The Carol Theater in Chestertown, NY is kicking off their summer season with a double feature show from, The Lazy Suns and The Bluebillies on June 22.
The Carol Theatre has been entertaining the small Adirondack town of Chestertown since 1931. It has been used as a movie theater in addition to live performances while supporting local businesses in the area.
New York State bands will perform the first show of the summer on The Carol’s historic stage. Americana band, The Lazy Suns formed in 2010 and have received two Capital District Eddie Award nominations for best Americana Country Rock group.The Lazy Sun’s 2016 original album, Bar Hotel Music, has a western, cowpoke feel, but also uses elements of easy listening 70’s rock.
Another country band, The Bluebillies, are genre blenders with their country-gospel album, Train To Paradise. The Bluebillies started in 1984 with husband and wife, Mark and Melody Guarino. Frank Orsini on fiddle and guitarist Greg Bucking complete the band, now performing all over New York State.
This summer, The Carol will also welcome a Beatles Tribute band, Across The Pond, on July 6 followed by High Peaks Bluegrass on July 20. Another tribute band, The Wheel: The Grateful Dead Experience, will perform on July 27.
For more information on future shows and to buy tickets, you can visit their website here.
In June 2004, the “end” was nigh for Phish as a band. The thought-to-be career-ending Coventry festival was slated for mid-August and all indications at this time was that there was no turning back and to savor every last performance. Before Phish would hang it up though, they graced SPAC with a two-day run over Father’s Day Weekend that featured moments of sheer brilliance, musical flubs that were all too common to this era and a surprise dad of their own that evoked memories of a happier time in the band’s history.
This particular SPAC run, only the fourth and fifth times that the band has ever played here, starts off with a bit of a surprise in the form of a “Reba” opener. Phish breezes through the composed sections of this intricate arrangement with ease before a relatively brief but euphoric improvised jam that follows. Alas, there would be no whistle-led ending to this one. Instead the band immediately pivots to a much more traditional show opener in “Runaway Jim.” Trey Anastasio leads the way on this one with some driving guitar fills which continually increase the tempo and depth of the ensuing jam until it comes to a head.
Tonight’s show maintains a relatively old school feel to it early on with the “NICU” that comes next with the “looked back on those days when my life was a haze” and the “Play it, Leo” lines both getting a hearty round of applause from the SPAC faithful. Phish then finally dives into their newer material with “Scents and Subtle Sounds” from their Undermind album which was just officially released last week. There would be no slow introduction for this one though as heard on the album. Instead Phish immediately jumps into the lyrical portion of the song, the first time they would ever do this. “Scents” yields another brief but truly uplifting outro jam with keyboardist Page McConnell pounding away on the piano while he and bassist Mike Gordon bookend it with harmonized lyrics.
Phish 2004 SPAC poster by Louis Arzonico
There’s a noticeable break between songs afterwards, perhaps with Phish trying decide how to end this first set at SPAC. It begins with a very slow, almost plodding “Wolfman’s Brother” that the band really takes their time with and certainly doesn’t suffer from a lack of funk. The “Walls of the Cave” that follows provides some of the best moments of the first set. After its typical thunderous outro jam, Phish takes it around the block and then some, going into a full Type II ambient/melodic jam that includes guitar riffs from Anastasio that would reappear in tomorrow night’s second set. As the jam slowly peters out, drummer Jon Fishman starts up the signature high-hat intro to “David Bowie” which closes out the first set in grand fashion.
Phish jumps right back into the deep end to begin the second set with the second ever performance of “A Song I Heard The Ocean Sing,” another new selection from Undermind which debuted days earlier in Brooklyn. It showcases the band’s true colors with a rollicking early jam that stays true to the song’s original structure before veering off into another exploratory Type II vehicle that elicits authentic aquatic vibes in its early stages before a slow and gradual reshape back to form.
poster by Jason Lees
This sets for the stage for “Piper,” a legendary version that phish.net properly describes as “a multi-section improvisational super heavyweight.” There’s no slow build in this 30-minute plus rendition that some argue is the best one of all time. Phish gets right down to business immediately, ripping through the brief lyrical section before leaping into a ferocious jam that starts off at an incredible pace and doesn’t let up for a while. At one point, the jam starts to ascend in a true “Tweezer Reprise”-like fashion without the song ever actually being played, with Anastasio going full rock god mode and vamping maniacally. It’s all adds up to a “Piper” that rivals the one played at Camp Oswego in 1999 and one that certainly belongs in any “Best Of” discussion.
The groove that develops on the back end of “Piper” eventually rounds cleanly into the beginning of “Gotta Jibboo.” Anastasio has the digital delay loop ready to go and this yields another joyous albeit brief jam that never rounds back into the end of “Jibboo.” Phish instead pivots to “Limb By Limb” with a standout version that features a series of patiently crafted, blissful peaks. “Cavern” then brings the second set to a close, marred a little bit by Anastasio completely spacing on some of the lyrics. Phish ends the first show at SPAC this weekend with a tame and relatively nondescript “Wading In the Velvet Sea.” Unfortunately, the same couldn’t be said about their “last” one of these at Coventry later this summer.
June 19 review by Tim O’Shea
Phish – Saratoga Performing Arts Center (SPAC) – Saratoga Springs, NY – Saturday, June 19, 2004
Set 1: Reba, Runaway Jim>NICU>Scents and Subtle Sounds, Wolfman’s Brother, Walls of the Cave->David Bowie
Set 2: A Song I Heard The Ocean Sing>Piper->Gotta Jibboo>Limb by Limb, Cavern
E: Wading in the Velvet Sea
https://www.youtube.com/watch?v=_UIBFR2eVVs
In 2009, fans returned to SPAC for what would be a five-years and two month gap between Phish shows in Saratoga Springs, but no one at the time knew this, let alone the band. Having only played SPAC five times between 1994 and 2004, the band found new affinity for the (originally) summer home of the New York City Ballet and Philadelphia Orchestra. With Anastasio spending time from 2007-08 living in Saratoga Springs while serving probation, return trips to SPAC have been frequent, almost annual events, marking 19 shows since 2009 alone.
But this 2.0 era show stands out (as does the night before) with jam highlights throughout, erasing even if briefly the specter of the band’s ‘final’ shows coming up less than two months later. Never has the phrase “never miss a Sunday show” been more ominous, as for some, this would be the last time they would see the band perform live for many years.
Phish SPAC 2004 poster by Ryan Kerrigan
Opening up the first set with an energetic “Rift” that lit the audience up, segueing into “Julius” during which Trey broke a guitar string. Following the repair, the band was joined by Dr. Jack McConnell, the father of Page “Chairman of the Boards” McConnell, who performed “Bill Bailey, Won’t You Please Come Home” for the first time since 1999, even donning his tap shoes to soft shoe on this Father’s Day. This sit-in followed Jay-Z joining Phish just two days later in Coney Island on “99 Problems” and “Big Pimpin’.’
Shirt design by Tripp
The “Waves” that followed had a heavier flow to it, pushing past the composed section and keeping the song upbeat and lively until the end. A funky ‘Gumbo” gave way to a trio of shorter songs – “Water in the Sky,” “Horn” and “Poor Heart,” which offered a break in the action, before delivering a 22+ minute version of The Who’s “Drowned.” You could lump “Drowned” in with the second set jamming that followed, and rightly so – this version of “Drowned” is often overlooked because of the lore that has followed the second set of 6/20/2004, but should not be. Anastasio is in the zone throughout, shredding and leading the way, even working in a tease of Deep Purple’s “Lazy.”
Set two began with RoundRoom track “Seven Below” that showed early promise on December 31, 2002, and delivered in each appearance until that point. Starting out dark and working the tempo up, “-7” found its way into a rocking version of “Ghost.” This pairing would be found that November in Albany as another substantial “Seven Below” > “Ghost.’
An all-time great jam followed, with the rocking funk of “Twist” getting the balcony bouncing. At 21 minutes long, this deserves a few listens. By 7:00, the first Type II jam has lifted off, and as you listen, every two minutes, there is a fresh section of improv dissimilar from the previous two minutes. The jam from 7:00-17:00 just keeps evolving and developing, with Anastasio once again leading the way, while Fishman and Gordon lay down the rhythm to keep the pace. Locked in, after 17:00, “Twist” shreds until Anastasio pulls out the ‘hose’ and winds the song towards conclusion.
shirt design by Dylan Levene
“You Enjoy Myself” would follow and close the set, offering thunderous approval from fans and giving SPAC the ever rare, and coveted, four song set. An encore of “Good Times Bad Times” was bittersweet and is served as a mantra for that summer’s fateful tour, one that would put the band on hold for four and a half years, but bring them back stronger than ever in 2009.
Phish – Saratoga Performing Arts Center (SPAC), Saratoga Springs, NY – Sunday, June 20, 2004
Set 1: Rift > Julius, Bill Bailey, Won’t You Please Come Home?[1], Waves, Gumbo, Water in the Sky, Horn, Poor Heart > Drowned Set 2: Seven Below > Ghost -> Twist, You Enjoy Myself Encore: Good Times Bad Times [1] Dr. Jack McConnell on vocals and tap shoes
Kool & The Gang and En Vogue are coming to Tanglewood on June 23, performing at Koussevitzky Music Shed at 2:30 p.m.
Kool & The Gang is an R&B, funk group known for their hits from the 70’s and 80’s. They officially formed in 1969 signing to De-Lit Records and released their first album, Kool & The Gang. “Jungle Boogie” “Get Down On It” and “Ladies Night” are just a few of their many hits from their decades of discography.
The band formed in Jersey City as a Jazz ensemble. This included Robert “Kool” Bell on Bass, Ronald Bell on Keyboards, Robert “Spike” Mickens on Trumpet, Dennis “Dee Tee” Thomas on saxophone, Ricky West on keyboards, George Brown on drums, and Charles Smith and Woody Sparrow on guitar. Now, Robert Bell, trumpet player, Michael Ray and Keyboardist, Curtis “Fitz” Williams make up the Grammy Award winning group.
Soul trio, En Vogue are joining Kool & The Gang on stage performing their hits from the 90’s. They have sold 20 million records worldwide and have won seven MTV Music Video Awards along with three Soul Train Awards. In 1988 Dawn Robinson, Cindy Herron, and Maxine Jones and Terry Ellis made the final cut for the girl group and they were signed to Atlantic Records. Now the group is a trio consisting of Ellis, Rhona Bennett and Cindy Herron. They’ve released seven studio albums, most recently Electric Cafe in 2018.
Last Year, En Vogue performed at the Fourth of July Tanglewood celebration. This summer music festival is located in the Berkshire hills in Western Massachusetts.
For More Information and to purchase tickets you can visit the Tanglewood website.
Beetlejuice The Musical The Musical The Musical opened at Proctors Theatre in Schenectady on Tuesday, June 18, bringing in a packed audience who laughed and sang along to the beloved film, now in musical form.
Photo by Matthew Murphy
Telling the story of Lydia Deetz with greater empathy and backstory – she is at her mother’s burial at the onset of Act 1 – gives cause for Lydia to seek out the help of Beetlejuice, performed masterfully by Justin Collette.
With a recently diseased deceased couple, Adam (Will Burton) and Barbara (Megan McGinnis) Maitland, taking up residence in their former house – now the Deetz’ – they become visible to Lydia, leading to haunting hilarity and foot-tapping musical numbers amid a visually stunning series of sets that utilize the slant framed doors, windows and hallways of the Tim Burton film.
Photo by Matthew Murphy
Pulling from the source material effectively, but introducing Beetlejuice by the end of the first number, the focus in Act 1 on the demon in the striped suit was on par with that of Lydia (Isabella Esler, making her professional debut), a shift from the 1988 film. The 2018 debut on Broadway garnered Tony Award nominations for Best Musical, and well deserved given the production of songs “Dead Mom,” “That Beautiful Sound,” “Say My Name,” “Barbara 2.0” and of course, “Day-O (The Banana Boat Song).”
The first act was Beetlejuice’s time to shine, taking centerstage until he finally joins the world of the living by the end of the act. But Act 2 is greatly focused on Lydia, a time for actress Isabella Esler to be front and center, belting out number after number – “Home” being a show-stopping highlight. In Act 1, Lydia gives the story heart, a tease of what a treat audiences were in store for, both in Act 2 of Beetlejuice and Esler’s career potential as well.
Beetlejuice The Musical The Musical The Musical contains strong language, mature references, and a lot of the crazy, inappropriate stuff you would expect from a deranged demon, but great family fun nonetheless.
Photo by Matthew Murphy
Beetlejuice The Musical The Musical The Musical at Proctors runs through Sunday, June 23. Tickets are available here.
Located right along the scenic Champlain Valley, sandwiched between New York and Vermont, lies the town of Crown Point, NY. The town is home to the recently renovated War Cannon Spirits, a bar and live music venue with a rich history and a unique, authentic architectural heritage.
The Tasting Room
Originally used as a lumber mill, the building has been standing for over 200 years and has had several owners. The building was erected in 1820 and conveniently located near Putnam Creek, where the previous dam, along with the ponds behind the building, served as the perfect location for the town’s mill. Several decades later, the mill would see multiple different owners, usually continuing its lumber production. The Crown Point Cooperative G.L.F. Service bought the building in 1933, producing lumber and wooden products.
In 1957, the service sold the building, and for the first time, it was not used as a mill. For the next 50 years, the mill became the Crown Point Agway, locally known as “The Old Agway Building.” In 2000, it operated as Porterâs Mill Hardware & Feed. Unfortunately, the location was abandoned after only 8 years.
After years of abandonment, War Cannon Spirits purchased the mill in 2016. Since then, they have renovated the building to capture its full potential as a bar, distillery, and restaurant, while restoring its former glory. Through constant use, harsh weather conditions, and neglect, two centuries of costly damage amounted to the building. The mill was in dire condition, but War Cannon Spirits was determined to maintain its integrity.
History, authenticity and creativity matter to us. Demolishing the mill would have been an injustice to the community.
War Cannon Spirits, “History”
This year, War Cannon Spirits have officially finished renovations on the abandoned mill. The last seven years were a slow, painstaking process for the company. Fixing damages from the last 200 years of neglect is no easy task. However, after all this time, a fully renovated mill and upper floor known as “The Loft” is ready to make its debut.
Since 2016, War Cannon Spirits has repurposed the 200-year-old mill into an elevated industrial rustic building oozing with character. Integrity was especially important to the company, which swore to preserve the history of the mill. The company and regional architect Nils Luderowski gave the mill a much-needed makeover. The recent renovations make the mill something the community can be proud of. There is no doubt that War Cannon Spirits will make the mill an iconic destination for Crown Point.
We sought an iconic venue to boldly represent War Cannon Spirits. We wanted something authentic, not a generic prefabricated building or pole barn.
War Cannon Spirits, “About Us”
As a distillery, War Cannon Spirits is a firm believer in promoting the spirits produced in the Lake Champlain region. Since the company began, they partnered with regarded chief distiller Joel Elder, due to his specific focus and experience on locally sourced agribusinesses. The distillery offers whiskey, beer, mead, liquor, and other alcoholic beverages resourced in the area. They are also distributors of other New York-based brands, spanning as far away as Long Island.
War Cannon Spirits is divided into two floors. The first floor, which managed to stay intact during most of the renovations, is the Tasting Room. The Tasting Room offers selections of these products, including a bar with its own signature cocktails and a coffeehouse. Next to the bar is a restaurant and dining area with an elevated pub fare-type menu and one-off high-end dining experiences.
Nancie Battaglia
The most recent and notable addition to War Cannon Spirits is The Loft. Located on the second floor, The Loft offers a large stage perfect for concerts and live performances. This year marks the beginning of War Cannon Spirits hosting concerts, starting with a live performance from “A Man Named Cash” featuring Eric Hofmanis, a tribute to Johnny Cash and June Carter on June 15.
After seven long years, War Cannon Spirits is ready to showcase the best of what Crown Point has to offer. The highly anticipated opening of the distillery’s Loft is expected to officially put War Cannon spirits on the map. But from what they have been able to accomplish so far, it’s clear that this is only the beginning for the brand.
Tickets and information for events at The Loft at War Cannon Spirits are available here.
War Cannon Spirits Upcoming Events
Friday, July 12 @ 7:00 pm – Roadhouse 60’s Jukebox Rock n Roll
Roadhouse 60’s is a New York-based tribute band dedicated to bringing the audience the sweet sounds of the 1960s. Join them on July 12 at the Loft at War Cannon Spirits for a night of 60’s nostalgia.
Friday, August 30 @ 7:00 pm – Roadhouse 60’s Jukebox Rock n Roll
Roadhouse 60s make their return to the Loft at War Cannon Spirits on August 30th!
Saturday, October 19 @ 8:00 pm – KISS THIS! KISS Tribute – Fully Electric & Live at the “Birthplace of the Electric Age”
Performing a full KISS tribute show, including makeup and costumes, is tribute band KISS THIS!
New York holds a special place in the history of music, spawning countless superstar artists and musical movements. It is no wonder then, that New York has a host of institutions meant to celebrate its important relationship to music. Across New York State, there are a number of Music Halls of Fame, many of which celebrate the musical heritage of their region. Others instead celebrate entire genres that originated in New York. Let’s explore New York’s Music Halls of Fame, their histories, and what they contain.
Locations of New York State’s Music Halls of Fame
New York City Metro
Long Island Music and Entertainment Hall of Fame
The Long Island Music Hall of Fame (LIMEHOF) is an organization aiming to preserve and celebrate Long Island’s musical heritage. Inspired by this emergence of Long Island, music historian Norm Prusslin and Rich L Hommedieu founded the Hall in 2004. They were quickly joined by Jim Faith and others. LIMEHOF inducts artists, producers, venues, and radio stars from Suffolk, Nassau, Queens, and Kings counties. Located in Stony Brook, the hall of fame occupies an 8,800 square foot building, which also contains a museum dedicated to Long Island Music History. The museum houses instruments, memorabilia, and awards won by some of its inductees.
The exterior of the Long Island Music Hall of Fame
Starting in the 1970s, Long Island slowly began to emerge as a hub of music. Local bands like Zebra and Twisted Sister slowly began to conquer rock radio airwaves in the 1980s. Soon, by the early 2000s, Long Island had become home to its own music festivals, such as the Great South Bay and Long Island Bluegrass festivals. As Billy Joel said in his induction to the hall of fame, “people began to recognize that the âLong Island Soundâ wasnât just a body of water.” Inspired by this emergence of Long Island, music historian Norm Prusslin co-founded the hall of fame in 2004 with Rich L. Hommedieu.
Since its founding, the hall of fame has inducted over 120 figures, who originated or lived on Long Island. Genre pioneers like punk-rockers the Ramones, and hip-hop legends Run-DMC were among the first inductees. The hall of fame also recognizes nationally-known stars, like Billy Joel, Paul Simon, and Louis Armstrong for their success and influence. Induction, however is not just limited to artists, with execs, producers, and important venues also having spots in the hall of fame.
The lobby of the hall of fame museum
The hall of fame is also involved in music education, and community involvement. The museum facilities host a theater that showcases local artists, film screenings and music workshops. In addition to inductions, the hall of fame also awards the Harry Chapin award to artists and organizations dedicated to humanitarian causes on Long Island. Past inductees have included Steven Van Zandt, and the Long Island Cares food bank. The organization also awards annual high school scholarships, and recognitions for Long Island high school orchestras.
Hip Hop Hall of Fame
The Hip Hop Hall of Fame is an organization founded in 1992 that is dedicated to the preservation of hip hop as a cultural art. The organization specifically recognizes hip hop’s role in promoting socio-economic empowerment and urban development. In addition to recognizing artists instrumental in hip hop’s foundation, the organization places a special emphasis on community involvement through charity, and education.
A photo of the inaugural inductees in 1995, with Hip Hop Legends Grandmaster Caz, Mr. Magic, Founder JT Thompson, Kool DJ Red Alert and Ez AD
New York holds a key place in the development of hip hop as a genre. Hip Hop was born in the Bronx, with many citing its origins in an August 11, 1973 party held by DJ Kool Herc. His use of two turntables to play extended instrumental funk breaks shaped the sound that would become the basis for hip hop. Since its birth, New York has spawned countless superstars, including Notorious B.I.G., Nas, and Jay Z. It is no wonder why the Hip Hop Hall of Fame is based out of New York City.
The hall of fame’s inaugural induction ceremony was held at Sylvia’s restaurant in Harlem in 1995. Since then, BET has nationally broadcast annual induction ceremony and concert every November to celebrate Hip Hop History Month. Inductees include rappers, DJs, b-boys, and producers. The organization currently has no physical location, but that will soon change. The Hip Hop Hall of Fame is constructing a massive complex in the heart of Manhattan. The entertainment complex will host the hall of fame, museum, a hotel, and stores for visitors. The hall of fame museum will contain memorabilia, and interactive exhibits for each of its inductees. The physical facilities are expected to be completed in late 2026 to early 2027.
A digital rendering of the museum’s planned exhibits
The hall of fame holds community involvement and education as a key tenet of its mission. As a result, it offers a host of scholarships, grants, and music industry mentoring programs for inner-city youth. In addition, the organization invests in efforts to register voters, empower local businesses, and provide job training. This is all part of the organization’s belief that hip hop culture can be a positive influence in fixing many of the problems that plague the inner-city.
Brooklyn Jazz Hall of Fame and Museum
The Central Brooklyn Jazz Consortium founded the Brooklyn Jazz Hall of Fame in 1999. Its goal is to recognize musicians who had an impact on the cultural landscape of Brooklyn through both musicianship and community involvement. This hall of fame places specific focus on artists whose work has been overlook in comparison to other commercially successful jazz musicians.
The hall of fame’s origins can be traced to the Central Brooklyn Jazz Consortium, an alliance of venues, community organizations, and musicians. The Consortium places special emphasis on the preservation of jazz as a piece of Brooklyn’s culture, using activism and education to aid in this mission. Specifically, the consortium works to ensure there are accessible, and affordable music shows and programs for Brooklyn’s underserved communities. As part of this mission, the Consortium hosts an annual Brooklyn Jazz Festival.
The Consortium’s Jazz Hall of Fame is currently an online entity. Its creators however hope that it can one day have a physical location. The envisioned location would contain interactive displays, educational facilities and a performance center. The hall of fames inductees include singers, instrumentalists, composers, and bandleaders. Some notable inductees are Lena Horne, Freddie Hubbard, and Max Roach.
The Brooklyn Jazz Hall of Fame presenting an award to flautist Herbie Mann
The Hall of Fame is also dedicated to giving back to the community, and promoting jazz to youth. As a result, they award the annual Deacon Leroy Apple Young Lion Award. The hall of fame presents this award to a young Brooklyn musician with exceptional jazz skills.
American Theater Hall of Fame
The American Theater Hall of Fame is the only organization that recognizes lifetime achievement in American theater productions. Earl Blackwell, James M. Nederlander, Gerard Oestreicher and L. Arnold Weissberger founded the hall of fame in 1970 in Manhattan. The organization’s mission is honor the past history of theater, celebrate present productions, and encourage future involvement in the arts.
The hall of fame is located in the Gershwin Theatre in the heart of Broadway. It takes the form of large gold lettering embossed on the walls of the theater’s entrance. The Gershwin Theatre also houses a small museum dedicated to hall of fame inductees. The second floor lobby houses 22 exhibition cases displaying memorabilia from past inductees. Individual donations, and ticket sales from the theater fund the hall of fame’s memorial and events.
Since its first induction ceremony in 1972, the hall of fame has honored hundreds of performers, composers, and directors. To be eligible for induction, someone must have performed for over 25 years, and have at least 5 Broadway credits. Each year, a committee of 275 critics and hall of fame members votes on candidates, inducting the top 8. In terms of musicians, the hall of fame has inducted famous composers and conductors such as George Gershwin, and Leonard Bernstein.
The hall of fame hosts an annual induction ceremony and Gala at the Gershwin Theatre each January. Leaders of the Broadway industry frequently attend the ceremony. Each year’s induction ceremony is videotaped and stored at the New York Public Library for Performing Arts at Lincoln Center.
Bronx Walk of Fame
Bronx Borough President Fernando Ferrer founded The Bronx Walk of Fame to honor the achievements the Bronx’s residents. The Walk of Fame came as part of a larger plan to uplift the spirits of the borough’s residents, and improve the external image of the Bronx. Today, the Walk of Fame takes the form of a 23 block long corridor along the Bronx’s Grand Concourse. Along the concourse, street signs celebrate celebrities who were born or lived in the Bronx.
An aerial view of the Bronx’s Grand Concourse – home to the Walk of Fame
The bright yellow street signs along the Walk of Fame celebrate not only honorees, but the borough as a whole. One side displays an image of the Bronx County Courthouse, the center of government for the borough. The other illustrates art deco storefronts, hinting at the vibrancy of commerce in the community. Since the Covid-19 pandemic, the signs were redesigned, placing a larger emphasis on the inductees name, removing the building illustrations.
Each year, the Bronx Borough President, Tourism Council, and Overall Economic Development Corporation vet a series of candidates, before selecting inductees. There is an unveiling ceremony at the County Courthouse, where the signs are displayed for one year, before relocation to the Grand Concourse. The annual Bronx Ball celebration also honors Walk of Fame inductees.
The Walk of fame includes a number of musicians, spanning many genres and decades. Hinting to the Bronx’s importance to hip hop’s birth, a number of rappers, like Slick Rick and Kurtis Blow have signs along the concourse. Additionally, the Walk of Fame also honors the smooth voices of Luther Vandross, Bobby Darin, and Jerry Vale. The Bronx has historically been a hub for Latin music in the US, so many musical inductees have roots in this genre. Willie Colon, Johnny Pacheco, and Joseito Mateo are just a few salsa and merengue musicians honored on the Walk of Fame.
Ertegun Jazz Hall of Fame
The Ertegun Jazz Hall of fame is an organization dedicated to honoring luminary minds of Jazz. The hall’s name comes from Atlantic Records co-founder Nesuhi Ertegun, whose label released many seminal jazz records. Jazz at Lincoln Center founded the hall of fame in 2004 to celebrate the definitive artists that have shaped jazz.
“The Ertegun Jazz Hall of Fame will provide a center where the lives and the artistry of the greatest jazz musicians will be celebrated, and where people will come to learn about jazz, something to which my brother devoted his life’s work”
– Ahmet Ertegün
Today, Lincoln Center’s Frederick P. Rose Hall houses the interactive hall of fame. The hall includes a 14-foot video wall, interactive kiosks, and touch-activated virtual plaques. In addition, the hall’s architecture itself is a celebration of jazz instrumentation. The facilities make use of cork, wood, and brass, that are key materials of jazz instruments.
A 60 person panel, including artists, and scholars from 17 different countries works to select inductees. The inaugural 2004 induction included legends like Miles Davis, Jelly Roll Morton, Louis Armstrong, and 11 others. Jazz legends, including Herbie Hancock presented awards to inductees’ family members and friends.
A Display of Hall of Fame inductees in the Frederick P Rose Hall
Capital Region
Eddies Music Hall of Fame
The Thomas Edison Music Hall of Fame, colloquially known as the Eddies Hall of Fame began in 2019. The mission of the hall of fame is to celebrate individuals from the Capital Region who have made a significant impact on the music industry. Their contributions can be national or local, drawing a great diversity of inductees.
The Eddies Music Hall of Fame unveiling ceremony
Jim Murphy and Sal Prizio created the Eddies in 2018 as part of Proctor’s Collaborative. The collaborative is a collection of Capital Region theaters, music schools, and other organizations to push music education and economic development in the area. Each year, the organization hosts the Eddies Awards to recognize musicians of the Capital Region, and induct hall of fame members. The first ceremony was held at Schenectady’s Proctors Theatre, and saw 1,250 attendees.
Since its establishment, the Eddies Hall of Fame has taken physical shape in Saratoga Springs’ Universal Preservation Hall. The venue houses a wall of plaques honoring each inductee, with a screen of rotating videos telling their life stories.
Exterior of Saratoga Springs’s Universal Preservation hall
The hall of fame celebrates not only musicians, but also songwriters, producers, journalists and execs who have impacted the industry. To be eligible for induction, candidates must have spent part of their lives in the Capital Region, and had a music career longer than 20 years. The inaugural class of 2019 only had two inductees: Celtic star Kevin McKrell, and folk singer Ruth Pelham. Since 2019, the hall of fame has expanded to include 40 inductees.
Dance Hall of Fame
Marylou and Cornelius Vanderbilt Whitney founded the National Museum of Dance and Hall of Fame in 1986. The organization’s mission is to cultivate appreciation of musical arts, especially dance, in the larger community. The hall of fame additionally partners with the Saratoga Performing Arts Center (SPAC) to aid in arts education.
A restored bathhouse in Saratoga Spa State Park houses the hall of fame and museum. The museum contains memorabilia from some of the most famous dance artists of all time. Photographs, videos, personal artifacts, and costumes are just some of the objects displayed. Additionally, the hall of fame takes the form of golden plaques with the images and biographies of inducted embossed onto them.
From 1987-2019 the hall of fame annually inducted members who left a lasting impact on the dance industry. This has included many musicians, including singers, and composers. 2009 saw the induction of the King of Pop Michael Jackson for his chart-topping dance songs, and choreography. In addition, classical ballet composers such as Igor Stravinsky hold a place in the hall of fame.
The future of the Dance Hall of Fame has been uncertain since the Covid-19 pandemic. The museum remains temporarily closed since 2020, being taken over by SPAC in the meantime. SPAC and museum board member Anthony Ianniello has said that SPAC is working to reopen the museum to the public, with more information being available soon.
Central New York
NYS Country Hall of Fame
Cortland’s Country Music Park & Campground hosts the NYS Country Hall of Fame. Local musician Merlin Reynolds envisioned a hall of fame to recognize the Western artists of New York. In 1984, Reynolds with the help of Loretta and Dr. John Eckel purchased the current property to create the hall of fame.
The Country Music Hall of Fame’s Opry Barn
Located directly off NY-13, the property’s A-frame house hosts the hall of fame. The property contains a hall of fame, and hall of honor, which takes the form of commemorative plaques on the building’s walls. In addition, the property hosts a museum dedicated to country artists from Nashville and New York. The museum has memorabilia, instruments, and costumes from legends like Willie Nelson, and Tammy Wynette. Hall of fame and museum admission is $3 per person, with admission by appointment only.
In addition to the museum, the hall of fame hosts a vast campground for visitors. The campgrounds have guests lodgings, bbq pits, horseshoe courts, and a performance space. The performance hall, called the Opry Barn, has a 150 sq foot stage, hardwood dance floor, and kitchen for visitors. It is also home to the annual hall of fame induction ceremony.
One wall of the Hall of Fame, featuring plaques and memorabilia
Induction into the NYS country hall of fame first requires induction into the organization’s hall of honor. Honorees must have been born or lived in New York, and performed country music for over 10 years. Each year, 3 members of the hall of honor are elevated into the hall of fame at the annual induction dinner dance. In addition, the organization’s lifetime achievement and horizon awards are presented at this event. This ceremony takes place the last Sunday of October. Since its inception, the hall of fame and hall of honor have inducted over 200 musicians.
SAMMY Hall of Fame
Since 1993, The SAMMYS awards have celebrated the music scene of Syracuse and Central New York. Since its inception, the awards have included an annual induction into the SAMMYS hall of fame.
Carolyn Kelly’s induction into the SAMMYS Hall of Fame in 2023
The first SAMMYS Hall of Fame induction took place at Syracuse’s Landmark Theatre in 1993. Since its founding, the annual ceremony has become the largest music event in Syracuse, drawings hundreds of musicians and guests each year. The hall of fame currently has no physical location, and takes the form of this honor at the annual awards. In addition to awards, the ceremony features live performances from local artists and honorees.
The hall of fame recognizes musical artists and organizations from Syracuse who have left a lasting impact on the music industry. Since its start in 1993, the hall of fame has inducted over 100 artists, venues, and publications. The first artist inducted was jazz trombonist Spiegle Wilcox in 1993. In addition, the SAMMYS also recognizes a select few with lifetime achievement awards. Lifetime achievement honorees include legends like Lou Reed, and Ronnie James Dio.
Oswego Music Hall of Fame
Nancy Spereno and the Oswego Harbofest board established the Oswego Music Hall of Fame in 1990. In the words of the organization, they honor artists “who have kept Oswego dancing, singing, and smiling for years.” Following the 1990 awards, the Hall of Fame went on hiatus until its revival in 2015. For the past nine years, the hall of fame has honored local artists at its annual induction ceremony.
The hall of fame’s inaugural induction honored Joseph Spereno, Charlie Davis, Dick Workmen, Jimmy Gannon and Dick Fellows. These men were recognized for laying the groundwork of Oswego’s music scene, as well as their dedication to the community. Then Mayor John T. Sullivan also presented them with keys to the city at the 1990 Harborfest celebration. Following a 15 year hiatus, the hall of fame was revived with the sole induction of Joseph P. Spereno. Spereno worked as agent for legends like Isaac Hayes, ELO, Tom Petty, and others. He was also honored for his dedication to charities fighting AIDS, and funding music education. The hall of fame now awards the “Joseph P. Spereno Hall of Fame Award,” which is the highest honor at the annual ceremony.
2023 Oswego Music Hall of Fame inductee John McConnell
The Oswego Music Hall of Fame has no permanent location, but takes the form of an annual induction dinner each October. The annual ceremony features hall of fame inductions, live music performances, and the awarding of the organization’s annual Joseph P. Spereno Scholarship. The scholarship recognizes a local youth who wishes to pursue a career in music.
Western New York
Buffalo Music Hall of Fame
The Buffalo Music Hall of Fame is an organization dedicated to preserving and promoting the diverse musical heritage of Western New York. Rick and Marsha Falkowski founded the hall of fame in 1983 to honor the musicians and cultural achievement of Erie, Niagara, Allegany, Cattaraugus and Chautauqua counties. The hall of fame not only includes international superstars, but also regional figure’s who shaped the music industry in Buffalo.
Following its founding, Niagara Falls’ Hard Rock Cafe housed the hall of fame in a dedicated room. The room displayed memorabilia and artifacts from the hall of fame’s inductees. For years, the hall of fame hoped for a standalone location to house a performance space, displays, plaques, and memorabilia. This dream came true in 2021, with the opening of a physical space in Buffalo’s Black Rock neighborhood.
Each year, the hall of fame announce its nominees at a midsummer press conference, with official induction taking place at its annual October gala. The 2023 induction gala took place at Buffalo’s Seneca One Tower, with an induction concert taking place the next night. Induction is based on longevity in Western New York, community service in music, music education/mentoring, charitable contributions, recording status, and production credits.
Since its founding, the hall of fame has inducted hundreds of honorees spanning countless genres. Some standouts include funk legend Rick James, pop icons Goo Goo Dolls, and jazz fusion band Spyro Gyra.
The hall of fame partners with many local Buffalo organizations to give back to the community. They often collaborate with Music to Remember WNY, and the annual Juneteenth celebration. Additionally, the hall of fame offers annual scholarships for students who study and perform music.
Niagara Falls Music Hall of Fame
The Niagara Falls Music Hall of Fame is an organization dedicated to preserving and honoring the musical heritage of the Greater Niagara Falls area. The organization inducts individuals, groups, and businesses that have left a lasting impact on the local, national, and international music scenes.
The hall of fame currently has no physical location, but has held induction ceremonies since its founding in 2017. As part of the inductions, an annual ceremony and concert is held, with the 2024 edition set for October 23.
The hall of fame allows members of the community to nominate individuals, groups, and venues for induction. The nominees are then evaluated based on their impact on the local community, not necessarily their popularity. Nominees must have a definite connection to the region, and a noticeable impact on music or community service. Inductees include everyone from the MacKenzie Highlanders Pipe and Drum band to rock guitarist Frank Grazanti.
The MacKenzie Highlanders play at the 2023 Niagara Falls Music Hall of Fame induction
In addition to induction, the hall of fame offers an annual Dr. Sam Morreale Award. The award recognizes a musician, promoter, or fan who has shown unparalleled dedication to music in the community. The award’s namesake is Dr. Sam Morreale, a dentist, music historian, and reedist, who served Niagara Falls’ music community for over 70 years.
Rochester Music Hall of Fame
The Rochester Music Hall of Fame began in 2009 to recognize the immense talent, and promote appreciation of Rochester’s music scene. The hall of fame recognizes not only Rochester, but much of Western New York, including Monroe, Orleans, Genesee, Wyoming, Livingston, Ontario, Yates, Seneca and Wayne counties.
In 2009, local musician Karl LaPorta wrote an op-ed in Rochester’s Democrat and Chronicle newspaper envisioning an institution to honor the city’s musicians. Seeing an immensely positive community response, LaPorta assembled a committee, including media, politicians, and musicians, to found the hall of fame.
The exterior of the Eastman School of Music’s Miller Center
The hall of fame made a great stride in 2018, opening a physical location in Rochester’s Miller Center. It now shares the building with the Eastman School of Music‘s Sibley Music Library. The hall of fame holds regular events for the community, including book talks and signings as part of its “Books Backstage” events. In addition, since 2019 âThe Grove Place Jazz Project” sees jazz performances from music school students each Tuesday evening.
Since 2012, the hall of fame has inducted yearly honorees, including musicians, radio hosts, venues, and philanthropists. Rock legends like Foreigner’s Lou Gramm and The Beach Boys’ Al Jardine, as well as Jazz icon Cab Calloway are among the inductees. The class of 2024 includes producer and YouTube star Rick Beato for his role in online music education. The hall of fame awards each inductee with a trophy in the shape of a gold treble clef designed by award-winning artists Mark McDermott.
The hall of fame remains dedicated to giving back to the Rochester community, offering a host of outreach programs. They offer a school outreach program to educate students on music history, opportunities in the music industry, and the hall of fame’s activities. Live music performances often accompany these talks. In addition, the hall of fame awards an annual Douglas Lowry award scholarship to a local high school senior wishing to pursue a career in music.
National Comedy Hall of Fame
The National Comedy Center in Jamestown, NY houses the newly established Comedy Hall of Fame. The hall of fame is the first one in the country to honor legends of stand-up comedy. The mission of this hall of fame is to honor inductees, provide education on comedic arts, and explore the role of comedy in American history.
The National Comedy Center, which houses the Comedy Hall of Fame
A 2022 Netflix special titled “The Hall: Honoring the Greats of Stand-Up” launched the hall of fame, acting as its first induction ceremony. The ceremony was hosted by current comedy icons, like John Stewart, John Mulaney, and Dave Chappelle, who honored inductees, as well as comedians who had recently passed. At this inaugural ceremony, four comedy legends were inducted, including Richard Pryor, George Carlin, Joan Rivers, and Robin Williams.
John Mulaney presenting at the first induction into the Comedy Hall of Fame
A brand new wing of the National Comedy Center will house the hall of fame will contain interactive exhibits, archives of rare performances and interviews, and memorabilia from inductees. The National Comedy Center began in 1996 as the Lucille Ball-Desi Arnaz Museum before its rebranding in 2018. On its 37,000 sq foot grounds, the museum invites upwards of 60,000 annual visitors to explore exhibits ranging from vaudeville to internet memes. In addition, the organization has hosted sets by famous comedians, such as Jerry Seinfeld and Trevor Noah. Congress designated the museum as an official US cultural institution in 2019. The museum is located in Jamestown, NY, the hometown of I Love Lucy star Lucille Ball.
Statewide
New York Blues Hall of Fame
The New York Blues Hall of Fame is a subsection of the national Blues Hall of Fame, founded in 1999. Its mission is to preserve the legacy of the blues through local induction ceremonies across New York States. These ceremonies bring artists, fans, and contemporaries together to recognize inductees’ musical prowess. The hall of fame places special emphasis on those who have gone overlooked, tirelessly perform for passionate audiences.
The Recognition of Jeff Pevar as a Master Blues Artist at the 2016 induction ceremony
The hall of fame currently has no physical location, but has an extensive e-museum on their website. The website contains a gallery of videos and photos honoring its inductees. Additionally, the e-museum hosts pages on local blues histories, and defining bands and artists of the genre. On top of this, it also provides information on local blues jams and events across the state.
Whereas the national Blues Hall of Fame began in 1999, the New York edition had its first induction ceremony in 2011 in Middletown. The hall of fame hosted 24 induction ceremonies through 2016, traveling to NYC, the Hudson Valley, Albany, and more.
In its induction ceremonies, the Blues Hall of Fame honors great artists, photographers, venues, and more. Some honorees of note are Taj Mahal in 2016, Shemekia Copeland in 2013, and Allman Brothers Band drummer Jaimoe also in 2016. The Hall of Fame awards honorees a certificate recognizing them as either a legendary, master, or great blues artist.
The 27th Annual Albany LatinFest will take place on Saturday, Aug. 24 featuring Taina Asili, DLG, Tony Succar, and talent from local artists.
Photo by Mabou Riddick
This year’s lineup includes Taina Asili, a Puerto Rican-American singer-songwriter and activist. Originating from Binghamton, her music contains a variety of styles and inspirations ranging from Afro-Caribbean and flamenco to hardcore punk and opera. Asili is also an extensive activist focusing on prisoner justice, climate justice, food justice, and female empowerment.
DLG (Dark Latin Groove) will bring some fun salsa music to LatinFest with a performance that incorporates reggae and hip-hop into salsa music. In 2009, the band was nominated for a “Best Tropical Album” Grammy Award as well as a Premio Lo Nuestro Award for “Best Tropical Group” the same year.
Lastly, Peruvian-American percussionist, Tony Succar will take the stage. Succar is also a composer and producer. In 2015 he became the youngest Latin Grammy winner of Producer of the Year and Best Salsa Album. Since then he’s had Grammy nominations in 2021, 2023, and 2024. His set at LatinFest is not to be missed.
Photo by Mabou Riddick
Along with exhibitions from local talent, the festival will offer raffles, Latino vendors, crafts, and a Kid Zone.
The event is held in Albany’s Washington Park from 11 AM to 6 PM and free to the public. In the case of rain, the festival will be moved to the I-90/I-787 interchange in Corning Preserve.
The Albany Latin Festival Association (ALFA) is a 501(c)(3) organization whose mission is to promote and develop Hispanic cultural events in the Capital Region of the State of New York for the purpose of acknowledging the contributions of Hispanic performing artists and promoting an appreciation for multicultural diversity. For more information visit www.albanylatinfest.org
The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College announced the list of events they will be hosting during the summer season. Events include Frances Day, Family Saturdays, Crafts on the Grass, and the inaugural Skidmore College Juneteenth Celebration.
The most anticipated of these events is the 2024 rendition of its summer concert series, “Upbeat on the Roof,” located in Saratoga Springs, NY. The series will run each Thursday from July 11 through August 15. All events are free and open to the public. Art-making activities are geared toward children 5 and older, with an adult companion.
A wide variety of performers will attend the concert series, including both revisiting and new performers. This year, a new collaboration with The Orchard Project and a theater and performance incubator in residence at Skidmore are among the newcomers.
The Tang Teaching Museum – Official website
For 23 years, the Tang Teaching Museum has brought the summer concert series to Saratoga Springs. However, the concert series is not just for musicians, as the aforementioned arts and crafts events, as well as the debuting of art for the museum’s gallery, take place after the performances. Showcasing a diverse set of performers and artists, and spanning across several genres, Upbeat on the Roof brings the best of what Skidmore College has to offer.
The Tang Teaching Museum located at Skidmore College is a monumental feat in the world of education. With exhibition programs that bring together visual and performing arts with interdisciplinary ideas from history, economics, biology, dance, and physics, the Tang inspires learning on a higher level adapted to our modern times. The Tang has one of the most rigorous faculty engagement initiatives in the nation, as well as a robust publication and touring exhibition program that brings the Tang all around the world.
Staff at Upbeat on the Roof are dedicated to providing a family-friendly, fun space for their upcoming concert series. Attendees are encouraged to bring blankets, camping chairs, food, and drink to picnic on the lawn. Craft kits will be available at 5:30 pm; concerts begin at 6 pm.
Below is the full schedule of summer events hosted by the Tang, including the lineup of the 2024 rendition of Upbeat on the Roof.
Skidmore College’s Juneteenth Celebration – Saturday, June 22, noon to 3 pm
Celebrate Juneteenth at Skidmore College’s annual celebration. The event features Juneteenth-themed arts and crafts, storytelling, food, and performances, with ongoing activities and timed events inside and outside the Museum. Black-owned businesses will have items for sale, including clothing, hand-crafted products, flowers, baked goods, and more. Live musical performances are scheduled for the event, as well. It’s a great opportunity to support local Black artists!
Musical performances will be:
Noon-12:15 pm: Welcome and hip-hop dance performance by Prodigal B
12:15-1:15 pm: Neo-soul music performance by Adrian Emanuel
1:15-2 pm: Congolese dance and drumming workshop by Nkoula Badila and Angel Lau
2-3 pm: Gospel performance by The Heavenly Echoes Gospel Band
Family Saturdays – Saturdays, July 6, August 3, August 17, 2 to 3:30 pm
Our popular Family Saturdays foster multigenerational creative cooperation through looking at artwork, discussing it, and engaging in a hands-on art-making activity. The programs, which are free and open to the public, run from 2 to 3:30 pm. They are suitable for children ages 5 and older, accompanied by their adult companions. No registration required; supplies provided on a first-come, first-served basis. Led by Njeri Jennings, the Laurie M. Tisch Educator for K-12 and Community Programs at the Tang Teaching Museum, the programs are inspired by current exhibitions and art from the Tang collection. Details for each Family Saturday will be announced later.
Crafts on the Grass – Thursdays, July 11 to August 15, 5:30 pm
Before each Upbeat on the Roof concert, Tang museum educators will offer Crafts on the Grass, art-making kits for kids starting at 5:30 pm. A different kit with a craft project will be available each week. All projects are suitable for children aged 5 and up, with adult supervision. Materials will be distributed on a first-come, first-served basis.
Frances Day – Saturday, July 20, 2 to 6:30 pm
The Tang Teaching Museum’s annual open house features contemporary art exhibitions, art-making activities, tours, food, music, and more in honor of the museum’s namesake, Frances Young Tang. Details of Frances Day—including tours, art-making activities, and musical guests—will be announced soon and listed on the Tang website.
Visitors of all ages engage in art-making activities during the 2023 Frances Day community open at the Frances Young Tang Teaching Museum and Art Gallery at Skidmore College. This year’s Frances Day is July 20. Photo by Megan Mumford.
Upbeat on the Roof Summer Concert Series
July 11 – Future of Broadway
The Orchard Project is a preeminent artistic development laboratory and accelerator for creators of performance and dramatic stories, in residence each summer in Saratoga Springs. This special Upbeat on the Roof performance features selections from project-in-residence Safety Not Guaranteed, a theatrical version of the 2012 feature film, with music by Guster’s Ryan Miller and Nick Blaemire, that will have a major New York City production this fall; and from composers-in-residence Jesse J. Sanchez, Anna DeNoia, and others
July 18: Great Mutations
Great Mutations is a Troy, New York-based rock band that brings melodic, intricate songs about love, work, and death to their performances. Since their formation in 2012, they have released four studio albums, including their most recent LP, Gifted Kids, in April. Band members are singer and guitarist Matthew Thouin, bassist Mitchell Masterson, drummer Ian White, and guitarist Tommy Krebs. Join them for the 2024 Upbeat on The Roof on July 18!
Great Mutations – Bandcamp
July 25: Dust Bowl Faeries
Celebrating their tenth year in 2024, Dust Bowl Faeries perform a faerie-tale medley of dark cabaret and gothic polka music, infused with a dose of witchcraft and a dusting of woodland magic. Hailing from the New York Hudson Valley, the band draws inspiration from circus music, murder ballads, and Eastern European folk songs. Instruments like the accordion, lap-steel, electric bass, percussion, and acoustic guitar combine to create the Dust Bowl Faeries’ mystic sound. Founded by Ryder Cooley (“faerie queen”), Dust Bowl Faeries includes Jon B. Woodin (“rocket faerie”), Jude Roberts (“hobbit faerie”), Rubie LaRue (“feisty faerie”), and Andrew Stein (“time faerie”).
Dust Bowl Faeries, photo by Stephen Spera
August 1: Drank the Gold
Drank the Gold is made up of two members: fiddler Oona Grady and multi-instrumentalist James Gascoyne. In 2023, the band was named the Folk/Traditional Artist of the Year at the Capital Region Thomas Edison Music Awards. The duo plays North Atlantic dance tunes and traditional folk songs with their own original twist, bringing a new face to the folk scene. See them perform at Upbeat on the Roof on August 1.
Drank the Gold, photo by Elizabeth Pedinotti Haynes
August 8: Dan Carr and the Cure for Asthma
The band, in their own words: “Deep within the piney hills of Albany, New York, lurks a gaggle of obnoxious strummers, bangers, and sangers on an epic plot to take over all of Albany. Their music is so incredibly catchy it will brainwash and destroy all the evil-doers in Albany AND Troy. Rock, Country, distortion, they have it all. Tori, Juliana, Gabe, Joe, Sam, and Dan won’t stop ever.” Join them for a rock’n’roll night at Upbeat on the Roof on August 8.
August 15: Reese Fulmer & The Carriage House Band
The 2023 and 2024 Americana Artist of the Year at the Thomas Edison Music Awards, Reese Fulmer and his band are among the fastest-rising groups in the Capital Region. The Carriage House Band has appeared in duo, trio, quartet, 5- and 6-piece formats, and has featured artists including Chris Carey, James Gascoyne, Andy Arnold, Connor Dunn, Dustin DeLuke, Julia Alsarraf, JP Hubbs, Orion Kribs, Bobby Kendall, Chris Bloniarz, Matt Griffin, Connor Armbruster, Paul Guay, Sara Milonovich, Jimi Woodul, Katie Weissman, and Joe Woodul. Join them on August 15 as they close out Upbeat on the Roof!
Reese Fulmer & The Carriage House Band – Official Facebook
Performances will take place every Thursday from July 11 through August 15. Tickets and more information are available here.
At Caffe Lena in Saratoga Springs, a captivated audience was on hand for the June 9 performance from Larry Campbell and Teresa Williams.
The second of two nights for the Woodstock couple at the historic venue, each night was opened by Jenna Nicholls, who brought a unique voice to the stage, one that is tailor made for Caffe Lena. With Jon LaDeau on guitar alongside her, Nicholls opened with a ukulele song that had an old timey radio sound, making horn sounds via bilabial fricative while she plucked away.
A resident of Saugerties, Nicholls cited the Jalopy Music Hall scene for her folk/Americana sound, one that is as unique as it is intriguing. Add in some cowboy songs and a little yodeling, and Nicholls rightfully has earned her first headline show at Caffe Lena on January 18, 2025.
Woodstock locals Larry Campbell and Teresa Williams, fresh off the release of All This Time earlier this year, took the stage around 9pm for a mesmerizing set. Joined by former Hot Tuna drummer (and longtime Midnight Ramble production manager) Justin Guip and bassist Branden Morrison (whose tone was on point all night), the band opened with the lead single from All This Time, “Desert Island Dreams.”
During the show, Campbell was impressively augmenting his guitar sound to have that of a slide guitar, minus the slide. He mentioned that his father grew up in The Bronx, while Williams mentioned her home of Peckerwood Point, TN, in a dry county, just north of Memphis.
Performing much of their new album in order – “All this Time,” “Ride with Me,” “The Way You Make me Feel” and others, Campbell and Williams would pause between songs to share stories, including those involving legendary drummer, Levon Helm. Sharing a story from the recording of Electric Dirt, Campbell recalled that Levon suggested the duo start their first record, which would be recorded at Levon’s barn in Woodstock. One of those tracks would end up on their recent release, the George Jones/Gene Pitney composition, “That’s All it Took.”
A mid show cover of Duke Ellington’s “Caravan” was time for all four on stage to shine, as seen below.
A deep cut of American comedy and vaudeville came to light with “A Little Better,” a song referencing Stan Laurel and Oliver Hardy, bringing to mind the simple joys of life that can make you feel better, by watching ‘Stan and Ollie Dance.’
Stories from Williams of ‘pew jumpers’ at revivals down south peppered the set, noting the spirit of the music that compelled even the most devout to rise from their seats in joy and exultation. A cover of “Long Black Veil” by Lefty Frizzell featured Larry Campbell on mandolin and tugged at your emotions as Teresa Williams belted out the lyrics in the small confines of Caffe Lena.
A cover of Helm’s “Poor Old Dirt Farmer” off Dirt Farmer, which featured Campbell as producer and on multiple instruments and was engineered by Guip, was presented as a ‘cajun waltz’ but had a distinct sound of having Irish and Appalachian roots.
The penultimate song, “When I Stopped Loving You” was a highlight of the night, as was the Julie Miller penned “I Love You.” The encore of “Down on My Knees” was followed by a rousing rendition of the Grateful Dead classic, “Sugaree.” The duo spent time meeting fans in the lobby of Caffe Lena, discussing songs and their show and taking photos, a treat to close out a spectacular performance.
On July 20, 2024, catch Larry Campbell and Teresa Williams with musical friends old and new at their inaugural July Jam at Arrowood Farms in Accord. Get tickets here.
A new face in the Albany Music scene, Lake Effect, released their first six-song EP, Drifting on May 17.
The band formed in 2022 with Lenore Aldi-Snow, who writes all the original music. The other three members come from the funk band, NoLaNauts, also based in Albany. Ben Moss is on Guitar, Brian Brancato is on drums and background vocals and Matt Girtler is on bass and backing vocals. The group played for what they thought was just one performance on New Year’s Eve 2022 at Jive Hive Live, a small venue in Albany.
Lake Effect came together again at Christ’s Church in Albany in April 2023 as an official band this time. They played 23 of their original songs including the tracks from Drifting. The EP was mixed and produced by Alec Lewis at his studio, Honey Home.
The EP is full of Aldi-Snow on the keys playing classic funk rhythms. “Trouble” has an uncanny resemblance to Bill Wither’s “Use Me.” The band uses neo-soul and funk sounds but mixes them with Aldi-Snow’s crisp jazz vocals. “EDGE,” the last track on the EP features Brancato’s and Girtler’s vocals with a blues-rock end to Drifting.
Although Lake Effect is currently on a break due to other musical commitments, they plan on recording more music in the future – listen to their EP Drifting on any streaming site.
