“Keep Marching On”- the closing number’s titular command that beautifully presented the recurring theme of the evening at the “No Matter What We Sing Out For Freedom” concert on October 28 at the NYU Skirball Center.
Presented by the New York Civil Liberties Union and the American Civil Liberties Union, the production featured an uplifting setlist sung by a who’s who of Broadway greats. The event also celebrated this year’s recipient of the Michael Friedman Freedom Award: Busy Philipps.
Sara Bareilles, Busy Philipps, and Katie Couric. Photo provided by NYCLU.
As the house lights went down to begin the concert, the NYCLU and ACLU sought to conjure the positive energy and love that was synonymous with Gavin Creel, the Broadway actor and civil rights advocate who passed away in September at the age of 48. Creel opened the show via a video of his 2011 “Sing Out For Freedom” performance of his original song “Noise”. The cautious optimism and hope expressed in his act would continue throughout the evening.
Sara Bareilles. Photo provided by NYCLU.
As the show went on, host Katie Couric introduced musical performances from Jasmine Amy Rogers, Jenna Bainbridge, Sara Bareilles, Ally Bonino, Nadia Dandashi, Eden Espinosa, J Harrison Ghee, The Good Liars, Hawley Gould, Christine Heesun Huang, Alex Newell, Liana Stamper, and Monica Nulia Ramirez. Following Bareilles’ stirring rendition of Kate Bush’s “This Woman’s Work”, she introduced her close friend and Girls 5eva costar Busy Philipps to receive the Michael Friedman Freedom Award.
Honoree Busy Philipps. Photo provided by NYCLU.
The Freedom Award, inaugurated in 2017 to recognize the work of people or organizations as humanitarians and activists, was presented to Busy Philipps on behalf of her advocacy and support for women’s rights. For all of her work in the civil rights realm, Busy Philipps joined an impressive roster of Freedom Award recipients including Shaina Taub, Harry Belafonte, and Alan Cumming.
Busy is the definition of ‘put your money where your mouth Is
Sara Bareilles
As the United States rapidly approaches Election Day, the speakers and musicians of the NYCLU and ACLU “No Matter What We Sing Out For Freedom” concert shared a message of simultaneous hope and urgency to make their voices heard.
J. Harrison Ghee. Photo provided by NYCLU.
Through music and speeches, audiences were motivated to take full advantage of their right to vote and make change. However, the organizations’ work will not end on November 5th. Katie Couric summarized the mission best when she exclaimed “whatever happens, we stand for freedom”. Regardless of what the next chapter holds, these organizations will in fact keep marching on.
Alternative/Reggae group Badfish have announced the “Gimme the Gold Tour 2025” which sees dates in Buffalo, Saratoga and Brooklyn in February.
For nearly 25 years, Badfish have channeling the music and live performance of reggae/punk/ska legends Sublime with a reverence to the ingenuity of Sublime’s songs – and a vibe all their own. Sublime is arguably one of the most influential and enduring acts of their generation. In 2001, Rhode Island-based Badfish was formed as a fun project with one goal: to perform the Sublime songs they knew and loved for fans who shared that love. It didn’t take long for this “fun project” to develop into a full-time touring endeavor that persists to this day.
Badfish regularly tallies over a hundred shows per year, performing at large-scale festivals and headlining theaters across the US. Now after two decades of celebrating the music of Sublime, Badfish is ready to kick into another gear with the release of some exciting new original tracks on Ineffable Records. Badfish recently released its second new track – the anthemic “F You Pay Me” (featuring Grieves) – as the follow up to the band’s first single “High With You” (featuring Little Stranger). The crowd’s enthusiastic response to these new songs makes them feel right at home alongside Sublime staples in the Badfish set.
Harnessing this new creative energy, Badfish is set to gear up for their 2025 “Gimme the Gold Tour.” The tour takes the boys around the country where they’ll surely keep the vibes high for some familiar faces and many new ones as well. Badfish’s tour sees three dates in NY on this tour. Firstly, in Buffalo at Town Ballroom on February 2, next in Saratoga Springs at Putnam Den on Feb 20, and lastly on Feb 21 at Brooklyn Bowl in NYC.
Badfish 2025 Gimme the Gold Tour Dates
1/23: Ardmore, PA | Ardmore Music Hall 1/24: New Haven, CT | Toad’s Place 1/25: Sayreville, NJ | Starland Ballroom 1/29: Charlottesville, VA | Jefferson Theater 1/30: Falls Church, VA | State Theater 1/31: Virginia Beach, VA | Elevation 27 2/1: Charlotte, NC | Amos Southend 2/2: Charleston, SC | Charleston Pour House 2/5: Oklahoma City, OK | Tower Theater 2/6: Tulsa, OK | Cains Ballroom 2/7: St Louis, MO | The Pageant 2/8: Fort Wayne, IN | The Clyde Theater 2/12: Columbus, OH | Newport Music Hall 2/13: Pittsburgh, PA | Thunderbird Music Hall 2/14: Buffalo, NY | Town Ballroom 2/15: Cleveland, OH | House of Blues 2/16: Wyandotte, MI | District 142 2/19: Killington, VT | Pickle Barrel 2/20: Saratoga Springs, NY | Putnam Den 2/21: Brooklyn, NY | Brooklyn Bowl 2/22: Boston, MA | Paradise Rock Club
For more information on Badfish and to purchase tickets to their upcoming 2025 “Gimme the Gold Tour,” click here.
K-Pop global sensation SEVENTEEN delivered two unforgettable nights of captivating performances, stunning costume changes, and lighthearted antics to New York’s own UBS Arena as a part of their SEVENTEEN [RIGHT HERE] World Tour, celebrating the group’s accomplishments and current endeavors alongside their international fanbase.
Photo: PLEDIS Entertainment
Since their last US tour in 2022, 13 piece K-Pop powerhouse SEVENTEEN has seen a skyrocketing level of success. The first Korean Pop act to headline Lollapalooza Berlin and perform on Glastonbury’s iconic Pyramid Stage, the group is no stranger to making and breaking records- they are, after all, the group responsible for the best selling K-Pop album of all time at more than six million sales with their release FML.
Currently embarking on their SEVENTEEN [RIGHT HERE] World Tour, the group looks back on what they have accomplished thus far and forwards into the exciting future ahead of them as they span venues across the United States and Asia- including New York’s very own UBS Arena in Belmont.
This tour’s two nights in Belmont marks the group’s fourth visit to the New York area, especially exciting for SEVENTEEN member and New York native Vernon who has noted that his memories of the city are especially precious as they are tied to touring with his group and being able to return to his birthplace time and time again thanks to the group’s global fanbase.
October 25 marked the first of two nights SEVENTEEN was to spend in New York, and the anticipation for the night could be felt well before the show had commenced- as all seasoned K-Pop fans will tell you, the concert truly begins hours prior. The closer to the venue, the more it was possible to pick out fellow Carats- that is to say SEVENTEEN fans (named in reference to the carats that make a diamond shine)- decked out in elaborate, fabulously curated, and sometimes even handmade outfits alongside positively glowing faces as they anticipated the show to come.
The themes for the night’s outfits were rather distinct- the first party donning seventeen’s signature color palette of pink, blue, and white, the second dressed in black and pops of sparkling red in reference to the group’s recent release “Maestro,” and the third subtle- or not so subtle- nods to fanbase favorite moments and inside jokes, including but not limited to member Hoshi’s passion for tigers and iconic “Horangae” claw pose and the now infamous black, red, and white jacket worn by two competitors on group-forming competition show Boys Planet where they performed SEVENTEEN’s “HOT”.
Outfits are only the beginning of the concert necessities, however. Carats carrying both official and custom pickets depicting the fan’s favorite member or a celebratory slogan, the group’s official light stick either freshly purchased or bedazzled to the gods, paper banners from fan projects with encouraging messages written in Korean for the members to see, and homemade goods for any and everyone lovingly referred to as “freebies” filled the halls of UBS, the merchandise and food lines a fanbase mixer and the concourse a runway.
Inside the Arena, the pre-concert sparkle was in full effect. Carats were excitedly syncing their light sticks for the corresponding light show to come, posing for photos, and exchanging even more freebies (I was gifted an adorable custom SEVENTEEN at UBS Arena photo card from a lovely blue t-shirt and face glitter clad duo as they made their rounds), singing along to the music videos playing and most noticeably- dancing.
Photo: PLEDIS Entertainment
For the uninitiated, dance is its whole own beast in K-Pop. Almost every single release comes with corresponding choreography that some fans will learn to the point of recording in fully produced videos or forming a group dedicated to covering their favorite artists’ moves.
SEVENTEEN in particular shines on the dance floor. The group’s dedicated performance unit includes members Hoshi, Jun, The8, and Dino, though it truly isn’t difficult to describe the entire group as a set of all-rounders- that is, artists who have mastered the dancing, singing, and rapping aspects of their career.
Just prior to the SEVENTEEN [RIGHT HERE] tour kicking off, it was announced that members Jun and Jeonghan would not be participating. As of September 26, Jeonghan began his mandatory South Korean military service, and Jun is currently exploring acting opportunities in China. While heartbroken, fans took the loss in stride, their presences felt in the arena throughout the night with pre-recorded vocals playing during their parts and accompanying visuals depicting the group as the full roster of thirteen. The two were sorely missed but present all the same.
As SEVENTEEN took the stage, the energy was electric. Wonwoo sang the opening line to “Fear” as the ring of backup dancers around him collapsed to the ground, the production leaning into full-on theatrics right off of the bat.
The red screen behind those on stage already split down the middle to reveal the remainder of the members stood upon a pyramid of stairs, their silhouettes a striking visual. By the time the full group had united on the main stage, fireworks had been set off and lasers were in full effect, setting an exciting precedent for the rest of the evening.
Captivating performances of “Fearless”, “MAESTRO”, “ASH”, and “CRUSH” followed with intermittent VCR interludes paired with an introductory ment from each member that established a communal excitement for the remainder of the show.
Photo: PLEDIS Entertainment
The first section of the night was concluded with a VCR that allowed for the first of many costume changes, which led directly into a series of unit songs that allowed each set of members show off their specialized skillset. First up was the hip-hop/rap line comprised of S.Coups, Wonwoo, Mingyu, and Vernon with “Water” and “MONSTER”, the former featuring an absolutely addictive bit of choreography in the final chorus and the latter feeling perfectly timed for a show just over a week prior to Halloween.
Photo: PLEDIS Entertainment
Once “MONSTER” wrapped, it was time for the performance/dance line to shine. Members Hoshi, The8, and Dino took the stage to perform the effortlessly smooth track “Rain” that emphasized the trio’s fluidity and body control and “Lilili Yabbay”, named after the verbal counts the dancers used to memorize the track’s choreography.
Photo: PLEDIS Entertainment
The vocal line- Woozi, Joshua, DK, and Seungkwan, took the stage after to perform “Candy” and “Cheers to youth”, the former perfect for a waltz in the rain and the latter a glitteringly nostalgic track that opened with corresponding confetti cannons and featured various polaroid photos of the members throughout the years behind them- a lovely testament to how far the group has come and yet another heartwarming nod to Jun and Jeonghan.
Introducing the next stage was a VCR depicting the group playing ping pong, showering one another in feathers during a pillow fight, and generally just enjoying one another’s company over a warm, homely backdrop. A metallic time machine-like structure delivered the group back on stage where they resumed their activities: lounging on bean bags, attempting a badminton rally, and playing basketball, the group’s familial rapport on full display.
The following performance of “Oh My!” was intermittently paused to allow the members to tease one another, attempt a shot at the basketball hoop, and generally just mess about on stage. It was almost surreal to observe their banter live after seeing the same rappport on their web variety series GOING SEVENTEEN, which in turn proved that yes, they are genuinely that silly in person.
In a dramatic turn of events just prior to the final chorus, the members turned to the time machine only to find it had malfunctioned… and dropped them in the middle of the jungle. Various dancers emerged from the stage in inflatable costumes and engaged the members in an over-the-top dance battle that had the audience at the edge of their seats between bouts of laughter.
SEVENTEEN has made it clear that they don’t take themselves too seriously, and it’s no wonder why- they don’t feel the need to. The sillier moments like an inflatable costume dance battle are counterbalanced with their flawless performance and sharpened skills that speak for themselves in a way that culminates in an air of effortless entertainment. The group knows they’re talented, and because of this have no qualms leaning into the silly and absurd.
“Oh My!” was followed by a series of lighthearted tracks including personal favorite “Snap Shoot” and the ever-vibrant “God of Music,” closing out the third section of the show.
Other tracks performed after a costume change into a palette of effortlessly stylish neutrals include the group’s recent release “LOVE, MONEY, FAME” in collaboration with DJ Khaled, the strikingly impactful “MARCH” that had pyrotechnics for days, and arguably one of the group’s most successful releases, “Super”.
As is tradition for most if not all concerts, the end of “Super” marked the point in which the artist would make a casual goodbye and the audience would put on an act of pretending there isn’t an encore to be anticipated ahead of them- however, SEVENTEEN’s encore comes with terms and conditions. In order to determine the encore stage’s length, fans must first prove themselves through the power of dance.
Cheers were heard throughout the stadium as the cameras panned from one fan to the next, dancing their hearts out to other fan favorite tracks absent from the set list, and lo and behold, the members re-appeared in their final outfits of the evening to perform “Adore U”.
Photo: PLEDIS Entertainment
Now came time for the time-honored SEVENTEEN tradition that every Carat dreams of experiencing at least once in their life. The real end of the show comes in the form of “VERY NICE”, or “AJU NICE” as it’s colloquially known, a track released on SEVENTEEN’s first album repackage. “AJU NICE” is iconic, “AJU NICE” is eternal, and “AJU NICE” is never ending- literally. The beginning of the song is a standard performance, the chorus exciting and bright, and then the members pivot to a dance battle with an audience member or pass the mic off to a fan near the barricade to sing a line or two, and plot twist- you’re right back in “AJU NICE”.
All of this to say night one in New York wrapped with a total of eight “AJU NICE”s that felt so complete as a conclusion there was no need for the pretense of elongated will-they-won’t-they departures, as SEVENTEEN had left everything out on the floor, just as Carats had from their seats- something “AJU NICE” made sure of. The perfect bow on the evening, night one of SEVENTEEN in New York had come to a close.
Photo: PLEDIS Entertainment
An absolute tour-de-force in live performance, SEVENTEEN is not a group to be overlooked regardless of whether or not you’ve ventured into the K-Pop world before. Perfectly balancing precise skills and unbelievable vocals with incredibly down to earth attitudes and a clear, genuine love for bringing their music to the stage, SEVENTEEN is a refreshing class act that knows they’re talented and isn’t afraid to be themselves all the same.
Setlist: Intro + Fear / Intro + Fearless / MAESTRO / Prelude + ASH / CRUSH / Water / MONSTER / Rain / Lilili Yabbay / Candy / Cheers to youth / Intro + Oh My! / Snap Shoot / God of Music / HOME / Intro + LOVE, MONEY, FAME (feat. DJ Khaled) (English Ver.) / MARCH / SUPER / Adore U / ’bout you / Campfire / VERY NICE
Dayglo Presents has announced the SOULSHINE concert benefiting relief and recovery efforts from hurricanes Helene and Milton at Madison Square Garden later next month, featuring household names like Dave Matthews Band, Warren Haynes Band, and more.
In the wake of unimaginable tragedy and loss, the music community has come together. Music holds the intangible power to bring folks of all walks of life together, forging new communities and strengthening old. Once more, musicians and fans alike will come together in the name of good for the SOULSHINE benefit concert on November 24 at Madison Square Garden for an evening of captivating live performances that make a real difference.
With a collective four million individuals without power, a death toll of just under 250, and entire communities destroyed, the paths Helene and Milton cut across the southeast United States was nothing short of devastating. In times of unimaginable loss like these, there is nothing more powerful than a community coming together- which is exactly what the folks at Dayglo Presents with Live Nation seek to accomplish with their SOULSHINE Concert Fund.
For one night only, acts like the Dave Matthews Band, Nathaniel Rateliff & the Night Sweats, the Warren Haynes Band, Goose, and more will come together under the roof of MSG to raise money for both hurricanes’ relief funds. Special guests for the evening include Trey Anastasio, Mavis Staples, Robert Randolph, Joe Russo, Trombone Shorty, Susan Tedeschi, and Derek Trucks.
Many of these acts are familiar with advocacy through their art- the Dave Matthews Band being designated the United Nations’ Environmental Goodwill Ambassadors in addition to raising over $65 million for a variety of hometown and global causes through various events and benefit concerts, and Warren Haynes being a beloved North Carolina figure and Asheville local for his annual Christmas Jam that has raised nearly $3 million for the Asheville Area Habitat for Humanity among various other accomplishments through his partnership with BeLoved Asheville. Haynes’ hometown of Asheville in particular was one of many communities hit by Helene’s unforgiving path- making the SOULSHINE concert all the more from the soul.
“Every year, it is my honor to host the Christmas Jam and give back to the community there, but this year, we need to do things a bit differently. I’m thrilled to partner with my good friends in Dave Matthews Band and so many other musician friends to bring ‘SOULSHINE’ to the iconic Madison Square Garden and help raise money for all those affected by both hurricanes throughout North Carolina and Florida. My heart is with you all and we look forward to creating a really special night!”
– Warren Haynes
Net proceeds from the evening’s performance will benefit the SOULSHINE Concert Fund at the Charlottesville Area Community Foundation, which will support Habitat for Humanity’s 2024 Hurricane Recovery fund in addition to a variety of nonprofits in North Carolina and Florida that are currently making crucial efforts on the ground.
In addition to all sales and donations made by folks attending, leading mortgage and lender and servicer Newrez has pledged $500,000 in support of SOULSHINE’s efforts to help the communities it serves recover and rebuild.
Tickets for the SOULSHINE Benefit Concert will go live on Friday, November 1 at 10:00 AM EST. For more information, donation opportunities, and ticket purchasing, please visit the SOULSHINE website here.
Bluegrass-Americana troubadours, GreenskyBluegrass have announced 17 new tour dates that will bring the band coast to coast. The tour includes a stop at Brooklyn Paramount on February 13.
The newly announced dates kick off on January 16 in Blue Lake, CA and include stops throughout California, Nevada and Arizona. Following their West Coast leg, the band will make their way to the East Coast for several shows, including two nights in Washington, D.C. and a stop at NYâs very own Brooklyn Paramount.
Fans can expect an unforgettable experience highlighted by their cross-genre blend of bluegrass, Americana, rock, and beyond. Greensky Bluegrass are widely known for their thoughtful lyricism, edgy and genre-expansive sound, dazzling live performances and relentless touring schedule. Some of the newly added dates include performances by Fruition and Railroad Earth.
However, that is only the tip of the complex tale of the five musicians that make up Greensky Bluegrass: Anders Beck [dobro], Michael Arlen Bont [banjo], Dave Bruzza [guitar], Mike Devol [upright bass], and Paul Hoffman [Mandolin]. The five are connected through a deep bond, just as they are seasoned road warriors, theyâre a band of brothers who have seen each other through decades of ups and downs, personal and collective highlights, and the moments when life turns it all upside down.
GREENSKY BLUEGRASS ON TOUR
October 31 @ The Refinery | Charleston, SC
November 1 @ The Underground | Charlotte, NC
November 2 @ The Eastern | Atlanta, GA
November 8 @ Avett Moon | Miramar Beach, FL
November 9 @ Highlands Food & Wine Festival | Highlands, NC
November 10 @ The Mill & Mine | Knoxville, TN
November 12 @ Tipitinaâs | New Orleans, LA
November 14 @ White Oak Music Hall | Houston, TX
November 15 @ Granada Theater | Dallas, TX
November 16 @ Stubbâs Waller Creek Amphitheater | Austin, TX
December 12-16 @ Strings & Sol | Puerto Morelos, MX
December 30 @ The Mission Ballroom | Denver, CO*
December 31 @ The Mission Ballroom | Denver, CO*
January 16 @ Blue Lake Casino | Blue Lake, CA
January 17 @ The Crystal Bay Club | Crystal Bay, NV
January 18 @ Fox Theater | Oakland, CA^
January 19 @ The Catalyst | Santa Cruz, CA
January 22 @ Orpheum Theater | Flagstaff, AZ
January 23 @ The Van Buren | Phoenix, AZ
January 24 @ The Wiltern | Los Angeles, CA
January 25 @ The Sound at Del Mar | Del Mar, CA
February 5 @ F.M. Kirby Center | Wilkes-Barre, PA
February 6 @ The Fillmore | Philadelphia, PA
February 7 @ The Anthem | Washington, D.C.
February 8 @ The Anthem | Washington, D.C.
February 11 @ Count Basie Center for the Arts | Red Bank, NJ
February 13 @ Brooklyn Paramount | New York, NY
February 14 @ College Street Music Hall | New Haven, CT
February 15 @ House of Blues | Boston, MA
February 16 @ State Theatre | Portland, ME
* with Fruition
^ with Railroad Earth
For more information on Greensky Bluegrass’ upcoming tour and to purchase tickets, click here.
ArtsWestchester presents the new exhibition Futures, in which artists tackle the question “What could the Hudson Valley look like in 100 years?”
Formed in 1965, ArtsWestchester is a not-for-profit cultural service organization that acts as Westchester County’s designated art council in addition to hosting special events and galleries, providing grants and various opportunities to local artists, and inviting local musicians and dancers into their space to perform.
An organization dedicated to cultivating the arts scene of Westchester and beyond, ArtsWestchester looks within its community once more for its newest project- and forwards. Futures, the newly opened exhibition housed in the organization’s building is an immersive and large-scale consideration of how the county will transform physically and socially over the next century.
“ArtsWestchester places artists at the center of imagining our region’s next chapter. Artists work at the intersection of visual culture, craft, architecture, and design. Through their perspectives in this exhibit, we aim to explore concepts of historic land ownership, building inclusive communities, creative placemaking, and sustainable development.”
– Kathleen Reckling, ArtsWestchester CEO
Contributing artists include Noelia Abreau, Inez Andrucyk, Sheila Benedis, Mia Brownell, Mike Depasquale, Amanda Dorval, Marielena Ferrer, Natalya Khorover, Martin Kruck, Jessica Maffia, Norman Mgnusson, Susan Manspeizer, Jorge Otero-Pailos, Teresa Pereira, Rachel Sydlowski, and VASH- all of whom offer their own unique perspective on Westchester in their respective pieces and the show’s planning at large.
Mike Depasquale: White, ArtsWestchester
Above all, Futures is a testament to the necessity of the arts in all aspects of life, especially the social wellbeing of the area and creatives’ capacity to generate productive conversations about what the future may hold for it. A rapidly redoveloping suburban and exurban community, Futures prompts the people of the Hudson Valley to consider the region’s future beyond their own and the visionaries of today and tomorrow that will be at the crux of such growth.
Funded in part by the National Endowment of the Arts, the Futures exhibition runs through January 12, 2025 in ArtsWestchester’s gallery during regular hours. For more information on how to visit and view Futures, visit the ArtsWestchester website here.
Shrines, the moniker of Brooklyn-based singer and musician Carrie Erving, self-released a new EP, Seasons, on October 18. The release was celebrated with a show at Brooklyn’s C’mon Everybody several days later on October 23.
Shrines (Credit: Shrines)
Labelled loosely perhaps as art pop, any effort at finding a straightforward pidgeon-hole for this work are likely to be confounded. In “Infinite Spring” (the EP’s opener) for example, what begins as brooding and operatic quickly finds itself morphed into rocky and club-adjacent.
Seasons, produced by Rosana Cabán (Psychic Twin, Cosas Cosas), spans four songs exploring the fragility of the individual seasons. At turns reflective, poppy and celebratory, Seasons documents the collective cognitive dissonance of the fluctuations between celebration and trepidation that arise while living in a time of rapidly escalating climate change. This may feel particularly relevant to those enjoying the 80 degree late-October heatwave.
The highlight of this work is Erving’s voice. One part classical vibrato, one part pop incantation, Shrines’ singing is given room to breathe with very little manipulation. A hint of reverb is applied just at the right moments to draw out some of the music’s spookiness.
In Seasons, Shrines’ lyrics suggest that allowing ourselves to savor the present moment may be one of the keys to grappling with the larger challenges of our time. Shrines’ new single and video, “Witch Season,” is her homage to spooky season. With lyrics drawing from themes in Irish traditional folklore, “Witch Season” explores getting lost in the woods, immersing oneself in the unknown, and reconnecting with one’s own wild nature, as the music crescendos into a mysterious, Stevie Nicks coded fever-dream.
Drawing comparisons to Björk and Sinead O’Connor, Shrines skillfully weaves influences of pop, electronic music, indie rock, and Irish sean-nós (traditional ‘old style’ Irish singing) into her music, delivering shimmering art-pop that The New York Times described as ‘spellbinding.’
New Orleans R&B band Tank and Bangas have announced their full 2024-25 tour schedule. The band will plays two nights in Port Chester as well as a four-night residence at the legendary Blue Note Jazz Club from November 7-10.
After releasing the deluxe version of The Heart, The Mind, The Soul (a three-part spoken word project) in late August, the collection is getting a physical release which will feature the new bonus track, “Is It Me You’re Calling.” In support of the album, Tank and the Bangas will embark on a solo cross country tour begining November 7 at the Blue Note Jazz Club. The band is also set to support TromboneShorty for a twelve-show run starting March 6 in Burlington, VT, through March 22 in Houston. See below for a complete list of dates.
Tank and the Bangas are Tarriona “Tank” Ball (lead), Norman Spencer II (Multi-Instrumentalist) with new accompanying members, CJ Knowles Jr (Drummer), Matthew MSkillz (Bass), Rob Kellner(Keys) and Etienne Stoufflet (Saxophone). The band rose to prominence in 2017 following their NPR Music Tiny Desk Contest victory.
By blending poetry, R&B, gospel, and pop and bringing it to a worldwide stage, Tank and the Bangas have been praised as one of the “best live bands in America” by NPR Music. In 2019, the band released their major label debut, Green Balloon, on Verve Forecast to widespread critical praise earning the band a Best New Artist nomination at that years Grammy’s. Their latest third studio album, Red Balloon received a nomination for “Best Progressive R&B Album” at the 2023 Grammy Awards.
As the red velvet curtain parted at TV Eye on Friday, October 18, McKenzie Iazetta of Trophy Wife stepped up to her microphone to cheers from the audience. The band’s lead singer wore a red and white polka dot dress with a skirt showing the tattoos down her legs, ending in frilly white socks and black velvet Mary Janes. She exerted complete control over the audience, standing like a pouty doll come to life with her hair glowing and eyes glinting in the stage lights as she strummed their opening song, “I Will Be Here.” Alongside her were bandmates Christian Pace on bass, Michael Martelli on drums, and Rowan Martin on guitar.
A month ago, a song called “Keep It” came across my Spotify Discover Weekly playlist. I had never heard of Trophy Wife, but the single’s cover caught my attention and I gave it a listen. I was instantly captured by the song’s vocals, which hover on the edge of breaking while constantly building in intensity. The drums have a raw, heavy sound like they’re pounding against the aluminum door of someone’s garage. The song builds and builds and builds from a cry to a wail as it asks the listener, “Do you want someone else to make it better?”
Trophy Wife followed this incredible single with two others leading up to the release of their first album, Get Ugly. The final single, “Swamp Song,” is another heavy hitter. Opening with the screeching frustration of amp feedback and pumping drums, giving way to sweeter vocals. It’s a bittersweetness that turns quickly to frustration and anger, with the song’s chorus introducing off-kilter guitar chords before cutting out everything in favor of croaking vocals.
“The Shame” is Trophy Wife’s most shoegaze-y offering on the album. It opens with a wistful guitar twang that conjures summer days. Then, as the drums grow more frenetic, we enter the first chorus, a breakdown that feels like heaving sobs with its all-encompassing distorted tone.
Behind it all is fantastic production across the entire album. The mix doesn’t leave any element behind, knowing exactly when to shift focus between instrumentation and vocals, allowing the totality of its emotional impact to reach the listener. This is a band punching way above their weight.
Trophy Wife’s drama and tone make them a unique act to witness. McKenzie Iazzetta’s vocal control is the key to that drama, riding the line between breaking and keeping it all together. They combine incredible technical skill with a captivating stage presence, ensuring their strong fanbase will only continue to grow.
Setlist: I Will Be Here, Magnet, Spit, Pedestal, The Shame, Beer n TV, Swamp Song, Keep It, Kicked, Again
Brooklyn-born country artist and songwriter Jessica Lynn has released the sixth and final pre-release single from her upcoming album All I Own, “Something ‘Bout You.”
Jessica Lynn’s connection to country and passion for combining music with philanthropy runs deep. With talents in piano, harmonica, drums, guitar, and vocals, she’s a musical force to be reckoned with. Brooklyn-born and community focused, Lynn regularly brought her musical performance to local children’s hospitals and nursing homes.
Eventually, her skills landed her at PBS where she performed concert specials for the network alongside an intense touring schedule where she shared the stage with the likes of Brad Paisley, Keith Urban, Loretta Lynn, ZZ Top, Richard Marx, and the list goes on.
In 2020, Lynn’s giving spirit was recognized through her employment by the U.S. Department of State’s Bureau of Educational and Cultural Affairs as a consultant to their American Voices program and a member of American Music Abroad, a project that has brought her across the globe as a musical ambassador for the country. In addition to performing, Lynn teaches a course titled “Tips & Tricks for The Independent Musician” that helps to ensure young musicians have equal opportunity in the music industry regardless of their roots.
Following her 2022 album Lone Rider, Lynn found herself struggling with a bout of postoperative complications from a routine sinus surgery that would develop into muscle tension dysphonia, or MTD. For many musicians and vocalists, MTD can spell the beginning of the end for their careers and voices as a whole – and yet Lynn persevered.
Her latest project and upcoming album All I Own is a testament to Jessica’s determination and refusal to lose something as precious to her as music. Recorded in 10-minute bursts of vocal effort, she channeled the weight of her recovery journey into every second of the tracks. Exploring double meanings and invitations for reflection in the listeners while fighting through her vocal injury determinedly, each of the ten tracks contains an overflow of emotion and a resolve to be heard.
“I started singing as soon as I could talk and I started my first band when I was 13. Music is all I’ve ever known and the thought of potentially never being able to sing normally again was a feeling I couldn’t quite put into words.”
– Jessica Lynn
All I Own has been officially announced for release on January 17, 2025, along with the publishing of the album’s final pre-release single “Something ‘Bout You.” Inspired by her experiences with her husband, Lynn’s newest single encapsulates the feeling of falling in love and experiencing incredible adventures alongside another person in the hopes of bringing listeners back to a special time of their own.
Complete with an insightful and personal tour diary style music video, the song’s warm and uplifting energy shines even brighter through on-stage shenanigans and adventures through Europe. While the kind of love Lynn writes about in “Something ‘Bout You” may have been romantic, the affection felt from fans around the world and the obvious adoration she holds for bringing her music to life on stage elevates the video even further.
The full ten tracks of All I Own are set to be released in January with “Something ‘Bout You” being the final single prior to the complete project- listen here.
Prior to the album’s release and coinciding with her annual A Very Merry Classic Christmas tour, Lynn will be releasing a four-song live EP of tracks from the show with all proceeds from the project going to support Toys for Tots, the same organization she partners with to spread her philosophy of equal opportunity for all young musicians and artists every year during the Christmas themed tour.
Complete with the talents of local musicians and dancers of each and every stop, tickets to Lynn’s A Very Merry Classic Christmas tour are on sale now. The full list of tour dates is below, including a total of four dates throughout New York State. For more information, ticket purchasing and keeping up on the latest on Jessica Lynn, visit her website here.
TOUR DATES
Weds, November 27: The Marilyn Performing Arts Center – Foxborough, MA
Fri, November 29: The Marilyn Performing Arts Center – Foxborough, MA
Sat, November 30: The Warner Theatre – Torrington, CT
Sun, December 1: The Newton Theatre – Newton, NJ
Weds, December 4: The Jefferson Center – Roanoke, VA
Fri, December 6: The Colonial Theatre – Phoenixville, PA
Sat, December 7: The Sherman Theater – Stroudsburg, PA
Sun, December 8: The State Theatre – Ithaca, NY
Tues, December 10: The Palace Theater – Syracuse, NY
Sat, December 14: The Paramount Theater Hudson Valley – Peekskill, NY
Sun, December 15: The Paramount Theater Hudson Valley – Peekskill, NY
Fri, December 20: The Acorn Center – Littleton, NC
Sat, December 21: The Acorn Center – Littleton, NC
Sun, December 22: The Acorn Center – Littleton, NC