NYS Music 2024

Category: NYC Metro

  • Bryant Park Picnic Performances 2024 Lineup Announced

    Bryant Park announces the 2024 lineup for its free summer performing arts series: Bryant Park Picnic Performances presented by Bank of America. The annual festival will feature 25 live music, dance, and theater events between May 31 and Sept. 13. All shows are free and casual with no tickets required with more than 700 picnic blankets for audience members to borrow and ample chairs available.

    Bryant Park 2024
    Photo Credit: Ryan Muir.

    Picnic Performances has grown to become one of New York City’s foremost outdoor performing arts festivals. Last summer, more than 75,000 people attended the series and nearly half a million enjoyed the free performance livestreams. Bryant Park Picnic Performances has become a vital outdoor platform for the City’s arts institutions, showcasing long-standing partnerships with Carnegie Hall, New York City Opera, Harlem Stage, The Town Hall, and Joe’s Pub, as well as new partnerships with New Victory Theater, World Music Institute, and Belongó.

    The Bryant Park 2024 season features GRAMMY winners, world-class dance companies, theater stars, celebrations of centenaries in jazz and opera, a James Bond-themed finale, and dozens of local artists and spotlight performers from Ghana, New Orleans, Mexico, and South Africa.

    “Thanks to Bank of America’s support, Picnic Performances has become a summer tradition for tens of thousands of New Yorkers. There is no easier way to enjoy this city’s exemplary arts and culture: just join us on the lawn” said Bryant Park’s president Dan Biederman.

    Picnic Performances Leon Bostein leads the American Symphony Orchestra performing at Bryan Park’s Picnic Performances, 9/7/2023. Photo by Chris Lee.

    Highlights of the Bryant Park 2024 Picnic Performances include the New York City Opera honoring the 100th anniversary of the death of Giacomo Puccini with a two-night celebration of his music featuring orchestra, chorus, and star vocalists. The summer of Puccini continues with a fully staged production of Tosca in August. Internationally acclaimed dance companies – including Mark Morris Dance Group, Ronald K. Brown/EVIDENCE, and David Dorfman Dance – headline multiple evenings of Contemporary Dance alongside established, rising, and student companies.

    Jazzmobile celebrates the Centennial of legendary jazz vocalist Sarah Vaughan, “The Divine One,” with a jubilant performance by the acclaimed vocalist Charenée Wade and her septet. Carnegie Hall Citywide presents five concerts in July and August, beginning with a special evening with Pulitzer-Prize-winning composer Tania León and The Harlem Chamber Players with special guests. Carnegie Hall will also present the acclaimed South African musician Thandiswa Mazwai, GRAMMY Award-nominated bandleader of The Late Show Band Louis Cato, the high-energy Afrojazz trailblazer Michael Olatuja and Lagos Pepper Soup, and red-hot salsa dura band La Excelencia.

    Photo by Fadi Kheir.

    Joe’s Pub brings rising theater stars Jaime Lozano and Florencia Cuenca for Broadway en Spanglish, featuring bilingual performances of iconic show tunes with Mariachi Real de Mexico and more guest stars TBA. As part of New Victory Theater’s summer series New Victory Dance, Ephrat Asherie and Barkin/Selissen Project join for an interactive dance event curated specifically for kids and families. World Music Institute welcomes Ghanaian highlife band Gyedu-Blay Ambolley (NYC debut).

    Asian American Arts Alliance features MacArthur ‘Genius’ pianist Vijay Iyer and his trio. The beloved Bryant Park tradition Accordions Around the World returns with 2024 GRAMMY nominee Zydeco star Dwayne Dopsie and Latin funk band Afro Dominicano. American Symphony Orchestra kicks off its season with Beyond the Hall, a program highlighting music from beyond the confines of the traditional concert hall.

    Finally, The Town Hall and Belongó celebrate John Barry’s iconic James Bond music with an all-star lineup of musicians led by Arturo O’Farrill with the Afro-Latin Jazz Orchestra, and composer arranger and slide trumpet master Steven Bernstein, together with exciting surprise special guests.

    The Picnic Performances are one of the best ways for New Yorkers to get outdoors and celebrate the arrival of Spring and Summer. We believe that the arts are a unifying force that promote cultural understanding, and we are thrilled to continue our support of one of the most iconic green spaces in the city. We are excited to be, once again, the presenting sponsor of the Picnic Performances, marking a more than 10-year-long partnership with Bryant Park.

    José Tavarez, president, Bank of America New York City.

    This season, 16 shows will be live-streamed for free on Bryant Park’s social media channels and website, reaching national and international audiences. Additional media support is provided by public radio stations WBGO and WQXR.

    Food and drink are available for purchase from a curated lineup of local vendors near the lawn. At all performances, attendees can discover new dishes and celebrate classics from the five boroughs with a rotating line-up of artisanal vendors by Hester Street Fair. Stout NYC offers light bites and beer, wine, and non-alcoholic beverages for purchase.

    Additional artist and performance information will be available in the coming months. For the most current information please visit here. 

    Bryant Park Picnic Performances 2024 Lineup

    May

    May 31: New York City Opera – Puccini Celebration

    June

    June 01: New York City Opera – Puccini Celebration

    June 06: Contemporary Dance – Sidra Bell, Ballet Tech, TBA

    June 07: Contemporary Dance – David Dorfman Dance, Soles of Duende, Joffrey Concert Group, National Dance Institute

    June 14: Contemporary Dance – Ronald K. Brown/EVIDENCE, Robin Dunn, Kevin Wynn Tribute, Brooklyn Arts

    June 21: Jazzmobile – Sarah Vaughan Centennial Featuring Charenée Wade

    June 28: Emerging Music Festival Day 1 – Artists TBA

    June 29: Emerging Music Festival Day 2 – Artists TBA

    July

    July 05: Carnegie Hall Citywide – Tania León and The Harlem Chamber Players

    July 12: Carnegie Hall Citywide – Thandiswa Mazwai

    July 19: Carnegie Hall Citywide – Louis Cato

    July 26: Carnegie Hall Citywide – Michael Olatuja & Lagos Pepper Soup

    August

    August 02: Carnegie Hall Citywide – La Excelencia

    August 09: Joe’s Pub – Broadway en Spanglish: Florencia Cuenca and Jaime Lozano

    August 10: New Victory Theater – Ephrat Asherie + Barkin/Selissen Project

    August 16: World Music Institute – Gyedu-Blay Ambolley, Artists TBA

    August 17: Jalopy Theatre – Artists TBA

    August 23: New York City Opera – Tosca

    August 24: New York City Opera – Tosca

    August 30: Asian American Arts Alliance – Vijay Iyer Trio

    August 31: Contemporary Dance – Mark Morris Dance Group, Blacks in Ballet, Reed Luplau

    September

    September 05: Accordions Around the World – Dwayne Dopsie and the Zydeco Hellraisers, Afro Dominicano, Artist TBA

    September 06: American Symphony Orchestra – Beyond the Hall

    September 12: Harlem Stage – Artist TBA

    September 13: The Town Hall + Belongó – The Man with The Golden Horn

  • Pop-Rock Band Um Jennifer? Releases Debut EP “The Girl Class”

    NYC-based pop/indie-rock band Um Jennifer? released their debut EP titled, The Girl Class, released on April 5.

    The group’s debut extended play is chock full of charming, energetic, punk-tinged indie rock. Each song on the album is different than the last, with its own sound and charm. There is clear influence from The Cure, Eyedress, Sonic Youth, MGMT, and more. Much of their songs are reminiscent of love, sexuality, adventure, and youth.

    Elijah and Fig set out to pierce the soundscape with their sharp-witted, psyche-puncturing, and simply fun musical skill. The EP does exactly that. The Girl Class collection of songs is an ode to break ups, freak outs, and deep queer longing. Um Jennifer? utilizes their pop/indie/alternative sound to convey their dynamic range of song.

    Throughout The Girl Class EP, love is personified as something fantastic, gory, loud, needy, and needed. These songs were all written within the past year of the band’s life, and were the first songs they wrote together. These songs are the band’s attempt at measuring the immeasurable; at understanding themselves, each other, and the world around them.

    Um Jennifer? has conveyed their ideas and vibe as a band well on this EP. They have proven their ability to switch sound and still remain original and themselves. With a debut album like this, with punchy, catchy, emotional, and passionate tracks, the band catches attention and has an audience awaiting further release.

  • Too Many Zooz returns home to conclude “Retail Therapy Tour”

    Brass Power House group Too Many Zooz returned to the scene where it all began on Saturday, April 6 as the trio concluded their self titled album tour in epic fashion.

    Retail Therapy is the band’s first album in almost five years, and we had the opportunity to ask one of the bands founding members, Matt Muirhead, about their new album, life for a band that’s been together for 10 years, and what’s next for the acclaimed trio.

    too many zooz

    The album came together more than a year ago now…generally I think our goal was just to create as much as possible, and then spend the following months trimming the fat and deciding what we wanted to keep and sculpt out, and what to get rid of.

    Matt Muirhead, Too Many Zooz
    too many zooz

    Songs like “Subway Devil Blues” off their latest work and their previously released “Subway Gawds,” the roots of Too Many Zooz can be traced 10 years back to the bustling music scene in the NYC transit system, they all met as working musicians in the subway system. Despite their continued success, the band’s iconic brass and beats sound can still be heard echoing through the tunnels as they busk regularly to this day.

    The subway is where we came from. It shaped our music and us as people equally. We’re very grateful for the people of New York for loving us and supporting us to this day. 

    Matt Muirhead, Too Many Zooz
    too many zooz

    The band consists of Leo Pellegrino, David “The King of Sludge” Parks, and Matt Muirhead. They self describe their sound as “brasshouse”, and appropriately so. Leo and Matt bring brass of varying tempos while The King of Sludge provides the perpetual beat. The vibe transcends labels as it encorporates a fusion of jazz and percussion with EDM house music. Asking about their songwriting style and process, Matt said the following:

    There isn’t a set formula for us-every song is different and how they come to fruition is seemingly unique each time. Of course, over the years you start to develop habits as writers, but we try to approach each song as its own and give it the love and energy it deserves.

    Matt Muirhead, Too Many Zooz
    too many zooz

    The evening at Brooklyn Bowl opened with a strong solo performance by Michael Wilbur, a long time collaborator and frequent guest star. Joining TMZ shortly after his own set, Michael was featured on Retail Therapy, and he has toured alongside them with his own band, Moon Hooch. Michael was not the only guest of the evening, as the band brought out a dynamic percussion duo that brought the evening to a whole new level.

    …for me, collaboration is the thing that excites me most about the creation process…. there’s nothing more dismal than sitting in a studio by yourself . Collaborations are such a special and beautiful thing and each one is new and different so for me, I was thrilled to be able to have so many friends on the project. 

    Even within Too Many Zooz internally, I think what makes our bands sound so unique is the inherent creative collaboration between just the 3 of us- we all have different backgrounds and experiences and we believe in a musical democracy where those sources of inspiration can intertwine, sprout, and grow into something beautiful.

    Matt Muirhead, Too Many Zooz
    too many zooz

    Too Many Zooz went viral in 2014 when a passerby recorded their performance at Union Square Station. Whether it’s their distinguishable sound, or Leo P’s classic showmanship, its clear that they have captured the publics attention, converting viewers into passionate fans. They regularly tour around the country, in the festival circuit, and play abroad. From inside the subways, to venues to around the world, their connection to the fans is undeniable.

    I love our fans and am endlessly grateful for them and their support. It blows my mind sometimes how lucky we are to have such loyal fans that continue to show love all these years later. On stage, our connection is immediate . We’re definitely a band that feeds off of energy. If the crowd is crazy, the show will probably be that much crazier. Off stage, we’ve been fortunate to meet some really cool, funny, interesting people who happen to be fans of us and generally speaking I feel confident in saying that our crowds are some of the more accepting, welcoming, and warm people I’ve ever had the chance to play for 

    Matt Muirhead, Too Many Zooz
    too many zooz

    Being on the road and playing music together for so long, life and art are bound to blend together. When asked about what their biggest challenge as a band was, Matt reflected “This band as been an enormous learning experience in regards to working with people and truly understand teamwork.”

    I was a kid when we started this band and I look back and laugh at who I was. Next to my parents and loved ones, I’ve learned more about myself and who I want to be from Leo and Sludge than anyone in my life. They have been and continue to be monumental sources of inspiration to me on and off stage

    Matt Muirhead, Too Many Zooz

    Retail Therapy is out now and is available for streaming. For fans who missed out on their tour, you can catch them this summer as they join Coheed & Cambria and Primus on select dates this summer. Tickets are on sale now.

    too many zooz
    too many zooz
    too many zooz
    too many zooz
    too many zooz
    too many zooz
    too many zooz

  • Joe’s Pub Celebrates 25 Years: An Evening to Remember

    On Monday, April 8, Joe’s Pub Annual Gala celebrated 25 years of artistic excellence and support for up-and-coming talent. The dynamic creative community of New York City came together in style.

    Vuyo Sotashe & Chris Pattishall | Credit David Andrako

    Joe’s Pub, a program of The Public Theater, has been a shining light for performers since it started in 1998. They welcome everyone from up-and-coming talents to Grammy Award-winning icons like Adele and Alicia Keys. The event’s proceeds supported vital initiatives like New York Voices and Joe’s Pub Working Group. Along with the Vanguard Award & Residency, all are committed to developing the next wave of creative talent.

    Ellen Winter | Credit David Andrako

    Angélique Kidjo, the incomparable five-time Grammy Award winner and 2024 Vanguard Resident, was the star of the evening’s spectacular lineup of performances. Members of the Joe’s Pub Working Group for 2023–2024, including Queen Esther, Ellen Winter, and Firas Zreik, as well as former New York Voices members Omar Offendum, Vuyo Sotashe, and Chris Pattishall, joined her on stage. Angélique Kidjo’s incredible performance was without a doubt the high point of the evening; it was a fitting homage to her legacy and the inventive spirit that characterizes Joe’s Pub.

    L-R Ashley Meeks/Joe’s Pub; Firas Zreik; Sienna George; Ania Washington/Joe’s Pub; Ellen Winter; Audrey Frischman/Joe’s Pub | Credit David Andrako

    Joe’s Pub Working Group and similar programs give local artists the space they need to develop new ideas. Some of the talent supported in this hub are Ellen Winter, Firas Zreik, and Queen Esther.

    The dedication to artistic freedom, diversity, and innovation will keep influencing how New York City’s cultural scene develops in the years to come. Cheers to another 25 years of incredible shows, creative partnerships, and treasured memories at Joe’s Pub.

  • Remembering Mister Cee The Finisher, One of Hip Hop’s Great Connectors

    In the formative years of hip hop, where the DJ reigned supreme, skill was the only testament to success. And if that world remained Mister Cee’s name would be commonplace in contemporary folklore. However, much like the rest of the entertainment industry, the glory goes to whomever fans see holding the mantle. Hip hop resembles the sports world in that sense. The MVP trophy holder gets all the credit, no matter the invaluable contributions of coaches, trainers and lesser-known role players.

    In like manner, if an album goes number 1 then the name on the cover has accomplished a great feat. Notwithstanding, hip hop much like sports is a collaborative effort. One rapper can’t make a great album. It takes a team of producers, engineers, marketing experts and much more to propel a body of work to critical-acclaim. However, before any rapper reaches that point they need someone to believe in them and connect them to the industry.

    Embed from Getty Images

    Mister Cee The Hip Hop Purist

    This is where Bedford-Stuyvesant native and hip hop purist Mister Cee made his greatest contributions to the game. In the world of hip hop, Mister Cee–born Calvin LeBrun on August 17, 1966–was a connector. Someone who was a fan of the genre and pushed it forward several times over. Although, his talents as a DJ were second-to-none. Ultimately he was “the finisher because, you know, after he plays, the party’s over. You can’t go on after him,” according to Peter Rosenberg, protege and Hot 97 cohort of the legendary DJ.

    Thus, in a sense his meticulous mixes featuring rare freestyles and album cuts was a microcosm of his overall presence within hip hop. After all DJ’s aren’t inherently creators, hip hop emerged from the turntable masters putting soul records together in a rhythmic, uptempo groove. Nonetheless, the connections made with sampling and knowing which records sounded best for scratching set the stage for hip hop.

    Mister Cee The Connector

    Alongside the other proprietors of hip hop’s golden era, Mr. Cee lived and bled the genre and along the way served as a connector for two of hip hop’s most influential acts. Beginning with Big Daddy Kane, who Mr. Cee connected with in high school and served as a DJ for beginning in the late ’80’s. With his connections to the Juice Crew, the fabled hip hop collective — spearheaded by producers Mr. Magic and Marley Marl — who introduced several legendary acts to the scene including Big Daddy Kane, Mr. Cee had successfully helped one of hip hop’s revered lyricist get on. As a testament to this, Mr. Cee notably featured on Big Daddy Kane’s classic debut album on the track “Mister Cee’s Master Plan.”

    Moreover, the one known as “The Finisher” is widely recognized as the man who connected the Notorious B.I.G. with Puff Daddy and what eventually became Bad Boy Records. The rest as they say is history, but history’s nuance is rarely discussed. Hence, Mister Cee’s contributions to the career of arguably the greatest rapper ever remains stuff of legend. Yet, as he kept his ear to the streets as a local celebrity, he became known for showcasing rising acts. Along the way he came across the Notorious B.I.G. — who at the time went by Biggie Smalls– and connected him to the industry while also serving as an early producer for the legendary rhymer.

    So Cee would definitely want me to credit Biggie’s first DJ, who was a guy named 50 Grand. And while Biggie and 50 Grand were working on a demo, doing their thing, Mister Cee was the DJ who was actually connected to the industry. He was the one who could get him different places, and he played the connector for Biggie. Sometimes it’s more complicated than rapper and DJ or artist and DJ, whatever it may be. There are these other people who play roles, and Cee was a connector for Biggie Smalls.

    – Peter Rosenberg, via NPR

    Furthermore, as he settled into his role as a tastemaker for hip hop, he enthralled listeners with his “Throwback at Noon” mixes on Hot 97. Which then became a staple of the lives of fellow hip hop enthusiasts. As his legend grew his moniker of “The Finisher” felt more apt than ever. With the April 10 passing of Mister Cee, hip hop lost one of its purists, someone who selflessly pushed others and the genre forward. As hip hop grew from local neighborhood parties to a worldwide phenomenon, Mister Cee’s contributions as one of the genre’s vanguards must not be forgotten.

    Like, you knew you were listening to a guy who believed in every word that he was saying. But one thing that has to be stressed – I have never – in my now 30 years of DJing, I have never known a more meticulous, prepared deejay than Mister Cee

    – Peter Rosenberg

  • Bas concludes North American Tour at Irving Plaza

    Talk about saving the best for last, On April 9, that was the case for Dreamville’s Bas as he stopped at the famed Irving Plaza in New York City for the last stop on his ‘WE ONLY TALK ABOUT REAL SHIT WHEN WE’RE F*CKED UP’ North American Tour.

    bas tour

    The show featured three openers: Blxckie, Reuben Vincent, and Hoosh. Each opener each played for around 20 minutes, giving a taste of their style and sound. This shorter set times and the overall quality of the openers worked really well for getting the crowd ready for Bas to take the stage. It was obvious that Bas picked musicians he respects and enjoys listening to to open for him, something emphasized by a story he told about first hearing Blxckie’s music while in South Africa during his set.

    bas tour

    Bas graced the stage under a red glowed ambience and sintilating sounds of his live band. Bas was particularly good at interacting with and engaging the crowd. The show kept a great energy with the crowd getting into songs from We Only Talk About Real Shit When We’re Fucked Up and Bas’ back catalog. Bas brought backing vocalists who really filled out his live sound and added a sense of harmony to the performance. These vocals were such a nice touch that really show his attention to detail in putting together a performance.

    The show ended with Bas inviting a fan up to rap J. Cole’s verse on his song “Lit.” Clearly energized, the fan selected from the crowd excitedly performed with Bas. Longtime collaborator and Dreamville leader J.Cole popped onto the stage to the surprise of the fan and the crowd. Cole went on to finish the song with the fan and perform “H.Y.B.” with Bas and his classic smash hit ‘No Role Modelz’ rounding out a great night of music and vibes.

    Setlist: Light of my Soul, Home Alone, 179 Deli, Black Jedi, Choppas, Yao Ming, Diamonds, Methylone, Dopamine, Ricochet, Clouds Never Get Old, Night Job, Khartoum, Risk, Decent, U-Turn ft. Blackie, Passport Bros, Boca Raton, The Jackie, Paper Cuts, Dr. O’blivion, Wait on Me, H.Y.B., Costa Rica, Down Bad, Tribe and Lit.

    bas tour
    bas tour
    bas tour

  • mgk and Trippie Redd Debut new EP “genre : sadboy” at Irving Plaza

    On a rainy April evening, April 2, 2024 to be exact, mgk and Trippie Redd brought their brand new EP genre : sadboy to the Irving Plaza stage for its first ever live performance.

    A week prior, the pair got fans excited by releasing a video for their song “lost boys,” as well as a short documentary about their time creating the album. Tickets to the show were free and given to fans through a raffle and needless to say that mgk and Trippie fans showed out on Tuesday night, packing the house. 

    Trippie Redd (left) and mgk (right) at Irving Plaza. Photo by Lucas Kurzweil.

    The two opened up the show performing the first five songs off of their new tracklist. The album gives catchy choruses while maintaining a sad tone. Through their words the two artists explore their personal experiences with drugs, relationships and depression. Although the EP is brand new, mgk and Trippie’s longtime fans already knew all of the words. 

    Trippie Redd (back left) and mgk (right) at Irving Plaza. Photo by Lucas Kurzweil.

    After the first five tracks, the Ohio native artists started taking turns performing some of their solo music. Trippie Redd started things off with his 3x platinum track “Taking a Walk,” and mgk followed with “PRESSURE.” They then went back and forth one more time with Trippie performing “Wish,” and mgk performing “dont let me go.” Although short, the throwback portion of the show provided a nice reminder to what these two established artists have accomplished in the past.

    Trippie Redd at Irving Plaza. Photo by Lucas Kurzweil.

    Following their four track throwback session, mgk and Trippie Redd continued with the next four tracks of their EP which all helped showcase both artists use of soft tones and dreamy, but also dark, fairytale-like sounds. mgk and Trippie then brought back some more of their old music, with mgk performing “my ex’s best friend,” “all I know,” and “Candy,” all with the crowd at full energy, screaming every word back to mgk. Trippie sang a beautiful rendition of “Fuck Love” his 2017 that he created alongside XXXTENTACION. 

    mgk at Irving Plaza. Photo by Lucas Kurzweil.

    With only one track from the EP unsung, the artists started to go back and perform some songs for the second time. They repeated “lost boys” and “beauty” before mgk invited a fan, who had a message on his phone saying he could rap “el Diablo” faster than him, onto the stage. mgk and the fan went bar for bar together rapping the song, and then had a warm embrace at the end before the fan left the stage. Then mgk and Trippie performed “time travel” and “struggles” off of their new EP, for a second time. 

    Trippie Redd (left) and mgk (right) at Irving Plaza. Photo by Lucas Kurzweil.

    To close out the show, mgk performed “Wild Boy” with some acapella verses, as well as “I Think I’m OKAY.” Finally, mgk and Trippie performed the only song off of “genre : sadboy” that had yet to be played, “summer’s gone.” At the end of the song the two artists dropped down off of the stage to greet the fans at the front barricade, before finally departing. 

    Trippie Redd (left) and mgk (right) at Irving Plaza. Photo by Lucas Kurzweil.

    Setlist: lost boys, beauty, time travel, struggles, suddenly, Taking a Walk, PRESSURE, Wish, dont let me go, half dead, hiding in the hills, no more, who do i call, my ex’s best friend, Fuck Love, all I know, Candy, lost boys, beauty, el Diablo, time travel, struggles, Wild Boy, I Think I’m OKAY, summer’s gone

    Trippie Redd at Irving Plaza. Photo by Lucas Kurzweil.
    mgk at Irving Plaza. Photo by Lucas Kurzweil.
    Trippie Redd at Irving Plaza. Photo by Lucas Kurzweil.
    Trippie Redd at Irving Plaza. Photo by Lucas Kurzweil.

  • The FMs Announce Queer Rock Festival, “Frankie Fest” at Coney Island

    Rock group The FMs have announced the upcoming “Frankie Fest” music festival honoring the late Frankie Rex in Coney Island this May 11. The festival sees a stellar lineup of NYC queer bands and performers and marks the festival’s inaugural opening.

    Frankie Fest The FMs

    The event will also serve as the record release party for PINK + BLACK and features the first performance from The FMs in over four years – and the first-ever without Frankie. Frankie Fest highlights a range of cutting-edge, NYC-based queer performers showcasing indie rock, goth, riot grrrl, punk, metal, and more. Featured acts include Pink Velvet Witch, Jordan Fiction, Villains, Llynks, The FMs, Frida Kill, Miss Cherry Delight and more.

    Their sophomore double album was completed the moment the pandemic started. It is now making its release after the tragic death of singer Frankie Rex in 2022. The material highlights the group’s love of analog synthesizers combined, ethereal guitars and takes a more emotionally dynamic turn. This contrasts their debut album spanning themes from sexual irreverence, the nature of dreams and human connection, to hope for the future of gender freedom.

    Frankie Fest The FMs

    The show begins May 11 in Coney Island. Doors for the show open at 4pm and music lasts until 10pm. The FMs will release PINK + BLACK on May 10.

    To learn more about Frankie Fest and to purchase tickets, click here – to learn more about The FMs and to stay up to date on the group’s upcoming release, click here.

  • The Suicide Disease Announce Latest Single “Descent”

    Long Island-based grunge band The Suicide Disease announced the release of their latest single, “Descent,” released on April 12.

    The Suicide Disease

    The track is a reminder that even in the darkest of times, there is always a glimmer of light to hold on to. The Suicide Disease continue to be a beacon of hope for those navigating through their own personal battles. The theme is accompanied by gritty instrumentation and haunting melodies showcasing their signature sound. 

    The Suicide Disease saw success in their previously released tracks “Flood” and “War.” The band hopes to see even greater success with the release of “Descent.” With its raw energy and emotive lyrics, the anthem of resilience and perseverance speaks to life’s struggles and the importance of pushing forward in the face of adversity. This major theme is common in the band’s writing and performance.

    The Suicide Disease

    The group showcases their pop-grunge sound, which is carried by their emotional vocals, punching drumbeats, and rugged, chuggy riffs. Hailing from Mastic, Long Island, The Suicide Disease utilizes their locale of depressive-beach as an outlet for creativity and sees nodes of bands like The Cure, Chevelle, and Fallout Boy. They simultaneously inhabit the spirit of bands like My Chemical Romance and Three Days Grace with the loud, in-your-face emo sound. “Descent” stays true with these sounds and inspirations and holds something inspiring yet dark in their writing.

    “Descent is the dark path we take when we are constantly thinking about the macabre.  Wanting someone back from the dead and not moving forward with your life because of it. It’s as bad as trying to dig up a body, you’re just digging up the past. And the message here is that death is final – so loved ones would tell you to live on.”

    Jay Francis – Lead Vocals

    Stream “Descent” by The Suicide Disease on all platforms here. Be sure to stay up to date on the band by checking out their socials. Click here to listen to their other music via Spotify.

  • In Focus: Olivia Rodrigo Brings Pop-Rock Star Power to Sold-Out Madison Square Garden Shows

    Pop sensation Olivia Rodrigo brought the house down April 9 at Madison Square Garden, marking the last of four sold-out shows at the famed arena for her ongoing world tour. Fans decked out in purple, sequins, and feather-trimmed cowboy hats filled the venue, eager to sing along to Rodrigo’s 2023 angsty pop-rock album GUTS. 

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    Olivia Rodrigo — Photo by Molly Higgins

    After an opening set from 90s alternative rock favorites The Breeders, Rodrigo’s crowd of young, spirited supporters screamed with excitement as four 3D candles—spelling out GUTS, of course—were projected on stage. When the wax melted, Rodrigo would make her much-anticipated appearance.

    olivia rodrigo

    Electric guitars crashed as a platform lifted Rodrigo to center stage, kicking off the show with her upbeat single “bad idea right?” Decked out in a sparkling silver outfit for the start of the show, Rodrigo worked the full stage from the moment she appeared, sprinting from one catwalk to another, dancing with her musicians, and interacting with fans in the crowd. 

    olivia rodrigo

    Rodrigo’s setlist featured nearly every song from GUTS and her debut album, SOUR, plus a few surprises, including an unexpected duet with special guest Jewel. Backed by eight skilled backup dancers and eye-catching effects—a significant upgrade in production value from her 2022 Sour Tour—Rodrigo put on a dazzling show, radiating confidence throughout. 

    olivia rodrigo

    Whether seated at a grand piano, shredding on the electric guitar, or floating on a giant crescent moon above the crowd, Rodrigo brought an electrifying energy to the MSG stage. Her seamless transitions between heart-wrenching ballads and early 2000s-style pop rock anthems kept the audience on the edge of their seats. As star-shaped confetti rained from the arena ceiling throughout the final notes of “get him back!,” Rodrigo danced her way backstage, triumphantly closing a show that certainly solidified her superstar status.  

    olivia rodrigo

    Olivia Rodrigo – Madison Square Garden – April 9, 2024

    Setlist: bad idea right?; ballad of a homeschooled girl; vampire; traitor; drivers license; teenage dream; pretty isn’t pretty; love is embarrassing; making the bed; logical; enough for you; lacy; jealousy, jealousy; Can’t Catch Me Now; You Were Meant For Me (with Jewel); happier; favorite crime; deja vu; the grudge; brutal; obsessed; all-American bitch; good 4 u; get him back!

    olivia rodrigo
    olivia rodrigo
    olivia rodrigo