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  • Mammoth WVH Makes A Triumphant Return To Legendary Toad’s Place

    New Haven, Connecticut is mainly seen as the smaller market city that the prestigious Yale University calls home. Some might not know that steps from the university sit the legendary club known as Toad’s Place.

    The rock club has housed legendary acts such as The Rolling Stones, Johnny Cash, Bob Dylan, Billy Joel and Stevie Ray Vaughan. This time around, on Wednesday, March 5, Mammoth WVH returned to the legendary rock club. After releasing their sophomore record, Mammoth II on Aug. 4, 2024, the band is currently on their “Mammoth II Tour” supporting their newest album.

    Mammoth WVH

    Before Mammoth WVH graced the almost 50-year stage, guitarist Nita Strauss of the Alice Cooper band warmed up the crowd with her solo act. Joining Strauss on stage was Christopher Dean on bass, Johnny Young on guitar, Katt Scarlett on keyboards, Kasey Karlsen on lead vocals and her fiancee, Josh Villalta on the drums.

    Strauss provided amazing guitar skills throughout the opening set that dazzled the sold-out crowd. Being the in-house guitarist for the National League Football team, The Los Angeles Rams since 2020, Strauss has gained national attention for her guitar prowess and did not disappoint. 

    During Strauss’ nine-song setlist, she wowed the crowd with her signature sound which can be heard on her newest record, The Call of the Void. At one point in the show, Strauss took a minute between songs to recognize the legendary Toad’s Place. “Even out in California, we know about the legendary Toad’s Place and Pepe’s pizza!” brought a thunderous roar from the audience which was beginning to swell larger. With the band headbanging in unison, some of the Toad’s attendees joined in as the band did more than enough to warm the rainy New Haven crowd for Mammoth WVH.

    Mammoth WVH

    The opening riff of AC/DC’s “Night Prowler” off of 1979’s Highway to Hell blasted over the PA system like thunder strike and the house lights dimmed. The anticipation for the Mammoth WVH’s second trip to Toad’s was palpable. Even with the house lights dimmed and fans packed wall to wall like a can of sardines, the headbanging again picked up while fans held their drinks and the rock horns up. As Mammoth jumped right into “I’m Alright” off the Mammoth II, as mentioned earlier, the band played a 15-song setlist that lasted just over an hour and a half.

    Joining the ranks of Mammoth WVH is, Wolfgang Van Halen (son of the late, Eddie Van Halen) on guitar and lead vocals, Jon Jourdan on guitar, Ronnie Ficarro on bass, and Garrett Whitlock on the drums. Frank Sidoris tours as a third guitarist with the band but this time around he was on the road with Slash featuring Myles Kennedy and The Conspirators.

    The crowd, which was of all ages, had smiles across their face like kids on Christmas for the entire set. Mammoth WVH performed at Toad’s two years ago on the double bill “Young Guns Tour” with Dirty Honey. Like the first time, Mammoth’s performance did not disappoint.

    Mammoth WVH

    In between songs, Van Halen was smiling and playing along with the crowd. While he did not speak for a long time in between songs (certainly not as long as Paul Stanley of KISS), when he did though, he was laughing with his band and talking to members of the audience along the barricade.

    At one point in the show, before the start of “Distance” off of 2021’s Mammoth WVH, the rest of the band, besides Van Halen exited the stage, for Van Halen to play an acoustic version of the song. With Oasis’ “Wonderwall” jokingly being played for a brief second at the start, the bone-chillingly beautiful rendition of the tune left lasting memories on the crowd. Typically during a Mammoth WVH performance, while the music is clear, at times with all the instruments you can’t fully grasp each individually. During “Distance,” you were able to fully grasp how great of a musician Van Halen is. His voice is amazing and his guitar skills are mind-blowing. It doesn’t take long to understand why he recorded every instrument track on the first two albums.

    Mammoth WVH

    The energy of the entire band on stage kept the thrill alive in the audience which was entirely general admission. With Whitlock beating the daylights out of his drums, which kept each song moving forward, the rest of the band was in another gear. It’s easy to see how close of a tight-knit group they are. Each band member was able to feed off the other and bring out the best of the band.

    Mammoth WVH

    With only two albums under the band’s belt, they were able to play multiple tracks from each of the first two albums. If you were hoping to hear some classic Van Halen, then this show isn’t the one for you. The band does not play anything Van Halen which is a great thing. Wolfgang is an excellent songwriter and overall great musician so it’s amazing to see what he has accomplished so far.

    Mammoth WVH is one of the up-and-coming bands in rock music and the fan base is growing larger and larger every day. It’s only a matter of time until they sell out much bigger venues than Toad’s Place. There is very little to hate about this band. If you’re looking for a hungry band with excellent musicianship then this is the band for you.

    With fans pilling out onto York Street, what was once a crowded venue turned into a crowded street. The cold and wet night did not keep fans away from standing outside the side door waiting to meet the band just minutes after they walked off the stage. With Toad’s Place dubbing themselves “The place that legends play,” fans exited the venue on Tuesday night knowing that they saw another rock legend in the making.

    Nita Strauss Setlist: Summer Storm, Our Most Desperate Hour, Mariana Trench, Alegria, The Quest / Drum Solo, The Wolf You Feed, Through the Noise, Dead Inside, Victorious

    Mammoth WVH Setlist: I’m Alright, Right?, Epiphany, Miles Above Me, Like a Pastime, Horribly Right, Optimist, Stone, Distance, Think It Over, Mammoth, You’re to Blame, Take a Bow, Another Celebration at the End of the World, Don’t Back Down

  • Dreamville Festival Announces 2024 Lineup: SZA, J. Cole, and Nicki Minaj to Headline

    Dreamville’s annual spring festival is returning to Raleigh, NC from April 6-7 in Dorothea Dix Park. Dreamville Festival is curated by the label’s founder, and North Carolina native, J. Cole as well as members of his Dreamville team, who will also be performing at the festival.

    dreamville festival
    Dreamville 2024 Lineup, Courtesy of Dreamvillefest.com

    Day one will feature SZA and Chris Brown as the headliners. SZA is hot off her second studio album SOS, which earned the 2023 BET Album of the Year award and many other accolades. Last November, Chris Brown released a new album, titled 11:11, touring this June in support. In addition to the headliners, J.I.D, Lil Yachty, Schoolboy Q, Sexyy Red, Jeremih, Earthgang, Teezo Touchdown, Amaarae, Lute, Luh Tyler, and Domani are all performing on the first day of the festival.

    JID
    J.I.D performing at Made in America Festival, 2022. Photo By: Lucas Kurzweil

    Day two of the festival will feature J. Cole and Nicki Minaj as headliners. J. Cole is currently on the “Big As The What?” tour, co-headlining with Drake, and Nicki Minaj is also on tour for her December 2023 release Pink Friday 2. Rema, Jeezy, Monica, Rae Sremmurd, Key Glock, Bas, Muni Long, Cozz, Omen, TiaCorine, and Chase Shakur join on day two.

    J. Cole performing at Gov Ball 2022. Photo by: Joseph Buscarello.

    Tickets are for sale now. As the festival website states, “ALL are welcome at Dreamville Festival!”

  • Mary J. Blige Announces Return of Strength of a Woman Festival and Summit

    GRAMMY and Emmy Award-winning and Oscar-nominated artist, actress, producer, and entrepreneur Mary J. Blige has announced the return of the third annual Strength of a Woman Festival and Summit, in partnership with Live Nation Urban and Pepsi. The NYC festival features three days of music, comedy, female empowerment sessions, keynote speakers, and more from May 10-12.

    Strength of a Woman Festival
    Photo Credit: Will Sterling.

    Created and curated by the iconic Mary J. Blige, Strength of a Woman Festival and Summit is the only festival experience in the market, brought to you exclusively by an all-Black, female team, arriving in the birthplace of Hip-Hop, New York City. She has dedicated the majority of her career to amplifying and giving voice to BIPOC women, through the art of music and truth-telling.

    After selling out in less than 72 hours last year, the festival will bring iconic moments with three incredible nights of music and entertainment, featuring a concert at Barclays with performances by Mary J. Blige and special guests 50 Cent, Jill Scott, Fat Joe, Jadakiss, Muni Long, Lola Brooke, and Funk Flex; a Comedy Show featuring Tiffany Haddish, Don’t Call me White Girl, and Paris Sashay; Jazz Concert with Robert Glasper; Gospel Brunch, hosted by Mary J. Blige, and Gospel Concert headlined by The Clark Sisters. The Strength of a Woman Summit on May 11, hosted by Angie Martinez, will empower and engage with women and includes inspiring programming, pivotal panels, keynote speakers, workshops, and much more.

    “I’m so excited to bring our Strength of a Woman Festival and Summit to my hometown, New York City, a place that has always been a huge source of inspiration for me,” said Mary J. Blige, Founder of Strength of a Woman Festival and Summit. “Having the opportunity to continue to uplift, inspire, and build within my community is the reason I created this festival. I’m so grateful for all the support from our performers, attendees, and of course, our partners Live Nation Urban and Pepsi. Nobody does it like New York, so get ready.”

    Presented by Pepsi, the festival’s inaugural partner returns to support Blige and her impactful work on and off the stage, in a shared mission to inspire and empower the next generation of women. Pepsi will once again bring its powerful platform to the production and event experience across the festival, bringing delicious food by local Black female restaurateurs to the fan experience through Pepsi Dig In—a platform designed to provide visibility, resources, and awareness to Black restaurateurs.

    As a brand rooted in celebrating culture and music and uplifting communities, Pepsi is honored to return as presenting partner and co-producer of the Strength of a Woman Festival and Summit, continuing our shared vision with Mary to elevate and empower women. The festival’s move to New York City, Pepsi’s own backyard, provides an even larger stage to highlight and support more remarkable women in the community. As it moves into its third year, the festival’s continued success is a testament to Mary’s impact and the power of amplifying Black women and their voices.

    Kent Montgomery, Senior Vice President, PepsiCo Industry Relations and Multicultural Development

    In celebration of Women’s History Month (March), presale tickets go live Wednesday, March 6 – Thursday, March 7, with code STRENGTH, while general ticket sales begin Friday, March 8 at 10 a.m. ET. For tickets and schedule, visit here

    Strength of a Woman Festival and Summit Schedule

    Friday, May 10, 2024

    Comedy Show

    The Apollo Theatre

    Performances by Tiffany Haddish, Don’t Call me White Girl, and Paris Sashay

    Jazz Concert

    Blue Note Jazz Club

    Performance by Robert Glasper

    Saturday, May 11, 2024

    Strength of a Woman Summit

    The Glasshouse

    Hosted by Angie Martinez

    Strength of a Woman Concert

    Barclays

    Performances by Mary J. Blige, 50 Cent, Jill Scott, Fat Joe, Jadakiss, Muni Long, Lola Brooke, and Funk Flex

    Sunday, May 12, 2024

    Gospel Brunch

    Brooklyn Chophouse in Times Square 

    Hosted by Mary J. Blige

    Gospel Concert

    Brooklyn Paramount

    Performance by The Clark Sisters

  • WIRE Festival Returns to Knockdown Center, May 16-19

    Plunge into a techno paradise in Queens from May 16–19, when WIRE Festival makes a return to Knockdown Center. This year, the event broadens its scope, delivering three days of non-stop pulsing beats.

    WIRE Festival Knockdown Center

    On Thursday, May 16, festivities begin with evening talks in collaboration with the Resident Advisor, preparing the ground for an enjoyable weekend. Stage 1 is the Main Hall, where techno’s seminal and innovative acts perform. Meanwhile, Stage 2 is the scene of takeovers. This year, Wire has invited Berlin’s Mala Junta and Amsterdam’s Vault Sessions. These two European collectives will redefine techno in 2024.

    A staple of WIRE, the Ambient Stage returns with exclusive sets from versatile New York DJs. As night passes, the stage delivers an extraordinary sound trip through artists’ collections. On Sunday morning, the outdoor closing session at The Ruins features house-focused DJs, offering an intermission from the nonstop techno beats. The outdoor house stage is a new addition that will expand the experience.

    WIRE Festival Knockdown Center
    WIRE Festival – Photo by Bryan Kwon

    With artists like Surgeon, Rødhåd, Boris, Oscar Mulero, and more, WIRE’s lineup is a techno lover’s paradise. With more than 30 years of experience, Surgeon embodies the energy, adventure, and individuality that define techno. The crew takeovers on Stage 2 carry on their tradition, pushing the boundaries with Vault Sessions and Mala Junta.

    WIRE Festival is arranged by the team of Téa Abashidze, GeGa Japaridze, and Tyler Myers—the brains behind BASEMENT and the RUSH series. Individual day passes for WIRE Festival at Knockdown Center are available for purchase here, while the weekend passes have sold out.

  • A Coldwave Hits Town Ballroom

    Buffalo band ‘Free Music Party’ hosted their first music festival, Coldwave, at the Town Ballroom on Saturday, March 2. The event featured local, Buffalo-native artists and musicians from surrounding areas.

    The one-day festival lineup featured a headlining performance from Free Music Party themselves. Additional performers included ProSocial, Johnny and the Man Kids, and Nefatli, among others.

    As all festivals tend to get a bit of a slow start, Coldwave was no exception to this. That didn’t stop each act from giving it their all during their 30-minute sets and the headliner during their hour-long set.

    Kevin Spears, a member of Free Music Party, said of the event, “Cold Wave is a first-year, Western New York-centered music festival hosted by Free Music Party, a Buffalo R&B and Hip Hop act. Under the guidance of Kaylen Price and Max Cambria, Free Music Party gathered some of the freshest and upcoming musical acts from the area, and even a few out-of-town musicians, under the roof of the historic Town Ballroom for a night of music, art, fashion, and community.

    The festival aims to capture the raw, unique, and utter coolness of the artistic movement emerging from Buffalo and the surrounding areas. Free Music Party, dubbed “FMP” by friends and fans alike, being heavily involved in this emerging scene from the beginning. We knew we would be the perfect hosts to be at the forefront of this ‘cold wave’.”

    Alex Live, Free Music Party

    It was incredible to see all of these local acts under one roof. This festival truly gave these artists a platform they might not have had otherwise. It also did wonders to spotlight the Buffalo music scene and its influence in the city.

    For more from Coldwave Music Festival, head to Free Music Party’s social platforms @freemusicparty.

  • Irish Alt Rockers Two Door Cinema Club Announce Biggest Tour of Their Career

    Alternative rockers Two Door Cinema Club announced their biggest string of tour dates ever. The tour includes dates in Lewiston and NYC, with the tour starting March 4 and wrapping up on October 3.

    Two Door Cinema Club’s tour will see the band’s hot mix of guitar-driven post-punk hooks with dancey, electronic polish. The alt-pop sound gets people moving. The band will play their hits as well as recent music. They will stop at Pier 17 in NYC on July 23 and Artpark Amphitheater in Lewiston on July 29. The tour also includes a few dates in Ireland and the UK.

    The group hails from Bangor and Donaghadee, Northern Ireland. Lead vocalist, guitarist and programmer Alex Trimble, guitarist and vocalist Sam Halliday, and bassist and vocalist Kevin Baird comprise the trio. The trio began playing as Two Door Cinema Club in 2007 and continue to stand the test of time in 2024 and beyond.

    Two Door Cinema Club | 2024 Tour Dates

    March 4 – Detroit, MI – Majestic Theatre (with Joywave)

    March 5 – Columbus, OH – KEMBA Live! (with Joywave)

    March 7 – Chicago, IL – Riviera Theatre (with Joywave)

    March 8 – Minneapolis, MN – First Avenue (with Joywave)

    May 17 – San Diego, CA – Cal Coast Credit Union Open Air Theatre (with Day Wave)

    May 18 – Pasadena, CA – Just Like Heaven Festival

    May 19 – Oakland, CA – Fox Theater (with Day Wave)

    May 21 – Portland, OR – Crystal Ballroom (with Day Wave)

    May 22 – Seattle, WA – Paramount Theatre (with Day Wave)

    May 24 – Salt Lake City, UT – The Union (with Day Wave)

    May 25 – Denver, CO – The Mission Ballroom (with Day Wave)

    May 28 – Dallas, TX – Southside Ballroom (with Day Wave)

    May 29 – Houston, TX – White Oak Music Hall (with Day Wave)

    May 30 – Austin, TX – Stubb’s Waller Creek Amphitheatre (with Day Wave)

    June 22 – Dublin, IE – Fairview Park

    July 13 – Atlanta, GA – Coca-Cola Roxy (with Flipturn) *

    July 16 – Miami, FL – FPL Solar Amphitheater at Bayfront Park (with Flipturn) *

    July 17 – Jacksonville, FL – Daily’s Place (with Flipturn) *

    July 19 – Asheville, NC – Rabbit Rabbit (with Flipturn) *

    July 20 – Raleigh, NC – Red Hat Amphitheater (with Flipturn) *

    July 23 – New York, NY – The Rooftop at Pier 17 (with Flipturn) *

    July 26 – Asbury Park, NJ – Stone Pony Summer Stage (with Flipturn) *

    July 27 – Baltimore, MD – Pier Six Pavilion (with Flipturn) *

    July 28 – Boston, MA – Leader Bank Pavilion (with Flipturn) *

    July 29 – Lewiston, NY – Artpark Amphitheater (with Flipturn) *

    July 31 – Toronto, ON – Coca-Cola Coliseum (with Flipturn) *

    August 15 – Belfast, IE – CHSQ

    August 16 – Carnmore East, IE – Galway Summer Sessions

    August 22 through 25 – Reading, UK – Reading Festival

    August 22 through 25 – Leeds, UK – Leeds Festival

    September 13 – Vancouver, BC – Orpheum Theatre (with Petey) *

    September 14 – Seattle, WA – WAMU Theater (with Petey) *

    September 15 – Bend, OR – Hayden Homes Amphitheater (with Petey) *

    September 17 – San Francisco, CA – The Masonic (with Petey) *

    September 21 – San Diego, CA – Gallagher Square at Petco Park (with Petey) *

    September 24 – Phoenix, AZ – Arizona Financial Theatre (with Petey) *

    September 25 – El Paso, TX – The Plaza Theatre Performing Arts Center (with Petey) *

    September 26 – Austin, TX – Moody Amphitheater at Waterloo Park (with Petey) *

    September 28 – Kansas City, MO – Starlight Theatre (with Petey) *

    September 29 – Minneapolis, MN – The Fillmore Minneapolis presented by Affinity Plus (with Petey) *

    October 1 – Madison, WI – The Sylvee (with Petey) *

    October 2 – Indianapolis, IN – Everwise Amphitheater at White River State Park (with Quarters Of Change) *

    October 3 – Nashville, TN – Marathon Music Works (with Quarters Of Change) *

    *Newly added tour dates

    Tickets for Two Door Cinema Club will be available starting with a Citi presale beginning on Tuesday, March 5 at 10 AM ET. An artist presale will begin on Wednesday, March 6 at 10 AM. Additional presales will run throughout the week ahead of the general on-sale beginning on Friday, March 8 at 10 AM at twodoorcinemaclub.com.

  • Gangstagrass Release Funky New Sophomore Single “Good at Being Bad”

    NYC Bluegrass hip-hop group Gangstagrass has released their latest funk-infused single titled, “Good at Being Bad.” The group stands for a unique and true musical genre of their own creation that merges the styles of country/bluegrass and hip hop. The latest single from the group exhibits their talent and diversity greatly.

    Gangstagrass has also revealed a new 10-track album titled, The Blackest Thing On The Menu. The group delves deeper into the fundamental sounds of each genre, while preserving their own unique blend and sound. “Good at Being Bad” is complete with masterful mandolin playing, dynamic production, and energetic vocals.

    The tune seamlessly blends funk with Gangstagrass’s distinctive fusion of bluegrass and hip-hop. The group originated in Brooklyn, but the sound they possess transcends city, state, and country. They are a diverse blend of sound, and the two genres reflect a coming together of American values.

    This rebellious collective has achieved unparalleled success in crafting an innovative sound rooted in historically significant heritage. Gangstagrass emphasizes the value of education, frequently conducting workshops for K-12, college students, and adults of diverse backgrounds. Whether through engaging Q&A sessions, historical lessons, or spontaneous music tutorials, the group staunchly advocates for imparting well-rounded knowledge to everyone. 

    “Working with Gangstagrass was awesome. I had been hip to them for a few years and was really diggin’ what they were doing. Mixing bluegrass with hip hop! Quite out of the box thinking. A lot of worlds coming together. I have always been a fan of bluegrass and have worked on a few records. When we got in the studio, I thought the band was exceptionally talented. Also, I was a rapper myself in the late 80’s and early 90’s, so this scratched my classic hip hop itch with a new school twist. So, to record these amazing lyricists with a live smackin’ band… what more could you ask for!!”

    Boo Mitchell

    Gangstagrass’ music is a must-listen. Their amazingly different sound is something to certainly lay your ears on.

    To listen to Gangstagrass’ latest single, “Good at Being Bad,” via streaming service, click here.

  • The Copland House Begins New Era with Purchase of Vast Additional Property

    The Copland House has purchased a school campus on the New York-Connecticut border, heralding a transformational programmatic and institutional expansion. 

    The expansion will be a home to a vibrant, multidisciplinary creative community centering the arts in ongoing public conversation, the property, known as Bluestone Farm. It will stand as a vital meeting place, both live and virtual, where artists, music lovers, cultural adventurers, and newcomers of all ages, backgrounds, and identities are welcomed into an exhilarating world of continuous exploration, discovery, and innovation.

    Copland House

    The Copland House was formed by Aaron Copland who was one of the most celebrated and profoundly influential musical figures in American history. The composer lived and spent most of his time on a rocky hill atop three acres of woodland in the lower Hudson River Valley hamlet of Cortlandt Manor, less than one hour north of New York City. After his death in 1990, a coalition of local townspeople launched a genuine grassroots movement to preserve and restore this historic residence as the living, enduring embodiment of his seminal artistic and personal legacies and lifelong advocacy of American composers. 

    The Copland House offers public programs throughout the country, the infamous house also provides recordings, broadcasts, webcasts, film screenings, visual exhibitions, and an annual performance series at its vast new satellite venue at the historic Merestead estate in nearby Mount Kisco. 

    Copland House

    In 2020, its music ensemble, Music from Copland House was featured on Tiny Desk (Home) concert where they performed from home, and not so tiny writing desk, of Aaron Copland, one of America’s beloved composers. The $3-million, 24-acre complex nestled in the woods in Brewster expansion will allow the Copland House to substantially extend its artistic support, audience reach, public presentations, educational engagement, and programs that uniquely embrace and champion the entire artistic process. 

    The recently announced institutional extension will be an excellent addition to Rock Hill, Copland’s cherished, long-term home in neighboring Westchester County, which continues to play an important role. Even though a small private property cannot accommodate the demands of a nationally recognized arts organization, Rock Hill will always be Copland House’s indispensable institutional and inspirational home. Rock Hill, a National Historic Landmark and exceptional cultural, educational, and civic asset, embodies Copland’s principles and goals and links him to a location and era, even though his influence well surpasses both.

    This transaction represents a big milestone for the Town of Southeast. Copland House plans on working with the Town to bring a wide spectrum of musical and cultural programs to the community. This will enhance the quality of life for all town residents in Southeast and the surrounding area.

    Thomas LaPerch of Houlihan Lawrence Commercial, the deal’s lead selling broker

    To learn or schedule visiting tours, fans can visit here.

  • Kamasi Washington to Play Beacon Theatre Upon Release of New Album “Fearless Movement” – Listen to “Prologue” now

    Legendary west coast jazz saxophonist Kamasi Washington has announced a new album – Fearless Movement – along with a tour that kicks off on May 4 at the Beacon Theatre.

    Along with the tour announcement, Washington has released the first track from Fearless Movement, “Prologue,” alongside a mesmerizing video directed by longtime collaborator AG Rojas and choreographed by Samantha Blake Goodman.

    Kamasi Washington beacon theatre

    Kamasi Washington is a multi-instrumentalist, composer and bandleader born and raised in Los Angeles, who has released three albums, all acclaimed – The EpicHarmony of Difference, and Heaven and Earth. In 2020, Washington scored the Michelle Obama documentary Becoming, earning Emmy and GRAMMY nominations for his work.

    Washington views Fearless Movement his dance album: “It’s not literal. Dance is movement and expression, and in a way it’s the same thing as music—expressing your spirit through your body. That’s what this album is pushing.”

    With his previous albums dealing with cosmic ideas and existential concepts, Fearless Movement focuses on the everyday, an exploration of life on earth. This change in scope is due in large part to the birth of Washington’s first child a few years ago. A dance album as an embodied form of expression signals a shift in focus for Washington.

    “Being a father means the horizon of your life all of a sudden shows up. My mortality became more apparent to me, but also my immortality—realizing that my daughter is going to live on and see things that I’m never going to see. I had to become comfortable with this, and that affected the music that I was making.”

    Kamasi Washington, on Fearless Movement

    The album also features Washington’s daughter, who wrote the melody to “Asha The First” during some of her first experimentations on the piano, as well as a host of collaborators. Among them, André 3000 appears on flute, George Clinton lends his voice, as do BJ The Chicago Kid, Inglewood rapper D-Smoke and Taj and Ras Austin of Coast Contra, the twin sons of West Coast legend Ras Kass. Washington has also enlisted lifelong friends and collaborators Thundercat, Terrace Martin, Patrice Quinn, Brandon  Coleman, DJ Battlecat and more.

    Fearless Movement also features “The Garden Path,” a song Washington performed for the first time ever, making his late-night television debut, on “The Tonight Show Starring Jimmy Fallon.”

    Washington has announced an extensive North American tour kicking off May 4 at Manhattan’s Beacon Theatre with dates in Chicago, Houston, San Francisco and the Hollywood Bowl Jazz Festival, which he will co-curate with Herbie Hancock for the second year in a row, on June 16.

    Pre-order/Pre-save Fearless Movement here. Tickets for Kamasi Washington at the Beacon Theatre, and all shows, are on sale March 8 at 10am, here.

    KAMASI WASHINGTON 2024 TOUR

    May 4—New York, NY—Beacon Theatre

    May 5—Philadelphia, PA—Union Transfer

    May 7—Toronto, QC—History

    May 8—Cincinnati, OH—Ludlow Garage

    May 9—Detroit, MI—St. Andrews Hall

    May 10—Chicago, IL—Thalia Hall

    May 11—St. Paul, MN—Fitzgerald Theater

    May 12—Omaha, NB—Slowdown

    May 14—Houston, TX—House of Blues Houston

    May 15—Dallas, TX—House of Blues Dallas

    May 16—San Antonio, TX—Empire Theater

    May 17—Austin, TX—Empire Garage

    May 30—Vancouver, BC—The Vogue Theatre

    May 31—Seattle, WA—The Showbox

    June 1—Eugene, OR—McDonald Theatre

    June 2—Portland, OR—Crystal Ballroom

    June 5—Sacramento, CA—Crest Theatre

    June 6—Monterey, CA—Golden State Theatre

    June 7—San Francisco, CA—Warfield

    June 8—Santa Cruz, CA—The Catalyst

    June 9—Solana Beach, CA—Belly Up

    June 11—Mesa, AZ—Mesa Arts Center

    June 16—Los Angeles, CA—Hollywood Bowl Jazz Fest

    July 31—Alexandria, VA—The Birchmere

  • Legendary French Duo AIR Announce Tour, Coming to Beacon Theatre

    Legendary French duo AIR has announced an extensive North American tour to celebrate the 25 anniversary of their debut album Moon Safari, which includes two stops at the Beacon Theatre on October 21 and 22, 2024.

    AIR Beacon
    AIR live in Vienna by Chérie Hansson.

    Similar to their recent European tour, which sold out in record time, AIR will be playing their widely celebrated album in its entirety for the first time. The band released the demo version of “New Star In The Sky” ahead of the digital release of the 25-anniversary deluxe album on March 15, featuring over ten cherry-picked Moon Safari audio rarities.

    On Jan. 16, 1998, AIR released Moon Safari, an album that catapulted Nicolas Godin and Jean-Benoit Dunckel to the top of electronic music’s ladder. Their sound – Fender Rhodes trills, loping basslines, and sensual yet playful vocal hooks – conjured the sensation of the masses.

    Since forming the band in 1995, the prolific duo has released six albums in addition to their acclaimed EP Premiers Symptômes, the release of the aforementioned classic Moon Safari, and two soundtracks that sold millions of copies. AIR garnered an extensive list of worldwide accolades for their unique brand of downtempo electronic music.

    “The hype was a violent experience,” reflected Jean-Benoit Dunckel, 25 years later. “AIR’s music is not accessible or easy to discern: The format is strange, the voices are strange, the subjects are strange. Even ‘Sexy Boy’ sounds strange. We were a duo doing some electronic thing, dreaming of selling 10,000 copies and being recognized by other musicians as cool. Then suddenly, we met the world. Personally, it took me time to see that we could be a big, important band.”

    In short, Moon Safari was a nest of contradictions. Today, the record’s legacy is canonical, but its multi-million success was far from assured.

    “This kind of bedroom music was all about fantasy,” says Nicolas Godin. “In my mind, I was picturing myself at Capitol Records, surrounded by all the best musicians, feeling like Burt Bacharach. In reality, I was in the fucking 18th arrondissement of Paris, with a sampler, singing into one microphone. But when your fantasy is so strong, I think it goes in the wires and through the speakers. The power of Moon Safari was to make people believe in what we believed in.”

    While AIR’s precise alchemy and absence of geographical anchoring placed Moon Safari outside the grip of trends, the album intersected with the world below’s revolutions at precisely the right moment.

    Through Moon Safari, AIR transfixed some of the great visionaries of the late 20th century — David Bowie, Madonna, Beck — as well as influencing preeminent aesthetes of the incoming age – including Charlotte Gainsbourg Kevin Parker, and Sofia Coppola. AIR helped fan the flames of a rare Francophilia which surged through the typically nativist British charts in 1998. Moon Safari birthed three hit singles in “Kelly Watch The Stars,” “All I Need” and “Sexy Boy,” which shifted over half a million copies in the UK and pushed AIR into headline contention at banner festivals such as Glastonbury.

    25 years on, it’s not hard to alight upon why Moon Safari has stood the test of time. AIR’s unique grasp of pace and mood, surety of direction, and earworm hooks compelled the world toward it.

    “To me,” Godin concludes, “Moon Safari is perfect.”

    Presale goes on sale on March 7 at 10 a.m., while general tickets are on sale on March 8 at 10 a.m. Tickets can be purchased here. There are VIP packages and experiences for fans to take their concert experience to the next level. Packages include premium tickets, an official tour poster, vouchers to the concession stands, and more. For more information, visit vipnation.com.

    AIR PLAY MOON SAFARI

    NORTH AMERICAN TOUR 2024

    *Not a Live Nation Date

    9/25 – Vancouver, BC @ Queen Elizabeth Theatre

    9/27 – Seattle, WA @ Benaroya Hall

    9/29 – Los Angeles, CA @ Orpheum

    9/30 – Los Angeles, CA @ Orpheum

    10/2 – San Francisco, CA @ The Masonic

    10/4 – Denver, CO @ Bellco Theater

    10/6 – Minneapolis, MN @ State Theatre

    10/8 – Chicago, IL @ Auditorium Theatre

    10/10 – Detroit, MI @ Fox Theatre

    10/12 – Toronto, ON @ Massey Hall

    10/13 – Montreal, QC @ Place Bell

    10/15 – Boston, MA @ MGM Music Hall at Fenway

    10/17 – Philadelphia, PA @ The Met

    10/18 Washington DC @ The Anthem*

    10/21 – New York, NY @ Beacon Theatre

    10/22 – New York, NY @ Beacon Theatre

    10/24 – Atlanta, GA @ Tabernacle

    10/26 – Miami Beach, FL @ Fillmore Miami Beach

    10/29 – Dallas, TX @ Music Hall at Fair Park

    10/30 – Austin, TX @ Moody Amphitheatre