Category: Regions

  • Over 600 Artists Sign Letter Urging Labels To Drop Lawsuit Against Internet Archive

    Organized by the artist-led organization Fight for the Future, over 600 artists have signed a letter demanding major labels to drop a lawsuit that threatens the existence of the Internet Archive.

    Considered the Library of Alexandria of the digital age, the Internet Archive non-profit is one of the only dedicated spaces for digital preservation with the renown, care, and attention it has retained. With a large majority of its material being out of print or obsolete in the modern day, the Archive is a precious resource for artists, fans, and historians alike.

    Are you a fan of a band that existed prior to the ritual of posting on social media after a concert? Check the Internet Archive, as they may be featured among the website’s hundreds of thousands of concert recordings. Curious about obscure VHS tapes or radio shows of the past? The Archive has you covered. 

    Looking for a track only available on the 78 rpm records that predated the vinyl record in the 1890s? The Internet Archive’s community-driven Great 78 Project that seeks to digitize the rare materials is a treasure trove for the niche fanatic or merely curious individual.

    If this sounds like an awe-inspiring, nearly endless resource built upon the passion of preservation, that’s because the Internet Archive is exactly that- however, to major record labels, such a space seemed to pose a major threat.

    Filed in August of 2023, Universal Music Group and Sony Music filed a copyright infringement lawsuit against the Great 78 project, describing it as an “illegal record store” that performed “wholesale theft of generations of music” under the guise of preservation and research- which the labels claim is all but a “smokescreen.”

    This lawsuit would cost the Internet Archive a total of $621 million in so-called damages for the supposed loss of streams grossed as a result of such a project. However, as critics of the labels have pointed out, these 78 records would only cost a total of $41,000 in their entirety based upon their streams thus far. 

    Such a lawsuit could spell the end for the Archive in its entirety, not just the Great 78 project- including its universally applicable WayBack Machine.

    Defendant and expert audio preservationist George Blood who was recruited for the Great 78 Project argues exactly what countless fans and archivists have stated prior- a vast majority of the material being converted would have become media lost to time if not for the care and attention given by the folks behind Internet Archive, who in turn are maintaining not only the sounds of the past but the past itself.

    The response from the music community has been a resounding echo of this sentiment, as in the efforts of the artist-led Fight For The Future which has been fighting legal battles for the online musician and user since 2011. In an open letter to Sony, Universal, and other major music labels, Fight For The Future and over 600 artists at the time of writing have demanded the lawsuit be dropped.

    Above all, the letter states that musicians “don’t believe that the Internet Archive should be destroyed in [their] name.” The three main demands made are for the labels to 1. Protect our diverse music legacy, 2. Invest in living, working musicians- not back catalogs or monopolies, and 3. to make streaming services pay fair compensation. 

    Fight For the Future and all of the artists featured share one main argument- in a time where musicians are struggling to get by, why on earth should labels sink so much time, effort, and money destroying a public good?

    “The music industry is not struggling anymore. Only musicians are. We demand a course-correction now, focused on the legacies and futures of working musicians.”

    Thus far, notable names featured in the letter’s signatures include the lead singer of Riot Grrrl group Bikini Kill Kathleen Hanna, founder of Death By Audio and member of A Place To Bury Strangers Oliver Ackermann, Billie Marten, AJJ, and an ever-expanding countless more.

    Want to take action yourself and make your voice heard on the matter? If you’re an artist, you have until Wednesday, December 18 at 12:00 PM EST to add your name to the list of signatures here.

    In addition to signing, some musicians are planning to upload music files or live sets of their own to the Archive in solidarity. If you have a recording you’d like to contribute to the cause while simultaneously expanding a public resource for good, visit the Internet Archive’s uploading guidelines.

    Are you a music fan or simply a user of the Internet Archive that wants to make a difference? You can sign in solidarity with musicians, archivists, and the average online consumer alike here.

    To keep up to date on Fight For the Future’s fight against this major lawsuit and all of their other initiatives, as well as to preserve the Internet Archive for generations to come, be sure to visit their official website.

  • Rose Theater in NYC Hosts Premiere of “Blind Injustice” Performed by MasterVoices this February

    On February 3 and 4, Artistic Director Ted Sperling leads the 120–member MasterVoices Chorus in the premiere of the acclaimed opera, “Blind Injustice.” The show takes place at the Rose Theater at Jazz at Lincoln Center.

    blind injustice

    “Blind Injustice” features music by Scott Davenport Richards and libretto by David Cote. The opera tells the true story of the Ohio Innocence Project’s work to overturn the convictions of six men, women, and teens who were wrongly imprisoned for violent crimes they didn’t commit. The opera is based on the book of the same name by Mark Godsey and the casework by the Ohio Innocence Project at the University of Cincinnati College of Law. The inspiring 90-minute work in staged presentation showcases an operatic score infused with jazz, gospel, funk, hip-hop, and musical theater. The shows take place on Feb 3 and 4 at 7:30pm.

    “Blind Injustice” makes its New York premiere following a critically praised world premiere at Cincinnati Opera in 2019 and a subsequent production at PEAK Performances at Montclair State University (MSU) with Ted Sperling conducting and members of the MasterVoices Chorus joining MSU choristers in February 2024. Immediately following each performance, there is a 30-minute moderated conversation with four exonerees portrayed in the opera: Nancy Smith, Laurese Glover, Clarence Elkins, and Rickey Jackson, as well as artists and experts working in the field of criminal justice reform. Conversations are free to ticket holders.

    Rose Theater at Jazz at Lincoln Center

    MasterVoices (formerly The Collegiate Chorale) was founded in 1941 by legendary American choral conductor Robert Shaw. Under the artistic direction of Tony Award winner Ted Sperling since 2013, the group is known for its versatility and a repertoire that ranges from choral masterpieces and operas in concert to operettas and musical theater. Season concerts feature a volunteer chorus of 100+ members from all walks of life alongside a diverse roster of world-class soloists from across the musical spectrum.

    Conductor Ted Sperling

    One of today’s leading musical artists, Tony Award-winning Maestro Ted Sperling is a classically trained musician whose career has spanned from the concert hall and the opera house to the Broadway stage. Presently Artistic Director of MasterVoices, he has led such symphony orchestras as the New York Philharmonic, San Francisco Symphony, Chicago Symphony, Boston Pops, San Diego Symphony, Philadelphia Orchestra, Dallas Symphony, the Iceland Symphony, Czech National Symphony, and BBC Concert Orchestra, as well as New York City Opera and Houston Grand Opera. Put simply, you’ll want to catch him live conducting this opera in February.

    For more information on the upcoming “Blind Injustice” opera performed by MasterVoices at Lincoln Center, click here.

  • The Infamous Stringdusters Announce Tour Extension, Two Shows in NY

    Progressive bluegrass unit The Infamous Stringdusters have announced a string of tour dates across the east coast, including dates in Saratoga Springs and Westhampton Beach.

    The Infamous Stringdusters

    The five member progressive band The Infamous Stringdusters are best known for their musical influences across the entire sonic spectrum. Most recognized for their strongest influence, bluegrass, the band has seen a wide array of acclaim including a win for Best Bluegrass Album” at the 2017 GRAMMY Awards and a number of awards from the International Bluegrass Music Awards.

    Comprised of Andy Falco on guitar, Chris Pandolfi on banjo, Andy Hall on dobro, Jeremy Garrett on fiddle, and Travis Book on double bass, The Infamous Stringdusters are beloved by fans for their releases but even more so for their live performance- the stage is where they truly shine.

    On the heels of their annual ‘Ski Dust’ tour that brings the band through the mountains of Colorado and Utah, the Stringdusters have announced an exciting extension to their travels with a set of seven dates spanning the east coast, including a stop at the Universal Preservation Hall and the Westhampton Beach Pac.

    Tickets for The Infamous Stringdusters’ latest tour are available now, including their Saratoga Springs stop on March 13 and Westhampton Beach stop on March 15.

    For more information on The Infamous Stringdusters, their latest tour and its subsequent expansion, and ticket purchasing opportunities, visit their official website here.

    The full list of tour dates is below.

    TOUR DATES

    12/12 – 12/16 – Puerto Morelos, Q.R. – Strings & Sol
    12/30 – Richmond, VA – The National
    12/31 – Richmond, VA – The National
    1/8 – Crested Butte, CO – Center for the Arts
    1/9 – Beaver Creek, CO – Vilar Performing Arts Center
    1/10 – Beaver Creek, CO – Vilar Performing Arts Center
    1/11 – Denver, CO – The Mission Ballroom
    2/7 – Aspen, CO – Belly Up Aspen
    2/8 – Telluride, CO – Sheridan Opera House
    2/9 – Telluride, CO – Sheridan Opera House
    2/10 – Telluride, CO – Sheridan Opera House
    2/11 – Grand Junction, CO – Mesa Theater
    2/13 – Park City, UT – Egyptian Theatre
    2/14 – Park City, UT – Egyptian Theatre
    2/15 – Park City, UT – Egyptian Theatre
    2/16 – Park City, UT – Egyptian Theatre
    3/13 – Saratoga Springs, NY – Universal Preservation Hall
    3/14 – Harrisburg, PA – XL Live
    3/15 – Westhampton Beach, NY – Westhampton Beach Performing Arts Center
    3/16 – Hartford, CT – Infinity Music Hall
    3/20 – Live Oak, FL – Suwannee Spring Reunion
    3/21 – Roswell, GA – From The Earth Brewing Company
    3/22 – Mount Vernon, KY – Renfro Valley – New Barn Theater
    5/16-18 – Aztec, NM – Tico Time Bluegrass Festival
    5/22 – Mills River, NC – Sierra Nevada Brewing Company
    5/24-25 – Pelham, TN – CaveJam
    8/8-10 – Alta, WY – Grand Targhee Bluegrass Festival

  • The Apollo Announces Their 2025 Winter & Spring Season

    The Apollo Theater in Harlem has announced the 2025 winter and spring season with a stunning array of performances, exhibitions, and educational programs in performance spaces new and old. 

    the apollo theater 2025 season

    The historic Apollo Theater has been providing the community of Harlem and beyond with quality entertainment and education since it opened its doors in 1914.

    Having played a major role in the exponential growth of quintessential American genres such as jazz, swing, R&B, gospel, blues, soul, and the list goes on- the impact felt by the Apollo within New York and across the world cannot be stated enough.

    Beginning as a platform for emerging jazz and tap acts which would feature the likes of soon-to-be icons such as Ella Fitzgerald, Bessie Smith, and Billie Holiday, The Apollo has since evolved into not only a musical performance space but a nonprofit presenting theatrical and dance programs, film screenings, educational programs, and community outreach.

    Returning with their 2025 winter and spring season, The Apollo has announced an extensive lineup of performances and events that explore legacy and lineage while celebrating the impact of Black artists with time-honored works alongside bold and cutting-edge new productions.

    the apollo theater 2025 season

    With three dates spanning January 9 to the 11, the Apollo will be hosting a multi-media performance of Loss in Under the Radar: Loss. Originally produced by The Theatre Centre, Loss explores themes of grief within Afro-Caribbean communities in an immersive experience towards healing as audiences follow the intergenerational family narrative retold live on stage.

    the apollo theater 2025 season

    Organized in celebration of the 40th anniversary of the Black women-led theatrical dance company and social activism ensemble, Lineage Legacy and Liberation: An Examination of Urban Bush Women’s Art-Making and Community Organizing Praxis will open as a multi-media gallery on January 13 and remain open to the public through March 12.

    In addition to its expansive display of rare photographs, performance footage, audio clips and more, the exhibition will feature a series of pop-up performances on select dates throughout its installation period.

    the apollo theater 2025 season

    A showing of Claudine directed by John Berry and starring Diahann Carroll will be held on January 17. Oscar-nominated, the romantic comedy balances warm humor with its serious approach to a variety of issues ranging from cyclical poverty to the indignities of the welfare system. An emphatic piece on both Black working-class strife and Black joy, Claudine is presented in collaboration with the Harlem Festival of Culture Foundation.

    the apollo theater 2025 season

    Returning once more is Apollo’s partnership with WNYC and the March on Washington Film Festival on January 19 as scholars, community leaders, and activists will engage with the audience of Harlem and beyond in conversation about the lasting legacy and teachings of Martin Luther King Jr.

    Presented on the first Thursday of each month from February through May is the Apollo Comedy Club. Made in partnership with the producer of Def Comedy Jam and creator of Laff Mobb on Aspire Bob Sumner with Freddie Ricks as host, the Apollo presents the best of comedy’s emerging acts on their Stages at the Victoria.

    The Apollo Music Café series returns for the first Friday and Saturday of each month from February through May, featuring diverse performances spanning the sonic pallets of R&B, hip-hop, soul, jazz, funk, rock, and more. The Music Café seeks to showcase artists of the independent music scene who have made/are making an impact on the way music as an art form is consumed and experienced.

    On February 22, composer, pianist, and vocalist Samora Abayomi Pinderhughes will perform The James Baldwin Essays: As Much Truth As One Can Bear in celebration of Baldwin’s legacy. Commissioned by Harlem Stage in 2015, the piece is one of Pinderhughes’ many performances that utilizes music to examine socio-political issues.

    Each Wednesday from February 19 to June 25 will host the time-honored Amateur Night, America’s longest running talent show. Having been revered by artists as a once-in-a-lifetime experience uplifting emerging talent, names such as Ella Fitzgerald, Luther Vandross, Lauryn Hill, H.E.R and more have graced Amateur Night’s stage where the audience has the power to shape a career. 

    The Grand Finale winner will receive $20,000 alongside the “Child Star of Tomorrow” who will win $5,000. 

    While the 2025 lineup is already full of rising stars, live auditions for the 2026 season will be held on March 22 at The Apollo’s Historic Theater.

    Guardian Spirit will present the poems, prose, and essays of bell hooks set to the musical works of Martha Redbone on March 29. Highlighting and celebrating bell hooks’ work and influence on the modern artist and individual, Redbone will set her stories within the world of music and storytelling.

    Highlighting the intricate dynamics of generations of Black female strength and resilience is Jeffrey Manor from April 7 through the 12. Set in the south side of Chicago, Jeffrey Manor explores themes of generational dysfunction and mental health struggles born of a lifetime of trauma through the secrets and tragedies of Black women bound together by lineage.

    Jason Moran will celebrate Duke Ellington’s great canon on April 11 through his illuminating piano explorations alongside iconic images of The Duke taken by legendary photographer Gordon Parks.

    Among all of these stunning productions, the Apollo offers a myriad of educational programs including but not limited to MLK Young Changemakers, Treasures from the Archives, professional learning workshops, and more.

    For more information on the Apollo’s Winter and Spring 2025 season, their expansive educational programs, and ticketing information, be sure to visit their events page here.

  • A Holiday Classic: Darlene Love performs “Christmas (Baby Please Come Home)” on Late Show with David Letterman

    From 1986 until 2014, David Letterman would close out his final show of the year with a Christmas episode that featured the one and only Darlene Love. Over the span of those 28 years, Love would perform her holiday hit “Christmas (Baby Please Come Home),” one of Letterman’s favorites.

    darlene love letterman christmas

    The appearance found its origins after Letterman saw Love perform the song at the Bottom Line, in a show called Leader of the Pack. He immediately had to have her on the show. Love told Variety in 2014:

    He had David [were] down to see the show. [Letterman] said, “You know that song that girl sings? That Christmas song? That’s the greatest Christmas song I’ve ever heard. We need to get her on the show.” That was 1986, and so I’ve been doing it ever since.

    The tradition spanned two networks over nearly three decades, appearing from 1986 until 1993 on Late Night with David Letterman, and later on the Late Show with David Letterman when Letterman joined CBS.

    The song was originally recorded for the 1963 Phil Spector album A Christmas Gift for You, and while Love performed the song on Letterman’s shows, she told the New York Times in 2014 that she will not sing it for any other TV talk-show hosts moving forward.

    For her final performance, the Late Show paid tribute to Darlene Love. Following her brief interview with Dave, the stage filled in with additional musician, including string and horn sections and several backup singers. These singers would not overshadow Love’s powerful voice, and sang her final last verse from the top of Paul Shaffer’s piano, with fake snow falling around her.

    Recently, an animated version of “Christmas (Baby Please Come Home)” has been released through Legacy Recordings. The short video follows a young Black girl as she walks home through a snowy neighborhood, accompanied by a happy snowman. Along the way, she stops to admire a Christmas tree and runs into her dog, who is singing along with a pair of carolers. The girl and her dog arrive home, where they are lovingly greeted by her parents. As the video nears its end, the girl opens up one of her presents to find a snow globe with the smiling snowman inside.

    At the end of the music video, Love posted a message paying tribute to her late sister, Edna Wright Perry, who sang backing vocals on the track.

    Featured on the show prior to Love’s show-stopping performance, Letterman annually welcomed comedian Jay Thomas, to share, as Letterman put it, “the best story I’ve ever heard.” Thomas would then launch into his true story about an encounter with Clayton Moore, the actor famous for playing The Lone Ranger. For 17 years starting in 1992, Thomas would come on the show and deliver the joke, much to Letterman and the audience’s approval. Watch the story unfold over the years.

    After Thomas delivered the punchline, he and Letterman would alternate throwing a football at the meatball on top of the Late Show Christmas tree. To wrap up the show, Darlene Love would come out for “Christmas (Baby Please Come Home)” and send the show into the night.

  • Felice Brothers Announce NYE Shows at Assembly

    On Dec. 30 and 31, in Kingston, The Felice Brothers, joined by special guest Merce Lemon, will perform two back-to-back shows for a New Year’s Eve celebration. These shows will mark the first-ever performances to be held at the brand-new Assembly concert venue.

    Assembly

    The Felice Brothers return to New York after a European tour through the fall in support of their newest album, Valley of Abandoned Songs. The beloved Americana band began with Ian (guitar and lead vocals) and James (multi-instrumentalist and vocals) playing their songs for travelers at home in the Catskills. They have since expanded to include bassist Jesske Hume (Conor Oberst, Jade Bird), the inaugural female member of the Felice Brothers, and drummer Will Lawrence (also a singer/songwriter) as their rhythm section.

    Merce Lemon will support the Felice Brothers at their shows in the Northeast. Following the release of her stunning 2024 album, Watch Me Drive Them Dogs Wild, Lemon’s pairing with the Brothers is a wonderful combination that blends her alt-country sound with the Brothers’ mellower, folky style. If you like the Felice Brothers, you’ll love Merce Lemon.

    Photo by Alisha Goel

    Located in Kingston’s vibrant Uptown/Stockade District, Assembly Kingston is poised to become a cornerstone of the region’s burgeoning arts and culture scene. These New Year’s Eve performances will be a special homecoming for the band, who will take the stage to ring in 2025 with their signature blend of folk, rock, and heartfelt storytelling.

    “Friends and loved ones, we are doing it again! Holiday shows!” the Felice Brothers share, “Some old favorites and a NEW never before rocked venue in Kingston NY. Now you know what you’re doing to close out 2024.”

    Learn more and purchase tickets here.

  • The Upstart Crows Release Gritty Single “House Fire”

    The Brooklyn-based alternative rock band The Upstart Crows have returned with their newest single “House Fire” on the frustrations of the creative process ahead of their upcoming EP.

    Rooted in Brooklyn, The Upstart Crows have brought their unique combination of folk, punk, and Americana sounds throughout New York City and beyond in live shows spanning haunting acoustic solo performances to the full effect of a rock unit.

    Debuting in 2018 with a 12 track self-titled album, The Upstart Crows have been performing live shows and honing their sound among a small set of single releases since they formally emerged on the scene.

    Now back and better than ever, the band has returned with new music in the form of the single “House Fire”.

    Penned during the Covid-19 Pandemic, “House Fire” captures a unique frustration felt by creatives when it seems as though no part of the act of creation is going your way. 

    With fast-paced and hard hitting drums, insistent guitar lines, and vocals that compliment the oscillating bass line, “House Fire” is a stellar example of how indulging in the negative can not only relieve personal stress but result in a work exploding with emotion.

    “The song is about the self-doubt doom spirals we all face when we are working on something… Where you start to question your own taste and ability to make something good.”

    One of many parts of the Crows’ upcoming EP slated for the spring, “House Fire” marks a promising start to the next era of The Upstart Crows.

    For more information on this release, the band’s upcoming endeavors, and all things The Upstart Crows, be sure to check out their official website here.

  • Dopapod Brings Best Friends Tour to Rochester

    Dopapod brought it’s Best Friends Tour to Essex in Rochester on Tuesday, December 3.

    About a month away from their last shows before an indefinite hiatus, guitarist Rob Compa brought the band to his hometown for a throwdown at the newish venue, Essex. Before the show, Rob asked the crowd if they wanted one long set or two, and of course the crowd voted for the usual jamband two set format. The band warmed the crowd from the frigid cold with a heater of a first set before bringing out their ex-employee, Goose’s Peter Anspach. Anspach first shredded guitar on “Nuggy Jawson” before jumping on keys for the set closer, “Indian Grits.”

    Dopapod leaned heavy on the classics for set two, including versions of “8 Years Ended,” “Bubble Brain” and a Zappa cover in the middle of a song, “FABA” > “I Am The Slime” > “FABA.” They brought up Anspach again for the encore, and he helped them with “Best Friends” and “Runny” for the encore.

    Dopapod next head west to Colorado, before wrapping up the year in the Midwest. They are playing their final shows on New Year’s Eve in Columbus, Ohio, so catch them if you can.

    Dopapod – Essex, Rochester, NY – Tuesday, December 3, 2024

    Set 1: Welcome to Paradise, Draculas Monk> Nerds> Two Somebodies> Nerds, Wizzy, Turn By Turn*, Metal Nuggy Jawson^, Indian Grits$
    Set 2: Cloud World, 8 Years Ended, Brand New Home, Test of Time, Bubblebrain, FABA> I Am The Slime> FABA
    Encore: Best Friends#, Runny^

    * MGMT Kids tease
    ^ Peter Anspach on Guitar
    $ Peter Anspach on Keys
    # Peter Anspach on Vocals and Guitar

  • Long Island’s Roger Street Friedman Releases Powerful New Single “Banks of the Brazos”

    Long Island native Roger Street Friedman has released his newest americana single, “Banks of the Brazos.” The track is a powerful ode to the “Sugarland 95,” a group of Black convict laborers sentenced to brutal work in Texas sugarcane fields in the post-reconstruction era.

    Roger Street Friedman

    “Banks of the Brazos” is the third single from his upcoming album Long Shadows, due out January 24, the song is a powerful and evocative story that looks into the hidden history of the “Sugarland 95,” a group of African American men who were often victims of unjust laws designed to control the lives of newly freed people.

    When the bodies of the Sugarland 95 were unearthed along the banks of the Brazos River, Roger Street Freidman was inspired to write a song from the perspective of one of these laborers. The song aligns with a viral TikTok that Roger posted last year, garnering nearly a million views, resonating with audiences for his honest storytelling.

    Roger Street Friedman

    The song holds a strong outlaw americana feel. The western country flare paired with the dark nature of the song’s backstory sets the listener up to feel it in their heart. Each strum of the guitar shows Roger Street Friedman’s passion and grit for music and exposing history’s many injustices. The track is dynamic, with many changing musical tides throughout the track, but with a meaningfully brawn backbone allowing for wide arrays of sound.

    Even the opening sounds from the electric and acoustic guitars simultaneously made me feel something. Followed by the consistent, strong kick and snare, this track immerses the listener from the very start. Both Friedman’s hearty solo vocals and the powerful harmonizing vocals truly touch the heart and soul of whomever may be listening, especially when you factor in how Roger is soulfully expressing his outlook on the horrible enslavement of the Sugarland 95. The track sees a phenomenal climax with soaring vocals followed by a spirit-touching finish that brilliantly yet softly wraps up the hearty ode.

    For more information on Roger Street Friedman and his latest single, “Banks of the Brazos,” click here.

  • Marky Ramone’s Holiday Blitzkrieg Starts Run at Gramercy Theatre

    Marky Ramone’s Blitzkrieg will be playing a few select holiday dates on the East Coast including Gramercy Theatre tomorrow, December 12. See below for all dates and links to purchase tickets.

    Dec. 12 New York, NY – Gramercy Theatre Buy Tickets

    Dec. 13 Woodstock, NY – Bearsville Theater Buy Tickets

    Dec. 14 Atlantic City, NJ – Tropicana Showroom Buy Tickets

    Dec. 15 Mechanicsburg, PA – Lovedraft’s Brewing Co Buy Tickets