Brooklyn-based alternative/post-punk group Castle Black recently released their latest single titled, “Heart Can’t Feel.” The single is off of the band’s upcoming album, The Highway at Night.
Castle Black is an ever-evolving thunderstorm of sound on a backdrop of captivating hooks and edgy soundscapes. Castle Black draws elements from punk, post-punk, grunge, alternative and new-wave music. The band sees the release of their first full length album, The Highway at Night in June.
The single, “Heart Can’t Feel” is the second released single off the album. The group has released six EPs since 2015. Castle Black hopes to reach new heights with the release of their first full-length album.
“Heart Can’t Feel” begins with captivating chords, vocal tones, and immediate action. The song has strong influence from a band like Hole. The fierceness of the vocals, the upbeat yet grungy sound, and the song structure are very reminiscent of Hole and other alternative bands from that era.
The riffs throughout the song catch the listener right away and refuse to stay static. The track is certainly very post-punk in its vocals, grunge in its tone, alternative in its pace and instruments, with a bit of a new-wave aura to it. Castle Black does an excellent job here of crafting a catchy, punchy, and fun piece of music.
To give “Heart Can’t Feel” a listen and to learn more about the minds behind the music, click here.
To commemorate their first studio release in nearly 13 years, The Disco Biscuits staged a release party at New York City’s famed Webster Hall on March 29. With help from a couple of friends, the band played their new album Revolution In Motion from start to finish over two sets that spanned nearly four hours, much of it without a break between tracks.
Along with their typically incredible light show via Herm Light Designs, and corresponding animation from Blunt Action and Todd Kushnir projected on a screen behind the band, the album came to life and cemented its lore in Disco Biscuits history.
The sold out show had a buzz about it for weeks leading up, with the night having a slight bit of warmth to it in the East Village, ushering fans inside shortly after doors to secure a spot for a night that was years in the making. With the tracks from Revolution in Motion debuting since 2022, fans are well acclimated to the new material, as well as the depths of jamming that can unfold from any of the songs. Therein lies the beauty of what the Disco Biscuits have created in their ninth studio album, and not just the music – the story that intertwines the songs was revealed in full earlier this day, completing Part 1 of Revolution in Motion, with the band saving the day on the alien world Polyfuzia.
The band was joined by three special guests this evening – Erin Boyd added soul with her vocals on “Twisted in the Road” and “Why We Dance,” Matteo Scammell singing alongside guitarist Jon Guttwillig on “Tourists (Rocket Ship)” and “To Be Continued…,” and guitarist Cloud Chord joining for “Tourists (Rocket Ship)” and “Spagaâs Last Stand,” which had keyboardist Aron Magner step out with a keytar for back-to-back playing alongside Cloud Chord. Guests for the Disco Biscuits are infrequent at best, and the three etched their names into Biscuits’ history as well as the fans memories.
In lieu of a song-by-song breakdown of the show, we encourage you to listen to the full show here on Nugs.net. The show is best enjoyed in full from start to finish, taking the story along with the music and explorative trance-fusion jams.
A full summation of the night, however, is best found from Brian Stollery, who offers the following thoughts on the evening that unfolded at Webster Hall.
In the kaleidoscopic carnival that was the Disco Biscuits’ album release show for Revolution in Motion, their first sonic odyssey in 14 years since Otherwise Law Abiding Citizens, the band once again proved themselves as the cosmic jesters at the crossroads of the Grateful Dead’s experimental psychedelia and the pulsating heart of modern analog techno’s transcendental oneness revolution.
Among the cacophony, “The Deal” emerged as a transcendent hymn, a bizarre yet profound meditation on business acumen that captures the essence of the Biscuits’ ability to spin mundane realities into psychedelic gold, propelling the audience into a state of intellectual spiritual mayhem, where fun collides with the sublime in a spectacular explosion of sound and fury.
Disco Biscuits – Webster Hall, NYC – March 29, 2024
Set 1: Shocked > The Wormhole > Twisted In The Road > Another Plan Of Attack > Times Square >Freeze Set 2: Tourists (Rocket Ship) > Spaga’s Last Stand, Who’s In Charge > Space Train > The Deal > One Chance To Save The World > Why We Dance Encore: To Be Continued
Chyna Streetz loves the process. Through various life experiences she continues to learn and grow. Money comes and money goes but lost time on Earth could never be earned back. Abundantly, the hours in the studio and on tour continue to pay dividends for this NYC-based emcee.
Her latest body of work, From Hell to Chanel showcases just how far she has come since her first project in 2018. After experimenting with different sounds – Chyna now sets her sights on accomplishing feats according to her own timetable.
“Even if the wounds heal, the scars left still show.”
-Judas Kiss by Chyna Streetz & Tiona Deniece
Less worried about what others see fit for her – this artist formerly known as Chy the Empress embodies her lane in the underground East Coast hip-hop scene. Amazingly, strides from the likes of Westside Gunn and Rome Streetz have turned underground hip-hop damn-near mainstream. Label it however you wish – real rap is back on the map and Chyna Streetz pushes her pen to the forefront.
With conceptual storytelling and divine lyricism – everyone better recognize what Chyna Streetz means to hip-hop. From Hell to Chanel (entirely produced by 183rd( illuminates the struggles this woman went through. The determination to prove herself shines very brightly on this tape.
On Bernadine’s Rage she refers to herself as a, “Goddess in the likeness.” In the very next line she proclaims she is, “Tight she had to write this.” Therefore, these two lines together make for an excellent set of opening lines.
Right from the beginning of Bernadine’s Rage – she lets us know that she is a supreme being as those who have utmost confidence are recognized sooner than those who only half-step their way to the goal. Next, being ‘tight’ means she might have been upset she had to write this which portrays growth and shows that she will take any steps necessary to become the best version of herself.
New York is a Nationality
All credit due to the Empress and her efforts – the moment she transformed into Chyna Streetz drove her to become a different animal within the same beast. Spending time with her man Rome Streetz has propelled her lyricism, uplifted her stage presence and given her the bravery to use her past as a turning point for the future.
When Chyna was 17 she went away for robbery in the first degree. She served roughly six years altogether between Bayview Correctional Center and the ‘Staying Out Program’ in Manhattan. Hurricane Sandy ravaged much of Bayview Correctional Center and it is now being renovated into affordable housing.
“Rolled the dice on life and found out time cannot be bought.”
-Judas Kiss
Chyna preaches to live and maintain in the ways that work for you. Do not let outside influence or external gratification dictate the path you know you must walk. Evidently, within the core of every soul – you will find what direction you must choose. Now, take the steps to walk the road less traveled en route to fulfillment of your destiny.
Some ways in which Chyna found self-realization comes from internal strength and stepping outside of her comfort zone. Nonetheless, building confidence from within and surrounding herself with truly talented people have led her to become a difference-maker within the game.
Key Tracks: Matrimony, Sirens Lullaby, Judas Kiss
Stream her latest collection here and write the author on IG and let him know which one you’re rocking with the most.
After years of eager anticipation, the historic Brooklyn Paramount Theater reopened its doors to music enthusiasts on Wednesday, March 27, with a spectacular concert featuring reggae icons Damian and Stephen Marley. Part of their highly anticipated 2024 Traffic Jam Tour, the event delighted fans with a night of rhythm, melody, and cultural celebration.
A Brief History of the Brooklyn Paramount Theater
Originally opened in 1928, the Brooklyn Paramount Theater stood as a beacon of entertainment in the heart of New York City. With its stunning art deco architecture and state-of-the-art facilities, the theater quickly became a beloved landmark, hosting a plethora of performances ranging from live music acts to film screenings.
Like many historic theaters, the Brooklyn Paramount faced periods of decline and neglect over the years. By the late 1960s, it had ceased operations as a theater and was repurposed for various other uses, including a disco club and a basketball arena. Despite efforts to revive it, the theater remained largely dormant for decades, with its grandeur fading into memory.
The Renovation Project
In recent years, a dedicated group of preservationists and investors embarked on a mission to restore the Brooklyn Paramount Theater to its former glory. Drawing inspiration from its illustrious past, the renovation project aimed to breathe new life into the venue while preserving its historic charm.
Through meticulous restoration efforts guided by archival research and architectural expertise, the theater underwent a remarkable transformation. From refurbishing the ornate façade to upgrading its sound and lighting systems, no detail was spared in the quest to revive this cultural gem.
The Grand Reopening Concert
The reopening of the Brooklyn Paramount TheaterSetlist: was a momentous occasion, eagerly awaited by both locals and music enthusiasts from afar. And what better way to kick off this new chapter in the theater’s history than with a performance by two of reggae’s most influential figures?
Damian and Stephen Marley, sons of the legendary Bob Marley, graced the stage alongside their band, offering a mesmerizing display of their musical talent. Set against the backdrop of the newly renovated theater, the duo delighted the audience with a dynamic setlist.
The Music
Damian and Stephen Marley chose songs from their popular collection to create a setlist that pleased both longtime and new fans. They performed tunes about unity, love, and social justice, along with some catchy melodies. Some standout songs from the concert included”Welcome to Jamrock,” “Could You Be Loved,” “Exodus,” “Medication” “The Mission,” and “Rock Stone.” Each song transported the audience on a musical journey, infusing the Brooklyn Paramount Theater with the vibrant spirit of reggae and honoring the legacy of their famous father.
A Night to Remember
As the music ended and applause filled the air, it was obvious that the reopening concert at the Brooklyn Paramount Theatre was a big success. For those in attendance, it wasn’t merely a concert but rather a joyous celebration of culture, community, and the unifying power of music.
Damian and Stephen Marley – Brooklyn Paramount – Wednesday, March 27, 2024
Setlist: Big Youth – Intro, 10,000 Chariots, The Traffic Jam, So Much Trouble in the World, All Night, Pimpa’s Paradise, Still Searchin’, Tight Ship, It Was Written, Cast The First Stone, Jah Army, Medication, The Mission, Love and Inity / Punky Reggae Party, Jamming, Is This Love, Rock Stone, Road To Zion, Welcome to Jamrock, Exodus, Could You Be Loved
New York City has been given many nicknames like “the city so nice, they named it twice,” as well as “The Big Apple.” The city at any given moment can hold multiple events at one time. Friday, March. 28 saw country star Zach Bryan play at the Barclays Center in Brooklyn while President Biden hosted a fundraiser which featured former Presidents Barack Obama and Bill Clinton. The fundraiser was only steps away from where former KISS guitarist, Ace Frehley played as he filled up Sony Hall just a month after his newest release, 10,000 Volts.
Frehley has announced 15 dates to his itinerary for 2024. Three of those dates, including the Sony Hall show, are in New York. Frehley is playing at the Rome Capitol Theatre on April. 12 as well as the River Theatre in North Tonawanda on Aug. 21. These tour dates are also in support of his newest release which has been praised very highly by the music community.
Before the rock and roll siege of “The Spaceman,” the New York City natives known as Kore Rozzik warmed up the eager crowd. Kore Rozzik played seven songs and did their part well at getting the crowd hyped up for classic Kiss and original tunes from Frehley. Kore Rozzik, while a harder style of rock music than Frehley powered through technical difficulties and wonky mic feedback to deliver their brand of metal and hard rock. The fans who knew the band loved them and screamed wildly. It took a few songs for the band to win over fans that weren’t so familiar with them. Once lead singer Kore Rozzik graced the stage in different stage clothes for multiple songs and sprayed the audience with water after their final song, “Spellbound,” the band made multiple fans and left a lasting impression on the rowdy crowd.
Joining Rozzik on stage were Andrei Patorski and Alex Devious on guitars, Matias Sanes on bass and Crow Starbird on the drums.
As the house lights dimmed and one of Frehley’s instrumentals blasted of the speakers, a sudden surge rushed from the back of the general admission audience and pushed the crowd closer to the stage. With what seemed like one quick motion, Frehley and his band blasted into “Shock Me,” off Kiss’ 1977 record, Love Gun. Frehley played 14 total songs that took fans through memory lane of his Kiss days while also sprinkling in a few solo songs including the title track to his newest release. Frehley sported a sparkly jacket that draped over his NASA t-shirt to start the first few songs of the night. Dawning classic Rayban aviators and his classic Les Paul guitar, it was clear that Frehley and the rest of his band were indeed “back in the New York Groove.”
Accompanying Frehley on stage was bassist Ryan Cook, guitarist Jeremy Asbrock and drummer Scot Coogan. This was the same band that played on his record in addition to touring with Frehley across the United States recently.
Like Kore Rozzik, the Frehley band was not only battling the bad feedback from their speakers but at one point in between the band’s rendition of “Rip It Out,” and “Detroit Rock City,” Cook’s bass strap broke and had to be taped back together for the remainder of the show. But, with a calm smile, Cook took the minor setback like a true professional and continued to wave and point into the crowd of fans.
Unlike the last show that Frehley played at the Paramount Hudson Valley back in October, multiple fans put on his classic face paint and rushed to the front of the stage before the band’s set. The entire crowd, which consisted of all ages never left their spot in the general admission and continued to clap, throw up the rock horns and raise their fists to the loud wall of sound in front of them. If you closed your eyes and pictured what a Kiss concert sounded like in the mid-1970s’ when the band was at the height of their powers, without a doubt, it would have sounded something very close to last night’s show.
In classic Frehley showmanship, for the band’s rendition of “New York Groove,” Frehley brought out his classic guitar that lights up. When the special Les Paul guitar made its appearance, the crowd went crazy as they knew exactly what song was coming up. At the beginning note of every song, the crowd gave the band a thunderous cheer. The cheering was so loud at one point that it seemed like the roof was going to cave in.
It was extremely impressive to hear the band play their new material from the aforementioned 10,000 Volts. Despite the band only playing the title track, it was neat to hear the band acknowledge their new record. Throughout the show, fans were yelling for the band to play some of their favorite tunes from the brand-new record. Regardless of Frehley being 72 years old, he still had his skill from the ‘70s on guitar while also having his signature voice on lead vocals.
At the end of the show, when the doors were flung open and the cool New York air filled up the downstairs theater, there was not one unhappy fan in the venue. With Kiss now being retired and the band not playing, Frehley is one of two members still out on the road. With that being said, fans were extremely happy to have their night filled with Kiss tunes and seeing the one and only Spaceman
Kore Rozzik Setlist: Welcome To Rock Hell, I Am Your Savior, Can’t Stop Won’t Stop, Vengeance Overdrive, Mistress, Guilty As Charged, Spellbound
Ace Frehley Setlist: Shock Me, Rocket Ride, 10,000 Volts, Rock Soldiers, Love Gun, Parasite, New York Groove, Rip It Out, Detriot Rock City, Cold Gin, Strange Ways, Shout It Out Loud, Deuce, Rock And Roll All Nite
GRAMMY Award-winning duo Twenty One Pilots announced the details for their biggest global headline tour, The Clancy World Tour, coming to Barclays Center on Sept. 18, 2024.
The duo shared their new song “Next Semester,” from their highly-anticipated forthcoming album, Clancy, which will be released on May 17 via Fueled By Ramen. Having amassed over 33 billion streams worldwide and over three million tickets sold across global headline tours, the Columbus, OH-based duo of Tyler Joseph and Josh Dun have established themselves as one of the most successful bands of the 21st century and redefined the sound of a generation.
They even notched dozens of multi-platinum certifications and claimed a spot in the Guinness® Book of World Records. Historically, their quadruple-platinum breakout LP, Blurryface, took flight as “the first album to notch a RIAA Gold or Platinum certification for every one of its songs,” while Vessel followed suit. They are one of only 18 artists to earn multiple RIAA Diamond certifications, going Diamond with “Stressed Out” and “Heathens.” 2018’s Platinum-certified Trench extended the concept from Blurryface with the platinum singles “Chlorine,” “My Blood” and the GRAMMY Award-nominated “Jumpsuit.” They followed Trench with their Gold-certified LP Scaled And Icy, achieving “the biggest opening week for a rock album in 2021” by capturing #1 on the Billboard Top Rock Albums and Top Alternative Albums charts and crashing the Top 3 of the Billboard 200.
Photo credit: Ashley Osborn.
Last month, Twenty One Pilots returned with news of Clancy and released the album’s lead single “Overcompensate” alongside an accompanying video. The track rocketed up the Alternative Radio chart, currently sitting at Top 5, and made a massive impact upon launch as it welcomed listeners to the band’s immersive world of Trench.
Clancy is currently available for pre-order in two limited-edition deluxe box sets, four vinyl variants with additional retailer exclusives, an exclusive CD + Journal Book and a Cassette + Photocard Wallet, and much more.
Fans can participate in an official artist presale for tickets beginning on April 2 with all remaining tickets available during the general sale at 10 AM on Friday, April 5. For tickets and complete details for Twenty One Pilots’ The Clancy World Tour visit here.
Twenty One Pilots Clancy World Tour Dates
August 15, 2024 Denver, CO Ball Arena
August 18, 2024 Salt Lake City, UT Delta Center
August 21, 2024 Portland, OR Moda Center
August 22, 2024 Seattle, WA Climate Pledge Arena
August 24, 2024 Oakland, CA Oakland Arena
August 25, 2024 Sacramento, CA Golden 1 Center
August 27, 2024 Los Angeles, CA Intuit Dome
August 28, 2024 Los Angeles, CA Intuit Dome
August 30, 2024 Phoenix, AZ Footprint Center
August 31, 2024 Las Vegas, NV MGM Grand Garden Arena
September 3, 2024 Austin, TX Moody Center
September 4, 2024 Houston, TX Toyota Center
September 6, 2024 Dallas, TX American Airlines Center
September 10, 2024 Duluth, GA Gas South Arena
September 11, 2024 Orlando, FL Kia Center
September 13, 2024 Raleigh, NC PNC Arena
September 14, 2024 Philadelphia, PA Wells Fargo Center
September 15, 2024 Baltimore, MD CFG Bank Arena
September 17, 2024 Newark, NJ Prudential Center
September 18, 2024 Brooklyn, NY Barclays Center
September 20, 2024 Boston, MA TD Garden
September 25, 2024 Montreal, QC Bell Centre
September 27, 2024 Toronto, ON Scotiabank Arena
September 28, 2024 Cleveland, OH Rocket Mortgage FieldHouse
September 29, 2024 Detroit, MI Little Caesars Arena
October 1, 2024 Chicago, IL United Center
October 2, 2024 Chicago, IL United Center
October 4, 2024 Columbus, OH Nationwide Arena
October 5, 2024 Columbus, OH Nationwide Arena
October 8, 2024 Indianapolis, IN Gainbridge Fieldhouse
October 9, 2024 Nashville, TN Bridgestone Arena
October 10, 2024 St. Louis, MO Enterprise Center
October 12, 2024 Minneapolis, MN Target Center
November 17, 2024 Auckland, NZ Spark Arena
November 19, 2024 Melbourne, AU Rod Laver Arena
November 21, 2024 Brisbane, AU Brisbane Entertainment Centre
Award-winning artist Maxwell has announced The Serenade North American tour which will make a stop at Barclays Center in Brooklyn on September 25, and at Prudential Center in Newark, on October 6
Over the course of more than 20 years, Maxwell has skillfully captured the attention of music enthusiasts by releasing five studio albums that were all well-received as gems in their own right. When the soul singer released Maxwell’s Urban Hang Suite, his highly regarded Columbia-debut in April 1996, it completely changed the genre of soul music. The singer-songwriter and record producer Maxwell, will be joined by special guest two-time Grammy winner and R&B powerhouse Jazmine Sullivan and a rising singer-songwriter October London. Maxwellâs return to the road, with the Serenade Tour marks a reunion with Jazmine Sullivan, who joined him on his Maxwell 08 Tour.
Jazmine Sullivan’s 2008 debut album Fearless, debuted at number one on Billboard’s top R&B/Hip-Hop albums chart and was nominated for seven Grammy awards, including Best R&B Album and Best New Artist. Sullivan’s natural talent to write songs that beautifully convey the experiences of so many women -especially Black women, was evident in her debut single, “Need U Bad.” Sullivan has a poetic vulnerability that gives many listeners the impression that she has been studying their journals.
Also joining the Serenade North American tour is October London, Indiana-based rising star in the music industry. London is a singer-songwriter and producer who just finished his first US tour. His engaging album The Rebirth of Marvinhonors the legendary Marvin Gaye, and the catchy track “Back to Your Place” shot to the top of the R&B radio charts and went on to dominate charts across the country, spending an incredible two weeks at the top of the iTunes R&B Soul Charts. After obtaining a contract with the legendary Snoop Dogg in 2016, October London is still breaking new ground in modern music, mesmerizing audiences with his extraordinary skill and limitless imagination.
Tickets for The Serenade Tour will go on sale on Friday, March 29 at 10 AM via musze.com
Maxwell The Serenade Tour Dates
9/14 – Hollywood, FL – Hard Rock Live at Seminole Hard Rock Hotel & Casino Hollywood
9/15 – Tampa, FL – Amalie Arena
9/17 – Greensboro, NC – Greensboro Coliseum
9/20 – Hampton, VA – Hampton Coliseum
9/21 – Baltimore, MD – CFG Bank Arena
9/24 – Philadelphia, PA – Wells Fargo Center
9/25 – Brooklyn, NY – Barclays Center
9/27 – Atlanta, GA – State Farm Arena
9/28 – Birmingham, AL – Legacy Arena at the BJCC
9/29 – Nashville, TN – Bridgestone Arena
10/1 – Louisville, KY – KFC Yum! Center
10/3 – Charlotte, NC – Spectrum Center
10/4 – Washington DC – Capital One Arena
10/6 – Newark, NJ – Prudential Center
10/9 – Indianapolis, IN – Gainbridge Fieldhouse
10/10 – Chicago, IL – United Center
10/11 – Detroit, MI – Little Caesarâs Arena
10/13 – St. Louis, MO – Enterprise Center
10/16 – Memphis, TN – FedEx Forum
10/18 – Houston, TX – Toyota Center
10/19 – New Orleans, LA – Smoothie King Center
10/20 – Dallas, TX – American Airlines Center
10/23 – San Diego, CA – Viejas Arena
10/25 – Oakland, CA – Oakland Arena
10/26 – Las Vegas, NV – Bakkt Theater at Planet Hollywood
The Disco Biscuits have just released their first full-length studio album in nearly 13 years, Revolution In Motion. The official release party is tonight in the form of a much anticipated sold-out show at New York City’s Webster Hall. The band is scheduled to play the album, their latest rock opera, in its entirety for the first time ever.
With Revolution In Motion now fully available on all streaming platforms, this means the corresponding animated movie that’s been being released in pieces is now complete as well. The fourth and final installment is now in place, completing the story of what the band is dubbing a “space opera.”
Each of the segments, animated by Blunt Action, predominantly features one track from Revolution In Motion which tells a story about wayward aliens who unexpectedly find themselves in our galaxy and then encounter the Disco Biscuits themselves. The first installment features the song “Another Plan Of Attack” and serves as an introduction for the four alien figures, who seem to be loosely based on the band, and shows exactly how they happened upon Earth, Times Square to be exact.
The second piece is centered around the song “Freeze” and sees the aliens literally freezing everyone waiting to get into the show. But with Disco Biscuits, on stage deep underground, remain unfrozen and come to the rescue. With the aliens planning to abduct the frozen humans for study, the Biscuits confront the aliens, saving the day, but in the process find themselves being abducted onto the alien ship.
The third chapter, which came in conjunction with the band’s announcement of this summer’s Biscoland festival in Lafayette, NY, was released two weeks ago. Now the band is aboard the alien spacecraft, which has strong Soul Train vibes, negotiating a way back to Earth so this edition features the song “The Deal.”
Now the complete animated story wraps up with the band, who successfully “merge” electronic DNA with the aliens and spread their music throughout space. This gets the Disco Biscuits their requested trip home and is highlighted by the track “To Be Continued” which may imply that this story isn’t quite over yet.
See the full animated video for Revolution In Motion above and below for audio of the full album. After tonight’s Webster Hall release party, the band trucks up to Western NY and Buffalo for two nights at the Town Ballroom.
NYC-based folk group The Folklorkestra are releasing a new unique and titillating album titled, A Strange Day in June on March 29.
A Strange Day in June is an album that had me intrigued instantly. The sounds that emanate from this album are nothing short of mystical and diverse. Many of the tunes feature much mandolin, woodwind, and acoustic percussion.
The opening track, “The Girl I Never Knew” consists of a kind of eastern melody coupled with a very Mediterranean sound. The usage of mandolin, shakers, accordion, and operatic vocals make for something real captivating.
Each song on the album has a unique sound that almost entrances the listener. The second track, “My Cousin the Spy” has a sort of Latin-folk sound that starts off like ballroom music. It later evolves with its saxophone-heavy progression, with many backing instruments carrying the melody.
John Kruth
The Folkorkestra is led by John Kruth, who has been active in the music industry for decades. He’s worked with countless other notable names like Meat Puppets, Jim Belushi, Steve Buscemi, Allen Ginsberg, Laurie Anderson, and more.
The group draws inspiration from various genres and sounds from around the world including American folk, jazz, chamber music, as well as eastern instruments, and European melodies. The group consists of versatile, multi-instrumentalists, Kathy Halvorson, Premik Tubbs, Kenny Margolis, Ray Peterson, and Rohin Khemani.
The Folklorkestra’s recent album, A Strange Day in June is certainly one to check out. It is complete with unique, diverse, and intriguing sound. Each song has a different feel and tells a different story. Each song combines multiple sounds together and makes it something you’ve never heard before.
The artisanship exhibited throughout the album is something to gaze at. There are miniscule sounds that inhabit every crevice of the songs. The songs are sonic portraits, displaying moving images via the music. There is a lot of character and charm from this album.
To learn more about The Folklorkestra and their upcoming work, click here. Stay up to date on the release of A Strange Day in June, releasing March 29.
Long Island-based singer and producer Rob Eberle has shared a new heart wrenching single, “Half of You,” out now.
Rob Eberle is a young, talented singer-songwriter as well as a producer from Long Island. Rob’s unique ability to use music to express his own and other people’s life experiences is what makes him stand out. He continues to show his creative power behind all of his songs, writing the melodies and lyrics and working with different producers to add special moments to every single one.
The experiences and moments of Eberle’s life, as well as the lives of others around him, are glimpsed through his songs. Eberle has created his own genre-bending niche in the world of darker alternative pop-rock, drawing inspiration from a wide range of artists such as FINNEAS, Elliott Smith, Billie Eilish, Jeremy Zucker, Olivia Rodrigo, and Alexander 23.
Rob’s new single “Half of You” is a moving song that explores the difficulties of a one-sided relationship. Eberle depicts the emotional journey of unrequited love and the toll it takes on the one who longs for reciprocation through eerie melodies and soul-stirring lyrics. The narrator’s emotional conflicts are vividly depicted in the song as he battles with the quiet that results from a lack of compassion for one another.
When describing the song, Rob shared that his single “is perfect for playing during those sunny drives with the windows rolled down, particularly during the bridge section of the song. “Half of You” is also the kind of song you find yourself playing alone in your room at night right after experiencing a devastating breakup, yearning for the person you’ve lost”. The single’s bleak tune and thoughtful words create a dramatic atmosphere that encompasses you in the profound feelings it communicates.
With every note of “half of you,” the song asks listeners to connect with the complex feelings of heartbreak and desire, as well as the unwavering optimism that love will eventually find its way back. The single is a captivating exploration of the common issue of unrequited love thanks to its lyrics and singing.
Fans can stream “Half of You” on all streaming platforms, and to learn more about Rob Eberle fans can visit here.
