As the red velvet curtain parted at TV Eye on Friday, October 18, McKenzie Iazetta of Trophy Wife stepped up to her microphone to cheers from the audience. The band’s lead singer wore a red and white polka dot dress with a skirt showing the tattoos down her legs, ending in frilly white socks and black velvet Mary Janes. She exerted complete control over the audience, standing like a pouty doll come to life with her hair glowing and eyes glinting in the stage lights as she strummed their opening song, “I Will Be Here.” Alongside her were bandmates Christian Pace on bass, Michael Martelli on drums, and Rowan Martin on guitar.
A month ago, a song called “Keep It” came across my Spotify Discover Weekly playlist. I had never heard of Trophy Wife, but the single’s cover caught my attention and I gave it a listen. I was instantly captured by the song’s vocals, which hover on the edge of breaking while constantly building in intensity. The drums have a raw, heavy sound like they’re pounding against the aluminum door of someone’s garage. The song builds and builds and builds from a cry to a wail as it asks the listener, “Do you want someone else to make it better?”
Trophy Wife followed this incredible single with two others leading up to the release of their first album, Get Ugly. The final single, “Swamp Song,” is another heavy hitter. Opening with the screeching frustration of amp feedback and pumping drums, giving way to sweeter vocals. It’s a bittersweetness that turns quickly to frustration and anger, with the song’s chorus introducing off-kilter guitar chords before cutting out everything in favor of croaking vocals.
“The Shame” is Trophy Wife’s most shoegaze-y offering on the album. It opens with a wistful guitar twang that conjures summer days. Then, as the drums grow more frenetic, we enter the first chorus, a breakdown that feels like heaving sobs with its all-encompassing distorted tone.
Behind it all is fantastic production across the entire album. The mix doesn’t leave any element behind, knowing exactly when to shift focus between instrumentation and vocals, allowing the totality of its emotional impact to reach the listener. This is a band punching way above their weight.
Trophy Wife’s drama and tone make them a unique act to witness. McKenzie Iazzetta’s vocal control is the key to that drama, riding the line between breaking and keeping it all together. They combine incredible technical skill with a captivating stage presence, ensuring their strong fanbase will only continue to grow.
Setlist: I Will Be Here, Magnet, Spit, Pedestal, The Shame, Beer n TV, Swamp Song, Keep It, Kicked, Again
Brooklyn-born country artist and songwriter Jessica Lynn has released the sixth and final pre-release single from her upcoming album All I Own, “Something ‘Bout You.”
Jessica Lynn’s connection to country and passion for combining music with philanthropy runs deep. With talents in piano, harmonica, drums, guitar, and vocals, she’s a musical force to be reckoned with. Brooklyn-born and community focused, Lynn regularly brought her musical performance to local children’s hospitals and nursing homes.
Eventually, her skills landed her at PBS where she performed concert specials for the network alongside an intense touring schedule where she shared the stage with the likes of Brad Paisley, Keith Urban, Loretta Lynn, ZZ Top, Richard Marx, and the list goes on.
In 2020, Lynn’s giving spirit was recognized through her employment by the U.S. Department of State’s Bureau of Educational and Cultural Affairs as a consultant to their American Voices program and a member of American Music Abroad, a project that has brought her across the globe as a musical ambassador for the country. In addition to performing, Lynn teaches a course titled “Tips & Tricks for The Independent Musician” that helps to ensure young musicians have equal opportunity in the music industry regardless of their roots.
Following her 2022 album Lone Rider, Lynn found herself struggling with a bout of postoperative complications from a routine sinus surgery that would develop into muscle tension dysphonia, or MTD. For many musicians and vocalists, MTD can spell the beginning of the end for their careers and voices as a whole – and yet Lynn persevered.
Her latest project and upcoming album All I Own is a testament to Jessica’s determination and refusal to lose something as precious to her as music. Recorded in 10-minute bursts of vocal effort, she channeled the weight of her recovery journey into every second of the tracks. Exploring double meanings and invitations for reflection in the listeners while fighting through her vocal injury determinedly, each of the ten tracks contains an overflow of emotion and a resolve to be heard.
“I started singing as soon as I could talk and I started my first band when I was 13. Music is all I’ve ever known and the thought of potentially never being able to sing normally again was a feeling I couldn’t quite put into words.”
– Jessica Lynn
All I Own has been officially announced for release on January 17, 2025, along with the publishing of the album’s final pre-release single “Something ‘Bout You.” Inspired by her experiences with her husband, Lynn’s newest single encapsulates the feeling of falling in love and experiencing incredible adventures alongside another person in the hopes of bringing listeners back to a special time of their own.
Complete with an insightful and personal tour diary style music video, the song’s warm and uplifting energy shines even brighter through on-stage shenanigans and adventures through Europe. While the kind of love Lynn writes about in “Something ‘Bout You” may have been romantic, the affection felt from fans around the world and the obvious adoration she holds for bringing her music to life on stage elevates the video even further.
The full ten tracks of All I Own are set to be released in January with “Something ‘Bout You” being the final single prior to the complete project- listen here.
Prior to the album’s release and coinciding with her annual A Very Merry Classic Christmas tour, Lynn will be releasing a four-song live EP of tracks from the show with all proceeds from the project going to support Toys for Tots, the same organization she partners with to spread her philosophy of equal opportunity for all young musicians and artists every year during the Christmas themed tour.
Complete with the talents of local musicians and dancers of each and every stop, tickets to Lynn’s A Very Merry Classic Christmas tour are on sale now. The full list of tour dates is below, including a total of four dates throughout New York State. For more information, ticket purchasing and keeping up on the latest on Jessica Lynn, visit her website here.
TOUR DATES
Weds, November 27: The Marilyn Performing Arts Center – Foxborough, MA
Fri, November 29: The Marilyn Performing Arts Center – Foxborough, MA
Sat, November 30: The Warner Theatre – Torrington, CT
Sun, December 1: The Newton Theatre – Newton, NJ
Weds, December 4: The Jefferson Center – Roanoke, VA
Fri, December 6: The Colonial Theatre – Phoenixville, PA
Sat, December 7: The Sherman Theater – Stroudsburg, PA
Sun, December 8: The State Theatre – Ithaca, NY
Tues, December 10: The Palace Theater – Syracuse, NY
Sat, December 14: The Paramount Theater Hudson Valley – Peekskill, NY
Sun, December 15: The Paramount Theater Hudson Valley – Peekskill, NY
Fri, December 20: The Acorn Center – Littleton, NC
Sat, December 21: The Acorn Center – Littleton, NC
Sun, December 22: The Acorn Center – Littleton, NC
Neil Young, Joni Mitchell, The Band, The Guess Who, Leonard Cohen, and Alanis Morissette. Rush, Justin Bieber, Drake, and The Weeknd. Where would the world of rock and pop be without the contributions of these great artists?
Many music lovers don’t realize that the stars above have Canadian roots. And even fewer realize that one of New York City’s most popular and longest-running music venues, Webster Hall, was also the brainchild of folks from up North, the Ballinger Brothers. The story of how they rose from a hardscrabble youth on a remote farm in Ontario to reign supreme in the NYC nightlife scene for a quarter of a century is the subject of Party Boys, a rollercoaster ride of a memoir by Lon Ballinger.
Lon Ballinger and his brothers Steve, Peter, and Buster created not only Webster Hall but a legion of Canadian venues where over 40 million people danced, laughed, listened to great music, and, in many cases, connected with the loves of their lives.
The Ballinger Brothers grew up poor on a family farm with a beloved but overbearing mother and an alcoholic father, a psychologically damaged war veteran who would (figuratively) head out for a packet of cigarettes and never return. Their nightclub empire, which first revolutionized the industry in Canada and then NYC, would spring from Lon’s impulse buy of a pizza oven and open his town’s first pizza parlor in October 1973. As with many of their ventures, they would turn it into a success, cash out, and move on to another enterprise. After the pizzeria came a laundromat, which financed their first foray into nightlife.
Lon and his brother’s inspiration to get into the disco biz came from two unlikely sources. The first was the classic television show, I Love Lucy, and its portrayal of the nightclub run by Lucy’s bandleader husband, Ricky Ricardo. The second is when they detoured from a planned road trip to Mexico to New Orleans (to drop off a hitchhiker they picked up who was carting 400 hits of purple microdot acid to Mardi Gras) and then San Padre Island, where they saw their first big-time disco.
With monies from the sale of their laundromat and Lon’s earnings from his sideline in real estate, the brothers opened their first club, Ballinger’s Danceteria, a cavernous two-level musical funhouse in Cambridge, Ontario on Halloween 1979. Here they would learn the hard lessons about what made a club prosper: booking great acts like James Brown, The Band and homegrown stars-to-be like Brian Adams and Loverboy; the value of having professional security and the golden rule of nightlife — treat the ladies right and the men will follow.
Ballinger’s would be one of the first clubs to feature giant video screens, leading to the creation of their own weekly TV series, Canamerica Dance. Ultimately, they would depart Ontario for the big city, Toronto, creating the country’s largest club, the 200,000 square foot Big Bop in 1986, followed by smaller satellites, The Boom Boom Room and Rockit. They also had an outlandish idea that never got off the ground due to the recession of the late ‘80s, The Judicial Museum of Canada. The latter was slated to be housed in a circa-1850 courthouse, Canada’s oldest, serving as a combination dance and music venue with a museum dedicated to the history of the country’s legal system and crimes.
Lon, what the hell were you and your brothers smoking?
The big-dreaming Ballinger Brothers were seriously over-leveraged when the financial crisis hit, with $5 million in renovation and real estate loans. When they realized there was no way to rescue their Canadian club empire, they turned their sites on New York, taking over the site of The Ritz, which, at that time, was a shell of its former self, much like the city itself.
The brothers’ experiences operating Webster Hall are the heart of the memoir. It would take three years of negotiations with the community board, liquor commission, and their landlord before they had approval to open the four-level nightspot in October 1992. Ballinger’s book includes plenty of juicy tales of navigating a plethora of dicey issues with the Mob, the Hell’s Angels, crooked politicos, and, of course, troublesome VIP guests (I’m talkin’ to you Bill Murray, Mark Wahlberg, Hillary Clinton, Bobby Flay and Rudy Giuliani!). Lon also proudly proclaims Webster Hall’s role as an early promoter of hip-hop and EDM culture by giving gigs to aspiring stars and via their venture, Webster Hall Records, which notched 30 chart-topping dance releases. There are also rosy memories of artists like Lady Gaga, Moby, and Ed Sheeran, who honed their craft in early career performances on the venue’s multiple stages. Lon also discusses their early embrace of the digital realm. Webster Hall pioneered online ticket sales and what may have had the first website ever created for a nightclub. He also humorously relates how the site’s domain was hijacked and later reclaimed after a legal battle with a porn purveyor.
Some of the book’s best parts are Lon’s memories of fantastic events during the brothers’ 25-year run at Webster Hall. Prince is called “the greatest talent ever to grace our stage” thanks to a 2005 performance with a 35-piece orchestra, a milestone witnessed by an invite-only audience of 350. Also fondly remembered are Madonna’s Pajama Party for the release of Bedtime Stories in 1995, Bill Clinton’s Presidential Announcement Party in 1996 (where the Commander-in-Chief “made eyes” at one of his brother’s wives), and Paul Simon’s live recording in 2011, where another genius joined him, David Byrne. From 1992 – 2017, Webster Hall hosted nearly 30 million people and showcased 10,000 musical acts.
Ballinger’s book also includes many tales of the cut-throat side of the Big Apple’s nightclub business, namely their longtime battles with another promoter and sometimes partner, Bowery Presents. In 2016, the Ballinger Brothers agreed to sell the venue to a Russian oligarch and entertainment mogul, Mikhail Prokhorov, owner of the Brooklyn Nets and Barclays Center, for $45 million. Like many stories and experiences here, that would be an event full of surprises and drama. The Ballingers would hand over the keys to their kingdom in the wee hours of August 17, 2017, after a final wild night featuring a performance by Skrillex, an EDM artist whose fame they helped foster.
Lon’s book concludes with a valuable bonus section: “Lon’s Practical Advice for Running the Best Business in Your World.” Here, he provides 30 pages of his hard-earned wisdom on what it takes to succeed in any business – from building good relationships with your community, customers, and partners to advice on branding, marketing, insurance, taxes, and lawyers (be wary of the latter).
After selling Webster Hall, Lon Ballinger and his wife moved to the Hudson Valley, where they bought and refurbished The Stewart House in Athens, a breathtaking boutique hotel on the Hudson River. They now operate this hospitality gem, hosting their friends and guests at the beautiful and historical 1883 Stewart House Hotel.
Bio: Sal Cataldi is a musician, writer and former entertainment publicist living in the Hudson Valley and NYC. He is leader of the band Spaghetti Eastern Music and member of the ensembles Guitars A Go Go, Vapor Vespers and spaceheater. He is also the host of “Reading In Funktamental” on WGXC 90.7 FM/Wave Farm, a monthly/Apple Podcast show where he speaks to the authors of the books on music he reviews here at NYSMusic.com
Justin Timberlake and The Tennessee Kids rolled into Buffalo on October 21st and performed at the KeyBank Center for a night filled with dancing and singing.
NEW YORK, NEW YORK – OCTOBER 07: Justin Timberlake performs on stage during the ‘Forget Tomorrow’ World Tour at Barclays Center on October 07, 2024 in New York City. (Photo by Kevin Mazur/Getty Images for Live Nation)
DJ Andrew Hypes kicked off the evening, energizing the crowd with a mix of songs that had everyone singing and dancing. He played hits like “Don’t Stop Believing,” “This Is How We Do It,” and classic *NSYNC tracks to get everyone excited for Justin.
As soon as Justin Timberlake took the stage at the sold-out KeyBank Center, the arena erupted with excitement. The intro for “Memphis” began playing, accompanied by a video montage of Justin and soundbites playing in the background of Justin’s career. The montage culminated in Justin singing a portion of “Memphis.” When he reached the line, “I’m everything you thought I was, it was everything I thought I was,” he rose to the center stage alongside The Tennessee Kids. He quickly transitioned into “No Angels.” From the get-go, Justin showcased his impressive dance moves and maintained constant engagement with the audience throughout the show, utilizing the entire stage.
About 30 minutes into the performance, after singing “Cry Me A River,” Justin took a moment to read some signs held by fans and interact with the crowd. He even took a selfie with a fan’s phone while wearing a Bills hat. The energy in the arena was electric, thanks to Justin, The Tennessee Kids, and the enthusiastic audience.
NEW YORK, NEW YORK – OCTOBER 07: Justin Timberlake performs on stage during the ‘Forget Tomorrow’ World Tour at Barclays Center on October 07, 2024 in New York City. (Photo by Kevin Mazur/Getty Images for Live Nation)
At the halfway point of the show, Justin and The Tennessee Kids moved to the B stage to connect with fans at the back of the arena. They performed several songs, including “Suit and Tie,” “Until The End of Time,” an acoustic version of “Selfish,” and “What Goes Around…Comes Around.” Justin then made his way back to the main stage, performing “Can’t Stop The Feeling” on his way and ending the set with “Rock Your Body” and “Sexy Back.”
NEW YORK, NEW YORK – OCTOBER 07: Justin Timberlake performs on stage during the ‘Forget Tomorrow’ World Tour at Barclays Center on October 07, 2024 in New York City. (Photo by Kevin Mazur/Getty Images for Live Nation)
One notable absence from this Buffalo show was the floating platform/wall that Justin had at previous performances, which displayed graphics throughout the concert. During the encore song “Mirrors,” he typically would be strapped into some wires and appear atop this floating platform. However, the lack of this feature did not hinder his performance in Buffalo at all; you would never have known if you weren’t aware of its presence at other shows.
NEW YORK, NEW YORK – OCTOBER 07: Justin Timberlake performs on stage during the ‘Forget Tomorrow’ World Tour at Barclays Center on October 07, 2024 in New York City. (Photo by Kevin Mazur/Getty Images for Live Nation)
Sometimes an intimate theater experience can deliver just as big of an impact on a live music fan as a massive arena setting can. Murray’s Law, acoustic duo Brian Murray and Jimmy Law from well-loved jam band Dogs in a Pile, delivered just that, a larger than life sound and overall experience inside the small and cozy Swyer Theatre of The Egg on Sunday evening in Albany, New York.
Superstition strikes as to never miss a sunday show, especially when you can catch such great talent steps away from your apartment. The October 20, 7pm show started just minutes after, with a very gracious and thankful Murray and Law to those in attendance. The small theatre held a tiny but extremely devoted crowd, already releasing cheers and woos of support, eager to hear what the artistic duo had in store. Incredible sound, for one, was obvious almost at an instant and rang true through the two-set night.
Playing as a stripped down acoustic duo made a truly pleasant listening experience, as fans were able to better focus and dial in on the intricacies of their individual sounds as musicians, and further amplified by the quality of sound in the room. They traded on and off between impressively fast and fun fingerpicking to hard and steady jamming in front of a simple setup of a few tall candles, beautiful, colorful mosaic lamps and endless guitar pedals that eventually lent the audience some fun reverb bouncing off the walls of the Egg.
The night’s setlist was a carefully, and well crafted arrangement of DIAP tunes, covers from american folk and country greats and favored jam bands. John Hartford’s “Joseph’s Dream” opened up the show with easy listening before dropping into the intricate fingerpicking, or “travis picking” stylings of Merle Travis’ “Cannonball Rag”. The already amped up audience got to sample a new Dogs tune titled “Look Johnny II”, sandwiched right in between an expected and wanted Grateful Dead cover, “Jack-A-Roe,” where Law’s raw vocals shined, and an impressive rendition of Jim Croce’s “Walkin’ Back to Georgia.” A collective appreciation swept over the room and while most stayed seated, groups towards the back just couldn’t contain the groove, surrendering, dancing and loudly applauding through the night.
With a nod to the venue being titled the Egg, Murray joked the nut of his guitar fell off and had to be assembled back together like humpty dumpty just seconds before walking on stage. Lighthearted fans joked in response that we got a two-for-one concert/comedy special deal. After a quick break, the guitarists continued to excite the crowd in set two with their own ‘Go Set”, the Dead’s “Cosmic Charlie” and “Lazy Susan,” a new track Murray penned in Nashville, during a time he just so happened to meet Lucas Nelson. A personal highlight of the show was the heartfelt cover of recently deceased Kris Kristofferson’s “Sunday Morning Coming Down,” and Murray’s emotional vocals that accompanied it. Encore came to wrap up the special evening with a double header of Trey Anastasio Band’s “Ether Sunday” and the Allman Brothers’ “Soulshine.”
With Dogs in a Pile riding high popularity waves in the current scene and a ever-growing Dog Pound of fans, it was a true treat to be able to experience such a remote setting bursting at the seams with talent in musicianship and appreciation by both the duo and fans alike. Be sure to catch the full Dogs in a Pile group at Putnam Place in Saratoga for their New Year’s Run!
10/20/24 Murray’s Law at the Egg , Albany NY Setlist
Set 1: Joseph’s Dream, Cannonball Rag, You Didn’t Hear It From Me, Today, A Thing Called Love, Wildflower, Jack-A-Roe, Look Johnny II, Walkin’ Back To Georgia, Mr. Banker, Shenanigans
Set 2: Go Set> Cosmic Charlie>Go Set Ending, Lazy Day, Lazy Susan, Sunday Morning Coming Down, Burning Daylight > No Excuses > New Shoes> Power Trip
World-renowned classical guitarist Eliot Fisk joins the Glens Falls Symphony for a guest solo performance on Nov 9-10.
The residency by one of the world’s most acclaimed classical guitarists, Eliot Fisk, begins on Saturday, November 9, at 7:30pm. Mr. Fisk will perform a solo performance of works by Barrios-Mangore, J. S. Bach, Gyorgy Ligeti, Isaac Albeniz, and others as part of the de Blasiis Chamber Music Series. Then on Sunday, November 10 at 4pm, the Glens Falls Symphony’s 2024-25 season continues in the beautiful and acoustically unique sanctuary of Christ Church United Methodist in Glens Falls.
Esteemed composer Michael Gandolfi will be in residence for rehearsals and performance of his work, “Sinfonia Brevis”, for strings and woodwinds. Eliot Fisk then joins the orchestra for a performance of “Fantasia para un gentilhombre” by Spanish composer Joaquín Rodrigo. Following intermission, the orchestra will perform Franz Schubert’s incredibly charming jewel box of a work, the Symphony No. 5.
“Classical Guitarist Eliot Fisk” Concert and “Fisk Fest” COMPLETE SCHEDULE
Wednesday, October 30 at 2:30pm: “Sound+Film” series, featuring a screening of a BBC Documentary about classical guitar at our NEW location the Queensbury Senior Center, 742 Bay Road, Queensbury, NY. FREE
Saturday, November 9 at 7:30pm: Eliot Fisk Solo Recital: At the Helen Froehlich Auditorium, Hyde Collection, Glens Falls, NY. This concert is part of the de Blasiis Chamber Series. Punch & cookies reception following the performance – all are welcome. Tickets $25/Adults, $10/Youth.
Sunday, November 10 at 3pm: Pre-Concert Talk: Music Director Charles Peltz discusses the concert, the music, and the guest artists in a free talk at 3 pm, in the Christ Church United Methodist. FREE.
Sunday, November 10 at 4pm: Performance with the Orchestra: Christ Church United Methodist, in concert with the Glens Falls Symphony. Tickets $35/Adults, $12/Youth.
Tickets to both Eliot Fisk concerts can be had at “Fisk Fest Weekend Ticket”, which includes a special collector edition button. Includes performances on 11.9.2024 and 11.10.2024 $55 for Adult $23 for Student.
For more information on the upcoming Eliot Fisk performances and to purchase tickets, click here.
The Troy Savings Bank Music Hall has announced the return of the fan-favorite Lift Series in 2025. The new lineup includes various multi-talented individuals set to rock the audience.
Curated by Organ Colossal, these performances give you the unique opportunity to sit on the historic Music Hall stage with the artists while they perform. The Lift Concert Series presents performances of new, independent music featuring regional performers, curated by local artists Sam Torres and Sophia Subbayya Vastek. The series sees three shows, one in January, February and March. Similarly, the lineup consists of three powerful music groups that plan to dazzle those in attendance.
The audience is invited to be seated on stage, with the musicians, creating an intimate concert experience. Concerts are designed to last about an hour, and after the performance, concertgoers are encouraged to enjoy the rest of the evening at one of Troy’s many restaurants or breweries. Tickets are only $25 in advance and are available online and at the box office now.
Doom Dogs
2025 Lift Series Lineup
January 8
DOOM DOGS
Genre-free Improvising Super Group with Reeves Gabrels, Jonathan Kane and Jair-Rohm Parker Wells.
Reeves Gabrels (Guitars): Reeves Gabrels is an electric guitar virtuoso recognized by musicians and audiences alike for his expressive range and power. He is known for his creative collaborations with David Bowie during the ’80s and ’90s, co-writing, co-producing and adding his innovative guitar work to a half-dozen acclaimed studio albums in addition to extensive touring. Since 2012, Reeves has been a member of the iconic band The Cure, where his artistry continues to captivate audiences worldwide. With Reeves Gabrels on lead guitar for Doom Dogs, sonic brilliance is a hallmark of the band’s performances.
Jonathan Kane (Drums): Jonathan Kane, the heartbeat of Doom Dogs, was a founding member of the influential band The Swans, has worked extensively with Minimalist godfather La Monte Young, was the only drummer for Rhys Chatham’s orchestra of 100 electric guitars, and leads his own trance-blues band Jonathan Kane’s February. His drumming style is characterized by a powerful and hypnotic presence, driving the band’s improvisations with precision and intensity. Jonathan’s vast experience as a drummer and composer contributes to the band’s ability to create spontaneous and enthralling musical moments that leave audiences in awe.
Jair-Rohm Parker Wells (Basses): The foundation of Doom Dogs’ mesmerizing sound lies in the hands of Jair-Rohm Parker Wells, a true legend in the world of experimental rock and jazz. Aside from being a founding member of the avant-rock band Machine Gun, Jair-Rohm was also a member of the seminal German experimental Rock band Embryo during the 1970s. His NS Design electric upright and bass guitar prowess adds a rich and dynamic depth to the band’s spontaneous compositions, pushing the boundaries of experimental rock and jazz. Jair-Rohm’s artistic sensitivity and expertise make him an indispensable part of Doom Dogs’ sonic exploration.
February 5
ZAN AND THE WINTER FOLK
Zan & The Winter Folk is an Americana band from Troy, NY. Led by Zan Strumfeld, The Winter Folk create anthems for the revivalists, lullabies for the lonely, and ballads for the hopeful. Vacillating between an acoustic quartet — two guitars, banjo and upright bass — and a rocking quintet with drums, The Winter Folk blend an upbeat, rootsy spirit with a melodic longing and vulnerability in their storytelling. Since forming in 2017, they have played at festivals, music halls and living rooms. With a captivating sound and comedic banter, The Winter Folk reveal a unique and intimate performance wherever they play. The band has two EPs, “How To Be Alone” (2019) and “Your Girl No More” (2018). Their full-length album, “New Morse Code,” was released in June 2024.
March 5
THE LADLES
The Ladles are known for their signature harmonic blend, intricate arrangements and commitment to human connection. Imagine the tight, sisterly harmonies of The Staves meets Madison Cunningham’s songwriting ingenuity. At a Ladles show, you can’t help but feel part of something bigger. Swept up in their ethereal soundscapes, you can easily forget what separates you from the person next to you. Based in NYC and San Francisco, The Ladles are Katie Martucci, Caroline Kuhn, and Lucia Pontoniere.
Troy-Natives – Zan & The Winter Folk
For more information on Troy Savings Bank Music Hall’s popular Lift Series and to purchase tickets, click here.
This is part 3 of a series looking back at the history of Phish in Albany. Here are Part 1 and Part 2 as we eagerly anticipate the next round of shows at the Times Union Center this week.
December 1, 2003
2003 was a special year for Phish as it marked the band’s 20th anniversary of their first show ever. December 2, 1983 is generally recognized as the first public gig – a low key affair at a University of Vermont cafeteria where they may have even been known as Blackwood Convention. After ditching that moniker, and trading out guitarist Jeff Holdsworth for keyboardist Page McConnell, the Phish brand grew quite successfully over the next twenty years. To commemorate the occasion, Phish scheduled a “short but sweet” 4-show tour of the Northeast that culminated in a 20th anniversary show on December 2 in Boston.
12/2/83 Harris-Millis Cafeteria – University of Vermont
No proper fall tour in the Northeast, no matter how short, would skip over Albany, which was the penultimate stop. Remember, this was before Phish laid permanent claim to Madison Square Garden for indoor NY shows. The first two shows of the tour did not disappoint at all with special guests like the Dude of Life popping out for the encore in Long Island and Tom Marshall joining in on a classic version of “Buffalo Bill” the night before in Philadelphia. Now it was Albany’s turn and the band went even further back in their history for this guest selection.
In a move that seemed to be well kept under wraps, Phish brought out founding member and guitarist Jeff Holdsworth for a string of songs in the the latter part of the second set,.from the old school choice of “Camel Walk” to the “Run Like an Antelope” closer. In between these, Phish kept the nostalgia vibe strong with throw backs like a cover of “Long Cool Woman in a Black Dress,” the first song at the first gig 20 years ago, and the Holdsworth-penned “Possum” that’s a regular at live shows to this day. While nothing was quite astounding from a musical perspective in this portion of the show (Holdsworth seemed to be very low in the mix), the band still afforded him some solos to take as everyone got a fun glimpse of the band’s origins.
Set 1: Chalkdust Torture, Stash, Guyute, Thunderhead -> Sparkle, Wolfman’s Brotther -> Good Times Bad Times
Set 2: Tweezer -> Also Sprach Zarathustra > You Enjoy Myself, Camel Walk, Possum, Long Cool Woman in a Black Dress > Run Like an Antelope
Encore: Fire
Note – Camel Walk through Antelope with Jeff Holdsworth on guitar
November 27 & 28, 2009
Fast forward 6 years later and it was a whole different state of Phish in Albany. After the band’s disastrous “farewell” festival that was Coventry in 2004, a second hiatus followed that lasted almost five years and was finally ended with a trio of triumphant return shows at Hampton Coliseum in March of 2009. After those shows and a successful two-legged summer tour and Halloween shows in Indio, CA, the band was truly on the way back and picking up steam as they forged a new chapter in their career. While some jaded fans may have complained the consistency of quality live shows wasn’t the same yet or that the band’s “new sound” wasn’t quite the same, it’s generally agreed that Phish made an impact statement with this set of Phish Albany shows, courtesy of one of the most acclaimed stretches of music to this day.
Poster by AJ Masthay
Each of these shows has a flavor all their own in terms of what makes them special. Friday the 27th was highlighted by some unique song selections and a couple of memorable debuts. With an energy only upstate New York can deliver, Friday started off with a rip roaring “AC/DC Bag” > “Maze” one-two punch and things only took off from there. The first set also featured an electric “Gumbo” that gave MacConnell more than enough room to show off his chops and the very rare “Two Versions of Me,” from the band’s 2004 release Undermind. So rare, in fact, the song hasn’t been played live since.
Friday night’s second set was marked by two Phish debuts, one of which is still a live show staple. After a dark and moody “My Friend, My Friend” opener, the band played “Golden Age” for the first time ever, a TV on the Radio cover that few saw coming.
The rest of the second set continued to build with another cover, Little Feat’s “On Your Way Down,” before a truly epic sequence of “Fluffhead” > “Piper” > “Tomorrow’s Song,” another true rarity plucked from Undermind and, to this day, the only time the song has been played live.
Set 1: AC/DC Bag > Maze, Driver, My Mind’s Got a Mind of its Own, Gumbo, Bouncing Around the Room > It’s Ice, Two Versions of Me, Timber (Jerry) > Limb by Limb, Cavern > Light
Set 2: My Friend, My Friend > Golden Age, On Your Way Down, Fluffhead > Piper > Tomorrow’s Song, Prince Caspian > Harry Hood > Suzy Greenberg > The Squirming Coil, I Been Around
Encore: Fire
Poster by Steve Rogers
Saturday night’s Phish Albany show picked up where things left off the night before and turned the intensity up a notch, if that were at all possible. Starting with an ebullient “Party Time” opener, the atmosphere inside The Knick was electric as fans rejoiced in another show that helped further cement the band’s status as “back.” The first set also had its share of fun song selections like “Sanity” and “Foam” as well as the triumphant return of “Vultures” for the first time since the band’s reunion. But this show will go down in lore for the incredible piece of improv that began the second set.
“Seven Below” began things with a tightly wound composed section played with precision, that soon turned into a driving, soaring jam thanks to the efforts of bassist Mike Gordon and drummer Jon Fishman. The improvisation then touched on elements of prog rock, ambience and then some all while being fueled by majestic guitar play from a seemingly happy and healthy Trey Anastasio on guitar. As the jam slowly petered out some 20 plus minutes later, the distinctive opening guitar riffs of “Story of the Ghost” came into play and Phish was off and running again. A spirited and quick run through the song’s composition, fueled by plenty of singing along from the crowd, soon yielded to bouncy, near blissful jam that eventually turned into a dark, sinister, almost heavy metal-ish type throwdown, serving as the surest sign yet that Phish was back in a big way.
They could have ended the show right then and there and few would have complaints. A more than appropriately named cover in The Velvet Underground’s “Cool It Down” followed and was fairly short lived before a direct segue into “Gotta Jibboo” that picked things back up. However, it would be near impossible to top the masterpiece that was the close to 48 minutes of music that the first two songs produced. A monstrous “You Enjoy Myself” serves as only a footnote on this Albany classic.
Set 1: Party Time, Stealing Time from the Faulty Plan, Uncle Pen, Sanity, Foam, Walk Away > NICU, Alaska, Split Open and Melt, Joy, Vultures, Backwards Down the Number Line
Set 2: Seven Below > Ghost, Cool It Down > Gotta Jibboo, Let Me Lie, Wolfman’s Brother > Julius
Encore: You Enjoy Myself
Take a look at our 2018 review of Phish at the then-Times Union Center and stay tuned for coverage of this weekend’s three-night run in support of the Divided Sky Foundation!
Get the scoop on what to do before and after Phish during their three-night run in Albany over October 25-27!
photo by Dave DeCrescente
Formed in 1983 through flyers across the University of Vermont’s campus, Phish has had a career of steady incline for more than four decades. Amassing more than eight million sales in the United States, 14 studio albums, a seemingly endless list of live shows under their belt, and their own record label named JEMP records, Phish is a legendary psychedelic-rock-jam fusion to be reckoned with.
Comprised of members Trey Anastasio, Jon Fishman, Mike Gordon, and Page McConnell, Phish has accomplished what most bands have not in the face of multiple group hiatuses and solo endeavors- a legacy as one of the most influential jam bands that spans the first four decades of their achievements thus far and extends well into the prospective future.
With roots in the Northeast, Phish’s connection to New York can not be understated. The band has performed 83 shows in Manhattan’s historic Madison Square Garden to date, surpassing Elton John in 2023 to become the second most frequent musical act to grace the Garden’s stage behind record-holder Billy Joel.
The metro area hasn’t been the only one to experience the magic of Phish’s live performance, however. The group has traveled up and down the entire state, a feat highlighted in our three part series exploring their endeavors in Albany in particular over the course of several decades. Read part one, two, and three here.
Albany has hosted Phish countless times over the course of their career, making it one of few cities they still frequent where fans can track their progression as a band over the course of their visits to the area. Beginning in Albany at the city’s oldest bar Pauly’s Hotel to a crowd of 30-40 fans back in 1989, Phish has worked their way up to a three night stay at the MVP Arena this October 25-27.
In a historic announcement, Phish will be playing their first ever three show run in which 100% of the concert and merchandise profits will go to the Divided Sky Foundation. Established in 2020 during the Beacon Jams, Divided Sky Foundation dedicates themselves to building and supporting a non-clinical residential recovery program that recognizes that addiction is a disease and not an absence of willpower.
Colloquially known by its original name of Knickerbocker Arena, the MVP Arena will be host to Phish and thousands of devoted Phish heads over the course of the exciting and deeply meaningful weekend. For those in attendance, there’s a lot to know about attending the shows and everything in between for the weekend of Phish! But don’t worry- we’ve got you covered.
Primarily, the shows themselves- be sure to check the Arena’s extensive list of policies including bags and prohibited items on the event’s page before you leave home here.
Once at the venue, there are multiple entrances depending on which is nearest you. The main entrance faces Market Street, but if using the MVP Arena parking lot, visitors can use the arena entrance on level three. The Beaver Street entrance provides another route into the arena itself as well.
In addition to attending an unforgettable evening- or evenings- of live music, there’s plenty to see and do in Albany, Phish adjacent and beyond. Fans may find themselves enjoying a grilled cheese at the “Cheesiest Phish Pre Party,’ or adventuring through the Albany Capital Center for the 2024 Dead Man’s Hand Tattoo Expo that spans the duration of the weekend.
Looking for events to explore on a particular day? Read the day-by-day breakdown of the weekend of Phish below.
FRIDAY: OCTOBER 25
Prior to the opening evening, Gratefully Yours will be performing a free pre-show at the casual food and live entertainment venue Ophelia’s at 4:00 PM- only two blocks from MVP Arena. Later that evening the band will return to the stage for a $20 post-show performance with doors at 10:00 PM and a start time of 11:00 PM.
In addition to Gratefully Yours, The Big Dig Live will host a free groovy afterparty at The City Beer Hall with doors at 10:30 PM and a start time of 11:00 PM, and Lark Hall will be hosting The Jerry Dance Party with DJ Jerrbrother. Doors open at 11:00 PM and tickets are $15 in advance or $20 at the door.
SATURDAY: OCTOBER 26
Day two will open with a variety of events including a Divided Sky Foundation pre-show hosted by The WaterWheel Foundation, a PhanArt hometown art show and live music event, and another morning set at Ophelia’s that will loop back around for the evening post-Phish.
A Divided Sky Foundation pre-show event hosted by The WaterWheel Foundation will take place on the 26 prior to the event, a benefit exclusive to ticket holders who purchased the package alongside their ticket or ticket request.
If tickets to the Divided Sky Foundation pre-show aren’t in your hands, don’t worry. There’s plenty more to explore in the area, like the PhanArt Show at the Palace Theatre. In association with Mirth Films, PhanArt presents some of the scene’s best known artists as well as some of the area’s rising stars. From 12:00 to 5:00 PM, attendees can collect exclusive art and apparel, enjoy live music from acts like Kale and Sweeping Views, and treat themselves to free Ben & Jerry’s Phish Food as courtesy of Lark Street Ben & Jerry’s.
Annie In The Water will be the artist in residence at Ophelia’s for October 26, with a free acoustic set pre-Phish and two electric sets after the show at 10:00 PM with tickets at $20.
Saturday’s after parties also include acts like the Beau Sasser Trio, Adrian Tramontano, and Justin Hendricks coming together for a free show at The City Beer Hall with doors at 10:30 PM and show at 11:00 PM, and the Dude of Life Band alongside special guest Ella Fishman at the Empire Underground starting at 11:15 PM. Partial proceeds from the Dude of Life Band’s after party will benefit the Waterwheel Foundation with tickets priced at just under $34.
In addition to these incredible acts, The Jerry Dance Party with DJ Jerrbrother will return for one more night to wrap Saturday evening at Lark Hall in partnership with DayGlo and Nectar. Tickets are priced at $15 in advance or $20 at the door.
SUNDAY: OCTOBER 27
The weekend of Phish will conclude on the 27th. While there isn’t anything Phish-y to attend outside of the final performance that evening, the Albany Comic Con will be hosted at the Polish Community Center just a fifteen minute drive away from MVP Arena. Tickets are $10 online or at the door all day Sunday.
Kicking off an exciting three-show residency at Ophelia’sin Albany, it was a big night for Bridgeport, CT’s Big Shrimp on Thursday, October 17.
Rising from the ashes of the beloved buzz band Baked Shrimp following their surprise breakup earlier this year, the reimagined and reinvigorated group returned to the stage bigger, hungrier, and as it turns out, funkier than ever. Joining Big Shrimp on the bill and also making their Ophelia’s debut was NYC’s space rock juggernaut Escaper.
Big Shrimp played the first of a 3-show residency at Ophelia’s on 10/17/24.
Taking place on the same storied stage Goose headlined 5 years to the day prior, Guthrie Bell Productions has long made it a priority to bring the freshest and most exciting stars of tomorrow to the Capital Region today. With a legendary track record of spotting talent and creativity early, simply put, when Greg Bell books a band for a three-show residency, you know they must have something special going for them. A testament to the burgeoning music scene around Albany and with a community of dedicated fans and venues supporting local and independent acts, the atmosphere at 388 Broadway prior to the show felt ripe for discovery and growth.
Kicking off the evening with an exceptional set of exploratory and soaring jams was New York City’s Escaper. Comprised of Will Hanza (Guitar/Vocals), Phil Kadet (Keyboard/Vocals), Sam Crespo (Drums), and on this night, Josh Carter sitting in on bass for Luke Bemand (Lespecial), Escaper wasted no time setting the controls for the sun, opening things up with a sprawling and richly textured rendition of “Open Sky.” As the Albany faithful quickly took notice of the bands larger-than-life sound, the floorspace slowly began filling in with dancing fans eager to surrender to the music and immerse themselves in a night of soulful, sonic soundscapes and spontaneous expression. Rewarded for their curiosity with a pair of unreleased new songs, Escaper would keep the positive momentum going with “Fantasy” and “Chance.”
Escaper kicked the evening off proper with with an explosive set of jams in Albany on 10/17/24.
As the band pushed themselves through the technicality of their compositions, you could tell from the expressions on their faces they were enjoying this ride and creating this unique blend of music together. Captivating the audience with a hybrid of atmospheric soundscapes, intricate guitar work, tight rhythms and pulsating basslines, perhaps no song encapsulated Escaper’s vibe more beautifully than “Spaceship.” With its distinct hook and stunning keyboard work by the fully stretched out Phil Kadet, the song provided the biggest improvisational vehicle of the set. Brandishing a scarf and his beautiful red Gibson guitar, Will Hanza looked like a bonafide rockstar here and played like one too, uncorking his biggest and most impressive solo of the night during the song’s peak. Hyping the crowd for what was still to come, Escaper would close out with “No Strings” before joining the fans on the floor and dancing along to the high-octane grooves about to be served up by the arrival of Big Shrimp.
Escaper’s Will Hanza took Ophelia’s to the stratosphere on 10/17/24.
No stranger to Albany, the former members of Baked Shrimp have been playing at venues around the area for years now. This time though, it would be a whole different creature. Joining up with founding crustaceans Jared Sage Cowen (Guitar/Vocals) and Jager Soss (Drums/Vocals) are new additions Max Perrotti (Bass/Vocals) and Matt Takesh (Keyboard/Vocals), completing a dynamic transformation from a power trio to an edgier and more versatile, progressive-rock juggernaut. Playing only their 5th show together under the Big Shrimp moniker, the night proved to be a launching pad for both the band and the long-time fans who still weren’t quite sure what to expect out of the band’s newfound identity.
Big Shrimp played the first of a 3-show residency at Ophelia’s on 10/17/24.
Immediately putting any worries at ease with some “Words of Wisdom” to get things cooking, you could instantly hear the impact of Matt Takesh’s keyboard playing. Adding a whole new level of filth to the bands already funky sound, the excitement continued to build as the band worked their way through “Tired Eyes,” before turning vocal duties over to charismatic drummer Jager Soss for a throwback nod to the Baked Shrimp original tune, “Smoke ‘Em If You Got Em.”
While a few in attendance seemed to take the song literally, things on the floor continued to heat up with the appropriately titled “Tango” providing enough cause for some to dance as if their life depended on it. The freedom of the venue allowed for this kind of uninhibited behavior, as fans moved to the grooves, embodying the spirit of the jam band ethos: a celebration of community and creativity, creating an immersive experience that felt both intimate, expansive and genuine.
Jager Soss performing with Big Shrimp during their Ophelia’s debut on 10/17/24.
One of the most notable moments from night 1 of Big Shrimp’s residency would come next with the debut of a new original called “Nuclear Fruit.” Successfully taking the song out for its maiden voyage, it is now forever etched in musical history that it was first played at Ophelia’s. Changing up the pace a bit, the bluesy ballad “Painting Pictures” by Matt Takesh gave everyone a chance to catch their breath a bit before virtuoso guitarist Jared Sage Cowen stole it away again with one of the most stunning and emotive solos of the evening. The seamless transitions between songs and the hypnotic interplay between musicians kept the audience enraptured, highlighting Big Shrimps’ ability to blend different musical influences into a cohesive sound.
Big Shrimp’s Jared Sage Cowen dug deep into his bag of tricks on Night 1 in Albany 10/17/24.
Proving he’s not here to be your ordinary guy, Cowen would dig even deeper into his bag of tricks for an extraordinary rendition of “Ordinary Guy,” yielding some of the funkiest, most cathartic and most primal energy of the set. With catchy melodies, impressive solos, complex arrangements and shifting tempos and moods, the band kept you on your toes and bobbing your head the entire show. Throwing in one last surprise before bringing the evening to a close, Big Shrimp would revisit their roots once again by playing fan favorite “Chop Suey” from their previous entities final self-titled studio album.
Watch fan shot footage of Big Shrimp performing “Chop Suey” during Night 1 of their Albany Residency 10/17/24.
As the night drew to a close, the crowd’s enthusiasm was palpable, with chants for an encore echoing through the bar. The sense of connection among fans and performers alike was a reminder of the magic that live music can create. After receiving the subtle nod of approval from promoter Greg Bell, Big Shrimp would send fans home happy with a nostalgic cover of the “Peter Gunn Theme,” complete with Taylor Swift “You Belong with Me” teases, bringing night 1 of their Ophelia’s residency to an official end.
If you missed this incredible night, mark your calendars for their next show in two weeks when Big Shrimp return for their highly anticipated Halloween Extravaganza on October 31st. Featuring a surprise theme along with two sets of music and a costume contest with prizes, whether you’re a seasoned jam band lover or just looking for a ghoulishly good night of music and dancing, Big Shrimp is sure to deliver an unforgettable treat that will not disappoint. If their previous Halloween performances are any indication, NYS Music can tell you now, this will be a special show you don’t want to miss.
Big Shrimp | 10-17-2024 | Ophelia’s | Albany, NY
One Set: Words of Wisdom, Tired Eyes, Smoke ’em If You Got ’em, Tango, Nuclear Fruit (1), Painting Pictures, Ordinary Guy, Chop Suey.
Encore: Peter Gunn Theme (2).
(1) Debut; Original
(2) Big Shrimp Debut; Formerly performed as Baked Shrimp.
Notes: This was night one of Big Shrimp’s three-night residency at Ophelia’s in Albany, NY in Fall of 2024. “Peter Gunn Theme” contained “You Belong with Me” (Taylor Swift) teases.
Escaper | 10-17-2024 | Ophelia’s | Albany, NY
Setlist: Open Sky, Fantasy, Chance, Spaceship, No Strings.
December 1, 2003
