The town of Black Brook, NY is in the midst of its weekly summer concert series, Music at the River Park, spanning from July 17 to Aug 21. The concerts take place in Au Sable Forks‘ River Park every Wednesday evening.
The Northern NY concert series, Music at the River Park, is the musical collaboration of the towns of Black Brook and Au Sable Forks. Every Wednesday night from July 17 to Aug. 21 from 6-8 PM, locals can head down to River Park for free live entertainment. Concertgoers can also treat themselves to the town’s renowned food truck, The Dogfather, onsite.
The weekly acts, presented by Black Brook are full of local musicians ranging from country artists to acoustic singer-songwriters. Thus far, July’s acts have included exciting homegrown acts such as Larry Ebere, Tally & Pop, and Bluebird. The music, queued to the picturesque views of the Au Sable River makes an electric combination proved to be loved by the community weekly.
In the upcoming weeks, music lovers can enjoy sets from Midnight Stargazers, Larry Ebere once again, and finally, Sarah Mitchell. Filled with western tunes and harmonic melodies, August at River Park is sure to be plentiful of amazing music and talented artists.
After postponing four recent shows, Slash’s Serpent Festival is back on track with a stop at Artpark in Lewiston, NY on July 30. The tour celebrating the blues features a rotating support cast with the legendary Keb ‘Mo, ZZ Ward, Robert Randolph sharing the stage on this night.
Following the recent passing of his stepdaughter, Slash postponed four shows in the week leading up to the show in Lewiston, leaving others shows to be determined. After resuming the tour the night before, Slash slithered into Western NY and played a killer mix of 13 songs, many from his 2024 release, Orgy of The Damned.
Forming the S.E.R.P.E.N.T festival, Slash wanted to spread positive vibes through music and charity. “Solidarity, Engagement, Restore, Peace, Equality, N’, Tolerance” is the acronym. With charitable causes selected by Slash, a portion of every ticket sale on the tour is donated to the chosen groups.
The former guitarist for Guns N’ Roses and Velvet Revolver has taken on the blues genre and gave the middle finger to any ‘traditional’ blues guidelines, creating his own style for others to emulate and build on. So, for those who showed up for covers of “November Rain,” “Night Train,” or “Patience”, I hope you weren’t too upset.
Following a short set from Randolph, ZZ Ward took control of the stage and the crowd with her classic, raspy blues vocals and left the crowd in awe after her brief set. Setlist included an original “Put the Gun Down” and an immaculate rendition of “Grinning in Your Face” from Son House. Finishing her set, she announces she will meet everyone at the merch tent to say hi, as her supporting cast jams out for another minute or so with classic blues chords
Following Ward’s stellar performance, Keb ‘Mo took his shot with the crowd. After a couple songs, he admits he had been drinking all day and casually continued through his set. Fun, classic, and boisterous are three words that accurately describe the set. Having seen him in 2023, this night’s performance was by far the better of the two. He seemed more at ease and loose, which was perfect for the crowd before him, as the fans of an old 80’s hair band quickly learned why Keb has won multiple Grammy’s.
With an appetite for destruction, Slash arrived on stage around 845 and wasted no time in shredding the stage as the Niagara River rages behind the venue. The black top hat, the aviators, the ripped tank top, and skinny jeans. This is the style that most fans of GN’R will know from the late 80s and 90s. Here we are in 2024 and slash still rocks the same look, with the same hair, and he rips the guitar like no other, playing originals and covers with ease.
While the setlist included a large number of tracks from the newest album, Slash blew created a frenzy as he played a rendition of “Papa Was a Rolling Stone” and continued with T-bone Walker’s “Stormy Monday” and “The Pusher”. Known for jaw dropping solos, Slash did not let the fans down tonight as he went hog wild on “Metal Chesnut” toward the end of the set.
No to be outdone, the supporting cast for Slash proved they were now slouches. Keyboardis/vocalist Teddy Andreadis provided enough sound and entertainment for a show of his own, poking away at the keys and puffing the harmonica, ala John Popper style, all well providing bone chilling vocals throughout the night.
Bassist Johnny Griparic seemed to have the most fun on stage. Solo parts from start to finish, smiling and pointing at fans, and doing his Captain Morgan impressions at stage front.
On the drums, Micheal Jerome sat in back like most drummers and kept pace with every beat and every antic that was going on. Barely breaking a sweat, I might add.
Finally, guitarist Tash Neal provided ample support for Slash, going note for note with one of the greatest guitarists out there. Blistering solos and crisp vocals create a match made in heaven as Neal proves his worth. The onslaught of both smooth and heavy blues are presented flawlessly with this amazing stage of musicians.
Rounding out the night, Slash absolutely crushed a cover of “Stone Free” that would have Jimi dancing in the grave. Following a brief pause, the two-song encore brought back many fans who were already heading the parking lot. “It Takes a Lot to Laugh, It Takes a Train to Cry” and “Shake Your Money Maker” completed a night that began some serious rain but finished with some sweltering blues.
The tour continues with another 11 stops and a rotating guest list that includes “Kingfish” Ingram and Samantha Fish.
Slash setlist: Parchman Farm Blues (Bukka White cover), Killing Floor (Howlinâ Wolf cover), Born Under a Bad Sign (Booker T. & the MGâs cover), Oh Well (Fleetwood Mac cover), Big legged woman (Freddie King cover), Awful Dream (Lightning Hopkins cover), Papa Was a Rolling Stone (The Temptations cover), Stormy Monday (T-Bone Walker cover), The Pusher (Hoyt Axton), Metal Chestnut, Crossroads (Robert Johnson cover), Stone Free (The Jimi Hendrix Experience cover) Encore: It Takes a Lot to Laugh, It Takes a Train to Cry (Bob Dylan cover), Shake Your Money Maker (Elmore James cover)
Five-time GRAMMY-Award-winning rapper Lil Wayne will be taking the stage of the MVP Arena in Albany this October. He is joined by special guests The Kid LAROI and Selfish Sons.
Over the last 20 years, Lil Wayne has achieved a career unlike any other. His discography has brought him several accolades and immense critical acclaim. Overall, his career is marked by five #1 debuts, starting with the 6x platinum, 3x GRAMMY® Award-winning opus Tha Carter III in 2008, followed by the 5x platinum Tha Carter IV in 2011.
In 2005, Lil Wayne founded the world-famous record label Young Money Entertainment. As CEO, he discovered and signed countless up-and-coming rappers, some of which would grow to become the biggest stars in the music industry, most notably Drake and Nicki Minaj.
On October 11, Wayne will be taking the stage with Australian rapper The Kid LAROI and rock band Selfish Sons. His Albany stop at the MVP Arena marks his only New York show on his current tour.
Tickets for Lil Wayne at MVP Arena in Albany will be on sale this Friday, August 2, at 10 am local time at ticketmaster.com
On July 30th, The Paramount in Huntington, Long Island, hosted a special night as Jerry Harrison and Adrian Belew brought their “Remain in Light” tour to town. Both were key members of the band Talking Heads, and they delivered a performance that mixed classic hits with fresh energy, thrilling the audience.
Jerry Harrison is best known as the keyboardist and guitarist of Talking Heads. Before joining them in 1977, he was part of The Modern Lovers. His work on the “Remain in Light” album in 1980 helped make him a rock legend. After Talking Heads, he produced music for bands like Live and No Doubt.
Adrian Belew is a talented guitarist, singer, and songwriter. He gained fame for his guitar work with Frank Zappa, David Bowie, and Talking Heads. His unique guitar style was a big part of the “Remain in Light” sessions. Belew also had a successful solo career and was a member of King Crimson, making him one of the most influential guitarists of his time
The show kicked off with a standout performance by Cool, Cool, Cool, who not only served as the opening act but also as the backing band for Harrison and Belew. Their set was a blend of original songs and covers that had the audience buzzing. Highlights included their original hit “Never Noticed,” a vibrant rendition of Little Dragon’s “Hold On,” and energetic takes on The Pretenders’ “Brass in Pocket” and Charlotte Gainsbourgâs “Sylvia Says.” Their diverse set perfectly set the stage for the main event.
The concert at The Paramount was a showcase of Harrison and Belew’s skills. The setlist included Talking Heads classics, making for an unforgettable night. They started with “Psycho Killer,” immediately grabbing the audience’s attention. Harrison and Belew’s chemistry was clear as they played, showing their experience in every note.
“Crosseyed and Painless” and “Houses in Motion” brought the crowd back to the ’80s, with Belew’s guitar adding excitement to the songs. The energy stayed high with “Cities” and “Life During Wartime,” getting the crowd dancing. “The Great Curve” was the centerpiece, with Harrison’s keyboards and Belew’s guitar solos creating a mesmerizing experience. “Once in a Lifetime” was a crowd favorite, with everyone singing along.
“Born Under Punches (The Heat Goes On)” and “Slippery People” kept the momentum going, showing off the band’s tight performance. “I Zimbra,” with its complex rhythms and energy, was another highlight. The night ended with a powerful version of “Take Me to the River,” leaving the audience amazed. As the final notes faded, it was clear that Harrison and Belew had honored the legacy of Talking Heads while bringing it to a new generation.
The “Remain in Light” tour shows the lasting appeal of Talking Heads’ music and the incredible talent of Jerry Harrison and Adrian Belew. Their performance at The Paramount was more than a concert; it was a celebration of a musical legacy that continues to inspire and captivate audiences around the world.
Cool Cool Cool Setlist: Never Noticed, Hold On, Made Ya Look, Brass in Pocket, Sylvia Says
Harrison & Belew Setlist: Psycho Killer, Crosseyed and Painless, Houses in Motion, I Zimbra, Bron Under Punches, Cities, Rev It Up, Slippery People, Thela Hun Ginjeet, Life During Wartime, Once in a Lifetime, Take Me To the River, Drugs, The Great Curve
Alice Cooper launched his “Too Close for Comfort” North American headlining tour at the OLG Stage in Niagara Falls, Canada on Tuesday July 30.
It was an unforgettable night that left fans buzzing with excitement. Despite a slight delay in the show’s start, the rock legend wasted no time in proving why he remains a vital force in the world of rock and roll. This was the first time Cooper played this venue in Niagara Falls. The last time he played the area was the fall of 2022 at Sheas in Buffalo.
The moment the lights dimmed, a wave of anticipation swept through the crowd. As the clock ticked past the scheduled start time, murmurs of impatience began to ripple through the audience. However, all was forgiven the instant Alice Cooper stormed the stage and launched into the electrifying opener, “Lock Me Up.” The high-energy performance immediately set the tone for the evening. Cooper’s signature raspy vocals and theatrical stage presence, captivated the audience.
Following the explosive opener, Cooper seamlessly transitioned into “Welcome to the Show,” a fitting anthem for a night that promised rock spectacle at its finest. The band’s tight musicianship and Cooper’s commanding presence turned the venue into a carnival of rock, complete with his trademark macabre flair. The song’s lyrics seemed to invite the audience into Cooper’s world, a blend of horror and rock ‘n’ roll that fans have cherished for decades.
The true highlight of the evening came with the third song, “No More Mr. Nice Guy.” The classic hit had the entire audience singing along, a testament to Cooper’s enduring appeal and the timelessness of his music. As he belted out the chorus, it was clear that Cooper’s voice has lost none of its edge over the years. The performance was infused with a raw energy that transported the audience back to the 1970s, when the song first made its mark on the rock scene.
Throughout the concert, Cooper’s band provided a rock-solid foundation, with blistering guitar solos, pounding drums, and thundering bass lines that kept the energy levels high. The stage production was equally impressive, featuring the elaborate props and dark, theatrical elements that have become synonymous with an Alice Cooper show. The setlist, a mix of classic hits and newer material, was carefully curated to keep fans of all ages engaged and entertained.
The setlist was a thrilling journey through Cooper’s extensive catalog, featuring fan favorites and deep cuts alike. “I’m Eighteen” and “Under My Wheels” kept the momentum going, while “Bed of Nails” and “Billion Dollar Babies” showcased the bandâs prowess. “Hey Stoopid” and “Be My Lover” were delivered with infectious enthusiasm. “Snakebite” and “Feed My Frankenstein” brought a touch of theatrical horror that fans loved.
“Lost in America” and “He’s Back (The Man Behind the Mask)” added to the night’s nostalgia, and the crowd roared during “Poison,” which was followed by a powerful drum solo. “Welcome to My Nightmare” and “Cold Ethyl” maintained the eerie atmosphere, while “The Black Widow” and “Ballad of Dwight Fry” were masterfully performed.
Alice Cooper demonstrated why he remains an iconic figure in the music world. Fans left the OLG Stage in Niagara Falls not just satisfied, but exhilarated, having witnessed a true legend in action. If this show is any indication, the rest of the tour promises to be a wild, unforgettable ride.
Once this headline tour ends later this month, Alice Cooper with join up with Rob Zombie for more shows this summer for the ‘Freaks on Parade’ tour. Alice Cooper’s band consists of Chuck Garric on bass, backing vocals, Ryan Roxie an Nita Strauss on guitars, Tommy Henriksen on guitars, backing vocals, and Glen Sobel on drums. Alice Cooper will be back in New York on September4 in Syracuse.
Alt-country superstar Jeff Tweedy has announced a cross-country Autumn tour with for New York dates. Beginning on September 8th, the tour will stop in Woodstock and Buffalo before making its way westward.
Jeff Tweedy has distinguished himself as an icon of the alt-country genre. His musical career began in high school, performing alongside friends. This band soon evolved into Tweedy’s first big project, Uncle Tupelo. During their 7 years of existence, Uncle Tupelo emerged as standouts of alt-country. Their 1990 record No Depression has been labeled one of the best albums of the genre, and the 1990s as a whole.
By 1994, Uncle Tupelo had disbanded, leaving Tweedy to start his next musical project. This band – made of leftover Uncle Tupelo members – named themselves Wilco. Their first two records A.M. and Being There continued to build on Uncle Tupelo’s country stylings. By their third album, 1999’s Summerteeth, the band began to incorporate elements from Psychedelic pop and alternative rock, creating their iconic sound. Many consider the peak of their career as 2001’s Yankee Hotel Foxtrot, which paired their genre-bending experimentations with unforgettable pop hooks. The album is often quoted as not only one of the best indie albums of all time, but one of the greatest albums ever.
Jeff Tweedy has been busy with his work throughout 2024 – both as the frontman of Wilco and a solo artist. In terms of Wilco, the band released their 13th studio album Cousin, with its accompanying Hot Sun Cool Shroud EP. June saw the band take to the live stage at the Solid Sound Festival in North Adams, Massachusetts. In addition to this performance, they have made waves through their live recording of Lana Del Rey’s “Margaret” alongside Bleachers.
On top of this musical work, Tweedy has pursued writing. 2024 saw the release of his third book WORLD WITHIN A SONG: Music That Changed My Life and Life That Changed My Music. The book recounts fifty songs that changed Tweedy’s life and the memories associated with each of them. Upon its release, the book quickly became a New York Times Bestseller.
To kick off Autumn, Tweedy is launching a cross country tour, beginning on Sunday, September 8th. The tour will start in Tweedy’s home of Chicago, with performances at the Evanston Folk Festival and Chicago Live! Following these two performances, Tweedy will continue on to New York, where he has four scheduled shows.
The New York Leg of the tour will begin with a three-night residency at Woodstock’s Bearsville Theater. The legendary venue dates back to 1989, when it was built to house Bearsville Studios. Since its founding, everyone from Patti Smith to REM has recorded there. The renowned 500-person venue has an intimate atmosphere with near perfect acoustics. Tweedy’s residency will last from Friday, October 11th to Sunday, October 13th.
Immediately following his Woodstock residency, Tweedy will travel to Buffalo to perform at the Buffalo State Performing Arts Center. The theater sits at the center of Buffalo State College, housing its stage productions. Since its original opening in 1987, the theater has undergone extensive renovations with state of the art lighting and sound systems and refurbished seating. The 865-person theater hosts over 50,000 people every year across more than 180 events. Tweedy’s concert will take place on Tuesday, October 15th.
Bearsville Theater
Following these New York performances, Tweedy will continue westward throughout October. He will cap off the Autumn tour with a three-day residency at the Guild Theatre in Menlo Park, California. Tickets go on sale August 2nd at 10am local time. For more information on Jeff Tweedy’s solo tour, visit the Wilco website here.
Jeff Tweedy Tour Dates
Sun. Sept 8 – Evanston, IL @ Evanston Folk Festival, In-Conversation Series
Sat. Sept 21 – Chicago, IL @ Navy Pier / Chicago Live!
Fri. Oct. 11 – Woodstock, NY @ Bearsville Theater
Sat. Oct. 12 – Woodstock, NY @ Bearsville Theater
Sun. Oct. 13 – Woodstock, NY @ Bearsville Theater
Tue. Oct. 15 – Buffalo, NY @ Buffalo State PAC
Wed. Oct. 16 – Columbus, OH @ Southern Theatre
Fri. Oct. 18 – Champaign, IL @ Virginia Theatre
Sat. Oct. 19 – Madison, WI @ Barrymore Theatre
Sun. Oct. 20 – Omaha, NE @ The Admiral
Tue. Oct. 22 – Jackson, WY @ Center for The Arts
Wed. Oct. 23 – Salt Lake City @ Rose Wagner Theater
Fri. Oct. 25 – Grass Valley, CA @ Center for The Arts
Mon. Oct. 28 – Menlo Park, CA @ The Guild Theatre
Tues. Oct. 29 – Menlo Park, CA @ The Guild Theatre
Wed. Oct. 30 – Menlo Park, CA @ The Guild Theatre
Fri. Feb 28 – Miami, St Croix, USVI & St John’s, Antigua @ Cayamo Cruise
Brooklyn Funk Essentials celebrate the 30th anniversary of their debut album, Cool And Steady And Easy, by re-imagining two singles, “Blow Your Brains Out”, and “Brooklyn Recycles.”
A cult acid-jazz ensemble, Brooklyn Funk Essentials have established a global following. The re-released singles offer a new take on their classic singles.
Their 1994 debut album, Cool And Steady And Easy, was an underground hit.”Take the L Train” and “Big Apple Boogaloo” became DJ favorites. Upon its release, Cool And Steady And Easy received Billboard’s Best Alternative R&B Album of the Year. Prolific producer Arthur Baker (of Afrika Bambaataa and New Order) worked with Lati Kronlund in producing the record.
Baker and Kronlund met in the 1990s after Baker became captivated by a single Kronlund wrote and produced, “Where Love Lives” by Alison Limerick. As fate would have it, Alison Limerick became the lead vocalist for Brooklyn Funk Essentials in 2016.
The new rendition of “Blow Your Brains Out” features Limerick’s new vocals, as well as production and instrumentals from Lati Kronlund. Candid dialogue captured in the studio opens the original version of the track: “This f**ker’s nine minutes long?!” “Yeah, just long enough to blow your brains out!”. The daunting time flies by with engaging instrumentation and sonically compelling production.
“Brooklyn Recycles” was initially a Maceo feature, but is now wholly rewritten by BFE’s original trombone player Joshua Roseman. Bassy Bob Brockmann played the trumpet, with Paul Shapiro on saxophone, and Everton Sylvester contributed inimitable spoken word.
Next followed 2nd album In The Buzzbag in 1998, Make Them Like It in 2000, Watcha Playin’ in 2008, Funk Ain’t Ova in 2015, Stay Good in 2019, and most recently Intuition in 2023. The re-released singles, which came out July 27th, are available on all streaming platforms now. A live performance from a few years ago is also available below.
Fresh on the heels of their wildly successful Why We Dance Tour and its ongoing follow up tour, The Disco Biscuits are keeping the momentum going and have announced a run of shows in the Fall.
The shows will take place predominantly in the Northeast, but feature a Halloween run at The Caverns in Tennessee. The band will play Brooklyn Steel on November 9 with the next show scheduled for Bearsville Theatre in Woodstock on November 13.
The Fall Tour also includes The Disco Biscuits making return appearances to The Palladium in Worcester, MA on November 15 and the State Theatre in Portland, ME on November 16. The tour also rolls through Connecticut twice with shows in both Norwalk (November 14) and Hartford (November 20-21). And New York continues to get plenty of attention as well as the tour concludes with the final three shows here. The band will play Rome Capitol Theatre for the first time on November 22 before concluding the tour with two shows at Buffalo’s Town Ballroom where the band never seems to disappoint.
Both General Admission and VIP tickets for the Fall Tour go on sale tomorrow at 12 pm ET. The VIP package for this set of shows includes early entry to each venue with early access to merch, a pre-show private soundcheck an group photo with the band as well as a commemorative show ticket instead of the usual poster and a laminate. There’s also still one yet to be announced show for this tour on November 7 that falls between ones at Ram’s Head Live in Baltimore and the aforementioned Brooklyn Steel show. For tickets and more information on the band’s 2024 plans, visit discobiscuits.com.
Disco Biscuits Fall Tour Schedule
10/30 – Madison Theater – Covington, Ky. 10/31-11/2 – The Caverns – Pelham, Tenn. 11/3 – French Broad River Brewery – Asheville, N.C. 11/6 – Rams Head Live – Baltimore 11/7 – TBA 11/9 – Brooklyn Steel – Brooklyn, N.Y. 11/13 – Bearsville Theatre – Woodstock, N.Y. 11/14 – District Music Hall- Norwalk, Conn. 11/15 – The Palladium – Worcester, Mass. 11/16 – State Theatre – Portland, Maine 11/17 – Paramount Theatre – Rutland, Vt. 11/20-21 – Infinity Hall – Hartford, Conn. 11/22 – Rome Capitol Theatre – Rome, N.Y. 11/23-24 – Town Ballroom – Buffalo, N.Y.
The Woodstock Byrdcliffe Guild will present BIO-SPHERE, a unique sonic collaboration between environmental sculptor Ian Laughlin and renowned composer/percussionist David Van Tieghem. This free performance will take place Sunday, August 4 and 2pm in front of the Woodstock Byrdcliffe Guild’s Office Complex located at 34 Tinker Street in Woodstock.
David Van Tieghem is an American composer and sound designer known for his philosophy of utilizing any available object as a percussion instrument. In his long career, Van Tieghem has performed and composed for numerous films and productions as well as collaborating with Steve Reich, Laurie Anderson, Brian Eno, Talking Heads, David Byrne, Deborah Harry and Chris Stein of Blondie, Adrian Belew, Jerry Marotta, John Zorn, Sylvia Bullett and Happy Traum. Along with many other awards, Van Tieghem was the recipient of a Guggenheim Foundation Fellowship for Music Composition (2007).
Originally from New Zealand, Ian Laughlin is a multi-media eco-artist who first achieved notoriety in New York City’s Lower East Side in the 80s. A resident of the Hudson Valley since 1990, Laughlin has been dedicated to exploring injustices and finding solutions to the many challenges facing the planet through his many notable art installations and acoustic sculptures. His work can be found at his website.
BIO-SPHERE is the latest Laughlin-Van Tieghem collaboration and it’s sounding the alarm about PFOS, the so-called ‘forever chemicals,’ endangering our species and planet.
“My sculpture utilizes tanks and piping to present a model for water purification of carcinogenic ‘forever chemicals’,” says Laughlin. “It is sonically designed for composer/percussionist David Van Tieghem to signal that alarm in a bold musical way.”
Recent Laughlin and Van Tieghem works have included Chilling Effects and Glacial Survival Instincts (2023) and Lunasa and Pitchfork Chamber Music (2021), the former of which also included collaboration with Laughlin’s partner, the singer/songwriter Sylvia Bullett. Laughlin created the cover art for Bullett’s latest album, All Knowledge There Transcending. Videos of these works can be found here.
Founded in 1902, the Woodstock Byrdcliffe Guild is a regional center for the arts located in Woodstock. From its 250-acre mountainside campus and its arts and performance center in the village of Woodstock, it offers an integrated program of exhibitions, performances, workshops and artists’ residencies. For info, visit here.
San Diego’s very own almost monday is an electrifying trio making waves in the alt pop scene. Comprised of the ever-charismatic lead vocalist Dawson Daugherty, guitarist Cole Clisby, and bassist Luke Fabry, the guys have perfected the art of blending surf rock, indie pop, and 80s new wave into a sound that’s as catchy as it is unique.
Since dropping their debut EP don’t say you’re ordinary, almost monday has been on an unstoppable ascent. Their music captures the essence of youthful exuberance, heartbreak, and the rollercoaster of life, all wrapped in upbeat, danceable tunes.
almost monday rocked Madison Square Garden on July 27th as they opened for AJR. Dawson, wearing an “I ❤️ NY” shirt, set a high-energy tone for the night.
The set started off with “is it too late?”, immediately grabbing the crowd’s attention with an upbeat rhythm. Dawson’s boundless energy was on full display as he bounded across the stage, throwing in some impressive martial arts kicks and slices at the climax of each song. The fans couldn’t get enough, cheering louder with each jump.
Following up with “cough drops” and “can’t slow down,” the band kept the momentum going, and the energy in the room only grew. The highlight came during “tidal wave,” when the anthemic chorus had the entire audience singing along, their voices echoing through the legendary arena.
With “sunburn” and “only wanna dance,” the band showcased their talent for crafting feel-good tunes that make you move. The chemistry between Dawson, Cole, and Luke was undeniable. Their playful stage interactions added extra charm to their performance. “sun keeps on shining” had a perfect summer vibe, bringing a touch of their sunny Californian roots to New York City.
Closing with “life goes by,” almost monday left everyone on a high note. The crowd’s response was nothing short of enthusiastic, with cheers and applause ringing out long after the final chord. It was clear that almost monday had won over many new fans that night.
Their dynamic performance, featuring Dawson’s karate kicks and infectious tunes, left everyone smiling and with a new favorite band.
almost monday isn’t just a band to watch; they’re a band you can’t afford to miss.
Setlist: is it too late?, cough drops, can’t slow down, tidal wave, sunburn, only wanna dance, sun keeps on shining, life goes by
