Tag: alternative rock

  • Trophy Wife ‘Get Ugly’ Album Release Show at TV Eye

    As the red velvet curtain parted at TV Eye on Friday, October 18, McKenzie Iazetta of Trophy Wife stepped up to her microphone to cheers from the audience. The band’s lead singer wore a red and white polka dot dress with a skirt showing the tattoos down her legs, ending in frilly white socks and black velvet Mary Janes. She exerted complete control over the audience, standing like a pouty doll come to life with her hair glowing and eyes glinting in the stage lights as she strummed their opening song, “I Will Be Here.” Alongside her were bandmates Christian Pace on bass, Michael Martelli on drums, and Rowan Martin on guitar. 

    A month ago, a song called “Keep It” came across my Spotify Discover Weekly playlist. I had never heard of Trophy Wife, but the single’s cover caught my attention and I gave it a listen. I was instantly captured by the song’s vocals, which hover on the edge of breaking while constantly building in intensity. The drums have a raw, heavy sound like they’re pounding against the aluminum door of someone’s garage. The song builds and builds and builds from a cry to a wail as it asks the listener, “Do you want someone else to make it better?” 

    Trophy Wife followed this incredible single with two others leading up to the release of their first album, Get Ugly. The final single, “Swamp Song,” is another heavy hitter. Opening with the screeching frustration of amp feedback and pumping drums, giving way to sweeter vocals. It’s a bittersweetness that turns quickly to frustration and anger, with the song’s chorus introducing off-kilter guitar chords before cutting out everything in favor of croaking vocals.

    “The Shame” is Trophy Wife’s most shoegaze-y offering on the album. It opens with a wistful guitar twang that conjures summer days. Then, as the drums grow more frenetic, we enter the first chorus, a breakdown that feels like heaving sobs with its all-encompassing distorted tone. 

    Behind it all is fantastic production across the entire album. The mix doesn’t leave any element behind, knowing exactly when to shift focus between instrumentation and vocals, allowing the totality of its emotional impact to reach the listener. This is a band punching way above their weight.

    Trophy Wife’s drama and tone make them a unique act to witness. McKenzie Iazzetta’s vocal control is the key to that drama, riding the line between breaking and keeping it all together. They combine incredible technical skill with a captivating stage presence, ensuring their strong fanbase will only continue to grow.

    Setlist: I Will Be Here, Magnet, Spit, Pedestal, The Shame, Beer n TV, Swamp Song, Keep It, Kicked, Again

    Trophy Wife – TV Eye – October 18, 2024

  • Atlas Genius and Robert Delong Rock Two Shows in NY on Upcoming Tour

    After a nine-year-long hiatus, Australian alternative rock band Atlas Genius co-headlines a tour with electronica-pop artist Robert Delong starting this September in Chicago and ending in October in Los Angeles. The tour takes the headliners across North America, with two back-to-back stops in New York on September 15 and 17.

    atlas genius

    Atlas Genius’s upcoming tour comes in anticipation of their newest album, End of the Tunnel, the band’s first in nine years, set to release on September 6. Co-headliner Robert Delong has also recently announced his newest album, Playlist of Doom, set for release on September 13 through Round Hill Records.

    Before their hiatus, Atlas Genius traveled the world supporting Weezer, Blink-182, The Neighborhood, Imagine Dragons, The Kooks, and more. Atlas Genius have performed at some of the most iconic and prestigious festivals, including Lollapalooza, and featured on the late-night television shows of Jimmy Kimmel, Jimmy Fallon, James Corden, Conan O’Brien, David Letterman, and Jay Leno. Delong is no stranger to festival stages, either, captivating audiences with his incredibly unique and dynamic performances at Coachella, Lollapalooza, Bonnaroo, Outside Lands, and Reading and Leeds.

    Now, after a long-awaited return, Atlas Genius are ready to re-emerge on stages across North America, including two shows in New York. Their first NY show is in Wantagh, Long Island, at Mulcahy’s Pub and Concert Hall on Sunday, September 15. Their second New York show brings them to the Chelsea neighborhood of Manhattan at Racket NYC, a concert venue located inside the Western Beef Supermarket on W 16th Street.

    Mulcahy’s Pub and Concert Hall – Long Island Catering Halls

    The full tour dates are listed below. Tickets go on sale on Friday, July 12, at 10 am local. Any additional information can be found on Atlas Genius and Robert Delong’s websites, linked here.

    ATLAS GENIUS AND ROBERT DELONG: FALL 2024 TOUR

    SEPTEMBER

    8 – Chicago, IL – Taste of Chicago

    10 – Detroit, MI – The Shelter

    11 – Columbus, OH – A&R

    13 – Jersey City, NJ – White Eagle Hall

    15 – Long Island, NY – Mulcahy’s

    17 – New York, NY – Racket

    18 – Philadelphia, PA – The Foundry

    22 – Boston, MA – Middle East – Downstairs

    24 – Hartford, CT – Webster Underground

    26 – Norfolk, VA – The Annex

    27 – Washington, DC – Union Stage

    29 – Atlanta, GA – Hell at the Masquerade

    OCTOBER

    1 – Nashville, TN – Basement East

    3 – Austin, TX – The Ballroom at Spiderhouse

    4 – Houston, TX – The Heights

    5 – Dallas, TX – Kessler

    7 – Kansas City, MO – Madrid Theatre

    9 – Colorado Springs, CO – Black Sheep

    10 – Denver, CO – Marquis

    12 – Bellingham, WA – Bellingham Exit (Wild Buffalo)

    14 – Portland, OR – Mission Theatre

    16 – San Francisco, CA – The Independent

    17 – Santa Cruz, CA – Atrium

    19 – Costa Mesa, CA – Constellation Room

    20 – San Diego, CA – Voodoo Room

    21 – Los Angeles, CA – Echoplex

  • Hearing Aid: Elephant Back, “The Black Album” and “The White Album”

    If there’s one thing musicians should have in order to appeal to a large audience, it is musical diversity. Elephant Back maintains their own unique sounds whilst having dynamic, ranging styles. The two latest albums by the duo showcase exactly that. The Black Album and The White Album have their own categories of sound, and one is not like the other.

    Dave and Sarah of Elephant Back in 2023

    Starting with The White Album, the initial track “Home,” is reminiscent of an Appalachian Folk song, mixed with Lumineers-esque soaring indie vocals. The opening track sets the tone and vibe of this album, preparing the listener for folky, indie, emotional odes to love and life-changes. The song “W.T.F.I.C.??” has a spunky indie-pop feel, but simultaneously shows clear Beatles influence in the chords and bass licks.

    A great way to describe some of the songs on The White Album would be campfire-song. Songs you can gather around with your friends. Songs where you can pull out a guitar and sing, sitting on some grass just vibing together. The album’s closing track, “Move Me” is quite touching and did, in fact, move me to tears. With the album consisting of six main tracks and one hidden track, the record comes out to less than a half hour of music, yet in these 25 minutes, the band achieves great range and emotional depth.

    Continuing onto Elephant Back’s The Black Album, it is a blatantly stark contrast from The White Album. This album’s opening track, “A Lot To Do” immediately grasps the listener with its 60s-style surf rock. The next song, “Bad Love” rings with clear indie-rock/alternative sound, reminiscent of bands like The White Stripes or Arctic Monkeys.

    Each track on the album has its own distinct sound, while still tying in a common style. With elements of grunge, indie-rock, surf-rock, and pop-punk, this album is dynamic in its sound and its influences. Upon listening, you can really hear specific influences in each song. For some, Nirvana or Soundgarden can be heard, for others you can hear The Smashing Pumpkins or Blink-182.

    To listen to the two latest Elephant Back albums The White Album and The Black Album, check them out on Spotify or YouTube, also be sure to visit their website at ElephantBackMusic.com.