The turnout was overwhelmingly young at Webster Hall on Wednesday, October 2, for Duster, a heavy, depressing-sounding (in a good way) band that initially released music at a time when most of the audience was in grade school.
Their debut album, Stratosphere, was released in 1998, at least five years before most of the hands gripping the stage barrier, marked by black X’s for audience members under 21, were born.
As Duster’s set time approached, OG Duster fans and veteran concertgoers who skipped the opener began to fill in GA behind a wave of younglings. Shoegaze is the new dad rock, with bands like Duster, Slowdive, and My Bloody Valentine ballooning in popularity with the under-25 crowd, arguably eclipsing their initial popularity.
Duster has a perfect grip on the audience’s attention, purposefully subdued, choosing when to cater to the audience. After the first two songs, young voices called out from the crowd, “Turn up your mics. We can’t hear you!” From the stage, Canaan Amber replied softly and succinctly, “No.” As the show continued, the overhead lights faded, and only the LED screen behind them remained, silhouetting them against pulsing and swimming colors.
The term “shoegaze” can only describe the textural aspect of Duster’s music and leaves out the most gripping part of their sound: tempo. Often called slowcore, a subgenre interested in intensely slow tempos, head banging here is more like nodding with the slow heartbeat of drums and droning guitars.
Duster seems to pull the tempo even harder live than on the studio recordings, often leaving the audience leaning in before finally reaching the climax of the songs. Injecting a burst of energy for but a moment, and yet, when each song concludes, the audience erupts, held in stasis until one intensely gratifying moment. It’s an exciting feeling that is very different live versus listening at home. Now, Duster makes their way through the midwest until they reach California for two shows at the beginning of November to conclude their tour.
Iconic English rock band Oasis has announced the North American Leg of their historic OASIS LIVE ’25 world tour which features two shows at MetLife Stadium in East Rutherford, NJ.
The North American leg, produced by Live Nation and SJM, will see Oasis play stadiums in Toronto, ON; Chicago, IL; East Rutherford, NJ; Los Angeles, CA; and Mexico City, MX, next summer with Cage The Elephant as the special guest across all dates. Currently, the Oasis Live ’25 tour boasts shows in at least five countries – UK, Ireland, US, Canada, and Mexico. This historic world tour plans to go to other continents outside of Europe and North America later next year.
The previously announced dates on the Oasis Live ‘25 tour sold out immediately culminating in the biggest concert launch ever seen in the UK and Ireland, with over 10 million fans from 158 countries queuing to buy tickets. Days after their return, the band claimed their 8th UK No. 1 album with the 30th anniversary of their electrifying debut album Definitely Maybe, while at the same time occupying two other spots in the top 5 UK albums chart.
Oasis Live ’25 Tour Dates
JULY 2025
4th – Cardiff, UK – Principality Stadium (SOLD OUT)
5th – Cardiff, UK – Principality Stadium (SOLD OUT)
11th – Manchester, UK – Heaton Park (SOLD OUT)
12th – Manchester, UK – Heaton Park (SOLD OUT)
16th – Manchester, UK – Heaton Park (SOLD OUT)
19th – Manchester, UK – Heaton Park (SOLD OUT)
20th – Manchester, UK – Heaton Park (SOLD OUT)
25th – London, UK – Wembley Stadium (SOLD OUT)
26th – London, UK – Wembley Stadium (SOLD OUT)
30th – London, UK – Wembley Stadium (SOLD OUT)
AUGUST 2025
2nd – London, UK – Wembley Stadium (SOLD OUT)
3rd – London, UK – Wembley Stadium (SOLD OUT)
8th – Edinburgh, UK – Scottish Gas Murrayfield Stadium (SOLD OUT)
9th – Edinburgh, UK – Scottish Gas Murrayfield Stadium (SOLD OUT)
12th – Edinburgh, UK – Scottish Gas Murrayfield Stadium (SOLD OUT)
16th – Dublin, IE – Croke Park (SOLD OUT)
17th – Dublin, IE – Croke Park (SOLD OUT)
24th – Toronto, ON – Rogers Stadium*
25th – Toronto, ON – Rogers Stadium* (JUST ADDED)
28th – Chicago, IL – Soldier Field*
31st – East Rutherford, NJ – MetLife Stadium*
SEPTEMBER 2025
1st – East Rutherford, NJ – MetLife Stadium* (JUST ADDED)
6th – Los Angeles, CA – Rose Bowl Stadium*
7th – Los Angeles, CA – Rose Bowl Stadium* (JUST ADDED)
Roger Bryan and The Orphans is a Buffalo-based rock band that boasts sounds of alternative flare and indie spirit.
They are comprised of vocalist Roger Bryan, drummer Mike Sobieraj, Matt Lavin on bass and Dave Calos on guitar. The band originated in Buffalo in 2008 and have cycled through members before finally finding the core four Orphans.
The name Roger Bryan and The Orphans comes from the idea that the bandmembers were originally parts of other bands, but these groups dissolved, bringing them together as orphans of their past. The band’s sound contains a mix of soft indie and edgy alternative. The combination of this sound does the band well as they use their dynamic sound to express their musicianship over the years.
Over the course of 5 albums, multiple EPâs and singles, they have created a catalog of ragged glory that continues to grow and evolve while managing to keep a heart still stitched on its worn sleeve. Their latest album Days or Nights/That’s Life! combines songs from their 2023 EP That’s Life! along with some recent, polished tracks.
Around seven years in, there were big changes within the band. Mike and Roger found themselves reduced to a duo wondering where exactly to go. Eventually, the duo built it back up with Matt Lavin. Dave Calos was the last to join a couple weeks later.
Since then, Roger Bryan and The Orphans have released many works, each with their own unique sound. The group does not conform to a single sound, they have dynamic songwriting techniques, and a variety of sound to output. That said, the group’s overall tone is recognizable as something of their own.
The band has a couple upcoming shows in October and November, both in Buffalo. On October 11 at Jackrabbit music venue and eatery, Roger Bryan and The Orphans see the stage with Johnny Nobody for a live recording of their catalogue. November 16, at the Cave music venue, the band performs for their label Harvest Sum’s 20th anniversary show.
To learn more about Roger Bryan and The Orphans and to hear their works, head to their Bandcamp by clicking here.
The Historic American Music trio Lost Radio Rounders will return to Albany to perform a concert benefiting Guilderland Food Pantry on October 24.
Eddie Award-nominated Lost Radio Rounders is a Historic American Music Trio that presents themed programs and concerts of Acoustic American Roots to folks in Upstate New York and beyond. Members Tom Lindsay, Michael Eck, and Paul Jossman each bring a variety of instrumental skills and musical backgrounds including guitar, bass, piano, mandolin, banjo, ukulele, dobro, vocals, and more.
The trio, best known for their blend of historical spirituals, folk hymns, and gospel blues, have dedicated themselves to the history, education, and performance of American sounds, consistently bringing folks together for the sake of live performance- and much more.
In an exciting return to a pre-pandemic practice of theirs, the Lost Radio Rounders will be bringing their act to the Hamilton Union Presbyterian Church’s stage in Guilderland for a night of live music with a cause on Thursday, October 24. Benefiting the Guilderland Food Pantry, the concert will be completely free of charge and instead encourages donations to the cause.
Joining the Rounders will be an old friend of the trio, vocalist and harmonica ace Ryan Dunham. An Albany local, Dunham hails from roots rockers Red Haired Strangers. He’s no stranger to performing alongside Lost Radio Rounders, his unique musical presence guaranteeing an elevated live experience that is not one to be missed.
As mentioned, the musical benefit will be free to attend, and all donations will go to the Guilderland Food Pantry. To learn more about the evening of music for a cause on October 24 at the Hamilton Union Presbyterian Church, you can visit the Lost Radio Rounder’s website here.
New York City based Americana and roots-rock group Jamie McLean Band will be bringing their One Step Forward Tour, celebrating their upcoming release of the same name, to four venues across New York State.
A triple threat of New Orleans soul, middle Americana roots, and New York City dazzle, Jamie McLean Band create energetic and captivating live experiences each and every time they step on to the stage. Fronted by McLean himself with southern soul vocals, deft guitar skills, and heartfelt, profound songwriting, the band’s live performances are brought to life with the collaboration of drummer Brian Griffin, bassist Chris Anderson, and the return of Jamie McLean Band’s original keyboardist, Jon Solo.
Following six albums, several singles, and a handful of live releases, Jamie McClean band returns with One Step Forward, to be released on October 25. Featuring themes of life, loss, and love, the tracks of One Step Forward explore the bright lights that provide joy and motivation as well as the heavier experiences of loss and grieving.
Written after the loss of a dear friend to suicide, one of the most poignant tracks on the album “Don’t Leave Us Now” grapples with the tragedy and calls listeners to action- to help the ones they love around them, and to help themselves, as there is no shame in being the one in need.
The One Step Forward Tour, which began on August 22 in Pawling, coincides with their upcoming release and will continue throughout the country- including upcoming stops at the Falcon in Marlboro on October 4 and The 443 Social Club & Lounge in Syracuse on October 12, in addition to later dates at the Colony in Woodstock on November 8 and the Drom in New York City on November 22.
Tickets for the tour are on sale now. Visit Jamie McLean Band’s website here for further information and ticket purchasing.
The full list of upcoming tour dates is featured below.
With a rich community of local wineries, music venues, restaurants, performing arts centers, and outdoor hang-outs, the public spaces of Rochester and The Finger Lakes all have one thing in common- they cultivate a unique and vibrant live entertainment culture.
Photo: Andreas F. Borchert
From the most laidback of barside concerts to sold-out 15,000 person shows, there’s a venue and an event for everyone and every occasion. Here’s a list of a few of the creative cornerstones of the Rochester and Finger Lakes communities.
Born out of a rehabbed 19th century building in the heart of downtown Rochester, The Abilene Bar and Lounge has hosted local artists and all-star acts alike since 2008. With a beer menu accommodating their variety of live acts, the bar maintains an unpretentious, neighborhood bar feel regardless of how big or small the musical act of the evening.
The Finger Lakes’ premiere professional theater, Bristol Valley Theater puts on a stunning series of plays and musicals from June to August each year in addition to a full fall collection of concerts, theater, and family events. Founded in 1964, the Theater continues to entertain, educate, and enhance the Finger Lakes’ creative community to this day in their historic church-turned-theatrical space.
Host to live music and DJs seven days a week since 1991, Bug Jar is a cornerstone Rochester bar and live entertainment venue with a consistently action-packed lineup. With names like The Black Keys, Vampire Weekend, The White Stripes, Modest Mouse, and many more gracing their stage over the years, The Bug Jar is a tried-and-true must visit independent venue.
An outdoor dining venue with a bar on site, live music, and local eateries tucked in between historic buildings, The Central on Main offers free entry and plenty of seating for their intimate, casual live music performances. With a new permanent stage and cycle of regional artists, The Central on Main has taken a once barren blacktop parking lot and fostered a tight-knit local community of musicians and music-lovers alike.
Address: 15 South Main Street, Canandaigua, NY 14424
Constellation Brands Marvin Sands Performing Arts Center (Canandaigua)
Founded as the Finger Lakes Performing Arts Center in 1983, the Constellation Brands Marvin Sands Performing Arts Center- or the CMAC- has been cultivating the Finger Lakes’ live arts and music community since day one. With a $13.5 million facility built in 2006 that boasts 5,000 covered seats, 54 VIP boxes, and lawn seating for up to 10,000 guests, the CMAC attracts folks from near and far.
In addition to its star-studded guest list and lengthy community history, CMAC has committed itself to a safe and healthy live entertainment environment, working with local recycling companies to divert waste in real-time at the end of each show, as well as offering multiple water-filling stations to reduce single-use plastic waste. They haven’t stopped there either- CMAC also donates all funds from volunteer-based concession tents to local nonprofits, raising over $50,000 thus far.
Address: 3355 Marvin Sands Dr Canandaigua, NY 14424
Host to the Eastman School of Music’s performances, the Eastman Theatre offers a variety of concert spaces including the historical and illustrious 2,326 seat Kodak Hall, Venetian Renaissance 444 seat Kilbourn Hall renowned for its pure acoustics, and one of the newest additions, the modern and state-of-the-art 222 seat Hatch Recital Hall.
Rooted in a refurbished fire truck, Engine 14 is the result of Rochester Fire Department retiree Greg Borden. Borden’s connection to the truck- having been decommissioned in the 60s from the same firehouse he worked in- and passion for home brewed craft beer resulted in a firehouse themed brewery, live music venue, and cornerstone for the community. Engine 14 Brewery hosts live entertainment almost every weekend featuring local acts and more.
Nestled between other Rochester live music venues and attractions, Flour City Station brings in folks from near and far with their local bites and sips, a friendly and social atmosphere, and a versatile venue that accommodates both local performers and nationally touring acts with their state-of-the-art sound system.
aqueous at Flour City Station, photo by Jake Silco
Fort Hill Performing Arts Center (Canandaigua)
Proud recipient of the Best of Canandaigua 2022 Award, the Fort Hill Performing Arts Center was formed as a concept years prior to its grand opening in January of 2020. Those years of development allowed the folks behind the FHPAC to hone in on their vision for the space- a center for the community to entertain and be entertained with a diverse set of programming that inspires patrons and artists alike.
Originally built as the Canandaigua Academy High School’s 1,100 seat auditorium in 1928 and left for ruin after the district moved to new facilities, the FHPAC raised six million dollars through fundraising to restore and refurbish the space into a performing arts center.
Address: 20 Fort Hill Avenue, Canandaigua NY, 14424
An almost unbelievably scenic 95 acres of public and private events alike, Lincoln Hill farms hosts everything from weddings to glamping to music festivals. Host to an outdoor stage and pavilion, the Farms offer live music and community events throughout the year Thursday through Sunday in addition to local craft beers, farm-to-table bites, and more.
Located in the heart of downtown Rochester’s East End, The Montage Music Hall hosts annual events such as The Rochester International Jazz Festival, The Rochester Fringe Festival, and The Rochester Entertainment Metal Festival and Music Marathon. In addition to keystone events, the 400 person venue hosts musical acts of all genres from near and far- local, regional, and national.
Address: 55 Chestnut & Lawn St Rochester, NY 14604
Providing the Rochester area with professional theatrical productions since 2005, OFC Creations Theatre Center is just that- a hub for creatives and lovers of all things creative to gather.
Staffed with current theatre professionals passionate about imparting their skills upon the next generation of performers, the OFC Creations Theatre Center offers a subscription based pro-season of shows rarely produced in the region, educational programs for students ages 4 to 18, and hosts out-of-town entertainers in their 260-seat venue.
Founded in 2016, Photo City Music Hall provides the space for an impressive variety of musical acts to bring folks from the area and beyond together, regardless of genre, subculture, and popularity. With events reaching from EDM and metal to silent discos and dance parties, Photo City Music Hall’s state of the art set up and inviting energy has something for every kind of live entertainment fan.
Boasting live theater, concerts of all genres, community events, and movies, The Smith Opera House tucked within the Smith Center for the Arts offers much more than just opera. Opened in 1894 and refurbished in the early 1990s, the stage acts as a local cornerstone in multiple ways.
With powerful acts such as Billy Joel and Bruce Springsteen gracing the stage, cover bands and musicals and shadow-casts alike bringing iconic works to life, re-inventions and newly emerging children’s entertainment routinely taking the stage, and local high school students walking the venue as they graduate, it’s no wonder the Opera House draws people from Geneva and beyond in time and time again.
Born out of a noticeable lack of West Coast-style brews in the Rochester area, 3 Heads Brewing began as a brave submission to a local self-brewed beer competition and has since grown into a state-of-the-art brewery and beer garden in the heart of Rochester’s neighborhood of the arts. In addition, the space becomes a casual live music venue and versatile dance floor during their weekend live music sets with special events sprinkled across their calendar. A local venue made for locals featuring musical acts rooted in Rochester and beyond- it’s no question why customers return time and time again.
Family owned for over 30 years, Treleaven Wines has expanded from a generational farm to a one stop shop for all things wine, beer, food, live entertainment, and family fun. In addition to trivia, brunch & bingo, and football sundays, Treleaven is home to the Hangtime Main Stage for all high-energy musical needs and their Saturday acoustic series for a cozier listening experience.
A Finger Lakes top destination winery, Ventosa Vineyards hosts free, local, year-round live music every Wednesday with additional select performances sprinkled throughout. Weather permitting, performances occur on the Vineyard’s scenic terrace overlooking the vines below.
Located within the del Lago Resort and Casino, The Vine Showroom has been voted Gold as the best nightclub in the Finger Lakes, and it’s no wonder why. Boasting 2,400 seats, The Vine hosts a range of live events throughout the year that span cover and tribute bands, comedy sets, magic shows, and original musical acts across all genres.
Rochester’s largest and oldest concert venue, Water Street Music Hall was founded as a country bar in 1976, reopening in 1992 for a wider audience prior to the opening of its nightclub opening in 1999 that would push their genre capabilities even further and final rebranding into the recognizable Water Street Music Hall title the same year. With names like Phish, The Ramones, Skrillex, Sublime, and Pusha T gracing their halls, the Music Hall is perpetually history in the making.
On the eve of Indiginous People’s Day at The Warehouse in Amityville, Long Island, Original Music Matinee will host an extensive, original, musical bonanza.
The show begins at 2pm sharp on October 13 and lasts for eight hours. In that time frame, at least 10 bands are to perform, with a variety of genres in store. All the bases are to be covered here – acoustic to metal to punk to pop and more. The show sees a variety of bands from the Long Island area including Ramener, The Buddy System Forever, Hostile Intent, Sharp Violet, Terror Garden, The Walk-a-bout, Deladie, and Original Gossip.
Performing as solo acts are fellow Long Island artists Stephen Robinson and Richie Schweers. These two artists kick off the show with their acoustic jams and soulful voices before the heavy metal, punk and hard rock bands take the stage to change the pace. The real kicker is, to see all these talented performers is only 10 bucks.
The All-Original Music Matinee at Prohibition promotes local artists and bands who create original pieces, contrary to cover/tribute bands. The aim of this organization is to get these up-and-coming, original acts on bills akin to that of tribute bands, like bar venues and event spaces in Long Island.
Terror Garden Live at The Village Pub in Long Island
All-Original Music Matinee Schedule
2:00-2:30 Stephen Robinson (Solo Acoustic)
2:45-3:15 Richie Schweers (Solo Acoustic)
3:30-4:00 Ramener (Metal)
4:15-4:45 The Buddy System Forever (Indie Punk)
5:00-5:30 Hostile Intent (Metal)
5:45-6:15 Sharp Violet (All-girl power punk)
6:30-7:15 Terror Garden (Hard Rock/Metal)
7:30-8:15 The Walkabout (Australian rock)
8:30-9:15 Deladie (Female-fronted melodic punk and metal)
9:30-10:15 Original Gossip (Rock ‘n Roll)
Ramener
For more information on the upcoming All-Original Music Matinee at The Warehouse and to purchase tickets online, click here.
Wordlessly, London-based Nilüfer Yanya and her four-man band shuffle onto the Brooklyn Steel stage Tuesday night, launching right into the title single of her third album, MyMethodActor.
No second wasted, the indie-rock singer doesn’t come up for air until the end of the third song, “Chase Me,” acknowledging the audience for the first time with four words: “Wow, so many people,” she smiles.
Photos by Zachary Giller
The concession feels tongue-in-cheek, as Nilüfer picks up speed with “Like I Say (I runway)” and any sense there are witnesses present fades away. Though every inch of Brooklyn Steel is filled to capacity and the praise is thunderous, Nilüfer spends each verse singing nearly to herself, eyes lidded, looking but not really, it feels, registering anything or anyone in particular, as she gazes out into the crowd.
Photos by Zachary Giller
As she sings about running on borrowed time, you’re quick to understand that her sense of urgency is innate and learned. The settled mutual understanding permeates listeners, who are but happy to sway and hold any and all unadulterated applause for each track’s end.
Photos by Zachary Giller
It’s hard to say what she’s seeing, if not the hundreds of people in attendance, but you spend the hour-long set feeling as if you’re an intruder who stumbled across a girl singing alone in the woods, just happy to partake in the intimate scene. Make no mistake about the intended audience, however, as it becomes clear that each detail has been meticulously accounted for, including the aural tapestry of live sax for an upbeat jazz take.
Photos by Zachary Giller
At the show’s mid-way point, the momentum of Nilüfer’s well-orchestrated production swings in tandem with her solo acoustic rendition of “Heavyweight Champion of the Year,” the finale on her 2019 debut, “Miss Universe,” which earned the singer-songwriter Pitchfork’s Best New Music (a feat she’s achieved three times over). It’s an apt choice, with her angry staccato guitar strums only elevating her earnest frustrations, pained voice malleable and ever-flowing.
Photos by Zachary Giller
It’s also the show’s pinnacle, beholding entranced listeners to her writhing torments over the loss of self-jurisdiction and damning physical fatigue from “a lack of sleep” over nights spent tossing and turning. At no point is the plot lost as Nilüfer tears through “Binding,” feeling more resolute in her convictions, and the crowd is likewise, renewed with energy, as she croons: “I don’t want what’s left, got to give me something strong, got to make sure it’s your best.”
Photos by Zachary Giller
Waves of interludes weave the audience purposefully from one sequence to the next of Nilüfer’s purgatory tale. Even a rare cheer or whoop of appreciation feels out of place and almost sanctimonious, detracting from the world Nilüfer has built within and around herself. There’s just one brief moment where her absolute reign slips — a momentary technical difficulty that lasts but five seconds — and she chuckles, unsure. You’re instantly attuned that this is someone who regularly seizes utmost control of the moment.
Photos by Zachary Giller
Nilüfer’s pain quickly turns into exuberance — a pity party is still, after all, a party — and there’s a resounding resurgence in the final act as she launches into “the dealer” and ‘stabilise,” off the 2022 “PAINLESS.” There’s even a reclamation of narrative as she sheds her victimhood, in a rendition of PJ Harvey’s “Rid of Me.”
Photos by Zachary Giller
“I’ll tie your legs, keep you against my chest, oh, you’re not rid of me,” she sings in defiance against her former lovers and whoever else has wronged her, waking many in the pit from their deferential slumber. The Greek god of sleep, the gentle-dispositioned Hypnos, is said to own nearly half the lives of humans as he steers them through rest. As Nilüfer closes the show with the last exuberant dregs of “midnight sun,” it feels like she’s saying, to followers emerging from their trance, to look into the light of a new day, inherently triumphant in all its rich possibilities.
National Sawdust has announced the release of their 3-part album playcast series, Live from National Sawdust. The first of this series to release is Joy on October 18.
Drawing from the countless transportive and transcendent performances presented and recorded live at National Sawdust over the decade since its inception, the series—part playlist, part podcast, part radio show—offers a curated journey through the evolution of contemporary music.
New Sounds presents playcast selections on its daily show on WNYC Radio and the full playcasts, with commentary from hosts Prestini and Ousley is presented from their YouTube channel. The music featured in the playcasts will also be available on Apple Music Classical.
Amidst its 10-year Anniversary season recalling the groundbreaking musical and sound-based work shared in one of the best-sounding halls in New York City, National Sawdust now brings these singular performances to listeners everywhere.
Co-Founder Paola Prestini
The initial drop from this series features pieces that fall under the theme of joy — followed, in November, by Faith, and December, by Healing. For the first time, listeners can experience these vibrant pieces, specially mined from the National Sawdust archive.
Joy features works by composers including Andy Akiho, Bach, Beethoven, Magos Herrera, Emma O’Halloran, Caroline Shaw, and Paul Wiancko. The first collection Joy also includes performances from Andy Akiho, Aizuri Quartet, Attacca Quartet, Theo Bleckmann, Magos Herrera, The Refugee Orchestra Project, Brooklyn Rider, Ian Rosenbaum, and Chris Thile.
As Live from National Sawdust explores its given theme, each episode offers a behind-the-scenes look at the creative processes of artists, blending live performances, studio recordings, and intimate interviews. These playcasts give listeners an immersive experience and takes them on a journey through the minds of the artists and the stories behind the music.
Host Andrew Ousley
To listen to the playcast series Live from National Sawdust on October 18, click here. To learn more about National Sawdust and their background click here.
Legendary EGOT-winning performer Liza Minnelli has joined the production team of Drag: The Musical. The Off-Broadway show will premiere on Oct. 21 at New World Stages.
Minnelli is making her Off-Broadway producing debut with this highly anticipated production, presented at Shubert’s New World Stages. While Minnelli has previously produced her own concerts, DRAG: The Musical represents her first venture into producing a full-length musical.
“Kids! DRAG: The Musical is a work of art,” Liza Minnelli says. “It’s so brilliant that I had to join as a producer! Join me at every performance. Yes, EVERY PERFORMANCE!”
In DRAG: The Musical, two Drag Houses, both alike in indignity, vie for supremacy in a wig-snatching journey of fashion, family, and forgiveness. After a bitter split, two estranged queens bring their already simmering tensions to a boiling point when they open competing clubs. In this queen-eat-queen tale of spite and survival, there’s only one rule: no lip-synching allowed.
Written by superstar Alaska Thunderf*ck alongside her longtime musical collaborators, multi-platinum songwriter, Tomas Costanza, and chart-topping songstress Ashley Gordon. The production is directed and choreographed by Spencer Liff (Broadway: Falsettos, Hedwig and the Angry Inch, Head Over Heels; TV: “So You Think You Can Dance”)
Tickets for DRAG: The Musical are now available here.
