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  • Music in the Hudson Valley: Navigating New York’s Vibrant Music Venues

    Explore the vibrant musical landscape of the Hudson Valley with an array of venues offering unique music experiences. From dance-filled nights to repurposed factories hosting eclectic performances, each spot contributes to the Hudson Valley region’s diverse music scene.

    From just south of Albany, flowing all the way through Westchester, here’s a curated selection of standout venues, each adding it’s own distinct flavor to the Hudson Valley’s musical tapestry. Be sure to check out our look at venues in New York City, Central New York, Southern Tier, Western New York, Rochester and the Finger Lakes, the Berkshires, Long Island, Capital Region, and North Country as well.

    Ashokan Center (Olivebridge)

    The Ashokan Center is an independent music & nature nonprofit established in 2008 that is not only education, open to hosting public community events, but also music and dance camps, as well as a Winter and Summer Hoot – short for hootenanny.

    Address: 477 Beaverkill Rd, Olivebridge, 12461

    Website

    Avalon Lounge (Catskill)

    Gear up for a night of dancing at Avalon Lounge! Its dynamic lighting and dance club atmosphere set the stage for unforgettable performances by both up-and-coming and beloved Hudson Valley artists.

    Address: 29 Church St, Catskill, 12414

    Website

    Avalon Lounge, Alon Koppel

    Bardavon (Poughkeepsie)

    One of the oldest continuously operating theaters in New York State, and one of the oldest in the country, Bardavon was built in 1869 and served as a community performing arts center until 1923, then as a cinema and home for vaudeville until 1975, before reopening as a general performing arts facility in 1976.

    Address: 35 Market St, Poughkeepsie, 12601

    Website

    photo by Mickey Deneher

    Basilica Hudson (Hudson)

    Basilica Hudson, housed in a repurposed factory, stands as a haven for artists. With a blend of industrial and pastoral aesthetics, this venue hosts concerts, art shows, and movie screenings, fostering a unique and environmentally responsible space.

    Address: Basilica Hudson, 110 Front St, Hudson, 12534

    Website

    BeanRunner Café (Peekskill)

    For a delightful mix of community acts and delectable bites, BeanRunner Café in Peekskill is the place to be for local music and fare.

    Address: 201 S Division St, Peekskill, 10566

    Website

    Bearsville Theatre (Woodstock)

    Originally built by Albert Grossman and opened in 1970, the historic recording studio and destination venue remains a special place where artists can rehearse for tours, record audio and/org video, and perform in an intimate, acoustic setting. The venue has been revitalized in recent years by new owner, Lizzie Vann, who has restored the theater and grounds, making great investments to preserve decades of music history while continuing to keep the tradition alive.

    Address: 291 Tinker St, Woodstock, 12498

    Website

    photo by Em Walis

    Bethel Woods Center for the Arts

    Founded on Yasgur’s Farm, site of the historic 1969 Woodstock music festival, Bethel Woods Center for the Arts opened in 2006 with the New York Philharmonic performing on opening night. An on-site museum, exploring Woodstock and the culture of the 1960s, opened in June 2008.

    Address: 200 Hurd Rd, Bethel, 12720

    Website

    Photo courtesy of Bethel Woods Center for the Arts.

    Big Cat (Kingston)

    Located on the shores of the Rondout Creek, this DIY space in downtown Kingston is obscure and hosts occasional shows, shared only to the venue’s Instagram.

    Address: 428 Abeel St, Kingston, 12401

    Website

    The Capitol Theatre & Garcia’s (Port Chester)

    An iconic rock ‘n’ roll venue, The Capitol Theatre, steeped in history, continues to host spectacular performances. For a more laid-back experience, explore Garcia’s, the venue’s bar location with pre and post shows, as well as stand-alone nights of music as well!

    Address: 149 Westchester Ave, Port Chester, 10573

    Website

    The Capitol Theatre – photo by Steve Malinski

    Caramoor Center for Music and the Arts (Katonah)

    A destination for exceptional music, captivating programs, spectacular gardens and grounds, and wonderful moments with friends and family, Caramoor Center for Music and the Arts is a not-for-profit organization, listed on the National Register of Historic Places. Through innovative and diverse musical performances, Caramoor has a mission to mentor young professional musicians and provide educational programs for young children centered around music.

    Address: 149 Girdle Ridge Rd, Katonah, 10536

    Website

    City Winery Hudson Valley (Montgomery)

    City Winery Hudson Valley offers not only captivating musical acts but also an extensive wine list. Enjoy brunch or evening performances featuring renowned names amidst a winery setting.

    Address: 23 Factory St, Montgomery, 12549

    Website

    Photo By Al Pereira

    The Colony (Woodstock)

    Originally a hotel built in the 1920s, The Colony in Woodstock combines vintage charm with state-of-the-art sound and lighting systems, providing an unforgettable experience.

    Address: 22 Rock City Rd, Woodstock, 12498

    Website

    Daryl’s House (Pawling)

    Experience the casual, intimate setting of Daryl’s House, known from the series Live From Daryl’s House. Enjoy beers, camaraderie, and live jamming sessions.

    Address: 130 NY-22, Pawling, 12564

    Website

    Elysium Furnace Works (Poughkeepsie)

    Co-led by Mike Faloon and James Keepnews, Elysium Furnace Works is a cooperative project that seeks to present the work of upcoming artists in dedicated art-focused settings. While not exclusive to live music, EFW primarily works through live music venues at 19th century VBI Theatre, part of the Hudson Valley’s Cunneen-Hackett Arts Center.

    Address: 12 Vassar Street in Poughkeepsie, 12601

    Website

    Emelin Theatre for Performing Arts (Mamaroneck)

    Bringing Broadway magic to the Hudson Valley, Emelin Theatre hosts stage productions, bands, comedy groups, and dance troupes in a large, versatile venue.

    Address: 153 Library Ln, Mamaroneck, 10543

    Website

    The Falcon (Marlboro)

    With a breathtaking view of Marlboro Falls, The Falcon offers both incredible scenery and exceptional music. Indulge in dinner and a show in its spacious dining room.

    Address: 1348 Rte 9W, Marlboro, 12542

    Website

    The Falcon, Poughkeepsie Journal

    Gardiner Brewing Company-Gardiner

    Featuring live music every weekend, Gardiner Brewing Company is farmer-owned and operated, opening its doors in Fall 2018. Founded by the 5th generation of the Wright’s Farm family, the brewery is focused on using the ingredients they grow to make delicious, seasonal beers. The Barn at Gardiner Brewing hosts live music every Saturday night, nearly year-round.

    Address: 699 NY-208, Gardiner, 12525

    Website

    Hudson Hall (Hudson)

    Hudson Hall is located on the site of New York State’s oldest surviving theater. After being abandoned for decades, local citizens came together in 1992 to save the building and establish a cultural center, reopening the first ground floor rooms in 1998, and completed a $9.5 million restoration of its magnificent performance hall in 2017.

    Address: 327 Warren St, Hudson, 12534

    Website

    The Jazz Forum (Tarrytown)

    Jazz enthusiasts will find paradise at The Jazz Forum, hosting incredible musicians in a classy dinner-party atmosphere.

    Address: 1 Dixon Ln, Tarrytown, 10591

    Website

    Joe & Joe’s (Pearl River)

    For over 80 years and 4 generations, the Longobardo family continues the tradition of old school Italian American cooking in Pearl River, originally having started in the Bronx. Great for those who love live music and delicious food.

    Address: 65 E Central Ave, Pearl River, 10965

    Website

    Last Chance Tavern (Tannersville)

    Decorated with hanging musical instruments and antiques, Last Chance Tavern is a full service restaurant, antique store, and gourmet shop with delicious cheeses and beers, plus great live music each week.

    Address: 6009 Main St, Tannersville, 12485

    Website

    Levon Helm Studios (Woodstock)

    Known as “the barn,” Levon Helm Studios, designed by the legendary drummer, offers an acoustically perfect venue for near-religious live music experiences.

    Address: 160 Plochmann Ln, Woodstock, 12498

    Website

    The Local (Saugerties)

    Opened in 2023, The Local is housed in a former Dutch chapel built in the 1800s, restored as a space for arts, culture, and community. Owners Isabel Soffer and Danny Melnick are also co-founders of Hudson Valley Live and bring more than 30 years to producing festivals, concerts, and curated arts experiences to the venue.

    Address: 16 John St, Saugerties, 12477

    Website

    Maureen’s Jazz Cellar (Nyack)

    Honoring the late jazz vocalist Maureen Budway, this venue in Nyack captivates with excellent jazz, complemented by delectable food and drinks.

    Address: 2 N Broadway, Nyack, 10960

    Website

    Olive’s (Nyack)

    Olive’s isn’t just the longest operating bar in the town of Nyack, but also boasts a great deal of live music throughout the year, with an emphasis on the local indie scene. Described as “trendy, hip, indie, and above all attitude free but well behaved,” Olive’s serves great food from Marianne Olive’s garden, as well as great veggie and vegan options.

    Address: 118 Main Street, Nyack 10960

    Website

    Paramount Hudson Valley (Peekskill)

    Originally a 1500-seat movie palace built by Publix Pictures, a subsidiary of Paramount Pictures, the Peekskill Paramount Theater first opened in June of 1930. Now named Paramount Hudson Valley and is managed by Paramount Hudson Valley Arts, the group has a goal of making this landmark theater a destination for the very best of live music and performing arts.

    Address: 1008 Brown St, Peekskill, 10566

    Website

    photo by Steve Malinski

    Quinn’s (Beacon)

    Located in downtown Beacon, Quinn’s has a wide array of live music performances, including weekly jazz sessions, along with great ramen, sakes, and even greater bar fare at this diamond in the rough venue.

    Address: 330 Main St, Beacon, NY 12508

    Website

    Resorts World Catskills (Monticello)

    Nestled among the beauty of the Catskill Mountains, Resorts World Catskills offers an unmatched experience in excitement, entertainment, and luxury, bringing tribute acts, DJs and national artists to venues and bars inside.

    Address: 888 Resorts World Dr, Monticello, 12701

    Website

    Rosendale Theater (Rosendale)

    The Rosendale Theatre is an independently owned venue, and a regional and national gem. of its kind. It is a gem, not only in the region, but nationally and internationally. Originally opened in 1905 as the Rosendale Casino, by the 1930s, a stage was installed for live vaudeville and burlesque acts. Films and live theatre can be found these days in Rosendale.

    Address: 408 Main St, Rosendale, 12472

    Website

    The Silk Factory (Newburgh)

    Silk Factory is located in the heart of historic Newburgh, in a former factory from 1910, where silk thread was once made. Now a music venue, event space, restaurant and much more is found here in Newburgh.

    Address: 299 Washington St, Newburgh, 12550

    Website

    Snug Harbor (New Paltz)

    The best dive bar in all of New Paltz, Snug Harbor – A.K.A. Snugs – is open daily from 12pm-4am and features live music from local and touring bands, with shows going late thanks to being on the cusp of the SUNY New Paltz campus.

    Address: 38 Main St, New Paltz, 12561

    Website

    photo by Tony Adamis

    Sugar Loaf Performing Arts Center (Chester)

    Originally known as the Lycian Center for the Performing Arts, The Sugar Loaf Performing Arts Center is surrounded by eight acres of beautiful mountain and lake views, with a capacity of nearly 700 seats, bringing in summer concert series, international touring acts, educational programs and much more.

    Address: 1351 Kings Hwy, Sugar Loaf, 10918

    Website

    Tarrytown Music Hall (Tarrytown)

    Built in 1885 by chocolate magnate William L Wallace, Tarrytown Music Hall opened during Tarrytown’s “Millionaire’s Colony” era when prominent families resided in the town and gathered at the Music Hall for its lavish balls, flower shows and concerts. Tarrytown Music Hall is the oldest theater in Westchester County and one of the finest examples of Queen Anne decorative brickwork in the county. 

    Address: 13 Main St Floor 2, Tarrytown, 10591

    Website

    Tin Barn Brewing (Chester)

    Founded in 2015 by a local father-daughter team, Tin Barn Brewing has two locations – in the Hudson Valley town of Chester, and the Finger Lakes city of Dundee, near Watkins Glens. A farm brewery specializing in some of the juiciest IPA’s in New England, a “Friday Night Acoustic Series” runs from January to March 2024, featuring some of the area’s finest singers, songwriters & duos, with a new stage and lighting for a more personal feeling.

    Address: 62 Kings Highway Bypass Chester, 10918

    Website

    The Towne Crier (Beacon)

    A mainstay of the Hudson Valley since 1972, this former stagecoach stop in the hamlet of Beekmanville was relocated first to Pawling and is now located in Beacon. The Towne Crier welcomes a great deal of world-class talent, and celebrated its 50th anniversary in 2022.

    Address: 379 Main St, Beacon, 12508

    Website

    photo by Mickey Deneher

    Tubbys (Kingston)

    A neighborhood bar with food from Junebug’s Good Cookin’, Tubbys has a killer mezcal selection, natural wine, cocktails, rotating drafts, and fresh cans. Live music on occasion with sounds leaning to the left of the center. Expect cumbia, country, disco, and everything in between on the turntable.

    Address: 586 Broadway, Kingston, 12401

    Website

    Ulster Performing Arts Center (Kingston)

    Originally the Broadway Theater and Community Theatre, Ulster Performing Arts Center (UPAC) was build in 1926 and one of only three pre-World War II theaters in the Hudson Valley. Today, UPAC is operated by Bardavon Theatre, with the Hudson Valley Philharmonic calling the exquisite acoustics of the proscenium theater, home.

    Address: 601 Broadway, Kingston, 12401

    Website

    photo by Em Walis

    Uncle Cheefs (Brewster)

    In eastern Putnam County, you’ll find live music every Wednesday through Sunday at Uncle Cheefs, in a perfectly lit room decorated with love and built to achieve the finest in acoustics. With a multi-cam video system and state of the art in house multi-track recording studio, you’ll love the music live and reliving them later on thanks for Uncle Cheefs.

    Address: 88 NY-22 Unit C, Brewster 10509

    Website

  • Benny the Butcher Lights Up Sirius Studio with ‘Everybody Can’t Go’ Release Celebration


    At an event at Sirius Studio in New York City, Benny the Butcher marked a pivotal moment in his career as he celebrated the release of his latest album, “Everybody Can’t Go.” The album, a significant milestone as his first major label release under Def Jam, has already been making waves in the hip-hop scene.

    The studio session was nothing short of electrifying, featuring an exclusive interview with Benny conducted by DStroy and Gray Rizzy. The atmosphere was charged with excitement as the rapper delved into the creative process behind the album and shared insights into the journey that led him to this groundbreaking release.

    Benny treated the audience to a captivating live performance, showcasing his lyrical talent with renditions of three tracks from the album. “Big Dog,” “Jermaine’s Graduation,” and “Back Again” echoed through the studio, leaving an indelible mark on everyone present. The raw and authentic energy in Benny’s delivery resonated with fans and further solidified his status as a force to be reckoned with in the rap game.

    The studio audience played an integral role in the event, engaging with Benny through a series of thought-provoking questions. This interactive element provided a unique glimpse into the artist’s mindset and the stories behind the tracks that make up “Everybody Can’t Go.”

    A surprise guest appearance by none other than Bun B elevated the celebration to new heights. The special call from the legendary rapper not only underscored the impact of Benny’s work but also emphasized the camaraderie and respect within the hip-hop community.

    “Everybody Can’t Go” is not just an album but a testament to Benny the Butcher’s evolution as an artist. The Def Jam release marks a significant chapter in his career, and the Sirius Studio event served as a fitting tribute to the hard work and dedication that went into crafting this masterpiece.

  • Montauk’s Annie Trezza Performs in Manhattan at Arlene’s Grocery

    On February 2, Annie Trezza provided the tunes and ensued the grooves at Arlene’s Grocery, a Lower East Side treasure. From the most eastern point of New York State, Annie and her band descended into the city from Montauk, bringing their east coast surf-rock demeanor with them in blue suitcases, fur coats, and their soulful sound.

    Bass rattled the vintage infrastructure of Arlene’s as Annie prepped her stage. She twirled around her staple acoustic and a sky blue electric-guitar perched behind the microphone, sipping a Tecate and dancing to the pre-show tunes. Huddled on stage was the Arlene’s grocery drum set, a bass guitar, and a pedal set that her bandmates fiddled with. Friends and family members of the band milled about the tight-spaced room, and curious New Yorkers in search of live music filed down the stairs into the pit. 

    Annie and her whole crew made their way onto stage. “Hey everyone! We track from the east end, AKA Montauk – the coolest place on Earth!” She wore a memorable coat with fur trimmed cuffs, velvet cowboy boots, bell bottoms, and a cowboy hat. Her style matched her sound, as she strummed her band into play. 

    After her first couple of songs, Annie Trezza introduced her band: Jack Marshall on the steel guitar, Andrew Winthrop on the drums, and Kevin L. on the bass. Their stage presence was commanded by Annie’s charisma, and they gelled together seamlessly. After the song “Ave. A,” Annie was excited to play her song “Summer//Winter,” which can be heard in the neo-western thriller “The Last Victim” on Hulu.

    With drinkable influence from iconic artists like The Doors and Fleetwood Mac, and more modern-scale groups like Houndmouth or The Growlers, Trezza has combined classic riffs and the jam-band groove with her own poetry and life-style flair. 

    Each song threaded a narrative with unique lyrics. In the span of the mere hour long set, we were pulled from New York City, to Montauk, to Florida, to the French countryside. With strong influences from the ocean, surfing, relationships, and the seasons changing, Trezza holds an earthy and empathetic discography.

    Their set deserved more time, for the storytelling between songs had to be nipped in order for Annie to perform the entirety of her setlist. Trezza acknowledged the time passing, “ All of these songs have a story, and I do like to ramble…” The crowd replied, “Ramble on!” The collective reference to Led Zeppelin couldn’t be missed. 

    A story that seemed to resonate with the audience was that behind her song “French Countryside.” Sleeping in the room next door to the person you’re in love with. The song had a tremendous build that mirrored the feeling of emotional climax – when feelings can no longer be contained and the body becomes an emotional well.

    The bridge warranted dancing and Annie’s pal Kate grooved front and center. She bounced around the rim of the stage, and her energy encouraged others to move their feet. Annie invited the audience to fill in the dance floor. Bodies pushed towards the stage and the motion met the music.

    “Alright, that was the acoustic set. We’re gonna go surfing again!” Annie swapped her acoustic guitar for her electirc as she geared up for the last couple of surf-inspired songs “Surf Crush,” and “Pitted.” “This song is about surfing, the greatest thing in the world! We’re in New York City, let’s get pitted!”

    “Pitted” was the final song of the evening, and it ended the night on a high note. Once the show concluded, Annie hung around the Arlene’s chatting with her audience. Her artistry as well as her connective nature was genuine.

  • The Local in Saugerties Plans to Revamp with New Stage

    The Local, a new center for arts, culture, and community in Saugerties, has announced they plan to ramp up the venue with a new stage, enabling concert-goers to see the artists better and add to the audience experience.

    Photo by Neil Segal.

    Housed in a former Dutch chapel built in 1876, The Local is under the guidance of Isabel Soffer and Danny Melnick, co-founders of Hudson Valley Live. The two Saugerties-based music producers and performing arts professionals have each devoted more than 30 years to producing festivals, concerts, and curated arts experiences. Since opening its doors in September 2023, it has already welcomed more than 2,000 guests from throughout the region and beyond for Spanish flamenco, tango music and dance, West African Highlife, incredible jazz, and performances by noteworthy artists like Emel, Emily King, a tribute to Leonard Cohen, Sandy Bell, a Silent Disco with live DJs, and so much more.

    They are kicking off their first fundraising campaign to purchase this highly needed stage with a $12,500 matching gift through their fiscal sponsor globalFEST. This means the donations received are tax deductible. The funds will be used to cover the stage, which will help audience members see the performers better, and also be used to cover programming, facilities maintenance, and other venue-related expenses until they become a not-for-profit and can raise money through grants and sponsorships.

    Photo by Eric Delmar.

    “As the only year-round music venue and cultural center in Saugerties, we are working hard to make The Local a stable, viable, fun, and accessible resource that encourages community, cultural diversity, creativity, discovery, and economic development in the Hudson Valley,” said the venue.

    For every dollar people donate, it matches to two with the sponsors’ help. The campaign site has different tiers that people can donate to, with some including two tickets to an upcoming show, beer, wine or refreshments on the house, and shoutouts and additions to the venue’s Hall of Fame on their website.

    For more information about The Local and to help their plans for a new stage, visit here.

    The Local’s confirmed February-June 2024 season lineup:

    Sat., Feb. 10, 8 pm – The Art of Arabic Maqam: Firas Zreik

    Sat., Feb. 24, 8 pm – Saugerties Sessions: Cindy Cashdollar with Toombs Dixon

    March

    Sat., March 2, 8 pm – African-American Folk, Blues, & Dixieland Jazz: Blind Boy Paxton + Dennis Lichtman  

    Tues., March 12, 7 pm – Irish Bluegrass: JigJam   

    Fri., March 15, 7 pm – Psychedelic Chanson: Combo Daguerre  

    Sat., March 16, 8 pm – Tracy Bonham’s Birthday Bash

    Tues., March 19, 7 pm – Consider This: Astronomer Bill Berman 

    April

    Wed., April 10, 7 pm – Music and Dance from Veracruz, Mexico: Caña Dulce y Caña Brava 

    Thurs., April 18, 7 pm – Jazz: Alexa Tarantino Quartet 

    Sat., April 20, 8 pm – Old Time Music and Ballads: Nora Brown and Stephanie Coleman

    Sun., April 21, 1 pm –  Family day! Dendê’s Brazilian Recycled Sounds 

    Thurs., April 25, 7 pm – 17-year-old piano phenom Brandon Goldberg & His Trio

    Fri., April 26, 7 pm – The Fantastical World of Hazmat Modine

    May

    Tues., May 7, 7 pm – Consider This: The Biology of Addiction

    Sun., May 12, 7 pm – Music of the Penguin Cafe Orchestra: Simon’s Dream

    Sat., May 18, 8 pm – Sharing in the Spirit Album Release Tour: Ana Egge

    Sat., May 25, 8 pm – Sikh and Punjabi Songs: Sonny Singh Band 

    June

    Sat., June 8, 8 pm – Flamenco: Antonio Lizana and Chano Dominguez 

    Sat., June 15, 8 pm – Persian Classical Music: Kayhan Kalhor 

  • Sam Roberts Band Announce Tour, Coming to Buffalo and NYC

    Indie-rock Sam Roberts Band has announced they are embarking on a major North American tour with support from Grand Public, JayWood, Altameda, Miina, Brandon Wolfe Scott, Brandon Wolfe Scott, Art d’Ecco, and Social Creatures.

    The North American tour features a stop at the Town Ballroom in Buffalo on February 16, and at the Le Poisson Rouge New York on March 16. 

    SAM ROBERTS BAND Budweiser Stage, Toronto. August 19, 2021. Photo by Dustin Rabin – 2853

    Canadian based Sam Roberts first released his debut in 2002, following a popular independent demo recording he had made in Montreal. Before that point, he had been a violin player who eventually moved on to guitar and started a rock band with his friends.  In 2003 he released his first full-length album, We Were Born in a Flame. The Certified Double-Platinum selling album was a huge hit in Canada and won the Juno Awards for Album of the Year, Rock Album of the Year, and Artist of the Year. The artist continued to release hit albums for the remainder of the decade, like in 2006 he released Chemical City which became Platinum-certified and Love at the End of the World in 2008 which became Gold-certified and each album winning him the Juno for Rock Album of the Year.

    Sam Roberts Band continue to deliver their legacy of hit singles to take over the airwaves.  The band’s legendary live show has seen them performing around the world including Australia, Japan, and other extensive tours through Europe and North America and brought them to festivals such as Bonnaroo, Austin City Limits, Lollapalooza and Bumbershoot, and alongside giants like the Rolling Stones and AC/DC.

    With the tour announcement, the band also celebrated the release of their new LP, Adventures of Ben Blank. The new LP is also the singer/songwriter Sam Roberts’ eighth album, and 5th under the Sam Roberts Band moniker. The new record takes a twangy and conceptual turn, seeing Roberts embody the titular character, a lone wolf type with a hardened exterior that slowly fractures as the album runs on.

    Sam Roberts Band will perform at the Town Ballroom in Buffalo on February 16, and at the Le Poisson Rouge New York on March 16 and fans can find tickets here.

    SAM ROBERTS BAND TOUR DATES

    2-Feb-2024 Montreal, QC, Théatre Beanfield w/ Grand Public

    3-Feb-2024 Ottawa, ON, Bronson Centre w/ Grand Public

    8-Feb-2024 Kitchener, ON, Centre in The Square w/ JayWood

    9-Feb-2024 Toronto, ON, History w/ JayWood

    10-Feb-2024 London, ON, London Music Hall w/ JayWood

    16-Feb-2024 Buffalo, NY, Town Ballroom w/ Altameda

    17-Feb-2024 Detroit, MI, St. Andrew’s Hall w/ Altameda

    23-Feb-2024 Victoria, BC, The Capital Ballroom w/ Miina

    24-Feb-2024 Vancouver, BC, The Commodore Ballroom w/ Brandon Wolfe Scott

    25-Feb-2024 Vancouver, BC, The Commodore Ballroom w/ Brandon Wolfe Scott

    27-Feb-2024 Kelowna, BC, Kelowna Community Theatre w/  Brandon Wolfe Scott

    29-Feb-2024 Calgary, AB, Southern Jubilee Auditorium w/ Art d’Ecco

    1-Mar-2024 Edmonton, AB, Northern Jubilee Auditorium w/ Art d’Ecco

    2-Mar-2024 Red Deer, AB, Red Deer Memorial Centre w/ Art d’Ecco

    14-Mar-2024 Philadelphia, PA, Underground Arts w/ Social Creatures

    15-Mar-2023 Washington, DC, Union Stage w/ Social Creatures

    16-Mar-2024 New York, NY, Le Poisson Rouge w/ Social Creatures

    20-Apr-2024 Birkenhead, UK, Future Yard CIC

    23-Apr-2024 London, UK ,The Lexington

    25-Apr-2024 Madrid, ESP, El Sol

    26-Apr-2024 Zaragoza, ESP, Rock & Blues

    27-Apr-2024 Barcelona, ESP, P62

    28-Apr-2024 Valencia, ESP, Loco Club

  • CashorTrade Partners with The String Cheese Incident and JRAD For Pre-Sales & Ticket Drops

    The leading fan-to-fan social ticketing platform, CashorTrade, has revealed their new collaborations with Joe Russo’s Almost Dead and the String Cheese Incident. These band partners are an effort to keep tickets in the hands of fans for two forthcoming concert runs, and also to enhance the company’s fight against ticket scalping. 

    Dusty and Brando Rich, founders of CashorTrade.org

    As String Cheese Incident are getting ready to perform their most anticipated three-night performance at Red Rocks Amphitheatre in July, CashorTrade held a pre-sale on Thursday, February 1 through CashorTrade.org.

    Additionally, the platform has also announced their collaboration with Joe Russo’s Almost Dead to make tickets available for the band’s forthcoming performance at The Fillmore in Charlotte, North Carolina on February 8.

    CashorTrade proudly defines itself as the world’s only social network where fans can buy, sell and trade tickets at face value. The Vermont-based company was launched in 2009 through the efforts of Brando Rich and his older brother Dusty, who are passionate music fans. Their website includes the pre-sale feature as part of their continuous effort to help artists and guarantee fair ticketing procedures. By bypassing the middlemen and online ticket resale marketplaces, artists can establish direct connections with their fan base through their website.

    “CashorTrade is thrilled to partner with The String Cheese Incident and JRAD to empower fans and combat scalping in the live music industry. Our mission has always been to prioritize the fan experience and provide a platform where tickets are traded ethically and securely.”

    Brando Rich, CashorTrade co-founder

    With more than a million followers on its social media, website, and app, CashorTrade has made a name for itself as a reliable spot for fans to exchange, buy, and sell face-value tickets. With its headquarters located in Vermont, the company employs thirty passionate music lovers and is getting ready to release its next-generation software, which will improve the ticketing experience for both artists and fans. 

    For more information about CashorTrade and the upcoming presale, fans can visit CashorTrade.org.

  • New York Series: “I Can’t Spell Schenectady”

    Schenectady. Hard to spell, yet so many songs about it.

    With Bob Dylan playing songs on his recent Fall Tour that referenced the town he was playing in, a quick search for songs about Schenectady offered some interesting results, as well as some diamonds in the rough that never got a day in the sun.

    Dylan was at Proctors Theatre on Monday, October 30, and although he did not entertain one of the songs that follow, here is a look at the many songs written about Schenectady, as well as the songs that reference the notoriously difficult to spell Upstate city.

    Prior to being settled by the Dutch in 1661, the Mohican originally lived in the area around the Mohawk River. The Mohawk referred to the area as “Schau-naugh-ta-da,” meaning ‘Over the Pine Plains” which eventually morphed into “Sche-nec-ta-dee” and finally, Schenectady. Part of the colony of New Netherland settled by Arent Van Curler of Nijkerk, Netherlands. The town was famously burned by the French and their Indian allies in February 1690 in what has been known as “The Schenectady Massacre,” killing nearly all inhabitants. Home to Union College and General Electric, the town’s sobriquet is “The City that Lights and Hauls the World,” a little more wordy than ‘The Electric City’ that many also refer to the town.

    With 350 years of history, and a cultural landmark in Proctors Theatre, the historic Stockade District, miSci (Museum of Innovation and Science), Jazz on Jay, Music Haven Concert Series, the Schenectady-Saratoga Symphony Orchestra, and the still relatively new Rivers Casino, the town on the shores of the Mohawk River is experiencing a downtown Renaissance, with events for all tastes and interests found all throughout the city.

    So this ‘Electric City’ of Schenectady is notable enough, both for spelling and history, that over time, a few songs have been written about the town. Two of the most notable, “I Can’t Spell Schenectady” and “Schenectady” from Synecdoche, New York, we’ll get to in a moment, but let’s look at a pair of songs written for the town.

    First, there’s “Schenectady Song” from Jason Martin. A ‘love ballad to the Electric City,’ the tune was originally released on cassette in 1998 and a re-edited version from Martin’s Magic Recording Eye (2001) can be heard below. Featuring samples at the start and end mentioning ‘High Voltage Hall’ and tests of electricity, the experimental song is unique, odd, and worth a listen.

    Then there’s “Schenectady’s the Place,” the Official City Song, written by Cliff Brucker in 2016, a graduate of The Crane School of Music at SUNY Potsdam and The College of Saint Rose. Brucker’s song has the ‘commissioned by the local Chamber of Commerce’ vibe, although the version by SCCC School of Music heard below does have a certain panache and inviting nature to it. For an official city song, this is spot on for style, lyrics and music.

    Then there are quite a few songs – much to this author’s surprise – that reference Schenectady, including “Hamilton Hill” by Demmene Syronn, released in 2020 and referencing a small neighborhood near Mont Pleasant. “I was a witness to the cultural birth of Hip Hop / From Hamilton Hill, Schenectady, Upstate New York”

    “Starlight in Schenectady” by Peter JB Carman, the first track on Life the Pain, was released on Stockade Records in 2019. The song was first played at Moon and River where Carman and wife Lynn can often be found playing. Carman is a Baptist minister, writing hymns, poems and songs about Massachusetts, Rhode Island, North Carolina and Upstate New York, all places where he has served churches.

    “Walking by starlight in old Schenectady
    And I don’t know where I’m bound
    Listen to the songs from the café down the street
    I surely love the sound
    And the years they do so swiftly roll
    And all day long it’s trouble and toil
    But I’m walking by starlight in old Schenectady
    And it’s home, it’s home I’ve found”

    “Starlight in Schenectady”

    “Afro Angel” by Will Smith (yup, that Will Smith) “Nothing” by Raekwon – “He felt bad but respected me / Pass the watch and the chain off respectably / Moseyed off, ran through Schenectady” – and “Someone to Love” by Fountains of Wayne – “Seth Shapiro got his law degree / He moved to Brooklyn from Schenectady, ’93 / Got some clients in the food industry” – all mention the town.

    There’s also “Grim Reaper” by MC Zappa – “Try me; you might find I’m not in my right mind / Heads will roll, and I’ll repossess ya soul / I’m murderin’ rappers from here to Schenectady / Turn around, you see a sight you didn’t expect to see” “DECAP” by Dicaprio – “And I’m from Brazil, but I’ll always representing the
    County of that city, electricity, Schenectady” and “Bon Soirée” by Clay Coughlin – “I was laid up in Schenectady / But I’ll be bedding down on rue Sainte-Catherine.”

    But for a double dose of local Upstate references, look no further than “The End’s The Same” by Off Balance, who drop a Stewart’s reference – “So sweet you make me feel at home just like some Stewart’s ice cream” as well as one for the town – “Disorder’s light to me / I hear these grimy synths like Ludwig on the ivories / and ebonies / Like nights I’m in Schenectady”

    Getting back to the history of Schenectady, the Dutch settlement was burned to the ground in February 1690 by a war party of French soldiers and allied Mohawk and Algonquin. This event may have produced the first song in the 1840s, “The Burning of Schenectady.” Originally a broadside, featuring just lyrics and sometimes a suggestion for a familiar tune to pair with, the ballad can be sung to the tune of “Auld Lang Syne.” 

    I can't spell schenectady
    The Burning of Schenectady – from a painting by Giles F. Yates, owned by A. A. Yates of Schenectady

    There is some debate on the origin of the poem/ballad that led to the song, with folklorist ad historian Harold Thompson noting in his 1939 book Body, Boots & Britches that the original was written by Walter Wilie of Albany in June of 1690. Wilie notes before the lyrics (abbreviated below) “A Ballad – In which is set forth the horrid cruelties practiced by the French and Indians on the 8th of last February. The which I did compose last night, in the space of one hour, and am now writing, the morning of Friday, June 12th, 1690 – W.W.” Still, a debate continues as to the true origin of the first song of Schenectady.

    God prosper long our King and Queen,
    Our lives and safeties all,
    A sad misfortune once there did
    Schenectady befall.

    From forth the woods of Canada
    The Frenchmen tooke their way
    The people of Schenectady
    To captivate and slay.

    They marched for two and twenty daies,
    All thro’ the deepest snow;
    And on a dismal winter night
    They strucke the cruel blow.

    ….

    They then were murthered in their Beddes.
    Without shame or remorse;
    And soon the Floores and Streets were strew’d
    With many a bleeding corse.

    The Village soon began to Blaze,
    Which show’d the horrid sight –
    But, O, I scarce can Beare to Tell
    The Mis’ries of that night.

    They threw the Infants in the Fire,
    The Men they did not spare;
    But killed All which they could find
    Tho’ Aged or tho’ Fair.

    O Christe ! In the still Midnight Air,
    It sounded dismally,
    The Women’s Prayers and the loud screams’
    Of their great Agony.

    And Here I End the long Ballad
    The Which you have just redde;
    And wish that it may stay on earth,
    Long after I am Dead.

    Lyrics (partial) to “The Burning of Schenectady” – Walter Wilie, 1690

    The aforementioned “Schenectady” from the motion picture Synecdoche, New York, stands out as one of the two most notable songs on the town. The title of the film makes a play on pronouncing the town name – Synecdoche (Sin-eck-duh-kee) while also being a literary expression alluding to a larger concept by bringing to mind a single part of the whole. Raul Yang notes “It perfectly captures the essence of the movie it was written for, and it stands on its own as a beautiful piece of music.” The deeply surreal film with a focus on aging and death, with director Charlie Kaufman including “Schenectady,” which introduces the idea of death in its last verse: “There’s always a never again.”

    But of all these songs about Schenectady, the standard bearer has to be “I Can’t Spell Schenectady.” Written in 1948, let’s glance at the lyrics first.

    Reading, writing and geography;
    But when it comes to spelling, I’m confessin’
    There’s just one word that stumps me constantly.
    I can spell Dakota, can handle Minnesota, but I can’t spell Schenectady,
    I can spell Havana and figure out Savannah, but I can’t spell Schenectady.
    Why, one time at a spelling bee
    Said teacher all at once,
    “Now, Willie, spell ‘Schenectady’,”
    I felt just like a dunce!
    I spelled Anaconda and even Tonawanda,
    So what does she expect of me?
    I just can’t spell Schenectady.
    I can spell Pomona, Seattle and Tacoma, but I can’t spell Schenectady,
    I mastered Ypsilanti and Agua Caliente, but I can’t spell Schenectady.

    Lyrics to “I Can’t Spell Schenectady” courtesy of the Schenectady County Historical Society

    Written by Al Trace, Arthur Terker, Abner Silver and Harry Clarkson, “I Can’t Spell Schenectady” is not in the range of “Weird” Al Yankovic for comedic songs, but rather resides in the realm of satire he would come to be known for, More so, this song is akin to a Bob Hope “Road To…” film featured song.

    Starting out with a high pitched Alvin and the Chipmunks voice, the song laments Schenectady’s spelling difficulties with multiple voices joining in to drive home the orthographic dilemma they face.

    The song was released on vinyl in July 1953, with a B-Side of “The Who is it Song,” both songs performed by Big Jon Arthur and No School Today Cast, and released on a 45 RPM Decca (9-88153) 7″ record, Children’s Series 1-252, with artwork by Sam Norkin.

    Schenectady is the home of General Electric, the early radio-drama pioneer WGY, the first television station with WRGB, not to mention bread so delicious, Jack Nicholson had Perreca’s ship him loaves of bread following the filming of Ironweed in 1987. Yet for all these, Schenectady does not get respect in song or other media as should be afforded. Sure, the town name is difficult to spell, but ‘Place Beyond the Pines’ is a bit wordy. Schen-ec-ta-dy – it’s just that easy!

    I can't spell schenectady
    Album art for “I Can’t Spell Schenectady”

    Former Late Show with David Letterman head writer Bill Scheft once referred to Schenectady as “the Xanadu of funny-sounding places” in an interview with the Daily Gazette. “Four syllables, good rhythm and that hard comedy ‘K’ right in the middle. It scans perfectly. Of course, it’s no Cohoes, but what is?” And with that, check back soon following a search for songs about Cohoes.

  • Meet Me @ The Altar – Irving Plaza Edition

    Meet Me @ The Altar, the vibrant and genre-defying trio, is redefining the punk and pop-punk scene with their electrifying energy and empowering anthems. With lead vocalist Edith Victoria, guitarist Tea Campbell, and drummer Ada Juarez, the band’s dynamic sound reflects their diverse influences and shared passion for breaking barriers in the music industry. Hailing from different corners of the U.S., MMATA found their common ground, and swiftly became a force to be reckoned within the world of punk.

    MMATA

    MMATA’s “Say it To My Face Tour” stop at Irving Plaza on January 25 was an exhilarating celebration of punk, diversity, and unapologetic self-expression. The night kicked off with stellar performances by Elliot Lee, John Hardie, and Honey Revenge, setting the stage for a high-octane headlining act.

    MMATA

    As MMATA took the stage, the atmosphere crackled with excitement. A fan in the front row held a sign that declared “Ada is my everything,” a testament to the profound connection the band fosters with their supporters. The show became a participatory experience when Edith let the crowd choose between two songs, playfully warning them about the sad backstory of “A Few Tomorrows” before launching into it, resulting in playful banter between the band and their adoring audience.

    MMATA

    Edith, Tea, and Ada’s banter with the crowd showcased not only their musical prowess but also their genuine connection with fans. They acknowledged a dedicated fan who had attended 10 shows with applause, reinforcing the reciprocal love between the band and their followers. The concert marked a significant milestone for MMATA, as they headlined at Irving Plaza for the first time, reflecting on their journey from opening for MUNA in 2022 to sharing the stage at Madison Square Garden with 5 Seconds of Summer.

    MMATA

    Inflatable beach balls bounced through the crowd, adding to the playful atmosphere, while Edith’s confusion about the continued existence of BeReal revealed a charming, down-to-earth side. The concert took unexpected turns, such as Tea’s witty remarks during the intro to “Hit’s Like a Girl,” celebrating love and adding a personal touch to the night.

    MMATA

    A standout segment dubbed “Songs We Wish We Wrote” featured spirited covers, including “Since You’ve Been Gone” and “Burnin’ Up,” showcasing the band’s versatility and sense of humor. The fan project during “Garden,” where paper flowers bloomed in the crowd, was a visually stunning moment, and Edith’s acceptance of a flower from a fan emphasized the symbiotic relationship between the band and their admirers.

    MMATA

    Meet Me @ The Altar used their platform for more than music, incorporating activism into the show with the presence of Headcount volunteers promoting voter registration. Crowdsurfing added a final touch of chaos to the night, encapsulating the raw, unfiltered spirit of punk.

    In summary, Meet Me @ The Altar’s concert at Irving Plaza wasn’t just a show; it was a riotous celebration of individuality, shared experiences, and the unifying power of music. The trio’s ability to seamlessly blend punk, pop-punk, and heartfelt lyrics created an atmosphere that resonated with the diverse audience, making it a night to remember.

    Setlist: Same Language, Now or Never, Try, A Few Tomorrows (Crowd voted for this over May the Odds Be Ever In Your Favor), Hit Like a Girl, It’s Over for Me, Since U Been Gone (Partial Kelly Clarkson cover), Take Me Away (Partial Christina Vidal cover), Burnin’ Up (Partial Jonas Brothers cover), T.M.I, Garden, Feel a Thing, Kool, Say It (to My Face)

  • The Massive Memoir From a Glorious Star, “My Name Is Barbra”

    “You knew instantly that she was an original,” Alan Bergman. For those who have waited a lifetime for this memoir, it was worth it. For all who were uncertain it would ever happen, arriving just before holidays 2023, finally in her own words, Barbra Streisand sets the record straight on her private and public life in My Name is Barbra.

    The EGOT winner chronicles her 60 year career with honesty, poignancy, humor and questioning. Her achievements have made her legendary, which includes 46 GRAMMY nominations.

    barbra streisand

    In addition to her fabulous music career, Barbra Streisand was also the first woman to write, produce, direct and star in a major motion picture. She is also the only recording artist in history earning number one albums over six decades.

    New York is where it began, growing up in Brooklyn, on to Catskills summer camp which she hated, Summer Stock at Malden Bridge Playhouse at 15, the Cecilwood Theatre in Fishkill, then her beginnings in New York Nightclubs. Later on with success, Hello Dolly! would film scenes in West Point and Garrison, then scenes from The Way We Were were shot in Schenectady

    Singing as a start, was a way to earn a living. Early on, success came from the musical and film versions of Funny Girl.

    From her early career and throughout it, Barbra Streisand’s talents were often overshadowed by society’s labels pertaining to beauty and unfair comments directed towards her. She serenely handled this and carried on with creativity, not letting it defeat her. Thankfully by the time she reached twenty, some would refer to her looks as “pharaonic” “Nefertiti” and “Babylonian Queen” appreciating the beauty that she so obviously had in addition to her immense talent and drive.

    barbra streisand
    The cover of My Name is Barbra

    As she mentions straightaway beginning the memoir, the negativity pertaining to her appearance was disheartening. As she also points out, it would stick with her throughout her career.

    She had been asked to write her memoir for so long, finally deciding it was time to set things straight and correct any misconceptions lingering about her.

    Her memoir is an inspiration to anyone that doubts following their dreams, because success “actually makes you more of who you really are” she states.

    Like with so many talented and creative people, perhaps Barbra Streisand’s journey into music and theater stemmed from early dissatisfaction with everyday life being unfulfilling. At 14, journeying into Manhattan seeing marquees everywhere showed her seemingly “endless possibilities.”

    Movies showed her a world “so much more vivid and alive than anything I was experiencing.” Barbra recalls the excitement of her first play Teahouse of the August Moon at Malden Bridge Playhouse where she performed with her best friend. She refers to that time as a “glorious summer.”

    A local newspaper gave her performances great reviews, bolstering her confidence. Not unlike Ella Fitzgerald, she declared on the playground that one day she would be famous.

    It was in the Catskills at 13, that her mother was told about a studio where you could make your own record; Barbra and her mother would then go to Nola Studios in December 1955 to do that. She recalls how inspirational that experience was for her. One of the memoir’s themes is that of honesty. 

    Barbra Streisand gives us a compelling glimpse into the creative process of her movies and albums, her journey from struggle to star, along with personal anecdotes on her friendships and romances. Life includes loss, and loss is another of the memoir’s themes with what comes across as the pain of losing her father while she was so young and some of her close friends and colleagues.

    When once asked: “How do you hold a note so long?” “Because I wanted to” was her response.

    Barbra Streisand has received the American Film Institute’s Lifetime Achievement Award, the Kennedy Center Honor, the National Medal of Arts, France’s Légion d’Honneur, and America’s highest civilian honor, the Presidential Medal of Freedom. She founded The Barbra Streisand Women’s Heart Center at Cedars-Sinai, raising awareness for more research into women’s heart disease.

    The Streisand Foundation, which she established in 1986, has supported national organizations working on preservation of the environment, voter education, the protection of civil liberties and civil rights, women’s issues, and nuclear disarmament. In 2021 she launched the Barbra Streisand Institute at UCLA, dedicated to finding solutions to the most vital social issues. 

  • Cayuga Chamber Orchestra Announces New Program – Beethoven’s Second Symphony

    The Cayuga Chamber Orchestra in Ithaca/Finger Lakes has announced its introduction of a third Orchestral Series Program, Beethoven’s playful, exuberant Symphony No. 2 caps the evening. The show will begin on 7:30 pm on February 24.

    Cayuga Chamber Orchestra beethoven
    Conductor Michelle Di Russo (Left) and Kebra-Seyoun Charles (Right)

    The concert opens with Astor Piazzolla’s whimsical Tangazo, followed by Andrés Martin’s soulful Concerto for Contra Bass.

    The program is led by Argentinian-Italian conductor Michelle Di Russo is known for her compelling interpretations, passionate musicality, and mastery of contemporary music.

    Di Russo has served as Interim Director of Orchestras at Cornell University, Assistant Conductor for the Phoenix Youth Symphony Orchestra. Along with this, she was a conductor for San Diego Symphony, Ballet Arizona, and The Phoenix Symphony.

    The show will also feature double-bassist, Kebra-Seyoun Charles. The versatile bassist has an extensive and impressive musical history. Kebra has experience with chamber orchestras, jazz musicians, and various notable composers like Jon Batiste.

    With a combination of Di Russo, Kebra-Seyoun Charles, and the orchestra, the show should be one to honor the legendary Beethoven like never before.

    Tickets are on sale now. To find out more about the Cayuga Chamber Orchestra performance of Beethoven’s music, the acts and ticket sales, click here. The Cayuga Chamber Orchestra has been “Ithaca’s Orchestra” since 1976. Don’t miss out on a piece of New York history, buy before time runs out.