamlet and Todd Almond & Lear Debessonet’s The Odyssey. These performances have highlighted local talent, broadway stars, and even international legends like ballet dancer Mikhail Baryshnikov.

    As part of Artpark’s shift towards live performances, a second concert venue was constructed. Built on top of the aforementioned “oldsmobile time capsule,” the outdoor amphitheater more than doubled Artpark’s capacity. Sitting directly over the Niagara Gorge, the amphitheater can host up to 10,000 concert-goers in its outdoor facilities. Since its construction, the amphitheater has become a haven for Artpark’s concerts. It has hosted musical legends like Ringo Starr, Bob Dylan, and Aretha Franklin. Additionally, newer artists including Arctic Monkeys and Lizzo have performed at the venue. 

    Artpark's Amphitheater
    An aerial view of the Artpark Amphitheater, Lewiston, NY

    On top of concerts, Artpark remains dedicated to its avant-garde roots. Artpark regularly features experimental musicians, including Null Point, Alarm Will Sound, and Laurie Anderson. Anderson’s “Stereo Decoy” is of note, featuring a piano and violin duet played on opposite sides of the US/Canada Border. The performance used broadcasting technology in tandem with the Niagara Gorge’s natural acoustics, keeping the tradition of environmentally inspired art at the site alive. 

    Artpark additionally remains dedicated to exhibiting visual artists. Walking around the park today, visitors will encounter a number of art pieces – both new and old. Among the new additions is a sculpture titled Murmuration, which mimics the appearance of a flock of birds. Beyond sculpture, The Solo Roths Waltz Across the Red Colossus Lot and Unity In Diversity highlight colorful calligraphy and paintings on pavement. 

    Among the works on display today are two from 1979. Gene Davis’ Niagara 1979 consists of 364-foot multicolored lines next to the mainstage theater. At 43,000 square feet, it was the largest painting at the time of its completion. Due to the importance of this piece, hundreds banded together in 2017 to restore it to its original beauty.

    Gene Davis’ Niagara 1979

    Even the park facilities are works of art. Most notable is Scott Burton’s Picnic Table and Four Benches also from 1979. The piece consists of a minimalist picnic setting, inspired by European avant-garde movements. This work is just another testament to Artpark’s famed blending of art, nature, and leisure.

    Throughout its shows and exhibitions, Artpark places a special emphasis on community involvement. This takes the form of the “Artpark Bridges” program. The program’s goal is simple: Connect, Empower, Create. In order to do this, Artpark connects people from the diverse population of Western New York, empowers them to display their talents, and create art for the public. This involvement has taken many forms, including both the aformeneitoned stage production The Odyssey and visual art piece The Solo Roths Waltz Across the Red Hot Colossus Lot.

    Norah Jones performing at Artpark in 2024

    2024 marks an important year for Artpark. Beginning in late May, Artpark has held its annual Summer Concert Series. So far, artists like Sarah McLachlan, Bonnie Raitt, and Norah Jones have all performed. There are still two months of concerts left, offering visitors the chance to see country, psychedelic, opera, and more. In addition to upcoming Summer concerts, Artpark has special programming to celebrate its 50th birthday. July 24th will feature a special Birthday Bash event. The exclusive fundraiser event will feature food, drinks, and festivities throughout the day. At the center of this event is a performance by Pat Benatar and Neil Giraldo, followed by a special fireworks show.

    Fore more information on Artpark, its history, and upcoming events, visit its website here.

  • Norah and Mavis: Legendary Ladies Marvelous in Western New York

    Western New York’s summer got a little brighter as Norah Jones’ latest tour with Mavis Staples blew through CMAC in Canandaigua and ArtPark in Lewiston on July 5th and 6th, despite the rains pouring down Friday night in Canandaigua.

    Gospel legend, civil rights icon and sole surviving and torch-bearing Staples Singer, Mavis Staples and her band of bass, drums, guitar and backup singers, took the stage first. She needed assistance walking to the front of the stage, and took some breaks with a seat and some sips of tea in between songs, but when the mic was in front of her, she was a ball of fire. The stage, and the entire venue, was in her control.

    Norah Jones' latest tour with Mavis Staples

    Her voice, gravelly and soulful, belted out affirmations of love, for oneself, others, and of course God. Like a preacher from the pulpit, in case you missed the message, she repeated it a couple more times in her banter.

    The set mixed Staples classics like “I’m Just a Soldier,” and “Heavy Makes Too Happy,” with Gospel standards like “I Belong to the Band, Hallelujah!” and more contemporary rock hits like Funkadelic’s “Can You Get to That” and the Talking Heads’ “Slippery People.” Mavis molded these latter tunes to her will, secular messages becoming spiritual. “What’s the matter with him? He’s alright. How do you know? The Lord won’t mind.” hits a little different coming from mouth of Mavis Staples than it does from David Byrne.

    Norah Jones' latest tour with Mavis Staples

    As Mavis was helped back off stage after her 45 minutes, she and her band received a rare and well-deserved opening-set standing ovation. One performance from a legendary lady in the books, one more to come.

    After a short break, Norah Jones took the stage with Brian Blade behind the drums and Josh Lattanzi on bass, opening their set with “What Am I To You” off Jones’ second album Feels Like Home. Then just minutes in, Mavis Staples came back out to perform “I’ll Be Gone” which she recorded with Jones in 2019. Certainly an early-set show highlight to be blessed with both iconic voices playing off each other. Pete Remm, who wrote the song, was also on board on organ for that and off and on for the remainder of the show.

    Norah Jones' latest tour with Mavis Staples

    With that out of the way, Jones’ invited the rest of her band out, Sasha Dobson on guitar and vocals and Sami Stevens on keys and vocals. They kicked into some material from her stellar new release, Visions, with “Paradise” and “Running” before dropping back to early hit “Sunrise.”

    The set continued to span her entire catalog, each song it’s own gift. Perfect little moments of musical joy popped out here and there, each tied off in a colorful bow, like from the streamers hanging as a backdrop. A singular smile-inducing note to close “Running,” beautifully bowed bass in “Sunrise,” Blade’s infectious groove in “Staring at the Wall,” the three-part vocal round on “I’m Awake.” Attentive ears were rewarded with these plentiful gifts throughout the night.

    Norah Jones' latest tour with Mavis Staples

    As Staples could bend a songs meaning to her will, Jones could likewise bend entire genres to her will. On the hushed and haunting “Little Broken Hearts,” she took on an indie-rock persona, strapping on a guitar. Then on “Queen of the Sea” she was belting out a country ballad. Her classic “Come Away With Me” was stripped back to the trio, with spare upright bass notes and subtle drums, it was Jones at her jazziest, taking control with her piano and voice. But she isn’t a rocker, singer/songwriter, country crooner, jazz musician or pop star. She’s Norah Jones and there’s no one else sounding quite like her.

    She waited until the encore for the lone cover of the night, Tom Waits’ “Long Way Home,” before closing out the night properly with her classic hit “Don’t Know Why,”

    Note: Review from CMAC, all photos from ArtPark by Patrick Sone Lin Htoo.

    CMAC Setlist: What I Am To You, I’ll Be Gone (with Mavis Staples), Running, Sunrise, Begin Again, Tragedy, I’m Awake, I Just Wanna Dance, Out on the Road, Little Broken Hearts, Queen of the Sea, Staring at the Wall, Come Away With Me, All This Time, Happy Pills, Carry On
    E:ncore Long Way Home (Tom Waits), Don’t Know Why

  • Orville Peck Stampede into Artpark

    A night of country music at Artpark amphitheater, Orville Peck, accompanied by the Goldie Boutilier and The War And Treaty, graced the stage on July 1. Where everyone felt like an outlaw cowboy for the night.

    Orville Peck
    Orville Peck

    Goldie Boutilier, a Canadian singer-songwriter, started the evening as one of the two opening acts for the night. Goldie has a unique sound blends country and a hint of Americana with alternative music. Although this may not seem like a good combination, Goldie can pull it off and stand out from the rest of the genre. She sang all her hits on her set, from Body Heat and The Actress to her most famous song, Cowboy Gangster Politician. From the moment she took the stage, She had the crowd on her side.

    Goldie Boutilier

    The second opener of the night was The War And Treaty, a husband-and-wife duo of Michael Trotter Jr. and Tanya Blount. Michael and Tanya were so much fun to watch perform. Seeing them be silly with each other while performing was refreshing and cute. The duo brought so much soul into their set that you felt every lyric they sang. They performed Hey Driver, a Zach Bryan song that they are featured on. After these amazing openers, the crowd was ready for the main act.

    Orville Peck took the stage as the sun set, bringing a contagious energy from when he appeared. He had a fantastic stage presence and kept the crowd entertained from start to finish. One thing that stood out was his gesture of giving roses to people in the crowd who caught his attention, whether it was for their outfits or for singing and dancing during the set. It was a friendly reminder that he was genuinely engaged with the crowd and noticed everything.

    Orville Peck
    The War And Treaty, Michael Trotter Jr. and Tanya Blount

    Peck performed songs from his previous albums, Pony and Bronco, as well as his latest album Stampede. A highlight of his performance was covering “Cowboys Are Frequently, Secretly Fond of Each Other,” a song he had previously recorded with Willie Nelson.

    By the end of the night, I truly felt like an outlaw cowboy with the amount of country music I’d listened to. I’m not a huge country fan, but truthfully, by the end of the night, all three of these artists may have turned a new leaf for me. I’m starting to like country music just a little bit more than before.

    Orville Peck setlist: Big Sky, Turn to Hate, Roses Are Falling, The Hurtin’ Kind, C’mon Baby, Cry, No Glory in the West, Hexie Mountains, How Far Will We Take It?, Conquer the Heart, Drive Me, Crazy, Blush, The Curse of the Blackened Eye, Lafayette, Any Turn, Cowboys Are Frequently Secretly Fond of Each Other (Willie Nelson cover), Outta Time, Kalahari Down, Dead of Night, Daytona Sand
    Encore: Bronco

    Orville Peck
    Orville Peck
  • Dispatch and Stolen Gin serenade the moon at Art Park

    Dispatch performed on a cloudy summer evening at Artpark on Friday, June 28. Thousands gathered at the outdoor venue, located on the edge of the Niagara Gorge to see Dispatch, a band that performs a mixture of indie, reggae, rock and folk. Stolen Gin opened the show. 

    Stolen Gin has been around for 5 years and they are known for indie, pop, funk and rock, said the drummer, Josh. This is their first show touring with Dispatch in 2024. Stolen Gin gave the crowd a unique taste of their music throughout the show and set the stage for the Dispatch.

    As the sun went down, Dispatch took the stage as the gentle breeze carried into the crowd. They seamlessly transitioned between genres, and the band members swapped instruments throughout their set. The memorable moment was when Brad Corrigan wrote a song about the moon on the stage after he saw the street light and thought that it was a full moon. The lyrics went “I see three moons, maybe four. There are more coming for more, we eat berries in the woods”. He said I will keep working on that song until we all sing together. Fans were singing along and dancing along as they played their iconic songs “The General”, “Bang Bang”, “Only The Wild Ones” and “Bond By Love”. Dispatch ended the show with a Birthday song for the band member Matt Embree who play guitar and bass. 

    Dispatch will continue their US tour throughout 2024. They will come back to the gorgeous vanue Artpark to singalong with their audience in near future.

    STOLEN GIN

    DISPATCH