Tag: anniversary

  • Remembering John Lennon on the Anniversary of His Death

    John Lennon on December 5, 1980:

    “Give peace a chance, not shoot people for peace. All we need is love. I believe it. It’s damn hard, but I absolutely believe it… We’re carrying that torch, passing it from hand to hand, to each other, to each country, to each generation. That’s our job.

    There is no better way to capture the whit of music legend and galactic dreamer, John Lennon, than amidst his own words. In hindsight, a dramatic quote proves ever important on the icon’s 40th death anniversary. His words spark a flame in young and old, seasoned and aspiring; to carry on a tradition, to be one, to share your quirks through this thing we call music. It’s why you’re here, reading.

    Three days later, Lennon was shot dead in the archway of the Dakota apartment building, in New York’s upper west side. Living with wife Yoko Ono, and inseparable, they were on their way back from a recording session when Lennon was pointlessly gunned down.

    John Lennon 40th Anniversary
    John Lennon – December 5, 1980.

    “Welcome to the inner sanctum!”

    Lennon’s words in comparrison were wilful, he knew exactly what he was doing. Even pro-Beatle Lennon, wanted to get away from any grounds on his blooming self exposition. It’s a continuous flow of self exploration that Lennon created over. It seems overly introverted, yet Lennon learned about himself in a roundabout, extroverted way. “We write lyrics, and I write lyrics that you don’t realise what they mean until after… like ‘Walrus.’ The whole first verse was written without any knowledge, and ‘Tomorrow Never Knows‘— I didn’t know what I was saying, and you just find out later.”

    As we delve into Lennon interviews over the years it is clear why he has reached monumental stature. According to Writer Jonathan Cott, Lennon was unlike almost any other artist, “he allowed himself to be interviewed at crucial points in his life in order to reveal and, perhaps, define for himself where he was in his world,” Shadow In The Night.

    Jann Wenner said his interview with Lennon was “The most important, and the peak, of the whole concept of the Rolling Stone Interview. He [Lennon] went all the way to the theory of it, to the hilt.” Wenner never did another one, except with the Grateful Dead’s Jerry Garcia.

    John Lennon 40th Anniversary
    John Lennon’s Self Portrait elusive in value, yet monumental in pop-culture.

    Mark Chapman, a troubled American “Beatles fan” had travelled from Hawaii to NYC. After Lennon kindly signed his copy of Double Fantasy, Chapman would seek out the star and fire five hollow-point bullets from a .38 special revolver. Four hit Lennon in the back. Chapman claimed he was angered by Lennon’s lifestyle and public statements, thus remained at the scene, reading The Catcher in the Rye until he was arrested. Lennon was pronounced dead on scene. The world was devastated.

    Yoko: There’s no bullshit.

    John: There’s no bullshit.

    But, this was bullshit.

    It wasn’t until ten years ago that these last interviews began to see light. With each passing year Lennon would grow stronger in our hearts. His music, and moreover, his philosophy would continue to inspire for generations to come.

    “Ive never claimed divinity. I’ve Never claimed purity of soul. I’ve never claimed to have the answer to life. I only put out songs and answer questions as honestly as I can, but only as honest as I can—

    John Lennon, Dec. 5, 1980.

    With earlier Rolling Stone interviews, on Sept. 17 and 18, 1968, John Lennon was much less raw in his response. His light and airy nature was apparent, walking around the room of his apartment, singing “Hold Me Tight,” and sitting on the floor to chat, despite two hours’ sleep.

    Still distinctively Lennon, he remised about his past and heightened personal nature of his work. Lennon is direct. It’s wasn’t a child’s feeling, it was mine. “It was writing about my past, so it does get the kids because it was me at school, my whole bit,” on “Good Morning, Good Morning,” and the same with “Penny Lane.”

    “We really got into the grove of imagining Penny Lane— the bank was there, and that was where the tram sheds were and people waiting and the inspector stood there, the fire engines were down there, it was just reliving childhood.”

    “I don’t like the Blood, Sweat and Tears shit. I think all that is bullshit. Rock & roll is going like jazz, as far as i can see, and the bullshitters are going off into that excellentness which I never believed in and other going off… I consider myself in the avant grade of rock & roll.”

    Here John begins, and was the only to explicitly, demystify his Beatles persona. “We were like kings of the jungle back then,” and later on when asked if Lennon would take it all back he says: If i could be a fuckin’ fisherman, I would. If I hat the capabilities of being something other than I am, I would.

    Love, love, love
    Love, love, love
    Love, love, love
    
    There's nothing you can do that can't be done
    Nothing you can sing that can't be sung
    Nothing you can say, but you can learn how to play the game
    It's easy
    
    Nothing you can make that can't be made
    No one you can save that can't be saved
    Nothing you can do, but you can learn how to be you in time
    It's easy

    A mass of John Lennon interviews is worth the read. Don’t listen or analyse too much, just be free in the moment like he was. Put a record on and recount Lennon’s LSD trips, gripes with The Beatles, his love for Yoko and pure artistic outlook on the world. It’s enlightening.

    John Lennon is the musical equalizer. He says it how he sees it, and sadly he unexpectedly paid for those words 40 years ago today. The simple minded Lennon (in principle) fancied classic rock like “Spirit in the Sky,” and was “influenced by acid and got psychedelic, like the whole generation, but really, I like rock & roll, and I express myself best in rock.

    “Because that’s what’s happened, all these songs just came out of me. I didn’t sit down to write. They all came out , like the best work that anybody ever does, wether it is an article or what, it’s just the best ones that come out.”

    The dream is NOT over.

    Why Can’t Lennon be alone, without Yoko?

    I can be, but I don’t wish to be. Theres is no reason on earth why I should be without her. There is nothing more important than our relationship, nothing. We dig being together all the time, and both of us could survive apart m but what for? Im not going to sacrifice love, real love for any… 🙂 …

    John Lennon 40th Anniversary
    Rest In Peace John Lennon: to the one you loved most and to a world you continually inspire.

    Months earlier marked Lennon’s 80th birthday. On October 9, a live stream from London’s Hard Rock Hotel celebrated the 2nd annual Dear John concert. The event supported a heartfelt charity, War Child U.K., an organization that helps impoverished families across war zones throughout the world.

    Blurred Vision frontman, Sepp Osley, hosted the virtual show featuring tributes from Peter Gabriel, Richard Curtis CBE, Maxi Jazz of Faithless, Lindsay Ell, PP Arnold, Lawrence Gowan (Styx), Andy Fairweather Low, KT Tunstall, Larkin Poe, John Ilsley of Dire Straits, Nick Van Eede (Cutting Crew), Mollie Marriott and Laura Jean Anderson.

  • Manic Kat Records Celebrates 10-Year Anniversary With Festival

    Manic Kat Records, an independent record label based out of Pomona, NY, celebrates its tenth anniversary this year.

    In honor of their tenth birthday, Manic Kat Records hosts their very own music festival featuring their signed artists. This festival takes place September 13th and 14th at Olive’s in Nyack.

    manic kat records

    Over the last decade, Manic Kat Records has cemented itself as an independent punk music label that focuses on the growth and prosperity of its artists. Manic Kat has represented some of the most prolific names in the punk music scene, such as Ryan CabreraTodd Morse (Offspring/H2O), and Showoff, along with new artists who are on their way to joining the list of punk icons. 

    Manic Kat’s ventures have taken them down multiple paths. In the last ten years, they have collaborated with other entertainment centers like American Colosseum Wrestling (ACW) to host wrestling events, and launched a mobile app, Punk Hub Live, in the midst of a global pandemic to keep fans in touch with artists after live performances had been shut down.

     “This anniversary is a celebration of all the hard work, dedication, blood, sweat, and tears we have all put in to get us where we are today!” says CEO and founder Peter James. “I feel as though this milestone is even more special since we not only overcame the normal obstacles every business encounters, but were also able to survive a global pandemic and come out on the other side with continued growth and the passion to find and cultivate an amazing roster of artists.” 

    Much like their fifth anniversary, Manic Kat celebrates with another two-day festival. Hosting Magic Kat’s festival is McKenzie Mitchell, former ACW superstar, further cementing the incredibly strong relationship between the two organizations. On September 13 and 14, Magic Kat brings out an extensive lineup, all consisting of artists signed to their label. The full lineup of the punk powerhouses will be released soon. Both festival dates begin at 6 pm. Tickets start at $25 online, $30 at the door.

    For more information and tickets to Manic Kat Records’ anniversary show, visit the label’s website.

  • Hopeless Records Celebrates 30 Year Anniversary

    Hopeless Records will be onsite at A2IM Indie Week – June 10 to June 13 – with their 30th Anniversary Museum Exhibit. The Exhibit will debut in New York City and travel nationwide, making stops in Cleveland, OH, at the Rock and Roll Hall of Fame, and Las Vegas, NV, at the Punk Rock Museum. The Museum will feature over 1,000 artifacts, including guitars, vintage merch, and original never seen before photos of the recording process.

    Hopeless Records also announced a year of events celebrating the anniversary, releasing a zine and documentary chronicling the 30 years. Hopeless will also release a compilation of their current artist roster and limited edition vinyl re-releases.

    Founded in 1993, Hopeless Records produced pop punk and ska albums emblematic of the ’90s. The label evolved with mainstream tastes, broadening their horizons to a wide variety of acts. Two of their greatest success stories, All Time Low and Avenged Sevenfold joined the label early in their careers, and have accumulated a number of gold and platinum records. Recently, Hopeless has continued to adapt through changing times, signing Gen-Z acts like Destroy Boys, Waterparks, and Scene Queen. Their flexibility has made Hopeless one of the greatest independent labels, selling over 15 million records.

    Additionally, Louis Posen, Hopeless Records’ founder, will be honored at A2IM’s Libera Awards. Posen will receive the Lifetime Achievement award for his leadership, philanthropy, and contributions to independent music. Hopeless Records is nominated for record label of the year and Best Punk Record for Neck Deep’s self titled album.

    A2IM is a not-for-profit dedicated to advocating for the independent music sector. Membership includes over 600 independently owned music labels, which Billboard Magazine identified as the largest music sector with roughly 37% of recorded music sales.

    The Indie Week Conference will be from June 10 to June 13 at the Intercontinental Hotel in Times Square. Badges are available at the following link. An interview with Louis Posen is also available below.