Category: Regions

  • The Best-Sounding Music Venue You’ve Never Heard Of: Edwards Opera House

    The Edwards Opera House might be the best-sounding venue you’ve never heard of. Located in the small town of Edwards, New York in St. Lawrence County, the opera house is a veritable hidden gem of the North County. 

    “We’ve had musicians who have traveled around the world who sit on the stage and say it’s the best place they’ve ever played acoustically,” says Kathleen Huber, chair of the Edwards Art Council, a non-profit which oversees the theater’s operations and upkeep. She compares the theater’s shape to that of an upside-down ship, which she credits for adding phenomenal acoustics and natural reverb.

    Kathleen grew up in Edwards, but had no idea the opera house even existed; and for good reason: The theater itself is located on the second floor of the town hall of all places. 

    Edwards Opera House
    Edwards Town Hall exterior. The Opera House is located on the 2nd floor – Photo via edwardsoperahouse.com

    The town hall itself dates back to the late 1800s, where architects in nearby Ogdensburg, were tasked with rebuilding the institution after it had burned down in a fire. Over the years, the town hall has been home to a barbershop, a jail, a post-office and a roller-rink.   The theater on the second floor originally hosted traveling troupes and medicine shows as well as local musicians and actors. It also served as a popular movie theater until the late 1950s. 

    “My parents would go in the 50’s and they would tell me that the place would be full,” Huber recounted. 

    The long history of this building is still very much evident. The original stage curtains are still intact, which include a vibrant hand-painted mural depicting a pastoral scene. It was painted by a traveling troupe that was quarantined in Edwards during the Great Influenza epidemic. On the back of the current, past and current performers have signed their names, with the oldest signature dating back to the early 1900’s.

    Edwards Opera House
    The original hand-painted curtain / Photo via Edwards Opera House Facebook page

    Edwards was a popular mining town for lead and zinc, but when resources ran out in the late 70’s, the mining companies packed up and Edwards began to resemble more of a ghost town. While the town hall remained operational, the theater closed its doors for nearly half a century.

    In the early 200’s the Edwards Art Council, a non-profit organization was formed to oversee the restoration and upkeep of the historic theater. Nearby towns in the North County like Clayton and Heuvelton also restored similar theater spaces around the same time, in a trend to restore historic venues and hopefully revitalize the downtown areas.

    The Edwards Opera House seats nearly 275 people and hosts a small smattering of around 8-10 shows a year. The venue is mostly seasonal, operating primarily in the spring, summer and fall seasons. The Opera House recently wrapped up its summer series, which included a comedy night, a variety show, a family band and a group of fiddlers.

    The Edwards Opera House – Photo courtesy of Edwards Art Council

    But while the Edwards Opera House used to draw full houses for its movie showings, a dwindling population – around 500 people – now makes it difficult to fill the 275 seats in the theater. Most neighboring towns are a 30 minute drive away as well. 

    Huber returned to her hometown and took the role of chair of the arts council during Covid. During this time, she started live streaming concerts to reach new audiences. You can also watch snippets of passt performances on the Edwards Opera House Youtube channel

    The Arts Council is operated entirely by volunteers who dedicate their free time organizing, promoting and hosting events at the opera house. Huber says they are always looking for new members. She said the most rewarding part is being able to provide music and arts to the community. 

    While the Opera House typically closes in the winter, this year the theater will be hosting a holiday show on Dec. 1st.

  • The Park Theater Foundation Announces Adirondack Americana Series

    The Park Theater Foundation has partnered with The Hub in Brant Lake to present the Adirondack Americana music series.

    Adirondack Americana Series

    Founded as a non-profit organization dedicated to enhancing the Glen Falls community with live entertainment, The Park Theater Foundation has provided a venue for quality and affordable entertainment and educational opportunities in the performing arts for folks in the area time and time again. 

    Their most recent endeavor, Adirondack Americana, is a music series presented in partnership with The Hub. Throughout September and October, an engaging set of indie-americana acts will take the stage at The Hub in Brant Lake to perform live sets that are completely free to the public.

    The Park Theater Foundation

    The first of the Adirondack Americana performances will be a double feature of indie-americana band Mipso member Joseph Terrell and ‘Dream Country’ glitz-and-groove band Blue Cactus on Saturday, September 28.

    Adirondack Americana Series

    The second show on Saturday, October 12 will be performed by Saratoga Springs based band Little Saints, who describes their sound as a healthy blend of americana, indie-folk, and modern soul. 

    The venue for Adirondack Americana is truly one-of-a-kind. The Hub is a bike shop, a bar, a cafe, a concert venue, and more all wrapped into one. With scenic views over a perfect space to bike, hike, or paddle across Brant Lake, The Hub brings folks of all passions together- an energy that matches the Adirondack Americana attitude perfectly.

    Both evenings of free music will commence at 4:00 PM at The Hub. For further information on the performances and how to attend, visit The Park Theater Foundation’s website here.

  • Billy Joel and Sting to Play at JMA Dome in Syracuse

    Billy Joel will return to the Dome in Syracuse for his 8th career performance, and he’s bringing along Sting with him. The pair will rock the JMA Wireless Dome on Friday, April 11, 2025.

    billy joel sting syracuse

    The iconic musicians will each perform their most beloved songs from throughout their illustrious careers. The spectacular show is Billy Joel’s eighth appearance at the JMA Dome and first since 2015, a record-breaking statistic.

    billy joel sting syracuse
    Billy Joel and Sting Syracuse jerseys – photo by CNY Central

    This show will mark Sting’s first time at the JMA Dome as a solo artist, having appeared twice before in performances with The Police in 1982 and 1984).

    “We’re excited to have both Billy Joel and Sting back at the JMA Dome. Both have been here before and have helped draw some of our biggest audiences to date. With this show, Billy will be extending his record number of Dome performances to eight over a nearly 25-year period. We’re grateful to again work with Live Nation on another big concert event and can’t wait to host it. It’ll be a great show,” said Pete Sala, vice president and chief campus facilities officer, managing director of JMA Dome.

    Tickets go on sale on Friday, October 4 at 9 a.m. here.

  • Brooklyn Indie Artist Buffchick Releases “Gone Awhile” Ahead of Anticipated LP

    Brooklyn-based indie artist Buffchick has released a new single titled, “Gone Awhile,” out on all streaming services now. The release comes ahead of her anticipated LP Showtime.

    Erin Manion, known by her stage name Buffchick, brings strong female vocals to the forefront of modern indie music.

    “Gone Awhile” begins with a rising and falling of energy that really grabs the listener and lets them know a climax is to be expected. The track has traditional indie tones and vocal styles, but Buffchick’s vocal strength is certainly unique. Her voice soars majestically and really pushes the backing instrumental forward.

    Around two-thirds of the way into the song, it falls down to an intimate volume before rising back up sharply and stunningly. Buffchick really displays her vocal talents in this section of the song. In my opinion, this ending of the track was the most impressive part, and really shows the talent she possesses.

    Buffchick

    To check out Buffchick’s music, “Gone Awhile,” and to stay up to date on upcoming releases, visit her Spotify by clicking here.

  • The Night Sweats with My Morning Jacket: The Syracuse Summer Concert Season is Officially Closed

    Nathaniel Rateliffe and the Night Sweats and My Morning Jacket have been trekking up the eastern US with a late summer double-bill that has inched over into autumn. Turning the corner into the last week of the tour, they took a daring swing up to Syracuse on September 24, testing the city’s notoriously unpredictable weather.

    Which, it turned out, was actually quite predictably miserable. Low 60s and a a nagging rain. But the hardy crowd was well prepared, and welcomed the rare chance at an early autumn outdoor pavilion concert, the last of the “summer” season at the Empower FCU Amphitheater at Lakeview.

    The bands took comfort in the Upstate NY weather. Jim James proclaiming in a very Jim James way, “Feels good to have the winds of Syracuse blow through my soul!” and Nathaniel Rateliffe, while apologizing to the wet and cold fans out on the lawn, said “This is actually perfect weather for me.” Coming after a couple weeks in the hot South it was no wonder.

    James and Rateliffe are two highly engaging front men, each able to corral both their bands and the audience into a symbiosis, while also managing the flow and energy with skill and ease. The similarly equipped bands, navigate similar but unique sounds. The Night Sweats approach Americana from a Soul Revue angle while My Morning Jacket comes at it with an updated Classic Rock focus. They each took their 90 allotted minutes and made the best of it, seamlessly flowing songs together with very little breaks. It was a match made in live music heaven, and the audience was taken on a fabulous three-hour journey.

    My Morning Jacket took the stage first on this night. Jim James strode out in an all white suit, questionable after Labor Day as it was, but then again James has always played by his own rules. After searing takes on a couple newer tunes out of the gate, “Regular Scheduled Programming” and “Penny For Your Thoughts,” the band settled into the comfort of some well-worn material.

    “Lay Low” arrived early with late set energy and a finishing run of “I’m Amazed,” “Gideon,” “Evil Urges,” “Mahgeetah,” and “Wordless Chorus” was a non-stop parade of hits, energizing the My Morning Jacket faithful while rousing the interest of the larger Night Sweats contingent. But the set hung it’s hat on a monster “I Will Sing You Songs” that was as beautiful as it was ferocious. It’s ending swirled for a long while in and out of a spacey interlude, building up and down out of formlessness for a secondary climax that didn’t quite explode before petering out altogether.

    The relentless energy of My Morning Jacket is a tough act to follow, but Nathaniel Rateliffe and the Night Sweats are no slouches. They came out swinging with “Suffer Me,” their three-piece horn section giving that added punch of color. Whether rollicking on the piano at the back of the stage on, fronting on guitar, or bounding across the stage with a tambourine, Rateliffe was in command and had the crowd on their feet and singing along for the entirety of the set. Their core sound was stretched to cover a lot of ground with the New Orleans blues of “Slow Pace of Time,” the atmospheric folk of “And It’s Still Alright,” the country jaunt of “Hey Mama,” and the bring-the-house-down gospel of “S.O.B.”

    The night came to a head with a show-closing cover of Traffic’s “Feelin’ Alright” that had both bands merging for a very fun onslaught of sound that pulled out the best from both units. The last show of the amphitheater’s season was an early autumn treat that had everyone in Syracuse feeling alright.

    photos by Brian Ferguson

  • Caffè Lena @ SPAC Festival Returns Oct. 5

    Saratoga Performing Arts Center (SPAC) in partnership with Caffè Lena have announced the return of the free annual “Caffè Lena @ SPAC” festival which will be held on Saturday, Oct. 5 from midday to 5:30 pm.

    Caffe Lena @ SPAC

    The festival will feature five bands that explore roots, rock, funk, bluegrass, jazz, pop, and indie-folk including Nation Beat with Melanie Sholtz, Wild Adriatic, and others for one day only on Oct. 5. The free event will take place on SPAC’s Charles R. Wood Stage, and will give audiences a wide variety of genres and styles to listen to throughout the day.

    The “Caffè Lena @ SPAC” festival highlights a unique, ongoing collaboration between the arts center and the folk music venue. Caffè Lena has been recognized as the largest continuously operating folk music venue in the United States since opening in 1960 in historic downtown Saratoga.

    The collaboration between SPAC and Caffè Lena first launched in 2017, which included jointly curated and presented programs at both venues. Guests are welcome to bring in food, drink, blankets and lawn chairs for the concerts. Food concessions will also be available. The concerts will take place rain or shine. 

    “Everyone in the crowd treats this event as a gift, and it really is,” says Sarah Craig, executive director of Caffè Lena. “SPAC is a huge organization compared to Caffè Lena, but we both have our hearts in serving the community where we live. We want to be accessible and have the art that happens on our stages be here for everyone. This festival puts those values into action.”

    Learn more here.

    Caffe Lena @ SPAC Full Concert Lineup

    11:30 AM | Gates Open  

    Noon-12:50 PM| Kat & Brad

    1:10-2:00 PM| Rachel Sumner & Traveling Light

    2:20-3:10 PM | Alice Howe & Freebo

    3:30-4:20 PM | Wild Adriatic

    4:40- 5:20 PM | Nation Beat with Melanie Sholtz

  • Singer-songwriter allie Releases Second Studio Album Every Dog

    New York City based singer-songwriter, multi-instrumentalist, and producer allie has released her second studio album Every Dog.

    allie every dog

    Allie Cuva, better known under her moniker allie, is a songwriter, producer, mix engineer, multi-instrumentalist and performer- it’s no exaggeration to say that her work is entirely her own. 

    With a pulse on everything music from the age twelve onwards, allie began her professional musical journey after a move to Nashville that allowed her to hone her musical skill set and identity as a musician. In 2021, allie toured extensively as the hired drummer for indie pop artist Cavetown, the same year a debut LP of her own was released- Maybe Next Time

    The gutturally honest and sonically ambitious sounds that had caught the attention of those in the New York City indie-rock scene back in 2021 are sharpened in allie’s newest release, Every Dog. Filled with sounds that are unapologetically allie, the album aims to take a space so often dominated by men and expand the horizons, reaching out to listeners and connecting them based upon the fundamental human experience framed within a lesbian, trans, and leftist lens.

    A vulnerable exploration of queer love and one’s self, Every Dog offers 27 minutes of sitting alongside allie as she spins poetry out of her most vulnerable experiences. Not unlike paging through a personal journal, the listening experience of Every Dog is as self-reflective as the writing process was for allie herself. 

    Throughout each track, she explores the jarring shift of life in suburban Michigan and Tennessee to the vibrant constancy of New York City, struggling through self isolation, finding yourself in the midst of pure creative freedom, and queer love and loss.

    The title track was one of three tracks selected for pre-release- “Radio Shower,” “Every Dog,” and most recently “Tiny Colored Pills”. “Every Dog” and its coinciding music video recorded along the Long Island Coastline explore the simultaneous acceptance and aching loss felt after a necessary separation from those once kept close. 

    “I wanted to create something that felt flickering–the oscillating guitar can resemble the constantly churning transportation flowing through NYC–and that also evolved to deliver the listener somewhere different than expected, which was meant to represent big, structural change in a relationship.”

    – allie, on “Every Dog”

    The video itself is intentionally rather impressionistic and left to interpretation, the only goal when recording being to explore the coastline and possibly capture some of the most mentally engaging imagery. 

    Similarly, the first of three pre-release tracks to see the light of day, “Radio Shower”, is  a deeply impressionistic montage of aging, loss, and love that considers the weight of the passage of time above alternatively tuned guitar plucks and sonically layered instrumentals that lend the song a beautifully textured feel. 

    Clearly a labor of love, the track had gone through over 32 mix revisions with countless arrangement changes and scrapped vocal recordings that resulted in a cohesive testament to allie’s skill across the music-making experience.

    allie has also announced a special one night only album release party at Cassette NYC on October 4 with support from Precious Human and Kid Lake. The evening will celebrate her newest work as she performs the LP from beginning to end. Tickets for this event start at $15 and are available here.

    The full track list for allie’s newest LP Every Dog, out now, is below. Fans can learn more about allie’s works and keep up with all of her latest happenings on her website here.

  • Waterhole Announces October Lineup Featuring Rocktober Fest

    The Waterhole of Saranac Lake has announced its full October schedule, which will include the conclusion of this season’s “Party on the Patio,” the debut of Rocktober Fest, and a Halloween Bash/Costume Contest to close out the month.

    October lineup the Waterhole
    Raisinhead on the patio

    Kicking off the month on Thursday, Oct. 3, Mal Maiz will blend traditional cumbia with psychedelic grooves, Latin, reggae, and Afro-Caribbean sounds. Based out of Burlington, VT, Costa Rican Brujo, Maiz Vargas Sandoval and his Afro-Latino Orchestra are an East Coast dance band with both traditional and modern flair.

    The next day, on Oct. 4, a new annual event called Rocktoberfest will debut. Super 400, a Troy, NY-based band that closed out the 2023 party season with a high-energy rock performance, will play on the patio, with food provided by Kate Mountain Farm and Oktoberfest beer from Zero Gravity.

    On Oct. 10, Drew Foust & The Wheelhouse will make their Waterhole debut. The Wheelhouse is an amalgamation of some of the best musicians in the Piedmont region of North Carolina. Together, Drew and the band contribute to heartfelt songwriting showcasing their signature southern soul n’ roll sound.

    Raisinhead will play the Season Finale Party on the Patio on Oct. 17. The band has built a strong following in Upstate New York, promising audiences an interactive evening of sound, energy, and pure fun. Help us bid farewell to our beloved concert series.

    The annual Halloween Bash and costume contest on Oct. 26 will feature Underground System, a band that has captivated Saranac Lakers with their hypnotic, infectious grooves. This six-piece band from NYC blends dance club vibes with Afrobeat, Latin rhythms, and musical influences from around the world. Special guests New Planets will open the night, blending diverse sonic narratives and performing dance music that defies borders and genres.

    Full Waterhole October 2024 Schedule:

    Thursday, Oct. 3 – Mal Maiz (Party on the Patio, 6-10 PM)

    Friday, Oct. 4 – Super 400 (Rocktoberfest on the Patio 6-10 PM)

    Thursday, Oct. 10 – Drew Foust & The Wheelhouse (Party on the Patio, 6-10 PM)

    Thursday, Oct. 17 – Raisinhead (Party on the Patio, 6-10PM)

    Saturday, Oct. 26 – Underground System wsg. New Planets (Halloween Bash, 7 PM-1 AM, $15 Admission)

    The Waterhole in Saranac Lake is a 21+ venue. All events are free unless otherwise noted. Concert tickets are available for purchase on the Waterhole website.

  • In Focus: Khruangbin Lands at Forest Hills

    On Saturday, September 21, Khruangbin wrapped up the second of two nights at Forest Hills Stadium to a sold out crowd.

    Well on their way through a lengthy global tour promoting their new album, A La Sala, Men I Trust warmed up the crowd as they hit the stage at 7pm sharp. With the bar set high and excitement at its peak, the lights went dark as the trio from Houston, Texas hit the stage at 8:15.

    Khruangbin, which translates to airplane in thai, takes their audience on a journey playing consecutively through A La Sala. Exploring many themes and motifs with great style and ambiguity, the music, accompanied by choreography, stunning lighting, and set design created a touching spectacle. If it wasn’t already clear that the band is telling a story with A La Sala, the last song of set 1 exemplified this when Mark Steele, Guitar and Vocals, along with Laura Lee, Bass and Vocals, walked down and sat at the very edge of the stage.

    With DJ Johnson on Drums and Keys not far behind them, they gently played through “Le Petit Gris”, a soft piano driven melody. Sounds and visuals of thunder and rain trickling down in the windows behind them, a soft breeze that reminded everyone summer is over and fall is here, the band and audience became one.

    The second set featured classic material that could make anyone dance. Notable highlights included “The Number 3”, “August 10”, and “Evan Finds The Third Room”. With genre bending sounds of global influence that all seamlessly weave together, their minimalist approach creates soundscapes of deep grooves, catchy hooks, and mesmerizing rhythms. The trios meteoric rise to the top is no coincidence. Playing iconic festivals and venues like Coachella and Bonnaroo, Radio City Music Hall and Red Rocks, they have solidified their position in the music industry.

    With Emmanuelle Proulx of Men I Trust joining them for “Dearest Alfred”, they closed out the evening with the funky renditions of “Maria tambien” and “People Everywhere, (Still Alive)”. After the finale, Leezy reemerged from the back, throwing her extra head bands into the crowd, dancing along with the audience to “September” by Earth, Wind, & Fire. Their tour continues for a few select dates in the United States before departing again to resume tour around the world.

    Khruangbin – Forest Hills Stadium – September 21st, 2024

    Set 1: Fifteen Fifty-Three, May Ninth, Ada Jean, Farolim de Felguerias, Pon Pon, Todavia Viva, Juegos y Nubes, Hold Me Up (Thank You), Caja de la Sala, Three from Two, A Love International, Les Petits Gris
    Set 2: The Number 3, August 10, Lady and Man, The Infamous Bill, Pelota, Evan Finds the Third Room, Time (You and I)
    Encore: Dearest Alfred*, Maria tambien, People Everywhere (Still Alive)
    *with Emma from Men I Trust

  • Indie Musicians Share Their Road Food Faves in New Book, “Taste in Music: Eating on Tour with Indie Musicians”

    Have you ever wondered what sustenance kept Mick Jagger alive all these years? Or how Clairo has the soothing intonation of an angel, while also ripping the same Marlboro Lights that make my throat burn and lungs dry? And what exactly is Phoebe Bridgers eating to keep her skin effortlessly glowing as she shuffles between solo project, Boy Genius tours, and famous actor and comedian boyfriends?

    alex bleeker taste in music

    Fortunately for us, two indie rockers have linked up to give music junkies and avid readers insight into life on tour. Musician Alex Bleeker (Real Estate) and food and travel writer Luke Pyenson (formerly of Frankie Cosmos) penned their first edition of Taste in Music: Eating on Tour with Indie Musicians (Chronicle Books, September 2024).  It’s a love letter to life on the road, and the meals and gas station sandwiches that fueled indie rock’s most remarkable minds – or bogged them down – along the way. 

    Bleeker and Pyenson gathered essays and interviews from dozens of indie musicians from pockets all over the genre, with their tall tales from touring sprinkled in along the way. We hear from the likes of Kero Kero Bonito, Adam Schatx (Japanese Breakfast), Natalie Mering (Weyes Blood), Eric Slick (Dr. Dog), Amelia Meath (Sylvan Esso), and many, many more. Almost all of these featured players are friends from their rolodexes. As the book explains, indie rock is a smaller world than you may think. 

    I also reference this book as a first edition because, despite the 200+ pages of beautifully penned essays and insights from a variety of the most accredited indie icons, there will never be enough of these essays to satiate the indie rock consumer at least not for me. And as much of a self-proclaimed fanatic as I am of the genre, I was so pleasantly surprised to learn that I didn’t know every band out there. I’m probably the last person to learn of the band Vetiver, but what a treat.

    And while there are countless memoirs from rock musicians of the early aughts, many of our beloved present-day performers have not since put down the guitars and amps and had the time to write a book. So, this collection gives us the perfect voyeuristic view of the dinner tables and into the minds of our favorite indie rock artists. And, as the duo writes in the introduction — “stories centering food are the perfect gateway into understanding tour itself.” 

    Who knew food and music fit so well together?

    Indie rockers were the perfect choice to churn out a beautiful book of essays. If they can make driving down the New Jersey highway downtempo and melodic, they can tell exciting tales of Japanese gas station snacks and gut-wrenching stories about breakfast sandwiches and love.

    And if you’re wondering, “how the hell do these guys remember what they ate on tour in 2012?” Kevin Morby has an answer for you. 

    “There’s a lot that I don’t remember about eating on the road,” Morby writes. “And though I’ve been given the good fortune to dine all over the world over the past decade, I’d be hard-pressed to tell you the actual names of most of the restaurants, neighborhoods, or even the cities and towns where the dining took place…Instead of trying to relocate them, I simply let them settle quietly into my past not as a specific time, place, or person, but rather as a feeling.” He then goes on to discuss feeling “cool” as he ate sushi at sunrise in Tokyo, and “fancy” while eating smoked fish at an Icelandic spa, the list goes on.

    alex bleeker
    “Taste in Music” co-author Alex Bleeker

    Or as Ethan Bassford, bassist of NYC art-pop group Ava Luna, writes of a Turkish flat bread, he stumbled upon after playing a festival in Mannheim, Germany. A stranger feeding the hungry touring band, a man who did not speak his native tongue, left him with not just the memory of good food but “the sweet memory of being welcomed.” These are some of the little insights that will leave your heart feeling full.

    Taste in Music also shows us that musicians are cultured not just because they’re effortlessly cool and good at music, but because they’ve literally seen the ins and outs of different cultures, continents, and places we didn’t even know existed. But as these rockers, often poor in the beginning, living off a $3 a day per band member food budget, they’re shown a lot of love by locals. They’re given the perspective that we may not see as outsiders on the walking tour around Berlin – and not to mention, they perform for different crowds and cultures every night. 

    Aside from the beautiful and fun bits, the book is also a raw look at how touring impacts artists – not just the glamorous, fun parts. Artists have seemingly opened up about the grueling lifestyle of life on tour. In 2024, it’s not uncommon for an artist to cancel shows, citing physical illness or full tours outright naming the intense strain of touring on mental health. 

    Bleeker’s essay in part two of the book resonated deeply. He writes about, no matter how good a show might have been, he’d find himself wasting hours staring at photos of himself, critiquing every angle, vowing to do better, and eating the same shit the next day. It’s comforting to know that even some of our favorite artists are, well, human.

    It’s something I think a lot of society forgets. Rockstars are people too.

    I’d also like to note the layout and format of this book are so fun. While I read my copy digitally, I can only imagine how these colors, fonts, and beautiful images from the artists (chefs, producers, managers, and more) pop off the page. It has that Rachel Ray cookbook type of feel, with the big bold lettering and of course, the little doodles in the margins — the drawings of which came as no surprise to me, a lifelong fan of Lauren Martin, also of Frankie Cosmos, and her artwork (I’m staring at a poster of a smiling bagel as I write this sentence).

    Here’s to hoping we get many more books (and albums!) from Luke Pyneson and Alex Bleeker. Pick up a copy here.