Up-and-coming singer-songwriter Nikita Lev has released her new single “We All Die Anyway” on May 15. This single comes in the leadup to a new EP and her first European tour in the fall.
Lev’s musical instincts began at a young age. Coming from a family of chamber musicians, music surrounded Lev since childhood. As a result, during her youth on the Upper West Side of Manhattan, she quickly picked up piano and flute.
Nikita Lev
By the time her family relocated to Westchester, she had learned guitar and begun writing songs. Lev says “I always know what I’m going to say first and the melody comes later,” using her musical chops to back up her deep lyrical narratives. To date, Lev has written over 200 songs that are “evocative, relatable, universal, yet ambiguous.”
Lev’s music has quickly gained renown from both radio and print media. Her debut single “Elegance” was highlighted by both SiriusXM and MTV’s Spankin’ New. Additionally, publications like the LA Music Review and Earmilk have showcased Lev’s songs.
Her new single “We All Die Anyway” is a highlight of the indie folk genre. Lev is accompanied by gentle fingerpicked guitars, trip-hop influenced drums and eerie synths. This dreamy instrumentation backs up Lev’s soft, emotional vocals and mature lyricism. The song tackles a relationship gone cold, and the feelings that accompany having to leave someone you cared about. Her meaningful and clever songwriting is reminiscent of indie icons like Lana Del Ray, and Phoebe Bridgers.
This single comes just after her May 10 release of the music video for “Now I Think Of You Unspeakably.” The song’s lyrics touch on the pains of being in love with someone who does not feel the same. Driving drums and growing distorted guitars back up the song’s heavy lyricism, adding an edge to the acoustic instrumentation. The video features Lev dancing around a bonfire in a winter scene. Its atmosphere matches with the instrumentals and lyrics that all aid in a simultaneously warm yet icy feeling. Michael Rees directed the video, following collaborations with Charli XCX and The Kid LARoi.
This new single is just the start of a busy Summer and Fall for Lev. Later this year, she will release her first EP, titled Clearly Misunderstood. The EP’s songs will tackle the theme of the conflict between adult responsibilities and youthful independence. In November, Lev will depart for Europe for a tour stopping in Berlin and Vienna.
For more information, visit Nikita Lev’s website here.
Saratoga Performing Arts Center has announced their seventh annual Adirondack Trust Company Festival of Young Artists. The community festival celebrates over 700 of the Capital Region’s promising young artists, including dancers, musicians, poets, and visual artists. Pop-up performances and art displays will culminate in a large-scale production on the main stage.
Performing organizations include Empire State Youth Orchestra, Saratoga Springs Youth Ballet, Capital District Artis initiative. Additionally, an original musical composition 12th Grader Lucia Vysohlid will be performed by ESYO Symphony Orchestra, Capital District Youth Chorale, and singers from three local high schools.
Festival of Young Artists_2023. June 04, 2023 at Saratoga Performing Arts Center, New York, USA
Saratoga Performing Arts Center (SPAC) is dedicated to providing New Yorkers access to the arts. Through their partnerships with nonprofits and over 120 schools, SPAC provides arts programing and outreach, prioritizing historically marginalized groups.
The festival’s theme is Rhythm, a thread that was woven throughout the 2024 season. SPAC’s annual student gallery features 95 pieces inspired by a passage from Langston Hughes’ “The First Book of Rhythms”.
Performances will be held from 2-5:30 PM on Sunday, June 2. Food-stands and immersive arts activities will be available on the grounds, along with free ice cream provided by Stewart’s Shops. The production on the main stage will begin at 4:45. The event is free to the community, but registration is required for admission. A recap of last year’s Summer SPAC events can be found below.
Saturday, May 11 and Sunday, May 12, 2024 in Albany, Washington Park was alive with families, tulips, and great music from bands on two stages at the 76th Annual Tulip Festival.Â
With weather that held out to provide a nearly dry weekend, Washington Park was alive with Catskill group Of The Atlas, Prince Daddy and The Hyena, and The Front Bottoms on the main stage, while over on WEXTâS 518 Stage, local bands Side B, Sofia Corts, Camtron5000 and The Insolent Willies entertained masses of crowds throughout the day.
The Schenectady-Saratoga Symphony Orchestra has announced its 91st Concert Season, consisting of nine concerts. This new concert season will feature a host of shows in both Schenectady and Saratoga Springs.
Since its founding in 1935, the SSSO has prided itself in community involvement. Throughout its history, the SSSO has employed not only professional musicians, but also highlighted local amateur musicians. The orchestra has been a platform for local musicians, dance troupes and school choruses, helping to launch musical careers throughout the Schenectady-Saratoga region. Through its concerts and musical mentoring, the SSSO has become one of the greatest musical assets of the Capital Region.
This concert season will continue the SSSO’s history of involvement by hosting a series of guest musicians and incorporating new visual elements to enhance concerts. Soloists like trumpeter Robert Sullivan, and Lisa Leonard will join the SSSO for orchestral classics and new works. This season will feature a new visual elements and projections to enhance the concert experience. SSSO’s artistic director Glen Cortese says the “Visuals and projections will accompany many of our concerts to add another layer to the audience’s live music experience.” With this new aspect to their live shows, audiences will have their eyes, as well as ears stimulated at this year’s concerts.
SSSO Schedule
Free Pops Concert (not on subscription)
7 p.m. Saturday, Aug. 10 at Music Haven Stage in Schenectady’s Central Park
A tribute to the great composer John Williams.
“Realize”
7 p.m. Saturday, Oct. 19 at the Zankel Music Center
3 p.m. Sunday, Oct. 20 at the MainStage at Proctors
Featuring soloist Lisa Leonard in Prokofiev’s “Piano Concerto #3,” Adamo’s “Overture to Lysistrata” and Respighi’s “Fontana di Roma” and “Pini di Roma.”
Poinsettia Pops (not on subscription, add-on)
7 p.m. Saturday, Dec. 7 at the Great Hall at UPH
3 p.m. Sunday, Dec. 8 at the Great Hall at UPH
Featuring guest soloists Jeanine Ouderkirk, Mowgli Giannitti and Elizabeth Sterling.
“Reminisce”
7 p.m. Saturday, Jan. 25, 2025 at the Great Hall at UPH
3 p.m. Sunday, Jan. 26, 2025 at the MainStage at Proctors
Featuring Trumpeter Robert Sullivan in Glen Cortese’s “Concerto for Trumpet and Orchestra (Gabriel’s Signal),” Snider’s “Eye of Mnemosyne” and Mendelssohn’s “Symphony #4.”
“Reach”
3 p.m. Sunday, March 2, 2025 at the Great Hall at UPH
The program features John Musto performing his “Litany” and “Piano Concerto #2,” Debussy’s “Children’s Corner” and guest vocalist Ann Marie Adamick with Mahler’s “Songs of the Wayfarer.”
“Remember”
3 p.m. Sunday, April 13, 2025 at the MainStage at Proctors
The Octavo Singers and surprise special guests join SSSO for Verdi’s great “Requiem.”
Season Tickets are currently on sale for $65. Individual tickets are $17-24, with children under 18 getting free entrance with a ticketed adult. For more ticketing and concert information visit the SSSO website here.
This September, author Daniel Rachel will stop in Manhattan and Saugerties to celebrate the US release of his book Too Much Too Young. Akashic Books will release the British best-seller for American audiences on June 4th.
Too Much Too Young: The 2 Tone Records Story is a definitive history of the British Ska scene of the 1970s and 80s. The book discusses Ska’s Caribbean island origins, and how British Youth conquered the airways with it throughout the 1980s. This 2 Tone scene was a multi-racial movement using ska as a vehicle to fight racism, right wing extremism and other social issues of Thatcher-era England.
Rachel’s book is a modern classic of music history, receiving praise from critics and musicians alike. The book features interviews with members of legendary ska groups, like The Beat, Madness, and The Specials, giving it a very grounded, informative and intimate feeling. Additionally, the book features an introduction by Pauline Black, lead singer of the 2 Tone band The Selecter.
A brilliant book and a fitting account of one of British culture’s most epochal moments.
Nothing is left out of this definitive book.”
– The Wire
Before his writing career, Rachel had a fruitful music career. He began as lead singer of the Birmingham Britpop group Rachels Basement, before launching a successful solo folk-pop career. Since 2013, Rachel has focused on his writings, which have covered topics throughout British music history. Whether they are about Ska, Britpop or David Bowie, his books have garnered much critical praise. Too Much Too Young has been especially successful, being named book of the year by The Sunday Times, Louder Than War and many other publications.
To celebrate the release of his book in the US, Rachel is planning a cross-country book tour. The tour is set to begin on August 23 in Los Angeles, featuring an interview with Specials guitarist Lynval Golding. This book tour includes two New York locations, with stops in Saugerties and Manhattan. On Monday, September 9, the tour will stop at Saugerties’s Orpheum Theatre. On Thursday, September 12, the tour will stop at Rough Trade’s NYC store in Manhattan’s Rockefeller Center.
For more information on the book’s release and tour dates, visit the Akashic Books website here.
The Sub Rosa Sessions Concert Series will return to Syracuse for the first time since 2017. The concert series consists of intimate monthly shows meant to highlight local talent and up-and-coming national acts.
The term Sub Rosa comes from Latin “under the rose” meaning something done secretly. Like the name suggests, Sub Rosa flourishes in the underground, not only highlighting underground artists, but also taking place in a new secret downtown venue.
The first revival show will feature Baltimore-based Americana band June Star, and Central New York singer-songwriter Khalil Jade. Since 1998, June Star have released 16 studio albums helping to spread their unique take on roots music to the masses. Led by singer and multi-instrumentalist Andrew Grimm, their unique lyricism and grungy instrumentation give them a sound unlike any other Americana group. The band also features Dave Hadley, whose masterful steel pedal guitar aids in their signature sound.
Khalil Jade is a singer-songwriter and a staple of Central New York’s live scene. Her original pieces blend folk, Americana, and blues to create a unique style of singer-songwriter music. With her acoustic guitar and soft, soulful voice, Jade crafts songs about the joys and struggles of life.
Sub Rosa: Then and Now
Singer-songwriter Amanda Rogers started the Sub Rosa Concert Series in 2014. For four years, the concert series was a staple of Syracuseâs music scene, acting as a platform for local bands and artists. Syracuse’s SubCat Studios originally hosted the concerts at their downtown location. The concerts not only allowed for artists to showcase their works in an intimate setting, but also to have their shows professionally recorded. In addition to live music, the concerts featured meet and greets, refreshments and exclusive performance CDs.
The Sub Rosa Concert Series will return to Syracuse on May 31. The concerts will continue to take place from 6-9 PM on the last Thursday of every month. Starting in May, they will take place in a secret speak-easy like venue in Downtown Syracuse. Attendees will meet at the Tectonic Hand statue in front of Syracuse City Hall at 5:55 PM before being guided to the venue.
Tickets are currently on sale at $30, which includes entrance, refreshments and more. Attendance for the event is capped at 80 people to ensure an intimate concert environment for “the best under the radar music from around the world.”
More information on Sub Rosa and ticketing can be found here.
The Blues Society, directed by Dr. Augusta Palmer, will have a week-long run of screenings at Firehouse Cinema in NYC from Friday, May 24 through Thursday, May 30. Dr. Palmer is attending select screenings to introduce the film and conduct a Q&A session afterward.
This feature-length documentary reevaluates the life of the Memphis Country Blues Festival through the lens of race, the counterculture of the ‘60s, and the genre of Memphis blues. It includes interviews with a diverse cast of festival participants and commentators like Dom Flemons, Zandria Robinson, Jamey Hatley, Jim Dickinson, Sid Selvidge, Nancy Jeffries, and the words of Bob Palmer as voiced by Eric Roberts.
The Memphis Country Blues Festival (1966-1969) all started with a $65 check, a ball of hashish, and a bunch of white bohemians who set out to rediscover forgotten bluesmen of the early 20th century.
“I didn’t want to just make a concert film,” said director Augusta Palmer. “I loved the arc of the story. The initial stake was guitarist Bill Barth’s baseball-size chunk of hash and guitarist Jim Dickinson’s sixty-five-dollar check from a Sun Studios session. It was white and black musicians playing together during the height of the civil rights era. The KKK held a rally in that same public park a few days before. I wanted to understand what this moment meant to the people involved.”
The film follows the festival from its start in 1966 as an impromptu happening, through a period of cross-pollinization with New York’s East Village scene, and up to the 1969 festival, which mushroomed into a three-day event. It garnered substantial print and television coverage, including an appearance on Steve Allen’s national PBS show, Sounds of Summer.
Dr. Augusta Palmer. Photo by Paul Reuter.
The Blues Society tells the story of blues masters like Furry Lewis, Nathan Beauregard, and Rev. Robert Wilkins—who had attained fame in the 1920s and 1930s but lived in obscurity by the 1960s. It’s also the story of a group of white artists from the North and the South who created a celebration of African American music in a highly segregated city.
The film’s genesis began as a family affair for director Dr. Augusta Palmer. She grew up in Little Rock, Arkansas, went to Rhodes College in Memphis, and Sarah Lawrence College, before settling in Brooklyn. Her father, Robert Palmer, was a founding organizer and player in the festival, and her mother was also there tearing tickets.
“I officially started working on this film in 2016,” she said, “but you could say I’ve been working on it for all my life. When that woman makes a speech at the end, where she’s saying, ‘Why can’t you just pay for your tickets people?’ to people who snuck in. That’s my mom. She was pregnant with me when she made that speech. So, I kind of went to the 1969 Memphis Country Blues Festival. I didn’t know my dad very well until I was a teenager, but this festival was a big part of his life.”
Robert Palmer later went on to become a music critic for the New York Times and Rolling Stone and authored the seminal blues history book Deep Blues—which in turn inspired the 1991 documentary Deep Blues: A Musical Pilgrimage to the Crossroads.
Music executive and Memphis Country Blues Fest organizer Nancy Jeffries was approached by Gene Rosenthal with 16mm footage of Memphis Country Blues Festival that he shot and kept in his basement. Jeffries brought Palmer on board after seeing her feature film The Hand of Fatima. They began developing the film in 2013, but the project stagnated due to rights issues and conflicting ideas on what this film should be. A few years later, Fat Possum Records bought the footage and put together the 2019 concert film Memphis ’69: The 1969 Memphis Country Blues Festival, and were generous enough to offer her access to the footage.
Palmer made it a point to bring in diverse voices to give this film a historical context. Memphis writer and filmmaker Jamie Hatley talked about when she wanted to separate herself from images of poverty in the blues, and that it took her a while to come around to appreciating the genre. Henry Nelson, a black man from West Memphis, Arkansas, hoped he could get a ride to Woodstock, but wound up at the Memphis Country Blues Festival. Don Flemons discussed how the blues lost its appeal for young African Americans as we move into the more radical Black Panther era.
We all love the idea that music conquers all. Everyone can appreciate the blues music in this film, but love for this music didn’t cure white supremacy, and white blues fans were part of a power structure that took advantage of black artists. I love the enthusiasm of that white hippy idealism, but the rules were much more stringent back then. There were segregated bathrooms for employees at the bandshell. Racial inequality has become more and more clear to the nation since the pandemic. We’ve come a long way, but still have a long way to go.
Augusta Palmer
The Blues Society premiered Indie Memphis and won the Audience Award, won best Doc Feature at the Oxford Film Festival, and will have theatrical runs in New York City, Memphis, Columbus, Ohio, and Portland before being released to streaming services this summer.
Tickets for its New York City run are available now.
Union Pool in Williamsburg, Brooklyn has announced the artist lineup for its free Summer Thunder concert series. The 2024 lineup offers concert-goers an amazing variety of shows ranging from punk and psychedelic to Latin and underground hip-hop.
The 12th annual Summer Thunder series will begin on June 2nd with a show by Boston indie-rockers Guerilla Toss. For the rest of the summer until August 28, Union Pool will host daytime concerts each Sunday. Concerts take place at Union Pool’s patio, a chic and manicured yet comfortable outdoor space. In addition to music, concert-goers can purchase a host of drinks inside Union Pool, as well as Mexican food from the patio’s El Diablo Taco Truck.
Union pool has been a staple of Brooklyn’s Williamsburg neighborhood since it opened in 2000. It started as a quaint corner bar, offering drinks and darts, but quickly grew into one of Brooklyn’s major entertainment hubs. Hidden under the shadow of the Brooklyn-Queens Expressway, the venue offers DJ sets, live shows and a host of other amenities.
2024’s Summer Thunder series offers a wide variety of musical styles, featuring artists from around the country. On top of the aforementioned Guerilla Toss, indie rockers like Rosali, Lifeguard and Mary Timony will perform. On June 9, Chicago’s Bitchin Bajas will craft psychedelic soundscapes with their noisy, Krautrock-influenced sound. For lovers of Latin music, Tucson-based Los Esplifs will perform their signature lo-fi Latin pop. Psychedelic supergroup Winged Wheel will perform, featuring Sonic Youth’s legendary drummer Steve Shelley. Additionally, legendary punk singer-guitarist Kid Congo Powers will grace Union Pool on August 18. His signature style led him to success in The Cramps, The Gun Club and Nick Cave and the Bad Seeds.
The summer series will notably feature both establish and up-and coming New York-based acts. Up-and-coming NYC rap duo Armand Hammer will perform on June 23. The group, consisting of Billy Woods and Elucid, has risen to prominence off the back of their raucous production and deep lyricism. Brooklyn Vegan named their latest album We Buy Diabetic Test Strips as the 2nd best album of 2023.
Joe Bataan, a legendary Latin soul singer from Harlem, will perform on July 7. Garnering hits since the 1960s, Bataan melds Latin Jazz, funk, R&B, and salsa to create his signature sound. In addition to his Latin soul hits, Bataan also helped to spearhead rap, with his song “Rap-O Clap-O” being one of the earliest hip-hop hits.
On August 4, Brooklyn-based singer songwriter, Rahill will play her signature dreamy indie-pop. Originally the founder of Garage Rock band Habibi, Rahill’s solo music has been more pop influenced, reflecting on memories of her family. In 2023, she collaborated with indie legend Beck on her song “Fables.”
All Summer Thunder concerts are free 21+ events. As they are held in an establishment that serves alcohol, physical ID is required for entry. For information on concert RSVPs, visit here. RSVPs are not required, but all concerts will be first come first serve.
Experimental duo Vapor Vespers have released their sophomore album titled, Ghosts Before Breakfast and announced a few upcoming tour dates this May.
Ghosts Before Breakfast is the group’s second long-playing release, the follow-up to their critically-acclaimed 2020 debut, One Act Sonix. The sophomore album consists of 10 music-driven spoken word tracks. The duo will be supporting the release of their new album with select shows in New York City and the Hudson Valley this May.
Vapor Vespers is the brainchild of NYC-based multi-instrumentalist/producer Sal Cataldi and award-winning playwright, actor, and slam poet Mark Muro. The duo’s latest collection ups the ante on the cool grooves, intense guitar riffage, synth textures and the verbal hijinks and narrative absurdity showcased on their debut. The duo takes performative arts to the next level by blending intense spoken word with progressive and electrifying hypno-funk.
The Vapor Vespers are also holding mini-sets during performance by Cataldi’s Spaghetti Eastern Music at Silvana Harlem on May 23. Further, the duo sees the stage at Pangea in the East Village on May 25. More shows may be added.
Ghosts Before Breakfast was produced, engineered and mastered by Sal Cataldi aboard his houseboat in Port Washington, Long Island. The album covers themes of sex, mystery, art, literature, love, and themselves. The duo expels sound that are everything but standard. Some of their sound includes electro-funk, experimental synth, progressive, jazz and more.
For more information on Vapor Vespers and their album Ghosts Before Breakfast, click here.
The City of Albany has announced the lineup for the annual Alive at 5 concert series for 2024. The free shows are held Thursdays from June 6 to August 1 (except July 4) from 4:30 p.m. to 8 p.m.
Alive at 5 concerts take place at Jennings Landing in Albany, with views of the Hudson River beyond the stage. Parking is available at the Riverfront Garage at 2 Columbia Street and Quackenbush Garage at 25 Orange Street for $8 starting at 4 p.m.
At Alive at 5, there are a few no-no’s – no alcohol, coolers, backpacks, bags, containers, packages, thermoses, cups, bottles, cans, flasks, glass containers of any kind, recording of performances, or pets – these are not allowed at the concerts. Additionally, all Albany parks are tobacco-free.
In the event of rain, the rain location is under the 787 overpass at the Corning Preserve Boat Launch.
Alive at 5 2024 Lineup
June 6: Pride Night – Let’s Sing Taylor with Sydney Worthley
LET’S SING TAYLOR
Let’s Sing Taylor – A Live Band Experience – is the ultimate tribute to the music of Taylor Swift. We can show you incredible things, including the most faithful and lively covers of Queen Taylor’s expansive and sacred catalog. Taking the country by storm, we’re bringing the communal experience of celebrating Taylor’s music in a live setting to Swifties near and far. So, let the games begin. Calling all Swifties to sing your hearts out and sport your Taylor inspired attire. You can show up at our party any time.
SYDNEY WORTHLEY
Sydney Worthley is a singer/songwriter at heart with influences from the pop world. She pulls influences from Taylor Swift, Phoebe Bridgers, Kate Bush, and The 1975. While the production of her single “How Soon Is Now?” draws from the 80s with dreamy synthesizers and echoing drums, it can be stripped down to its core to reveal a story of wondering when the heartbreak will end. Prepare yourself for topics of growing pains, raising your standards, speculating about the one that got away, imposter syndrome, and so much more. Get ready for the emotional rollercoaster Sydney Worthley and her electric band brings to the stage.
Dokken exploded out of the boiling hard rock/heavy metal scene in Los Angeles in the early 1980s. 1983’s“Breaking the Chains” with its catchy title track, set the stage for Dokken becoming the most dominant creative and commercial force in the world of Melodic Hard Rock for the following years. DOKKEN is now Don Dokken (vocals), Mick Brown (drums), Jon Levin (guitar) and Chris McCarvill (bass).
HARK
Local veteran to the Capital District music scene put together an extraordinary party cover band in the last few years and named it “Hark” to separate it from her original works. The band features a young sharp line up of some of the best musicians in the area with an eclectic and diverse song list to go along with Harkes’ signature powerhouse vocals.
June 20: Latin Night – Toto Puente Jr. with Bronte Roman
TITO PUENTE JR.
Tito Puente Jr. carries his father with him – imprinted on his physical being and locked in his soul. It’s in his looks, his joy, and his music. Tito, Jr. is on a passionate mission. The younger Puente is determined to nurture the musical legacy left by his father. “People who don’t know anything about Latin music know my father and people always, always smile when they say my father’s name,” he confides. “That is a very special gift I have been given.” Tito, Jr. lives in South Florida and has two children, Miranda and Antonio.
BRONTE ROMAN
Bronte Roman from Brooklyn offers an 8-10 piece group. This high-spirited Pop Contemporary Vocalist shines with her melodic, rich tones and musicality for a variety of Genres. Bronte loves highlighting her Puerto Rican heritage by performing Latin-Pop and Spanish Classic hits. Bronte is excited to debut her new release,” The Dark Side” in English and Spanish.
“Always building up, falling apart. Love is an art,” sings Vanessa Carlton on the title track of her sixth album, Love Is An Art. Like the record itself, the song is a meditation on the eternal seesaw that is human connection: the push, the pull, the balance, the bottoming out.
CANELLA
The members of indie-rock band Canella love to create. Juliana Castrillón, lead singer and songwriter from Bogotá, Colombia, brings her criss-cross applesauce bedroom acoustic songs to the rest of the band. Bassist Joe Taurone, guitarist Gabe Klingler-Horn, and drummer Dan Carr, take the songs in, and output what they think is right, funny, or stupid. They have won a couple of awards from the local college radio station WCDB in 2021 and 2022 for ‘Best Song of the Year’. Canella has heavy riffs and pop melodies that they’d love to share with you.
July 11: Hip Hop Night – KRS-One with DJ Show and Ohzhe
KRS-ONE
Appearing on the rap scene in 1986 as Boogie Down Productions releasing his first hit single “South Bronx” with his late DJ Scott La Rock, KRS “the one” made it clear that Hip Hop was going to have to take itself a lot more seriously than simply being a music genre. KRS, an acronym for ““Knowledge Reigning Supreme”, has been called the “conscience of Hip Hop” (Rolling Stone), “the greatest live emcee ever” (The Source), the “spokesperson for Hip Hop” (Wall Street Journal), “master teacher” (Zulu Nation) and the “son of Hip Hop” (Kool DJ Herc). Operating as a kind of “pop-up” school, KRS-One’s Temple of Hip Hop has appeared in various cities in USA also in the UK and Europe offering the more serious student of Hip Hop an effective way to live and understand the culture of Hip Hop more deeply.
DJ SHOW
DJ SHOW, born and raised in the Bronx, fell in love with Hip-Hop early on, inspired by mentors like DJ Joey O and legends such as Kid Capri. Once he received his first set of turntables from his parents at 12 years old, SHOW’s hobby turned into a career path.
OHZHE
Hip-Hop Artist – songwriter Ohzhe brings his charisma and versatility to the stage with his ability to connect to his audience through relatability and vulnerability. Coming from upstate NY, Ohzhe looks to inspire his city with his perspective, lyrics and lifestyle.
July 18: Reggae Night – Third World with Upstate Reggae Possie
THIRD WORLD
Celebrating 50 years, ‘Reggae Ambassadors’, THIRD WORLD is one of the longest-lived Reggae bands of all time, and one of Jamaica’s most consistently popular crossover acts among international audiences. Mixing in elements of R&B, funk, pop, and rock and, later on, dancehall and rap, Third World’s style has been described as “reggae-fusion”.
UPSTATE REGGAE POSSIE
Upstate Reggae Possie is the ultimate traditional Dancehall Experience with a profound Roots flavor. Originally from Jamaica and Trinidad, each of the 4 singers charm their audiences in a unique style. Reggae with Soul, Harmony and Dance moves to Rock New York and Beyond.
July 25: Rock Night – The Record Company with Sirsy
THE RECORD COMPANY
When The Record Company pick up their instruments, the members—Chris Vos [guitar, lead vocals, harmonica], Alex Stiff [bass, backing vocals], and Marc Cazorla [drums, backing vocals]—participate in a musical back-and-forth akin to a formative and supportive conversation among siblings. The GRAMMY Award-nominated trio only amplify the power of this bond on their fourth full-length offering and 2023 debut for Round Hill Records.
SIRSY
Hailing from Upstate NY, SIRSY plays sassy singer-songwriter pop-rock with lots of heart and soul. Sirsy is known for their passionate, honest, heartfelt live performances that have a charming intensity, loads of stories from the road, and even some nerdy jokes. They can somehow make an audience sing along, dance, laugh, and cry – all at the same show. You will be moved.
August 1: Funk Night – Galactic with Jelly Joseph and Hilltop
GALACTIC feat JELLY JOSEPH
History doesn’t stand still. It impacts, influences, and inspires the ebb and flow of the future by informing the present. Galactic draw on 25 years together in order to progress with each performance and subsequent record. After 10 albums, over 2,000 gigs, and tens of millions of streams, the proud New Orleans, LA quintet—Ben Ellman [saxophone, harmonica], Robert Mercurio [bass], Stanton Moore [drums, percussion], Jeffrey Raines [guitar], and Richard Vogal [keyboards]—have kept the torch burning through five U.S. presidential regimes, the turn-of-the-century, Hurricane Katrina, a Global Pandemic, and a much-anticipated recovery.
HILLTOP
Hilltop is a four piece Funk Rock band from Albany, NY. Over the past six years they’ve made a name for themselves with carefully crafted originals, mind bending improvisation & fun, diverse covers. Each member offers a proficient, unique approach to their instrument that defines the musical experience. Hilltop has already been featured on bills with headlining acts like Dark Star Orchestra, moe, Eggy and many more. They are currently touring to promote their new EP, Getting There Together. This band of young musicians is eager to spread their music and will continue to engage crowds wherever they go.
