Electric funk group SunSquabi and rock band Doom Flamingo will be performing a co-headlining show at the Putnam Place in Saratoga Springs on September 14, both with 90 minute sets.
Bands Doom Flamingo and SunSquabi are teaming up for this double bill show Saturday, September 14. Both incredible performers in their own right, the show is sure to be a sonic adventure.
The first of two acts for the evening, Doom Flamingo is self-described as “80’s guilty pleasure vampire stripper rock.” Forming through friendships and previous collaborations, the band boasts a multitude of sounds and skills. With an energy that channels Miami Beach poolside lounges and the eerie sounds of old John Carpenter films, Doom Flamingo has carved their own corner of the music world out in the ever-admirable intent of simply making people dance.
The second act of the evening, SunSquabi has made it a habit to bend the rules of genre and sound to their own will. Best described as an “Electronic Hydro Funk Experience”, SunSquabi offers a unique live performance experience with their improvisational works that are performed so seamlessly it almost feels rehearsed. It’s no wonder why their shows are described as an atmospheric trip through space.
Tickets for this incredible evening at the Putnam Place are on sale now, priced at $22 in advance or $25 on the day of the show. For more details and ticket purchasing, please visit here.
Soaring to spectacular heights for two nights in Saratoga Springs, indie-improv groove sensation Goose delivered a pair of performances that felt more like a homecoming celebration than rock concerts. After playing to their largest ever crowd (at the time) during their debut at SPAC last year, this time around, the colorful band decided to bet on themselves and make a weekend out of it.
Playing four sets over two consecutive nights, the Norwalk, Connecticut-based band showcased just how far they’ve come from their humble beginnings. Not too long ago, Goose was cutting their teeth at smaller venues like Albany’s former Parish Public House and Putnam Den. Now, they’re packing out massive venues and headlining some of the biggest festivals on the circuit. It’s been a meteoric rise that underscores the band’s extraordinary talent and their magnetic draw for fans.
Goose performing in Saratoga Springs on 9/6/2024
Since their ascent in the pandemic era, Goose’s fan base has exploded, thanks to their intoxicating blend of groove-based improvisation, catchy melodies, heartfelt vocals and relentless touring. For the family and friends who have supported them since the early days, this SPAC run was a full-circle moment—an intimate celebration amidst their ever-growing fame. In just a few short years, Goose has gone from playing bar gigs to headlining stages like Red Rocks and major festivals such as Bonnaroo and Peach Fest. Their rise has been both organic and rapid, fueled by the band’s tight-knit musicianship and a growing, fervent fanbase.
Live streams during the pandemic introduced their genre-bending sound to a global audience, which quickly transformed them into one of the most exciting acts on the modern jam and indie circuits. Luckily for fans, despite their growing fame, the band continues to maintain their down-to-earth, hardworking ethos and have continued serving up plenty of free high-quality content and live streams to keep casual fans and new ones interested. Whatever the secret to their success is, it’s clearly working, as evidenced by the massive applause the band received while walking out on the Broadview Stage at SPAC on Friday, September 6th.
Kicking off the festivities with a nod to the OG-honkers in the audience, multi-instrumentalist Peter Anspach strapped on his guitar for one of the few times of the night and led the band through “Elizabeth,” a song that was first played in Saratoga Springs in 2018 to a mostly empty Putnam Place down the street. Now performing it on the big stage at SPAC, you somehow always knew this is where Goose was destined to be. Their signature sonic sound has been arena and amphitheater-ready from the very start. Keeping it old school, Goose then unleashed a pair of longtime favorites next with their version of the Wood Brother’s “Atlas,” followed by “Turned Clouds,” the opening track from the bands 2016 debut album Moon Cabin.
The Great Handini: Multi-instrumentalist Peter Anspach performing with Goose at SPAC on 9/6/2024.
At the core of Goose’s sonic magic is the unspoken chemistry between the band members, each with their own signature style and endearing nicknames. Primary vocalist and axeman Rick Mitarotonda, or simply “Snakes,” leads the charge with his soulful vocals and dexterous guitar work. The always smiling Peter Anspach, affectionately known as “Handini,” handles keys and rhythm guitar, adding a layer of infectious good-natured energy. Trevor Weekz, or “Tweekz” holding down the bass, is the quiet powerhouse of the group, while percussionist and multi-instrumentalist Jeff Jeff Arevalo helps bring the rhythm to life with a cool confidence in the back.
Making his SPAC debut on drums was the newest member of the band, former Swimmer timekeeper Cotter Ellis who joined the band early in 2024. Injecting fresh energy into the band’s live performances, Ellis’ dynamic drumming has found a seamless place in Goose’s sound, adding new textures to their already eclectic mix of indie rock, funk, and improvisational jams. On Friday, Goose would really open things up for improvisation on the fourth song of the night, “Borne.” Taking the hypnotic track for an impressive 17-minute joyride, you knew exactly what Mitarotonda meant when he crooned out the lyrics, “I’m not tired / I’m not worn at all / I’ve just started / Now I’m shown around / Just what we were born to be.”
Rick Mitarotonda shredding his custom guitar, the Empress, at SPAC on 9/6/24.
Serving up a sweet treat to the many Grateful Deadheads in the crowd was a surprise bust-out of the Monroe Brother’s “Rosa Lee McFall,” a song Jerry Garcia often played with his side projects. This was the first time Goose has dusted it off in 76 shows. Switching gears to a more contemplative vibe next, Mitarotonda had complete command of the audience as he serenaded SPAC with the introspective “Bob Don” before Peter would take over on an impressive 18-minute version of “Pancakes,” a song he wrote with his band Great Blue before joining Goose. Taking on new life in recent years, the Anspach-penned tune has since become a staple of the Goose live show, becoming both a fan favorite while simultaneously paying homage to his early roots. The high octane jam sent the crowd into intermission buzzing with excitement for what was still yet to come.
Goose performing in Saratoga Springs on 9/6/2024.
Opening the second set with the longest jam of the night, “Arrow” has long been a major improvisation vehicle for Goose. Featuring some of Rick’s most heartfelt singing of the weekend, Goose went reaching for the stratosphere on this one and found it, yielding an unforgettable 26-minute journey of pure musical bliss. Following it up with the first “Everything Must Go” since their hometown Westville Music Bowl summer tour closer, this stellar version clocked in as the fourth longest version of the song the band has ever played. Locked in and firing on all cylinders, the energy in the pavilion was through the roof.
A key ingredient in Goose’s captivating live experience is the mesmerizing stage lighting, expertly crafted by lighting director Andrew Goode. Goode’s use of vibrant colors, synchronized patterns, and dramatic builds complements the music’s improvisational nature, elevating each song to a visual feast. His lighting design doesn’t just illuminate the stage, it creates an immersive, otherworldly atmosphere that draws fans deeper into the performance. The interplay between Goose’s jams and Goode’s lighting transforms each concert into a multi-sensory experience that lingers in the minds of fans long after the final note.
Lighting director Andrew Goode mesmerized in Saratoga Springs.
Following another nod to Great Blue, “Jeff Engborg” was played for the first time since October of 2023. But the biggest bust-out of the weekend came next when Goose dipped into a beautiful, soul-wrenching cover of Tom Waite’s “Christmas Card From a Hooker in Minneapolis.” Played for the first time in a staggering 254 shows, Goose last covered it during their now-legendary Swanzey, NH drive-in show in October of 2022. There’s a sticker on one of Peter’s keyboards that says, “Phone Down, Eyes Up, Heart Open,” but on “Hooker,” I simply couldn’t resist taking my phone out. I had been chasing that one for a while, and in that moment, it was everything I needed and I didn’t want it to end.
The only thing that could top it was the song that got me hooked on Goose in the first place and as Rick crooned out the final words, “I’ll be eligible for parole come Valentine’s Day,” you could faintly hear the buttery-smooth transition into exactly what I was craving– a nice, dank 15-minute “Arcadia.” Hell yes. With time left for just one more, Rick would offer a nod to his previous band Vasudo as “Hot Love & the Lazy Poet” was chosen as the lone encore. As the band walked off stage to a howling ovation, you knew all the people you told about Goose years ago are finally starting to get it. Goose is special. This band is the real thing.
To my friends that inexplicably turned down miracles, I hate to beat a dead horse, but you simply missed out. For anyone lucky enough to catch Goose live, whether it’s their first or fiftieth show, it’s an experience that stays with you—a reminder that great music, like the fans that support it, is always evolving.
Watch pro-shot video of Goose performing “Big Modern!” on Night 2 at SPAC
Creating good vibes and blowing minds and returning to SPAC for Night 2 on Saturday, Goose would do it yet again. Opening up with a unique “indie-groove” arrangement of “Atlas Dogs” for the first time in 133 shows, the band also surprised folks with their cover of The National’s “Bloodbuzz Ohio.” After debuting the massive new track “Big Modern!” at the tour opener six days earlier in New Jersey, SPAC fans would get the second version ever played, this one coming in at nearly half the length of its predecessor at only 18 minutes. A beautifully performed “This Old Man’s Boat” made the hairs on your neck stand up, while the OG fan favorite “Hot Tea” had the entire place on their feet and dancing up a storm.
Saratoga Bust Out: Goose played the “indie groove” version of “Atlas Dogs” for the first time in 133 shows on 9/7/2024.
One thing that sets Goose apart is their deep connection with their fans. With the audience as much a part of the show as the band itself, the SPAC crowd was an eclectic mix of fans, from dedicated “poster collectors” lining up early for limited-edition artwork to first-timers eager to experience the Goose magic. The atmosphere was energetic yet laid-back, with people dancing freely, sharing stories of past shows, and reveling in the moment.
With a veritable and organic pre-party and post-party scene emerging around the band, there was plenty of excellent music to be heard outside of SPAC all weekend too, notably with sets by the Prince-Bowie supergroup Annie in the Water and Grateful Dead cover band The Wheel. Prior to the show on Saturday, members of Goose would hit the links for a good cause, teaming up with the Western Sun Foundation for “Goose on the Green” to help raise money for local charities. And while it was all smiles before showtime, when the band came out for the final set of the run, they put their game faces on and were all about getting down to some serious improvisational business.
Goose opened their 4th and final set at SPAC with a 25-minute rendition of “Hungersite” on 9/7/2024.
Kicking it off with a huge 25-minute rendition of “Hungersite,” the ‘wow’ factor was off the charts. Weaving their way through multiple tension and release peaks and even flirting with some type II jamming, the song’s massive crescendos made SPAC come unglued. Diving deep into their roots once again, Goose would show more love to Vasudo with “Give It Time,” a song that seems to be in steady rotation since Cotter Ellis took over on drums. After cracking the 20-minute mark on the always epic “Drive,” the song that had everyone talking afterwards was the cover of Nina Simone’s “Sinnerman.” Played for the first time in 87 shows, Peter would describe it as “one of the craziest dance parties he’s ever seen,” with even the lawn getting down. Closing out the triumphant SPAC run with a 2-song encore, “So Ready” gave way to just the second ever performance of “Zalt.”
Watch pro-shot video of Goose performing “Drive” on Night 2 at SPAC
After the show, the question on everyone’s mind loomed large. Will Goose follow in the footsteps of their jam band elders like Phish, Tedeski Trucks Band and Dave Mathews and make Saratoga Springs an annual stop on their touring schedule? After two mind altering, life affirming nights that showcased their unique ability to weave intricate jams with fan-favorite songs and positive energy, one thing is clear—they’re a band that thrives on the live experience. From their early days in the club scene to headlining the biggest stages in the world, Goose is a testament to the power of grassroots success. Their story is still unfolding, but if these shows at SPAC are any indication, the best is yet to come. Up next, the band plays three nights at Chicago’s Salt Shed before heading to the West Coast for the remainder of September. Until then, keep and eye on the bands Youtube channel for tons of free music and full-show performances. We’ll be watching and can’t wait to see what these guys do next!
Jazz guitar virtuosos Frank Vignola and Pasquale Grasso put on a spectacular performance of their arrangements and improvisations of jazz standards and their own individual compositions, delivered with incredible musicianship and warm performance skills to a full house at Caffe Lena in Saratoga Springs on Friday, August 30th. Though it was a repeat appearance for Vignola, it was Pasquale’s first appearance at Caffe Lena and, most likely, not his last.
Vignola and Pasquale are not a standing duo but teamed up for this performance, as they have on several occasions in the past and will later this year and into next year at various US venues.Vignola is one of the most highly respected and internationally sought after guitarists in multiple genres, having played with countless jazz artists and artists in other types of music as diverse as Madonna, Ringo Starr and Donald Fagan. He has appeared at prestigious venues including New York’s Lincoln Center, the Blue Note, and Birdland where he performs regularly
Grasso, who Pat Metheny called “The best guitar player I’ve heard in maybe my entire life”, has a style which is truly his own, stemming from influences as divergent as John Scofield, Charlie Parker, Bill Frissel and classical music and shaped in part by the nuances of jazz piano on guitar. Grasso, now in his thirties, moved to New York from Italy fifteen years ago and has been thrilling the jazz world ever since. He plays primarily at jazz clubs in New York City, either solo or with his trio or quartet.
Vignola delivered his virtuosity with his longtime companion, a 1950s Gibson L7 hollow body archtop with McCarty P90 pickups, played through a Fender Princeton Reverb tube amp. Grasso took the opportunity to introduce the audience to his brand new custom made Trenier hollow body jazz guitar with its single TK Smith “Charlie Christian”- bar type pickup, which he played through a stellar 1940s Gibson EH185 tube amp.
Rather than performing from a set list for either of their two sets, the two took turns deciding what the pair would play as the night progressed, with occasional exchanges of “What do you what to play? I don’t know, what would you like to do?” followed by one laying down a few notes to intro a piece with the other joining in with chord comping harmonizing the melody played by the other, with the pair often “switching” roles. Their selections included “Segment” and “Billy’s Bounce” by Charlie Parker in a posthumous homage to Parker’s August 29 birthdate; the jazz standard “Body and Soul”; “Monks Dream”, “Blue Monk” and “Evidence” by jazz pianist Thelonius Monk; “Stardust” played as a tribute to “straight ahead” jazz guitarist Russel/ Malone who passed away unexpectedly in Japan a few weeks ago; and a number of Pasquale Grasso’s original compositions.
Frank Vignola
There are few things in music as enjoyable as players improvising together at a level where each brings out a musical invitation and challenge to the other to weave their contribution into the other’s and this was a prime example, song after song, of just that level of virtuosity. And it was apparent from both their facial expressions and their musical interweaving that the two performers were enjoying each other’s contribution at least as much as the audience was. It was truly a “dance of two guitars”. Gazing around the room at the people in the audience made it clear that they were transfixed on every passage delivered in the intimate setting that is part of the historic charm and the ambiance of Caffe Lena.
Pasquale Grasso
At times the pair would trade four or eight bar melody or chord melody solos back and forth, with each one’s contribution complementing the other’s, and with facial expressions making it apparent how much they enjoyed what they were doing. Whether they were delivering what seemed to be melody runs of 32nd notes with absolute clarity and well placed clear spaces in the mix interchanged with chord solos or chord harmonies that visited the entire span of the guitar’s fingerboard; or more ballad-like slower tempo masterpieces, Vignola and Grasso truly delivered a master class in jazz guitar.
Long time Caffe Lena house live sound engineer Joe Deuel did his usual excellent job presenting their sound to the room, micing intentionally set low volumes of the two amps into the house’s live sound, balancing and EQing them with perfection.
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Mary Gauthier is bringing her most recent tour alongside fellow singer-songwriter Robbie Fulks to Phoenicia, Saratoga Springs, and Spencertown later this month.
Grammy nominated folk singer-songwriter and author Mary Gauthier has a long legacy of translating the human experience into sound. Her lyrics cut, her instrumentals hit deep, and her work has resonated with the public since the very beginning of her highly awarded 11 album, 28 year career.
Her first album, Dixie Kitchen, shares the name of the Cajun restaurant she opened prior to her musical career. This release gifted her the first of many award nominations to come for Best New Contemporary Folk Artist at the 1998 Boston Music Awards. Selling her share of the restaurant to finance her next album, Gauthier released Drag Queens in Limousines that same year, rocketing her into the spotlight for its unapologetically real, raw, and queer narratives.
Since then, Gauthier has released nine albums, including Mercy Now whose titular track earned the title of one of the “Saddest 40 Country Songs of All Time” by Rolling Stone Magazine, and Rifles & Rosary Beads, a collaborative project with U.S. veterans and their families, which not only resulted in various awards and Gauthier’s first Grammy nomination, but also presented the public with a difficult conversation in a groundbreakingly beautiful way.
Robbie Fulks, Gauthier’s co-headliner for the tour, shares her lyrical honesty and folksy charm, taking on a more bluegrass and country twang. While born in Pennsylvania and raised in Virginia, Fulks moved to New York City as a young adult and found a love for the Greenwich Village songwriting scene, there honing his skills that would carry his career to recognition from publications like NPR and Rolling Stone and two Grammy nominations.
Gauthier and Fulks will begin their tour in a matter of days, performing at the United Methodist Church in Phoenicia, New York on September 14, both an afternoon and an evening performance at Caffé Lena in Saratoga Springs on September 15, and the Spencertown Academy Arts Center on September 26.
For more information and tickets, please visit here. A full list of tour dates is below.
TOUR DATES
September 11 – Vienna, VA – Jammin Java
September 12 – Sellersville, PA – Sellersville Theater
September 13 – Northampton, MA – Iron Horse Music Hall
September 14 – Phoenicia, NY – United Methodist Church
September 15 – Saratoga Springs, NY – Caffé Lena (4:30 PM)
September 15 – Saratoga Springs, NY – Caffé Lena (7:30 PM)
September 17 – Nashville, TN – All Star Tribute and Drag Queens Album Performance
September 21 – Palm Coast, FL – Flagler Oars Recovery Festival 2024
September 26 – Spencertown, NY – Spencertown Academy Arts Center
September 27 – Manchester, NH – The Rex Theatre
September 28 – Town of Rockingham, VT – An Evening with Mary Gauthier & Ray Wylie Hubbard
October 3 – Harvard, MA – The Fruitlands Museum
October 12 – Nashville, TN – The Ryman Auditorium
October 17 – San Antonio, TX – An Evening with Three Women and The Truth
October 18 – Houston, TX – An Evening with Three Women and The Truth
October 19 – Austin, TX – An Evening with Three Women and The Truth
October 20 – Dallas, TX – An Evening with Three Women and The Truth
Five For Fighting’s String Quartet Tour kicks off Sept. 26. They will perform over two decades of hits and fan favorites with a four-piece string section. New York shows include stops in Homer, Saratoga Springs, Corning, Bethel, Oneonta, Bethlehem, and Port Washington.
Five For Fighting, otherwise known as John Ondrasik, is a platinum-selling, and Grammy-nominated songwriter and performer with a career spanning two decades since his first major single, “Superman (It’s Not Easy).” Five For Fighting has released six studio albums, including the certified platinum America Town, and The Battle for Everything.
Ondrasik says, “The string quartet allows a more intimate experience and the ability to pull songs from my catalog with fantastic string arrangements from world-renowned composers that I do not play with the rock band. The string quartet also performs a multitude of classical and rock songs that change every night that is always a special treat for audiences.” The String Quartet will include the Tony Award-winning concertmaster and co-orchestrator of Moulin Rouge! The Musical Katie Kresek with Melissa Tong, Chris Cardona, and Peter Sachon.
Five For Fighting Full Tour Schedule:
September 26 in Homer, NY at Center for the Arts of Homer
September 27 in Saratoga Springs, NY at Universal Preservation Hall
September 28 in Corning, NY at Corning Museum Of Glass
September 29 in Bethel, NY at The Event Gallery at Bethel Woods
October 1 in Oneonta, NY at Foothills Performing Arts Center
October 3 in Nashua, NH at Nashua Center for the Arts
October 4 in Laconia, NH at The Colonial Theatre Laconia
October 5 in Bethlehem, NY at The Colonial Theatre
October 6 in Waterville, ME at Waterville Opera House
October 8 in Newport, RI at The JPT Film & Event Center
October 9 in Red Bank, NJ at Count Basie Center for the Arts – The Vogel
October 10 in Port Washington, NY at Landmark on Main Stree
On September 5, Upstate folk artist Kate McDonnell releases her sixth album, Trapeze. To celebrate, McDonnell returns to Caffe Lena in Saratoga Springs for the album release party on September 20.
This is the latest release from McDonnell since her last album, Ballad of a Bad Girl, released in 2021. The album explored heavy themes of female gender identity and the relationships that stem from it. This time, the complex, introspective political themes are back in full force and more prominent than ever.
In this album, McDonnell covers a wide range of topics, from the COVID-19 pandemic to the tragic shootings occurring in the United States. But while these political issues are a central focus of the album, they are by no means the only issues McDonnell sings about. Struggles between family members, personal mental health, the death of a loved one, and leaving your home to pursue an independent life are all abundantly clear themes.
The opening track, “Pretty Good Day,” begins the album with a deceptively positive note. No matter what the struggles of life mean to her, it’s going to be a pretty good day when she spends time with those who provide a sense of security in the wake of such an isolating time like the pandemic. However, tracks like “All On My Own” and “Madeline” depict those feelings of loneliness, sadness, and depression as clear as day. The album’s finisher, “You Won’t Blow Away,” however, reminds us that even if things do not go our way, or if bad things happen, it is not the end of the world.
McDonnell’s political tinges don’t end there. The track “Step Right Up” dedicates itself to those who lost their lives to gun violence throughout the United States. As a firm advocate for gun safety laws and ending gun violence, McDonnell pays a wonderful tribute to the children whose lives were lost to gun violence throughout the country.
On September 20, Kate McDonnell hosts a release party for Trapeze at Caffe Lena in Saratoga Springs. Trapeze is out now on all streaming platforms. For more information, visit Kate McDonnell’s website.
Some early evening power outages on night two of Tedeschi Trucks Band (TTB) at Saratoga Performing Arts Center (SPAC) were no match for the electrifying blues of Susan Tedeschi’s voice and her husband Derek Trucks’ nuclear-in-scale slide guitar talents.
The lights went out in the middle of rootsy singer songwriter Margo Price’s set and briefly delayed the start of boogie-rock legends Little Feat, but the Tedeschi Trucks Band’s two hour-plus set, which ran the gamut of American musical traditions, went off without the slightest technical difficulty on Saturday, August 31.
This, the second of two SPAC shows on the Deuces Wild Tour, leaned heavily on the blues with a good measure of going-to-church gospel as well. TTB’s 14-song set, which showcased each of its 12 members’ musical personalities, kicked off with a trio of originals: “High & Mighty” set the tone for the evening featuring Tedeschi’s whiskey-smooth vocals and the first helping of a Derek Trucks slide solo. “Ain’t That Something”, a standout cut off of 2022’s epic “I Am The Moon” put keyboardist/vocalist Gabe Dixon and his blue-eyed soul vocals into the spotlight, but it was Tedeschi who stole the moment with an incredible overdriven solo.
“Hear My Dear” reached a rocking crescendo when Tedeschi and a trio of background vocalists continued to sing the chorus as Trucks lit into a fiery solo that imitated the human voice, lifting the sound of the three singing voices exponentially until it sounded every bit as strong as a massive choir.
In their cover of Bob Dylan’s “Meet Me In The Morning”, Trucks channeled the slide guitar sound of Elmore James and then he ditched the slide for more traditional fingerstyle playing, and B.B. King’s tone in “Part of Me”, reminding the audience that he’s far more than just a “slide guitarist”. Kebbi Williams’ ska-inspired sax solo also indicated that in TTB, you might well start a song in one genre and end in another depending on who has the next solo.
Vocalist extraordinaire Mike Mattison has long been a foil for the fretwork of Derek Trucks, dating back to the Derek Trucks Band days. His star turn on a gospelized Prince’s “1999” (almost unrecognizable to these ears until I caught the iconic lyrics) was a perfect tune for the last day in August – summer concert season is winding down, but TTB is still partying like it’s 1999.
On “Idle Wind”, Trucks transformed yet again. On his most inventive slide solo of the night he was in turn John Coltrane and Ali Akhbar Khan, alternating lines that sounded like the cry of a horn with runs that are far more often heard in Indian ragas than amphitheater blues rock.
A friend and I were recently discussing the incredible ability Trucks has of “interrupting the narrative” in TTB’s relatively conventional original songs. In what could almost pass as an adult contemporary number, the band builds dynamic energy behind Trucks and he launches into a litany of dirty blues, free jazz, a child crying, a saxophone wailing, a bird in flight – sometimes all within a few measures.
While it can sometimes feel like the songwriting is merely a vehicle for one of the finest touring live bands on the planet to launch into a succession of solos, TTB’s greatest gift may be in choosing its cover songs. They have it down to a science. Coming out of a lengthy drum solo, the band played five covers dovetailed incredibly well together. Powerhouse vocalist Alecia Chakour channeled her inner Aretha for “Ain’t Fair”. Then, The Allman Brothers Band’s “Dreams” featured excellent vocals by Dixon and Tedeschi and was a chance for a card-carrying former Allman Brothers Band member in Trucks to channel his childhood idol Duane Allman in yet another attack of the guitar tone clone.
Trucks exited the stage and his wife led a stripped down TTB in a bluesy mashup of John Prine’s “Angel From Montgomery” into the Garcia/Hunter classic “Sugaree”. A friend in the crowd made a valid point – is there any Upstate New York music fan who doesn’t like the songs “Dreams”, “Angel From Montgomery”, and “Sugaree”? We certainly like our Allmans, Prine, and Dead in these parts, so credit to TTBs setlist researchers for the construction of that portion of the set.
With Joe Tex’s 1967 soul hit “Show Me” the horn section was finally turned loose, as was vocalist Mark Rivers, who, had he been a musician in the 1960s, may well have been a Stax legend. At this point, TTB was in full soul revue mode, a-la the great Ray Charles bands of the 50s and 60s.
Perhaps in a nod to the whole “Mad Dogs and Englishmen” Joe Cocker tour similarities, TTB encored with Leon Russell’s “Stranger In A Strange Land”. Joined on stage by Margo Price & The Price Tags, Tedeschi and Price alternated verses triumphantly as the night came to a close and I found myself wandering through the relatively empty, but beautiful park, hoping TTB and company had indeed put me back “on the human track”.
Living legends Little Feat wasted no time firing off a succession of stone cold classics in their set, even if they were delayed by short power outage. Keyboardist Bill Payne lit into the familiar riff of “Fat Man In The Bathtub” as though he was firing a starter’s pistol, and the hits kept on coming. The atmospherically spooky “Spanish Moon” established Lowell George stand-in Scott Sharrard as a remarkable talent. Sharrard nails both George’s unusual vocal cadence and his thin slide guitar tone. A member since 2020, Sharrard’s youth seems to buoy the veterans of the band in the same way Mayer and Oteil inject life into Bobby and Mickey.
“Willin’” was a wave your lighter singalong of the first order, and while that was the moment a lot of the crowd was waiting for it was a new tune, “Mellow Down Easy” that brought down the house in what was the biggest audience reaction to anything all night.
The song is off of Little Feat’s new record Sam’s Place which is named both for percussionist Sam Clayton (who sings all the songs on the record) and Sam Phillips, the famous owner of Sun Studios in Memphis, where the Feat recorded the LP. Clayton’s Howlin’ Wolf-inspired vocals encouraged the crowd, but it was the incendiary harmonica playing of special guest Michael LoBue that worked the crowd into a frenzy and out of their seats.
Just when you thought it couldn’t get much better, Tedeschi and Trucks walked out on stage and the band kicked off “Dixie Chicken”. Hearing Trucks play such an iconic riff was all a music nerd such as myself could ask for – I could have left right after it and gone home a happy man. I deserved nothing more. But hearing Susan Tedeschi sing a verse of “Dixie Chicken” was icing on the…chicken, I guess. Fred Tackett’s chunky sounding Fender was a nice pairing with Sharrard’s smooth-as-butter Gibson sound. The guitar feast was bountiful and I was thankful the group served up “Feats Don’t Fail Me Now” in supergroup formation as well. There’s always something special about watching legends and torchbearers working together to make a crowd of thousands boogie.
Margo Price kicked off the music marathon with an 11-song set that ran the gamut in styles from Americana to bluesy psychedelia, outlaw country to Nashville honky tonk.
Price broke news early in the set that she and her band The Price Tags are set to return to Saratoga Springs as they will be joining the Farm Aid lineup on September 21. Until Saturday, Price had not officially been announced as part of the lineup, even though she has a history as a Farm Aid board member and has worked as a collaborator with Willie Nelson.
Price is an excellent frontwoman with a powerful voice that reminds me at times of both Loretta Lynn and Emmylou Harris. She’s joined by a crack band of Nashville talent, particularly her husband Jeremy Ivey who plays rhythm guitar and harmonica, keyboardist Micah Hulscher who had some of the finest B3 playing of the night, and Telecaster-master Jamie Davis.
“Been to the Mountain” from her album Strays and “Four Years of Chances” from Midwest Farmer’s Daughter were early set highlights for both the musicianship of the tight band and for the clever wordplay in Price’s lyrics.
An excellent take on the Grateful Dead-influenced “Tennessee Song” gave way to the very bluesy “Don’t Wake Up”, but the highlight of the set was a rousing “Change of Heart” into the traditional “God’s Gonna Cut You Down”. Just as Davis ripped into his solo, the power went out, making this writer wonder just what kind of God would choose guitaris-interruptus as a way to go all Old Testament on us? It got a little spooky Unsolved Mysteries at SPAC for a few minutes there. The lights came back on, but Price’s mic kept going in and out. Instead of getting frustrated, she hopped into the first row and led the crowd in a tambourine clap-along until the scurrying sound dudes fixed the problem and Price and company finished their fine opening set.
The 5 pm rain, and probably the whole end of summer Labor Day weekend thing, certainly seemed to limit the attendance on Saturday, but those that showed up saw the very best value menu you’re going to get at SPAC. And when I left my seat to go out to the lawn, it was crowded, but not oversold. It was comfortable and people were having fun. Nearly five hours of bluesy music was the perfect way to end August.
And since a new school year is just around the corner, it has me hopeful that new generations will keep hearing the music of The Allman Brothers, or Little Feat, or Susan Tedeschi and Margo Price. The crowd skewed a bit older for sure, with one man a few rows ahead of me raising his cane in the air and swaying it during the TTB encore like a baton.
But, what gives me hope is that TTB hasn’t taken a contract as The Late Show band (they certainly would be a great one). They’re a touring unit of the first order and they hit the road hard, proselytizing the blues and the American rock n’ soul standard songbook at every show. They’re using their powers for good and I sincerely hope they keep coming back to SPAC every summer to spread the gospel.
Saturday August 31 Tedeschi Trucks Band Setlist: High & Mighty, Ain’t That Something, Hear My Dear, Meet Me In the Morning (Bob Dylan cover), Part of Me, 1999 (Prince Cover), Idle Wind, Ain’t Fair (Aretha Franklin Cover), Dreams (Allman Brothers Cover), Angel From Montgomery (John Prine Cover) > Sugaree,(Grateful Dead Cover), Show Me (Joe Tex Cover), Just Won’t Burn, Made Up Mind Encore: Stranger In A Strange Land (Leon Russell cover w/ Margo Price & The Price Tags)
Little Feat Setlist: Fat Man In The Bathtub, All That You Dream, Spanish Moon, Willin’, Mellow Down Easy (w/ Michael “The Bull” LoBue on harmonica), Dixie Chicken (w/ Susan Tedeschi and Derek Trucks), Feats Don’t Fail Me Now (w/Susan Tedeschi and Derek Trucks)
Saturday August 31Margo Price & The Price Tags Setlist: All The Tired Horses (Bob Dylan Cover), Been To The Mountain, About To Find Out, Four Years of Chances, Never Say Die, Tennessee Song, Don’t Wake Me Up, Change of Heart > God’s Gonna Cut You Down (cut short by power outage), County Road, Do Right By Me, A Little Pain
Friday August 30 Tedeschi Trucks Band Setlist: Anyhow, I’ve Got a Feeling (The Beatles cover), Circles ‘Round the Sun, Let Me Get By, Tangled Up in Blue (Bob Dylan cover, TTB live debut), Do I Look Worried, I Feel So Bad (Chuck Willis cover), Smoke Ring Halo (The Wood Brothers cover), I Want More > Beck’s Bolero (Jeff Beck cover), I Walked on Guilded Splinters (Dr. John cover), Keep On Growing (Derek and the Dominos cover, with Anders Beck) > That Did It (Bobby “Blue” Bland cover), Bound for Glory Encore: Don’t Think Twice, It’s All Right (Bob Dylan cover, with Margo Price), Let’s Go Get Stoned (The Coasters cover, with Margo Price)
Labor Day weekend, a noteable bootleg and a weird ramble about women’s rights. What connection do these three things have? They’re all elements of the one and only time Frank Zappa performed at Saratoga Performing Arts Center (SPAC), on Saturday, September 1, 1984.
Zappa’s lone performance at SPAC was the final show of the first leg of the band’s North American tour before heading to Europe a week later for 28 shows stretching into mid-October. Just over a week after returning home, the band picked back up in the Northeast at Worcester Palladium in Massachusetts, with shows in NYC on Halloween at Felt Forum (now the Theater at Madison Square Garden) and the SUNY Stony Brook gym a few days later.
Snaking through the mid-Atlantic, this tour returned again to New York, with a November 16 show at SUNY Buffalo’s Alumni Arena, a whopping eight shows for Zappa heads across the Empire State, and a monster tour altogether with more than 100 shows in the calendar year.
Starting the tour on July 17, 1984 with six consecutive nights at the Palace Theater in Los Angeles, Zappa and his band would play four more shows in California that month, then head east through Arizona, New Mexico, Colorado and the Midwest, arriving in the Eastern Time Zone on August 12 in Cuyahoga Falls, OH. After a day off and show in Toronto at Canadian National Exhibition Grandstand, the band played Jones Beach on August 16.
Now if you were really into Zappa at the time, you could have caught multiple shows in New York this month, starting at Jones Beach, then The Pier in NYC, the NYS Fair in Syracuse and the Mid-Hudson Civic Center in Poughkeepsie, all in a 13-day span, with time to rinse and rest before the tour closer at SPAC on September 1. Not to mention the shows later that fall downstate and in Buffalo.
Among Zappa fans is a bootleg known as Kreega Bondola, which features a recording of Frank Zappa on September 1, 1984 at SPAC is one of the more widely circulated Zappa shows. This is thanks to the supposed soundboard source and first generation copy the recording stemmed from.
The name of the bootleg refers to a call from Tarzan, “kreeg-ah bundolo” which translates to “Beware! Kill!,” which would be the 1984 alternate name of “Let’s Move to Cleveland,” which also had pen names of “Canard du Jour,” and “(So) Young and Monde.” There is also a 14-minute version of “Kreega Bondola” which may explain how it became the title of the bootleg.
Additionally, songs from the SPAC performance, as well as the band’s December 23, 1984 show at Universal Amphitheater in Universal City (Los Angeles), California, were featured on the unofficial bootleg, All You Need is Glove, released in 1985.
With a lineup that was only found in the North America tour of 1984, the band included Frank Zappa (guitar, vocals), Ike Willis (guitar, vocals), Ray White (guitar, vocals), Scott Thunes (bass, vocals), Chad Wackerman (drums), Alan Zavod (keyboards) and Bobby Martin (keyboards, sax). Napoleon Murphy Brock had been on tour with the band from mid July until August 1, but was sidelined with stomach flu and missed the remainder of the US tour.
photo by Steve Schapiro
As a bootleg, Kreega Bondola was an entry level Zappa live performance for many of the day, offering a little something for everyone.
If you’re a casual Zappa fan or looking to wade into the waters, you’ll find “Carolina Hard-Core Ecstasy,” “I’m The Slime,” “Keep It Greasey,” and “Muffin Man” spread throughout the two hour concert. Add in Zappa’s guitar going toe-to-toe-to-toe with Ray White and Ike Willis on a shredding version of “Let’s Move to Cleveland” and you’re waist deep in live Zappa.
For the serious Zappa heads out there, there are 24 songs spread across the show and encore, pulled from no less than 13 Zappa studio albums and records, a wide net cast across an audience that would only see Frank this one time at SPAC.
Opening with “Heavy Duty Judy” and “Carolina Hard-Core Ecstasy” – a pair of Zappa and Captain Beefheart tunes – a seven minute “Advance Romance” followed, along “I’m The Slime” and the anti-MTV message that went along with it. Highlights include a short “What’s New in Baltimore?,” “Lucille,” “Teenage Wind” and “Sharleena,” and the stellar aforementioned version of “Let’s Move to Clevland.”
A pair of songs, “Cocaine Decisions” and “Nig Biz,” which were often played in succession, offered a message that outweighed the music. The first was Frank’s critical take on cocaine use/abuse and the decisions that come from those who use the drug, which also highlighted drummer Chad Wackerman’s use of electronic drums for toms (at Frank’s suggestion) along with standard snare, bass drum and cymbals. The latter is a hot take on the music industry, with the protagonist, a musician under contract with a record company, being made to feel like a slave, turning to drugs in order to be accepted. Both songs were critical of the music industry and factored in Frank’s sharp wit and words as he channeled personal views and experience into the message.
Then there is the encore break. Before closing the night, Frank received a letter on stage from a fan, reading it aloud for what is labeled as “Women’s Movement Rap” on the Kreega Bondola bootleg. The note made light of Frank’s attitudes towards women, to which Frank replied “Let me tell you something about women’s movement, there is only one good women’s movement,” leading to Frank referencing sex as the women’s movement which he is most deeply involved. And it doesn’t get less ‘weird’ by today’s standards as he keeps on going. (listen here)
The “Women’s Movement Rap” has been described by others as “possibly the dumbest thing Frank ever said on stage,” and that is likely true for the outspoken musician, but with songs “He’s So Gay,” “Bobby Brown,” “Crew Slut” and “Be In My Video” all part of this evening’s show, let alone live rotation, it was par for the course in 1984.
Closing the show post-‘rap’ were a smooth segue between “Camarillo Brillo,” “Muffin Man” and “Illinois Enema Bandit,” the latter of which stretches out for more than eight minutes, bringing the only Frank Zappa show at SPAC to a triumphant close. A unique show for sure in a heavy touring year for the workhorse composer and his band. Download the show here or listen below.
Frank Zappa – Saratoga Performing Arts Center (SPAC), Saratoga Springs, NY Saturday, September 1, 1984
Setlist: Heavy Duty Judy, Carolina Hard-Core Ecstasy, Advance Romance, I’m The Slime, Be In My Video, What’s New In Baltimore?, Lucille Has Messed My Mind Up, Ride My Face To Chicago, Teenage Wind, Truck Driver Divorce, Cocaine Decisions, Nig Biz, Sharleena, Keep It Greasey, Honey Don’t You Want A Man Like Me?, Carol You Fool, Chana In De Bushwop, Let’s Move To Cleveland, He’s So Gay, Bobby Brown, Crew Slut Encore: (women’s movement rap), Camarillo Brillo, Muffin Man, The Illinois Enema Bandit
The phrase “Creed is back” has dominated music news over the last ten months, as word of the band’s reunion broke last year. On Saturday, August 24, the multi-platinum rockers brought their Summer of ’99 Tour to the Broadview Stage at Saratoga Performing Arts Center. They were joined by old friends and previous tourmates 3 Doors Down and Finger 11 and were greeted with a sold-out crowd.
Creed rose to stardom in the late 90’s following the release of their debut album, My Own Prison. A prolific set at Woodstock ’99 turned the heads of many in the industry, who were seeking an alternative to the grunge scene. The band released their second album (and smash success) Human Clay soon after. The album’s anthemic singles “Higher” and “With Arms Wide Open” dominated radio, leading to the album being certified diamond status. Creed would go on to release one more album, Weathered (2001) before disbanding in 2004. They would reunite for one more album and almost two years of touring before again disbanding in 2012.
Throngs of rock fans descended upon SPAC early to catch opener Finger 11. The Canadian rockers were a fitting opener for the evening, and delivered a high energy thirty-minute set. The audience had their first of many sing-a-longs for the evening, belting the lyrics to the hit “One Thing” back at singer Scott Anderson.
Up next was 3 Doors Down, a band who rose to stardom soon after Creed. The band’s sixty minute set served as a reminder of the many radio successes the band has achieved over the years, as they performed tracks like “Loser”, “Here Without You”, “Away from the Sun”, as well as their biggest hits “Kryptonite” and “When I’m Gone”. Fans had filled the seated portion and lawn to capacity early on in the performance, and delivered powerful sing alongs to the tracks.
Excitement and energy was palpable by the time the house lights dimmed and the Creed logo shown on the video screens which decorated the back of the stage. A deafening roar greeted the band as they took the stage and opened with the 2001 hit “Bullets”. Singer Scott Stapp paced the stage ferociously as he delivered the spoken-word intro to the track, before a wall of flames erupted, and the band launched full force in to one of its heaviest songs. The band would work their way deeper into their catalog next, performing “Torn” and “Are You Ready”.
Early in the set it and through out the entire evening, it was apparent that the capacity crowd was not just there for trendy purposes. The crowd stood on their feet for the duration of the band’s 105 minute set, belting the lyrics to every track in deafening fashion. The crowd became even more frenzied when guitarist Mark Tremonti revealed he would give one of his guitars to the most passionate fan in attendance, a gesture which saw Tremonti and Stapp gift the guitar to a young child and her father on stage.
For the many in attendance, the set served as a trip down memory lane. Each song took listeners back in time to over 20 years ago, as the band performed a seemingly endless stream of hits, including “My Own Prison”, “What If”, “With Arms Wide Open”, and “My Sacrifice”. Between songs, Stapp spoke of a message of perseverance and overcoming the struggles and challenges faced each day (an achievement he himself can attest to) as well as the need to find unity and common ground in such uncertain times. No matter the struggles and uncertainties we face each day, one thing is for certain.
Rolling into SPAC for the Neon Pill tour, Grammy award winning rockers Cage the Elephant put on a performance for the ages on Sunday night, August 18th. With a broken foot and a heart full of the rock n’ roll spirit, lead singer Matt Shultz powered through the entire show in unforgettable fashion, rolling around the stage on a modified medical scooter.
Weaving through blasts of pyro and popping the occasional wheelie, he showed more charisma and showmanship on one leg than most mortals have in their whole body. Even if you couldn’t get into the music, you had to respect the max effort behind it. Alongside an eclectic lineup that featured Young the Giant, Bakar, and rising star Willow Avalon, the evening was a celebration of musical diversity, perseverance and raw emotion, drawing thousands of fans to experience a show that will be remembered for many years to come.
Burning Down the House: Cage the Elephant lit it up in Saratoga Springs on 8/18/24.
The buzz around SPAC before the show was all about Cage the Elephant’s previous gigs in the Capital Region. Long time fans were quick to remember their 2016 show with Portugal. The Man at the Palace Theatre in Albany where hundreds of fans jumped up on stage and hoisted Schultz into the air during the encore. From there, their legend only grew when Cage the Elephant moved up the road to SPAC in 2019 and stole the show from then headliner Beck (“Loser,” “Where It’s At”) with Shultz stripping down to his lifeguard shorts and completing a most epic crowd surf from the very front of the stage to the very top of the SPAC lawn to the tune of Queen’s “We Are the Champions.” So when the temporally handicapped Shultz rolled out in Saratoga Springs sitting on scooter, no one was really sure what to expect from the man who often spends more time running through the crowd than on stage.
Matt Schultz of Cage the Elephant completing an epic crowd surf at SPAC in 2019.
Sustaining a serious foot injury while performing in Atlanta earlier this August, this isn’t the first time members of Cage the Elephant have been hurt by their high-octane performance style. With a history of jumping off balconies and stage diving, things like cracked ribs, bruised sternums, bite marks and deep scratches that require stiches have all been par for the course with these guys. A few years ago, the band needed to cancel an entire UK and European tour when guitarist Nick Bockrath required immediate surgery after suffering a ruptured PCL, torn ACL, and fractured tibia while performing. But if pain is temporary and glory lasts forever, as they say in show business, the show must go on and this one did in a most grandiose way.
Neon Pill Tour: Matt Shultz performing with Cage the Elephant in Saratoga Springs on 8/18/24.
Formed as a six piece in 2006, the Kentucky bred Cage the Elephant has been a force in the music industry for nearly two decades. With six studio albums under their belt, including the newly released Neon Pill, the band has solidified their place as one of the most beloved and enduring bands in modern rock. Along with their unpredictable frontman Matt Shultz and his brother, Brad, on guitar, Cage the Elephant is also made up of Nick Bockrath (guitar), Daniel Tichenor (bass), Jared Champion (drums), and Matthan Minster (keyboards/guitar).
Rising to prominence with their gritty blend of alternative garage rock and punk blues combined with an elaborate and explosive live performance, their popularity can be attributed to their relentless energy, genre-defying sound, and the emotional depth of their lyrics. Despite his recent injury, Shultz’s indomitable spirit was on full display at SPAC, where he performed most of the set on a scooter, adding an unexpected yet fitting touch of rebellion to the evening. Opening up with the ever-appropriate “Broken Boy,” the band wasted no time playing with fire, dazzling the crowd pyrotechnics early and often.
Wheelie Time: Despite an injured foot, nothing could stop the showmanship of Cage the Elephant’s rockstar frontman on 8/18/24.
“Cry Baby,” the opening track from 2015’s Tell Me I’m Pretty, had the crowd singing along to every word, a recurring theme that was consistent throughout the night. Rocking renditions of “Mess Around” and “Cold Cold Cold” from the same album were also played, while “Spiderhead,” “Halo,” and “Telescope” represented the Melophobia portion of the show.
Fan favorite “Trouble” would receive the full “cell phone waving/sea of fireflies” treatment, which is a special moment at any show, no matter who is playing. Suddenly dropping into the hit single that put them on the map (and the only song played from their debut album), the crowd all but lost their minds singing along to “Ain’t No Rest for the Wicked.” With the audience firmly in the palm of their hands at this point, the sense of love and admiration for Cage the Elephant was palpable and through the roof. However, the journey to get to this moment hasn’t been without its challenges.
Watch fan shot footage of Cage the Elephant performing “Ain’t No Rest for the Wicked” in Saratoga Springs 8/18/24.
Supporting their first new album in 5 years, behind the scenes has been a little rough for the band. After Matt and Brad Shultz sadly lost their father in 2020, Matt made headlines when he was arrested for criminal possession of illegal firearms in Manhattan. Avoiding jail time by accepting a plea deal, he was placed in treatment for a medically induced psychosis in 2023. Now with legal troubles behind him and using the unfortunate setback as fuel for the new record, the phrase “neon pill” is a reference to the brightly colored medication that kicked off his mental breakdown. Delving into themes of self-discovery, inner turmoil, and the search for meaning in an increasingly chaotic world, when it came time to hype up the new stuff, Matt would casually ask if it was cool for them to play a few songs from Neon Pill.
After a resounding approval, “Rainbow” stuck out for its colorful laser light show, while “Good Time” had everyone from the front, back to the balcony getting lit. Including its title track, Cage the Elephant would only play three songs from the new album, instead putting much of the focus on 2019’s Social Cues. Treating the audience to tunes like “Ready to Let Go,” “Skin and Bones,” “Tokyo Smoke” and “House of Glass,” perhaps the most punk rock inspired song of the night was a fiery and emphatic stab at 2011’s “Sabertooth Tiger,” which saw even more pyro going off as the band exited the stage to a deafening loop of distorted guitar feedback.
Neon Pill Tour: Cage the Elephant brought the heat in Saratoga Springs on 8/18/24.
With the crowd howling for more, the band would return for a three-song encore of hit singles. First up from Thank You Happy Birthday was “Shake Me Down.” Met with thunderous cheers, the connection between the band and their fans was palpable, with the audience singing along to every word, creating a communal atmosphere that is rarely seen in live music today. “Cigarette Daydreams,” a song that’s rapidly approaching 1 billon streams on Spotify, felt absolutely huge in this setting. Finally, Cage the Elephant would unleash one last sing along in “Come A Little Closer” resulting in a euphoric eruption that truly made you feel alive and the hairs on your neck stand up. Watching Shultz push his body to the brink and scoot off the stage one final time, you simply knew you had just been a part of something special.
Cage the Elephant performing in Saratoga Springs on 8/18/24.
Prior to Cage the Elephant, the ever-evolving indie rock band Young the Giant played a set of fan favorites. Formed in Irvine, California, in 2004, the band has become a staple in the alternative music scene, known for their melodic soundscapes and introspective lyrics. The band’s current lineup includes Sameer Gadhia (vocals), Jacob Tilley (guitar), Eric Cannata (guitar), Payam Doostzadeh (bass), and Francois Comtois (drums). After opening up with “Jungle Youth, “ and “The Walk Home,” the band would then unleash their biggest hit to date with “Cough Syrup,” a song that’s amassed over 340 million streams on Spotify alone. Afterwards, singer Sameer Gadhia noted the band had no plans of touring this summer, but when an opportunity from Caged the Elephant knocked, they were glad to answer.
Mind Over Matter: Young the Giant celebrated the 10th anniversary of the their 2nd album at SPAC on 8/18/24.
Speaking candidly to the audience, Gadhia talked about how it’s kind of crazy he’s feeling comfortable enough to banter with crowd since he’s usually a reserved person off stage. Through the enabling power of music and art, when he’s in the grips of performing, somehow it all that goes away and he feels like he can do anything. Living in the moment and trying not to be afraid of taking chances, he said Young the Giant was going to try some songs they haven’t played in a while, as well as something from every album they’ve released so far. Continuing on with “Waves” and “Dollar $tore,” the band would go back to 2016’s Home of the Brave for “Titus Was Born,” before going all the way back to the beginning on “Apartment.”
Young the Giant’s Sameer Gadhia speaking candidly to the crowd in Saratoga Springs on 8/18/24.
Pausing once again to have another moment with the receptive crowd, Gadhia would talk about how this year marks the 10th anniversary of their second album Mind Over Matter. Reflecting back, he said “When it first came out everyone was so confused by it, because it was so drastically different than [their] previous work.” “But if you put all of yourself and all of your heart into something and truly believe in it, eventually someone will hear it and connect with it.” Ten years later, the album has gone from being an initial flop to their most streamed overall. Reminding everyone to “never apologize for your art,” Young the Giant would launch into the title track of “Mind Over Matter” then “Tightrope” from the same album. Finishing up strong with a pair of their biggest hits, setlist staples “Silvertongue” and the closer, “My Body,” had everyone up on their feet and waving their arms from side to side, fully primed for the main event yet to come.
Bakar performing in Saratoga Springs on 8/18/24.
Perhaps the most unique voice on the diverse bill was genre-blending English artist Bakar. Hailing from Camden, London, his distinct style fuses elements of hip-hop, indie rock, and pop. Wearing a red cap and a shirt reading “Cage the Bakar/Neon Pill Tour Forever,” Bakar’s inclusion on the tour was a bold choice, but one that paid off immensely. Performing solo and singing over backing tracks, “1st Time” would feature samples of “Dancing in the Moonlight,” while “Right Here, for Now” and “Stop Selling Her Drugs” would showcase his versatility and unique perspective on societal issues. After working his way through “Alive!” and “Small Town Girl,” Baker would sing his biggest song, “Hell N Back” last to close out the set. Bringing a refreshing and unexpected twist to the evening, Bakar’s music talked issues of race, identity, and the struggles of youth, making him a voice for a generation that is often overlooked in mainstream music. The audience, initially unsure of what to expect, quickly warmed to his dynamic performance and were up on their feet with cheers by the end of it.
Willow Avalon kicked off the Neon Pill tour in Saratoga Springs on 8/18/24.
Kicking off the long evening of music with sophistication and grace was a star-making performance by the Willow Avalon band. A so-called “southern belle raising hell,” Avalon’s presence was magnetic from the start. Originally from Asheville, North Carolina, she’s quickly made waves in the indie music scene with her infectious country-pop twang, stunning vibrato and carefree spirit. It wasn’t just Willow having all the fun either, her whole band appeared to be having a blast playing for Saratoga. Performing most of the tracks from her 2024 debut album Stranger, songs like “Honey Ain’t No Sweeter,” and “Getting’ Rich, Goin’ Broke” were met with smiles and applause, as her happy-go-lucky attitude and genuine passion for her craft was obvious.
Willow Avalon and her band performing at SPAC on 8/18/24.
Backed by a talented group of musicians, Avalon even worked in a brand-new foot stomper the band just wrote called “Raise Some Hell.” Joyful and radiant, Willow often touched on themes of love, nature, and self-empowerment. Rapidly becoming known for her vibrant stage presence and beauty, her microphones were adorned with flowers, reflecting her connection to the natural world and her upbeat personality. Her “friend not food” tattoo, featuring a pig, further emphasized her advocacy for animal rights, endearing her even more to the crowd. After working their way though Willow’s latest single, “Yodelayheewho” and her biggest song so far, “Tequila or Whiskey,” the band would ask for a little help from the crowd on the final song of the set. Quickly teaching them the lyrics to “Homewrecker,” it’s easy to see why Avalon’s rise to popularity has been so swift—her beauty, authenticity and warmth are qualities that resonate deeply and surely will continue to do so with audiences everywhere.
Willow Avalon performing in Saratoga Springs on 8/18/24.
The Neon Pill Tour at SPAC was a resounding success, showcasing the diversity and talent of some of today’s most exciting artists. From the hard-hitting rock of Cage the Elephant to the introspective melodies of Young the Giant, the genre-defying sounds of Bakar, and the uplifting country-pop of Willow Avalon, the night offered something for everyone. If you missed out in Saratoga Springs, don’t worry. With upcoming dates in Mansfield, MA, Holmdel, NJ, the Artpark in Lewiston, NY and a massive show at Madison Square Garden on September 5th, there’s still plenty more chances to get in on the action. If you’ve never seen Cage the Elephant before, and you’re a fan of live music, you simply owe it to yourself to check it out.
Watch fan shot footage of Cage the Elephant’s encore, “Come A Little Closer”at SPAC on 8/18/24.
Cage the Elephant | August 18, 2024 | SPAC | Saratoga Springs, NY
Setlist: Broken Boy, Cry Baby, Spiderhead, Too Late to Say Goodbye, Good Time, Cold Cold Cold, Ready to Let Go, Neon Pill, Social Cues, Halo, Mess Around, Trouble, Ain’t No Rest for the Wicked, Skin and Bones, Rainbow, Telescope, Tokyo Smoke, House of Glass, Sabretooth Tiger
Encore: Shake Me Down, Cigarette Daydreams, Come a Little Closer
Young the Giant | August 18m 2024 | SPAC | Saratoga Springs, NY
Setlist: Jungle Youth, The Walk Home, Cough Syrup, Waves, Dollar $tore, It’s About Time, Titus Was Born, Apartment, Superposition, Mind Over Matter, Tightrope, Silvertongue, My Body.
Bakar | August 18m 2024 | SPAC | Saratoga Springs, NY
Setlist: All In, 1st Time (with Dancing in the Moonlight tease), Right Here, for Now, Stop Selling Her Drugs, NW3, Alive!, Small Town Girl, Hell N Back.
Willow Avalon | August 18m 2024 | SPAC | Saratoga Springs, NY
Setlist: Stranger, Honey Ain’t No Sweeter, Getting’ Rich, Goin’ Broke, Raise Some Hell (new song), Yodelayheewho, Tequila or Whiskey, Homewrecker.
