NYS Music 2024

Category: Central NY

  • Grateful Dead Take One Last Step Back in the Carrier Dome: 10/20/84

    On Octorber 20, 1984, The Grateful Dead played their third and final show at The Carrier Dome in Syracuse. It would be the last East Coast show of their Fall 1984 tour, following two nights at Brendan Byrne Arena in East Rutherford, NJ a few nights prior. Playing to a clearly packed Dome, the Dead throw down a vintage show full of original classic and noteworthy cover songs.

    After a brief warmup, the band jumps headlong into a bubbly and downright perky “Bertha.” Brent Mydland is engaged right from the get-go and peppers this one with soulful organ fills throughout before Jerry Garcia takes his first prolonged guitar solo of the evening. It’s not quite a segue, but at song’s end there is an immediate shift to “Greatest Story Every Told” with Bob Weir taking over on lead vocals and Mydland supplying harmonies. Garcia’s tone, again, sounds immaculate on guitar, providing a thick, funky vibe to this one. Once completed, after a brief tuning lull, Garcia starts up “West L.A. Fadeaway” and the Dead are off and running again in the Carrier Dome. It’s a somewhat slow and moody “Fadeaway” that works nicely in this early slot in the first set and even features some slight vocal effects.

    Things shift back to a bluesy mood with Weir taking back the mic on a classic run through of “C.C. Rider.” The full band soon gets involved and this is a version that reeks of blues and stretches out naturally. At it’s conclusion, Weir plays the role of traffic cop and leads everyone’s favorite crowd instruction for those crammed up front in “Take A Step Back,” replete with super echoey vocal effects for good measure.

    With this seemingly resolved, the band then leaps into a pleasant and lively “Ramble On Rose” with Garcia belting out the lyrics flawlessly. However, afterwards, Weir gets even more dire and serious with a second and third renditions of “Take A Step Back” that seems to be for the benefit of the crowded “bug-eyed” folks up front at the behest of the fire marshal. It’s pretty remarkable that a venue as massive as the Carrier Dome can have the floor fill up to near fire-hazard capacities.

    Grateful Dead in Concert at the Carrier Dome, 20 October 1984

    After a quick jaunt through “My Brother Esau” that almost sounds like it’s cut off preemptively at the end, “Birdsong” then starts the ending sequence of the first set with a poignant version that again sees Garcia up to the task on vocals. This one bobs and weaves for a while enjoyably before eventually straightening out, eliciting a long round of applause from the Syracuse faithful.

    There would be time for only one more number in this set and the Dead make it count and then some with a pristine “Jack Straw.” Garcia and Weir belt out the poignant lyrics from the outset on this one before it slowly intensifies into its usual pace with Garcia leading the charge with some impeccable work on the fret board. Once finished, Weir notifies the crowd that they’ll be right back and makes one more plead for everyone to “take a step back” before they leave the stage. Was the floor just oversold? People sneaking in from the sides? Maybe a little of both.

    The second set later begins with an audio clue of sorts, as some signature funked out tuning licks give way to a full fledged “Shakedown Street.” The Dead rip through the composed section which contains some more echoey vocal effects, clearly taking advantage of the Carrier Dome acoustics. This elicits a thoroughly funked out jam that sees the rhythm section fully engaged and on point, led by bassist Phil Lesh. This leads directly into the drum-heavy intro of “Samson & Delilah” in a true segue that’s executed flawlessly. An extended intro fuels a powerful take on this classic Dead number that features some more timely organ fills from Mydland although it doesn’t get stretched out very far, coming to a fairly abrupt stop. Things then get considerably more mellow with a heartfelt take of “He’s Gone,” a nod to the late Pigpen, one of the founding members of the Grateful Dead. Both the “steal your face right off your head” and “nothing left to do but smile” lyrics get noticeable rounds of applause from the Carrier Dome crowd and Garcia drops some more dazzling guitar licks in the middle of this one.

    “He’s Gone” elicits another soulful, bluesy extended jam which feeds directly into a quasi-bust out of sorts with the return of “Smokestack Lightning.” Before its last performance eleven days ago in Worcester, this one hadn’t been played by the Dead since March of 1972. Some beautiful interplay between Garcia and Mydland highlight this performance which fuels one of the more sizable and extended jams of the evening. Once it begins to dwindle out, this sets the stage for the “Drums” portion of the show with Bill Kreutzmann and Mickey Hart, aka The Rhythm Devils, taking center stage on percussion.

    After the rest of the band returns to the stage, the closing leg of the show kicks off with “The Wheel” whose jam serves as the launching pad for a spirited “The Other One” that features some more sublime work on the piano from Mydland early on. It’s one of the more powerful songs of the whole show with Lesh dominating the rhythm on bass while Garcia throws in a bevy of fast-paced licks on guitar. As the jam lessens in intensity, it slowly funnels into a “Black Peter” with Garcia belting out the soulful lyrics flawlessly.

    Instead of getting stretched out, “Peter” shifts almost instantly to a rousing version of “Turn On Your Lovelight.” It sees Weir doing his best Pigpen impression with some soulful, freeform lyrics towards the end as the second set comes to a close. For an encore, the Dead treat the Carrier Dome to a cover of The Beatles’ “Revolution” with Garcia on lead vocals as the third and final show at this iconic Central New York venue comes to a close.

     View this show and more Grateful Dead shows from across the years in New York State with our interactive map below!

    View this and more Grateful Dead shows from across the years in New York State with our interactive map below

    Grateful Dead Carrier Dome – Syracuse, NY 10/20/84

    Set 1: Bertha-> Greatest Story Ever Told, West L.A. Fadeaway, CC Rider, Ramble On Rose, My Brother Esau, Bird Song, Jack Straw

    Set 2: Shakedown Street-> Samson & Delilah, He’s Gone-> Smokestack Lightning-> Drums-> The Wheel-> The Other One-> Black Peter-> Turn On Your Love Light,

    E: Revolution

  • Mihali Announces Annual Mihalidaze Tour Dates

    Singer-songwriter Mihali has announced the dates for his annual Mihalidaze tour spanning nine venues across the Northeast, including three nights around New York State.

    Photo by Dave DeCrescente

    Reggae artist Mihali Savoulidis has spent the past few years spreading his good vibes through sound and live performance. Formerly the frontman and founding member of rock band Twiddle, Mihali began his solo career formally in the midst of the Covid-19 pandemic in 2020, bringing in fans new and old with a series of singles and albums following in the following months and years.

    Most recently, Mihali has been on a collaboration streak, making tunes with the likes of Andy Frasco, Coyote Island, and Collie Buddz, in addition to touring the country as a solo headliner and supporting musical acts G. Love & Special Sauce and The Movement on their recent tours. 

    Wrapping his incredibly successful year in an exciting bow, Mihali has announced the 2024 dates of his annual ‘Mihalidaze’ holiday themed tour, returning to some of his favorite venues including a few in Syracuse, Saratoga, and Woodstock with both his live band and his solo looping act.

    Composed of Scott Hannay on keys, Adrian Tramontano on drums, Zdenek Gubb on bass, and Mihali himself on guitar and vocals, the band will kick off the tour in Massachusetts and make their way through the Northeast- including stops at the Westcott Theater on December 11, Putnam Place on December 12, and Bearsville Theater on December 14. A celebration of family, friends, and the holiday season, this tradition is not one to be missed.

    “Every year, I get super excited to announce my Mihalidaze celebrations. The holidays are so important for friends and family to come together and celebrate life, and I can’t think of a better way to do that than with live music!”

    – Mihali Savoulidis

    Tickets to Mihali’s Mihalidaze tour are available now- for more information on how to attend, ticket purchasing, and Mihali’s other adventures, visit his website here.

  • Syracuse fans “Lose Control” over Teddy Swims’ stellar performance

    Teddy Swims brought his I’ve Tried Everything But Therapy Tour to the historic Landmark Theatre in Syracuse New York on Tuesday, September 24, bringing a night of good vibes and excitement for the fans. Opening up with the “Goodbye’s Been Good To You,” the theatre became completely dark as Teddy made his way through the smoke to greet the excited fans.

    Teddy Swims performing at the Landmark Theatre in Syracuse on 9/24/24

    The Atlanta-born singer brought a mix of country, pop, funk, and R&B as fans were on their feet dancing the night away to Teddy’s hit “Broke” which was recorded with country artist Thomas Rhett. With his mix of versatility and unique personality, Teddy took the time to address the crowd in between songs thanking them for having him at Syracuse’s Landmark Theatre.

    Teddy Swims performing at the Landmark Theatre in Syracuse on 9/24/24

    Opening the night was Breland, a 29 year old rising pop/country artist from Burlington, New Jersey. The young singer moved around the stage with excitement as fans matched his energy, jumping up and down with excitement all night.

    Country-Rap artist Breland opening for Teddy Swims in Syracuse on 9/24/24

    Known for his stunning vocals, Teddy Swims closed out the show with his well recognized song “Lose Control.” Said to be his loudest show of the tour, the fans didn’t just come for the music, they came for the soulful interaction and shared experience from the 32 year old artist. Gearing up for shows in Boston, Washington D.C., and Philadelphia, the Atlanta-born artist is well on his way to becoming a household name with his stunning vocals and soulful performances.

  • Composer Dr. Shireen Abu Khader comes to Binghamton for “Memories from the Mediterranean” Concert

    The Southern Tier Singers’ Collective will “Memories from the Mediterranean,” a concert that sees music by composer Dr. Shireen Abu Khader on October 20 at 4PM at Saint James Roman Catholic Church in Johnson City, NY.

    Memories from the Mediterranean

    The concert features the world premiere of Rumor Mill, an STSC commissioned work by Palestinian-Jordanian composer Dr. Shireen Abu Khader featuring the poetry of Naomi Shihab-Nye.

    In addition to the world premiere of Rumor Mill, the Southern Tier Singers Collective gives a guided musical tour of countries surrounding the Mediterranean Sea, including the Levant, Turkey, Syria, Iraq, Spain, Greece, and Italy. The music encompasses works ranging from Gregorian and Greek chant to Renaissance polyphony, to arrangements of folk music from the region. This concert is generously sponsored in part by the Broome County Arts Council, WSKG, and the School of the Arts at Binghamton University.

    Dr. Abu Khader will join the Southern Tier Singers’ Collective for a weekend of workshops with students from Binghamton University and area high schools as part of her residency. Students will have the opportunity to hear her works and also experience a variety of Arabic percussion playing traditions. This presentation will conclude with a Q&A and discussion with the artists.

    To learn more about Memories of the Mediterranean featuring Dr. Abu Khader, click here.

  • Jimkata Go “Off the Rails”, Tour Begins in Buffalo at Babeville

    Get ready, Jimkata fans! The Psychedelic super pop jam band is back with a fresh new single, “Off The Rails” that’s set to be the soundtrack of your fall.

    Known for their electrifying blend of indie rock and synth-driven beats, Jimkata has been a staple of the indie music scene, and their latest track doesn’t disappoint. The single offers a glimpse into their upcoming album, Running In Place which is released Friday, October 4th and is packed with the band’s signature energy and fresh new vibes.

    To celebrate the release, Jimkata is hosting an Album Release Party Friday at Asbury Hall aka Babeville in Buffalo, and you won’t want to miss it! This is your chance to catch them live, hear your favorites plus hits off the new album, and experience the magic that only Jimkata can deliver. Big Something is opening the show.

    NYS Music spoke to Jimkata ahead of the show and album release.

    NYS Music: What kind of themes or stories are fans going to hear on this new album? Did anything unexpected inspire you guys this time around? 

    Jimkata: I think as musicians and individuals we’ve all been navigating our way through a lot of changes and challenges the last few years. We started working on this album as a three piece, sort of doing what we could here and there while touring and Packy and Aaron becoming new fathers, while also trying to fund the process entirely independently. It hasn’t always been easy the last few years but it feels like a “pressure makes diamonds” type of situation. In that time, we added Cooper into the band full time on bass/synths and have been discovering a new sound or really, just advancing it to a new level. It’s hard to sum it up musically or lyrically since I think it’s pretty diverse between songs but I know for sure I pushed myself into some new territory at times while writing and recording this one. There were plenty of unexpected “aha” moments.

    NYS Music: If you could describe the new album in three words, what would they be? What kind of wild ride can Jimkata fans expect?

    Jimkata: Full Spectrum Jimkata. We chose to incorporate both studio and live tracks to try to encompass where we’re at right now. It felt natural to end the album with the live stuff since this process began with a lot of isolated sessions, often just one or two of us working on a demo at home or with a producer. Then after playing a bunch of shows on the fall tour, building some chemistry on stage between the four of us, we knew we needed to get all of us in a room to work on the remaining new songs as a band and capture the vibe. I think the emotion of our songs gets amplified at shows because of the energy in the room and we wanted to show what that currently sounds like literally but also channel that into the studio stuff too.

    NYS Music: How do you decide which older songs to include in the setlist alongside the new tracks? Are there any fan favorites you always keep in rotation?

    Jimkata: Sometimes it’s by fan request. Someone messages us about wanting to hear a certain song one night and we say, yea lets do it. Sometimes it’s something one of us brings up in a rehearsal. Like, “Hey what about this song?”. Sometimes we feel like we need a certain tempo or vibe at a specific time in a set and there are a few that always seem to do the trick. Its kinda tough because we have so many to choose from now but we’ve been embracing the whole catalog a lot more these days. We definitely know which songs seem to be clicking with the crowd but are always testing out new ideas or further enhancing an old song.

    NYS Music: Any songs on the new album that ended up surprising you or going in a completely different direction than you thought?

    Jimkata: Almost all of them but probably the song Running in Place was the big surprise. It came together after a frustrating day in the studio where we seemed to be losing creative steam on a different song. We thought about what kind of song we needed vibe wise to round out the album and it just wasn’t it. Jocko (producer) asked if I had any other demos laying around and I rifled through a bunch of song ideas for them and the immediate reaction to Running in Place (aka ‘Spirals’) from everybody was, “Yea this one!”. We were getting really close, if not already past the deadline we gave ourselves so I went home and finished writing the song over the weekend and sent it around to everybody. We went back in and tracked it in a day and overnight we had this brand new tune that didn’t exist a week ago. Lyrically we felt like this idea of Running in Place resonated with how we felt about life lately- working your ass off trying to keep up with everything and in some ways feeling like you’re moving forward but other times like you’re just running on a treadmill. 

    The middle section on “Off the Rails” was also an unexpected moment of inspiration. We stumbled into the breakdown section while playing it live in the studio. Then weeks later, I’m driving there to record vocals, listening to the song, and I come up with this vocal idea. It’s almost insane sounding and we wanted to lean into that unhinged character. I really enjoyed yelling like a crazy person in the vocal booth, something I’m not sure I’ve done before but clearly was exactly what I needed to do and is probably a more accurate portrayal of how stressful life has been at times in the last few years for me. “

    NYS Music: What’s one piece of advice you’d give to upcoming and inspiring indie artists trying to find their voice and grow their audience in today’s music scene?

    Jimkata: We don’t really know what to tell anyone since it seems like today’s landscape is very different from the one we started with and even the “professionals” are always trying to figure out what the hell is going on. However, we’ve seen a lot of things come and go in a short amount of time and things change, but some things remain true. Obviously social media is important, but I’d say don’t forget to just get out there and play a show, a party, whatever. Get together with friends and jam, go to shows and meet other musicians, other bands. Don’t be afraid to make mistakes, suck, mess up in front of people, write songs you might not like later. Just laugh and learn from it. With a world of talented people on a screen in our pockets it can be intimidating and feel like maybe you’ll never be “good enough” to put yourself out there. But music is art, expression. It’s not always about technical ability although that’s important too. It’s about expression and having fun and sharing an experience with others not just on a screen, but in person.”

    For more on Jimkata, visit their website here.

    To purchase tickets to the album release party, click here.

    2024 Running In Place Tour Dates

    10.04 Asbury Hall at Babeville • Buffalo, NY

    10.17 Mercury Lounge • New York, NY

    10.18 Soundcheck Studios• Pembroke, MA

    10.19 Arch Street Tavern • Hartford, CT

    10.25 Appalachian Brewing Company • Harrisburg, PA

    10.31 The Stone Church • Newmarket, NH

    11.01 Nectar’s • Burlington, VT

    11.02 Waterhole • Saranac Lake, NY

    11.08 Indian Ladder Farms Cidery and Brewery • Altamont, NY – **Jimkata Beer Release**

    11.15 Pearl Street Warehouse • Washington, DC

    11.21 The Philmore• Grand Rapids, MI

    11.22 Bourbon on Division • Chicago, IL

    11.23 Kenny’s Westside • Peoria, IL

    12.12 Thunderbird Café & Music Hall • Pittsburgh, PA

    12.14 Deep Dive • Ithaca, NY

  • Jamie McLean Band To Bring One Step Forward Tour Across New York

    New York City based Americana and roots-rock group Jamie McLean Band will be bringing their One Step Forward Tour, celebrating their upcoming release of the same name, to four venues across New York State.

    A triple threat of New Orleans soul, middle Americana roots, and New York City dazzle, Jamie McLean Band create energetic and captivating live experiences each and every time they step on to the stage. Fronted by McLean himself with southern soul vocals, deft guitar skills, and heartfelt, profound songwriting, the band’s live performances are brought to life with the collaboration of drummer Brian Griffin, bassist Chris Anderson, and the return of Jamie McLean Band’s original keyboardist, Jon Solo.

    Following six albums, several singles, and a handful of live releases, Jamie McClean band returns with One Step Forward, to be released on October 25. Featuring themes of life, loss, and love, the tracks of One Step Forward explore the bright lights that provide joy and motivation as well as the heavier experiences of loss and grieving. 

    Written after the loss of a dear friend to suicide, one of the most poignant tracks on the album “Don’t Leave Us Now” grapples with the tragedy and calls listeners to action- to help the ones they love around them, and to help themselves, as there is no shame in being the one in need.

    The One Step Forward Tour, which began on August 22 in Pawling, coincides with their upcoming release and will continue throughout the country- including upcoming stops at the Falcon in Marlboro on October 4 and The 443 Social Club & Lounge in Syracuse on October 12, in addition to later dates at the Colony in Woodstock on November 8  and the Drom in New York City on November 22.

    Tickets for the tour are on sale now. Visit Jamie McLean Band’s website here for further information and ticket purchasing.

    The full list of upcoming tour dates is featured below.

    TOUR DATES

    October 4 – Marlboro NY

    October 12 – Syracuse NY

    October 13 – Waterbury VT

    October 17 – Richmond VA

    October 18 – Vienna VA

    October 25 – Boston MA

    October 26 – Providence RI

    November 1 – Fairfield CT

    November 2 – Westerly RI

    November 8 – Woodstock NY

    November 9 – Egremont MA

    November 15 – Columbia MD

    November 16 – Hampton VA

    November 17 – Lewes DE

    November 22 – New York NY

    November 23 – Ardmore PA

    November 29 – Narragansett RI

    November 30 – Portsmouth NH

    December 5 – Monkton MD

    December 6 – Greensboro NC

    December 7 – Asheville NC

    December 8 – Charlotte NC

    December 11 – Atlanta GA

    December 12 – Charleston SC

    December 13 – Durham NC

    December 14 – Roanoke VA

  • Billy Joel and Sting to Play at JMA Dome in Syracuse

    Billy Joel will return to the Dome in Syracuse for his 8th career performance, and he’s bringing along Sting with him. The pair will rock the JMA Wireless Dome on Friday, April 11, 2025.

    billy joel sting syracuse

    The iconic musicians will each perform their most beloved songs from throughout their illustrious careers. The spectacular show is Billy Joel’s eighth appearance at the JMA Dome and first since 2015, a record-breaking statistic.

    billy joel sting syracuse
    Billy Joel and Sting Syracuse jerseys – photo by CNY Central

    This show will mark Sting’s first time at the JMA Dome as a solo artist, having appeared twice before in performances with The Police in 1982 and 1984).

    “We’re excited to have both Billy Joel and Sting back at the JMA Dome. Both have been here before and have helped draw some of our biggest audiences to date. With this show, Billy will be extending his record number of Dome performances to eight over a nearly 25-year period. We’re grateful to again work with Live Nation on another big concert event and can’t wait to host it. It’ll be a great show,” said Pete Sala, vice president and chief campus facilities officer, managing director of JMA Dome.

    Tickets go on sale on Friday, October 4 at 9 a.m. here.

  • The Night Sweats with My Morning Jacket: The Syracuse Summer Concert Season is Officially Closed

    Nathaniel Rateliffe and the Night Sweats and My Morning Jacket have been trekking up the eastern US with a late summer double-bill that has inched over into autumn. Turning the corner into the last week of the tour, they took a daring swing up to Syracuse on September 24, testing the city’s notoriously unpredictable weather.

    Which, it turned out, was actually quite predictably miserable. Low 60s and a a nagging rain. But the hardy crowd was well prepared, and welcomed the rare chance at an early autumn outdoor pavilion concert, the last of the “summer” season at the Empower FCU Amphitheater at Lakeview.

    The bands took comfort in the Upstate NY weather. Jim James proclaiming in a very Jim James way, “Feels good to have the winds of Syracuse blow through my soul!” and Nathaniel Rateliffe, while apologizing to the wet and cold fans out on the lawn, said “This is actually perfect weather for me.” Coming after a couple weeks in the hot South it was no wonder.

    James and Rateliffe are two highly engaging front men, each able to corral both their bands and the audience into a symbiosis, while also managing the flow and energy with skill and ease. The similarly equipped bands, navigate similar but unique sounds. The Night Sweats approach Americana from a Soul Revue angle while My Morning Jacket comes at it with an updated Classic Rock focus. They each took their 90 allotted minutes and made the best of it, seamlessly flowing songs together with very little breaks. It was a match made in live music heaven, and the audience was taken on a fabulous three-hour journey.

    My Morning Jacket took the stage first on this night. Jim James strode out in an all white suit, questionable after Labor Day as it was, but then again James has always played by his own rules. After searing takes on a couple newer tunes out of the gate, “Regular Scheduled Programming” and “Penny For Your Thoughts,” the band settled into the comfort of some well-worn material.

    “Lay Low” arrived early with late set energy and a finishing run of “I’m Amazed,” “Gideon,” “Evil Urges,” “Mahgeetah,” and “Wordless Chorus” was a non-stop parade of hits, energizing the My Morning Jacket faithful while rousing the interest of the larger Night Sweats contingent. But the set hung it’s hat on a monster “I Will Sing You Songs” that was as beautiful as it was ferocious. It’s ending swirled for a long while in and out of a spacey interlude, building up and down out of formlessness for a secondary climax that didn’t quite explode before petering out altogether.

    The relentless energy of My Morning Jacket is a tough act to follow, but Nathaniel Rateliffe and the Night Sweats are no slouches. They came out swinging with “Suffer Me,” their three-piece horn section giving that added punch of color. Whether rollicking on the piano at the back of the stage on, fronting on guitar, or bounding across the stage with a tambourine, Rateliffe was in command and had the crowd on their feet and singing along for the entirety of the set. Their core sound was stretched to cover a lot of ground with the New Orleans blues of “Slow Pace of Time,” the atmospheric folk of “And It’s Still Alright,” the country jaunt of “Hey Mama,” and the bring-the-house-down gospel of “S.O.B.”

    The night came to a head with a show-closing cover of Traffic’s “Feelin’ Alright” that had both bands merging for a very fun onslaught of sound that pulled out the best from both units. The last show of the amphitheater’s season was an early autumn treat that had everyone in Syracuse feeling alright.

    photos by Brian Ferguson

  • Guest Host Jane Zell Kicks Off Oswego Music Hall 2024-25 Season September 27

    The Oswego Music Hall has announced their latest calendar listings from September 27 to December 7. Kicking off this season of events is guest host Jane Zell, who steers the series into action.

    All ages and experience levels are welcome at the Oswego Music Hall. Budding performers, singer-songwriters and musicians of all genres are given an opportunity to perform in a supportive environment using cutting edge professional sound and lighting equipment.

    Syracuse Native, Jane Zell finds her groove in musical variety. Influenced early on by the country blues, Jane learned to finger pick and lace single lines into her rhythm playing. She performs classic covers along with crowd pleasing originals laced with blues, funk, and jazz. A solid guitar player, vocalist and songwriter, Zell’s performances are upbeat, warm, expressive, and oft-times willful.

    Guests can expect the National Stage 47th Season. This series contains five shows each with a unique and enchanting musical performance. This season includes shows by Alice Howe & Freebo, Peter Mulvey, Carsie Blanton, Abbie Gardner, and the McKrells.

    The wheelchair accessible venue is located in the McCrobie Civic Center, on 41 Lake Street in Oswego. It is adjacent to Breitbeck Park and overlooks Lake Ontario and the Oswego Harbor. The atmosphere is intimate with candle-lit tables surrounding a small stage with light refreshments available.

    Oswego Music Hall is a family-friendly, non-profit organization  that has been run entirely by volunteers since its inception in 1977. Volunteers can earn admission to shows through various tasks — from running the sound board to making popcorn. Students can also earn credit for community service.

    Alice Howe and Freebo

    2024 Oswego Music Hall Events Calendar

    National Stage 47th season                                              

    Sept   28        Alice Howe & Freebo w/Cam Caruso opening                                        

    Oct     19        Peter Mulvey w/ Mark Wahl opening      

    Nov.     2        Carsie Blanton                    

               16       Abbie Gardner w/Ryan David Green (from Ryanhood) opening                    

    Dec.     7        The McKrells

    Open Mic Friday

    Sept.   27        Jane Zell

    Oct.     18        Steve Watson

    Nov.      1        Bob Raymonda

    Nov.    15        Rich Hart

    Dec.      6        Marc Warner

    Guest Curator Jazz-by-the-Lake

    Oct.     26        Opus Black Strings (Jazz-by-the-Lake)

    Nov.    23        Taj (Jazz-by-the-Lake)

    Carsie Blanton

    For more information on Oswego Music Hall’s upcoming events and to purchase tickets, click here.

  • Buffalo Band Far Trio Announce Live Shows

    Far Trio will embark on a fall tour that will amount to 14 dates across New York through Sep. and Oct. ahead of their new album expected next year.

    Far Trio

    Far Trio is an “earthy fusion” band from Buffalo that was formed over a decade ago in Fredonia, NY. They are going on tour this fall bringing their unique blend of soul, blues, and singer-songwriter vibes to audiences throughout New York State.

    Eamon Rayhn (vocals, bass), Drew Azzinaro (vocals, guitar), and Ethan Fox (drums) form the band which has been a fixture in the region’s music scene for the past five years. They have performed over 150 shows annually across cities like Buffalo, NYC, the Finger Lakes, Philadelphia, and the Hudson Valley.

    Far Trio has played at renowned venues including The Bitter End, Rockwood Music Hall, Shakti Lounge, So Far NYC, and major jazz festivals such as The Northwest Jazz Festival and Carnegie Jazz Festival. They have earned critical acclaim for their fresh takes on classic songs by artists such as John Lennon and The Allman Brothers, and their original compelling compositions.

    In 2022, Far Trio released their second album, Ordinary Moments, recorded in Woodstock, NY, with legendary producer Scott Petito (James Taylor, Chick Corea, John Scofield). The album features 14 tracks ranging from soulful singer-songwriter tunes to raunchy blues-tinged grooves. This latest work showcases the band’s evolution as a unit, with each member augmenting the others’ compositions and delivering a diverse sound that captivates a wide audience.

    The band has stated that a new project is on the horizon for next year, the band continues to write, experiment, and create music that transcends genres while keeping its soul firmly rooted in the earthy fusion they are known for.

    Learn more here.

    New York Tour Dates:

    Sept 28th – Locktoberfest, Lockport

    Sept 29th – Grist Iron, Burdett

    Oct 4th – Opening for Joe Marcinek at Palace Theater, Lockport

    Oct 5th – Tap and Brew, Niagara Falls

    Oct 10th – Stamford Coffee, Stamford, NY

    Oct 11th – Scale House, Hector

    Oct 12th – Greenwolf, Middleburgh

    Oct 13th – Twin Star Vineyards, New Paltz

    Oct 18th – Bright Eyes, Long Beach

    Oct 19th – Red Shed, Cooperstown

    Oct 20th – Tasting Lab, Greenville

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