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  • Tim McGraw jacks up Buffalo

    No stranger to Western NY, Tim McGraw brought his energy back to Buffalo on May 4, rocking the KeyBank Center. Playing in the area for the first time in 5 years, McGraw’s Standing Room Only Tour ’24 tour featured Carly Pearce and rising star Abby Anderson as openers.

    Like many other regions, Western NY has taken a liking to country music and Tim McGraw over the years has played gigs in Buffalo, Darien Lake, Rochester, and Canandaigua, often on the same tour. With five prominent venues from Buffalo to Canandaigua, there is no shortage of fans or places to play.

    Hitting the stage after Abby Anderson’s brief set, Carly Pearce came out to the hyped Buffalo crowd. With the hockey and football seasons both over for a while, Buffalonians needed something to keep then energized and Pearce did her part. She even bantered about illegal activities in Buffalo. Apparently, wearing slippers in public after 10pm is against the law, as is throwing a ball at an unexpected person’s head.

    Since coming into her own with 2017’s “Every Little Thing”, Pearce has been a mainstay on country charts and stations across the country. While the thirty-four-year-old has her own style and sound, it is very reminiscent of the 90s country sounds of Faith Hill, Shania Twain, and Miranda Lambert, with some vindictive tones. Such is the case with “What He Didn’t Do”. The song talks about a breakup and different sides of the story. While she won’t say he did, she will tell you what he didn’t do. Pearce urges fans that if they are in a relationship and they question why they are in it, it’s time to get out. Applause and cheers fill the arena as Pearce stands there looking teary eyed with an ear to ear smile.

    That’s just dirty laundry
    I don’t need to air the truth
    So I ain’t gonna tell you everything he did
    But I’ll tell you what he didn’t do

    Having worked with high profile names over the past several years, including Chirs Stapelton, Ashley McBryde, and Leann Rimes, Pearce has paid her dues and earned all the accolades. Included accolades are 2018 CMT Award for Breakthrough Video of The Year for “Every Little Thing” and 2021 CMA Award for Female Vocalist of the Year. Keep your eyes on this talented musician as her career continues to gain steam going forward.

    Setlist: Diamondback, Next Girl, Easy Going, Never Wanted to Be That Girl, Let’s Go to Vegas (F. Hill cover), We Don’t Fight Anymore, Every Little Thing, Country Music Made Me Do It, Truck on Fire, What He Didn’t Do, I Hope You’re Happy Now

    Following a brief intermission, fans continued to fill the arena as lights go down and a solid red back drop illuminated the stage. Suddenly, a gargantuan silhouette of a guy in his famous Stetson hat appears and seemingly models for the crowd. The crowd erupts as the backdrop fades and Tim McGraw rises to the stage in Buffalo for the first time since 2019.

    An ageless classic, McGraw is outfitted in his typical Stetson hat, tight fitting jeans, and ripped shirt. A musical GQ cover, some might say, is touring to promote his newest album Standing Room Only, released in summer of 2023

    With nearly 30 years of music to choose from, the singer/actor delivers an impeccable setlist of classics and new music, with killer light show and animated backdrops changing for each song to tell the story.

    Starting off the set, fans are treated to powerful rendition of “Truck Yeah”, a song about living the life of southern boy. The old pick up with blaring music, farm life and chasing the girl.

    Rap or country, city farm
    It don’t matter who you are
    Got a little fight, got a little love
    Got a little redneck in your blood
    Are you one of us?

    “Southern Voice” and “All I Want is a Life” round out the first three, and the crowd is just getting warmed up. Going word for word and matching the energy of each song is the game tonight. If only the Sabres could learn something about matching energy.

    As I walk off to tuck photo gear and find my seat, the Buffalo faithful are serenaded with bluesy version of Elton John’s “Tiny Dancer”. There aren’t many songs from Elton than can be covered properly, but I’ll damned if McGraw didn’t take it to another level.

    As the set continues, McGraw takes a moment to let the crowd know that he does not chatter much during his shows. Explaining why, he says he is married and has daughters. He knows that nobody will listen to him anyway.

    Moving on, with songs like “One Bad Habit” and “Watch the Wind Blow By”, the backdrop screen plays videos and images of Tim and his wife, Faith Hill, a testament to his undying love to his wife. Having been married since 1996, they have the marriage that Ross and Rachel only dreamed of. A storybook marriage that has stood the test of time and fame.

    Playing the title track from his most recent album, it is a song about living life and making the most of everything. Getting mad at things that don’t matter will get you nowhere, you need to embrace the challenges and make people envious.

    Live a life so when I die
    There’s standing room only, standing room only
    Standing room only, standing room only

    Rounding out his set, Tim comes out for a 3 song encore that is preceded by a video montage of the series 1883, which starred both him and his wife. Accordingly, “The Cowboy in Me” led things off, followed by “Humble and Kind,” and “Live Like You Were Dying”. “Humble and Kind”, although released by McGraw, was written by Lori McKenna as song to her children about everything she wanted her children to know. McGraw was able to put some new melodies to it and took it to the top in 2015. The following year, though, McKenna did release it on her album.

    “Live Like You Were Dying” was released in 2004 and although never confirmed it tells about someone who has been stricken with a debilitating sickness. Singing about all the things you never had the chance to do or kept putting off for whatever reason, and now you must find a way to cross those things of the bucket list. A powerful and emotional song to close out the set that undoubtedly left some fans in tears.

    Growing up, I was never a fan of country music. My entire family listened to it, except me. I was reluctant to attend a Tim McGraw show in 2004 as part of a marital bargaining chip. That show truly changed my take on country music going forward. Watching Tim and Faith on stage and how broad their talents were something to marvel at. Powerful, thought out lyrics, and amazing stage presence hooked me and now 20 years later, this happens. The world works in mysterious ways.

    Tim McGraw setlist: Truck Yeah, Southern Voice, All I Want Is a Life, Tiny Dancer (Elton John), Just To See You Smile, Over and Over/Shotgun Rider, One Bad Habit, Watch the Wind Blow By, Something Like That, Where The Green Grass Grows, Standing Room Only, Red Ragtop, Highway Don’t Care (w/Taylor Swift), I like It I Love It, Felt Good on My Lips, Real Good Man

    Encore: 1883 video footage, The Cowboy in Me, Humble and Kind, Live Like You Were Dying

  • Boogie T Brings the ‘Flava’ Yet Again to Buffalo

    The funky dubstep artist Boogie T made a stop in Buffalo on May 2. This multi-faceted producer left Town Ballroom with another EDM show for the books on his 140 Warriors Tour.

    Boogie T, Photo Credit: Maddie McCafferty

    It wouldn’t be called a warriors tour if Boogie T didn’t bring along his talented friends for the ride. Underground bass producer Chef Boyarbeatz began the night with his nostalgic take on heavy breaks. His Spongebob visuals were psychedelic and such a crowd a pleaser once he played his latest single “Squidwards Revenge.”

    Chef Boyarbeatz, Photo Credit: Maddie McCafferty

    After, two hard-hitting producers performed a special b2b for Buffalo. Bringing bass music from Hong Kong, Saka joins technical artist FLY for a high energy performance. The two mix effortlessly on stage as they blend hip-hop, dubstep, and rap. The two artists constantly switch on and off the decks showcasing their latest work. Their Baby Keem flip of “Trademark USA” was a staple that got everyone hyped up. 

    Saka b2b FLY, Photo Credit: Maddie McCafferty

    Boogie T followed up this performance as he took over the stage with his Louisiana swag. This booming producer, also known as Brock Thornton has expressed himself through music since eight years old. His talent in both writing and playing various instruments is evident. Hence for the band he is also in when he’s not behind the decks: BOOGIE T.RIO. His knowledge of all things music and his southern twang brings a new funk to dubstep that is unlike anything others are doing in the scene. 

    Boogie T, Photo Credit: Maddie McCafferty

    From the Swamps to the Stage

    Odds are you can pick out a Boogie T song instantly just from his unique sound. Plus it doesn’t matter how much time has passed, his hit tracks bring roaring energy anywhere at any time. That very much was true in Buffalo that night because the screams were unreal once he played “Smokin’ Dat Spliff,” and “2KFO.” 

    Boogie T, Photo Credit: Maddie McCafferty

    Boogie T’s stage performance is a perfect mirror to his music. His music brings the wonky noises to the people so he brings the funk to the stage. His entertaining dance moves and infectious energy make him so lovable to fans. His visuals somehow extend his unique swag even further with cartoon-like images. 

    Photo Credit: Maddie McCafferty

    His collaborations with other artists are some of the best pieces of work to come out of the EDM world. Specifically, when Boogie T and Ganja White Night team up their songs are instant hits. So, of course Boogie T performed those songs, “Clarity” and the fan favorite single “Flava.” 

    Photo Credit: Maddie McCafferty

    Finally Boogie T left the stage but not without a roaring crowd response begging for an encore. He then returned and performed one obvious final track: “Encore.”

    Photo Credit: Maddie McCafferty

    EDM lovers look no further for shows in Western NY because we have the lineup for you. Riddim artist INFEKT performs May 11 at Buffalo Ironworks and TSURUDA comes for his rescheduled show May 25. Get your tickets here

    Photo Credit: Maddie McCafferty
  • The Next Festival Announces Bold Classical Music and Dance Programming for 12th Season

    The Next Festival of Emerging Artists, a trailblazing arts immersion program for early-career string musicians, composers, and choreographers, is launching its expansive 12th season from June 1–14, 2024.

    Next Festival

    The Next Festival of Emerging Artists, founded in 2013, provides 20 young string performers (ages 20-30) with a countryside residency, a New York performance tour, and a groundbreaking cross-disciplinary workshop with early-career composers and choreographers chosen by leaders in the field. 

    The Next Festival has supported more than 250 emerging artists. Collaborating directly with major composers and performing alongside leading soloists, Fellows dramatically expand their network. Festival alumni become working musicians, leaders, and socially conscious citizens. Past participants include performers with the Handel and Haydn Society, the Executive Director of Boston University Tanglewood Institute, and Le Concert des Nations, Malmo Symphony Orchestra (Sweden).

    The Festival supports Fellows through a radical “pay-what-you-can” model, ensuring that talent can participate regardless of financial circumstances. The Next Festival commissions new compositions by established and early career composers, presenting over 75 guest artists since 2013, including Pulitzer, GRAMMY, and MacArthur award winners.

    Next Festival
    PS21 Performance. Photo by Steven Taylor.

    The Festival features nine premieres in two weeks by some of today’s most exciting composers, including Curtis Stewart, Michael Dudley Jr., Rebecca Saunders, and Next Festival Artistic Director Peter Askim.

    Two-time GRAMMY nominee Seth Parker Woods, “a cellist of prodigious technical gifts and sharp intellect” (The New York Times), appears as the 2024 Festival Guest Artist. The artists participate in recording sessions of the newly-commissioned works and take part in multi-disciplinary collaborations with composers and choreographers, including Pulitzer Prize and GRAMMY-winning composer Aaron Jay Kernis, along with Peter Askim, and Choreography Mentor Sidra Bell. 

    Woods has collaborated with a wide range of artists representing the classical, popular music, and visual art worlds and has been nominated for two GRAMMY Awards, first in 2023 as a member of the celebrated new music ensemble Wild Up, and again in 2024 for his autobiographical solo tour-de-force, Difficult Grace (Cedille 2023). 

    the next festival
    Seth Parker Woods. Photo by Ben Gibbs.

    On Friday, June 7, 2024, at 7:30 p.m. at PS21/Center for Contemporary Performance in Chatham, NY, and Saturday, June 8, 2024, at 7:30 p.m. at Merkin Hall at Kaufman Music Center in NYC, Peter Askim leads an orchestra of String Performance Fellows in a program of three new world premiere commissions: Essay #1: Leave the People by GRAMMY nominee Curtis Stewart, …there is yet beauty by ASCAP Award-winning Michael R. Dudley, and a new work by Askim.

    The evening concludes with Herencia, a deeply personal ode to hybrid cultural identities by cellist Andrea Casarrubios and the East Coast Premiere of the wildly unpredictable Ire: Concerto for Cello, Strings, and Percussion by Rebecca Saunders with Woods as soloist. 

    Co-commissioned with the American Composers Orchestra and workshopped in 2023 EarShot Readings, Dudley’s …there is yet beauty is meant to evoke hope amidst chaos, within both the musicians and audience. 

    Michael R. Dudley. Photo by Anna Marshall.

    Curtis Stewart’s Essay #1: Leave the People takes the audience through a multi-part logical argument about the nature of academia in classical music: who is remembered, who is lauded, who is leading the way? Who is used and who is left behind, and does it matter? Stewart was inspired to write the piece after the lawsuits around affirmative action directed at schools. “So, I asked myself: What would American music be without Blackness? What would American conservatories be without blackness? What would American classical music be without blackness?” he said.

    Andrea Casarrubios’ Herencia was commissioned by the Sphinx Organization and is the Spanish translation for both “inheritance” and “heritage.”

    For this work, my inspiration was not a particular musical ‘heritage’ or genre; rather, it was the artists who would be playing it. I envisioned the remarkable musicians of Sphinx Virtuosi taking the stage to play this piece, and I thought of how each individual has trailing behind them a unique history of unfathomable complexity; an epic that they bring to bear in every moment of performance. I also imagined the way this collection of histories would one day coalesce with a shared intention to illuminate their world — your world — with music.

    Andrea Casarrubios.

    Askim’s new work is a study in emotional cross-currents – music that is at times unyielding and relentless, soaring and transcendent: breathless, cascading, exuberant, and complicated – but always in motion. 

    Saunders’ Ire (2012) is the last in a series of three-string works, exploring the sonic potential of a tiny fragment of sound, the trill. The composer says of the piece, “The sonic potential is pushed almost to breaking point, the bow revealing again and again the fast quasi-mechanical manic trilling sound that lies hidden beneath the surface of silence.” 

    The following week, young composers and choreographers at the beginning of their careers, selected by Aaron Jay Kernis, Sidra Bell, and Askim, are invited for workshops at Gibney Dance Studio in NYC. The Next Festival’s 2024 Choreographer, Composer and String Performance Fellows premiere new music and dance works in a free, public showing at the studio on Thursday, June 13, 2024, at 3:00 pm.

    This is the culmination of a week-long workshop, consisting of rehearsals, collaboration, and spontaneous creation, aided by mentors Aaron Jay Kernis, Askim, and choreographer Sidra Bell. The composers will guide Composer Fellows in new music to be played by the Festival’s String Performance Fellows alongside new dance works supported by Bell. The workshop’s unique structure focuses on developing new languages to work across disciplinary boundaries, prioritizing processes rather than a finished product. 

    For more information about the Next Festival, visit here.

  • Billie Eilish Announces New Album Listening Party at Barclays Center on May 15

    Billie Eilish has announced two album listening parties in support of her highly-anticipated third studio album, HIT ME HARD AND SOFT, set for release on May 17. The free events presented by American Express, and produced by Live Nation, will take place at Barclays Center in Brooklyn on Wednesday, May 15 in association with YouTube Music and at the Kia Forum in Los Angeles, CA, on Thursday, May 16 in association with Snapchat. 

    Billie Eilish Listening Party
    HIT ME HARD AND SOFT album cover by William Drumm.

    Tickets will be available through Ticketmaster HERE. Fans can request up to two tickets for the free Billie Eilish listening parties in Brooklyn and Los Angeles. Requests must be submitted by Tuesday, May 7 at noon ET. Submissions do not guarantee tickets to the event. Confirmations will be sent out on Friday, May 10.

    Described by Rolling Stone as “Eilish’s best album yet,” her third record is her most anticipated yet. It will be available on all digital platforms, and in a continued effort to minimize waste and combat climate change; across all physical formats in limited variants on the same day, with the same track-listing and using 100% recyclable materials. 

    billie eilish
    Photo by William Drumm.

    The listening party announcements come after Billie Eilish announced her HIT ME HARD AND SOFT tour, coming to Madison Square Garden on Oct. 16, 17, and 18. She will continue her long-standing partnership with environmental nonprofit REVERB on this tour, building on the success of previous efforts, which resulted in over $1 million donated to greenhouse gas reduction and climate justice projects, more than 150,000 fan actions, and much more. Sustainability efforts on this tour will include reducing greenhouse gas pollution, decreasing single-use plastic waste, supporting climate action, and updating concession offerings to promote and encourage plant-based food options with Support+Feed.

    Tickets for Billie Eilish’s tour are on sale now.

    BILLIE EILISH HIT ME HARD AND SOFT: THE TOUR – NORTH AMERICA*

    Sun Sep 29 – Québec, QC – Centre Videotron

    Tue Oct 01 – Toronto, ON – Scotiabank Arena

    Wed Oct 02 – Toronto, ON – Scotiabank Arena

    Fri Oct 04 – Baltimore, MD – CFG Bank Arena

    Sat Oct 05 – Philadelphia, PA – Wells Fargo Center

    Mon Oct 07 – Detroit, MI – Little Caesars Arena

    Wed Oct 09 – Newark, NJ – Prudential Center

    Fri Oct 11 – Boston, MA – TD Garden

    Sun Oct 13 – Pittsburgh, PA – PPG Paints Arena

    Wed Oct 16 – New York, NY – Madison Square Garden

    Thu Oct 17 – New York, NY – Madison Square Garden

    Fri Oct 18 – New York, NY – Madison Square Garden

    Sat Nov 02 – Atlanta, GA – State Farm Arena

    Sun Nov 03 – Atlanta, GA – State Farm Arena

    Wed Nov 06 – Nashville, TN – Bridgestone Arena

    Fri Nov 08 – Cincinnati, OH – Heritage Bank Center

    Sun Nov 10 – Saint Paul, MN – Xcel Energy Center

    Mon Nov 11 – Saint Paul, MN – Xcel Energy Center

    Wed Nov 13 – Chicago, IL – United Center

    Thu Nov 14 – Chicago, IL – United Center

    Sat Nov 16 – Kansas City, MO – T-Mobile Center

    Sun Nov 17 – Omaha, NE – CHI Health Center Omaha

    Tue Nov 19 – Denver, CO – Ball Arena

    Wed Nov 20 – Denver, CO – Ball Arena

    Tue Dec 03 – Vancouver, BC – Rogers Arena

    Thu Dec 05 – Seattle, WA – Climate Pledge Arena

    Fri Dec 06 – Seattle, WA – Climate Pledge Arena

    Sun Dec 08 – Portland, OR – Moda Center

    Tue Dec 10 – San Jose, CA – SAP Center at San Jose

    Wed Dec 11 – San Jose, CA – SAP Center at San Jose

    Fri Dec 13 – Glendale, AZ – Desert Diamond Arena

    Sun Dec 15 – Inglewood, CA – Kia Forum

    Mon Dec 16 – Inglewood, CA – Kia Forum

    Tue Dec 17 – Inglewood, CA – Kia Forum

    HIT ME HARD AND SOFT: THE TOUR – AUSTRALIA

    Tue Feb 18, 2025 – Brisbane, Australia – Brisbane Entertainment Centre

    Wed Feb 19, 2025 – Brisbane, Australia – Brisbane Entertainment Centre

    Fri Feb 21, 2025 – Brisbane, Australia – Brisbane Entertainment Centre

    Sat Feb 22, 2025 – Brisbane, Australia – Brisbane Entertainment Centre

    Mon Feb 24, 2025 – Sydney, Australia – Qudos Bank Arena

    Tue Feb 25, 2025 – Sydney, Australia – Qudos Bank Arena

    Thu Feb 27, 2025 – Sydney, Australia – Qudos Bank Arena

    Fri Feb 28, 2025 – Sydney, Australia – Qudos Bank Arena

    Tue Mar 4, 2025 –Melbourne, Australia – Rod Laver Arena

    Wed Mar 5, 2025 – Melbourne, Australia – Rod Laver Arena

    Fri Mar 7, 2025 – Melbourne, Australia – Rod Laver Arena

    Sat Mar 8, 2025 – Melbourne, Australia – Rod Laver Arena

    HIT ME HARD AND SOFT: THE TOUR – EUROPE/U.K./IRELAND

    Wed Apr 23, 2025 – Stockholm, Sweden – Avicii Arena

    Thu Apr 24, 2025 – Stockholm, Sweden – Avicii Arena

    Sat Apr 26, 2025 – Oslo, Norway – Telenor Arena

    Mon Apr 28, 2025 – Copenhagen, Denmark – Royal Arena

    Tue Apr 29, 2025 – Copenhagen, Denmark – Royal Arena

    Fri May 2, 2025 – Hannover, Germany – ZAG Arena

    Sun May 4, 2025 – Amsterdam, Netherlands – Ziggo Dome

    Mon May 5, 2025 – Amsterdam, Netherlands – Ziggo Dome

    Wed May 7, 2025 – Amsterdam, Netherlands – Ziggo Dome

    Fri May 9, 2025 – Berlin, Germany – Uber Arena

    Thu May 29, 2025 – Cologne, Germany – Lanxess Arena

    Fri May 30, 2025 – Cologne, Germany – Lanxess Arena

    Sun June 1, 2025 – Prague, Czech Republic – O2 Arena

    Tue June 3, 2025 – Kraków, Poland – Tauron Arena

    Wed June 4, 2025 – Kraków, Poland – Tauron Arena

    Fri June 6, 2025 – Vienna, Austria – Stadthalle

    Sun June 8, 2025 – Bologna, Italy – Unipol Arena

    Tue June 10, 2025 – Paris, France – Accor Arena

    Wed June 11, 2025 – Paris, France – Accor Arena

    Sat June 14, 2025 – Barcelona, Spain – Palau Sant Jordi

    Sun June 15, 2025 –Barcelona, Spain – Palau Sant Jordi

    Mon Jul 7, 2025 – Glasgow, UK – OVO Hydro

    Tue Jul 8, 2025 – Glasgow, UK – OVO Hydro

    Thu Jul 10, 2025 – London, UK – The O2

    Fri Jul 11, 2025 –London, UK – The O2

    Sun Jul 13, 2025 – London, UK – The O2

    Mon Jul 14, 2025 – London, UK – The O2

    Wed Jul 16, 2025 – London, UK – The O2

    Thu Jul 17, 2025 – London, UK – The O2

    Sat Jul 19, 2025 – Manchester, UK – Co-op Live

    Sun Jul 20, 2025 – Manchester, UK – Co-op Live

    Tue Jul 22, 2025 – Manchester, UK – Co-op Live

    Wed Jul 23, 2025 – Manchester, UK – Co-op Live

    Sat Jul 26, 2025 – Dublin, Ireland – 3Arena

    Sun Jul 27, 2025 – Dublin, Ireland – 3Arena

  • In Focus: The Postal Service, Death Cab for Cutie Take Albany to Such Great Heights

    A pair of indie rock’s most influential bands showcased two of their impactful albums on Friday, May 3rd at the MVP Arena in Albany, as The Postal Service and Death Cab for Cutie teamed up for an impressive co-headlining bill.   The bands were celebrating the 20th anniversary of the release of their most celebrated albums (The Postal Service, Give Up and Death Cab for Cutie, Transatlanticism), with each band performing their respective album in full.

    The tour itself was born out of the celebration of the 20th anniversary of The Postal Service’s iconic (and only) studio release, Give Up.   The album started as a collaborative effort between Ben Gibbard (Death Cab for Cutie) and electronic wiz Jimmy Tamborello (Dntel).  The album, which was praised for its creative efforts, saw the tracks written with the two mailing demo CD-Rs back and forth until reaching completion.  The duo would eventually add Jenny Lewis (Rilo Kiley) to the mix, and The Postal Service was born.  

    Wisconsin based Slow Pulp opened the show and provided a 35 minute set of dreamy, indie-pop tracks.  From their opener, “Idaho”, the band had the early arriving crowd caught in a shoegaze induced trance. 

    The near capacity crowd had filled the seats when Death Cab For Cutie took to the stage.  The band, all dressed in black, opened with the dramatic crescendo of “The New Year,” and continued on to perform their critically acclaimed album Transatlanticism in entirety.  The album, which tells the tale of the struggles and emotions that come with a long-distance relationship, likely served as the soundtrack for many in attendance as they navigated love and loss during their adolescence. 

    Gibbard brilliantly wove the audience through the musical journey, which saw classic Death Cab tracks like “Title and Registration” and “Expo ’86”.  Late in the set, Gibbard and his band mates performed epic renditions of the album’s title track, as well as “Passenger Seat,” both of which saw the arena illuminate with cellphone lights and even a lighter or two, a call back to the original era of this music.  

    Excitement was palpable through out the packed arena well before the house lights dimmed and The Postal Service made their way to the stage.  Now dressed in all white, Gibbard, along with Jenny Lewis whipped the arena in to a frenzy from the opening synth notes of “The District Sleeps Alone Tonight.”  While the album would cover similar themes as Transatlanticsm, the sadness and sorrow were masked with upbeat synths, sounds, and drum loops, curated by Tamborello.   Highlights of the set included Gibbard and Lewis dueting on “Nothing Better” as well as the dark and isolative “This Place is a Prison”.  

    Gibbard and Lewis would return to the stage to perform an acoustic rendition of “Such Great Heights”, an rendition of the Give Up track which was made famous by Iron & Wine. It was the second performance of the song on this evening, as the band had previously performed the more upbeat version during the main set. It was a treat for those in attendance to hear the diverse renditions of the song, and a testament to the songwriting and musical talents displayed on the album.

  • Wisp Makes Brooklyn Stop At Brooklyn Steel

    Shoegaze sensation Wisp played to a jam-packed room at Brooklyn Steel on May 3. Opening for British indie rock band Panchiko, the energy remained high throughout the Brooklyn venue on Friday night. This performance closed out a week of NYC headlining shows for Wisp, at Bowery Ballroom on April 29 and May 1, where Photographic Memory opened.

    Currently based in Los Angeles, Wisp has quickly gained a large following, as the interest in shoegaze and the ethereal elements of the subgenre continue to rise. Wisp kicked off her US headlining tour in April 2024, with dates supporting Panchiko along the way. She had a busy April, with her debut EP Pandora also being released on April 5.

    Throughout Wisp’s set, the room danced along with the strobe lights on stage. Her first single, “Your face,” was released last April. In a year’s time, she has gained a large fan base, and the crowd on Friday was evidence as that. With each song’s intro, the room erupted into screams of excitement and recognition.

    The crowd remained captivated by the mixture of Wisp’s whispery voice and guitar riffs blended with the band’s heavy bass lines and drumbeats through the set. Wisp will be playing her next show on May 07 at Brooklyn Bowl in Nashville supporting Panchiko. She will also be making more headlining tour stops through the end of May.

  • Here Come the Mummies Unite Dirty Minds at Empire Live

    When Here Come the Mummies come to town, you know you’re in for a thrilling night of funk. For the unfamiliar, you’re in for a lyrical treat, in addition to the stellar musical performance from the wrapping cloaked mummies on stage.

    This past Friday, May 3 at Empire Live, Troy-based Front Biz opened the night for Here Come the Mummies, dropping a choice set of indie rock that paired nicely with the funk that was on tap. This night marked HCTM first show back in the Capital Region since performing at Skyloft in late 2019.

    Entering from the back of the venue, the Mummies walked out and wound through the crowd, a drumline sounding their arrival in grand fashion. Once on the stage, the group burst into “My Party,” and from there, the party took off.

    What lay ahead was more than 90 minutes of venue shaking bass, multiple horn players swapping back and forth on solos and adding flare to each song, as well as a guitarist who shredded song after song, all keeping their identities under wraps. The group let their “Freak Flag” fly, led the crowd in “Ra Ra Ra”, got suggestive with “Hard at Work” and doubled down with “Pants.” The group’s hilarious lyrics (SFW but full of double and triple entendre) are engaging for the uninitiated, atop a funk foundation you can’t stop moving to.

    With an encore of “Dirty Minds,” the party came to a close, a crowd covered in streamers that had been shot from the stage, celebrated the Mummies and cheered them on for more.

  • The Lemon Twigs Release LP ‘A Dream Is All We Know’, Int’l Tour Includes Levon Helm Studios and Webster Hall Shows

    NYC sibling duo The Lemon Twigs have just released their latest LP, A Dream Is All We Know, via independent Brooklyn label, Captured Tracks. They also embark on an international tour, stopping back in New York for shows at Levon Helm Studios in Woodstock, and Webster Hall in the East Village.

    The Lemon Twigs

    The Lemon Twigs – a duo consisting of brothers Brian and Michael D’Addario from Hicksville, Long Island – have been described as “remarkably inventive… harmonically unlike anything that’s come before them” by Michael McDonald. The brothers formed the band while still enrolled at Hicksville High School, and have been consistently recording and touring since 2014.

    A Dream Is All We Know was recorded completely to tape and mixed and mastered by Brian and Michael themselves on of-the-era equipment, and explores the timeless tropes of the Lennon-McCartney songbook, with Sean Ono Lennon co-producing “In The Eyes Of The Girl.” The album features the harmonies of the Wilson family, and many other 1968 influences including The Move, Big Star, The Raspberries, The Byrds, The Left Banke, and many more.

    The Lemon Twigs have also announced a massive, 30 date headlining tour this fall. The run of shows include some of their biggest US venues to date including Webster Hall. The fall tour follows summer dates across the Southeastern US and a leg in the EU.

    The Lemon Twigs Live Dates

    USA 

    5/4 – White Eagle Hall / Jersey City, NJ

    5/5 – The Southern Cafe and Music Hall / Charlottesville, VA

    5/7 – King – Raleigh, NC

    5/9 – The Pour House / Charleston, SC

    5/10 – Tuffys Music Box / Sanford, FL

    5/11 – Heartwood Soundstage / Gainesville, FL

    5/12 – Crowbar / Tampa, FL

    5/14 – 40 Watt / Athens, GA

    5/15 – Saturn / Birmingham, AL

    5/16 – 805 After / Huntsville, AL 

    5/17 – The Burf / Lexington, KY

    5/18 – Rumba Cafe / Columbus, OH (SOLD OUT)

    Europe

    5/25 – CCVF / Guimarães, Portugal

    5/26 – LAV / Lisbon, Portugal

    5/28 – Sala Copérnico / Madrid, Spain (SOLD OUT)

    5/29 – Kafe Antzokia / Bilbao, Spain

    5/30 – Sala Oasis / Zaragoza, Spain

    6/1 – Primavera Sound Festival / Barcelona, Spain

    USA 

    7/20 – Fort Collins, CO / The Aggie

    7/23 – Indianapolis, IN / HI-FI

    7/24 – Detroit, MI / Magic Bag

    7/26 – Northampton, MA / Iron Horse Music Hall

    7/27 – Woodstock, NY / Levon Helm Barn

    Europe & UK

    8/29 – 9/1 – End of the Road Festival / Salisbury, UK

    8/30 – The Globe / Cardiff, UK

    9/2 – O2 Academy Oxford / Oxford, UK

    9/3 – Thekla / Bristol, UK

    9/4 – Concorde 2 / Brighton, UK

    9/5 – Electric Brixton / Brixton, UK

    9/7 – Hangar 34 / Liverpool, UK

    9/9 – The Grove / Newcastle, UK

    9/10 – St. Luke’s Church, UK

    9/11 – Brudenell Social Club / Leeds, UK

    9/12 – Academy 2 / Manchester, UK

    9/14 – The Button Factory / Dublin, IE

    9/16 – Bataclan / Paris, FR

    9/17 – Botanique / Brussels, BE

    9/18 – Tolhuistuin / Amsterdam, NL

    9/21 – Club Volta / Cologne, DE

    9/22 – Kesselhaus / Berlin, DE

    9/24 – L’Aeronef / Lille, FR

    9/25 – Big Band Café / Caen, FR

    9/27 – Rock School Barbery / Bordeaux, FR

    North America 

    10/3 – Boston, MA / Crystal Ballroom

    10/4 – Montreal, QC / Théâtre Fairmount

    10/5 – Toronto, ON / Lee’s Palace

    10/7 – Cleveland, OH / Beachland Ballroom

    10/8 – Pittsburgh, PA / Thunderbird Cafe

    10/10 – Washington, DC / Atlantis

    10/11 – Philadelphia, PA / Underground Arts

    10/12 – New York, NY / Webster Hall

    10/18 – Chicago, IL / Lincoln Hall

    10/19 – Minneapolis, MN / Fine Line

    10/21 – Milwaukee, WI / Shank Hall

    10/24 – Dallas, TX / Deep Ellum Art Co. 

    10/25 – Houston, TX / White Oak Music Hall 

    10/26 – Austin, TX / Antone’s 

    10/29 – Atlanta, GA / Terminal West

    11/1 – Asheville, NC / The Grey Eagle

    11/2 – Richmond, VA / Richmond Music Hall 

    11/8 – Denver, CO / Globe Hall

    11/9 – Denver, CO / Globe Hall

    11/11 – Salt Lake City, UT / Kilby Court

    11/12 – Boise, ID / Shrine Basement

    11/14 – Portland, OR / Aladdin Theater

    11/15 – Seattle, WA / Barboza

    11/16 – Seattle, WA / Barboza

    11/22 – Los Angeles, CA / The Belasco

    11/23 – Pioneertown, CA / Pappy & Harriet’s

  • In Focus: PEAK Headlines Brooklyn Bowl with Ryan Liatsis and P(X3)

    On Thursday, May 2, PEAK took the stage at Brooklyn Bowl along side guitarist Ryan Liatsis and P(X3) for a night full of funk, riffed-out blues-rock and music to fuel the soul.

    Perri Sage Photography

    PEAK, a Brooklyn based band consists of guitarist and vocalist Jeremy Hilliard, keyboardist and vocalist Johnny Young, bassist Josh T. Carter and drummer Kito Bovenschulte. The group captivated their audience with melodic songwriting along with psychedelic funk groove that makes your body move. They took on a life of their own as some of the best musicians in the NYC improv rock scene with moody blues-rock and created an atmosphere for their danceable improvisations.

    Perri Sage Photography

    Brooklyn Bowl welcomed fans with an open floor to dance, as fans had an intimate engagement throughout the night with the New York jam band. Quick controlled snare, dominant guitar riffs, upbeat blend of melodies and synthesized sounds from keyboard combined to create PEAK’s ambience of psychedelic, funk variables of rock and roll, a musical narrative that let good-timey clash with poetic guitar.

    PEAK Brooklyn
    Perri Sage Photography

    By the end of the night, the crowd was in their groove and connected with the band, looking forward to their future music endeavors. After this show, PEAK will be on their way to Burlington, Vermont at Nectars on May 4th and 5th. Shortly after, the band will head to Newmarket, New Hampshire to perform at The Stone Church on May 16th.

    PEAK Setlist: Forsythia Fills the Wilderness, Little Miss Mary Merry- Go- Round, Woody Guthrie with Ryan Liatsis, Daddy Don’t Live in that New York City No More, When the Night Comes Calling You, Pastures of Plenty, It Ain’t Over ‘til the Credits Roll, Run Me Down

  • Wilmington Mountain Music Festival Announces Lineup

    The third annual Wilmington Mountain Music Festival lineup has been announced, featuring a diverse lineup of five bands, and the beloved Smoke Show Firedancers as evening entertainment on July 27.

    Wilmington Mountain Music Festival

    There will also be a lot of local food, beer/wine, and coffee vendors on site to keep you fed and hydrated throughout the day. The Wilmington Mountain Music Festival is a family-friendly and community-minded event, so grab chairs and blankets and get ready for a truly amazing show, the Wilmington way: tons of fun with our community members and visitors.

    Acts performing at the festival #1 Bon Jovi Tribute Band – Don Jovi, the Van Halen Tribute Band -Completely Unchained, Taylor LaValley, The Midnight Stargazers, and Merle Jam.

    Tickets are on sale now.

    Wilmington Mountain Music Festival

    Tentative Schedule

    1:30 p.m. – Gates Open

    2-3:30 p.m. – Merle Jam

    3:30-5 p.m. – Midnight Stargazers

    5-6:30 p.m. – Taylor LaValley

    7-8:30 p.m. – Completely Unchained

    8:30-9 p.m. – The Smoke Show

    9-10:30 p.m. – Don Jovi