Bluegrass legend Alison Krauss and her band Union Station have announced their first tour in 10 years, the Arcadia 2025 Tour, alongside special guest Willie Watson with an extensive list of dates that include two stops in New York State.
A multi-instrumentalist, producer, and singer, Alison Krauss is a modern bluegrass legend. With 27 Grammy Awards of 42 nominations, the title of International Bluegrass Music Hall of Fame inductee, and a whopping 14 albums under her belt, itâs no wonder as to why.
Krauss partnered up with the band Union Station tangentially with the release of her first solo works, reworking themselves to Alison Krauss & Union Station soon after and quickly becoming a cornerstone unit of the bluegrass and country scenes.
Known for their boundary-transcending sound, Alison Krauss & Union Station went quiet after the release of their 2011 album Paper Airplane that saw major critical success. Over the years, the unit brought their talents to stages across the globe, but similarly took a pause on performances as a unit in 2015. However, both of these hiatuses are about to change.
In an exciting announcement, the unit has made impressive progress on their newest album release slated for 2025 in addition to an impressive tour titled Arcadia that will take Alison Krauss & Union Station across the United States and Canada over the course of 73 shows, including two nights in Manhattan and Lewiston.
Having recently joined the ranks of the band and soon to be traveling North America alongside them is the vocalist and guitarist Russell Moore, best known for his work as the frontman of IIIrd Tyme Out. Being the most awarded male vocalist in the history of the International Bluegrass Music Association, Mooreâs skills will make for a stellar addition to each nightâs performance.
If all of that wasnât exciting enough, Alison Krauss & Union Station have announced that support for the tour will come in the form of special guest Willie Watson. Fans can look forward to hearing tracks brand new and time-honored all the same as the band kicks off their performances in the spring.
âIâm so grateful to get to make music again with my comrades of 40 years. Theyâve always accomplished incredible work individually and have been constantly traveling because of it. Weâre very inspired to experience this new exciting chapter in the bandâs history.â
– Alison Krauss
Tickets for Alison Krauss & Union Stationâs exciting Arcadia tour are available now. The band will be making two stops in New York, first at the historic Beacon Theatre in Manhattan on September 12 and then at the Artpark Mainstage Theater in Lewiston on September 21.
For more information on dates, to-be-announced special guests, and ticket purchasing opportunities, be sure to check out Alison Kraussâ official website here.
The expansive full list of Arcadia 2025 Tour dates are below.
TOUR DATES
Thursday, April 17, 2025 | The Louisville Palace | Louisville, KY
Friday, April 18, 2025 | The Louisville Palace | Louisville, KY
Saturday, April 19, 2025 | Mershon Auditorium | Columbus, OH
Friday, April 25, 2025 | Cadence Bank Amphitheatre at Chastain Park | Atlanta, GA
Saturday, April 26, 2025 | Live Oak Bank Pavilion | Wilmington, NC
Sunday, April 27, 2025 | Koka Booth Amphitheatre | Cary, NC
Tuesday, April 29, 2025 | Bell Auditorium | Augusta, GA
Wednesday, April 30, 2025 | The Adderley Amphitheater | Tallahassee, FL
Friday, May 2, 2025 | The Wharf Amphitheater | Orange Beach, AL
Saturday, May 3, 2025 | Brandon Amphitheater | Brandon, MS
Sunday, May 4, 2025 | BJCC Concert Hall | Birmingham, AL
Tuesday, May 6, 2025 | Orpheum Theatre | Memphis, TN
Monday, May 12, 2025 | First Security Amphitheater | Little Rock, AR
Tuesday, May 13, 2025 | The Criterion | Oklahoma City, OK
Thursday, May 15, 2025 | Saint Louis Music Park | Maryland Heights, MO
Friday, May 16, 2025 | Walmart AMP | Rogers, AR
Saturday, May 17, 2025 | Starlight Theatre | Kansas City, MO
Thursday, May 29, 2025 | Smart Financial Centre | Sugar Land, TX
Friday, May 30, 2025 | Whitewater Amphitheater | New Braunfels, TX
Saturday, May 31, 2025 | The Pavilion at Toyota Music Factory | Irving, TX
Tuesday, June 3, 2025 | PNC Pavilion | Cincinnati, OH
Wednesday, June 4, 2025 | Devon Lakeshore Amphitheater | Decatur, IL
Friday, June 6, 2025 | BMO Pavilion | Milwaukee, WI
Saturday, June 7, 2025 | The Chicago Theatre | Chicago, IL
Sunday, June 8, 2025 | The Ledge | Waite Park, MN
Tuesday, June 10, 2025 | Vetter Stone Amphitheater | Mankato, MN
Wednesday, June 11, 2025 | Bayfront Festival Park | Duluth, MN
Friday, June 13, 2025 | McGrath Amphitheatre | Cedar Rapids, IA
Saturday, June 14, 2025 | Denny Sanford Premier Center | Sioux Falls, SD
Sunday, June 15, 2025 | The Astro Amphitheater | Omaha, NE
Monday, June 16, 2025 | Hartman Arena | Park City, KS
Wednesday, June 18, 2025 | Red Rocks Amphitheatre | Morrison, CO
Friday, June 20, 2025 | Dillon Amphitheater | Dillon, CO
Saturday, June 21, 2025 | Kit Carson Park | Taos, NM
Friday, July 11, 2025 | Arizona Financial Theatre | Phoenix, AZ
Saturday, July 12, 2025 | The Rady Shell at Jacobs Park | San Diego, CA
Sunday, July 13, 2025 | Greek Theatre | Los Angeles, CA
Tuesday, July 15, 2025 | Santa Barbara Bowl | Santa Barbara, CA
Wednesday, July 16, 2025 | The Mountain Winery | Saratoga, CA
Friday, July 18, 2025 | Grand Theatre | Reno, NV
Saturday, July 19, 2025 | Redding Civic Auditorium | Redding, CA
Sunday, July 20, 2025 | Edgefield Amphitheater | Troutdale, OR
Tuesday, July 22, 2025 | Wine Country Amphitheater | Walla Walla, WA
Wednesday, July 23, 2025 | Outlaw Field at the Idaho Botanical Garden | Boise, ID
Saturday, July 26, 2025 | Theatre at the Brick | Bozeman, MT
Sunday, July 27, 2025 | BECU Live at Northern Quest | Airway Heights, WA
Tuesday, July 29, 2025 | Grey Eagle Resort & Casino | Calgary, AB
Thursday, July 31, 2025 | TCU Place | Saskatoon, SK
Friday, August 1, 2025 | Centennial Concert Hall | Winnipeg, MB
Tuesday, August 19, 2025 | Massey Hall | Toronto, ON
Thursday, August 21, 2025 | Everwise Amphitheater at White River State Park | Indianapolis, IN
Friday, August 22, 2025 | Ascend Amphitheater | Nashville, TN
Saturday, August 23, 2025 | The Tennessee Theatre | Knoxville, TN
Sunday, August 24, 2025 | The Tennessee Theatre | Knoxville, TN
Tuesday, August 26, 2025 | Soldiers and Sailors Memorial Auditorium | Chattanooga, TN
Thursday, August 28, 2025 | The Dome | Virginia Beach, VA
Friday, August 29, 2025 | Allianz Amphitheater at Riverfront | Richmond, VA
Saturday, August 30, 2025 | Earl Scruggs Music Festival | Mill Spring, NC
Saturday, September 6, 2025 | Michigan Lottery Amphitheatre | Sterling Heights, MI
Sunday, September 7, 2025 | Jacobs Pavilion | Cleveland, OH
Tuesday, September 9, 2025 | Wolf Trap | Vienna, VA
Wednesday, September 10, 2025 | The Met Philadelphia presented by Highmark | Philadelphia, PA
Friday, September 12, 2025 | Beacon Theatre | New York, NY
Tuesday, September 16, 2025 | Veterans Memorial Auditorium | Providence, RI
Wednesday, September 17, 2025 | Leader Bank Pavilion | Boston, MA
Friday, September 19, 2025 | BankNH Pavilion | Gilford, NH
Saturday, September 20, 2025 | The Green at Shelburne Museum | Shelburne, VT
Sunday, September 21, 2025 | Artpark Mainstage Theater | Lewiston, NY
Tuesday, September 23, 2025 | Salem Civic Center | Salem, VA
Wednesday, September 24, 2025 | Credit One Stadium | Charleston, SC
Friday, September 26, 2025 | The Saint Augustine Amphitheatre | St. Augustine, FL
Saturday, September 27, 2025 | The BayCare Sound | Clearwater, FL
Sunday, September 28, 2025 | Hard Rock Live | Hollywood, FL
Western New York based arts and cultural non-profit venue Artpark has announced the induction of their new president, Dave Wedekindt.
Established in 1974 in collaboration between New York State Parks and the Artpark & Company nonprofit, Artpark has presented the folks of Western New York with astounding performing arts programs each summer for the past fifty years.
With over 150 acres to their name, Artpark hosts a myriad of creative endeavors including but not limited to those of visual artists, dance and cirque arts performers, cutting-edge theater casts, local, national, and international musicians across all genres, poets, writers, and more.
Artpark weaves their creative environment with that of the Niagara River and Gorge through forested trails, sculpture gardens, and outdoor recreation areas that encourage visitors to not only appreciate the creative minds around them but the earth that enables such endeavors and its significance within Western New York’s Indigenous population.
Now in its 50th year, Artpark has announced the appointment of their newest president, Dave Wedekindt. A lifelong Western New Yorker and Amherst local, Wedekindt has worked with Artpark & Company for six years already, first as Director of Marketing & Sales and then as Vice President of Concerts & Marketing, eventually being promoted to Vice President in 2022 before stepping up as the Interim President in April of this year, just prior to the non-profits anniversary.
Wedekindt’s career as an arts management professional spans nearly 30 years. With extensive experience in strategic planning, leadership, programming, marketing, development, finance, and event operations for other large not-for-profit organizations, his new position is promising.
Beyond and prior to his work with Artpark & Company, Dave is a graduate of SUNY Fredonia with a BS in Business Management and subsequently an alumnus of internship programs at Rockefeller Arts Center, Chautauqua Institution, the Buffalo Philharmonic Orchestra, Rockwell Hall, and Shea’s Performing Arts Center where he took on his first full-time role as Associate Director of Development in 1995.
From there, Wedekindt was recruited for the University At Buffalo Center for the Arts’ Associate Director of Marketing role. Growing the presence of the then only four-year-old organization, Dave was promoted to Director of Marketing in 2003 and served on a number of committees beyond his personal responsibilities across the University.
Flaming Lips at Artpark – photo by Patrick Htoo
Dave is also a steadfast advocate for a wide variety of arts organizations in the area, having served on the Board of Directors of MusicalFare Theatre in Amherst since 2017 in addition to chairing the Marketing Committee and serving as a member of the Board of Directors for Arts Services Inc. in Buffalo from 2017-2023. Throughout his career, Wedekindt has volunteered his time and expertise across several other committees, professional panels, and more.
In his new position, Dave is pointing the organization forwards towards its Power 2030 strategic plan alongside the Board and its many stakeholders to include a continued revitalization of Artpark’s grounds and venues, expansion of its programmatic season, and more.
To learn more about Wedekindt’s initiatives as Artpark’s newly announced president and the organization at large, be sure to check out their official website here.
Far Trio will embark on a fall tour that will amount to 14 dates across New York through Sep. and Oct. ahead of their new album expected next year.
Far Trio is an “earthy fusion” band from Buffalo that was formed over a decade ago in Fredonia, NY. They are going on tour this fall bringing their unique blend of soul, blues, and singer-songwriter vibes to audiences throughout New York State.
Eamon Rayhn (vocals, bass), Drew Azzinaro (vocals, guitar), and Ethan Fox (drums) form the band which has been a fixture in the regionâs music scene for the past five years. They have performed over 150 shows annually across cities like Buffalo, NYC, the Finger Lakes, Philadelphia, and the Hudson Valley.
Far Trio has played at renowned venues including The Bitter End, Rockwood Music Hall, Shakti Lounge, So Far NYC, and major jazz festivals such as The Northwest Jazz Festival and Carnegie Jazz Festival. They have earned critical acclaim for their fresh takes on classic songs by artists such as John Lennon and The Allman Brothers, and their original compelling compositions.
In 2022, Far Trio released their second album, Ordinary Moments, recorded in Woodstock, NY, with legendary producer Scott Petito (James Taylor, Chick Corea, John Scofield). The album features 14 tracks ranging from soulful singer-songwriter tunes to raunchy blues-tinged grooves. This latest work showcases the band’s evolution as a unit, with each member augmenting the othersâ compositions and delivering a diverse sound that captivates a wide audience.
The band has stated that a new project is on the horizon for next year, the band continues to write, experiment, and create music that transcends genres while keeping its soul firmly rooted in the earthy fusion they are known for.
Legendary soul, funk and R&B powerhouse, Tower of Power, is set to light up the holiday season with a new album and anticipated December tour. The holiday album It’s Christmas releases September 27 and the “Holidays and Hits” tour begins December 3, with stops in Niagara Falls and Manhattan.
This tour promises to be a joyful journey through Tower of Powerâs storied past, blending beloved holiday tunes with the bandâs classic hits and fan favorites that have defined their legacy. Alongside iconic tracks like “What Is Hip?” and “You’re Still a Young Man,” fans can expect fresh renditions of timeless holiday songs, delivered with the bandâs unmistakable brass-driven sound and signature high-energy performances.
The “Holidays and Hits” tour begins December 3 in Plymouth, MA, and wraps up on December 21 in Oakland, CA. The tour sees a total of two dates in New York including a stop at the Seneca Niagra Casino & Hotel in Niagra Falls on December 6. Following this, the tour also stops at Sony Hall in New York City on December 8.
Tower of Power “Holidays and Hits” Dates:
December 3: Plymouth Memorial Hall, Plymouth, MA
December 6: Seneca Niagara Casino & Hotel, Niagara Falls, NY
December 7: Golden Nugget, Atlantic City, NJ
December 8: Sony Hall, New York, NY
December 10: Midland Theatre, Newark, OH
December 11: Rialto Square, Joliet, OH
December 13: Capitol Theater, Davenport, IA
December 15: The Astro, La Vista, NE
December 17: Lensic Performing Arts, Santa FE, NM
December 18: The Fox, Tucson, AZ
December 21: The Fox, Oakland, CA
The album It’s Christmas contains 11 total holiday-themed tracks. Fans can preorder the album now alongside limited-edition bundles that include a variety of album-specific merchandise and access to an exclusive presale code for the Holidays and Hits Tour. Link to pre-save and preorder can be found here.
For more information on Tower of Power’s upcoming tour and to purchase tickets, click here.
The largest outdoor jazz festival in Western New York returns to Center Street in Lewiston, NY on Friday, August 23, and Saturday, August 24 with the 2024 Northwest Jazz Festival. Get ready for an unprecedented celebration of the Great American Songbook on the Main Stage during the two days of the festival.
The Northwest Jazz Festival begins at 5pm on Friday, August 23rd through 10:30pm, and again on Saturday, August 24th from 12:00pm – 10:30pm. The historic village will come alive with live music, food/beverage vendors, jewelry tent and more with five stages throughout the festival grounds. The festival is free to attend (no coolers or carry-ins) with a limited number of tickets available for preferred seating at the Main Stage, for up-close viewing, beginning at 6pm.
In addition to the Main Stage, the festival highlights musicians from Western New York and throughout the country. Swing Buffalo will present Friday Night Dance with the Anderson Big Band at the Center Street Friday night. Local vocal group, Harmonia Vocal Ensemble will perform Saturday as well as local favorite Janice Mitchell and Jim Beishline Trio.
The Main Stage will feature hometown favorite, Pete Malinverni. Since leaving his hometown of Lewiston, NY, Pete has become a prominent figure in New York City’s jazz community since the early 1980s. He has consistently honed his craft, exploring the rich repertoire of the Great American Songbook, including compositions by Cole Porter, Duke Ellington, and Leonard Bernstein, alongside his original works. Alongside selections from the Great American Songbook, Malinverni also draws inspiration from a variety of sources, offering a sincere reflection of his identity as both an artist and an advocate of spreading joy through music. Join us for an evening of welcoming home Pete Malinverni and enjoying Pete’s incredibly entertaining jazz.
Saturday evening will continue with a creative program by the Jazz at the Ballroom organization, which has presented special programs on the Great American Songbook. The ensemble will also feature bassist Dylan Shamat, vocalist Olivia Chindamo, vocalist Vanessa Perea, vocalist Wyatt Michael, trombonist Rob Edwards, saxophonist Adrian Cunningham, and more.
The festival’s Great American Songbook Celebration will end with a Grand Finale presented by the Jazz at the Ballroom all-star ensemble on Saturday, August 24th at 8:30 pm. Look for the silver lining, walk on the sunny side of the street, and dance cheek to cheek with a swinging lineup Inspired by Bing Crosby’s 1944 hit “Accentuate the Positive.” The Grand Finale will be a night of memorable music that kept people company through the ups and downs of the 1920s to 1940s. These timeless classics will live on forever.
Friday, August 23, 2024 5:30 pm – 7:00 pm | Comienzos – Frontier House Stage 6:00 pm – 7:15 pm | Pete Malinverni Trio – Main Stage 6:00 pm – 7:30 pm | Matt’s Music Vocal Performance Team – Center Street Stage 6:45 pm – 7:45 pm | Rick Strauss – DiCamillo Courtyard 7:00 pm – 8:00 pm | Simon Fletcher Duo – Peace Garden 7:45 pm – 9:15 pm | Will Holton – Frontier House Stage 8:15 pm – 9:45 pm | Swing Buffalo presents Friday Night Dance ft. Anderson Big Band – Center Street Stage 8:30 pm – 10:15 pm | Anaïs Reno with the Pete Malinverni Trio & Special Guest Peter Bernstein – Main Stage
Saturday, August 24, 2024 1:00 pm – 1:45 pm | UB Zodiaque Dance Company – Main Stage 1:00 pm – 2:30 pm |Jonathan Hughes Quartet – Frontier House Stage 1:30 pm – 3:00 pm | Harmonia Vocal Ensemble – Center Street Stage 2:00 pm – 3:30 pm | Wazmopolitan Duo – Peace Garden 2:15 pm – 3:15 pm | Elliot Sneider Duo: Gershwin Songbook – Main Stage 3:00 pm – 4:00 pm | Stu Weissman – DiCamillo Courtyard 3:15 pm – 4:45 pm | Donny Frauenhofer Trio – Frontier House Stage 3: 45 pm – 5:15 pm | DeeAnn DiMeo Quintet – Center Street Stage 4:00 pm – 5:30 pm | Jazz at the Ballroom Presents “Get out of Town” – Main Stage 4:45 pm – 5:45 pm | Stephen Guerra Duo – Peace Garden 5:15 pm – 6:15 pm | Walt Sopicki – DiCamillo Courtyard 5:30 pm – 7:00 pm | Wes Lewis Group – Frontier House Stage 6:00 pm – 7:30 pm | Wendell Rivera Latin Jazz Ensemble – Center Street Stage 6:15 pm – 7:45 pm | Jazz at the Ballroom Presents “Flying High” – Main Stage 7:15 pm – 8:15 pm | Ann Mitchell Trio – Peace Garden 7:30 pm – 8:30 pm | Dave Hill – DiCamillo Courtyard 7:45 pm – 9:15 pm | John Bacon Quintet – Frontier House Stage 8:15 pm – 9:45 pm | Janice Mitchell and Jim Beishline Trio – Center Street Stage 8:45 pm – 10:15 pm | Jazz at the Ballroom Presents “Accentuate the Positive” – Main Stage
Exploring the music scene in Western New York reveals a spectrum of venues that reflect the region’s cultural diversity. From venerable theaters with a storied past to more intimate establishments pulsating with contemporary sounds, the musical landscape in Western New York is both rich and varied.
Whether your musical taste gravitates towards soulful jazz, the energetic rhythms of rock, or the harmonious melodies of folk and blues, Western New York caters to a wide range of preferences. This list serves as a guide, offering insights into iconic theaters and lively pubs (RIP Broadway Joe’s) that collectively contribute to shaping the vibrant and diverse musical culture of Western New York.
Artpark, situated at 450 S 4th Street, Lewiston, is a seasonal concert venue offering indoor and outdoor options. From summer through early autumn, the Amphitheater and Main Stage showcase national acts across a diverse range of musical genres.
Since 1958, the African-American Cultural Center at 350 Masten Avenue, Buffalo, has been a vibrant hub for live music and cultural events. Renowned for organizing the annual Pine Grill Jazz Reunion at MLK Park, it is also the proud home of the Kakilambe Dance & Drum Company.
Babeville, located at 341 Delaware Avenue, Buffalo, is a 19th-century church famously preserved and revitalized by folk-rock star Ani DiFranco. Within its walls, Asbury Hall, The Ninth Ward, and Hallwalls Contemporary Arts Centerâs cinema host a mix of national and local bands.
Formerly known as Darcy McGeeâs, The Banshee Irish Pub at 257 Franklin Street, Buffalo, is a cozy, traditional spot with a focus on Celtic music. Its stage features a full schedule of live, local bands during weekends.
A cozy venue with great seats and acts continually, Bears Den at Seneca Niagara Casino brings in local talent as well as national acts. Watch the series Inside the Bearâs Den for a look at past performances at the venue.
One of the oldest museums dedicated to modern art, Buffalo AKG Art Museum (formerly the Albright-Knox Art Gallery) is the sixth-oldest public art institution in the United States, founded in December 1862 as the Buffalo Fine Arts Academy. Now renovated, the museum hosts weekly Thursday Night Live performances, M&T First Fridays with live music, the Buffalo Chamber Players at AKG, and the seasonal outdoor concert Rockin’ at the Buffalo AKG.
Located at 49 Illinois Street, Buffalo Iron Works is a mid-sized music venue housed in a former factory. With a lively room, great sound, and vibrant atmosphere, it proudly features local and national bands, adhering to its motto: “Funk, Soul, Rock & Jam Spread Daily.”
At 59 Ganson Street, Buffalo Riverworks stands as a post-industrial marvel, boasting a big two-story barroom/restaurant, expansive patios, and a large stage for live music. It hosts the annual Music is Art festival, a multi-stage extravaganza produced by Robbie Takac and volunteers.
Situated on the campus of Buffalo State College, Buffalo State Performing Art Center features an exquisite and acoustically perfect auditorium. Primarily showcasing ensembles from the college, it also presents the ongoing Great Performers Series.
Each summer, Chautauqua Institution comes alive with a mix of fine and performing arts, lectures, interfaith worship and programs, and recreational activities, a true variety of the arts. For nine weeks, the more than century old institution welcomes more than 100,000 people who participate in programs, classes and community events designed for all ages, all at an historic lakeside village.
40 minutes east of Buffalo and 55 minutes from Rochester, one of the two summer shed amphitheaters in Western New York, Darien Lake Amphitheater, opened in 1993, replacing Lakeside Amphitheater. With a capacity of 21,600, this Live Nation venue welcomes national tours all summer long.
Duende, situated at 5 Silo City Row, is a captivating venue in the transformed Silo City. Offering three stages for live music, along with a restaurant and a popular outdoor seating area, Duende has become a safe space for art and music enthusiasts.
The former Tralf Music Hall, Electric City has been open since early 2024 with a capacity of 750, taking its name as an homage to Buffaloâs history in early electric lighting. Electric City is fully redesigned, with enhanced acoustics and improved sight lines, plus VIP experiences, spacious bars and enhanced concert enjoyment.
Set in the heart of Niagara Falls, Evening Star Concert Hall hosts a variety of musical performances and events for the local community, while providing a platform for artists to showcase their talents in a unique and intimate setting for music lovers.
The Heron Farm and Events Center hosts the annual Great Blue Heron Music Festival, as well as concerts, retreats, and other events. In addition you’ll find camping and lodging to relax and enjoy the surrounding and music found on this Chautauqua County this quintessential New York destination.
The home to the Buffalo Bills also serves as a venue for concerts. It hosts a handful of annual concerts, primarily featuring rock superstars like the The Rolling Stones.
Jack Rabbit on Buffaloâs Elmwood Strip, located at 1010 Elmwood Avenue, hosts a diverse array of live music, drag shows, and performances in its front room and upstairs piano lounge.
KeyBank Center, is the stage for major acts such as Billie Eilish, Justin Bieber, and the Eagles. Known for its excellent sound, attendees are advised to wear earplugs for an enhanced sonic experience.
Designed by Finnish architect Eliel Saarinen, Kleinhans Music Hall is an architectural masterpiece. Home to the Buffalo Philharmonic Orchestra, it is hailed as an acoustically perfect venue, hosting a variety of musical ensembles and the Buffalo Chamber Music Society.
Knox Farm is a 600+ acre State Park located in the Erie County village of East Aurora. The former country estate of the Knox Family of Buffalo, Knox Farm hosts Borderland Fest each fall, as well as a variety of other events.
Located at 745 Seneca Street, Larkin Square is the heart of the Larkinville neighborhood of Western New York. Along with hosting Food Truck Tuesdays and KeyBank Live at Larkin on Wednesdays, it presents free outdoor concerts during the season.
Located in the former Buffalo Grill and Ale House, Luna Lounge opened in 2023 as music venue, bar, and restaurant in Cheektowaga, with a variety of hip hop and EDM artists performing here.
Mohawk Place features a delightful long wooden bar leading to a back room for rock and roll shows. The venue proudly displays decades of touring band flyers and photographs.
Located on the Daemen College campus, MusicalFare Theatre offers a season of musicals in its 136-seat main theater and cabaret concerts in the spacious, ninety-seven-seat lobby.
With a view from the Canadian side of Niagara Falls, OLG Stage at Fallsview Casino has 5,000 seats, has been ranked #1 in Canada and #10 in the world among similar sized rooms, featuring state of the art technology and outstanding acoustics.
As the only lakeside music venue in Western New York, Public House on the Lake at 914 Lake Shore Road in Hamburg features both indoor and outdoor stages.
The Rapids Theatre offers a prime concert venue within an ornate former 1920s-era movie house. It has hosted many national acts. (The venue has recently closed its doors.)
Originally opened in 1923 as the Palace Theatre in Jamestown, the venue hosted films, vaudeville acts, stage shows and the premiere of hometown legend Lucille Ball and husband Desi Arnaz’s film Forever Darling. By the 1980s, the venue fell into disrepair but thanks to philanthropists Reginald and Elizabeth Lenna, who provided a great deal of funding towards the renovations, the venue was renamed for them as the Reg Lenna Center for the Arts. The venue, nicknamed “The Showplace of the Chautauqua Region,” has now been open consistently for the past decade, aside from the pandemic in 2020.
Situated on bustling Hertel Avenue, Revolution Gallery opened in 2016. It hosts art exhibitions, wine tastings, and a popular performance series featuring diverse acts, from electric Irish punk to “crime jazz.”
This is a brand new venue and private event space in Buffalo’s historic Black Rock neighborhood. Riff City was opened by partners from Jack Rabbit and is an event-driven music venue, with wood-fired pizzas during live music events and plans for a full menu and sit down dining on tap.
Built in the 1920s as a Vaudeville and movie house, the Riviera Theatre is a busy concert venue hosting touring artists performing original or tribute-focused music.
Kurt Johnson opened Shawbucks in 1995, naming it after his great uncle who had the nickname ‘Shawbuck’ while working as a logger. Johnson opened a second bar in the building next door, connecting the two buildings to have two bars in one location, starting in 1996, and moved into the Journal Press building where it is now located, serving food, drinks and hosting occasional shows.
Originally built in 1911 as a movie theater, the Showplace Theater experienced a revival in 2019. It serves as a vibrant music venue, bringing life back to its historic space.
Built in 1868, one of Jamestown’s oldest churches has since been repurposed as a center for the arts. The Spire hosts regular theatrical programming; serves as a home to entrepreneurs, artists, performers, groups, churches, and organizations; and hosts Chautauqua’s Got Talent competition, concerts, comedy, and more.
A haven for roots music, Sportsmenâs Tavern features Americana, blues, rock, and big band performances. It also owns and operates The Cave, providing a diverse musical experience.
Opened in spring 2024, Terminal B at Buffalo’s Outer Harbor was closed to the public since 1967, but after an infusion of resources, a permanent, $13 million amphitheater has been built right on the banks of the Outer Harbor. The 100,000 square foot open air event center has a canopied stage for concert performances, non-for-profit events, and cultural organizations that features a sloped lawn in a natural setting, plus an overlook deck facing Lake Erie. What was once contaminated land now has a deep concert schedule has been bringing folks back to the shores of the Outer Harbor. The venue officially opened with an announcement from Governor Hochul on April 8, the day of the most recent solar eclipse, serving as a viewing location on the site.
Built as The Town Casino in the 1940s, Town Ballroom was a lounge and cabaret hotspot. Today, it showcases the best contemporary talent across various musical genres.
With venues including the Mainstage Theatre, Drama Theatre, Black Box Theatre, and Screening Room, the University at Buffalo Center for the Arts hosts live music events, featuring national touring acts and other performances on campus.
The West Falls Center for the Arts is a charming space that hosts live music throughout the year. With a various shows per month, it showcases both local and national bands, spanning genres like blues, folk, acoustic, Americana, and gentler rock & roll, fostering an intimate vibe.
Listed as “temporarily closed” with no recent shows of note, The Willow Bay Theater, formerly know as The Crown Theatre, is a 500-seat venue located at the top of the Willow Bay Building on 3rd Street in downtown Jamestown.
Alice Cooper launched his “Too Close for Comfort” North American headlining tour at the OLG Stage in Niagara Falls, Canada on Tuesday July 30.
It was an unforgettable night that left fans buzzing with excitement. Despite a slight delay in the show’s start, the rock legend wasted no time in proving why he remains a vital force in the world of rock and roll. This was the first time Cooper played this venue in Niagara Falls. The last time he played the area was the fall of 2022 at Sheas in Buffalo.
The moment the lights dimmed, a wave of anticipation swept through the crowd. As the clock ticked past the scheduled start time, murmurs of impatience began to ripple through the audience. However, all was forgiven the instant Alice Cooper stormed the stage and launched into the electrifying opener, “Lock Me Up.” The high-energy performance immediately set the tone for the evening. Cooper’s signature raspy vocals and theatrical stage presence, captivated the audience.
Following the explosive opener, Cooper seamlessly transitioned into “Welcome to the Show,” a fitting anthem for a night that promised rock spectacle at its finest. The band’s tight musicianship and Cooper’s commanding presence turned the venue into a carnival of rock, complete with his trademark macabre flair. The song’s lyrics seemed to invite the audience into Cooper’s world, a blend of horror and rock ‘n’ roll that fans have cherished for decades.
The true highlight of the evening came with the third song, “No More Mr. Nice Guy.” The classic hit had the entire audience singing along, a testament to Cooper’s enduring appeal and the timelessness of his music. As he belted out the chorus, it was clear that Cooper’s voice has lost none of its edge over the years. The performance was infused with a raw energy that transported the audience back to the 1970s, when the song first made its mark on the rock scene.
Throughout the concert, Cooper’s band provided a rock-solid foundation, with blistering guitar solos, pounding drums, and thundering bass lines that kept the energy levels high. The stage production was equally impressive, featuring the elaborate props and dark, theatrical elements that have become synonymous with an Alice Cooper show. The setlist, a mix of classic hits and newer material, was carefully curated to keep fans of all ages engaged and entertained.
The setlist was a thrilling journey through Cooper’s extensive catalog, featuring fan favorites and deep cuts alike. “I’m Eighteen” and “Under My Wheels” kept the momentum going, while “Bed of Nails” and “Billion Dollar Babies” showcased the bandâs prowess. “Hey Stoopid” and “Be My Lover” were delivered with infectious enthusiasm. “Snakebite” and “Feed My Frankenstein” brought a touch of theatrical horror that fans loved.
“Lost in America” and “He’s Back (The Man Behind the Mask)” added to the night’s nostalgia, and the crowd roared during “Poison,” which was followed by a powerful drum solo. “Welcome to My Nightmare” and “Cold Ethyl” maintained the eerie atmosphere, while “The Black Widow” and “Ballad of Dwight Fry” were masterfully performed.
Alice Cooper demonstrated why he remains an iconic figure in the music world. Fans left the OLG Stage in Niagara Falls not just satisfied, but exhilarated, having witnessed a true legend in action. If this show is any indication, the rest of the tour promises to be a wild, unforgettable ride.
Once this headline tour ends later this month, Alice Cooper with join up with Rob Zombie for more shows this summer for the ‘Freaks on Parade’ tour. Alice Cooper’s band consists of Chuck Garric on bass, backing vocals, Ryan Roxie an Nita Strauss on guitars, Tommy Henriksen on guitars, backing vocals, and Glen Sobel on drums. Alice Cooper will be back in New York on September4 in Syracuse.
The Flaming Lips performed their blend of psychedelic musical theatrics at Artpark for their ‘Yoshimi Battles the Pink Robots 2024 Tour’ on a breezy Monday evening, July 22.
The mixture of long-time fans and new fans with different ages buzzed with excitement to share the moment with Flaming Lips, anticipating a jubilant celebration of their 2002 album: Yoshimi Battles the Pink Robots.
Before the show started, “Okie from Muskogee” was playing in the background, carrying the fans slowly driven into an energizing mood. The Flaming Lips opened the stage with “Fight Test,” while the band shared the stage with four Pink Robots growing and dancing before their eyes.
The first set was the album Yoshimi Battles the Pink Robots. The band took a break after the song “Approaching Pavonis Mons by Balloon,” leaving the audience eager for more.
The second set starts with their nonsensical hit “She Don’t Use Jelly” as fans of all ages sing along with the band. Wayne Coyne (lead singer) performed in his trademark giant plastic bubble, throwing balloons to the crowd, setting the tone, color, and phenomenal props for the extraordinary performance.
The whole night felt like a fun night at psychedelic karaoke as all the lyrics lit up the back of the stage so the audience could sing in unison for their two hour set. Although the audience really didn’t need too much help. The band finished their set with “Race for the Prize” and a oversized “Fuck Yeah Artpark” inflatable balloon and celebrated this beautiful moment with the crowd.
This moment of experiencing Flaming Lips performance would be remembered as one of the best and most colorful summer concerts at Artpark or even in Western New York. If you missed them or you hope to see them again, the Flaming Lips will be taking their Pink Robots tour to Toronto, September 8th.
The Flaming Lips – Artpark, Lewiston, NY – Monday, July 22, 2024
Set 1: Fight Test, One More Robot/Sympathy 300-21, Yoshimi Battles the Pink Robots, Pt. 1, Yoshimi Battles The Pink Robots, Pt. 2, In the Morning of the Magicians, Ego Tripping at the Gates of Hell, Are You a Hypnotist??, It’s Summertime, Do You Realize??, All We Have Is Now, Approaching Pavonis Mons by Balloon (Utopia Planitia)
Set 2: She Don’t Use Jelly, Flowers of Neptune 6, The Gold in the Mountain of Our Madness, What Is the Light?, The Observer, The Yeah Yeah Yeah Song, Suddenly Everything Has Changed, Pompeii Am Götterdämmerung, A Spoonful Weighs a Ton, Race for the Prize
For 50 years, Lewiston’s Artpark has been one of the premier concert venues for Western New York. Juxtaposing local and internationally renowned artists with the scenic landscapes of the Niagara River, the venue seamlessly mixes nature and art. On this Silver Jubilee, let’s look back to the founding of Artpark and trace how it became a hub for visual and performing arts.
An aerial view of the Artpark Theater
25 miles north of Buffalo in the heart of Niagara County lies Lewiston. While the town of 16,000 was founded in 1818, it holds a much deeper natural and precolonial history. The town overlooks one of New York’s natural wonders: The Niagara Gorge. The rapid Niagara River cuts a large canyon dividing Lewiston from Ontario, Canada on the other side. Surrounding this striking canyon are pristine woods, home to over 450 species of plants and animals. The area’s forests, containing stunning rock formations, are a reminder of Western New York’s prehistoric glacial history.
Long before Artpark – or even Lewiston’s – founding, this area has been home to countless cultures. On Artpark’s current site, excavations have uncovered over 2,000 years of indigenous history. The most striking monument to this is an 1,800 year old burial mound within the park. Recognizing this important indigenous history, Artpark frequently collaborates with indigenous artists. In addition to displaying works by indigenous artists, Artpark hosts the annual Strawberry Moon Festival. The Festival highlights the arts and culture of local indigenous groups, while highlighting the interconnectedness of humanity.
A view of the Niagara River Gorge from Lewiston
While the beauty of Lewiston has drawn visitors for countless decades, Artpark dates its history back to 1974. In that year, the New York State Parks Commission and nonprofit Artpark & Company collaborated to found the park. In that year, the Earl W. Brydges Artpark State Park was established, encompassing 150 acres of arts, music, and nature spaces. The park’s current facilities consist of land reclaimed following the construction of hydroelectric power plants along the river.
Since its beginning, artpark’s mission has been to “produce and present excellence in the performing and visual arts, and create a unique cultural experience in a casual, natural setting.” Tracing its artistic history, Artpark has succeeded in this mission.
Dispatch at Artpark, photo by Patrick Htoo
Artpark began as a hub for avant-garde visual artists. Inspired by its natural surroundings, many of the park’s early exhibitions dealt with the impermanence of art. Due to this, many of the pieces were destroyed, removed, or left to decay. Bolstered by robust state-funding, the site attracted hundreds of artists throughout its first decade in operations.
Among these early works was Adam Sonfist’s Pool of Virgin Earth. The piece – consisting of a 25 ft diameter – basin was meant to catch seeds falling from the area’s trees. By making art from the natural surroundings, Sondfists’ works highlighted the ethos behind Artpark’s early years.
Adam Sonfist’s “Pool of Virgin Earth”
These experimentations continued, attracting 200 artists through the 1980s. In 1974, artist Gordon Matta-Clark erected “Bingo,” a criticism of urban decay and government handling of the Love Canal Crisis. Art took all forms at the park, with artists even burying an “oldsmobile time-capsule” under the soil as part of artistic experiments.
The 1990s marked a shift in Artpark programming. With a funding cut to visual arts, the park began to highlight outdoor concerts more and more.
While music was highlighted more starting in the 1990s, it played an important role in Artpark’s operations from the start. The park’s opening included the construction of its MainStage theater. The theater hosts an 82” by 96” stage and indoor seating for 2,400 people. Additionally when the theater’s rear gate was opened, an additional 2,000 could watch from the outdoor lawn. With these immense facilities, Artpark’s mainstage was one of the largest theaters in the state.
The venue opened to the world on July 25, 1974 with a performance from the Buffalo Philharmonic Orchestra. Opening with “O Canada” and the “Star-Spangled Banner,” the orchestra performed nine pieces ranging from Tchaikovsky to Chopin.
A paper program for the Buffalo Philharmonic Orchestra’s opening performance at Artpark
The venue’s first year of performances is a who’s who of the greatest names in music history. Miles Davis, John Prine, Don McLean, Blue Öyster Cult, and more all played at Artpark, bringing audiences everything from jazz to hard rock. Included within these legends was a young Bonnie Raitt, selling tickets for only $3.
In addition to concerts, Artpark’s theater was a haven for stage performance. 1975 was the first full year of stage performances, including five performances of Man of La Mancha. These performances drew over 10,000 visitors to the park. Since then, Artpark has produced 104 productions, attracting 2.5 million to the venue. Performances have included Shakespeare’s Hamlet and Todd Almond & Lear Debessonet’s The Odyssey. These performances have highlighted local talent, broadway stars, and even international legends like ballet dancer Mikhail Baryshnikov.
As part of Artpark’s shift towards live performances, a second concert venue was constructed. Built on top of the aforementioned “oldsmobile time capsule,” the outdoor amphitheater more than doubled Artpark’s capacity. Sitting directly over the Niagara Gorge, the amphitheater can host up to 10,000 concert-goers in its outdoor facilities. Since its construction, the amphitheater has become a haven for Artpark’s concerts. It has hosted musical legends like Ringo Starr, Bob Dylan, and Aretha Franklin. Additionally, newer artists including Arctic Monkeys and Lizzo have performed at the venue.
An aerial view of the Artpark Amphitheater, Lewiston, NY
On top of concerts, Artpark remains dedicated to its avant-garde roots. Artpark regularly features experimental musicians, including Null Point, Alarm Will Sound, and Laurie Anderson. Anderson’s “Stereo Decoy” is of note, featuring a piano and violin duet played on opposite sides of the US/Canada Border. The performance used broadcasting technology in tandem with the Niagara Gorge’s natural acoustics, keeping the tradition of environmentally inspired art at the site alive.
Artpark additionally remains dedicated to exhibiting visual artists. Walking around the park today, visitors will encounter a number of art pieces – both new and old. Among the new additions is a sculpture titled Murmuration, which mimics the appearance of a flock of birds. Beyond sculpture, The Solo Roths Waltz Across the Red Colossus Lot and Unity In Diversity highlight colorful calligraphy and paintings on pavement.
Among the works on display today are two from 1979. Gene Davis’ Niagara 1979 consists of 364-foot multicolored lines next to the mainstage theater. At 43,000 square feet, it was the largest painting at the time of its completion. Due to the importance of this piece, hundreds banded together in 2017 to restore it to its original beauty.
Gene Davis’ Niagara 1979
Even the park facilities are works of art. Most notable is Scott Burton’s Picnic Table and Four Benches also from 1979. The piece consists of a minimalist picnic setting, inspired by European avant-garde movements. This work is just another testament to Artpark’s famed blending of art, nature, and leisure.
Throughout its shows and exhibitions, Artpark places a special emphasis on community involvement. This takes the form of the “Artpark Bridges” program. The program’s goal is simple: Connect, Empower, Create. In order to do this, Artpark connects people from the diverse population of Western New York, empowers them to display their talents, and create art for the public. This involvement has taken many forms, including both the aformeneitoned stage production The Odyssey and visual art piece The Solo Roths Waltz Across the Red Hot Colossus Lot.
Norah Jones performing at Artpark in 2024
2024 marks an important year for Artpark. Beginning in late May, Artpark has held its annual Summer Concert Series. So far, artists like Sarah McLachlan, Bonnie Raitt, and Norah Jones have all performed. There are still two months of concerts left, offering visitors the chance to see country, psychedelic, opera, and more. In addition to upcoming Summer concerts, Artpark has special programming to celebrate its 50th birthday. July 24th will feature a special Birthday Bash event. The exclusive fundraiser event will feature food, drinks, and festivities throughout the day. At the center of this event is a performance by Pat Benatar and Neil Giraldo, followed by a special fireworks show.
Fore more information on Artpark, its history, and upcoming events, visit its website here.
Western New York’s summer got a little brighter as Norah Jones’ latest tour with Mavis Staples blew through CMAC in Canandaigua and ArtPark in Lewiston on July 5th and 6th, despite the rains pouring down Friday night in Canandaigua.
Gospel legend, civil rights icon and sole surviving and torch-bearing Staples Singer, Mavis Staples and her band of bass, drums, guitar and backup singers, took the stage first. She needed assistance walking to the front of the stage, and took some breaks with a seat and some sips of tea in between songs, but when the mic was in front of her, she was a ball of fire. The stage, and the entire venue, was in her control.
Her voice, gravelly and soulful, belted out affirmations of love, for oneself, others, and of course God. Like a preacher from the pulpit, in case you missed the message, she repeated it a couple more times in her banter.
The set mixed Staples classics like “I’m Just a Soldier,” and “Heavy Makes Too Happy,” with Gospel standards like “I Belong to the Band, Hallelujah!” and more contemporary rock hits like Funkadelic’s “Can You Get to That” and the Talking Heads’ “Slippery People.” Mavis molded these latter tunes to her will, secular messages becoming spiritual. “What’s the matter with him? He’s alright. How do you know? The Lord won’t mind.” hits a little different coming from mouth of Mavis Staples than it does from David Byrne.
As Mavis was helped back off stage after her 45 minutes, she and her band received a rare and well-deserved opening-set standing ovation. One performance from a legendary lady in the books, one more to come.
After a short break, Norah Jones took the stage with Brian Blade behind the drums and Josh Lattanzi on bass, opening their set with “What Am I To You” off Jones’ second album Feels Like Home. Then just minutes in, Mavis Staples came back out to perform “I’ll Be Gone” which she recorded with Jones in 2019. Certainly an early-set show highlight to be blessed with both iconic voices playing off each other. Pete Remm, who wrote the song, was also on board on organ for that and off and on for the remainder of the show.
With that out of the way, Jones’ invited the rest of her band out, Sasha Dobson on guitar and vocals and Sami Stevens on keys and vocals. They kicked into some material from her stellar new release, Visions, with “Paradise” and “Running” before dropping back to early hit “Sunrise.”
The set continued to span her entire catalog, each song it’s own gift. Perfect little moments of musical joy popped out here and there, each tied off in a colorful bow, like from the streamers hanging as a backdrop. A singular smile-inducing note to close “Running,” beautifully bowed bass in “Sunrise,” Blade’s infectious groove in “Staring at the Wall,” the three-part vocal round on “I’m Awake.” Attentive ears were rewarded with these plentiful gifts throughout the night.
As Staples could bend a songs meaning to her will, Jones could likewise bend entire genres to her will. On the hushed and haunting “Little Broken Hearts,” she took on an indie-rock persona, strapping on a guitar. Then on “Queen of the Sea” she was belting out a country ballad. Her classic “Come Away With Me” was stripped back to the trio, with spare upright bass notes and subtle drums, it was Jones at her jazziest, taking control with her piano and voice. But she isn’t a rocker, singer/songwriter, country crooner, jazz musician or pop star. She’s Norah Jones and there’s no one else sounding quite like her.
She waited until the encore for the lone cover of the night, Tom Waits’ “Long Way Home,” before closing out the night properly with her classic hit “Don’t Know Why,”
Note: Review from CMAC, all photos from ArtPark by Patrick Sone Lin Htoo.
CMAC Setlist: What I Am To You, I’ll Be Gone (with Mavis Staples), Running, Sunrise, Begin Again, Tragedy, I’m Awake, I Just Wanna Dance, Out on the Road, Little Broken Hearts, Queen of the Sea, Staring at the Wall, Come Away With Me, All This Time, Happy Pills, Carry On E:ncore Long Way Home (Tom Waits), Don’t Know Why
