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  • Goose Room Recording Studio: Breathing Life into Staten Island

    Staten Island’s New Dorp Plaza North is a quiet, commercial street, minus the occasional train whirring through the tracks that separate it from its southern counterpart. It is lined with hair salons, restaurants and dance companies, but sandwiched in between these complexes lies Goose Room — the recording studio looking to bring some noise back into the forgotten borough.

    Founded by local musician Rain Johannes in 2022, Goose Room is Staten Island’s newest recording studio. Feeling like the current studios on the island were pricey and small — tailored to artists without instruments — he aims to make the studio an accessible and comfortable environment for musicians of all kinds. 

    Goose Room Recording Studio

    The idea for Goose Room hatched in Johannes’ old Westerleigh family house in 2017, where he moved back to after two years at Bard College. He was pursuing a degree in Music Technology at NYU, and would help his friends from his days at LaGuardia High School mix and master their tracks in a DIY-basement studio. When the opportunity arose to move his practice into a rental unit in the East Island neighborhood of New Dorp, he took the chance to further expand his reach to the musicians of the island.

    Johannes first learned to play guitar from his dad, and went to lessons throughout his youth. During his time at LaGuardia, he joined a songwriting ensemble, and continued to make music in his bedroom as he started college. “I wanted to maintain as much of my home studio setup in this space as possible,” Johannes, now 27, said. “Studios can sometimes be really stifling, especially when you have never been inside one or are coming from only playing songs in your bedroom.” 

    Johannes wants artists to feel at home at Goose Room. A studio he interned at during his career at Bard provided musicians with a separate living space to relax in during downtime. Inspired by this hospitality, he set up a kitchen, bedroom, bathroom and backyard area — “so they can smoke in between takes,” he jokes. Comfy couches with colorful pillows line the large, sleek living room area, filled with natural light from floor-length windows. A large, welcoming rug is laid in the recording space itself, and iconic records adorn the walls. is With personal picture frames, bright green plants and stickers of local bands placed all around, it feels like you’re visiting a long distance friend and working on a collaborative passion project. 

    As word began to spread about the new studio space, Johannes started to meet several Staten Island musicians eager to work with him. One of these bands was rock group Our Own Yokos, who, after fifteen years of making music in the borough, finally released their first single “Sir Chunk” with Goose Room in February of 2023. 

    Goose Room Recording Studio

    All three members of the band — guitarist Shaun Gold, bassist Brian Buchanan and drummer Cole Rice — were born and raised on Staten Island. When it came to recording their music, they longed to do it at a hometown studio — a perfect homage to their immense pride in its music scene. 

    “We don’t hide the fact that we’re from here,” said Buchanan. “We play here, and we go to shows here. The community infrastructure of the scene right now is really strong, and a recording studio is just a natural part of that infrastructure.”

    In their lengthy history of playing in Staten Island bands, the members of Our Own Yokos have seen many music venues and spaces disappear. Despite the lack of stages, they find that the friendship between the local bands is tighter than ever, and their newfound camaraderie in Johannes. 

    “He’s another musician in the room — not someone that just presses his buttons and hits record,” said Gold. “He’s someone that really has a good sense of what his clients are doing and has been an asset to us in many ways.” 

    Goose Room Recording Studio

    Along with becoming a hub for the already-existing scene on Staten Island, Johannes hopes that Goose Room can show musicians outside of the borough all of the things the community has to offer. “I find that I end up becoming an unofficial ambassador of Staten Island,” he says. “I think for some people in other boroughs, coming here is part of the adventure, because it’s different from where they’re from.” He’s directed artists from elsewhere to the best bagels and pizza in town, but now wants to lead them to venues and other music spots to check out. 

    So far, Goose Room Recording Studio has furnished recordings with more than 30 artists. For now, Johannes aims to connect more with the local scene, as more clients from the forgotten borough learn about his practice through word of mouth. He hopes to connect with even more musicians, forming bonds that help make the kinship between artist and engineer stronger.

    “I really enjoy the experience of recording with someone and being engaged with them musically,” he said. “That’s something kind of unique to me in this space that is always a given. It’s part of it’s part of like the environment I try to foster here and something I appreciate.”

  • Waterparks: Live from MGM Music Hall

    Waterparks is a dynamic, genre bending trio hailing from Houston, Texas, consisting of charismatic frontman Awsten Knight, guitarist Geoff Wigington, and drummer Otto Wood. With their high-energy stage presence and genre-defying sound, Waterparks has become a force to be reckoned with in the alternative music scene.

    Waterparks brought their electrifying energy and infectious enthusiasm to the MGM Music Hall at Fenway Park as part of “The Sneaking out of Heaven Tour,” with fans lined up around the venue as early as 3 AM, these fans left in awe with a high-octane performance and unforgettable moments.

    From the moment they stepped onstage, frontman Awsten Knight and his bandmates captivated the crowd with their signature blend of pop-rock anthems and irresistible hooks. The atmosphere was electric as fans sang along to every word, their voices blending harmoniously with the band’s infectious melodies.

    Throughout the night, Waterparks delivered one memorable moment after another, from Awsten’s impromptu phone call to a fan’s boss, quitting their job on their behalf, to the spirited chants of “fuck these kids” and “support the moms.” Awsten’s playful banter and charismatic stage presence kept the energy levels high, while guitarist Geoff whirlwind performance earned him the endearing nickname “Hurricane Geoff.”

    The band’s setlist was a perfect mix of old favorites and new hits, with standout moments including fans making Awsten wear a gifted shirt that said “I F*ck Fish”, followed up by their hit “Fuck About It” resulting in a hilarious exchange between Awsten and Otto. Awsten’s solo piano performance on the B stage showcased his versatility as a musician, while his humorous attempt to coax crew member Lucas into an Ed Sheeran cover provided a lighthearted moment of fun.

    As the night came to a close, Waterparks left the crowd wanting more with an electrifying encore performance of “Turbulent” and “Real Super Dark” solidifying their status as one of the most exciting acts in modern alternative music. With their infectious energy and undeniable talent, Waterparks proved once again why they are a force to be reckoned with in the music industry.

    Setlist: Watch What Happens Next, Blonde, Greatest Hits Medley (Fuzzy / Violet! / American Graffiti / The Secret Life of Me / Just Kidding / See You in the Future / Lowkey As Hell), Why Can’t I [Liz Phair cover], Stupid for You, You’d Be Paranoid Too (If Everyone Was Out to Get You), SOULSUCKER, SNEAKING OUT OF HEAVEN, Magnetic, RITUAL, SELF-SABOTAGE, BRAINWASHED, FUCK ABOUT IT, High Definition, Snow Globe, Crying Over It All, 21 Questions, I Miss Having Sex but at Least I Don’t Wanna Die Anymore, FUNERAL GREY

    Encore: Numb, Turbulent, REAL SUPER DARK

  • Albany Ranked Top Among Best Places to Live in New York

    Albany has been ranked as the best place to live in the state, according to a survey by the U.S. News & World Report. Some may also be shocked that New York City ranked fifth in the 2023-24 list of best places to live in the state, behind Albany, Syracuse, Rochester, and Buffalo, respectively. What we find less surprising is that all five cities have a large music presence.

    Best Place to Live New York albany
    The Palace Theatre in Albany is one of the Capital Region’s premier music venues. Credit: Palace Theatre.

    Ranked as the #1 best place to live in New York State, the Capital Region is home to several music venues and recording studios. White Lake Music and Post, one of the recording studios on Albany’s roster, has produced, recorded, and mixed multiple Billboard Top 40 singles and provided audio services for clients including Netflix, Discovery, Lifetime, Universal, Disney, Nickelodeon, and HBO. Additionally, the Palace Theatre, which first opened its doors in 1931, has been graced by the presence of musical greats like the Rolling Stones and is home to the Albany Symphony Orchestra.

    Best Place to Live New York syracuse
    Central New York’s premier professional theatre, Syracuse Stage. Credit: Syracuse Stage

    Ranking second on the list, Syracuse is home to many venues, among them Syracuse Stage, which is approaching its 50th anniversary this year. The premier professional theatre in Central New York, Stage is part of Syracuse University and is a member of The League of Resident Theatres (LORT), the largest professional theatre association in the country. America’s leading actors, directors, and designers work and/or have worked at Stage including Tony Award-winners Jason Alexander, Lillias White, Chuck Cooper, and Elizabeth Franz, Emmy recipients Jean Stapleton, Sam Waterston, John Cullum, James Whitmore, and Ben Gazzara.

    Drive By Truckers at Water Street Music Hall – photo by Brian Ferguson

    Rochester ranks as the third best place to live in New York State. Rochester is home to Water Street Music Hall, the city’s largest and oldest concert venue. Originally opened in 1976 under the name The Country Warehouse, the venue has brought hundreds of large artists including Phish, George Clinton and Parliament Funkadelic, Ashanti, David Byrne, The Mighty Mighty Bosstones, Iggy Pop, Jack Harlow, Sublime, St. Vincent, King Gizzard and the Wizard Lizard, Maroon 5, Weezer, and many more.

    Shea’s Theatre in Buffalo. Credit: Shea Performing Arts Center.

    Coming in fourth is the Queen City of Buffalo, a major music and entertainment region of its own. Buffalo is home to GCR Audio, a recording studio that has worked with Buffalo natives the Goo Goo Dolls, who recorded their self-titled debut album as well as Jed, Hold Me Up, Superstar Car Wash, A Boy Named Goo, Jessie J, and Who You Are at the studio. The city is also home to the nearly 100-year-old Shea’s Theatre, which this year alone has held performances of classic musicals such as Les, Mamma Mia, and in previous years Beetlejuice, Dear Evan Hanson, A Christmas Story: The Musical, The Nutcracker, and Mean Girls: The Musical, among others.

    Exterior of MSG – photo by Rob Tellerman

    As we know, New York City is the music and entertainment capital of the Empire State, if not the country. With countless music venues such as the Beacon Theatre, Knockdown Center, Brooklyn Bowl and Madison Square Garden, plus dozens of recording studios such as Electric Lady, the Big Apple has earned its title as one of the best cities for music in the world. MSG has hosted more than thousands of sports events and concerts, including upcoming tours by Fall Out Boy and Nicki Minaj. Electric Lady Recording Studio has made music for several big names in the industry such as Beyonce, Lady Gaga, Britney Spears, as well as New York natives Christina Aguilera and Lana Del Rey.

    The state of New York is home to several of the most prestigious and oldest music venues in the country, making it clear to see why the aforementioned cities rank in the top five best places to live in New York State.

  • Caroga Arts Announces 2024 Spring Residency

    From April 11-13, Caroga Arts will welcome back its world-class musicians for its exciting Spring Residency Concert series, featuring performances of major chamber music works.

    Caroga Arts

    The Spring Residency concerts are completely free of charge, but donations are encouraged to support arts programming in the community. The mission of Caroga Arts Collective is to reimagine the Caroga experience through the power of the arts, founded in 2012 by Kyle Price when he invited friends to his grandmother’s house on Caroga Lake – where they presented a week of free concerts, calling themselves the Caroga Lake Music Festival (CLMF). Today, Caroga Arts presents over 50 performances and community events annually bringing world-class artists from various genres of music, visual art, poetry, and film to the Southern Adirondacks.

    On Thursday, April 11 and Friday, April 12, Caroga Arts welcomes Aaron Schwartz (violin), Stephanie Price-Wong (viola), Ken Kubota (cello), Kyle Price (cello), and Chi Wei Lo (piano), performing music by Arensky and Brahms, plus a mix of jazz and pop favorites. The performance is at 7 p.m., but audiences are encouraged to come early at 6:30 p.m. for a special Season Preview where Executive & Artistic Director, Kyle Price, will unveil the thrilling 2024 Caroga Lake Music Festival lineup. April 11th’s show takes place at Karpeles Museum in Gloversville and the other at the Cobleskill United Methodist Church.

    You can also catch saxophonist Eddie Barbash, former member of The Late Show with Stephen Colbert’s house band, with the Caroga-based KASA Quartet on the road at the Louis Armstrong House Museum in Queens on April 13 and Ravinia Festival at Highland Park, IL. For tickets, visit here.

    For more information about Caroga Arts, visit here.

  • CGI Rochester International Jazz Festival 2024 Lineup Announced

    The 2024 CGI Rochester International Jazz Festival 21st edition lineup is available now, held from Friday, June 21 to Saturday, June 29, at 20 indoor and outdoor venues, all within walking distance in downtown Rochester’s east-end cultural district.

    CGI Rochester International Jazz Festival.
    Pedrito Martinez, photo by Thom Bell.

    Founded in 2002, the CGI Rochester International Jazz Festival is one of the world’s leading jazz festivals, held annually in Rochester with over 210,000 attendees. Over nine days, there are 300 shows with more than 1750 artists, traveling from Australia, Benin (West Africa), Canada, Cuba, Denmark, England, Finland, Japan, and more. The festival is produced by RIJF, LLC, a privately held company owned by John Nugent and Marc Iacona.

    We’re incredibly proud of this year’s diverse lineup and hope everyone will thoroughly enjoy all the spectacular performances. Once again, there has been no shortage of incredible artists from around the world who have submitted materials to perform for our amazing Rochester audiences! Choosing and confirming artists brings about a serendipity surrounding touring schedules and timing. We’re very pleased to have completed another artistic canvas for our audiences’ ears to enjoy. On behalf of our entire RIJF team, we thank everyone who attends the festival, our festival team and volunteers, and our amazing sponsors for their continuing support and loyalty. Three new sponsors are joining us this year: Rochester Institute of Technology, Wow Werks, and the Inn on Broadway. We look forward to welcoming everyone to our 21st Edition on Jazz Street in June!

    John Nugent and Marc Iacona.

    Music will fill the air with more than 1750 artists from 16 countries to play in 326 concerts, including 100-plus free shows. There are five free headliner shows, four nights on the Wegmans Stage at Parcel 5, and one night on the City of Rochester Stage at East & Chestnut. On June 22, Christone “Kingfish” Ingram brings his dramatic and searing guitar tones to the stage, with Chris Beard Band opening. Shelia E. and the E-Train comes to the stage on June 26 with Grupo Ife opening.

    On June 27, Los Lonely Boys brings the Garza brothers to the stage, with Miller & The Other Sinners opening. June 28 brings Cimafunk to the stage with Latriste Fulton & Frequency opening. His name refers to his heritage as a “cimarrón,” Cubans of African descent who resisted and escaped slavery, as well as to the essence of his music, which aims to mix classical Cuban rhythms with funk, afrobeat, and hip hop. The last free event on June 29 is Rejuvenation 50! Celebrating The Meters, A New Orleans Mardi Gras Party – sure to bring quite the crowd!

    Two new venues join the Club Pass Series this year: the historic Inn on Broadway, with two shows nightly at 5:30 and 7:30 p.m., and The Duke, a new entertainment space located in Sibley Square adjacent to the Mercantile on Main Street, with two shows nightly at 7:45 and 9:45 p.m. Food and drinks will be available at both venues.

    A record 51 shows will be presented on the Jazz Street Stage, including 24 student jazz bands and jazz ensembles from Eastman. Jazz Starts at the Library, a series of five free noon concerts, returns to the Central Library of Rochester and Monroe County, featuring Trio 55, Hanna PK, Simon Fletcher, Jimmy Highsmith Jr., and Jazz Generation.

    Other highlights include five free Jazz Workshops sponsored by Wegmans, led by visiting artists for music students of all ages. Held at Eastman School of Music from 1 to 2:30 p.m. in the Ray Wright Room 120, artists include Tommy Smith, Saxophone, Jae Sinett, Drums, Roberto Occipinti, Bass, Johnny Johnson, Sax, and Mike Kaupa, Trumpet.

    Photo by Eli Stein.

    Jam Sessions will be held nightly at 10:30 p.m. at the Hyatt Regency Rochester Astor on Main, sponsored by the Dimarco Group. Jams will be led by trumpeter Mike Cottone on Fridays and Saturdays and guitarist Bob Sneider on Sunday through Thursday. Food and drinks are available, with no cover.

    Finally, five ticketed headliner shows will be presented at Kodak Hall at Eastman Theater. All shows are at 8 p.m. On June 21, Taj Mahal brings his talents to the stage, with the Lee Ritenour Band on the 22. Rising star and recent GRAMMY award winner Laufey takes the stage on June 26, sold out. John Oates, co-founder of the iconic music creators Hall & Oates, takes the stage as a solo act on the 27, and multiple GRAMMY award winner Samara Joy wraps up the headliner shows on the 28.

    The Festival’s signature Club Pass Series will feature 216 shows at 12 diverse venues with some of the finest jazz artists. Access with a 3 or 9-day Club Pass, the festival’s value pass, or $30 cash at the door. Tickets for headliner shows and Club Passes are available now. For more information on other events at the International Jazz Festival, tickets, and the full lineup – visit here.

  • The Ghost Club Rock Out at Elsewhere

    The Ghost Club’s concert at Elsewhere, as part of “The King Whatever Tour,” was a riveting display of indie rock energy and resilience. Led by the enigmatic frontman Domenic Dunegan, the five-piece band delivered a performance that was as emotionally charged as it was musically compelling.

    Ghost Club

    Despite facing a momentary setback when Domenic accidentally hit his head while standing up on the bar, he soldiered on with unwavering determination, embodying the band’s ethos of perseverance against the odds.

    Ghost Club

    From the moment they took the stage, The Ghost Club commanded attention with their incisive songwriting and sharp commentary on themes of masculinity, self-reflection, and resilience. Hits like “Creature of the Shadows” and “I Feel Fine” had the crowd entranced, while live debuts of “It’s Your Call” and “I’m Sold” showcased the band’s willingness to push boundaries and explore new sonic territories.

    Ghost Club

    A defining moment of the evening came during their cover of Black Sabbath’s “War Pigs,” where Domenic’s electrifying stage presence and raw emotion electrified the audience. Despite his injury, he continued to deliver a mesmerizing performance, captivating the crowd with every lyric and melody.

    Ghost Club

    As the night progressed, The Ghost Club treated fans to a string of live debuts, including the poignant “If I Fell (Don’t Wait Here for Me)” and the anthemic title track “King Whatever.” Closing out the set with the haunting ballad “Don’t Let Go,” Domenic and the band left an indelible mark on everyone in attendance, proving that they are a force to be reckoned with in the indie rock scene.

    Ghost Club

    Overall, The Ghost Club’s performance at Elsewhere was a testament to their resilience, passion, and unwavering commitment to their craft. Despite facing challenges along the way, they delivered a show that was both powerful and unforgettable, leaving fans eagerly anticipating their next performance.

    Stay tuned for their upcoming album “King Whatever” set to release ahead of this summer!

    Setlist: Creature of the Shadows, All I Know, It’s Your Call (Live Debut), I’m Sold (Live Debut), I Feel Fine, War Pigs (Black Sabbath cover), Sucker, Two Steps Ahead, If I Fell (Don’t Wait Here for Me) (Live Debut), Hate Me Too, King Whatever(Live Debut), Same Graves, Don’t Let Go

    Ghost Club
  • Dropkick Murphys St. Patricks 2024 tour stop at the MJN Convention Center

    The Dropkick Murphys brought their St. Patrick’s Day Tour 2024 to the MJN Convention Center in Poughkeepsie on Monday, March 11.  Those looking for a pot of gold got so much more.  This was three bands joining together to form a punk shamrock.

    The Scratch, from Dublin, opened the show. There was a reason the Dropkick Murphys asked them to join the tour.  The Scratch is not a mild-mannered band from the Emerald Isle.  From behind his percussion kit, Daniel Lang led the band on what can only be called “The Scratch” sound.  Joining Lang on stage were Conor Dockery (guitar, backing vocals), Cathal McKenna (bass/backing vocals), and Jordan O’Leary (guitar, lead vocals) for a non-stop power set.

    The Sratch
    The Scratch

    Pennywise, playing in the middle spot, just let it loose.  They played loud and hard.  Even cranking up a version of the Beastie Boys’ “Fight for Your Right.” Many Pennywise fans were on hand singing, dancing, even creating a mini mosh pit. Being California-based did not put a damper on the night’s Irish overtones; it stoked them.

    Pennywise

    If The Scratch filled the tank with gas, and Pennywise started the engine, the Dropkick Murphys put the pedal to the metal.  The band exploded onto the stage with a mission in mind. Considered Celtic Punk, or maybe it’s U2 meets Green Day, in either case, it was explosive.

    Dropkick Murphys St. Patricks 2024

    Front man Ken Casey lit the fuse for the Murphys.  He was non-stop, traversing the stage from end to end. Continuously reaching his hand out, encouraging everyone to join along in the revelry. 

    Being a Monday night did not diminish the energy.  Crowd surfing and singing were the norm.  Early in the set, a wedding proposal added to this night of Irish joy.  Band members moved from guitars to banjos to accordion, tin whistle to bagpipes as the two-hour, 22-song set marched on.

    Dropkick Murphys

    Proclaiming they are a band for the working-class and not afraid to share their political beliefs, the band performed Woody Guthrie’s “Gotta Get to Peekskill.” “Dirty Old Town” followed, paying tribute to the late Shane MacGowan of the Pogues.  The songs allowed the crowd to capture its spiritual breath before kicking the night back into overdrive.

    The set featured “The Boys are Back” and “Rose Tattoo,” encoring with “I’m Shipping Up To Boston,” and closing out with “Kiss Me, I’m Shitfaced.”  Celtic punk has been around for a while. The Dropkick Murphys are making sure it lives on.

    Dropkick Murphys

    Pennywise

    The Scratch

  • New Osiris Podcast ‘The Jam’ Debuts Today

    Osiris Media is adding some more programming to its ever-growing array of musical podcasts. Today marks the debut of The Jam, a new show hosted by music industry and jamband veteran Jonathan Shank. The series will explore the evolution of music through personal conversations and sit-downs with artists, industry icons, and legendary bands.

    Produced by critically acclaimed podcast network Osiris Media, The Jam debuts today with its first two episodes— one featuring legendary bassist and producer Randy Jackson and another with Relix editor-in-chief Dean Budnick.

    Inspired by other podcasts like Promoter 101 and Questlove Supreme, as well as JEMP Radio, Shank conceived the basis of the show as an outlet for artists and industry stalwarts to tell untold stories, lift up musical heroes, and find the connective tissue between the jam scene and the mainstream. Having worked with everyone from Mickey Hart to Mickey Mouse, he lends an incredibly unique perspective to these free-flowing, unscripted conversations.

    Episode One lays the groundwork for the season, and sees best-selling author and Relix
    editor-in-chief Dean Budnick diving into the evolution of the jam scene. Each episode of The Jam also features exclusive music offerings and will be accompanied by a slice of “toast and jam” pairing. The B-52’s join Particle from the Jammy’s 2002 for an explosive 14-minute “Love Shack” as part of the first episode, which Shank co-produced with Budnick who noted, “I’m psyched. I can’t wait to hear this podcast and what comes next.”

    Episode Two features Randy Jackson talking with Shank about his Louisiana roots, epic collaborations, and connection to pop culture – including his appreciation for Phish and guitarist Trey Anasatasio. Additional guests this season will include Robby Krieger (The Doors), Billy Cobham (Miles Davis), Bill Payne (Little Feat), Dave Mason (Traffic), George Porter Jr (The Meters), rock photographer Henry Diltz, Cymande, and The Disco Biscuits.

    It’s such an honor and privilege to be joined by so many amazing artists, friends,
    and fellow travelers. The Jam is a place for people to listen, learn, laugh, and lift up. I’m blown away by the response to the podcast so far and can’t wait for the music lovers around the world to come on this journey with us.”

    ~ Jonathan Shank

    Listen to The Jam here. It can also be found on Apple Podcasts, Spotify and wherever
    podcasts are available.

  • Latin Hip Hop Artist Residente Announces “Las Letras Yo No Importan” Tour

    Latin rapper Residente announced his official tour “Las Letras Ya No Importan” (Lyrics Are Not Important) after the release of his second album.

    Residente’s tour will make its only U.S. East Coast stop at Radio City Music Hall in NYC, on September 18, 2024. The Radio City Music Hall show is one of only two U.S. dates. The other is in Los Angeles on September 20.

    Residente

    The tour name coincides with the album of the same name, which features 23 tracks. The album includes artists such as Penélope Cruz, Ricky Martin, Busta Rhymes, Big Daddy Kane, Christian Nodal, Arcangel, and many more.

    General on sale for tickets began March 15. Get them now at stubhub.com. Make sure to see Residente at his show at Radio City Music Hall before he leaves the states.

    Residente

    Las Letras Ya No Importan 2024 Tour Dates

    Sept 14th – Barcelona, Spain

    Sept 15th – Madrid, Spain

    Sept 18th – New York, NY

    Sept 20th – Los Angeles, CA

    Sept 27th – Buenos Aires, Argentina 

    Oct 3rd – Montevideo, Uruguay

    Oct 5th, Santiago, Chile

    Oct 9th – Lima, Peru

    Oct 12th – Bogota, Colombia 

    Oct 25th – Quito, Ecuador 

    Nov 7th – City of Mexico, Mexico

    Nov 14th – Tegucigalpa, Honduras 

    Nov 15th – City of Guatemala, Guatemala

    Nov 16th – San Salvador, El Salvador

    Dec 7th – San Juan, Puerto Rico

  • DSO plays Dead in Utica

    On Thursday March 14, Dark Star Orchestra (DSO) kicked off their Spring 2024 Tour at Utica’s Stanley Theatre. DSO has been performing continuously for 26 years paying tribute to The Grateful Dead. Known for playing The Dead’s actual concert setlists DSO treated the Utica Deadhead faithful to their own uniquely crafted setlist. 

    The show opened with classic Grateful Dead opening song “Cold Rain and Snow” which featured all seven DSO musicians on stage. Vocalist Lisa Mackey left the stage for the Bob Weir classic “Black Throated Wind”. Balloons and some varying scents began to fill the air when the band broke into the standard “Deep Ellum Blues”, a song covered by Jerry Garcia’s solo projects as well as The Grateful Dead. Part of the fun of DSO shows is to guess what Grateful Dead concert they may be playing.

    DSO Utica

    Discover Grateful Dead shows from over the years across New York State with our interactive map below

    DSO Utica

    After “Deep Ellum Blues” there was a lot of chatter in the crowd about what show this could possibly be. Keyboardist Rob Barraco switched from piano to organ and the band kicked into the opening riffs of The Dead’s 80’s rarity “My Brother Esau”. It seemed as if there was a collective epiphany from the crowd that We were in the midst of an original DSO setlist. “I like how they did their own set list and how they have the low energy and then bring in the high energy.” Said Debbie Rathbun. The band next slowed things down with the Hunter/Garcia ballad “So Many Roads” featuring Jeff Mattson on lead guitar and vocals. This was one of those “close your eyes moments” in which Mattson’s guitar tone and phrasing was beautiful and so spot on to Garcia’s. DSO kept it mellow following up with the Brent Mydland song “We Can Run”, sung by Rob Barraco. Earlier in March Barraco performed two shows with original Grateful Dead bassist Phil Lesh celebrating Lesh’s 84th birthday at The Capitol Theater in Port Chester, NY. 

    DSO continued to mix Grateful Dead favorites, rarities and Jerry Garcia Band staples in set 2. The first deep jam of the night came shortly after the opening song, “Help on The Way”. The instrumental “Slipknot!” showed off DSO’s prowess, tightness and put on display live in Utica why they are the world’s premiere Dead tribute. “Franklin’s Tower” seemed to have the entire crowd inside the beautiful Stanley Theatre on their feet. The band sounded fresh and really seemed to be having fun with smiles abound. Rob Eaton delivered Bob Weir’s “Corrina” with ferocity and passion. The band continued to groove and segway from song to song eventually turning over the stage to Dino English and Rob Koritz for a lengthy, trance-like  “Drums”; a staple of The Grateful Dead experience. Set 2 concluded with “One More Saturday Night”, appropriate after a night of weekend energy on a Thursday Night. 

    The Rolling Stones “Honky Tonk Women” was the lone encore, capping off a night of fun, song surprises, reminiscing and originality in Utica from the world’s number one Grateful Dead tribute. 

    DSO Utica

    Dark Star Orchestra – The Stanley Theatre, Utica, NY – March 14, 2024

    Set 1: Cold Rain and Snow, Black Throated Wind, Deep Elem Blues, My Brother Esau, So Many Roads, We Can Run, Midnight Moonlight, Box of Rain, Greatest Story Ever Told, Shakedown Street

    Set 2: Help on the way > Slipknot > Franklin’s tower> Corrina > Crazy Fingers > Uncle John’s Band > Drums and Space >  UJB reprise >  Lonesome and a Long Way From Home > Saint of Circumstance > China Doll > One More Saturday Night

    Encore: Honky Tonk Women

    DSO Utica