Category: Rochester

  • Cab Calloway: The Hi De Ho Man

    Cabell “Cab” Calloway III was born on Christmas Day, 1907 in Rochester, living on Sycamore Street. His mother was a teacher and church organist and his father was a lawyer. When Calloway was 11, they moved to Baltimore. After he was caught playing dice on the church steps, his mother sent him to a reform school in Pennsylvania.

    When he returned to Baltimore, Calloway began private voice lessons and continued his study of music throughout school. He soon began performing at nightclubs in Baltimore and was mentored by Chick Webb and Johnny Jones.

    cab calloway

    In 1927, Calloway joined his older sister, Blanche, in a tour of Plantation Days. She achieved success first, he often credited her as an inspiration to enter show business. His parents wanted him to follow in his father’s footsteps and become a lawyer. Therefore, he enrolled to college in Chicago, but spent his nights at the Dreamland Ballroom, Sunset Cafe, and the Club Berlin. At the Sunset Cafe, he was an understudy for Adelaide Hall. He also met and performed with Louis Armstrong.

    Harlem

    In 1929, Calloway moved to Harlem, performing with the Alabamians band. They opened at the Savoy Ballroom and broke up soon after. With help from Armstrong, Calloway established himself as a vocalist by singing “Ain’t Misbehavin’” by Fats Waller. Soon after, The Missourians asked Calloway to join and front them.

    The following year, the band name shifted to Cab Calloway and His Orchestra. In 1931, the band replaced the Duke Ellington Orchestra at the Cotton Club while they were on tour. Due to the increased popularity, they were offered a permanent position there.

    cab calloway

    The band also performed regularly on radio broadcasts on NBC. Calloway also appeared on radio programs with Walter Winchell and Bing Crosby became the first African-American to have a nationally syndicated radio show. During the heights of the Great Depression, Calloway was earning $50,000 per year at the age of 23.

    The 30’s and 40’s

    In 1931, Calloway recorded his most famous song, “Minnie the Moocher.” This is the first single song by an African-American to sell one million records. Three of his songs, “The Old Man of the Mountain,” “St. James Infirmary Blues” and “Minnie the Moocher”, were performed in Betty Boop cartoons.

    Calloway soon received the nickname “The Hi De Ho Man.” He performed in the 1930s in short films for Paramount. In these, Calloway performs a gliding backstep dance move, a possible precursor to Michael Jackson’s moonwalk.

    Calloway’s band in the 1930s and 1940s included many notable musicians, such as Ben Webster, Ed Swayze, Cozy Cole, and Dizzy Gillespie. In 1940, Strike Up the Band, starring Mickey Rooney and Judy Garland, has a line of “You are not Cab Calloway” after playing poorly.

    In 1941, Calloway fired Gillespie from his orchestra after an onstage fracas erupted when Calloway was hit with spitballs. He wrongly accused Gillespie, who stabbed Calloway in the leg with a small knife.

    cab calloway

    In 1956, Clarence Robinson, who produced revues at the original Cotton Club and the Apollo Theater, and choreographed the movie Stormy Weather, cast Calloway as the main attraction for his project in Miami. The Cotton Club of Miami featured a troupe of 48 people, including singer Sallie Blair, George Kirby, Abbey Lincoln, and the dance troupe of Norma Miller. The success of the shows led to the Cotton Club Revue of 1957 which had stops at the Royal Nevada Hotel in Las Vegas, the Theatre Under The Sky in Central Park, Town Casino in Buffalo.

    Later Years

    The Cotton Club Revue of 1959 traveled to South America for engagements in Rio de Janeiro and Sao Paulo. They also stopped in Uruguay and Argentina before returning to North America which included a run on Broadway. Directed by Mervyn Nelson and choreographed by Joel Nobel, this edition featured Ketty Lester, The Three Chocolateers. The revue toured Europe in 1959 and 1960, bringing their act to Madrid, Paris, and London.

    Calloway remained a household name due to TV appearances and occasional concerts in the US and Europe. In 1961 and 1962, he toured with the Harlem Globetrotters, providing halftime entertainment during games.

    cab calloway

    In 1985, Calloway and his Orchestra appeared at The Ritz London Hotel where he was filmed for a 60-minute BBC TV show called The Cotton Club Comes to the Ritz. Adelaide Hall, Doc Cheatham, Max Roach, and the Nicholas Brothers also appeared on the bill. A performance with the Cincinnati Pops Orchestra directed by Erich Kunzel in August 1988 was recorded on video and features a classic presentation of “Minnie the Moocher”, 57 years after he first recorded it.

    On June 12, 1994, Calloway suffered a stroke at his home in Westchester County. He died five months later from pneumonia on November 18, 1994, at age 86, at a nursing home in Hockessin, Delaware.

    Awards and Accomplishments

    In 1990, Calloway was presented with the Beacons in Jazz Award from The New School. The NYC mayor at the time, David Dinkins, proclaimed the day “Cab Calloway Day.”

    The Cab Calloway School of the Arts was founded in Wilmington, Delaware in 1992.

    The New York Racing Association (NYRA) annually honors the jazz legend, a native of Rochester, with a stakes races restricted to NY-bred three-year-olds, as part of their New York Stallion Series. First run in 2003, The Calloway has since undergone various distance and surface changes. The race is currently run at Saratoga Racecourse, one of America’s most popular, premier racetracks. The Cab Calloway Stakes celebrated its 13th renewal on July 24, 2019.

    He is also a recipient of an Outer Critics Circle Award (1967), member of the Big Band and Jazz Hall of Fame (1987), Beacons in Jazz Award (1990), National Medal of Arts (1993), International Jazz Hall of Fame (1995), Grammy Hall of Fame for “Minnie the Moocher” (1999), and a Grammy Lifetime Achievement Award (2008). “Minnie the Moocher” was added to the Library of Congress National Registry in 2019.

  • Rochester Composer mainTheme Drops Rich New Groove Track “Take Over Me”

    Rochester-based composer mainTheme has announced the release of his rich new groove track “Take Over Me” (feat. Donno Jay).

    Dan Romans plays drum set, synth, keyboard, and voice; composes and arranges music; and performs all styles. He has a diverse musical vocabulary and versatile playing style that is dynamic, expressive, and compositionally focused. mainTheme is a carte blanche repository of sounds and songs drawn from eclectic influences and presented as an approximation of pop music. mainTheme is another variation of Dan Romans’ compositional voice as he dons the figurative producer’s hat.

    His latest track “Take Over Me” (feat. Donno Jay) encapsulates mainTheme’s minimal, rich groove and features storytelling and vocal talents of Miami-based hip-hop artist Donno Jay. The track is slated to release on most streaming services by December 27. The track is a powerful, introspective look at the core of one’s life, and the state of the world we all share. With Donno Jay’s cadence and hard-hitting, somber lyrics spit over the desolate electro-synth melodies, this track is strong, catchy, and meaningful.

    mainTheme creates music that, to me, breaks down walls. His eclectic, diverse and dynamic range of music paints wondrous soundscapes in each piece of music released. This track, “Take Over Me” is a prime example of this idea. The instrumental to the track is smooth, unique, and presents a vibe that I can best describe as galactic. It is a spacey, synthy, psychedelic piece that contains climbing and falling volumes, with a heightened energy in the middle before slowly dying out like a dimming light. The track is brilliant in both instrumental sound from mainTheme and lyricism from Donno Jay.

    For more information on mainTheme’s music and to keep up with “Take Over Me” which releases on December 27, click here.

  • Dopapod Brings Best Friends Tour to Rochester

    Dopapod brought it’s Best Friends Tour to Essex in Rochester on Tuesday, December 3.

    About a month away from their last shows before an indefinite hiatus, guitarist Rob Compa brought the band to his hometown for a throwdown at the newish venue, Essex. Before the show, Rob asked the crowd if they wanted one long set or two, and of course the crowd voted for the usual jamband two set format. The band warmed the crowd from the frigid cold with a heater of a first set before bringing out their ex-employee, Goose’s Peter Anspach. Anspach first shredded guitar on “Nuggy Jawson” before jumping on keys for the set closer, “Indian Grits.”

    Dopapod leaned heavy on the classics for set two, including versions of “8 Years Ended,” “Bubble Brain” and a Zappa cover in the middle of a song, “FABA” > “I Am The Slime” > “FABA.” They brought up Anspach again for the encore, and he helped them with “Best Friends” and “Runny” for the encore.

    Dopapod next head west to Colorado, before wrapping up the year in the Midwest. They are playing their final shows on New Year’s Eve in Columbus, Ohio, so catch them if you can.

    Dopapod – Essex, Rochester, NY – Tuesday, December 3, 2024

    Set 1: Welcome to Paradise, Draculas Monk> Nerds> Two Somebodies> Nerds, Wizzy, Turn By Turn*, Metal Nuggy Jawson^, Indian Grits$
    Set 2: Cloud World, 8 Years Ended, Brand New Home, Test of Time, Bubblebrain, FABA> I Am The Slime> FABA
    Encore: Best Friends#, Runny^

    * MGMT Kids tease
    ^ Peter Anspach on Guitar
    $ Peter Anspach on Keys
    # Peter Anspach on Vocals and Guitar

  • Phish Dives Deep In Rochester: December 11, 1997

    There are certain years in Phish lore that are held in higher esteem than some others. 1997 would certainly be one of these. The Fall Tour this year, aka “Phish Destroys America,” produced some of the greatest moments in the band’s storied history. 23 years ago today, the legendary tour stopped in Rochester, NY and delivered a few monumental jams as well as the debut of a soon-to-be Phish regular.

    Phish runs right out of the gates tonight in Rochester and sets the tone early with a massive three-song opening sequence. A raucous War Memorial crowd is greeted with a quick trip to Gamehendge first via “Punch You In The Eye.” The popular opener choice revs the crowd up even more with its signature lyrics, fun calypso rhythms and, of course, the customary Mike and Trey salsa dance.

    Phish Rochester

    While “Punch” may not have been a surprise, the absolutely monstrous “Down With Disease” that immediately follows surely must have been. Phish’s second song in Rochester was played like a second set with an electric Anastasio-driven jam that starts around the five-minute mark. From there on out, it’s a masterclass in controlled chaos with the band firing on all cylinders. This eventually devolves into an ambient-type jam replete with digital delay loop effects, giving it that vintage late 90s sound.

    20 minutes and one funky start-and-stop jam later, the “Disease” slowly crawls to an end. At this point, anything is possible. But then the familiar high-hat drum pattern of “Maze” arises from the mist. The dark organ tones produced by Page on keys combined with Trey’s relentless guitar rhythms shine on this one. This marks the end of a mesmerizing, and certainly exhausting, opening 1-2-3 on the lineup card tonight in Rochester.

    Things understandably cool down a tad afterwards, starting with the “Dirt” that follows. Trey leads the band on a quick trip beneath the surface with this new tune that debuted earlier in the year. Afterwards, another new tune makes an appearance in “Limb By Limb.” This one is supplied with a quick, blissful jam on the back end. “Limb” would later be featured on Phish’s The Story Of The Ghost album released the following year.

    These two up and coming songs are then followed by two cover selections to close out the opening stanza. McConnell and his baby grand piano take charge and lead the way on a take of The Rolling Stones’ “Loving Cup.” And a rip-roaring “Rocky Top” then closes the book on a first set that’s certainly going to be most remembered for its impeccable start.

    Phish Rochester

    Phish goes deep once again to start the second set with a thorough take on yet another cover, The Who’s “Drowned.” Trey wastes no time before unleashing a plethora of notes with the rest of the band close behind in another frenetic early set jam in Rochester. This yields a pleasant, improv-heavy jam that once again devolves into a loop-heavy ambient segment, stretching to the 20-minute mark once again.

    Suddenly, Trey begins strumming a distinct melody as they segue a bit awkwardly into the next number. But it’s one they’ve clearly been practicing (Mike especially), as memorialized in this clip from the movie Bittersweet Motel seen below.

    A cover that few saw coming, Phish takes on Ween’s “Roses Are Free” for the first time ever. They get through it ably enough and some more inspired guitar play from Trey drives it home nicely. Quite suddenly, it then shifts from a debut to bust out of sorts as “Big Black Furry Creatures From Mars” rears its head for the first time in 118 shows. The old school, nonsensical rocker shows no real signs of dust as the usual mayhem it produces ensues.

    Out of the feedback-heavy ending arises “Ghost,” the title track of the aforementioned 1998 album. This lays the groundwork for one last notable Rochester jam. Mike’s thunderous bass play and Page’s work on the electric keys lead the way early on. A beautifully patient and slowly progressing sequence then takes shape as Trey and Fishman begin to get more prominently involved.

    At the end of yet another monstrous jam, a distinct “Down With Disease” section is played, as if in a nod towards its first set brethren. An incredibly random but blistering take on Chuck Berry’s “Johnny B. Goode” then closes out the second set in grandiose fashion. This would be the second to last time it’s ever been played at a Phish show, to date. And as a complete juxtaposition, the delicate ballad “Waste” wraps things up as the encore selection on this chilly Rochester evening.

    Phish Rochester War Memorial – Rochester, NY 12/11/97

    Set 1: Punch You In The Eye > Down With Disease -> Maze, Dirt, Limb By Limb, Loving Cup > Rocky Top

    Set 2: Drowned -> Roses Are Free -> Big Black Furry Creature From Mars > Ghost -> Down With Disease -> Johnny B. Goode

    Encore: Waste

  • December 1999: Rochester gets a Phish Fall Tour Heater

    Phish has made their way across New York State in the Fall many times over the years, particularly in 1995 and 1997. Those stand out years in Phish history overshadow 1999, and the December 5 show in Rochester deserves a second look for more than the “Jennifer Dances” premiere with which it has come to be associated.

    A warm afternoon before the show gave way to a cold and windy night, just the weather shift you’d expect near Lake Ontario in early December. Two years removed from their December 11 show at Blue Cross Arena, which featured a monster “Down with Disease” and the debut of Ween’s “Roses are Free,” you’d be forgiven if you didn’t listen to the other Rochester Phish show from the tail end of the 90s. But what a show this one was too.

    Rochester Phish 1999

    An overlooked Fall Tour show, this one captures ‘Never Miss a Sunday Show’ perfectly. Give a listen via Phish Tracks and you’ll see why. The first set begins with “Carini” busting out of the gate for a short and sweet version. “Gotta Jibboo,” was just beginning a span of heavy rotation that went through Fall 2000, and featured deep bass from Mike Gordon who tucked himself right into the pocket of the groove, with Trey Anastasio accelerating towards a hearty finish.

    “Back on the Train” follows, adding another of the four Farmhouse tracks heard this night, then a top tier “Taste” that clocked in over 13 minutes is a must hear version as well. “Bug” and “Sparkle” follow, and then BAM!, a strong “Tube” with added keys from Trey who explored this added outlet many times on this tour, all the way through Big Cypress.

    “Lawn Boy” and “Ginseng Sullivan” filled in before a new twist on “Twist” emerged, with a new arrangement that would continue to evolve over time, and may feel even more familiar to fans these days than versions prior. This long and winding “Twist” keeps it up for 12 minutes to close the first set.

    Starting set 2 with “Mike’s Song” boded well and ol’ reliable did not shy away from stretching its legs until an unexpected segue into “Meatstick,” which had been finding frequent plays since that summer. While this version clocks in at a strong 12 minutes, it is only the second most notable version from New York State (at that time,) as the band led an effort to have the crowd perform the “Meatstick” dance at Camp Oswego enter the Guinness Book of World Records. Little did the Rochester audience know that this song would usher in the new millenium a mere 26 days later.

    This version of “Meatstick” is now unique in that it does not feature Japanese lyrics, something that would not appear until the next summer in Japan, and later in America, becoming a staple of nearly every version of since 2009.

    After “I am Hydrogen” segued out of “Meatstick,” a fiery “Weekapaug Groove” with no let up wrapped up this Mike’s Groove. A loud speaker hiss can be heard before the start of “Brian and Robert,” and after this breather, Trey spoke to the audience, saying,

    Thank you, we played here a few years ago and we were talking backstage, this is definitely a very favorite room of ours, people are very cool and its a special place and we apprecaite being here. we’re going to trying out a brand new song on you, it’s called “Jennifer Dances”

    Trey Anastasio, preparing the world for “Jennifer Dances”

    With a little less salt in the gravy this night, the excitement and elation of getting a debut original was palpable, and the crowd got the first of the storied “Jennifer Dances.” Maybe you enjoy it, maybe you chase it, and perhaps you loathe the mention of this ‘ballad,’ but on this night, the audience was laser focused on the new tune.

    The remainder of the set picked up after the dip in the middle that the interrupted the flow. The “Maze” clocks in at nearly 15 minutes, full of driving funk via Page McConnell’s keys, and is followed up nicely by “Fluffhead,” adding an exclamation point to the “Maze.” But wait, there’s more! “Chalkdust Torture” > “Frankenstein” closed the set with as much back to back energy as pounding a Red Bull and following up with a 5 Hour Energy – hearts were pumping at full capacity for the final half of this set.

    Phish rochester 1999

    For an encore, the band left the stage and returned to a microphone set up on Page Side, so those on the floor gravitated over for an up close version of the barbershop quartet “Hello My Baby, ” by then a fading acapella number and the last one until 2009. “Character Zero” found the energy from the second set, bottled it up and unleashed on the crowd to close the night.

    Phish have made their presence known in Rochester over the years and made their December 1999 show as memorable as the 1997 show that garners the most attention. In that way, December 5, 1999 is the Jan Brady of Phish shows in the Flower City. Stream the show via Phish Tracks.

    Phish, December 5, 1999 – Blue Cross Arena, Rochester, NY

    Setlist via Phish.net

    Set 1: Carini > Gotta Jibboo, Back on the Train, Taste, Bug, Sparkle, Tube, Lawn Boy, Ginseng Sullivan, Twist[1]
    Set 2: Mike’s Song -> Meatstick > I Am Hydrogen > Weekapaug Groove, Brian and Robert, Jennifer Dances[2], Maze, Fluffhead > Chalk Dust Torture > Frankenstein
    Encore: Character Zero, Hello My Baby
    [1] Slightly new arrangement.
    [2] Debut.

  • Trey Anastasio Will Resume Solo Tour in 2025

    Phish guitarist Trey Anastasio is once again going out on a solo acoustic tour in 2025, his first one in three years. The tour starts on March 8 in Springfield, MA at Symphony Hall and will cover a large swath of the Midwest and Southeast regions of the country through early April. It includes one New York gig on March 12 in Rochester at Kodak Hall at Eastman Theatre. See all tour dates listed below.

    Real-time presales begin Wednesday, December 4 exclusively via treytickets.shop.ticketstoday.com. All remaining tickets will go on sale to the general public on Friday, December 6 – check venues for on-sale times. For complete details, please see trey.com/tour.

    TREY ANASTASIO – SOLO ACOUSTIC TOUR 2025

    MARCH

    8 – Springfield, MA – Symphony Hall

    9 – Boston, MA – Wang Theatre at Boch Center

    11 – Wilkes-Barre, PA – The F.M. Kirby Center

    12 – Rochester, NY – Kodak Hall at Eastman Theatre

    14 – Columbus, OH – Mershon Auditorium

    15 – Milwaukee, WI – Riverside Theater

    16 – Nashville, IN – Brown County Music Center

    18 – Chicago, IL – Orchestra Hall

    19 – Kansas City, MO – Uptown Theatre

    21 – New Orleans, LA – Saenger Theatre

    22 – Birmingham, AL – Alabama Theatre

    23 – Nashville, TN – Ryman Auditorium

    26 – Orlando, FL – Walt Disney Theater at Dr. Phillips Center for the Performing Arts

    28 – Clearwater, FL – Ruth Eckerd Hall

    29 – Savannah, GA – Johnny Mercer Theatre

    30 – Charleston, SC – Gaillard Auditorium

    APRIL

    1 – Knoxville, TN – Tennessee Theatre

    2 – Greenville, SC – Peace Concert Hall

    4 – Washington, DC – Warner Theatre

    5 – Red Bank, NJ – Count Basie Center for the Arts

  • Beloved Rochester Venue Anthology To Reopen Doors

    Rochester fan-favorite live music venue Anthology has announced its official reopening with two upcoming shows following their surprise closure in 2022.

    Anthology

    Opened in 2015, Anthology quickly grew to be one of Rochester’s favorite concert halls. With names including but not limited to Bleachers, Anthrax, Bad Suns, Twiddle, and Andy Frasco & the U.N.  gracing their stage, Anthology brought in fans from local units and big names alike while cultivating a uniquely sophisticated yet down-to-earth live music environment.

    Known for their intimate show atmosphere despite having the room to house a few hundred concertgoers, Anthology’s reputation as a venue was generally one of upscale but not snobbish attendee experience with a gorgeous interior to boot all the way up to its closure.

    With little to no fanfare, Anthology closed its doors in the summer of 2022- much to the local community’s surprise and dismay. 

    While there were never any formal announcements posted to the venue’s website or social media accounts, any and all posts that indicated as such have been wiped from their pages following the groundbreaking announcement made on November 12- Anthology’s doors will open once again.

    Anthology

    Anthology veterans and indie rock unit Joywave seem to be in thanks for Anthology’s return. In conversation with CITY Magazine, Joywave member and vocalist Daniel Armbuster explained that their search for a venue to house a homecoming show for their fall tour led to the fateful conversation with owner and operator, Phil Fitzsimmons.

    “I said, ‘hey, how about you reopen Anthology? We need it.’ He listened. Horrible lesson for me. I’ll be walking around town making suggestions forever now. The Irondequoit Bay Bridge should be open year round. Please tell the county executive for me.”

    – Phil Fitzsimmons

    Joywave’s hometown shows and Anthology’s victorious return comes in the form of “JOY 2 THE WORLD: A Two Night Event Featuring Joywave”. The Christmas spirit will be in full effect over the band’s doubleheader on December 20 and 21. 

    Anthology

    For more information on how to attend and celebrate the return of one of Rochester’s beloved concert venues, check out Anthology’s Facebook post for the event here

    To keep up to date on everything Anthology and future shows, be sure to check out the venue’s official website here.

  • Mikaela Davis Announces Intimate Acoustic Solo Tour

    Rochester born singer-songwriter, producer, and harpist Mikaela Davis has announced a solo and acoustic tour throughout the northeast, including four stops in New York State. 

    Mikaela Davis Solo

    Multi-talented vocalist, producer, songwriter, and harpist Mikaela Davis has been making waves since her initial release Delivery in 2018. Graduating from the Crane School of Music with a degree in harp performance, Davis bends the rules of genre and sound to her will with each release as she melds her classical training with 60s pop melodies, psychedelia, and driving folk rock.

    Since her debut in the industry, Davis has shared the stage with the likes of Bob Weir, Phil Lesh, Christian McBride, Bon Iver, Lake Street Dive, and Circles Around the Sun alongside her band members Alex Coté, Cian McCarthy, Shane McCarthy, and Kurt Johnson.

    photo by Daniel Bocchino

    Mikaela’s upcoming endeavor, however, takes on a less explored and much more personal shape- she has announced a series of six shows throughout the northeast that will feature John Lee Shannon of Circles Around the Sun on the guitar, herself, and her harp. The stripped-back series of six evenings on some of the northeast’s most beloved stages will allow for Davis’ harp background to shine even brighter. 

    Experimenting with new ideas as well as reimagining some old, she will be making appearances in Albany, Homer, Kingston, and Rochester over the course of the tour’s run in a string of special shows that fans new and old will not want to miss.

    Mikaela Davis Solo

    Tickets for Davis’ upcoming tour are on sale now, including shows at Ophelia’s in Albany on November 19, the Center for the Arts of Homer on November 20, Senate Garage in Kingston on November 23, and ARTISANworks in Rochester on November 24. For more information and ticket sales, visit her website here.

    Mikaela Davis Solo Tour Dates

    November 19: Ophelia’s – Albany, NY

    November 20: Center for the Arts of Homer – Homer, NY

    November 21: The Parlor Room – Northampton, MA

    November 22: The Lamp Shop – Burlington, VT

    November 23: Senate Garage – Kingston, NY

    November 24: ARTISANworks – Rochester, NY

  • Music in Rochester & The Finger Lakes: Navigating New York’s Vibrant Music Venues

    With a rich community of local wineries, music venues, restaurants, performing arts centers, and outdoor hang-outs, the public spaces of Rochester and The Finger Lakes all have one thing in common- they cultivate a unique and vibrant live entertainment culture.

    Rochester Music Venues
    Photo: Andreas F. Borchert

    From the most laidback of barside concerts to sold-out 15,000 person shows, there’s a venue and an event for everyone and every occasion. Here’s a list of a few of the creative cornerstones of the Rochester and Finger Lakes communities.

    Be sure to check out our look at the venues of New York City, Western New York, Hudson Valley, North Country, the Capital Region, Central New York, Rochester and the Finger Lakes, the Berkshires, Long Island, and Southern Tier as well.

    Abilene Bar and Lounge (Rochester)

    Born out of a rehabbed 19th century building in the heart of downtown Rochester, The Abilene Bar and Lounge has hosted local artists and all-star acts alike since 2008. With a beer menu accommodating their variety of live acts, the bar maintains an unpretentious, neighborhood bar feel regardless of how big or small the musical act of the evening.

    Address: 153 Liberty Pole Way Rochester, NY 14604

    Website

    Bristol Valley Theater (Naples)

    The Finger Lakes’ premiere professional theater, Bristol Valley Theater puts on a stunning series of plays and musicals from June to August each year in addition to a full fall collection of concerts, theater, and family events. Founded in 1964, the Theater continues to entertain, educate, and enhance the Finger Lakes’ creative community to this day in their historic church-turned-theatrical space.

    Address: 151 South Main St Naples, NY 14512

    Website

    Bug Jar (Rochester)

    Host to live music and DJs seven days a week since 1991, Bug Jar is a cornerstone Rochester bar and live entertainment venue with a consistently action-packed lineup. With names like The Black Keys, Vampire Weekend, The White Stripes, Modest Mouse, and many more gracing their stage over the years, The Bug Jar is a tried-and-true must visit independent venue. 

    Address: 219 Monroe Ave Rochester, NY 14620

    Website

    Rochester Music Venues

    The Central on Main (Canandaigua)

    An outdoor dining venue with a bar on site, live music, and local eateries tucked in between historic buildings, The Central on Main offers free entry and plenty of seating for their intimate, casual live music performances. With a new permanent stage and cycle of regional artists, The Central on Main has taken a once barren blacktop parking lot and fostered a tight-knit local community of musicians and music-lovers alike.

    Address: 15 South Main Street, Canandaigua, NY 14424

    Website

    Rochester Music Venues

    Constellation Brands Marvin Sands Performing Arts Center (Canandaigua)

    Founded as the Finger Lakes Performing Arts Center in 1983, the Constellation Brands Marvin Sands Performing Arts Center- or the CMAC- has been cultivating the Finger Lakes’ live arts and music community since day one. With a $13.5 million facility built in 2006 that boasts 5,000 covered seats, 54 VIP boxes, and lawn seating for up to 10,000 guests, the CMAC attracts folks from near and far. 

    In addition to its star-studded guest list and lengthy community history,  CMAC has committed itself to a safe and healthy live entertainment environment, working with local recycling companies to divert waste in real-time at the end of each show, as well as offering multiple water-filling stations to reduce single-use plastic waste. They haven’t stopped there either- CMAC also donates all funds from volunteer-based concession tents to local nonprofits, raising over $50,000 thus far.

    Address: 3355 Marvin Sands Dr Canandaigua, NY 14424

    Website

    Rochester Music Venues

    Eastman Theatre (Rochester)

    Host to the Eastman School of Music’s performances, the Eastman Theatre offers a variety of concert spaces including the historical and illustrious 2,326 seat Kodak Hall, Venetian Renaissance 444 seat Kilbourn Hall renowned for its pure acoustics, and one of the newest additions, the modern and state-of-the-art 222 seat Hatch Recital Hall.

    Address: 26 Gibbs St Rochester, NY 14604

    Website

    Rochester Music Venues

    Engine 14 Brewery (Naples)

    Rooted in a refurbished fire truck, Engine 14 is the result of Rochester Fire Department retiree Greg Borden. Borden’s connection to the truck-  having been decommissioned in the 60s from the same firehouse he worked in- and passion for home brewed craft beer resulted in a firehouse themed brewery, live music venue, and cornerstone for the community. Engine 14 Brewery hosts live entertainment almost every weekend featuring local acts and more.

    Address: 52 West Avenue, Naples NY 14512

    Website

    Rochester Music Venues

    Flour City Station (Rochester)

    Nestled between other Rochester live music venues and attractions, Flour City Station brings in folks from near and far with their local bites and sips, a friendly and social atmosphere, and a versatile venue that accommodates both local performers and nationally touring acts with their state-of-the-art sound system. 

    Address: 170 East Ave, Rochester NY, 14604

    Website

    flour city station aqueous
    aqueous at Flour City Station, photo by Jake Silco

    Fort Hill Performing Arts Center (Canandaigua)

    Proud recipient of the Best of Canandaigua 2022 Award, the Fort Hill Performing Arts Center was formed as a concept years prior to its grand opening in January of 2020. Those years of development allowed the folks behind the FHPAC to hone in on their vision for the space- a center for the community to entertain and be entertained with a diverse set of programming that inspires patrons and artists alike. 

    Originally built as the Canandaigua Academy High School’s 1,100 seat auditorium in 1928 and left for ruin after the district moved to new facilities, the FHPAC raised six million dollars through fundraising to restore and refurbish the space into a performing arts center. 

    Address: 20 Fort Hill Avenue, Canandaigua NY, 14424

    Website

    Rochester Music Venues

    Lincoln Hill Farms (Canandaigua)

    An almost unbelievably scenic 95 acres of public and private events alike, Lincoln Hill farms hosts everything from weddings to glamping to music festivals. Host to an outdoor stage and pavilion, the Farms offer live music and community events throughout the year Thursday through Sunday in addition to local craft beers, farm-to-table bites, and more.

    Address: 3792 NY 247, Canandaigua, NY 14424

    Website

    The Montage Music Hall (Rochester)

    Located in the heart of downtown Rochester’s East End, The Montage Music Hall hosts annual events such as The Rochester International Jazz Festival, The Rochester Fringe Festival, and The Rochester Entertainment Metal Festival and Music Marathon. In addition to keystone events, the 400 person venue hosts musical acts of all genres from near and far- local, regional, and national.

    Address: 55 Chestnut & Lawn St Rochester, NY 14604

    Website

    OFC Creations Theatre Center (Rochester)

    Providing the Rochester area with professional theatrical productions since 2005, OFC Creations Theatre Center is just that- a hub for creatives and lovers of all things creative to gather.

    Staffed with current theatre professionals passionate about imparting their skills upon the next generation of performers, the OFC Creations Theatre Center offers a subscription based pro-season of shows rarely produced in the region, educational programs for students ages 4 to 18, and hosts out-of-town entertainers in their 260-seat venue. 

    Address: 340 Winton Place Rochester, NY 14623

    Website

    Rochester Music Venues

    Photo City Music Hall (Rochester)

    Founded in 2016, Photo City Music Hall provides the space for an impressive variety of musical acts to bring folks from the area and beyond together, regardless of genre, subculture, and popularity. With events reaching from EDM and metal to silent discos and dance parties, Photo City Music Hall’s state of the art set up and inviting energy has something for every kind of live entertainment fan.

    Address: 543 Atlantic Ave, Rochester NY, 14609

    Website

    Smith Opera House (Geneva)

    Boasting live theater, concerts of all genres, community events, and movies, The Smith Opera House tucked within the Smith Center for the Arts offers much more than just opera. Opened in 1894 and refurbished in the early 1990s, the stage acts as a local cornerstone in multiple ways.

    With powerful acts such as Billy Joel and Bruce Springsteen gracing the stage, cover bands and musicals and shadow-casts alike bringing iconic works to life, re-inventions and newly emerging children’s entertainment routinely taking the stage, and local high school students walking the venue as they graduate, it’s no wonder the Opera House draws people from Geneva and beyond in time and time again.

    Address: 82 Seneca Street Geneva, NY 14456

    Website

    Rochester Music Venues

    3 Heads Brewing (Rochester)

    Born out of a noticeable lack of West Coast-style brews in the Rochester area, 3 Heads Brewing began as a brave submission to a local self-brewed beer competition and has since grown into a state-of-the-art brewery and beer garden in the heart of Rochester’s neighborhood of the arts. In addition, the space becomes a casual live music venue and versatile dance floor during their weekend live music sets with special events sprinkled across their calendar. A local venue made for locals featuring musical acts rooted in Rochester and beyond- it’s no question why customers return time and time again.

    Address: 186 Atlantic Ave, Rochester, New York

    Website

    Treleaven Wines (King Ferry)

    Family owned for over 30 years, Treleaven Wines has expanded from a generational farm to a one stop shop for all things wine, beer, food, live entertainment, and family fun. In addition to trivia, brunch & bingo, and football sundays, Treleaven is home to the Hangtime Main Stage for all high-energy musical needs and their Saturday acoustic series for a cozier listening experience.

    Address: 658 Lake Road King Ferry, NY 13081

    Website

    Ventosa Vineyards (Geneva)

    A Finger Lakes top destination winery, Ventosa Vineyards hosts free, local, year-round live music every Wednesday with additional select performances sprinkled throughout. Weather permitting, performances occur on the Vineyard’s scenic terrace overlooking the vines below.

    Address: 3440 Route 96A Geneva, NY 14456

    Website

    The Vine Showroom (Waterloo)

    Located within the del Lago Resort and Casino, The Vine Showroom has been voted Gold as the best nightclub in the Finger Lakes, and it’s no wonder why. Boasting 2,400 seats, The Vine hosts a range of live events throughout the year that span cover and tribute bands, comedy sets, magic shows, and original musical acts across all genres.

    Address: 1133 NY-414 Waterloo, NY 13165

    Website

    Water Street Music Hall (Rochester)

    Rochester’s largest and oldest concert venue, Water Street Music Hall was founded as a country bar in 1976, reopening in 1992 for a wider audience prior to the opening of its nightclub opening in 1999 that would push their genre capabilities even further and final rebranding into the recognizable Water Street Music Hall title the same year. With names like Phish, The Ramones, Skrillex, Sublime, and Pusha T gracing their halls, the Music Hall is perpetually history in the making.

    Address: 204 N Water St Rochester, NY 14604

    Website

  • Bad Bloom Releases New Shoegaze Single, ‘onion’

    Rochester-based new wave shoegaze band Bad Bloom has released their latest single, “onion.”

    Bad Bloom

    Described as having a goth, grunge gaze sound, Bad Bloom has been evolving traditional genre patterns since their initial release of the three-track Candle in November of 2019. Since their inception, the band has shared the stage with the likes of Ringo Deathstarr, SUUNS, Greet Death, and Pet Fox, with Kal Marks soon to be added to the list.

    Known for pop hooks tucked underneath a distinct shoegaze distortion and riveting instrumentals, members Kate Rogers, Jay Trovato, Travis Johansson, and Jenn Wameling have dedicated themselves to constantly evolving as they experiment with noise through several pedal boards and a determination meld the conventions of the shoegaze genre to their liking.

    Once more, Bad Bloom has delivered upon this promise with their latest release, “onion.” As the title suggests, the track itself and its significance offers listeners several layers to dissect. Rooted in hazy rock instrumentals and dreamy vocals, “onion” explores the feeling of having a dream so enjoyable it’s almost disappointing to find yourself back in the real world once you’ve awakened.

    Rogers, lead vocalist and bassist, penned the track in the hopes of recreating the feelings of innocence, playfulness, and boundless delight that come with a wandering mind- the magic that happens when one is left to their own devices, bored out of their mind and following whatever weird path boredom leads their thoughts down. 

    “onion” is only the first track of many to come from Bad Bloom, being the initial pre-release leading up to their upcoming EP Pepper, to be released later this year. In addition, the band plans to release the official music video for “onion” in October. 

    Bad Bloom is currently on tour, performing at the Bug Jar in Rochester on October 11 and in Kingston on November 1. For more information on future shows, the upcoming Pepper EP, and all of Bad Bloom’s other happenings, visit their Linktree here.