The Allman Betts Family Revival has announced concert dates for its Winter 2024 tour. The tour will begin November 30, 2024 in St. Charles, Illinois, and will feature four dates across New York State.
The Allman Betts Family Revival is an annual celebration of American music, spearheaded by Devon Allman and Duane Betts. The tour brings together the biggest names in blues, americana, and rock in a star-studded celebration of the Allman Brothers catalog.
The Allman Betts Family Revival began with a single 2017 show at the Fillmore in San Francisco. The show began as a memorial to the late Gregg Allman on what would have been his 70th birthday. Following the success of this show, the Allman Betts Family Revival grew into a full-scale annual tour. Now entering its 8th year, the tour is annually one of the most anticipated musical events, being known as “the jam of the year.”
“With the number 8 also being the symbol for infinity, we want the fans to know we’re doing our part to help this music live forever in a live format. We hope to continue to take them back in time”
– Devon Allman
The Allman Betts Family Revival tour will begin on November 30th, outside of Chicago, before snaking its way across the country. On December 4th, the tour will grace Buffalo’s Kleinhans Music Hall. The venue – home to the Buffalo Philharmonic Orchestra – is one of Buffalo’s premier spots for live music. With room for 2,400 fans and world-class acoustics, the hall provides an ideal concert space.
December 6th will kick off a three-day run of concerts in New York State. First, the Allman Betts Family Revival will travel to Port Chester’s Capitol Theatre. The theater has an immense history, dating back to its original opening in 1926. Since its renovations in 2011, the theater has become famous for its state of the art lighting and sound systems, and finely decorated interior.
On December 7th, the tour will hit the Upper West Side’s famous Beacon Theatre. The theater is a world-famous venue for touring musicians, having previously hosted everyone from Miles Davis to Mariah Carey. to Trey Anastasio, and of course the Allman Brothers’ 25 year residency at the theater from 1989 to 2014.
The Beacon Theatre during its 2009 Renovations
The tour’s final New York date will feature a show at Huntington’s Paramount on December 8th. Since its reopening in 2011, the near-100 year old theater has become one of Long Island’s premier concert venues. Its multi-level, 1,500 person space has made it “the best club that’s ever been on Long Island,” according to Billy Joel.
The tour will feature two sets highlighting the Allman Brothers’ 1970s and 1990s output. As part of these sets, the Allman Betts Band will celebrate the group’s enduring hits and extended jams. In addition to the Allman Betts Band, the tour will feature a number of hand-selected musicians from the blues, americana, and rock genres. Luther Dickinson (North Mississippi Allstars), Cody Dickinson (North Mississippi Allstars), Jimmy Hall (Jeff Beck, Wet Willie), Lindsay Lou, Lamar Williams Jr., Alex Orbison (son of Roy Orbison), Jackie Greene, Larry McCray and Anders Osborne will perform at each show on the tour. Additionally, Sierra Hull, Grace Bowers, G. Love, and Jake Shimabukuro will join these artists at select performances.
For more information on dates and ticketing, visit the Allman Betts Family Revival website here
Allman Betts Family Revival Winter 2024 Dates
Nov 30 @ The Arcada Theater | St. Charles, IL
Dec 1 @ State Theatre | Minneapolis, MN
Dec 3 @ The Palace Theatre | Greensburg, PA
Dec 4 @ Kleinhans Music Hall | Buffalo, NY
Dec 5 @ Orpheum Theater | Boston, MA
Dec 6 @ Capitol Theater | Port Chester, NY
Dec 7 @ The Beacon Theater | New York, NY
Dec 8 @ The Paramount | Huntington, NY
Dec 9 @ Capital One Hall | Tysons, VA
Dec 11 @ Van Wezel PAC | Sarasota, FL
Dec 12 @ Gaillard Center | Charleston, SC
Dec 13 @ Norton Center for the Arts | Danville, KY
Dec 14 @ The Factory | St. Louis, MO
Dec 15 @ Uptown Theater | Kansas City, MO
Dec 16 @ Ryman Auditorium | Nashville, TN
Dec 17 @ Moore Theatre | Seattle, WA
Dec 18 @ Paramount Theatre | Denver, CO
Dec 20 @ Grand Sierra Resort/Grand Theatre | Reno, NV
Train performed at Artpark Amphitheater on Friday, July 19, with Yacht Rock Revue opening, with both bands had the crowd singing and dancing to their classic songs all night.
Train
Yacht Rock Revue is not your typical tribute band. They add their own flare to the songs they sing, an array of classic hits songs from the 70s and 80s. Within their set, they also mixed in some of their original songs as well in the mix that the crowd loved. The band got the crowd grooving early on in the night, gearing them up for Train.
Yacht Rock Revue
Train started the night with a classic ‘Calling All Angels’, and the crowd immediately engaged with lead singer Patrick Monahan. The way that he kept everyone so engaged from start to finish was truly a true show of his artistry. He picked up the beat with his next song, “If It’s Love.” During this song, he grabbed the phones of some of the crowd and took selfies of them. It was a very sweet moment to see the interaction that he was having with the crowd when he was doing this, and had a smooth transition to “Get To Me.”
When you go to a Train concert, you can tell he’s been doing this for a while because of his smooth transitions from song to song and stage presence. Not to mention his fantastic song discography. Crowd favorite songs were “Play That Song,” “Hey Soul Sister,” and of course, the classic “Drops of Jupiter.” with the crowd embracing the iconic piano intro.
Many in the audience likely left the show with sore throats from singing, but with giant smiles on their faces.
Train – Artpark, Lewiston, NY – Friday, July 19, 2024
Setlist: Calling All Angels, If It’s Love, Get to Me, Save Me, San Francisco, Meet Virginia, Free, Over the Hills and Far Away (Led Zeppelin cover with Pat’s son, Rock, on vocals), Long Yellow Dress, Play That Song, Parachute Angel in Blue Jeans, 50 Ways to Say Goodbye, Marry Me, Bruises, Hey Soul Sister, Drive By, We Were Made for This, Hotel California (Eagles cover with Yacht Rock Revue), Drops of Jupiter
moe. has been performing in Buffalo for over 30 years and the fans are always ready for the group to come back to the band’s birthplace. So on a breezy summer evening, moe. put on a nostalgic homecoming show at Buffalo’s new Outer Harbor venue, Terminal B. It is offically summer now that moe. has paid Buffalo a visit.
Terminal B, an intimate yet festival-like venue, welcomed Daniel Donato’s Cosmic Country to start the night, opening with “Broadside Ballad” and “Hangman’s Reel,” which brought the crowd of all ages into rhythmic heartbeats satisfying their musical expectations. An improvisational approach to country carried the whole crowd to groove into finale tune, “Two Hills.” If you missed Daniel Donato and Cosmic Country, they have just been announced for Borderland Music Festival in September.
moe. launched their set with “Spaz Medicine” and followed by moe.’s homecoming song, “Skitchin’ Buffalo,” paying homage to local bass legend Rob Derhak’s memories of Buffalo, including references to lost venues like Broadway Joe’s. Fans were delighted to have heard “Not Coming Down,” “Wormwood” and live favorite “Kids.”
As the sun went down over Terminal B at Outer Harbor, moe. played covers like “Fearless” by Pink Floyd and “In Stride” by Nate Wilson Group, transitioning into “Deep This Time” which included impressive solos and twisted interplay. The fans went ablaze for “Bear Song,” with moe. bringing out Daniel Donato to help finish the show in perfect summer fashion with Jerry Garcia’s “Deal,” leaving the crowd eager for more from moe..
Daniel Donato’s Cosmic Country Setlist: Broadside Ballad, Hangman’s Reel, Translation, Got my Mojo Workin’, Gotta Get Southbound, Two Hills.
moe. Setlist: Spaz Medicine, Skitchin’ Buffalo, Not Coming Down, Wormwood, Fearless(Pink Floyd cover), Deep This Time, In Stride (Nate Wilson Group cover), ZOZ (Zed Nought Z), Kids, Time Ed, Kids, Bearsong, ZOZ (Zed Nought Z) Encore: Deal (Jerry Garcia cover) with Daniel Donato
Pink Talking Fish – the Pink Floyd, Talking Heads and Phish tribute fusion act – has announced a huge fall tour running all the way into December, with five stops in New York State. Along with last monthâs New Year’s Run announcement, the rest of 2024 is mapped out for the hybrid phenomenon.
Known for their mind-blowing live performances, the three-act tribute band Pink Talking Fish has announced a two-leg tour, with stops in Lafayette, Lake George, Tarrytown, Buffalo and Brooklyn.
Pink Talking Fish is a must-see for any fan of the three bands they cover: Pink Floyd, Talking Heads and Phish. The band features Eric Gould on bass, Richard James on keyboards, Zack Burwick on drums and Cal Kehoe on guitar.
The Pink Talking Fish fall tour kicks off in late September and brings the band coast-to-coast through 12 states around the country. Shows start on the East Coast in Tarrytown, NY, and Harrisburg, PA, with the band then heading to the Midwest through Ohio, Illinois and Kentucky.
For Halloween, the band will be in Portsmouth, NH, at The Music Hall, directly following the annual Portsmouth Halloween Parade. In November, Pink Talking Fish will head to California for the Golden Road Festival in Sanger, along with other shows in San Luis Obispo, Menlo Park, and Auburn.
Later in November marks a return to the Brooklyn Bowl in NYC with special guest Trukken, a band that performs heavy metal versions of Grateful Dead songs.
After the fall tour, Pink Talking Fish will close out the year with a New Year’s Eve run, which includes two-night runs in Mill Valley, CA, and Seattle, WA.
For those eager to catch a show as soon as possible, Pink Talking Fish will be performing this weekend in Atlanta, GA, at Buckhead Theatre and Charleston, SC, at The Refinery, joining Allman Brothers Band tribute band Trouble No More for a double bill.Â
Visit here for tickets to any of the shows. See below for the tour graphic and a full written list of dates.
Pink Talking Fish Tour Dates
Summer Tour:
7/19: Atlanta GA at Buckhead Theatre – double bill with Trouble No More
7/20: Charleston SC at The Refinery – double bill with Trouble No More
7/25: Jackson WY at Snow King Mountain – King Concerts Series with Moe. & Melvin Seals JGB
7/26: Steamboat CO at Steamboat Square – Stranahanâs FREE Concert Series
7/27: Denver CO at Cervantes Other Side
8/02: Atlantic City NJ at The Tropicana Showroom
8/03: Westport CT at Levitt Pavilion
8/04: Lafayette NY at Wonderland Forest – Grateful Getaway: The Eleven
8/10: Dover NH at Revel In The Meadow
8/30: Salisbury MA at Blue Ocean Music Hall
8/31: Lake George NY at Adirondack Independence Music Festival
9/01: Murphysboro IL at The Shawnee Cave Amphitheater – Weekend At The Cave
More than two decades of Disco Biscuits music festival memories converged in Central New York over July 4-6. Combining the rocky terrain of Skye Top Festival Grounds in Van Etten, the hills of Hunter Mountain, the prime rural location of Mariaville and the heat and humidity of Montage Mountain, Camp Biscos of years past were recalled throughout the weekend, these elements compacting into a look at a bright spot in the once boisterous Northeast music festival scene.
Even with all music bumped to be an hour or so earlier than announced, the full Camp Bisco Biscoland experience was on tap. New artists to discover, veteran jam and funk acts to catch up with, Tractorbeam, various DJ sets, a Silent Disco for the post-11 pm noise curfew, and adding in the humidity and heat coupled with the threat of rain/storms, and it was like Camp Bisco 2008 all over again.
Wonderland Forest, which has the potential to be the Caverns of the Northeast, makes the experience not just inside the venue, but the location includes a drive into the rural foothills in southern Onondaga County, with a unique and accessible layout found nowhere else in the Northeast. A byproduct of the Covid-pandemic, the venue’s management thinks differently about the events they plan, the fans they cater to, and the experience that everyone has upon arrival and throughout the weekend. With a summer calendar of events lined up that rivals amphitheaters around the state, Wonderland Forest is shaping up to make Central New York a true live music destination.
Thursday arrival was smooth whether you were car camping or bringing the RV along. Staff solved preferred camping shuttle issues quickly to get fans to their sites and out to see the music.
The initial afternoon slate of music featured opening acts from JImkata, a nationally touring electro-rock band with ties to nearby Ithaca, and Kitchen Dwellers a very non-local band from Montana continually growing in popularity and serving up a blend of bluegrass and psychedelic rock.
Day 1 also featured two sets from a pair of renowned DJs, starting with Mark Farina who played an hour’s worth of house music and his signature “mushroom jazz” at the Saloon Stage. Nora En Pure, a deep house producer known for her signature style of downtempo techno, followed on the Main Stage with a set of music that served as a fitting appetizer for the main course that evening.
That would be Tractorbeam, the Disco Biscuits musical alter ego per se, which features a more techno/dance heavy and lyric-less approach to their music mixed along with other electronica inspirations. Tonight leaned heavily on the “other” with a slew of first timers making their way into the two-hour set that never truly stopped at any point until Katy Perry belted out “Firework.”
A first-time cover of Porter Robinson’s “Language” started the set and funneled perfectly into the techno-styled “Confrontation” that the band has mixed into Disco Biscuits sets as of late. The rest of the set followed suit, blending a mix of electronica classics like Fisher’s “Losing It” that segued effortlessly into a rousing “The Great Abyss” with the laser light show now at full strength. The set even featured a cover of Darude’s “Sandstorm,” also played for the first time.
With the band fittingly adorned in blue and red Adidas track suits for the holiday, they continued to effortlessly churn through new additions to the Tractorbeam musical repertoire, like their take on Fred Again & Baby Keem’s “Leavemealone” that featured some incredible work on the e-drums from Allen Aucoin. The following segment of “Monster” > “Uber Glue” > “Photograph” flowed seamlessly and was the only true run of Biscuits originals. And although there would be no professional pyrotechnics set off on the 4th, the Tractorbeam set ended with a proper cover of Katy Perry’s “Firework” that put an end to the first night of music at Biscoland.
Friday warmed up fast and brought along that Camp Bisco humidity of legend and ill repute. Early sets from Dizgo and RAQ brought out those looking to get out of their campsites and hotels. Lespecial kept the crowd engaged, with bassist Luke Bemand poking fun at himself for wearing black jeans on such a hot day, bringing up Cloudchord on guitar during “Enter Sandstorm,” calling back to the Tractorbeam debut of “Sandstorm” the night before. Bemand and Co. flattered the sun-baked crowd throughout the set, reminding those gathered at the main stage “your body is a Wonderland Forest.” Sets from Lettuce and Break Science framed the night ahead, a warm up in the evening daylight for the Biscuits.
For the first proper weekend set of Disco Biscuits, a 14-minute “Vassillios” opened things up with the classic old school tune, something rare to find on this night of fresh/er Biscuits. However, we could not confirm at press time that first set highlight “Dino Baby” was influenced by regional brisket. The smoothly flowing “Dino Baby” stretched itself into an inverted “Crickets,” and once the jam was found, gave a bridge to the first (lyrical) debut of the night, “In the End We Have Forever,” although it had been played fully instrumental at Electric Forest two weeks prior. “No Recollection” closed the set with bassist Marc Brownstein encouraging the crowd (and band) they’d keep the setbreak short at 20 minutes, which they nearly delivered on.
The second set saw the debut of “Another Spin” spanning more than 30 minutes,and based on the March 9, 2024 “No Recollection” jam, per Biscuits Internet Project. Working into the end of “Another Plan of Attack”, the band debuted “Losing It,” again with lyrics, after presenting the instrumental version during Tractorbeam on Thursday night, a rare double-debut for a band that has been unloading fresh new material on fans like an A-list comic hitting the Comedy Cellar night after night for 15-minute sets.
Dipping back into the beginning of “Another Plan of Attack,” the only other old school Biscuits song of the night, “Catalyst” made itself welcome, grinding the end of the set towards “Ring the Doorbell Twice.” You’d be hard-pressed to find a dull moment from these sets, with plenty to unpack from the debuts upon relistens.
The last day of this year’s Biscoland offered a brief respite from some of the humidity and more varied musical acts leading up to two more sets of Disco Biscuits. Saxsquatch, which is exactly what it sounds like, braved the weather and delivered covers on the sax at the Saloon Stage in the early afternoon. Later on the Main Stage, albeit after a bit of a delay, The Breakfast reunited for a set of psychedelic-infused rock that included a spot-on cover of MGMT’s “Time To Pretend.” Afterwards, Space Bacon played to a full and lively crowd back on the Saloon Stage, setting the stage perfectly for the headliners with some Bisco-esque guitar riffs and impressive jamming overall.
The Biscuits continued to mesh the old with the new in their last two sets of the weekend, starting with a true old school number in “Basis For A Day.” The show began with a cohesive instrumental jam that started off fast and never let up for well over 10 minutes until the familiar chorus, with some added orchestral effects from Magner on keys, rang out. The jam out of “Basis” was patiently crafted and segued seamlessly into “Freeze,” from the band’s recent Revolution In Motion release. The extended jam out of “Freeze” led into “Better In Doses,” a completely brand new song debuted, featuring Barber on lead vocals and an infectious beat that seemed like it could have easily fit alongside other “Motion” songs on the album.
The second set began with one last nod to the days of old with a massive “House Dog Party Favor” opener that reached almost 30 minutes in length. From the ashes of the second “House Dog” jam arose yet another new song making its live debut, “Trap Door.” This elicited an intense, slow build of a jam that steamrolled perfectly into a “Cyclone” that continued to build the momentum and even used samples of Outkast’s “So Fresh, So Clean.”
An inverted “Above The Waves’ followed and served as the other massive jam vehicle of the second set. After one last introduction to “Trap Door,” the show came to a close with one last silky smooth transition into “Digital Buddha,” which allotted one last opportunity of samples and true Biscuits rock.
For those that still had a little left in the tank, a Cloudchord silent disco set was the final performance of this year’s Biscoland due to the last minute change in schedule. The Revolution in Motion producer was armed with a guitar and a drum machine and even brought up Barber for a short few minutes on a run through of “Shocked,” giving those in attendees one last chance to soak up the very last remnants of Biscoland 2.
The Disco Biscuits community has rallied to support a fan who was injured by a tree that fell in the night of July 5. A GoFundMe has been set up. Learn more here to help Mary Wallace on her road to recovery.
Disco Biscuits 2024 Tour Dates 7/11 – Selbyville, DE – Freeman Arts Pavilion 7/12 – Atlantic City, NJ – Bourbon Ballroom 7/13 – Richmond, VA – The National 7/14 – Wilmington, NC – Greenfield Lake Amphitheater 7/15 – Isle of Palms, SC – The Windjammer 7/18-19 Thornville, OH – Secret Dreams Festival 7/20 – Patchogue, NY – Great South Bay Music Festival 8/9-11 – Long Pond, PA – Elements Festival 8/29-30 – TBA 8/31-9/1 – Murphysboro, IL – Weekend at the Cave 9/6 – Dillon, CO – Dillon Amphitheater 9/7 – Bellvue, CO – Mishawaka Amphitheatre (SOLD OUT) 9/8 – Bellvue, CO – Mishawaka Amphitheatre (SOLD OUT) 9/11 – Salt Lake City, UT – The Depot 9/13 – Livingston, MT – Pine Creek Lodge (TRACTORBEAM) 9/14-15 – Livingston, MT – Pine Creek Lodge
In Buffalo, from July 5-7, the Savannah Bananas‘ made their latest stop as part of their 2024 world tour. Moreover fans eagerly anticipated the arrival of Banana Ball’s newest team, the Firefighters. This series marked three games out of 19 on the Bananas’ tour schedule.
The previous series saw the Bananas and the Party Animals clash in Savannah and Las Vegas, with the Bananas also having faced off against the Firefighters in Nashville and Savannah.
The Firefighters made their much-anticipated debut on May 30, shaking up the tour dynamics. Traditionally, the Bananas exclusively faced the Party Animals in each World Tour game until now. With the introduction of the Firefighters, both the Bananas and the Party Animals will compete against this new team. Notably, the Party Animals are set for their own 12-game headline leg of the Tour.
Over the course of this three-game series at Sahlen Field, more than 49,000 fans were entertained. The Bananas currently lead the 2024 Tour with a record of 31-22, having recently clinched a series victory in Indianapolis. The Bananas have now won all three of their games played in Buffalo.
Who are the Savannah Bananas?
For local interest, pitcher Ryan Kellogg of the Bananas hails from Whitby, Ontario, Canada. The Bananas’ journey began in 2015 in Savannah, where they revitalized baseball with a focus on fun and fan engagement. Despite early challenges, including financial strain that led owners Jesse and Emily Cole to sell their home, the team gained national attention upon adopting the name Savannah Bananas in 2016. Initially controversial, the name brought significant media coverage and packed stadiums, setting a precedent for their success.
After seven seasons in the Coastal Plain League, during which they won three Petitt Cup Championships and saw over 35 players drafted, the Bananas transitioned to year-round Banana Ball, a faster-paced and more entertaining version of baseball. Now fielding three independent professional teamsâthe Savannah Bananas, the Party Animals, and the Firefightersâthe organization continues to innovate and expand its impact on the sport.
Banana Ball is defined by its unique set of 11 rules aimed at keeping the game exciting and competitive. This year, a new rule called the GOLDEN BATTER has been introduced, allowing each team one opportunity per game to send any hitter to the plate, regardless of their position in the lineup or the game situation. This rule is designed to intensify close games and offer a strategic advantage to either team.
Renowned jazz vocalist Nancy Kelly will inaugurate the Jazz at Richardson Jazz series in Buffalo on Aug 16. Her performance will be inside the Richardson Hotel as part of the “pre-fall” preview performance. Thus Kelly will sing alongside a band including saxophonist Jerry Weldon, organist Dino Losito, and drummer Carmen Intorre, Jr.
Nancy Kelly began her career in her hometown of Rochester.
Namely, Kelly started her career in her hometown of Rochester, NY studying piano, clarinet and voice at the Eastman School of Music. She became a house singer at Jewels, a jazz venue in Philadelphia. Currently, she often appears in other iconic venues such as Birdland, The Blue Note and The Rainbow Room all in NYC.
Moreover, she performs in clubs in Los Angeles, Miami and even around the world including France, Switzerland and Turkey just to name a few. She’s released chart topping recordings and in 2020, she was inducted into the Rochester Music Hall of Fame.
Markedly, Jazz at Richardson is the “central hub” for jazz within the buffalo music scene. It is JazzBuffalo’s collaboration with the Richardson Hotel and the Douglas Development Corporation, inviting artists to perform indoors and outdoors at the hotel. JazzBuffalo or Greater Buffalo Jazz Society, mission is to make more performances like this possible. The non-profit organization has continued to build a new jazz audience since it was founded in 2011.
To purchase tickets to the star-studded performance, you can purchase tickets on eventbrite.
Five For Fighting kicked off Independence Day with a performance on Live With Kelly and Mark at “Live’s 4th of July Family Party” in New York City. In addition the Grammy-nominated soft-rock star has announced an upcoming 4-month nationwide tour beginning in July until October. Moreover the tour will be split into two separate legs; a full-band Tour and a string quartet leg of the tour.
John Ondrasik’s top-40 Billboard hit “Superman” earned him a Grammy nomination in 2002. Credit: Nikolai Puc
FFF — also known as John Ondrasik — will be joined by experienced banmadates; drummer Randy Cooke, bassist Sean Hurley, and guitarist Peter Thorn for the first 2 months of the tour. Comparatively he will be joined by the likes of violinist Melissa Tong –who toured with Post Malone in 2023, Tony-winner Katie Kresek on violin, Broadway’s own Chris Cardona on viola and cello player Peter Sachon for the tours finals two-months. Markedly FFF’s eclectic style has brought out a wide-arrange of highly decorated performers.
“If it’s summer, the Five for Fighting rock band is back in the bus! It’s always a thrill for me to play with such amazing musicians, Pete, Randy, and Sean,” said Ondrasik. “We look forward to playing songs people know and love and some of the newer songs like ‘OK (We Are Not Ok)’ and telling some stories along the way. See you this summer!”
– John Ondrasik
All dates for the Full Band and String Quartet shows are listed below. For more information and tickets, as well as to request a show, visit Five For Fighting’s website linked here.
FIVE FOR FIGHTING FULL BAND TOUR DATES:
Thus, July 11: Hot Summer Nights Concert Series @ Municipal Lawn in Sherman, TX (Free Show)
Saturday, July 27 @ Mystic Lake Casino, Mystic Amphitheater in Prior Lake, MN (Free Show)
Tuesday, August 6 @ Ardmore Music Hall in Ardmore, PA
Thus, August 8 @ Electric City in Buffalo, NY
Friday, August 9, 2024 @ House of Blues, Cambridge Room in Cleveland, OH
Saturday, August 10, 2024 @ St. Andrew’s Hall in Detroit, MI
Sunday, August 11, 2024 @ Frederik Meijer Gardens & Sculpture Park in Grand Rapids, MI
Tuesday, August 13, 2024 @ Lincoln Theatre in Washington, DC
Wednesday, August 14, 2024 @ Oceanfront Concerts Series, 24th Street Park in Virginia Beach, VA
Friday, August 16, 2024 @ Cabot Theater in Beverly, MA
Saturday, August 17, 2024 @ The Wolf Den At Mohegan Sun in Uncasville, CT (Free Show)
Sunday, August 18, 2024 @ Tarrytown Music Hall in Tarrytown, NY
Five For Fighting Quartet Shows
Thus, September 26, in Homer, NY, at the Center for the Arts of Homer
Fri, September 27, in Saratoga Springs, NY, at Universal Preservation Hall
Sat, September 28, in Corning, NY, at Corning Museum Of Glass
Sun, September 29, in Bethel, NY, at The Event Gallery at Bethel Woods
Tuesday, October 1 in Oneonta, NY, at Foothills Performing Arts Center
Thursday, October 3 in Nashua, NH, at Nashua Center for the Arts
Friday, October 4 in Laconia, NH, at The Colonial Theatre Laconia
Saturday, October 5 in Bethlehem, NY, at The Colonial Theatre
Sunday, October 6 in Waterville, ME, at Waterville Opera House
Tuesday, October 8 in Newport, RI, at The JPT Film & Event Center
Wednesday, October 9 in Red Bank, NJ, at Count Basie Center for the Arts – The Vogel
Thursday, October 10 in Port Washington, NY, at Landmark on Main Street
Ned Evett, a pioneer in the world of fretless guitarists, makes his return to upstate New York for the first time in over two decades this August.
Evett kicks off a string of live performances with a live concert at the Westcott Theater in Syracuse, on August 6. Immediately following, is his show at The Lounge at Revolution Gallery on August 7. Evett finishes off his New York stops with a live show at the Spirit Room in Rochester.
Over the last two decades, Ned Evett has cemented himself as an influential figure in the world of guitar players. In the early 1990s, Evett smashed his guitar after playing a show and handcrafted his own fretless guitar. Since then, Evett has mastered the style of fretless playing, which requires an immense understanding of the instrument’s sound and impeccable perfect pitch.
During his career, Evett has performed in over 30 countries with hundreds of touring artists, including Joe Satriani, Leon Russell, Kansas, Eric Johnson, George Thorogood, and John Scofield. Despite his extensive touring history, he has not made a return to upstate New York in over two decades. His name might be familiar to longtime guitar fans in the region, though. In 2003, Evett won the North American Rock Guitar Competition at the University of Buffalo. Since then, Evett has received massive critical acclaim. Described by Guitar Player magazine as “the world’s first fretless guitar rockstar” and dubbed “the king of the glass-necked guitar” by USA Today, Evett is the inventor of the glass-necked fretless guitar and the glass slide capo.
Evett will perform in a trio, with Rochester-based Steve Imburgia on drums and percussion and Brian Barr on bass for the New York shows. He will perform songs from his forthcoming record, Strange Kind of Freedom, which is set to release on November 8, as well as several fan favorites from his 12 prior solo releases.
Information for the New York shows are listed below.
Aug. 7 — Buffalo @ The Lounge at Revolution Gallery tickets: free doors: 5:30 p.m. show: 6 p.m. start address: 1419 Hertel Ave, Buffalo, NY 14216
Aug. 8 — Rochester @ The Spirit Room doors: 7 p.m. show: 8:30-10:30 p.m. address: 139 State St., Rochester, NY 14614
8/2 Friday Syracuse NY Funky Town Comics & Vinyl 8/6 Tuesday Syracuse NY The Lounge at Revolution Gallery 8/7 Wednesday Buffalo NY Iron Works 8/8 Thursday Rochester NY The Spirit Room 11/8 Friday Okinawa Japan Kadena Festival 11/14 Thursday San Pedro CA Alvas Showroom 11/16 Saturday Mill Valley CA Sweetwater Saloon 11/23 Saturday Boise ID Sapphire Room
Any additional information and tickets are available on Ned Evett’s website linked here.
Organizers for Buffalo’s Music is Art festival have announced the event’s relocation to the Outer Harbor. This move is the second time the festival has changed venues this year. The concert will take place on Saturday, September 21st.
The Music is Art festival began in 2003 in North Buffalo. Led by Goo Goo Dolls bassist Robby Takac, the festival board has continually worked with volunteers and local organizations to hold the event. Since its start, Music is Art’s goal has been to “encourage people to find their musical voice [and] think about how music touches their lives.”
Previously, Buffalo Riverworks and the neighboring Riverfest Park had hosted the festival. However, in early Spring 2024, the festival organizers announced that the festival would return to North Buffalo. This move had the Buffalo AKG and Buffalo State University hosting. Despite initial enthusiasm for this move, issues quickly began to arise.
In an Instagram post, Takac announced “After months of planning, Music is Art Festival organizers and AKG staff have agreed that too many challenges stand in the way of presenting our annual music festival on the grounds of Buffalo’s AKG and Buffalo State University without compromising the energy and character of the event.”
As a result of these challenges, the Music is Art festival will move to Buffalo’s Outer Harbor. The Outer Harbor hosts Buffalo’s newest concert venue Terminal B, as well as a large lakeside lawn to hold concerts. Despite the change of venue, the festival organizers will continue to work with the AKG and BSU to showcase local artists. With this change in location, festival organizers are “filled with excitement and anticipation for what this yearâs festival will bring.”
The Outer Harbor will host Music is Art on Saturday, September 21st from 11am-11pm. Across its 17 acres, the festival will host 26 concert stages with over 200 performers. The artist lineup has not yet been announced. In addition to musical performance, the festival will also feature visual artists, food trucks, local vendors, and more. These activities ensure MIA’s mission of being “a beacon of artistic expression and a truly inclusive cultural gathering in Buffalo showcasing the vibrant energy and diverse talents of the local and regional art and music scene” as per executive director Tracy Fletcher.
Admission for Music is Art is free for all guests. Additionally there will be both free and paid parking options, shuttle services, and bike accommodations. To learn more, visit the Music is Art website here.
