Category: Western NY

  • Sam Roberts Band Announce Tour, Coming to Buffalo and NYC

    Indie-rock Sam Roberts Band has announced they are embarking on a major North American tour with support from Grand Public, JayWood, Altameda, Miina, Brandon Wolfe Scott, Brandon Wolfe Scott, Art d’Ecco, and Social Creatures.

    The North American tour features a stop at the Town Ballroom in Buffalo on February 16, and at the Le Poisson Rouge New York on March 16. 

    SAM ROBERTS BAND Budweiser Stage, Toronto. August 19, 2021. Photo by Dustin Rabin – 2853

    Canadian based Sam Roberts first released his debut in 2002, following a popular independent demo recording he had made in Montreal. Before that point, he had been a violin player who eventually moved on to guitar and started a rock band with his friends.  In 2003 he released his first full-length album, We Were Born in a Flame. The Certified Double-Platinum selling album was a huge hit in Canada and won the Juno Awards for Album of the Year, Rock Album of the Year, and Artist of the Year. The artist continued to release hit albums for the remainder of the decade, like in 2006 he released Chemical City which became Platinum-certified and Love at the End of the World in 2008 which became Gold-certified and each album winning him the Juno for Rock Album of the Year.

    Sam Roberts Band continue to deliver their legacy of hit singles to take over the airwaves.  The band’s legendary live show has seen them performing around the world including Australia, Japan, and other extensive tours through Europe and North America and brought them to festivals such as Bonnaroo, Austin City Limits, Lollapalooza and Bumbershoot, and alongside giants like the Rolling Stones and AC/DC.

    With the tour announcement, the band also celebrated the release of their new LP, Adventures of Ben Blank. The new LP is also the singer/songwriter Sam Roberts’ eighth album, and 5th under the Sam Roberts Band moniker. The new record takes a twangy and conceptual turn, seeing Roberts embody the titular character, a lone wolf type with a hardened exterior that slowly fractures as the album runs on.

    Sam Roberts Band will perform at the Town Ballroom in Buffalo on February 16, and at the Le Poisson Rouge New York on March 16 and fans can find tickets here.

    SAM ROBERTS BAND TOUR DATES

    2-Feb-2024 Montreal, QC, Théatre Beanfield w/ Grand Public

    3-Feb-2024 Ottawa, ON, Bronson Centre w/ Grand Public

    8-Feb-2024 Kitchener, ON, Centre in The Square w/ JayWood

    9-Feb-2024 Toronto, ON, History w/ JayWood

    10-Feb-2024 London, ON, London Music Hall w/ JayWood

    16-Feb-2024 Buffalo, NY, Town Ballroom w/ Altameda

    17-Feb-2024 Detroit, MI, St. Andrew’s Hall w/ Altameda

    23-Feb-2024 Victoria, BC, The Capital Ballroom w/ Miina

    24-Feb-2024 Vancouver, BC, The Commodore Ballroom w/ Brandon Wolfe Scott

    25-Feb-2024 Vancouver, BC, The Commodore Ballroom w/ Brandon Wolfe Scott

    27-Feb-2024 Kelowna, BC, Kelowna Community Theatre w/  Brandon Wolfe Scott

    29-Feb-2024 Calgary, AB, Southern Jubilee Auditorium w/ Art d’Ecco

    1-Mar-2024 Edmonton, AB, Northern Jubilee Auditorium w/ Art d’Ecco

    2-Mar-2024 Red Deer, AB, Red Deer Memorial Centre w/ Art d’Ecco

    14-Mar-2024 Philadelphia, PA, Underground Arts w/ Social Creatures

    15-Mar-2023 Washington, DC, Union Stage w/ Social Creatures

    16-Mar-2024 New York, NY, Le Poisson Rouge w/ Social Creatures

    20-Apr-2024 Birkenhead, UK, Future Yard CIC

    23-Apr-2024 London, UK ,The Lexington

    25-Apr-2024 Madrid, ESP, El Sol

    26-Apr-2024 Zaragoza, ESP, Rock & Blues

    27-Apr-2024 Barcelona, ESP, P62

    28-Apr-2024 Valencia, ESP, Loco Club

  • Cayuga Chamber Orchestra Announces New Program – Beethoven’s Second Symphony

    The Cayuga Chamber Orchestra in Ithaca/Finger Lakes has announced its introduction of a third Orchestral Series Program, Beethoven’s playful, exuberant Symphony No. 2 caps the evening. The show will begin on 7:30 pm on February 24.

    Cayuga Chamber Orchestra beethoven
    Conductor Michelle Di Russo (Left) and Kebra-Seyoun Charles (Right)

    The concert opens with Astor Piazzolla’s whimsical Tangazo, followed by Andrés Martin’s soulful Concerto for Contra Bass.

    The program is led by Argentinian-Italian conductor Michelle Di Russo is known for her compelling interpretations, passionate musicality, and mastery of contemporary music.

    Di Russo has served as Interim Director of Orchestras at Cornell University, Assistant Conductor for the Phoenix Youth Symphony Orchestra. Along with this, she was a conductor for San Diego Symphony, Ballet Arizona, and The Phoenix Symphony.

    The show will also feature double-bassist, Kebra-Seyoun Charles. The versatile bassist has an extensive and impressive musical history. Kebra has experience with chamber orchestras, jazz musicians, and various notable composers like Jon Batiste.

    With a combination of Di Russo, Kebra-Seyoun Charles, and the orchestra, the show should be one to honor the legendary Beethoven like never before.

    Tickets are on sale now. To find out more about the Cayuga Chamber Orchestra performance of Beethoven’s music, the acts and ticket sales, click here. The Cayuga Chamber Orchestra has been “Ithaca’s Orchestra” since 1976. Don’t miss out on a piece of New York history, buy before time runs out.

  • Lake Street Dive to Complete Extensive Tour Beginning This Summer

    Acclaimed pop/soul group Lake Street Dive has announced they will be touring throughout North America starting this June. The Good Together Tour will see four stops across NY – Saratoga Springs, Lafayette, NYC, and Buffalo, over the course of the tour, in that order.

    Lake Street Dive tour

    The tour will kick off on June 14 in Asbury Park, NJ. The last show of the tour will be on October 11 in Atlanta, Georgia. Saratoga Jazz Festival, Beak and Skiff Apple Orchards, The Outer Harbor, and most notably, Madison Square Garden will be where Lake Street Dive winds up in the Empire State.

    The band makes music of a multitude of genres. Soul, pop, country, indie, folk and more can be heard in various works by the group. What’s common in all of it is the talent and musicianship that Lake Street Dive possesses. The grooves, licks, and vibes of this music are wonderful both recorded and live. Definitely not a tour to miss out on.

    “We’re going on our biggest tour yet!!! It’s gonna be a big ol’ party all around the United States and Canada and EVERYONE is invited! Looking for a place where you can get together with friends and strangers and dance the night away? Help is on the way! We cannot wait to set sail on this epic musical adventure. See you soon!”

    Lake Street Dive on The Good Together Tour

    Lake Street Dive – Good Together Tour 2024

    June 14—Asbury Park, NJ—Stone Pony Summer Stage

    June 27— Ottawa, ON—Ottawa Jazz Festival

    June 28 – Toronto, ON—Toronto Jazz Festival—History

    June 29—Saratoga Springs, NY—Freihofer’s Saratoga Jazz Festival

    July 07—Lafayette, NY—Beak and Skiff Apple Orchards

    July 09—Cleveland, OH—TempleLive at Cleveland Masonic

    July 10—Interlochen, MI—Interlochen Center for the Arts, Kresge Auditorium

    July 12—Indianapolis, IN—Everwise Amphitheater at White River State Park

    July 13—Nashville, TN—Ascend Amphitheater

    July 14—Cincinnati, OH—Andrew J Brady Music Center

    July 16—St. Louis, MO—St. Louis Music Park

    July 17—Bentonville, AR—The Momentary

    July 19—Dillon, CO—Dillon Amphitheater

    July 21—Morrison, CO—Red Rocks Amphitheatre (SOLD OUT)

    July 23—Salt Lake City, UT—Red Butte Garden Outdoor Concert Series

    July 26—San Diego, CA—Cal Coast Credit Union Open Air Theatre

    July 27—Los Angeles, CA—Greek Theatre

    July 28—Berkeley, CA—The Greek Theatre at UC Berkeley

    July 30—Ketchum, ID—Sun Valley Center for the Arts

    August 01—Vancouver, BC—Orpheum Theatre

    August 02—Troutdale, OR—McMenamins Edgefield Amphitheatre

    August 03—Seattle, WA—Venue TBA

    August 04—Seattle, WA—Venue TBA

    August 17—Portland, ME—Thompson’s Point

    August 18—Portland, ME—Thompson’s Point

    September 13—Columbia, MD—Merriweather Post Pavilion

    September 14—New York, NY—Madison Square Garden

    September 15—Philadelphia, PA—The Mann

    September 17—Buffalo, NY—Terminal B at the Outer Harbor

    September 23—Grand Rapids, MI—20 Monroe Live

    September 24—Madison, WI—Breese Stevens Field

    September 26—Chicago, IL—The Salt Shed

    September 27—Chicago, IL—The Salt Shed

    September 28—Minneapolis, MN—Surly Brewing Festival Field

    September 30—Columbus, OH—KEMBA Live! Outdoor

    October 01—Pittsburgh, PA—Stage AE

    October 04—Raleigh, NC—Red Hat Amphitheater

    October 05—Charlotte, NC—Skyla Credit Union Amphitheatre

    October 06—North Charleston, SC—Firefly Distillery

    October 08—Asheville, NC—Rabbit Rabbit

    October 10—Atlanta, GA—The Eastern

    October 11—Atlanta, GA—The Eastern

    Lake Street Dive tour

    The Good Together Tour presale begins Wednesday, January 31 at 10:00AM local time, and general on-sale begins Friday, February 2 at 10:00AM local time. For more information on Lake Street Dive, click here.

  • Hearing Aide: “Flight of The BumBillB” – A Few Laughs and One Very Uncomfortable History Lesson on The Latest Release from Buffalo’s Bill Bachmann

    Flight of The BumBillB is the latest release from Buffalo native Bill Bachmann.  This is the third full length album from the multi instrumentalist songwriter, who plays every instrument on the album’s 14 songs.  Bachmann is a true wordsmith who expertly uses wit and humor in his music. 

    Flight of The BumBillB lands between Weird Al Yankovic and Bob Dylan and somewhere between the city of Buffalo and the heart of Appalachia – Bluegrass, Americana, DooWop, Blues and even a parody of a Christmas classic, it’s all in there.

    Hearing Aide: "Flight of The BumBillB" from Buffalo’s Bill Bachmann

    “Size Don’t Matter on a Banjo” kicks off the album and is a tone setter for the humor and music that is about to come.  In a song that would fit perfectly in Disney’s Country Bear Jamboree, Bachmann takes shots at lawyers, harmonica players (who only suck half of the time), and even himself.

    The jazzy and funky sounds of “I’m a Real Man” are a stark contrast to the Bluegrass of the opening track. The lyrics are almost pure stand up comedy and some of Bachman’s finest on the album.  Couples beware! You will relate to this one, and that’s where it’s beauty truly lies. 

    As the title suggests, “Telecasterbatur” is full of sexual innuendos and double entendres. Bachmann is not very subtle on this not for kids tune which features some nice slide guitar.

    “Big Bad Josh” is a parody of Jimmy Dean’s classic “Big Bad John”.  Big Bad Josh is in fact Buffalo Bills quarterback Josh Allen and this tune sounds like it could be heard around tailgates and bars in Buffalo. Bachmann professes his love for his hometown team and predicts The Bills in “The Big Game” and Josh Allen heading to The Hall of Fame…maybe next year.

    Hearing Aide: "Flight of The BumBillB" from Buffalo’s Bill Bachmann

    Bachmann gets back to comedy through the middle of the album with parodies of “Turkey in The Straw” and “Blue Yodel”, the latter singing the laments of a big trust fund.

    “Double Negative” has a classic folk sound and lyrics like “How Much I Do Not, Not Love You.” A simple ditty that’s either a grammar teacher’s dream or worst nightmare.

    “Buffalo To Washington” is a musical journey from Buffalo, New York south through Pennsylvania and Maryland enroute to our nation’s capital and features a very catchy sing-a-long chorus.

    Nine songs deep into the album “Full Moon” finally delivers a serious love song.  The production on this one sounds very modern, almost garage band like or  “band in a box”.  The production, or lack of, seems to take away from the classic style of “Full Moon” which harkens back to great songs like “Blue Moon” and other classics from The Great American Songbook.

    Things seem to get a little jumbled and repetitive heading into the final stretch of “Flight of The BumBillB”. “Girls and Boys in The Ivy” is a parody of The Drifters classic “Poison Ivy”, taking shots at Ivy League students “memorizing elements and fighting about statistics”.  “Male in The Czech” sounds like it could be a Monkees song with a bad punchline and “Pissed Off at Christoph” seems to miss the mark.

    What starts as a parody of “Ghost Riders In The Sky”, “Check Writers in Disguise” soon becomes a very uncomfortable and almost vulgar bio of The Kennedy Family.  Blaming Marilyn Monroe’s death on her singing “or the drugs”, Hush Money, Harvard scandals, and the death of Mary Jo Kopechne in Chappaquiddick leading to a “permanent senate seat” for Ted Kennedy are just a few of the ways Bachmann shows his disdain for the Kennedy Family. A song that is irreverent at the least, crosses any line appropriateness with the songwriter’s account of a rape on the beach.  This song is vulgar and politically incorrect with total lack of taste and empathy. It is the only track on  the entire album which evokes any real thought or emotion other than the occasional chuckle. In today’s watered down, politically correct “Me Too” world is this true art or just shock value amid an album of fluff? 

    Flight of The BumBillB concludes with “Santa Claws Are Coming To Town”, Bachman’s dark twist on the holiday classic.

    You can find Flight of The BumBillB on streaming platforms including Bill Bachman’s YouTube page and his official website BillBachmannMusic.com

  • fivebyfive Stuns at Strasenburgh In Celebration of the Coming Eclipse

    On the 8th of April, Rochester will be one of the cities in the direct pathway of a total solar eclipse. A rare celestial event worthy of celebration and awe. In anticipation of the event, local chamber ensemble fivebyfive played a series of three sold out concerts at the Rochester Science and Museum’s Strasenburgh Planetarium the past two weekends.

    fivebyfive eclipse

    “Light and Dark: Eclipse Music,” two years in the making, included five world premier pieces commissioned specifically for this concert, each written specifically in celebration of this monumental event. Each composer interpreted the concept of a solar eclipse in their own way. fivebyfive’s audio and visual engineer, and Executive Director, Marc Webster added his own interpretations, developing visuals for each to project on the dome of the planetarium. He approached the video treatments from a musician’s standpoint, taking cues directly from the scores. It was a feast for the ears and eyes for the audience, comfortably seated in recliners encircling the intimate space.

    A unique event deserves to be celebrated in a unique way by a unique ensemble. Made up of Laura Lentz on flute, Marcy Bacon on clarinet, Ken Luk on electric guitar, Eric J. Polenik on bass and Haeyeun Jeun on piano, fivebyfive certainly fit the bill. But the compositions called for the band to stretch it’s legs even more with some auxiliary sounds and techniques. Finger-tapped guitar added to the data-driven melodies of Glenn McClure’s set opening “Totality,” as numbers rained down from the skies. Bass clarinet, alto flute and a bowed guitar added warmth to Jessica Meyer’s “In the Path of Totality,” tapping into the human emotional response to the eclipse’s grandness and beauty. Light literally controlled the music for Julie Herndon’s “I Can Take.” Guest conductor Armand Hall conducted using only light bulbs strewn through the band’s setup. Through composed sections and even some improvisation, the bulbs dimmed and brightened in the darkened room, as the music ebbed and flowed along the way.

    The venue, the visuals, the music. It all came together perfectly in celebration and anticipation of an event that Rochester will remember forever. Las Vegas may have it’s much-hyped Sphere, but Rochester’s Strasenburgh Planetarium made an excellent host for these shows, and only one of those city’s is in the path of totality. With two more months to go there’s plenty more time to keep the celebration going so stay tuned for more events to come.

    fivebyfive eclipse
  • Khruangbin Announce Tour, Coming to Buffalo, Saratoga Springs, and Queens

    Alt trio Khruangbin has announced they are embarking on a major North American tour with support from Hermano Gutiérrez, John Carroll Kirby, Peter Cat Recording Co., Men I Trust, and Arooj Aftab. The A LA SALA tour features a date at SPAC on May 26, Buffalo at Rockin’ At The Knox on May 28, and two dates at Forest Hills Stadium on Sept. 20 and 21.

    Khruangbin tour

    Khruangbin was formed in 2009 with Laura Lee on bass, Mark Speer on guitar, and Donald Johnson on drums. They take their influence from 1960s Thai funk with their name translating to “Engine Fly” in Thai. The group has toured across the world, with praise from the NY Times, Billboard, and more. The trio recently announced their fourth studio album A LA SALA, their first LP in four years out on April 5. From the get-go, their journey has been its own, ignoring pop expectations and relying on internal aspirations and visions. The building blocks for A LA SALA’s 12 songs were pieces found in Khruangbin’s creative past, parts of the band not lost, but not yet tapped into.

    Over the last two years, Khruangbin has sold out shows at New York City’s Radio City Music Hall, Los Angeles’ Greek Theatre and London’s Alexandra Palace, released five live LPs showcasing their stage prowess – featuring guests such as Toro y Moi, Men I Trust and Nubya Garcia, collaborated with Malian guitarist Vieux Farka Touré honoring his late father, Ali Farka Touré, with the album Ali, and released their second collaborative EP with Leon Bridges, the sultry, chart-topping Texas Moon.

    Khruangbin tour
    Photo Credit: David Black.

    The Ecuadorian-Swiss sibling duo Hermanos Gutiérrez will be supporting Khruangbin on a run of shows in April. Known for their psychedelic, world-building guitar music, they just released their newest single  “Blood Milk Moon”, a spacious and spectral tune that was hailed by WNYC as “night music that is somehow not dark” and named to UPROXX’s Best New Indie list. The single represents the group’s first new music since 2022’s El Bueno Y El Malo, their acclaimed and mythic debut for Dan Auerbach’s Easy Eye Sound.

    The Khru Club artist presale for the North American tour starts on Tuesday, January 30 at 10 am local time, Spotify Fans’ first pre-sale is on January 31 @ 10 am local time, local/venue presale on Thursday, February 1 @ 10 am local time and regular on sale Friday, February 2 @ 10 am local time. To purchase tickets, visit here.

    KHRUANGBIN NORTH AMERICAN TOUR DATES

    4/14/24 – Coachella – Indio, CA

    4/18/24 – Alex Madonna Expo Center – San Luis Obispo, CA*

    4/21/24 – Coachella – Indio, CA

    4/23/24 – Brooklyn Bowl – Las Vegas, NV *

    4/24/24 – Brooklyn Bowl – Las Vegas, NV *

    4/26/24 – Revel – Albuquerque, NM *

    4/27/24 – Revel – Albuquerque, NM *

    5/22/24 – The Met – Philadelphia, PA ^

    5/23/24 – The Met – Philadelphia, PA ^

    5/25/24 – Boston Calling – Boston, MA

    5/26/24 – Saratoga Performing Arts Center – Saratoga Springs, NY ^

    5/28/24 – Rockin’ At The Knox – Buffalo, NY ^

    5/29/24 – Jacob’s Pavillion – Cleveland, OH ^

    5/31/24 – History – Toronto, ON ^

    6/1/24 – History – Toronto, ON ^

    6/2/24 – History – Toronto, ON ^

    6/4/24 -The Masonic Temple Theatre – Detroit, MI ^

    6/7/24 – The Salt Shed – Chicago, IL

    6/8/24 – The Salt Shed – Chicago, IL ^

    6/9/24 – The Salt Shed – Chicago, IL ^

    6/11/24 – Red Hat Amphitheater – Raleigh, NC

    6/14/24 – Bonnaroo – Manchester, TN

    8/15/24 – Greek Theatre – Berkeley, CA %

    8/16/24 – Greek Theatre – Berkeley, CA %

    8/18/24 – Edgefield – Troutdale, OR %

    8/19/24 – Edgefield – Troutdale, OR %

    8/21/24 – Kettlehouse – Bonner, MT %

    8/22/24 Kettlehouse – Bonner, MT %

    8/24/24 – Granary Live – Salt Lake City, UT %

    8/27/24 – Red Rocks – Morrison, CO &

    8/28/24 – Red Rocks – Morrison, CO %

    9/20/24 – Forest Hills Tennis Stadium – New York, New York +

    9/21/24 – Forest Hills Tennis Stadium – New York, New York +

    9/23/24 – The Anthem – Washington, DC $

    10/2/24 – The Factory – St.Louis, MO $

    10/3/24 – The Factory – St.Louis, MO $

    10/9/24 – Saenger Theatre – New Orleans, LA $

    10/10/24- Saenger Theatre – New Orleans, LA $

    * w/ Hermano Gutiérrez

    ^ w/ John Carroll Kirby

    % w/ Peter Cat Recording Co. 

    + w/ Men I Trust

    $ w/ Arooj Aftab

    Hermanos Gutiérrez Tour Dates

    March 16 – Variety Playhouse – Atlanta, GA

    March 17 – The Underground – Charlotte, NC

    March 19 – The Jefferson Theater – Charlottesville, VA 

    March 20 – Lincoln Theatre – Raleigh, NC

    March 21 – Orange Peel – Asheville, NC

    March 22 – Big Ears Festival – Knoxville, TN

    March 24 – Lexington Opera House – Lexington, KY

    April 14 – Coachella – Indio, CA

    April 18 – San Luis Obispo – Alex Madonna Expo Center **

    April 21 – Coachella – Indio, CA

    April 23 – Las Vegas, NV – Brooklyn Bowl **

    April 24 – Las Vegas, NV – Brooklyn Bowl **

    April 26 – Albuquerque, NM – Revel **

    April 27 – Albuquerque, NM – Revel **

    ** with Khruangbin

    Hermanos Gutiérrez May Headline Tour

    May 7 – Ryman Auditorium – Nashville, TN 

    May 8 – The Hawthorn – St. Louis, MO

    May 9 –  The Truman – Kansas City, MO 

    May 11 – First Avenue – Minneapolis, MN 

    May 12 – Thalia Hall – Chicago, IL

    May 13 – St. Andrews Hall – Detroit, MI

    May 14 – Queen Elizabeth Theatre – Toronto, ON

    May 16 –  SalleWilfrid-Pelletier – Montreal, QC

    May 17 – Royale – Boston, MA

    May 18 – Brooklyn Steel – New York, NY

  • Five Can’t Miss Jazz Shows in Rochester This February

    Rochester is a jazz lover’s dream come late June during the Rochester International Jazz Fest. But in the last few years the options over the remainder of the year have been getting better and better. This February there is a solid slate of great jazz coming to Rochester, so much so that even narrowing it down to just five was a difficult task. So get out there and support some world-class improvised music this month.

    February 1: Joshua Redman Group @ Hochstein Performing Arts

    Live! is bringing reedman Joshua Redman and his group, featuring vocalist Gabrielle Cavassa, to beautiful auditorium at the Hochstein School of Music. They’ll be supporting their latest excellent release, where are we. On this night they’ll be in Rochester of course, but the material travels all over the country: Chicago, New Orleans, Baltimore, Manhattan, Alabama… So come get phonically geographical, no better way to start off the month.

    Tickets range from $41.46 to $69.85 and the music gets started at 8pm. There will also be a cocktail hour in the chapel from 630-730pm.

    February 12: Ethnic Heritage Ensemble @ Lovin Cup

    This isn’t the first time this space has recommended Kahil El’ Zabar and his Ethnic Heritage Ensemble and it probably won’t’ be the last. Rochester is lucky that this group makes frequent visits to our town, and you should be taking full advantage. They come celebrating their 50th anniversary and in advance of their new album, Open Me, A Higher Consciousness of Sound and Spirit, out in March. Take a spiritual journey and be deeply moved by music like few artists can provide.

    Tickets are $25/$30dos and the show starts at 730pm.

    February 23: Mostly Other People Do the Killing @ Bop Shop Records

    Another returner to Bop Shop Records, Mostly Other People Do the Killing are another group you can’t pass up anytime they are back. Now a trio, this NYC-based band led by bassist Moppa Elliott are a creative animal of their own making, playing by their own rules. Electronics are infused into a mostly acoustic affair, providing surprises around most turns.

    Tickets are $20 and the show starts at 8pm.

    February 28: Brass Machine @ Lovin Cup

    The Brass Machine, from nearby Buffalo, brings the New Orleans party vibes for a little early Mardi Gras celebration. But this isn’t going to be your ordinary brass band show, this is a special “Busted on Bourbon Street”, two-set all Grateful Dead tribute show. The Dead has been covered every which way, so why not brassed up?

    Tickets are $10 and music gets going at 7pm.

    February 29: Harold Danko @ Kilbourn Hall

    It’s a leap year so we get an extra day in February, might as well fill it up with some more live music. Jazz pianist, composer, and professor emeritus of jazz studies and contemporary media at the Eastman School of Music Harold Danko plays a special leap year show every February 29th, so this is your only chance to see this show for another four years! This is a tradition that has been going for 44 years, but there’s no better time to get involved then now. A great opportunity to witness the world-class talent we have right here in our own backyard.

    This show is free and will start at 7:30pm.

  • Che’ Noir Releases New EP, The Color Chocolate Volume 1

    Buffalo native Che’ Noir embodies her city’s grit and their cumulative ethos of hard-work with consistent releases over the past five years. Nonetheless, having released Noir Or Never in early 2023, the gritty MC returns with a short EP before the release of another album, Lotus Child.

    Che' Noir releases new 4-track EP The Color Chocolate Volume 1

    The Color Chocolate Volume 1 features appearances from Evidence, Your Old Droog, Ransom, and ICECOLDBISHOP and is the first taste of what will be Che Noir’s biggest and busiest year yet. Moreover, the “Quiet Moves” rapper gets to expand on her brand and artistic vision. The colorful and poetic rapper has leaned into her nubian features with incredibly artistic cover art and album themes. Meanwhile, her subject matter often reflects her surroundings in a world and industry that isn’t ready-made for her. On The Color Chocolate Volume 1 Che’ Noir uses her empowering voice to float over several soul samples as she provides insightful narration to the streets.

    “I finished my Lotus Child album, and was impatiently waiting for a few features to come back, so I decided to start working on a new project. My work ethic can be a gift and a curse for me” Che mused. 

    “I am in constant competition with myself and I work very hard, so while I waited, I locked in and recorded for a month straight and picked the best four to put on The Color Chocolate Volume 1 EP.  “I’m excited for the world to fully know my art, and who I am.  The Color Chocolate Volume 1 EP is just the beginning.” 

  • Benny The Butcher Releases Anticipated New Album, “Everybody Can’t Go”

    Benny The Butcher releases long-awaited Def Jam studio album, Everybody Can’t Go. Since claiming on X that he would have the best hip hop album on Def Jam since DMX’s debut, Benny has released timely singles in anticipation of the new project. First came the Lil Wayne assisted “Big Dog,” which offered a glimpse into Benny’s renewed vigor and flow.

    Promotional cover for Benny's single "BRON." Benny The Butcher Everybody Can't Go

    Moreover, The Black Soprano Family head honcho followed up with “One Foot In” featuring Stove God Cooks, reminding listeners that he hadn’t gone away from his roots. Lastly, Benny released “BRON,” as a final single where he muscles his way into the spotlight with his emphatic delivery.

    Everybody Can’t Go: What to Expect

    Overall, Benny has delivered 12 tracks produced entirely by Hit-Boy and Alchemist, with a mix of trunk thumpers and soul searching samples as Benny showcases the newfound duality in his music. However, the Buffalo native remains determined not to sell himself out as a result of his Def Jam deal. For instance, as he expands his songwriting and beat selection, the Grammy-nominated street general has made sure to maintain his musical identity. Rather than go for a catchy radio single, Everybody Can’t Go sees Benny challenge himself by trying different cadences, flows and rapping on beats that don’t fit into his gritty, east coast persona.

    Furthermore, Benny’s promotional tactics and music video’s have went up another level, surely the benefactor of working on a major label budget. Additionally, Everybody Can’t Go features some of the biggest names in hip hop. Produced entirely by Hit-Boy and Alchemist, the project sees appearances from Lil Wayne, Snoop Dogg and Jadakiss. In like manner, fans are treated to the Griselda linkup between Benny, Conway the Machine and Westside Gunn. Like Benny and Snoop rap on “Back Again,” Everybody Can’t Go signifies that the authentic gangster/street rappers are back to making a mark on the music industry.

    The “Johnny P’s Caddy” rapper has put together an honest project that despite the commonplace rapper braggadocio is an ode to self-belief, perseverance and hard-work.

  • Jerry Garcia & Howard Wales Cap Off ‘Hooteroll’ Tour in Buffalo: January 29, 1972

    Today marks the anniversary of the final show of one of the earliest Grateful Dead side projects. Lead guitarist Jerry Garcia along with Howard Wales delivered one last live interpretation of their jazz-rock fusion album Hooteroll to an audience at the University of Buffalo on this day in 1972. Wales, an avant-garde keyboard player, helped compose all songs on the album which was released the previous year.

    Hooteroll garcia wales

    The Buffalo gig ended a string of shows played at smaller venues in the Northeast, including one at Syracuse University the week before. While Jerry Garcia may have been the main draw, this tour is also renowned for introducing many to The Mahavishnu Orchestra for the first time, a burgeoning live act with the great Jon McLaughlin on guitar who opened the shows and, according to some bystanders, blew the main act off the stage sometimes.

    But Garcia and Wales would get the final word each night with extended takes on Hooteroll, playing alongside Jerry Love on drums, Jimmy Vincent on guitar, and Roger Troy (aka Jellyroll) on bass and vocals, with the group announced as “Howard Wales and Friends.” Unfortunately, no known recordings of tonight’s performance exist, but this excellent one from the show three nights before in Boston paints a clear picture of what transpired at these shows, with the band immediately launching into the frenzied, organ-driven jam “Southside Strut,” the first track of the album, then going off from there.

    The music never comes to a complete stop as the band weaves in and out of different tempos and arrangements, although mixing up the songs from the order in which they appear on the album. A section called “Outer Space Regions” completely lives up to its billing before a soul-heavy “Carry Me Back” with Jellyroll on vocals re-energizes everything. Another selection from the album, “DC 502” surrounds a verified “Drums” section as well later on. See Youtube for a full setlist. The entire show is essentially a long, enjoyable 90-minute jam that covers all of Hooteroll and then some.

    Hooteroll garcia wales
    Photo: Gordon James

    Before being played in Buffalo and the Northeast, the seeds of Hooteroll were planted in San Francisco, as Garcia and Wales wound up performing at Monday night jam sessions at The Matrix. This would also be where Jerry met bassist John Kahn for the first time, marking the beginning of their long time partnership. For Jerry, the appeal of this outfit was the ability to play in a more relaxed context than Dead shows. Wales was a serious musician, and Jerry had to work hard to keep up with him, which he would say did more for his ear than anyone else he played with.

    Howard didn’t have tunings or anything, he just played. Sometimes he would do these things that were so outside that you just couldn’t – unless you knew where it was going, you had no idea where to start. Sometimes they’d turn out to be just these things like four-bar blues turnarounds, relatively simple musical things, but they were so extended the way he’d play them – ‘God, what is this?’

    ~ Jerry Garcia, 1991 Interview

    With the Hooteroll tour now concluded, Garcia would next turn his attention to a string of shows with another longtime collaborator, Merl Saunders, back home in the San Francisco area.

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