Category: Regions

  • Composer Dr. Shireen Abu Khader comes to Binghamton for “Memories from the Mediterranean” Concert

    The Southern Tier Singers’ Collective will “Memories from the Mediterranean,” a concert that sees music by composer Dr. Shireen Abu Khader on October 20 at 4PM at Saint James Roman Catholic Church in Johnson City, NY.

    Memories from the Mediterranean

    The concert features the world premiere of Rumor Mill, an STSC commissioned work by Palestinian-Jordanian composer Dr. Shireen Abu Khader featuring the poetry of Naomi Shihab-Nye.

    In addition to the world premiere of Rumor Mill, the Southern Tier Singers Collective gives a guided musical tour of countries surrounding the Mediterranean Sea, including the Levant, Turkey, Syria, Iraq, Spain, Greece, and Italy. The music encompasses works ranging from Gregorian and Greek chant to Renaissance polyphony, to arrangements of folk music from the region. This concert is generously sponsored in part by the Broome County Arts Council, WSKG, and the School of the Arts at Binghamton University.

    Dr. Abu Khader will join the Southern Tier Singers’ Collective for a weekend of workshops with students from Binghamton University and area high schools as part of her residency. Students will have the opportunity to hear her works and also experience a variety of Arabic percussion playing traditions. This presentation will conclude with a Q&A and discussion with the artists.

    To learn more about Memories of the Mediterranean featuring Dr. Abu Khader, click here.

  • Vampire Weekend Pay Tribute to Billy Joel at MSG with 2 Homecoming Shows

    New York founded band Vampire Weekend played two shows at MSG in New York City on Friday, October 5th. “We’ve been looking forward to this the entire tour,” said frontman Ezra Koenig on the first night. This show marks the final quarter of the band’s ongoing tour in support of their latest album, Only God Was Above Us.

    Vampire Weekend performs at MSG in NY. Photograph by David Reichmann (@davidpresspass)

    Billy Joel Cover band Turnstiles opened for Vampire Weekend both nights, with additional support from Mark Ronson for the first show, and the Brothers Macklovitch for the second.

    Ezra Koenig of Vampire Weekend performing at MSG in NY. Photograph by David Reichmann (@davidpresspass)

    The second show was a rare Sunday matinee, which ended at 4PM sharp. During the second show, Ezra commented, “I didn’t know if this would be a good idea, we ended kind of late last night. But I think I like it.” The crowd cheered in response. Ezra would also go on to describe the backstory behind some of the band’s songs throughout the shows.

    Turnstiles open for Vampire Weekend at MSG in New York. Photograph by David Reichmann (@davidpresspass)

    Vampire Weekend performed with their signature brand of intellectual lyrics and intricately produced tunes. They played vast set lists each night, with nearly a two-hour long main set, covering their five beloved studio albums.

    Each night featured a number of covers, including a rendition of Billy Joel’s “Scenes from an Italian Restaurant,” which featured a dinner scene performance behind the band as they played. Each show featured some pyrotechnics and a big blast of confetti at the very end of the encore.

    In the past, the band often took fan requests at the end of the shows, but for this tour Ezra told the crowd they would only accept songs that weren’t theirs. So after the main set, the band came back on stage and asked the crowd to hold up signs, notepads, and scream out song suggestions, which the band attempted with varying levels of success. Covers included Fall Out Boy, Billy Joel, bruce Springsteen, and a handful of others.

    You can follow Vampire Weekend “Only God Was Above Us” Tour here, and listen to their music here. Photo gallery by David Reichmann below.

  • Buffalo Music Venue “The Caz” Celebrates Opening Weekend October 17-20 with Help from Local Favorites

    New music venue, The Caz, in Buffalo, celebrates opening weekend Oct 17-20 with some great bands, including Buffalo locals, Johnny Hart & The Mess on Thursday, October 17. October 18 sees NY bands Big Shrimp and Escaper, as well as Buffalo locals, Type Relevant.

    The venue features a restored historic listening room and is designed to provide superior sound and visuals for an unforgettable experience. The Caz is proud to be a venue that not only hosts national and international talent but also champions the incredible musical talent found right in Buffalo.

    With the venue’s opening celebration on the weekend of October 17, The Caz excitedly hosts plenty of talented performers to kick off the upcoming bonanza. The Caz is redefining the live entertainment scene in the heart of South Buffalo. Savor delicious food from the full-time kitchen, complemented by themed cocktails and a selection of local craft beer and spirits.

    Snag your tickets early to secure the best views from our elevated mezzanine and enjoy live performances from top local talent and national touring acts. The Caz is shaping itself up to be the ultimate destination for live shows in Western New York.

    Big Shrimp returns with a fresh lineup and an electrifying sound, ready to make waves in the music world. Hailing from Bridgeport, CT, this versatile quartet features long-standing members Jared Sage Cowen and Jager Soss, alongside new talents Max Perrotti and Matt Takesh. Their evolution from a power trio to a quartet has broadened their musical scope, combining bold progressive fusion rock with innovative, polished new elements.

    Escaper is a New York City band that blends funky jams with progressive psych-rock to create sci-fi dance parties. Known for the chemistry between Will Hanza and Phil Kadet. Escaper has played major Northeast festivals like Northlands, Great South Bay, and Bear’s Picnic. They have shared the stage with the likes of Jon Fishman (Phish), Karl Denson, and members of the Disco Biscuits, Dopapod, and more. Type Relevant is a Buffalo-based hip-hop collective that has been performing across Western New York for nearly two decades.

    Big Shrimp

    For more information on The Caz and to purchase tickets to the upcoming shows, click here.

  • TAUK to host ‘Oogie Boogie Nights’ Halloween Extravaganza

    Progressive rock-fusion band TAUK has announced their ‘Oogie Boogie Nights’ Halloween show in Port Chester with a star-studded guest list.

    Oogie Boogie Nights

    Long Island local rock-fusion band TAUK has been pushing the boundaries of sound for nearly a decade now. With several tours, millions of streams, festival slots spanning from Bonnaroo to Electric Forest, and an array of critical praise, TAUK is an ever-evolving quartet of musical force. 

    In addition to their purely musical endeavors, the band has begun a new tradition of gathering their favorite musical acts for once-in-a-lifetime halloween shows. Now in its third year, the ‘Oogie Boogie Nights’ Halloween extravaganza is a wild night of live music, good vibes, and all things spooky. 

    This year’s show goes hand-in-hand with TAUK’s recent streak of collaborative singles with artists like reggae icon Matisyahu, G. Love, Kanika Moore, The Shady Horns of funk group Lettuce, and Taz.

    “We’ve been lucky enough to have played the Capitol Theatre a couple times already but being able to come in and throw our own show is something we’ve been dreaming up for a while… We get some of our absolute favorite musicians together and throw a huge party. The lineup for this is unreal and we have so much in store for this show.”

    – Matthew Jalbert, guitarist of TAUK

    In addition to some of their recent collaborators, TAUK will be bringing Mike Wilbur and Mihali along for the ride, elevating the night’s programming to another level of excitement.

    Acting as the only New York date of TAUK’s current United States tour,  the ‘Oogie Boogie Nights’ 2024 musical extravaganza will be hosted at the historic Capitol Theatre in Port Chester on October 25. Tickets are available now- visit here for further information and ticket purchasing.

  • Brooklyn Nonprofit FourOneOne Announces New Performance Series “Transatlantik”

    Brooklyn-based nonprofit organization FourOneOne has announced the upcoming two-day performance series “Transatlantik.”

    The series takes place November 22 to 23 at Greenwich House Music School, CARA, and Francis Kite Club.

    Transatlantik is a series of performances and conversation featuring the work of diasporic artists engaged with the artistic and political concepts of negritude and créolité. Artists include Aruán Ortiz and Anaïs Maviel; Sélène Saint Aimé; KāFOU (Val Jeanty and Cassie Watson Francillon); Vodou drummer Renald St. Juste, and Patrick Chamoiseau, the Martinican author and theorist of créolité. An afterparty with Alexis Marcelo, DJ Buddy and DJ Jeff Brown is also to be expected.

    There is a total of four separate shows from November 22 to 23. November 22 sees one show at 7:30pm at Greenwich House Music School. November 23 sees three shows at varying times, at CARA, Greenwich House Music School, and Francis Kite Club respectively. Each show explores unique themes regarding negritude, creolization, Afro-Carribean cultures, and more.

    Transatlantik

    TRANSATLANTIK Series of Events:

    Friday, November 22, 2024

    7:30pm (doors 7:00pm)

    Greenwich House Music School

    Sélène Saint-Aime’s Creole Songs

    Renald St. Juste

    Saturday, November 23, 2024

    2:30pm (doors 2:00pm)

    at CARA

    Patrick Chamoiseau

    in conversation with Sélène Saint-Aime, Aruán Ortiz, and Anaïs Maviel

    Saturday, November 23, 2024

    7:30pm (doors 7:00pm)

    Greenwich House Music School

    Reimagining Tropiques, Then and Now: Aruán Ortiz, Anaïs Maviel, and Aliya Ultan

    KāFOU: Val Jeanty, Cassie Watson Francillon

    Saturday, November 23, 2024

    10:00pm–midnight

    at Francis Kite Club

    Afterparty with Alexis Marcelo, DJ Buddy and DJ Jeff Brown

    Tickets are $15 in advance, $20 at door, and $25 for both nights. 11/23 conversation and afterparty are free. For more information on FourOneOne and Transatlantik and to purchase tickets, click here.

  • Wasia Project Brings Classical Indie Jazz to NYC

    The Artist

    Hailing from the UK, Wasia Project has quickly become one of the most exciting indie bands on the rise. The sibling duo Olivia Hardy and William Gao (along with drummer Luca Wade and bassist Tom Pacitti), fuse together jazz, classical, and indie pop, creating a sound that is as soothing as it is emotionally charged. With heartfelt lyrics and lush arrangements, the band has won over a dedicated fanbase both in the UK and overseas.

      The Show

      On Monday, Sept 30, night one in NYC of the “Isotope Tour” kicked off— and it did not disappoint. The show began with an atmospheric interlude, “Isotope,” which set the mood for an introspective and emotional night. Wasia Project then launched into “My Lover Is Sleeping”, immediately captivating the crowd with Olivia’s dreamy, tender vocals. The audience was buzzing, absorbing every word, as the band poured their hearts out on stage.

      A key standout moment was “Petals on the Moon,” which had the entire venue jamming to William’s piano solo. The duo’s chemistry on stage is undeniable, and their shared musical bond radiated through every track, but especially on “Burning Eyes Are Calling” and “How Can I Pretend,” where Olivia’s emotive voice soared over William’s intricate piano melodies.

      “U R So Pretty” was an emotional high point in the set, with its delicate lyrics and vulnerability. The song had the crowd cheering, resonating deeply with everyone in the room. The night’s energy took a shift with My Vine” and “Cover,” with Olivia’s vocals floating effortlessly over lush instrumentals.

      The band’s raw emotion, combined with their experimental soundscapes, made for a captivating debut performance in New York City. If you missed them this time, be sure to catch Wasia Project soon —they’re just getting started, and their future looks incredibly bright.

      Setlist: Isotope (Interlude Intro), Is This What Love Is, My Lover Is Sleeping, U Deserve, Petals on the Moon, How can I pretend, Burning Eyes Are Calling, Takes Me Back Home, Remember When, U R So Pretty, My Vine, Cover, To Get Better, Somebody Come Through, Tell Me Lies

    • Recording of Allman Brothers Band Final Concert to Be Released

      A recording of the legendary Allman Brothers Band’s final concert at the Beacon Theatre in 2014 is being released on October 25, nearly 10 years since the finale.

      Recording of Allman Brothers Band Final Concert at The Beacon Theatre in 2014 Releasing October 25

      On Tuesday, October 28, 2014, after 45 years of performing the greatest live music in rock history, the Allman Brothers Band had arrived at its final concert. The dream created by Duane Allman in 1969 had come to fruition, gone through triumph and tragedy, joy and sorrow, flourished and faltered, and ultimately persevered to reach the pinnacle of the blues/rock genre. The road had seemingly gone on forever, but, in 2014, the group decided that forever would come to an end at the Beacon Theatre in New York City. 

      On Friday, October 25, in recognition of the 10th anniversary, rock ‘n’ roll history will be shared as the Final Concert 10-28-14 is officially released via Peach Records. Re-mastered here with improved sound quality, Final Concert 10-28-14 will be available digitally on October 25 and as a special 3-CD package with extensive 16-page booklet featuring exclusive photos and liner notes on November 22.

      Recording of Allman Brothers Band Final Concert at The Beacon Theatre in 2014 Releasing October 25

      The Beacon was the appropriate location for the ABB to make its last stand; the Allmans had logged more appearances there than any other venue and had also set a Broadway record, with 237 consecutive sold-out shows at the venerable hall. Starting in 1989, the Allman’s annual run at the Beacon became a rite of passage in Manhattan.

      Fans from around the globe traveled to the Upper West Side to be captivated by the group’s riveting shows. The band wanted a set list that would be a montage of its career, one that would pay homage to the original six – Duane, Gregg, Jaimoe, Butch, Berry Oakley and Dickey Betts – while also drawing from the group’s vast catalogue. With input from everyone, Warren Haynes compiled a spectacular, three-set show. Almost 30 songs, drawn from six ABB albums, along with three strong covers that represented the musical trajectory of the group.

      Track listing for Final Concert 10-28-14:

      Disc 1:

      1. Little Martha 
      2. Mountain Jam 
      3. Don’t Want You No More 
      4. It’s Not My Cross To Bear 
      5. One Way Out 
      6. Good Morning Little School Girl 
      7. Midnight Rider 
      8. The High Cost of Low Living 
      9. Hot ‘Lanta 
      10. Blue Sky 
      11. You Don’t Love Me/ Soul Serenade/ You Don’t Love Me 

      Disc 2:

      1. Statesboro Blues 
      2. Ain’t Wasting Time 
      3. Black Hearted Woman 
      4. The Sky Is Crying
      5. Dreams
      6. Don’t Keep Me Wonderin’
      7. In Memory of Elizabeth Reed
      8. JaMaBuBu
      9. In Memory of Elizabeth Reed (reprise)

      Disc 3:

      1. Melissa
      2. Revival
      3. Southbound
      4. Mountain Jam Reprise
      5. Will The Circle Be Unbroken
      6. Mountain Jam Reprise 2
      7. Whipping Post
      8. Farewell Message
      9. Trouble No More

      “Having joined the Allman Brothers Band in 1991, I had no idea what I was getting myself into as a percussionist joining two drummers on stage. Fast forward 23 years to the last show we played as the Allman Brothers Band. I feel honored to have been part of such a historical musical force that was and is the ABB. Love live the ABB!”

      Percussionist Marc Quinones

      To pre-order and pre-save the Allman Brothers Band final concert 2014, click here.

    • Folk Duo Spillway Releases Second Single “Indiana”

      Folk unit and twin brothers Spillway have released their second single to date, titled “Indiana.”

      Spillway Indiana

      Having found a way to communicate with the world through music together when they were young, twin brothers Aaron and Wyatt Mones have been Spillway since long before the moniker came to them. Named in reference to Spillway Road, the street that was home to the small garage they began their musical journey in, Spillway grew their professional musical skills by playing and producing for other artists for several years- eventually amassing a total of five million streams to their credit. 

      Now split geographically between New York and Los Angeles, the two singer-songwriter and multi-instrumentalists bridge their physical distance with their mutually engrained passion for music and creating. Melding nostalgic folk pop sounds with whimsical and idiosyncratic lyrics, Spillway offers their poetically packaged belief that music communicates more than simple words ever could. 

      Spillway’s debut single “Are You Having Fun Yet?” was released earlier this summer and has amassed over 130,000 streams to date in the span of just three months. With achingly raw lyrics and an unapologetically human sonic touch, it’s no wonder why Spillway has seen such success so early in their professional career.

      The duo’s newest release, “Indiana,” is rooted in its namesake. A snapshot of modern Midwestern life, “Indiana” encapsulates Spillway’s immediate impression and experience of the state after less than 24 hours spent in the flatlands of Southwestern Indiana that their label, Wally Opus Records, calls home. Channeling the stories and daily lives of the people they had just met, Spillway layers acoustic guitar, brushed drums, and gentle vocals to create a sonic encapsulation of warm, folksy routine. 

      In just shy of three minutes, the brothers paint the midwestern life in all of its shades so vibrantly that it brings the listener into their conversations being had with the locals around them. With such vivid sonic imagery, it’s no wonder why they’ve described “Indiana” to be their favorite piece to come out of at least the past two years of songwriting.

      The official music video for “Indiana” coincides with the track’s release and reflects the listening experience perfectly. With frames of the duo in the Wally Opus recording studio spread throughout scenic, mellow moments in the nature of the midwest, the video’s warm tone and nostalgic attitude weave yet another layer into the deeply human moments Spillway seeks to capture.

      “Indiana” is out now- listen here. To learn more about Spillway’s work and future plans, visit their website here.

    • New York City’s sweet93 Shares Gauzy New Single “What’s True”

      sweet93, the moniker of New York City-based guitarist and vocalist Chloe, excitedly shares her latest single, “what’s true?” Her first release of the year continues to establish sweet93 as a project destined for exponential sonic growth.

      The track is a swirling shoegaze lullaby that rocks the listener back and forth. sweet93 embodies the hazy, drifting summers of the early 90s – a time when the lullabies of Slowdive and the sweetness of Mazzy Star ruled the alternative rock scene. Based in NYC, Chloe’s songs are the soundtrack to a waking dream.

      “what’s true?” holds an intensely soothing aura around it that captivates listeners and brings them to a kind of lo-fi dreamscape. The track is relaxing yet uplifting, calming yet refueling, spacey yet grounding. With the release of this single, sweet93 plans to embark on her first US tour with support from her friend and collaborator, Porches.

      SWEET93 LIVE US TOUR DATES:

      OCTOBER

      15 – Cambridge, MA – The Sinclair

      16 – Washington, DC – The Atlantis

      17 – Philadelphia, PA – Underground Arts

      18 – Durham, NC – Motorco Music Hall

      19 – Atlanta, GA – The Masquerade

      21 – Nashville, TN – Exit/In

      22 – Chicago, IL – Lincoln Hall

      24 – Saint Paul, MN – Amsterdam Bar and Hall

      25 – Kansas City, MO – recordBar

      26 – Omaha, NE  – Reverb Lounge

      28 – Denver, CO – Bluebird Theater

      29 – Salt Lake City, UT  – The Urban Lounge

      31 – Portland, OR  – Wonder Ballroom

      NOVEMBER

      1 – Vancouver, BC – Hollywood Theatre

      2 – Seattle, WA – Barboza

      6 – San Francisco, CA – Bimbo’s 365 Club

      7 – Los Angeles, CA – The Fonda Theatre

      9 – Phoenix, AZ  – Valley Bar

      12 – Dallas, TX – Dada Dallas

      13 – Austin, TX – Antone’s

      15 – Birmingham, AL – WORKPLAY

      16 – Indianapolis, IN – HI-FI

      20 – Brooklyn, NY – Brooklyn Steel

      “‘what’s true?’ changed shape several times before I realized what I was actually trying to say. I spent days in my room trying to tell some version of a story, when in reality I was struggling with understanding reality at all… Lately I’ve been filled with more questions than answers, like when nothing is real and no one’s around – what’s actually true?”

      Chloe aka sweet93

      For more information on sweet93’s new release and upcoming tour, click here.

    • New Hope Club: The UK Pop Trio Lights Up Brooklyn

      The Band

      New Hope Club, the British trio comprised of George Smith, Blake Richardson, and Reece Bibby, have been charming fans worldwide since 2015. Their infectious guitar-driven pop and catchy choruses quickly made them standouts in the pop music scene. Their 2020 self-titled debut album solidified their status, with hits that have defined their sound and energized audiences everywhere.

      Now, they’re back with new music, including their latest single “Trouble in Paradise,” which is out now, with more music on the horizon.

      New Hope Club at Baby’s All Right by: Yisroel Teitelbaum (@thebigpic.inc)

      Beyond music, Richardson is gearing up to play a young Paul McCartney in the highly anticipated Beatles biopic, Midas Man.

      Richardson’s casting has fans buzzing with excitement, eager to see how he continues expanding his creative reach.

      The Show

      On a warm night, New Hope Club took the stage at Baby’s All Right, turning the intimate venue into a buzzing cauldron of energy. This show gave NY fans an intimate, up-close experience with the trio in one of the city’s coziest venues.

      As soon as the band hit the stage, the atmosphere was electric. They opened the night with the crowd favorite “Worse,” instantly igniting the room. The trio’s tight harmonies and infectious energy had the crowd dancing, singing, and smiling from the first note.

      Throughout the night, the band treated fans to a mix of their biggest hits and some sneak peeks of what’s to come. They performed their newest track “Trouble in Paradise,” and the crowd responded with in an excited frenzy. The song, packed with their upbeat rhythms and smooth vocals, was an instant hit and gave a taste of the new, New Hope Club.

      Richardson, with his effortless charisma, led the crowd through the set. The crowd interaction made the show feel intimate and personal, the boys exuding a chemistry that can only come from years of friendship and performing together.

      A highlight was “Who Do You Think You Are?” where their vocal harmonies captivated the crowd, swaying together. The boys performed “Let Me Down Slow,” prompting the crowd to join in a massive singalong that echoed throughout the room.

      Closing the night with the explosive “Permission,” New Hope Club left Baby’s All Right on a high note. As the band waved goodbye, the crowd chanted for an encore, not quite ready for the night to end.

      New Hope Club proved from start to finish why they’re one of the most exciting young bands today. Their blend of charm, talent, and crowd interaction created a memorable night for everyone in attendance.

      Looking to the Future

      For those who missed the magic at Baby’s, make sure to catch them next time they’re in NYC. With new music and a movie debut ahead, the band’s future success promises to be even bigger. Don’t miss out!