NYS Music 2024

Category: NYC Metro

  • Ken Carson brings the “Chaos World Tour” to NYC

    After celebrating the release of his 2023 Album A Great Chaos at SILO Brooklyn last October, Ken Carson has returned to the city that never sleeps for three sold-out nights at Terminal 5—upgrading his New York City crowd from five hundred people in a silo to three sold-out, 3,000 people, shows.

    Ken Carson performing at Terminal 5 on August 20th, 2024. Photo By: Lucas Kurzweil.

    Before a single performer hit the stage, the crowd was already active. But when 2hollis came out for his opening performance, the crowd hit new heights. Jumping, screaming, and using their phone flashlights to light the stage, the fans gave the Chicago artist what he needed to provide an intense warm-up for the headliner. 

    2hollis performing at Terminal 5 on August 20th, 2024. Photo By: Lucas Kurzweil.

    After 2hollis’ set, the curtain over Ken Carson’s multi-level scaffolding-like stage dropped, the lights went into a bright flickering sensation, and smoke flooded the stage as Ken Carson’s “Hardcore” started to play. Ken performed most songs from his recent album, A Great Chaos, his recent hit single “overseas,” and other hits from his discography. Ken had his fans yelling the lyrics for every song, jumping together, and opening countless moshpits. The rage stretched from the front of the house to the back staircase that led to the upper balconies. Ken mostly stayed on the upper level of his structure, acting as the conductor for his orchestra of supporters down below. The show lived up to its chaotic hype, with every fan leaving in a pool of sweat and carrying the memory of a show like no other.

    Ken Carson performing at Terminal 5 on August 20th, 2024. Photo By: Lucas Kurzweil.

    Tickets for the rest of the “Chaos World Tour” can be found at https://www.kencarson.xyz/tour/

    The crowd at Ken Carson’s performance at Terminal 5 on August 20th, 2024. Photo By: Lucas Kurzweil.

    Setlist: Hardcore, Lose It, It’s Over, Freestyle 3, leather jacker, i need u, Succubus, Green Room, mewtwo, Vampire Hour, Rockstar Lifestyle, Overtime, Nightcore, toxic, Me N My Kup, Rock N Roll, Yale, ss, Jennifer’s Body, Freestyle 2, overseas, Fighting My Demons.

    Ken Carson performing at Terminal 5 on August 20th, 2024. Photo By: Lucas Kurzweil.

  • Glass Animals Light Up Madison Square Garden with Out-of-This-World Visuals

    Glass Animals transformed Madison Square Garden into a surreal, psychedelic dreamscape on Tuesday, August 13th, delivering a performance that will be etched into the minds of fans for years to come.

    The energy in the venue was electric from the moment the lights dimmed, with a sold-out crowd buzzing with anticipation. As the band took the stage, the roar of the audience was deafening, setting the tone for an unforgettable night.

    The setlist was heavily focused on tracks from their latest album, I Love You So F**ing Much*, with the band seamlessly blending these new hits with their classic tracks. The crowd erupted as they launched into “On The Run,” the funky beats and infectious rhythm perfectly encapsulating the essence of the album. Every song was met with an explosion of cheers, but it was “Space Ghost Coast to Coast” that really brought the house down, with fans singing along to every word.

    The creative visuals of the set were nothing short of spectacular, adding a whole new dimension to the performance. A holographic pineapple, a nod to their iconic imagery, hovered on the stage, rotating slowly and casting vibrant, multicolored lights across the venue.

    The real showstopper, however, was the Saturn-like planet that levitated above the band, spinning gracefully and seemingly defying gravity. The ethereal visuals, combined with the band’s high-energy performance, created an otherworldly atmosphere that left the audience mesmerized.

    The interplay between the band and the crowd was palpable, with lead singer Dave Bayley frequently interacting with the audience, feeding off their energy, and encouraging them to dance and sing along. It was clear that the band was having as much fun as the fans, with their infectious enthusiasm spreading throughout the arena.

    As the night drew to a close, the band returned for an encore, ending with a stunning rendition of “Heat Waves.” The entire venue was bathed in a warm, golden glow as the crowd swayed in unison, their voices joining together in a powerful chorus. It was a perfect ending to a night that felt like a celebration of music, creativity, and the unbreakable bond between Glass Animals and their fans.

    Madison Square Garden has hosted countless legendary performances over the years, but last night, Glass Animals carved out a space all their own, leaving a lasting impression on everyone lucky enough to be there.

  • NYC Indie Band Monotronic Releases Hot Single “Kids of Summer”

    NYC-based indie collective Monotronic has released a new single titled “Kids of Summer.” Accompanying this new single is a music video filmed throughout Manhattan in 2020. 

    Kids of Summer

    Guitarist Ramsey Elkholy founded the enigmatic group Monotronic in 2016. Rather than a consistent band, Monotronic acts as a collective of boundary-breaking artists. It features a rotating cast of musicians, including collaborators of Dweezil Zappa, the Spin Doctors, and more. 

    Elkoly sits at the creative helm of Monotronic’s musical stylings. Holding a doctorate in Anthropology, he draws influences from the world’s diverse musical stylings. With Monotronic, Elkholy has imbued electronic indie, with influences from Indian classical and traditional Indonesian music, among others. 

    Since their start, the band has made a name for themselves through their indie singles. On tracks like “Sun Song” and “Buy Yourself a Dream,” they have built a dreamy brand of catchy indie pop. Off the back of singles like these, Monotronic has played venues across NYC and the East Coast. On top of individual shows, they have also appeared at festivals like Disc Jam and Meeting of the Minds. 

    Now, Monotronic has released a reworked version of their 2020 single “Kids of Summer.” The single was originally released in 2020 at the height of the Covid-19 pandemic. At the time of its release, “Kids of Summer” premiered at #1 on VEVO’s Incoming Indie playlist. 

    The track’s lyrics discuss the limitless freedom of youth, and the courage needed to approach it. Matching these lyrics are dreamy warbling synths that drive the song forward. As the song progresses, booming drums, distorted synths, and backing vocals all join the fray. The end result is an anthemic indie pop jam for the summer. 

    Now four years after its original release, Monotronic has re-released an updated version of the song. Featured on this new recording is Grammy-nominated drummer Omar Hakim. Prior to his work with Monotronic, Hakim has worked with legends in practically every genre. David Bowie, Daft Punk, and Miles Davis are only a few of his past collaborators. 

    Drummer Omar Hakim

    Monotronic has also released a music video to accompany this new release. The “Kids of Summer” music video is a love letter to New York City Summers. Filmed with a go-pro in Manhattan’s streets and parks, the video captures the liveliness of the city’s outdoors. The video features skateboarders and breakdancers backed by Manhattan cityscapes and psychedelic backgrounds. Through this video, Monotronic manages to capture both the energy of Manhattan and “Kids of Summer.” 

    This single releases in the leadup to Monotronic’s sophomore record Waiting For You. This album is the band’s first full length release since their self-titled debut in 2019. The record will feature “Kids of Summer” and “Sun Song” among other songs. Monotronic currently plans to release the album in early 2025. For more information on “Kids of Summer” and Waiting For You, visit Monotronic’s website here.

  • NYC Ferry Launches Ramones-themed Rockaway Beach Ferry

    On August 16th and 17th, the NYC Ferry in collaboration with Rhino Records launched a series of Ramones-themed ferry rides. These rides came in celebration of the 50th anniversary of the Ramones’ CBGB debut show. 

    Ramones Ferry

    The Ramones were founded in Forest Hills, Queens in 1974. From the start, their music marked a stark shift from 1970s rock conventions. With Johnny Ramone’s lightning fast guitar lines, and Joey Ramone’s sneering vocals, the band helped invent the fledgling genre of Punk Rock. Perhaps the most important date of the band’s career was August 16th, 1974. On that day, the four members made their stage debut at CBGB in Bowery, Manhattan. Donning ripped jeans and leather jackets, the band exuded a coolness that went on to revolutionize rock music. 

    Following this performance, the punk scene was born. From that point forward, CBGB went on to sit at the heart of New York’s punk music circle. For the next few decades, the band became a regular stop for Blondie, Talking Heads, Joan Jett, and more. The Ramones themselves returned to CBGB over 70 times throughout their career. 

    The impact of the Ramones’ August 16th has not been forgotten. According to Rolling Stone, afterwards the Ramones “inspired more bands than anybody since the Beatles.” The New York Times added that their influence “has been incalculable.” 

    To celebrate this revolutionary moment in punk music, Rhino Records partnered with the NYC Ferry for themed boat rides. In homage to the Ramones’ classic “Rockaway Beach,” three ferries out of Pier 11 took up Ramones theming. These ferries traveled the “Rockaway Route” from Manhattan’s Pier 11 to Brooklyn’s Sunset Park and ultimately Rockaway Beach.

    Along this route, the ferries featured Ramones’ themed decor and music. Additionally the cruises offered a raffle for a Ramones prize pack, sticker giveaways, and samples of locally-owned Rockaway Soda. At the ferry’s endpoint, the Rockaway Beach Bakery offered riders special Ramones-themed sweets. Among the offerings were “Ra-scones” and “Now I Wanna Sip Some (Cold) Brew.”

    In addition to these cruises, Rhino Records has planned a number of vinyl releases to celebrate the band’s 50th anniversary. In September, Vinyl Me Please will release an exclusive pink vinyl pressing of 1977’s Rocket to Russia. Upon its release, the album helped spawn timeless classics like “Rockaway Beach” and “Sheena Is a Punk Rocker.” The 2024 repressing features an exclusive liner notes booklet and print of the band. Rhino is also releasing limited editions of Too Tough to Die and Road to Ruin on exclusive color vinyl. These vinyl releases go on sale on August 30th, at the link here. 

  • Brooklyn Band Certain Death Release New Single “Paranoid”

    All American rock band Certain Death released their new flashy single “Paranoid.” The Brooklyn band’s first single of 2024 came out just this past Monday on Aug. 12.

    Paranoid has that amp heavy sound of classic 70’s hair metal. The single features lead singer Henry Black’s vocals and an organic sounding performance with little production. “This song really speaks to the shared experience of overindulgence and paranoia in nightlife that is both repulsive and irresistible,” Black said in a press release. Certain Death was born during the pandemic as a way for Black to confront his difficult feelings in a time of solitude.

    Certain Death has a lot more music to come this fall. Next month they will release another single and they plan to release an LP titled Strange Garden in October.

    It was just last year that the band came into the scene with two singles “When She Ain’t Around” and their very first song “Certain Death.” It was also last year that two new members joined the group- Matt White on Guitar and Jared Schapker on bass. Long-time member CJ Young performs all the heavy rock drums. 

    Not only does the band bring us back to the 70’s with their sound, but they emulate rock heroes with their style and album art. 

    You can listen to “Paranoid” on all streaming services. To keep up with Certain Death you can follow them on Instagram @certaindeathnyc.

  • King Gizzard & The Lizard Wizard Play 3 Hour Marathon Show at Forest Hills Stadium

    Australian band King Gizzard & The Lizard Wizard formed in 2010, mashing up a combination of prospective band names into their now iconic name. The name tells you almost everything you need to know about this band of Australian goofs and their ability to turn any concept and sound into a piece of complex and intriguing art. In the past 14 years, they have released 26 studio albums covering many genres, from psychedelic rock to metal to indie and everything in-between. That’s almost one full album every six months for over a decade. King Gizzard gave us a taste of all of it Friday, August 16th at Forest Hills Stadium.

    Opening for King Gizzard was Geese, coming off of their well-received second studio album, 3D Country and 4D Country EP. Geese’s sound fits well within Gizzard’s world, with more of an american blues lean meets Pearl Jam feeling to their sound. With these shows, Gizzard took a page out of the Grateful Dead’s book, playing three-hour sets with a changing setlist. Comparing the setlists from their Friday and Saturday shows at Forest Hills Stadium, they didn’t repeat a single song across the two shows. Their discography is so deep that they could repeat that feat across almost a dozen of these three-hour marathon sets without ever repeating a song.

    If you are a fan of a more niche Gizzard song, now may be your opportunity to see it live as they trawl through their discography over the coming months. The setlist for this first Forest Hills show was a perfect welcome to fans who may not have had a chance to see the band before. The band played a majority of their most popular tracks, with an overall metal lean and a healthy serving of Gizzard’s home base psychadelic funk/rock to round out the 25 song setlist.

    With the lack of breaks and varied repertoire, Gizzard amazingly suffered very few hiccups during their set, playing an almost seamless blend of tracks with some especially unique transitions between songs that made the audience’s ears perk up. All of the band’s members are multi-instrumentalists, adding to the complexity and giving King Gizzard their unique layered sound. They invited a fan named Gabby who was holding a sign in the audience on stage to sing the intro to “Nuclear Fusion.” The intro is probably best described as throat singing with some heavy effects layered ontop and Gabby killed it.

    Another notable aspect of King Gizzard’s live performances is the audience, a unique combination of deadheads, metal heads, and monster heads, people dressed in a smattering of medieval clothing and monster costumes harkening to King Gizzard’s ever growing lore. Many of these costumes touch on themes inherent to Gizzard’s visual media and lyricism such as the eponymous awareness around the earths climate and the eponymous King Gizzard and Lizard Wizard. King Gizzard’s media presence is heavily based in fantasy and sci fi and has given way to fans concocting a unique world out of an amalgamation of lyrics and imagery. The looseness of this world is what makes their crowds so unique, as fans craft outfits that fit into a world created of their own creation, serving as a true reflection of the wearer in a way that typical fan regalia can’t.

    The show stopped exactly at 10pm due to a hard curfew implemented by Forest Hills Stadium last year in an effort to cut down on noise complaints. Following their shows in Queens, King Gizzard & The Lizard Wizard continue on with their North America tour, which is a marathon itself, with 36 more shows through November of this year. Then in May of 2025 they make their way to Lisbon, Portugal for the European leg, which extends through June.

    Setlist: Field of Vision, Daily Blues, Cut Throat Boogie, Gamma Knife, People-Vultures, Mr. Beat, Boogieman Sam, Work This Time, I’m In Your Mind, I’m Not In Your Mind, Cellophane, I’m In Your Mind Fuzz, This Thing, Self-Immolate, Organ Farmer, Venusian 2, Gila Monster, Flamethrower, Straws In The Wind, Pleura, All Is Known, Doom City, Rattlesnake, K.G.L.W. (Outro)

    King Gizzard & The Lizard Wizard – Forest Hills Stadium – August 16, 2024

  • The Doobie Brothers Add Four More Tour Dates

    The Doobie Brothers just added four more dates on their 2024 tour in New York, New Jersey and Connecticut. On September. 30 and October 1, the Grammy-winners will be in Port Chester, NY at The Capitol Theatre. On Ocobert 4, yhey will stop in Atlantic City at Borgata Event Center, and on the following night they will be in Uncasville, at the Mohegan Sun Arena. All in all, Live Nation added these extra dates to due to the increased demand since the announcement of The Doobie Brothers tour. 

    About The Doobie Brothers

    The Doobie Brothers haven’t stopped performing and making music since their beginning in 1970. Over their career, they have won four Grammy Awards and sold 48 million albums worldwide. In 2020, they were included into the rock and roll hall of fame. Additionally, in 2021 they released their most recent album Liberté and last year they released their single, “Lahaina” in support of those affected by the deadly Maui fires. Moreover, the song featured other musical legends, Mick Fleetwood, Jake Shimabukuro, and Henry Kapono. 

    Their 2024 tour comes three years after the Doobie Brothers 50th anniversary tour that reunited Tom Johnston, Michael McDonald, Pat Simmons, and John McFee for the first time in 25 years. 
    Tickets for the new dates go on sale on Aug 16 at 10 a.m. You can find more information at

    LiveNation.com

    2024 Doobie Brothers Tour

    Thursday, August 29 Denver, CO Ball Arena

    Friday, August 30 Salt Lake City, UT USANA Amphitheater

    Monday, September 2 Macon, GA Macon Centreplex

    Tuesday, September 3 Savannah, GA Enmarket Arena

    Friday, September 6 Simpsonville, SC CCNB Amphitheatre at Heritage Park
    Saturday, September 7 Greensboro, NC White Oak Amphitheatre
    Monday, September 9 Charleston, SC Credit One Stadium

    Monday, September 30 Port Chester, NY Capitol Theatre

    Tuesday, October 1 Port Chester, NY Capitol Theatre

    Friday, October 4 Atlantic City, NJ Borgata Event Center

    Saturday, October 5 Uncasville, CT Mohegan Sun Arena

    Tuesday, October, 8 Atlantic City, NJ Hard Rock Hotel & Casino
    Sunday, October 13 Halifax, NS Scotiabank Centre
    Monday, October 14 Moncton, NB Avenir Centre
    Wednesday, October 16 Ottawa, ON Canadian Tire Centre
    Thursday, October 17 Ottawa, ON Tribute Communities Centre
    Saturday, October 19 St. Catharines, ON Meridian Centre
    Wednesday, October 23 Winnipeg, MB Canada Life Centre
    Thursday, October 24 Edmonton, AB Rogers Place
    Friday, October 25 Calgary, AB Scotiabank Saddledome
    Sunday, October 27 Kelowna, BC Prospera Place
    Monday, October 28 Abbotsford, BC Abbotsford Centre 

  • New Joni Mitchell Compilation to Include New York Recordings

    On October 4th, Joni Mitchell will release a new compilation titled Joni Mitchell Archives, Vol. 4: The Asylum Years (1976-1980). This compilation traces Mitchell’s musical evolution between the releases of Hejira and Mingus.

    Included in the four-disc record are three sets of live and studio recordings from New York performances by Joni Mitchell.

    Joni Mitchell Archives, Vol. 4: The Asylum Years (1976-1980)

    Born in Alberta, Canada, Joni Mitchell quickly emerged as one of the brightest lights in the folk genre. By 1969, her sophomore album Clouds cemented Mitchell as a folk icon, buoyed by songs like “Chelsea Morning” and “Both Sides Now.” Throughout the 1970s, Mitchell evolved her sound, further incorporating elements of jazz into her songs.

    While albums like Court and Spark dabbled with genre fusion, 1976’s Hejira fully realized this concept. Partnering with legendary jazz bassist Jaco Pastorius, Mitchell crafted songs that sounded leagues away from her prior folk work. Fittingly, this album is where Joni Mitchell Archives, Vol. 4 begins. Following this release was a period of unrivaled innovation by Mitchell. On 1977’s Don Juan’s Reckless Daughter and 1979’s Mingus – a collaboration with jazz great Charles Mingus – Mitchell fully embraced elements jazz fusion. 

    This album is the 12th release by the Joni Mitchell archives. The Grammy-winning series includes previously unreleased live recordings and studio outtakes. The multi-disc set features recordings hand-picked by Mitchell herself. The compilation’s tracks were salvaged and remastered from original stereo reels, cassette tapes, CD-Rs, and even a radio broadcast. Among the recordings are live recordings from Mitchell’s time with Bob Dylan’s Rolling Thunder Revue in 1975, and Anti-Nuclear Rally. Across the album’s tracks are collaborations with jazz greats like Herbie Hancock and Jaco Pastorious to Wayne Shorter and Pat Metheny.

    Joni Mitchell and Jaco Pastorius at the 1979 Berkeley Jazz Festival

    The compilation album additionally features three sets recorded in New York. First is a performance from the Nassau Coliseum in Uniondale, NY from February 20, 1976. The album only features one song from this performance. While it came as part of the tour for Hejira, the album features a recording of “For Free” from 1970’s Ladies of the Canyon. 

    Secondly are alternate versions of tracks from the 1978 Mingus sessions. The sessions were recorded at Greenwich Village’s legendary Electric Lady Studios. Originally commissioned by Jimi Hendrix, the studio was a recording hub throughout the 1970s. On top of Joni Mitchell, Stevie Wonder, Led Zeppelin, and David Bowie all recorded at the studio. The album features alternate versions of “Sweet Sucker Dance”, “A Chair in the Sky,” and “Sweet Sucker Dance” from these sessions.

    Joni Mitchell at Forest Hills Stadium 8/25/79

    The final New York recording comes as part of Mitchell’s August 25, 1979 performance at Forest Hills Stadium in Queens. The recording features tracks from Hejira and Mingus, which highlight Mitchell’s innovation during the period. Also featured in this recording are selected tracks from prior albums like “Big Yellow Taxi” and “Free Man in Paris.” 

    Joni Mitchell Archives, Vol. 4: The Asylum Years (1976-1980) releases on October 4th as a 6 CD set. Also releasing is an abridged 4LP vinyl release, featuring Mitchell’s personal favorite tracks. The compilation includes never-before-seen photos and liner notes by director Cameron Crowe. The liner notes include an exclusive interview with Mitchell with anecdotes from this period of her career. 

    Following the album’s release, Mitchell will headline the “Joni Jam” on October 19-20th. These performances at the Hollywood Bowl will feature a number of special musical guests. 

    Rhino Records will release Joni Mitchell Archives, Vol. 4: The Asylum Years (1976-1980) on October 4th, 2024. For more information on how to preorder the album, visit the link here. 

    Joni Mitchell Archives, Vol. 4: The Asylum Years (1976-1980) New York tracks

    Live at Nassau Coliseum

    Uniondale, NY, February 20, 1976

    19. For Free

    Mingus Sessions

    Electric Lady Studios, New York, NY

    Recorded & Mixed by Henry Lewy & Jerry Solomon

    3. Sweet Sucker Dance (Vocals & Drums Version – Take 5)

    4. A Chair in the Sky (Early Alternate Version – Take 6)

    5. Sweet Sucker Dance (Early Alternate Version)

    Live at Forest Hills Tennis Stadium

    Queens, NY, August 25, 1979

    Recorded by Joel Bernstein from PA mix by Ed Wynne

    7. Big Yellow Taxi

    8. Just Like This Train

    9. In France They Kiss On Main Street

    10. Coyote

    11. Edith and The Kingpin

    12. Free Man In Paris

    13. Goodbye Pork Pie Hat

    14. Jaco’s Solo/ Third Stone From The Sun

    15. The Dry Cleaner From Des Moines

  • Life Is a Carnival: Last Waltz Tour ‘24 To Stop in New York Five Times this Fall

    Continuing the tradition of capturing the excitement of The Band’s historic 1976 Thanksgiving concert at the Winterland Ballroom in San Francisco, Blackbird Presents has announced Life is a Carnival: Last Waltz Tour ‘24. A celebration of what many have hailed as the greatest live concert event of all time, this year’s tour will also celebrate the legacy of The Band’s co-founder, Robbie Robertson.

    Over forty-five years ago, The Band performed their final concert to a sold-out crowd with a who’s-who of music royalty in attendance. The evening culminated with “Don’t Do It,” The Band’s cover of Marvin Gaye’s “Baby Don’t You Do It.” After the last note, Robbie Robertson, The Bands’ lead guitarist, songwriter, and founding member, said, “Goodnight. Goodbye,” walking off stage, forever immortalizing this epic event.

    To adequately pay homage to The Band’s legendary performance, Life is a Carnival: Last Waltz Tour ‘24 will feature a star-studded lineup led by Ryan Bingham, Jamey Johnson, Mike Campbell, Benmont Tench (Tom Petty & The Heartbreakers), Don Was, John Medeski, Dave Malone, Terence Higgins, Cyril Neville, Mark Mullins and The Levee Horns (featuring the original horn arrangements of Allen Toussaint). Additionally, Lukas Nelson will be joining the tour for three special shows in Colorado. The multi-city tour will make a stop at the Beacon Theatre in New York on November 6 and The Capitol Theatre in Port Chester on November 7 and 8.

    “This band, made up of these artists, playing these songs, is what Don and I dreamed of when we began planning this tour. Now the dream is a reality. Do not miss these shows!” said Keith Wortman, creator and producer of The Last Waltz Tour franchise.

    A portion of the proceeds from the tour will be donated to local charities.

    Tickets go on sale Friday, August 16 at 10 a.m. Eastern Standard Time. For more details, visit The Last Waltz Tour’s website here. See below for all tour dates.

    The Band’s 1976 Thanksgiving concert at the Winterland Ballroom in San Francisco

    The Last Waltz Tour 2024 Dates & Locations

    Saturday, October 19 – The Warfield, San Francisco, CA

    Tuesday, October 22 – Revolution Concert House and Event Center, Boise, ID

    Thursday, October 24 – Mission Ballroom, Denver, CO

    Friday, October 25 – Boulder Theater, Boulder, CO

    Saturday, October 26 – Vilar Performing Arts Center, Beaver Creek, CO

    Tuesday, October 29 – Orpheum Theater, Omaha, NE

    Wednesday, October 30 – Coronado Theatre, Rockford, IL

    Friday, November 1 – The Louisville Palace, Louisville, KY

    Saturday, November 2 – Brady Music Center, Cincinnati, OH

    Monday, November 4 – Count Basie Center for the Arts, Red Bank, NJ

    Wednesday, November 6 – Beacon Theatre, New York, NY

    Thursday, November 7 – The Capitol Theatre, Port Chester, NY

    Friday, November 8 – The Capitol Theatre, Port Chester, NY

    Saturday, November 9 – The Met Philadelphia, Philadelphia, PA

    Tuesday, November 12 – Orpheum Theatre, Boston, MA

    Thursday, November 14 – Proctors, Schenectady, NY

    Friday, November 15 – Kodak Center, Rochester, NY

    Saturday, November 16 -Meridian Hall, Toronto, ON

  • KRS-One to Headline 4th Annual Tour For Life Concert At The Brooklyn Monarch

    This Sunday at The Brooklyn Monarch, MC’s better act like they know, as KRS-One headlines the annual Tour For Life concert this Sunday, August 18. Uniquely, Tour For Life is essentially a rap concert that also advocates for mental health awareness within the hip-hop community. At each stop, on-site therapists offer free sessions, live art, giveaways, community mending art projects, and performances. Presented by Full Blast Booking, a Connecticut-based booking company that specializes in booking tours, Tour For Life has raised over $60,000 for mental health non-profits over the past three years. Hence, this year’s tour will be raising money for organizations such as Mental Health Connecticut.

    KRS will headline Tour for Life this Sunday August, 18.

    Tour For Life’s Final Weekend

    Yet, Brooklyn will be the final stop for Tour for Life. This weekend’s performances, from August 15 – 17,  will see Tour For Life make stops in various neighboring east coast states including Rhode Island, Connecticut and New Hampshire. Meanwhile, performances will feature hip-hop headliners Sage Francis, Billy Danze of M.O.P., and Rome Streetz. Supporting this stop on the tour will be artists such as, Duece Bug, Konflik, Sosoon + Tony Dimes, DTaylz, Neema MC, Mickey Bourbon, Mic Hoffa, and more.

    With this intention, Tour for Life also works to provide a platform for legendary headliners, as well a the many talented and independent artists from all over the nation. Thus, with the tour’s final stop will see hip hop pioneer/legend KRS-One replace initial headliner Redman. However, with one of the most comprehensive discographies in hip hop as well as a bevy of thought-provoking lyrics, KR-One is no stranger to nuance nor the healing properties of rap music.

    Tour for Life Dates and Lineups

    8/15 Manchester, NH- The Shaskeen feat. Sage Francis + Akrobatik

    8/16 Providence, RI- Alchemy feat. Billy Danze of M.O.P.

    8/17 Hamden, CT- Cellar on Treadwell feat. Rome Streetz

    8/18 Brooklyn, NY – The Monarch feat. KRS-One (+ surprise guests)

    Set to begin at 6:00 p.m. at 23 Meadow St, tickets for Tour for Life’s closing weekend can be found on Full Blast Booking’s official website.