Category: Central NY

  • Binghamton Philharmonic Orchestra Presents “Other Worlds: Superheroes, Fantasy, and Sci-Fi” on May 4

    The Binghamton Philharmonic Orchestra will perform “Other Worlds”, featuring superheroes, fantasy, and Sci-Fi soundtracks, at the Broome County Forum Theatre in Binghamton on May 4.

    Other Worlds

    The dazzling display of film and TV soundtracks from the best in fantasy and sci-fi, along with special musical appearances from the Marvel and DC cinematic universes will be led by Maestro Daniel Hege. Daniel is a Philharmonic who will play the scores of genre favorites like Game of Thrones, Lord of the Rings, and Avatar, as well as contemporary classics such as Wonder Woman and Black Panther

    The concert will be preceded by the unveiling of the Philharmonic’s new bass drum, which was designed by ErgoSonic Percussion. ErgoSonic President Ken Turner and Principal Percussionist Sam Lazzara will present this special drum, which is acoustically constructed to match the requirements of the orchestra, at 6:30 p.m. on the Forum stage. They will also dedicate it to the Binghamton Philharmonic Orchestra and the City of Binghamton.

    The Philharmonic will be honoring first responders, as the Sponsored Nonprofit for the performance. With the kind assistance of IBM, the Philharmonic’s Community Engagement and Education Sponsor, will offer free tickets to members of the local police, fire, ambulance, and emergency medical technician departments as well as their families.

    Tickets are $25 to $65. Kids 17 and under attend free. For more information, Fans can contact the Binghamton Philharmonic Box Office at 607-723-3931 or visit www.binghamtonphilharmonic.org.

  • Pitbull Announces Highly Anticipated “Party After Dark” Tour with 5 Dates in New York

    Global superstar Pitbull has announced his upcoming “Party After Dark” tour beginning August 21 and wrapping up October 5. The tour sees five stops in New York including, SPAC, Jones Beach, Forest Hills Stadium, Darien Lake, and Syracuse.

    The “Party After Dark” tour plans to hit over 25 cities across the U.S. with special guest T-Pain and openers SiriusXM Globalization DJ’S. Lil Jon is also set to make appearances at select markets. Mr. Worldwide is set to deliver another incredibly dynamic tour with an electrifying mix of his biggest career-spanning hits of instantly recognizable smashes and surprises. 

    The tour sees a stop at Forest Hills Stadium in Queens on August 25. Pitbull makes his way to Darien Lake Amphitheater in Buffalo on September 6. Empower FCU Amphitheater in Syracuse gets a visit on September 7, then SPAC the following night. Lastly, September 12 sees the tour’s last NY stop at Jones Beach Amphitheater in Long Island.

    PARTY AFTER DARK TOUR DATES: 

    Wed Aug 21 – Bristow, VA – Jiffy Lube Live  

    Fri Aug 23 – Virginia Beach, VA – Veterans United Home Loans Amphitheater  

    Sat Aug 24 – Hershey, PA – Hersheypark Stadium  

    Sun Aug 25 – Queens, NY – Forest Hills Stadium  

    Thu Aug 29 – Cuyahoga Falls, OH – Blossom Music Center  

    Fri Aug 30 – Tinley Park, IL – Credit Union 1 Amphitheatre  

    Sat Aug 31 – Milwaukee, WI – American Family Insurance Amphitheater  

    Sun Sep 01 – Noblesville, IN – Ruoff Music Center  

    Wed Sep 04 – Clarkston, MI – Pine Knob Music Theatre  

    Fri Sep 06 – Buffalo, NY – Darien Lake Amphitheater  

    Sat Sep 07 – Syracuse, NY – Empower FCU Amphitheater at Lakeview  

    Sun Sep 08 – Saratoga Springs, NY – Broadview Stage at SPAC  

    Thu Sep 12 – Wantagh, NY – Northwell Health At Jones Beach Theater  

    Fri Sep 13 – Hartford, CT – Xfinity Theatre  

    Sat Sep 14 – Bangor, ME – Maine Savings Amphitheater  

    Sun Sep 15 – Mansfield, MA – Xfinity Center  

    Wed Sep 18 – Burgettstown, PA – The Pavilion at Star Lake  

    Thu Sep 19 – Cincinnati, OH – Riverbend Music Center  

    Sat Sep 21 – Ridgedale, MO – Thunder Ridge Nature Arena  

    Sun Sep 22 – St. Louis, MO – Hollywood Casino Amphitheatre 

    Wed Sep 25 – Salt Lake City, UT – Utah First Credit Union Amphitheatre  

    Fri Sep 27 – Ridgefield, WA – RV Inn Style Resorts Amphitheater*  

    Sat Sep 28 – Auburn, WA – White River Amphitheatre  

    Thu Oct 03 – Chula Vista, CA – North Island Credit Union Amphitheatre*  

    Fri Oct 04 – Phoenix, AZ – Talking Stick Resort Amphitheatre  

    Sat Oct 05 – Albuquerque, NM – Isleta Amphitheater  

    *with Special Guest Lil Jon 

    Tickets go on sale beginning on Friday, April 26 at 10 AM at LiveNation.com. For more information on Pitbull’s upcoming “Party After Dark” tour click here.

  • Grateful Dead Play Their Lone Cortland Show: April 18, 1971

    1971 was an incredibly busy touring year for the Grateful Dead and on this day in April they found themselves in Cortland, NY for the first and only time. The band toured the East Coast extensively all throughout this month, playing a slew of auditoriums, music halls and college campuses as they continued to build their brand.

    With plenty of gigs scheduled in New York City, this show at SUNY-Cortland’s Lusk Field House would be their only one in Central New York and the entire region was clearly on board. Tickets could be purchased in Ithaca, Binghamton and even the Syracuse University bookstore. Those that went were treated to a good one as the Dead would continue to hone their new originals, play an extremely rare cover song and take another one around the block and back.

    The Dead jump off the starting block with a guitar-driven and passionate “Cold Rain and Snow.” The triumvirate of Jerry Garcia, Bob Weir and Phil Lesh are turned up high in the mix and don’t disappoint. After “Snow” comes to end with a flurry of heavy vamping from all involved, and a quick PSA from Garcia harkening someone to come up to the side of the stage, “Me and My Uncle” starts up and gets played in pristine fashion with Weir leading the charge on vocals. The “Bertha” that follows gets the same treatment and shows the band clearly getting nice and familiar with this newer song that only debuted a few months ago.

    Another song fairly new to the live Dead catalog at the time was their cover of “Me and Bobby McGee.” This too gets played with a noticeable comfort and ease with Garcia adding some extra tasteful guitar licks between early verses and Bill Kreutzmann serving as a one-man wrecking crew on drums. A clearly relaxed and engaged Grateful Dead then attempt to honor the Cortland audience’s request to get some spotlights turned off. Lesh comments that this “isn’t the spacecraft assembly building or anything” with Garcia sarcastically intimating that it just might be.

    Pigpen then gets his lone spotlight of the first set and leads the band through a no-frills “Next Time You See Me.” At this point, the band reengages their war with the lighting crew who get caught trying to turn some lights back up. Things get so (comically) animated that Pigpen even gets involved! That’s right, rare Pigpen banter. And this one is a gem.

    Like nothing ever happened, the Dead then close out the first set in Cortland with their now traditional one-two pairing of “China Cat Sunflower” and “I Know You Rider.” The “Rider” starts off at a slightly slower pace but the crystal clear segue is right there and Garcia delivers a hellacious guitar solo before the set ends with a fairly standard run through of “Casey Jones.”

    The second set begins with some heavy wah-wah effects on guitar as “Sugar Magnolia” begins with Weir leading the way on vocals. The psychedelic guitar interplay makes for a brief rousing jam before Weir reels it back in. The next selection is a true Grateful Dead rarity with Garcia taking over on vocals for a cover of Smokey Robinson’s “I Second That Emotion.” It was played by the Dead only seven times ever, with all of them in April of 1971. Although it would later reappear on Jerry Garcia Band setlists in the future. His stirring guitar solo on this one adds just the right amount of soul and shows why.

    The Dead then delve back into their song book of originals and roll through “Truckin’” with the “Up to Buffalo” lyric getting a noticeable hand from the Cortland crowd. This sets the table for the true exploratory jam of the night with a short but joyous romp that features some cohesive interplay between Garcia and Lesh on bass serving as the musical engine.

    The second one comes with the “Hard to Handle” that follows, with Pigpen once again on the mic, delivering one of his signature cover songs. He flies through the verses with ease and typical swagger and then immediately launches into a semi-coherent, bluesy scat-rap hybrid over a bed of steady groove supplied by the band. It’s essentially the Dead backing up Pigpen as he improvises before he exits stage right and the band takes their turn with a veritable funk jam that slowly gets more and more aggressive before coming to a peak.

    The Dead then continue to trot out more of their newer originals that debuted earlier this year at Capitol Theatre in Port Chester. “Loser” features a pair of Garcia guitar solos rich in emotion with the second one played in a perfect tone. “Playing In The Band” follows and while it’s clear the band has the compositional part of this song down pat by now, there’s yet to be any sort of supplemental jam added to it.

    One of the final musical statements from the Dead on this night in Cortland is a massive cover of The Rascals” “Good Lovin’” with Pigpen once again belting out the vocals. Once the lyrics come to an end, almost immediately a one-man “Drums” section begins with Kreutzmann using every inch of the drum kit for several minutes. Instead of moving on to something else, the band jumps right back into the “Good Lovin’” jam and Pigpen reemerges for another stream of conscious-like, bluesy rap with this one exploring various employment opportunities and the “nookie business.” This eventually fades out and the band takes over once more with a brief jam before reshaping it back into the conclusion of the song, serving as one of the true highlights of the show.

    A tame, in comparison, “Uncle John’s Band” then closes out the one and only Grateful Dead show in Cortland, NY. The band would get a few days off after this show and then continue their assault on the Northeast with shows in Providence, RI and Bangor, ME scheduled after that before a legendary run of shows at New York City’s Fillmore East the following week.

    Vist archive.org for a track by track listing of the show.

    View this and more Grateful Dead shows from across the years in New York State with our interactive map below

    Grateful Dead – Lusk Field House, Cortland, NY – April 18, 1971

    Set 1: Cold Rain and Snow, Me and My Uncle, Bertha, Me and Bobby McGee, Next Time You See Me, China Ca Sunflower > I Know You Rider, Casey Jones

    Set 2: Sugar Magnolia, I Second That Emotion, Truckin’, Hard to Handle, Loser, Playing In The Band, Around and Around, Good Lovin’, Uncle John’s Band

  • Cayuga Chamber Orchestra Announces Brahms and Glière This April

    The Cayuga Chamber Orchestra has announced its third Chamber Series Concert of the 2023-24 season, Brahms and Glière, a program featuring a rich array of musical offerings performed by CCO musicians and friends on April 21 at 3:00 pm at the First Unitarian Church, in Ithaca.

    Cayuga Chamber Orchestra

    The CCO was founded in 1976 and is officially designated “Ithaca’s Orchestra.” Each season includes an Orchestral Series, Chamber Music Series, a Holiday concert, a Family Concert Series, and the long-standing Willard Daetsch Youth Outreach Program, which earned the 2015 Yale Distinguished Music Educator award. In 2017, the CCO added a Youth Orchestra, which offers a high quality symphony orchestra experience for youth in Ithaca and the Finger Lakes region of New York State.

    The concert will include musicians Rhiannon Banerdt, Christina Bouey, Anthony Bracewell, Sarah Chandler, Steven Harmon , Grace Ho, Wendy Mehne, Paige Morgan, Vadim Serebryany, and Taylor Smith.

    The program will feature Glière: Selected Duets for violin and cello, from Op. 39, JÚLIO Medaglia: Belle Epoque in Sud America for woodwind quintet, Grant Cooper: Octagons for clarinet and string quartet, and Brahms: Trio for violin, piano and horn in E-flat Major, Op. 40. “We are eagerly anticipating our next Chamber Series concert,” said Managing Director, Sarah Chandler. “Our musicians performed for sold out houses at our November and January Chamber Series concerts.They love walking out onstage and seeing our enthusiastic audience members filling the seats. Our subscriber base is growing, and we invite you to come to your very first CCO concert!” She added. 

    For more information and tickets, fans can visit CCOithaca.org or contact the Cayuga Chamber Orchestra Box Office at 607-273-8981 or info@CCOithaca.org

  • Band Profile: Count Blastula Brings Groove from Syracuse

    Count Blastula, a funk/jam band from Syracuse have been well over 15 years in the making, and now the group has landed on a killer lineup that is really turning up the heat.

    Count Blastula

    Count Blastula is characterized by a funky, groovy, get-up-and-move style of jamming. They perform enticing originals and covers combined with a dose of magic that propels the group into serious jamming territory. The band brings their talent everywhere from large festivals and theater shows to private events and intimate local bar gigs. Count Blastula bring their own brand of top-shelf homegrown music to events of all shapes and sizes.

    The group displays a diverse full soundscape via a multitude of instruments that can be heard on any given tune, along with a dynamic, and ever-changing flow of rhythms, tones, and arrangements of sounds. Each song by Count Blastula encompasses a unique number of changes and musical movements.

    The current band consists of five members: Adam Fisher on guitar/vocals, Jeremy Walts on bass/vocals, Mike D’ambrosio on keys, and Dave Schlossberg and Dave Donley on percussion. When the group tours, they may add a few others like a saxophonist, or other various instruments.

    The group has released five unique EPs over the last 12 years. Their music is very much inspired by a wide variety of genres. Funk, rock, jam band, jazz, hip hop, country and more are heard throughout the tunes. You can hear inspiration from Grateful Dead, Dave Matthews Band, Charlie Daniels, and Phish from the music.

    Upcoming 2024 Count Blastula Shows

    APR 19 FRI

    Kwartet @The Fitz @ 8:30pm

    Syracuse, NY, United States

    APR 20 SAT

    Trio with Special Guest Mike Dubaniewicz | LIVE @ Oswego Music Hall @ 6:00pm

    Oswego, NY, United States

    APR 27 SAT

    443 Social Club Syracuse NY @ 7:00pm

    Syracuse, NY, United States

    MAY 4 SAT

    Trio + Edgar Pagán @ Maplewood Bar and Grill @ 1:00pm

    Liverpool, NY, United States

    MAY 11 SAT

    Shiftys @ 8:00pm

    Syracuse, NY, United States

    MAY 24 FRI

    LIVE @ Sterling Stage FolkFest 2024 @ 8:00pm

    Sterling Valley, NY, United States

    JUN 14 FRI

    LIVE @ Moondog’s Lounge | Auburn, NY | 7-10PM @ 7:00pm

    Auburn, NY, United States

    JUN 21 FRI

    LIVE @ Estival Festival @ 10:00pm

    Caneadea, NY, United States

    JUN 23 SUN

    Kwartet Rochester Private party @ 4:00pm

    New York, NY, United States

    JUN 26 WED

    duo @Stout Brewery @ 7:00pm

    Salina, NY, United States

    JUN 28 FRI

    Kwartet @ The Fitz @ 8:30pm

    Syracuse, NY, United States

    JUN 29 SAT

    Trio | Private Event @ 4:00pm

    Tully, NY, United States

    JUL 13 SAT

    Private party @ 5:00pm

    Syracuse, NY, United States

    JUL 19 FRI

    Light the hotdog sessions at Guilded Club @ 7:00pm

    Syracuse, NY, United States

    JUL 20 SAT

    with Edgar Pagan @ Critz Farms @ 5:00pm

    Cazenovia, NY, United States

    AUG 3 SAT

    Blueberry jam Critz Farms @ 1:00pm

    Cazenovia, NY, United States

    AUG 10 SAT

    LIVE @ Glen Fest 24 | The Glen Haven, Homer, NY @ 8:00pm

    Homer, NY, United States

    AUG 11 SUN

    Middle Ages loading dock @ 4:00pm

    Syracuse, NY, United States

    AUG 17 SAT

    Average Joes JamBand night Baldwinsville NY @ 8:00pm

    Baldwinsville, NY, United States

    AUG 23 FRI

    Live @ Shiftys @ 8:00pm

    Syracuse, NY, United States

    AUG 24 SAT

    Critz Farms @ 5:00pm

    Cazenovia, NY, United States

    SEP 6 FRI

    LIVE @ Moondog’s Lounge | Auburn, NY | 7-10PM @ 7:00pm

    Auburn, NY, United States

    SEP 20 FRI

    Kwartet @ The Fitz @ 8:30pm

    Syracuse, NY, United States

    SEP 27 FRI

    Light the hotdog sessions at Gilded Club @ 7:00pm

    Syracuse, NY, United States

    OCT 11 FRI

    Light the hotdog sessions at Gilded Club @ 7:00pm

    Syracuse, NY, United States

    NOV 8 FRI

    LIVE @ Moondog’s Lounge | Auburn, NY | 7-10PM @ 7:00pm

    Auburn, NY, United States

    NOV 15 FRI

    Kwartet @ The Fitz @ 8:30pm

    Syracuse, NY, United States

    For more information on the band and their upcoming shows, click here.

  • The Binghamton Philharmonic Orchestra Announces its 2024-25 Season

    The Binghamton Philharmonic Orchestra, under the direction of Maestro Daniel Hege, is pleased to announce its 2024-2025 Season.

    The season runs from September 2024 through May 2025 and includes the M&T Bank Symphonic Series, the Visions Federal Credit Union Pops Series, and the Garufi Law P.C. Phelps Mansion Museum Series.

    Binghamton Philharmonic Orchestra 2024-25 season
    Annie Jacobs-Perkins

    The Binghamton Philharmonic Orchestra is located in Broome County, Binghamton. It is the Southern Tier’s largest and longest-serving symphony orchestra, as well as Broome County’s only professional symphony orchestra. The organization is known for its extraordinary talents, and captivating shows that have kept the community in awe for decades.

    The Binghamton Philharmonic Orchestra is returning its series of anticipated, performances beginning in September. The season sees various acts and renditions from composers like Beethoven, Strauss, Mendelssohn, Mozart and more. Classical music is not the only genre included in the upcoming season. The events see the performances of hits from ABBA, Duke Ellington, Capathia Jenkins and others.

    Binghamton Philharmonic Orchestra 2024-25 season
    Capathia Jenkins

    The M&T Bank Symphonic Series

    September 28 at 7:30pm: “Restless Oceans,” featuring living composer Anna Clyne’s piece Restless Oceans; Richard Strauss’s Horn Concerto No. 1, with Binghamton Philharmonic Principal French Horn soloist Alex Shuhan; and Ludwig van Beethoven’s Symphony No. 6, the “Pastoral.” 

    November 16 at 7:30pm: “Thresholds,” a celebration of the 200th anniversary of Anton Bruckner’s birth with Bruckner’s Symphony No. 6, Felix Mendelssohn’s Hebrides Overture, and Threshold by living composer Hilary Purrington. 

    February 1 at 3:30pm: “Little Symphonies,” a program of Béla Bartók’s Roumanian Folk Dances; Wolfgang Amadeus Mozart’s Sinfonia Concertante, with Philharmonic Concertmaster Uli Speth and Principal Violist Victoria Miskolczy as soloists; living composer Quinn Mason’s Petite Symphonie; and Franz Schubert’s Symphony No. 5.

    March 29 at 7pm: “In the Beginning,” will explore Einojuhani Rautavaara’s “In the Beginning,” Jan Sibelius’s Symphony No. 3, and Sergei Rachmaninoff’s Piano Concerto No. 3 with Binghamton Philharmonic favorite, pianist Andrew Russo as soloist. 

      The Visions Federal Credit Union Pops Series

      October 26 at 7:30p: “Dancing Queen: The Music of ABBA,” a concert of ABBA’s greatest hits with orchestra, rock band, and vocalists. 

      December 7 at 3:30 pm: “Winter Wonderland,” featuring holiday favorites, along with the music of Mannheim Steamroller and the Trans-Siberian Orchestra.

      March 1 at 7:30pm: “Pops at the Forum: A Tribute to the American Spirit,” celebrating the genius of American music with works by Duke Ellington, Florence Price, and John Phillip Sousa, along with excerpts from Richard Rogers’s South Pacific, and much more. 

      May 3 at 7:30pm: “She’s Got Soul,” bringing Broadway vocal powerhouse Capathia Jenkins to the Forum with the greatest hits of classic soul and R&B. 

        The Garufi Law P.C. Phelps Mansion Museum Series

        November 24 at 3pm. Juilliard-based ensemble the Dolphins String Quartet, a Binghamton favorite, returns with an intimate Sunday afternoon concert.

        January 12 at 3pm. The Intermezzo Trio gives a program of works for oboe, cello, and piano. 

        March 9 at 3pm: Acclaimed cellist Annie Jacobs-Perkins returns to Binghamton, with pianist Katelyn Vahala. 

        April 13 at 3pm. The Family Shuhan, a flute, French horn, and piano trio featuring Binghamton Philharmonic Principal French Horn Alex Shuhan and family.

          For more information on the Binghamton Philharmonic’s upcoming season and to purchase tickets, click here.

        • Binghamton Philharmonic Orchestra Delights with “Roman Holiday”

          On Saturday, April 6, the Binghamton Philharmonic Orchestra closed its 2023-2024 Symphonic Series with “Roman Holiday,” a thrilling program of music both from and about the sunny lands of the Mediterranean.

          Roman Holiday
          Carlos Perez, Ajen Lewis, Cassie Lee, Charlie Sobel, Joe Sobel

          The evening opened with “Fandangos,” a piece by Cornell University-based composer Roberto Sierra that evoked Spanish dance forms of the eighteenth century, replete with bold, Andalusian-style trumpets and assertive percussion. Aided by the committed conducting of Maestro Daniel Hege, Sierra took the orchestra to extremes of speed, volume, and emotional impact. Pyotr Ilyich Tchaikovsky’s dazzling showpiece “Capriccio Italien” followed, with a martial chorus of brass and a seductive medley of folk tunes, played by the orchestra with shimmering lyricism.

          The high point of the “Roman Holiday” concert, though, was Ottorino Respighi’s stunning “Pines of Rome,” an orchestral experience of the Eternal City and its iconic pine trees.

          The Philharmonic was expanded to its largest size for this piece, with 75 musicians onstage and six more in the theater boxes overlooking the audience – trumpets and trombones that Respighi meant to invoke Roman legions marching on the Appian Way. As always with this ensemble, the woodwinds shone, with stand-out solos from flutist Karen Bogardus, clarinetist Paul Wongjin Cho, oboist John Lathwell, and bassoonist Melissa Kritzer; hornist Alex Shuhan and trumpeter Frank Campos also provided dazzling moments.

          Mikhail Shlyuger, Margaret Heath, Nina Heath-Shlyuger

          Maestro Hege led the orchestra with his trademark elegance and expressiveness, infusing Respighi’s astonishing work with lyrically shaped phrases and passionate crescendos that stirred the soul.

          A standing ovation and many bows for Hege and the orchestra were proof of the power of this music and of the great skill of the Binghamton Philharmonic.

        • Flashback: Phish at Broome County Veterans Memorial Arena, April 9, 1994

          Just eleven days after the release of their fifth studio album, Hoist, Phish arrived in Binghamton for a show at Broome County Veterans Memorial Arena, just down the road from the Broome County Forum. The show quickly became known among fans for a funk-filled soundcheck, as well as creative placement of “Little Drummer Boy” throughout the second set.

          phish broome county arena

          Students from colleges across the state – Cornell, Syracuse, Albany and Binghamton among them – headed down to Binghamton on this evening, making for a lively lot scene. The marquee reportedly read “Reba McEntire” with “Phish – Sold Out” below it, perhaps the muse for “Reba” showing up in the second set this evening.

          The soundcheck of “Makisupa Policeman” was indeed funky, although a full recording has yet to surface. All that we have so far is the clip below.

          A reported “really difficult ticket,” Binghamton is no stranger to great Phish shows, with an early show at Campus Pub in 1988 and two shows at Broome County Forum in 1992. This 1994 show would unknowingly be the band’s penultimate show in The Parlor City, with only the notable December 14, 1995 show following, leaving Binghamton Phish-less for nearly 30 years – aside from two Trey Anastasio Band shows in 1999 and 2014.

          phish broome county arena

          A venue upgrade, this would be Phish’s first show at Broome County Veterans Memorial Arena, a minor league hockey arena, just down the road from the Forum. Opening up with “Magilla” for the first time, the GA show would hold a few songs that are ‘jamcharts‘ worthy, as well as some fun with “Little Drummer Boy” during the second set.

          A pre-chant version of “Wilson” would follow this horns-less “Magilla,” a unique listen now after nearly three decades of fans chanting “Willllll-son” with each intro guitar riff. “Rift” would be met with great cheers in a typical early Set 1 slot, doubling as the title of the band’s prior album to Hoist.

          “Bathtub Gin” would feature notable improv, giving way to “Nellie Kane” and the first track of the night off Hoist, a ripping “Julius,” also the first track on Hoist. “Fee” featured a piano outro from Page McConnell that bridged the way into the now ultra rare “All Things Reconsidered,” last played in 1997 and deserving of a return to the Phish rotation. The “Stash” that would follow is not one to sleep on, featuring ‘a gnarly and heavy-duty power rocking jam’ that paved the way for “The Squirming Coil” and set break.

          Set two would open with another Hoist track, “Sample in a Jar,” to a brief crowd reaction. A hefty “Reba” that is well executed gives way to the Frank Zappa composition “Peaches en Regalia,” pairing Zappa-esque with a true Zappa tune, with an ending that featured a tease of “Little Drummer Boy” before shifting into the now-retired “Big Ball Jam.”

          The debut of “Demand” would follow, and while a “Split Open and Melt” jam akin to the Hoist version was not paired with the short song, it did serve as a perfect bridge to “Mike’s Song.” This version of “Mike’s” finds Trey Anastasio using his pedals to create other-worldly sounds that are at times menacing and metallic, accented by LD Chris Kuroda’s strobes flashing through on-stage fog. A breather would be needed in the “I am Hydrogen” that followed, particularly because “Weekapaug Groove” would be chock full of teases – “Little Drummer Boy,” a latter portion of “Divided Sky” and even “Dave’s Energy Guide.”

          Closing out this fun filled set were a calming “Tela,” “Slave to the Traffic Light” which featured a serene build and an outstanding peak, capped off by a well placed “Cavern.” For an encore, the band would start without microphones for an acapella rendition of “Amazing Grace,” followed by “Highway to Hell” – likely not exactly what the fans in the front row were looking for when they were chanting for “AC/DC Bag,” but a heck of a cover to drop on fans just as the show was coming to a close.

          Listen to the show from Binghamton here (second set SBD). Phish would head west the next night to perform at Alumni Arena at SUNY Buffalo – stream that show here.

          phish broome county arena

          Setlist via Phish.net

          Set 1: Magilla, Wilson > Rift, Bathtub Gin > Nellie Kane > Julius, Fee -> All Things Reconsidered, Stash, The Squirming Coil
          Set 2: Sample in a Jar, Reba, Peaches en Regalia > Big Ball Jam, Demand[1] > Mike’s Song > I Am Hydrogen > Weekapaug Groove[2], Tela > Slave to the Traffic Light, Cavern
          Encore: Amazing Grace, Highway to Hell
          [1] Debut
          [2] Vocal jam

        • Funk-Fusion Trio Pocket Bandits Release Debut Single this April

          Funk/rock-fusion trio Pocket Bandits have announced the release of their debut single, “The Pocket Bandit,” on April 5. The trio hails from Ithaca and hopes to dazzle listeners with their upcoming track.

          The debut single is set to put Pocket Bandits out there once and for all. The single is a bold opening volley from a band of experienced musicians with big ambitions for their new collaboration. The trio is comprised of Joe Massa, Samuel B. Lupowitz, and Simon Bjarning. Joe and Samuel have played together for a decade.

          The group practices a fusion of sounds from funk, progressive rock, and jam-blues. The music sees a funky guitar-organ combo that keeps the listener entranced. The trio can be described as a fun, funky fusion of R&B grooves, jazz improvisation, rock intensity, and catchy-yet-unpredictable songwriting.

          The single is to be marked with a record release at The Downstairs in Ithaca on Saturday, April 6. Pocket Bandits plays two sets of original material, and a third set backing up Marlyand-based post-rock singer-songwriter Mark Hennessey.

          The group aims not merely to show off, but to fill the dance floor with their engaging original compositions, as well as the occasional crowd-pleaser by artists from The Beatles to Billie Eilish. Their debut single showcases the groups experience, talent, and ability to make groove ensue.

          To stay up to date on Pocket Bandits’ upcoming releases and to find out more about the trio, click here. Make sure to check out their upcoming shows as well.

        • In Focus: Couch Brings Sunshine, Dynamic Sounds to Westcott Theater

          Dynamic jazz-pop band Couch brought their Sunshine, Part 2 Tour to the Westcott Theater in Syracuse on Friday, March 29.  It was a fittingly beautiful, sunshine-filled spring day in Central New York. The show was the second stop on a lengthy, cross country tour for the band, which features Sophia James as the opener.

          Hailing from Boston, Couch have been turning heads since their formation in 2021. Described as a blend of jazz, rock, pop and R&B, the band has performed at major festivals like Boston Calling, and toured in support of Lake Street Dive. The seven-piece band is currently touring in support of the recently released Sunshower EP (October 2023).

          Opener Sophia James rewarded those who arrived to the theater early this evening. James performed on stage solo, but brilliantly mixed in drum and vocal loops to build dramatic layers to her songs. She excitedly touted her upcoming release, Clockwork, due April 19, an EP that is sure to garner lots of listens from those who were in attendance tonight.

          An excited energy filled the theater as Couch made their way to the stage. Opening with the energetic “Saturday,” all of the hallmark staples of a Couch show were immediately on display:  the dramatic horn section of Jeffrey Pinsker-Smith (Trumpet) and  Eric Tarlin (saxophone) which blended with singer Tema Siegel’s dynamic vocals. Throughout the set, each of the band members were given ample time at the center of the stage. Guitarist Zach Blankstein delivered a fierce guitar solo during the interactive “Poems,” while Jared Gozinsky (drums) and Will Griffin each took turns showcasing their talents. Keyboardist Danny Silverston added layers of synths and also took his turn at the mic, leading the audience in a three-piece layer of sing along harmony during “Poems.”

          While much of the evening showcased the band’s high energy tracks, the band brilliantly weaved several slower ballads in to the mix. Siegel told the tale of finding love before performing “Autumn,” while later in the set the band performed the beautiful “Let Me Hold You.”  In between their own songs, they worked in several cover songs, including Billy Joel’s “Vienna” and Creedence Clearwater Revival’s “Have You Ever Seen the Rain,” the latter of which saw opener Sophia James returning to the stage to share vocals.

          After a brief encore break, the band triumphantly returned to the stage to perform the upbeat “Easy To Love.” Clearly a fan favorite, the song offered fans one last opportunity to sing and dance before the spilling out in to the streets. The sunshine of earlier in the day was gone, but it was not lost in the mood of those who attended this evening.

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