NYS Music 2024

Category: Troy

  • Metallica 1989 Concert at RPI Field House Revisited on Troy Story Podcast

    The newest episode of Troy Story: A Podcast for the Collar City revisits the first and only time Metallica performed at the RPI Field House, on Wednesday, March 15, 1989, with opening band Queensryche.

    METALLICA RPI

    Joining host John Salka is world-renowned drummer and lifelong Capital Region resident, Jason Bittner (Shadows Fall, Category 7), who – a 19-year-old college student at the time – attended the show on a holiday break from Berklee School of Music.

    METALLICA RPI

    Troy Story: A Podcast for the Collar City is a monthly oral history podcast produced and hosted by John Salka, former Communications Director for the city of Troy and advisor for two mayors, bringing a firsthand perspective to recent Troy history.

    METALLICA RPI

    Rampaging across America on their “Damaged Justice Tour”, Metallica was in support of their latest studio album (and eventually selling more than 9 million albums) …and Justice for All. The show was also the band’s second-ever performance in the Capital Region.

    During the episode, Jason discusses with John, thoughts on the audio production for the “… and Justice for All” LP; speculation on how someone managed to bring a camcorder into the Field House to record the Metallica and Queensryche sets; performing with some of his favorite bands touring the world, including Overkill and Anthrax; the reunion of Shadows Fall, his new band Category 7, and previous work with local Capital Region hardcore band Stigmata; attending Metallica’s 1986 show at the Glens Falls Civic Center with Cliff Burton on bass guitar, and meeting drummer Lars Ulrich for the first time, and seeing other legendary metal bands like Ozzy Osbourne, Megadeth, Slayer, Anthrax, and Metal Church at various Capital Region venues.

    Live bootleg audio from Metallica and opening act Queensryche at the RPI Field House in Troy is featured throughout the episode to immerse the listener in the story. Additional photos, video and archive materials is available on the Troy Story website.

    Future episodes will feature RPI alumni and WRPI DJ Toast Eric Haskins who was part of concert security staff that night, and then-high school student and Metallica fan Kevin O’Connell – both attended the show that night in 1989 and will share their recollections of the gig.

    The full episode is available on Apple Podcasts, Spotify, YouTube, and all major podcast platforms. Connect with the podcast on social media, including Facebook, Instagram, and YouTube.

  • Troy Story Podcast Revisits 1978 Bruce Springsteen Concert at RPI

    In the most recent episode of Troy Story: A Podcast for the Collar City, Times Union Sports Columnist and writer Joyce Bassett revisits her first Bruce Springsteen show. The journalist revisits their experience at the RPI Houston Field House on November 12, 1978, when Bruce Springsteen and the E Street Band performed for lucky Trojans and Engineers.

    bruce springsteen troy

    The concert was part of the band’s Darkness on the Edge of Town tour which crisscrossed the United States and Canada between May 1978 and January 1979. In the audience that night was 16-year-old Joyce Bassett—now an award-winning sports columnist and writer with the Times Union—who saw Bruce in concert for the very first time at the RPI Field House in Troy, just a mile away from her house in the city’s Frear Park neighborhood.

    The show started with seats in the back rows but by the night’s end, Joyce was on her friend Patty’s shoulders in front of the stage, reaching out to The Boss.

    bruce springsteen troy

    During the episode, Joyce reflects on her memories of the Troy show and setlist, her first date with now-husband Mike seeing Springsteen in Buffalo in 1980, meeting Bruce in 2016, her favorite Springsteen show of the 40 she’s attended during the last 46 years, and how the RPI concert sparked a lifelong love of Springsteen. 

    The episode also features audio from the Troy concert, available via a bootleg recording called “Prove It All Night: Bruce Springsteen Live in Troy,” courtesy of JEMS—a tapers collective that began in the early 1970s responsible for this and countless other bootleg recordings of shows that have circulated by traders and later via the internet.

    Troy Story: A Podcast for the Collar City, is a monthly oral history podcast produced and hosted by John Salka, who has served as Communications Director for the city of Troy and advisor for two mayors. Salka brings a firsthand perspective to the recent history of Troy amid developing strong relationships with community leaders, business owners, and residents.

    The next multi-episode chapter looks back at Metallica’s first and only show in the Collar City when the band’s Damaged Justice tour took over the RPI Houston Field House on March 15, 1989. Episodes will feature world renowned drummer and Capital Region resident Jason Bittner (Shadows Fall, Category 7), former RPI student and concert security staff Eric Haskins, and then-high school student and Metallica fan Kevin O’Connell. All three attended the show that night in 1989 and share their recollections of the gig.

    The full episode covering Bruce Springsteen’s performance at RPI in Troy is available on Apple Podcasts, Spotify, YouTube, and all major podcast platforms.

    Bruce Springsteen and the E Street Band – RPI, Houston Field House, Troy – Sunday, November 12, 1978

    Setlist: High School Confidential, Badlands, Streets Of Fire, Spirit In The Night, Darkness On The Edge Of Town, Independence Day, The Promised Land, Prove It All Night, Racing In The Street, Thunder Road, Jungleland, Rave On, Fire, Candy’s Room, Because The Night, Point Blank, Mona > She’s The One, Backstreets, Rosalita (Come Out Tonight), 4th Of July, Asbury Park (Sandy), Born To Run, Detroit Medley, Quarter To Three

  • In Focus: Razor Braids return to Troy

    For the first stop of their Weekend Get Away tour, Razor Braids returned to No Fun in Troy on Thursday, November 21.

    Photo by Jarron Childs

    The queer femme rock trio has had quite the year since their last visit to the Capital Region. They’ve opened for Spoon Benders, released four music videos, and brought back cassettes? Razor Braids released six singles, five of which ended up on their sophomore album ‘Big Wave.’ They are a talented group of musicians who bring a unique vibe and visual to indie rock.

    Photo by Jarron Childs

    Though they were the headliner, in typical No Fun fashion, they did not close out the show. They were the second of 3 acts to take the stage. Razor Braids dawned their signature all red outfits for this show. They played a 45 minute set to a modest crowd of about 50 young adults. There was great chemistry displayed on stage between the band members.

    Notable moments was in an anecdote before playing “JR” lead vocalist and bassist, Hollye Bynum, said the song was about “a s***ty dude” she once dated. A person in the crowd then yelled out “we are all someone’s s***ty dude,” which brought about great laughter among the crowd. Before the end of their set, the members of Razor Braids celebrated the birthday of their drummer Brian.

    Screenager at No Fun

    Razor Braids was preceded by a 30 minute set from Screenager out of New Jersey. They were succeeded by local artist, Toriendofstory, with Canella.

    Razor Braids‘ next show will at the Meadows in Brooklyn on December 1st.

    Razor Braids Setlist: Not Dead, Not Yet, Nashville, B26, Sharpe Ave, Drugs, JR, Berate Me, 42

    Screenager at No Fun
    Screenager at No Fun
    Screenager at No Fun
    Screenager at No Fun
    Screenager at No Fun
    Screenager at No Fun
    Screenager at No Fun
    Screenager at No Fun





    Razor Braids at No Fun
    Toriendofstory at No Fun
    Toriendofstory at No Fun
    Toriendofstory at No Fun
    Toriendofstory at No Fun

  • In Focus: Song City Concerts in a Circle at The Waiting Room in Troy

    On Monday, November 11, Song City held its monthly concert, a multi-genre songwriter showcase held at the Waiting Room in Troy.

    These concerts have a unique set up unlike any other. The artists are seated in a circle in the center with the audience around them. The singer/song writers then take turns sharing a song along with a bit of information about the songs story, or their writing process.

    November artists at The Waiting Room in Troy included Honeysuckle, Sofia Corts, Micheal Francis McCarthy, and Dom Romano (Scotchka). These artists are all Capital Region locals. However, they weren’t all of the same genre.

    Honeysuckle, based out of Saratoga Springs, consists of Holly McGarry and Chris Bloniarz. Honeysuckle has performed all across the country including many music festivals such as Lollapalooza and The Newport Folk Festival.

    Sofia Corts, an 18-year-old pop singer from Albany, is currently attending Berklee School of Music on a Full Scholarship, and also performed at the 2024 Tulip Festival.

    Micheal Francis McCarthy is an “American Roots” musician which blends delta blues, traditional folk, early country and more. He sang three songs, each one telling a personal story, including his young daughter’s curiosity, phone addiction, and a song that labeled hate as a cancer detrimental to society.

    Dom Romano, an artist from Clifton Park, is the lead singer in the Albany-based band Scotchka. Their style is considered surf rock and are compared to many popular bands like the Arctic Monkeys and The Killers.

    Overall, Song City creates a perfect atmosphere for new artists to share more than just their music. The intimacy of the venue allows them to feel closer to their audience and also connects them to their fellow artists. During the show we heard the artists discussing their different writing processes, complimenting each other’s styles, and even helping each other when there were microphone issues during a song.

    Be sure to follow Song City to see the upcoming artists and concerts to hear new artists the second Tuesday of every month.

  • Whiskey Pickle Venue Announces Triumphant Re-Opening

    Beloved Troy bar and live music venue Whiskey Pickle has just announced their reopening under new management after their closure this past September.

    Whisky pickle

    Known and loved for their uniquely intimate and laid-back atmosphere with an impressive menu and a lively dance scene to boot, Whiskey Pickle quickly became a favorite of many Troy locals after their opening in 2021. Widely appreciated for its warm and social atmosphere that drew folks from near and afar in, it’s no wonder why their sudden announcement of the venue’s immediate closure in late September took many by surprise. 

    Posted to the bar’s official social media accounts, the announcement signed by owners James and Erin explained that “The cost of making the Pickle into one of the most popular destinations in the capital region has been more than we can even describe… The Pickle would not have been anything as cool as it was without the people that sat on our unmatched bar stools and helped changed our lives.”

    Folks from all walks of life paid their respects in the comments of these posts, a shared sentiment between individual testimonies and heartwarming stories being that Whiskey Pickle had rapidly become a Troy staple that would be a sore loss for the community at large. 

    September 27 seemed to mark the end of Whiskey Pickle for good… until a mysterious and seasonally appropriate image of a zombie hand emerging from the grave was posted to both the venue’s Instagram and Facebook accounts on October 31. Paired with the ominous yet exciting caption “Nothing stays dead forever…”, the announcement was met with widespread tentative excitement.

    Then, on November 4, the official news broke– the Whiskey Pickle would be revived under new management, with a promise for the bar to return bigger and better than ever.

    The announcement outlines the upcoming changes to the venue, which would act more as an update and expansion than a total reinvention of the space so many had come to know and love. This primarily comes with the news that the torch of management is to be passed to Jamel Mosely, fittingly described as “a staple of the capital region community.” 

    With an expansive resume of performance, multimedia production, and one of the minds behind Troy-based marketing firm Collectiveffort, it’s safe to say that the beloved drink, dance, and hangout venue is in good hands. 

    “He’s one of the most genuine human beings we know, and we know that the values we built this place around will continue to live on under Jamel’s team and leadership.”

    The Whiskey Pickle Management

    In true Pickle fashion, the Whiskey Pickle will re-open on November 7 with a Tiki Night party hosted by James, Erin, and Jamel with musical support form DJ Intell Hayesfield and other special guests. The Pickle will celebrate the local cornerstone’s triumphant return starting at 6:00 PM that night, with much more on future events and the venue’s formal transition to come.

    To join in the celebration as a longtime fan or newcomer all the same, check out their party announcement above in addition to their official website here.

  • Albany Symphony to Present Wondrous New Program for November Series

    Albany Symphony has announced a dazzling new program for the month of November which features outstanding and captivating works presented November 16 and 17. The concerts take place at Troy Savings Bank Music Hall.

    The November concert features Smetana’s “Moldau”, Joan Tower’s Cello Concerto, “A New Day” and Dvořák’s Symphony No. 9, “From the New World.” These shows take place on November 16 at 7:30 PM and November 17 at 3:00 PM. The evening opens with the flowing, lyrical, “Moldau,” by Czech composer, Bedřich Smetana, which evokes the Vlatava River (the Moldau). The piece evokes the composer’s deep love of his homeland.

    “A New Day,” written in 2021 by GRAMMY Award-Winning composer Joan Tower, will feature cellist Raman Ramakrishnan. The piece is an appreciative, hopeful, and nostalgic work of art reflecting on love and a long, fruitful relationship. Joan wrote the piece with the thought in mind that this life of love lasts only a limited time, and a duo must appreciate every moment together until the end. Joan Tower is widely regarded as one of the most important American composers living today. Her works have been commissioned by major ensembles, soloists, and orchestras across the country and the world.

    Composer Joan Tower

    The evening concludes with one of the most beloved symphonies of all time, Dvořák’s Symphony No. 9, “From the New World.” The piece was composed in 1893 while Dvořák was the director of the National Conservatory of Music in New York City. It premiered at Carnegie Hall to ecstatic acclaim. Dvorak conceived the piece as a blueprint for future American composers to find their uniquely American voices.  It is an anthem to America and reflects Dvorak’s great interest in Spirituals and Native American Music.

    The 2024-2025 season runs through the American Music Festival in June. It includes the Water Music NY: More Voices Festival, a Symphony Side-by-Side with the Empire State Youth Orchestra (ESYO), Magic of Christmas, Tiny Tots concerts for young people, and more. The shows on Nov 16 and 17 are ones you’ll certainly regret missing. These shows highlight legendary classical pieces that have shaped the way composition is done. Seeing an art form like this is timeless.

    For more information on the Albany Symphony and to purchase tickets for the upcoming November 16 and 17 concerts, click here.

  • The Troy Savings Bank Music Hall Announces Lineup for Popular Lift Series in 2025

    The Troy Savings Bank Music Hall has announced the return of the fan-favorite Lift Series in 2025. The new lineup includes various multi-talented individuals set to rock the audience.

    Curated by Organ Colossal, these performances give you the unique opportunity to sit on the historic Music Hall stage with the artists while they perform. The Lift Concert Series presents performances of new, independent music featuring regional performers, curated by local artists Sam Torres and Sophia Subbayya Vastek. The series sees three shows, one in January, February and March. Similarly, the lineup consists of three powerful music groups that plan to dazzle those in attendance.

    The audience is invited to be seated on stage, with the musicians, creating an intimate concert experience. Concerts are designed to last about an hour, and after the performance, concertgoers are encouraged to enjoy the rest of the evening at one of Troy’s many restaurants or breweries. Tickets are only $25 in advance and are available online and at the box office now.

    Doom Dogs

    2025 Lift Series Lineup

    January 8

    DOOM DOGS

    Genre-free Improvising Super Group with Reeves Gabrels, Jonathan Kane and Jair-Rohm Parker Wells.

    Reeves Gabrels (Guitars): Reeves Gabrels is an electric guitar virtuoso recognized by musicians and audiences alike for his expressive range and power. He is known for his creative collaborations with David Bowie during the ’80s and ’90s, co-writing, co-producing and adding his innovative guitar work to a half-dozen acclaimed studio albums in addition to extensive touring. Since 2012, Reeves has been a member of the iconic band The Cure, where his artistry continues to captivate audiences worldwide. With Reeves Gabrels on lead guitar for Doom Dogs, sonic brilliance is a hallmark of the band’s performances.

    Jonathan Kane (Drums): Jonathan Kane, the heartbeat of Doom Dogs, was a founding member of the influential band The Swans, has worked extensively with Minimalist godfather La Monte Young, was the only drummer for Rhys Chatham’s orchestra of 100 electric guitars, and leads his own trance-blues band Jonathan Kane’s February. His drumming style is characterized by a powerful and hypnotic presence, driving the band’s improvisations with precision and intensity. Jonathan’s vast experience as a drummer and composer contributes to the band’s ability to create spontaneous and enthralling musical moments that leave audiences in awe.

    Jair-Rohm Parker Wells (Basses): The foundation of Doom Dogs’ mesmerizing sound lies in the hands of Jair-Rohm Parker Wells, a true legend in the world of experimental rock and jazz. Aside from being a founding member of the avant-rock band Machine Gun, Jair-Rohm was also a member of the seminal German experimental Rock band Embryo during the 1970s. His NS Design electric upright and bass guitar prowess adds a rich and dynamic depth to the band’s spontaneous compositions, pushing the boundaries of experimental rock and jazz. Jair-Rohm’s artistic sensitivity and expertise make him an indispensable part of Doom Dogs’ sonic exploration.

    February 5

    ZAN AND THE WINTER FOLK

    Zan & The Winter Folk is an Americana band from Troy, NY. Led by Zan Strumfeld, The Winter Folk create anthems for the revivalists, lullabies for the lonely, and ballads for the hopeful. Vacillating between an acoustic quartet — two guitars, banjo and upright bass — and a rocking quintet with drums, The Winter Folk blend an upbeat, rootsy spirit with a melodic longing and vulnerability in their storytelling. Since forming in 2017, they have played at festivals, music halls and living rooms. With a captivating sound and comedic banter, The Winter Folk reveal a unique and intimate performance wherever they play. The band has two EPs, “How To Be Alone” (2019) and “Your Girl No More” (2018). Their full-length album, “New Morse Code,” was released in June 2024.

    March 5

    THE LADLES

    The Ladles are known for their signature harmonic blend, intricate arrangements and commitment to human connection. Imagine the tight, sisterly harmonies of The Staves meets Madison Cunningham’s songwriting ingenuity. At a Ladles show, you can’t help but feel part of something bigger. Swept up in their ethereal soundscapes, you can easily forget what separates you from the person next to you. Based in NYC and San Francisco, The Ladles are Katie Martucci, Caroline Kuhn, and Lucia Pontoniere.

    Troy-Natives – Zan & The Winter Folk

    For more information on Troy Savings Bank Music Hall’s popular Lift Series and to purchase tickets, click here.

  • ESYO Will Kick of The 2024-2025 Season in Troy

    The Empire State Youth Orchestra (ESYO) will start their 2024/25 concert season with “Confluence: A Celebration of American Music” at the Troy Savings Bank Music Hall on Oct. 27.

    ESYO

    Led by Music Director, Etienne Abelin, in his third full season with ESYO, the Symphony Orchestra will perform a program of classical, jazz, and rock to celebrate American creativity. Confluence will explore the dynamic nature of the rhythms, stories, and emotions that have shaped the musical landscape of American culture.

    The concert will open with Copland’s iconic Fanfare for the Common Man, and Hoe Down from Rodeo. Also on the program are Charles Ives’ The Unanswered Question, Samuel Barber’s emotionally rich Second Essay for Orchestra, and Jimi Hendrix’s legendary Purple Haze, arranged by Swiss American composer Daniel Schnyder. The blending of rock with classical traditions, highlights the concert’s title, confluence. The orchestra will perform two encores: Leonard Bernstein’s Mambo from West Side Story, capturing the vibrant cultural mosaic of America, followed by Somewhere, a poignant expression of hope and unity.

    The featured alto saxophone soloist, Teresa Rodrigues, will bring her lyrical prowess to Duke Ellington’s In a Sentimental Mood, Horace Silver’s Peace, and George Gershwin’s Summertime, all arranged for orchestra and saxophone by Daniel Schnyder. Nina Shekhar’s Lumina, a vibrant contemporary work that contrasts light and dark to capture radiance also adds to the theme of confluence.These pieces between compositions by Aaron Copland, Leonard Bernstein, and Samuel Barber, create a tapestry of sound highlighting the fluidity of American music across genres.

    “Flow is all about how music and emotions move, how they carry us forward, much like a river gathering energy and changing course. Our goal is to explore reaching states of flow in our rehearsals and performances, where skill, focus, and letting go merge, allowing the music to take on a life of its own. We’ll also be experimenting with creating seamless transitions between pieces during performances, so that the music flows continuously without interruption.”

    Musical Director Etienne Abelin

    EYSO’s calendar is full through the spring with highlights such as, the Symphony Orchestra’s collaboration with the Rensselaer Orchestra in March and April. Under the direction of Robert Whalen, they will perform Hector Berlioz’s Symphonie Fantastique in “Fluid Realities.” Other season highlights include an exchange of ESYO’s Youth Jazz Orchestra with the Worcester Youth Orchestras (MA), the beloved Melodies of Christmas performances, and a tour in Central Europe with concerts in Bratislava, Vienna, and Prague.

    ESYO Season Schedule:

    Oct. 27, 2024 | 3:00pm CONFLUENCE : A CELEBRATION OF AMERICAN MUSIC Symphony Orchestra

    Nov. 3, 2024 | 7:00pm PERCUSSION ENSEMBLES

    Nov. 10, 2024 | 3:00pm REPERTORY, STRING, & CONCERTINO STRINGS ORCHESTRAS

    Nov. 17, 2024 | 3:00pm YOUTH & REPERTORY JAZZ

    Nov. 23, 2024 | 3:00pm YOUTH JAZZ ORCHESTRA at Worcester Youth Orchestra

    Dec. 9, 2024 CHIME (TBD) FLUTE CHOIR (7:30pm)

    Dec. 15, 2024 | 3:00pm WIND ORCHESTRA

    Dec. 15th, 2024 | 5:30pm CHAMBER & FIDDLE

    Dec. 19-21, 2024 | 7:30pm and December 22 | 2:00pm MELODIES OF CHRISTMAS

    Dec. 22, 2024 |7:30pm PERCUSSION ENSEMBLES

    Feb. 12, 2025 | 7:00pm REPERTORY ORCHESTRA & CONCERTINO STRINGS

    Feb. 13, 2025 | 7:00pm STRING ORCHESTRA & YOUTH JAZZ

    Mar. 2, 2025 | 7:30pm PERCUSSION ENSEMBLES

    Mar. 9, 2025 | 3:00pm WIND ORCHESTRA & REPERTORY JAZZ

    Mar. 15, 2025 PLAYATHON

    Mar. 22, 2025 | 3:00pm YOUTH JAZZ ORCHESTRA with Worcester Youth Jazz Ensemble

    Mar. 30, 2025 | 3:00pm FLUID REALITIES: SYMPHONY ORCHESTRA featuring the Lois Lyman Concerto Competition winner

    Apr. 5, 2025 | Time TBA SYMPHONY ORCHESTRA with Rensselaer Orchestra

    May 2, 2025 | 3:00pm REPERTORY & STRING ORCHESTRAS featuring the Lois Lyman Concerto Competition runner up

    May 4, 2025 | 3;00pm CONCERTINO STRINGS, WOODWINDS & BRASS

    May 9, 2025 AMPLIFY OUR VOICE CHIME CONCERT

    May 11, 2025 | 3:00pm WIND ORCHESTRA

    May 11, 2025 | 5:30pm CHAMBER & FIDDLE

    May 18, 2025 | 4:00pm PERCUSSION ENSEMBLES

    June 1, 2025 | 2-5:30pm FESTIVAL OF YOUNG ARTISTS AT SPAC

    June 30 – July 9, 2025 EUROPEAN TOUR (Symphony Orchestra)

    Learn more and purchase tickets here.

  • RPI and Opera Saratoga Present “The Other Side of Silence” A New Opera for Synthetic and Acoustic Voices

    On Oct. 16, at the Curtis R. Priem Experimental Media and Performing Arts Center (EMPAC) at RPI in Troy, a free and open-to-the-public performance and workshop of The Other Side of Silence will be presented. This new opera is created with synthetic and acoustic voices, written by and for people who use Alternative Assistive Communication.

    the other side of silence

    The Other Side of Silence examines the intersection of art, advocacy, and technology in our lives, memories, and identities, and the role that art plays in promoting equity and agency of those who use alternative means of communication to speak to the world.

    The story draws direct inspiration from the life of Mark Steidl, a gender non-binary person who uses an Augmentative and Alternative Communication (AAC) device to talk with the world. The cast also includes Opera Saratoga favorites Meghan Kasanders (The Consul, 2017) and Jennifer Zetlan (Ellen West), as well as newcomers Theo Hayes and Isaiah Musik-Ayala.

    The story follows Zari, who was born unable to speak through traditional means. Zari finds comfort in the “Lichttanz” or the magical play of light and shadow through a window. To gain more autonomy, Zari seeks help from a new technology despite opposition from their closest friends and family.

    A medical emergency prompts an intervention where it is discovered that without Zari’s express permission, an implant in Zari to help build communication between their brain and the technology. Zari fights back against this control and eventually disrupts the connection between the implant and Kim, though Zari’s memories have already been edited and manipulated. The one memory, however, that Kim is unable to alter, is that of the “Lichttanz”, representing the infinitude of human capacity and self-knowledge, their inner strength that withstands the intervention of artificial intelligence.

    The Other Side of Silence performance is presented as part of the 2024 International Symposium On Assistive Technology For Music And Art (ISATMA).

    To purchase tickets, go here.

  • Free Music at Noon Series Returns in Troy

    Troy Savings Bank Music Hall has announced the lineup for the next installment of the Music At Noon free concert series.

    Originating in 1988, the Music at Noon concert series has brought music to the people of Troy every second Tuesday of the month from October through May. A free community event designed to present skilled musicians with a diverse mix of musical styles, folks of all ages are encouraged to attend the performances in addition to a special children’s workshop.

    The main event will feature an opening performance by fortepianist Daniel Maltz on October 8, the Vermont based woodwind ensemble Heliand Quartet on November 12, the medieval, renaissance, and baroque music focused Bleecker Consort on December 10, a performance from pianist Michael Century on January 14, an enrapturing clarinet, hichiriki, cello, and piano show from Thomas Piercy, Marina Iwao, and Daniel Hass, and a concluding Irish traditional music and song performance from Toss the Feathers on March 11.

    Opening the season is fortepianist Daniel Adam Maltz, who is offering an exciting educational interactive performance and deep dive into the world of Classical era Vienna and its music in the way iconic composers like Hadyn and Mozart intended for them to be heard.

    Based in Vienna, Maltz studied Historical Performance at the Royal Academy of Music in London and at Vienna’s University for Music and Performing Arts- meaning this 90 minute experience will not be one to miss.

    Additionally, prior to the Heliand Quartet’s performance on November 12, the group will engage in a hands-on exploratory musical experience that will be concluded with a petting zoo. Best for students grades one through four but open to all, the educational hour will begin with the musicians introducing the students to the sounds of chamber music, particularly with the piano, oboe and bassoon.

    Students will be able to identify how the instruments work, sound, and fit into the ensemble dynamic. The workshop will conclude with students being able to experiment with the instruments themselves prior to the fan favorite petting zoo. Seating for this event will be limited- click here to register.

    Music at Noon is completely free to attend with no registration needed. Folks are encouraged to bring their own lunch, and larger parties or teachers with buses should call ahead to reserve seats. In addition, there are a limited number of handicapped accessible spaces available.

    For further details and information on other programs put on by the Troy Savings Bank Music Hall, please visit their website here.