The Lake George Arts Project celebrates their 40 year anniversary of Jazz at the Lake, a three-day festival featuring renowned and rising jazz musicians. The festival takes course over three days, presenting a wide variety of artists and musical styles. This year’s festival is from September 13 through 15.
Jazz at the Lake features an extensive lineup, including GRAMMY-winning artists and virtuosos. This year’s stellar lineup includes rising star Jahari Stampley, trumpet virtuoso Michael Mayo, GRAMMY-winning artists Ulysses Owens, Linda May Han Oh, Nicole Zuraitis, Danilo Perez, and many more.
Over the years, Jazz at the Lake has become one of Lake George’s most anticipated events, bringing in thousands of fans to the region to celebrate jazz. The multiple-days long festival has proudly showcased some of the greatest regional, national, and international jazz musicians in hundreds of concerts over the last four decades. Now in its 40th year, the festival brings three days of incredible artists, special events, and tribute shows.
The full line-up for this year’s Jazz at the Lake can be found at: www.lakegeorgearts.org
Jazz at the Lake has provided fans with a playlist to all pieces featured during the festival. The playlist is available here.
Friday Night, September 13:
Friday kicks off on Friday night with the 2023 First Place winner of the Herbie Hancock International Competition Jahari Stampley, who is performing with his family trio comprised of 7-time GRAMMY Award nominee Erania Stampley and Miguel Russell.
Friday night also features performances as part of the Jazz Around Town program. They will perform at multiple locations around town. Lineup for these performances include The Arch Stanton Trio, Nook & Cranny, Dylan Perillo and Brad Brose, the Scott Hopkins Jazz Trio, and the Chuck Lamb Trio.
Saturday, September 14
Saturday begins at the Hello Sunshine Bagel Bistro for the Coffee and Jazz program, starting at 10 am and ending at noon. Attendees can grab a free coffee while listening to the music of the Chad McLoughlin Trio.
Michael Mayo, a breakout composer and trumpet virtuoso, takes the Shepard Park stage at 1pm. Renowned saxophonist Ben Wendel brings his lyrical compositions to life at 3 pm. At 5pm, three time Grammy™ Award-Winning Drummer Ulysses Owens Jr., performs with Generation Y, a group of distinct and reputable talent from the top music conservatories in the United States. Finishing the show is GRAMMY winner Nicole Zuraitis, jazz singer-songwriter, pianist and arranger, at 8 pm.
Sunday, September 15
Fans can enjoy Jazz at the Lake’s very own Jazz Cruise on Sunday morning. The cruise ride includes a tour of scenic Lake George accompanied with breakfast and live music.
Taking the Shepard Park stage at 1 pm is The Daniel Kelly Group, who pay tribute to festival founder Paul Pines in a performance that uses Pines’ poetry (read by David Gonzales) as inspiration. At 3pm, GRAMMY award-winning Linda May Han Oh, a highly renowned bassist and composer, takes the stage with her dynamic quintet. Jazz at the Lake ends with the GRAMMY Award Winners and UNESCO Artist for Peace, Danilo Pérez who will be playing with John Patitucci & Adam Cruz beginning at 5 pm.
On Aug. 31, Dispatch and the Boston Pops will conclude Tanglewood’s 2024 popular artist concert series.
Chad Urmston, Brad Corrigan, and Pete Heimbold formed their Indie band Dispatch in the 90’s as they were attending Middlebury College in Vermont. The band is most known for their songs “The General” and “Band Bang.” After Graduating, they relocated to Boston to further the band’s influence. In 2002, after six albums, the band thought Dispatch had come to an end and even performed a farewell concert in Boston Known as “The Last Dispatch” two years later.
Although the band did take a break from recording and creating music this wasn’t truly “The Last Dispatch.” They came together for multiple benefit concerts in the following years and in 2011 they announced their official reunion. Today, Corrigan and Urmston make up the band and in 2021 they released Break Our Fall.
Joining this indie jam band is Grenadian-Canadian jazz vocalist, Kaia Kater. Her music is a genre blend of Appalachian and Canadian folk. She started releasing music straight out of high school with her first EP Old Soul in 2013. Her most recent album Strange Medicine is a reflection of Kater’s life and a celebration of marginalized people.
Singing alongside these three artists are the Boston Pops who have performed several times throughout Tanglewood. This concert series located in the Berkshire mountains of Western Massachusetts is the summer home of the Boston Symphony Orchestra and offers classical concerts as well as performances from contemporary artists.
To purchase tickets to Dispatch’s performance you can visit the Tanglewood website here.
Dead & Co’s residency at the Sphere in Vegas may be over for now, but the music of the Grateful Dead most certainly hasn’t faded away from concert stages across the country as myriad tribute, cover, and legacy acts continue to perform in the final weeks of summer.
Dark Star Orchestra may well be the best Dead-music band that is currently touring, and the 1,500-plus dancing heads at Schenectady’s Frog Alley on Thursday, August 22 seemed to be in agreement that DSO are venerable interpreters of the genre.
DSO’s faithful and sequential recreations of notable Grateful Dead setlists and their dedication to performing with period-authentic instruments and equipment set them far apart from typical tribute acts. This is as close as you’re going to get to a late-70s Dead set, short of a time machine.
Thursday’s DSO show featured The Grateful Dead’s 5-5-78 setlist, originally performed in Thompson Arena at Dartmouth College. The two sets were relatively typical of the era, as the Dead balanced Chuck Berry rock with pastoral psychedelia, Americana, jazz-rock, balladry, and an occasional disco groove in the rhythm section.
DSO also played a 1978 show at the Adirondack Independence Music Festival last year up in Lake George. I was hip to the fact that Thursday’s show was going to mine late-70s territory as soon as Jeff Mattson (who plays the Jerry Garcia role in DSO) strapped on his Travis Bean guitar – the same model Jerry played in 1976 and 1977 (he was playing Wolf by ‘78). Mattson was in fine form all night, faithfully modeling his tone and soloing techniques on Garcia’s.
The show opened with “Promised Land”, which featured the outstanding vocals of Rob Eaton, who just embodies the bandleader and rhythm guitar rocker Bob Weir became in the later 70s and throughout the 80s for the Dead. It’s also delightful to hear that vintage Ibanez rhythm guitar tone. I love Ace, but I’m not crazy about the wild trebly, metallic guitar tone he uses in Dead & Co.
“Dire Wolf” may have been the biggest singalong number of the night and “Cassidy” was the first where the band’s slinky contrapuntal interplay was on full display. DSO, much like the original Dead is a true ensemble, and the collective improvisation of Mattson, Eaton, and keyboardist Rob Barraco stood out on this Weir/Barlow classic.
Other highlights of the first set included “Candyman” from American Beauty, and a top-notch “They Love Each Other” that featured solos by both Mattson and Barraco. And while this reviewer might prefer “Brown-Eyed Women” to “Lazy Lightnin’/Supplication” it was this latter medley that ended the first set with one of the best jams of the entire night.
The second set kicked off with a duo of good-time rockers (“Bertha” and “Good Lovin’”) and then the first of two second-set Jerry ballads, a faithful rendition of “Ship of Fools”.
It was the Estimated > Eyes, though, that was the hightlight of the entire show. Eaton nailed the Weir vocals on “Estimated Prophet” while Mattson dialed up the Mu-Tron to great effect. “Eyes of the World” remains one of the superlative Dead vehicles in terms of the song’s jam possibilities and also in the way that the elegantly jazz-leaning chord progression matches the beauty of the lyrics. Mattson seems to be at his best when he really leans into the jazzy elements of Garcia’s playing. Bassist Skip Vangelas (who was excellent, clear, and loud all night in his Phil-role) was also featured in “Eyes” and took a melodic solo.
I’ll admit that these days I’m all-in on the Dead & Co “Drums/Space” in large part because of Mickey Hart’s beam and use of electronics. For me, it’s never a bathroom break opportunity. DSO drummers Dino English and Rob Koritz reminded me that a more analog version of drums isn’t necessarily a bad thing. Koritz’s use of steel drum and a crew of roadies on various percussion instruments coupled nicely with English’s kit playing. Mattson and Barraco then took the stage for a very short “Space” that left me wanting more. While John Meyer certainly might have more “chops” than Mattson, I’ll take the ole Zen Trickster Mattson over Meyer on “Space” any day of the week. Mattson wore a rad purple John Coltrane t-shirt at the show, and his otherworldly “Close-Encounters”-tease into “space-jazz-rock” certainly paid homage to Coltrane’s later free era. Give me 10 more minutes of that next time, Jeff!
“Not Fade Away” was a great reminder that bands like DSO are carrying the torch so that new generations will hear this very vital and living music, and “Stella Blue” featured some of Mattson’s finest vocals of the evening on one of the Dead’s most sensitive ballads. The set closed with a rockin’ “Around and Around” which put Eaton back in the role of showman extraordinaire.
The encores were particularly fun covers. Warren Zevon’s “Werewolves of London” had what remained of the weeknight crowd howling at the moon. The Dead set was complete, but DSO had a few more minutes until curfew, so the band went off-script and launched into The Jefferson Airplane’s “White Rabbit” finally giving backing vocalist Lisa Mackey a chance to take the lead. Mackey is in many ways the heart and soul of DSO. Her dancing, energy, and excellent harmony vocals are always a pleasure to watch, so it was particularly uplifting to hear her crush the Grace Slick part. Let Lisa sing!
Summer may be coming to a close, but that just means that it’s time to start planning for fall and winter indoor shows. Dark Star Orchestra has many shows planned around the state this fall and just announced that they are returning to the legendary Capitol Theatre in Port Chester for a New Year’s run on December 30 and December 31. They’re sure to keep the Dead alive in 2025 too.
A word or two about the Frog Alley venue, since this is still a relatively new Capital Region venue. The place has great beer (I tried a Kolsch that paired nicely with a cool summer night), they have a wealth of food truck options, and the raised stage means most vantage points are good ones. There’s also a VIP option which gives you deluxe bathroom access, tent access, and balcony options, which looked particularly nice if you got there early to grab seating. The sound was also stellar (and I give some of the credit to DSO’s own board operator because the mix was superb). My only gripe at all is that GA concertgoers had to wait in relatively long lines for the porta potties and hopefully more can be added to future events of this capacity. Parking wasn’t bad if you got there early enough and I was on the road and out of town in a jiffy. Definitely looking forward to getting back to Frog Alley for Band of Horses/City + Colour on Friday, September 13.
Finally, I have to give an honorable mention to the dude in front of me who had the best shirt of the night. His maroon and white “Stealie’s Shops” shirt in Stewart’s Shop typography has to be about the best Capital Region-specific Shakedown shirts I’ve ever seen. I want one!
Dark Star Orchestra | August 22, 2024 | Frog Alley Summer Stage | Schenectady, NY
Set I: Promised Land, Dire Wolf, Cassidy, Candyman, El Paso, They Love Each Other, Passenger, Brown Eyed Women, Lazy Lightnin’, Supplication.
Set II: Bertha, Good Lovin’, Ship of Fools, Estimated Prophet, Eyes of the World, Drums > Space, Not Fade Away, Stella Blue, Around and Around.
Encore: Werewolves of London, White Rabbit *
* Not part of the original Grateful Dead show on 5-5-78.
The Kids of Albany’s annual production of Rocky Horror Picture Show returns to the Palace Theatre with the toast and toilet paper flying on October 21st. This year will be the Kids of Albany’s 15th performance of Rocky Horror at the theater.
Since its release in 1975, a million midnight screenings have earned The Rocky Horror Picture Show cult classic status. Its themes of sexual liberation and androgyny have made it a staple in Queer cinema and culture.
A straight couple, played by Susan Sarandon and Barry Bostwick, find themselves stranded in a spooky house filled with strange people from Transylvania, living under the watchful eye of Dr. Frank N. Furter, played by Tim Curry. The kinky and outrageous spoof of classic horror movies has a reputation for being the ultimate audience-participation based show. Tickets for the Palace Theater’s production include a prop kit and a roll of toilet paper.
Constructed in 1931, The Palace Theatre has become a landmark for Albany’s cultural scene. The building retains much of its original design and character, and has a rich history in Albany’s downtown area. The Palace Theatre is the perfect intimate venue for the audience participation Rocky Horror inspires.
General admission tickets for the Palace Theatre’s Rocky Horror night are $29, and include prop kits and toilet paper. Guests are encouraged to wear their best Rocky inspired outfits. Tickets are on sale at the following link, and at the Palace Theatre box office located at 19 Clinton Avenue.
The renowned Beatles show “Classical Mystery Tour: A Tribute to The Beatles” is coming to Schenectady with the Schenectady Saratoga Symphony Orchestra on Feb. 2.
The concert features 24 Beatles songs performed exactly how they were originally recorded. Audience members will experience “Penny Lane” with the fiery trumpet section and “Yesterday” complemented by strings and the acoustic guitar. The band and orchestra meet on the MainStage at Proctors, a historical theater in Schenectady’s downtown area.
Classical Mystery Tour is made up of four band members, Jim Owen on rhythm guitar, piano, and vocals; Tony Kishman on bass guitar, piano, and vocals; Tom Teeley on lead guitar and vocals; and Chris Camilleri on drums and vocals. They are nearly identical to the Beatles. Both their physical appearance and voices match the legendary band.
In over 22 years, the show has traveled to the U.S., Canada, Europe, Asia, and Australia and has performed with over 100 orchestras. Their very first performance was with the Segerstrom Center for the Arts in Orange County California in 1996. Now fans in Upstate New York can experience the closest thing to seeing the Beatles live. To buy tickets, you can visit the Proctors box office or go to the Schenectady Saratoga Symphony Orchestra website here.
Rolling into SPAC for the Neon Pill tour, Grammy award winning rockers Cage the Elephant put on a performance for the ages on Sunday night, August 18th. With a broken foot and a heart full of the rock n’ roll spirit, lead singer Matt Shultz powered through the entire show in unforgettable fashion, rolling around the stage on a modified medical scooter.
Weaving through blasts of pyro and popping the occasional wheelie, he showed more charisma and showmanship on one leg than most mortals have in their whole body. Even if you couldn’t get into the music, you had to respect the max effort behind it. Alongside an eclectic lineup that featured Young the Giant, Bakar, and rising star Willow Avalon, the evening was a celebration of musical diversity, perseverance and raw emotion, drawing thousands of fans to experience a show that will be remembered for many years to come.
Burning Down the House: Cage the Elephant lit it up in Saratoga Springs on 8/18/24.
The buzz around SPAC before the show was all about Cage the Elephant’s previous gigs in the Capital Region. Long time fans were quick to remember their 2016 show with Portugal. The Man at the Palace Theatre in Albany where hundreds of fans jumped up on stage and hoisted Schultz into the air during the encore. From there, their legend only grew when Cage the Elephant moved up the road to SPAC in 2019 and stole the show from then headliner Beck (“Loser,” “Where It’s At”) with Shultz stripping down to his lifeguard shorts and completing a most epic crowd surf from the very front of the stage to the very top of the SPAC lawn to the tune of Queen’s “We Are the Champions.” So when the temporally handicapped Shultz rolled out in Saratoga Springs sitting on scooter, no one was really sure what to expect from the man who often spends more time running through the crowd than on stage.
Matt Schultz of Cage the Elephant completing an epic crowd surf at SPAC in 2019.
Sustaining a serious foot injury while performing in Atlanta earlier this August, this isn’t the first time members of Cage the Elephant have been hurt by their high-octane performance style. With a history of jumping off balconies and stage diving, things like cracked ribs, bruised sternums, bite marks and deep scratches that require stiches have all been par for the course with these guys. A few years ago, the band needed to cancel an entire UK and European tour when guitarist Nick Bockrath required immediate surgery after suffering a ruptured PCL, torn ACL, and fractured tibia while performing. But if pain is temporary and glory lasts forever, as they say in show business, the show must go on and this one did in a most grandiose way.
Neon Pill Tour: Matt Shultz performing with Cage the Elephant in Saratoga Springs on 8/18/24.
Formed as a six piece in 2006, the Kentucky bred Cage the Elephant has been a force in the music industry for nearly two decades. With six studio albums under their belt, including the newly released Neon Pill, the band has solidified their place as one of the most beloved and enduring bands in modern rock. Along with their unpredictable frontman Matt Shultz and his brother, Brad, on guitar, Cage the Elephant is also made up of Nick Bockrath (guitar), Daniel Tichenor (bass), Jared Champion (drums), and Matthan Minster (keyboards/guitar).
Rising to prominence with their gritty blend of alternative garage rock and punk blues combined with an elaborate and explosive live performance, their popularity can be attributed to their relentless energy, genre-defying sound, and the emotional depth of their lyrics. Despite his recent injury, Shultz’s indomitable spirit was on full display at SPAC, where he performed most of the set on a scooter, adding an unexpected yet fitting touch of rebellion to the evening. Opening up with the ever-appropriate “Broken Boy,” the band wasted no time playing with fire, dazzling the crowd pyrotechnics early and often.
Wheelie Time: Despite an injured foot, nothing could stop the showmanship of Cage the Elephant’s rockstar frontman on 8/18/24.
“Cry Baby,” the opening track from 2015’s Tell Me I’m Pretty, had the crowd singing along to every word, a recurring theme that was consistent throughout the night. Rocking renditions of “Mess Around” and “Cold Cold Cold” from the same album were also played, while “Spiderhead,” “Halo,” and “Telescope” represented the Melophobia portion of the show.
Fan favorite “Trouble” would receive the full “cell phone waving/sea of fireflies” treatment, which is a special moment at any show, no matter who is playing. Suddenly dropping into the hit single that put them on the map (and the only song played from their debut album), the crowd all but lost their minds singing along to “Ain’t No Rest for the Wicked.” With the audience firmly in the palm of their hands at this point, the sense of love and admiration for Cage the Elephant was palpable and through the roof. However, the journey to get to this moment hasn’t been without its challenges.
Watch fan shot footage of Cage the Elephant performing “Ain’t No Rest for the Wicked” in Saratoga Springs 8/18/24.
Supporting their first new album in 5 years, behind the scenes has been a little rough for the band. After Matt and Brad Shultz sadly lost their father in 2020, Matt made headlines when he was arrested for criminal possession of illegal firearms in Manhattan. Avoiding jail time by accepting a plea deal, he was placed in treatment for a medically induced psychosis in 2023. Now with legal troubles behind him and using the unfortunate setback as fuel for the new record, the phrase “neon pill” is a reference to the brightly colored medication that kicked off his mental breakdown. Delving into themes of self-discovery, inner turmoil, and the search for meaning in an increasingly chaotic world, when it came time to hype up the new stuff, Matt would casually ask if it was cool for them to play a few songs from Neon Pill.
After a resounding approval, “Rainbow” stuck out for its colorful laser light show, while “Good Time” had everyone from the front, back to the balcony getting lit. Including its title track, Cage the Elephant would only play three songs from the new album, instead putting much of the focus on 2019’s Social Cues. Treating the audience to tunes like “Ready to Let Go,” “Skin and Bones,” “Tokyo Smoke” and “House of Glass,” perhaps the most punk rock inspired song of the night was a fiery and emphatic stab at 2011’s “Sabertooth Tiger,” which saw even more pyro going off as the band exited the stage to a deafening loop of distorted guitar feedback.
Neon Pill Tour: Cage the Elephant brought the heat in Saratoga Springs on 8/18/24.
With the crowd howling for more, the band would return for a three-song encore of hit singles. First up from Thank You Happy Birthday was “Shake Me Down.” Met with thunderous cheers, the connection between the band and their fans was palpable, with the audience singing along to every word, creating a communal atmosphere that is rarely seen in live music today. “Cigarette Daydreams,” a song that’s rapidly approaching 1 billon streams on Spotify, felt absolutely huge in this setting. Finally, Cage the Elephant would unleash one last sing along in “Come A Little Closer” resulting in a euphoric eruption that truly made you feel alive and the hairs on your neck stand up. Watching Shultz push his body to the brink and scoot off the stage one final time, you simply knew you had just been a part of something special.
Cage the Elephant performing in Saratoga Springs on 8/18/24.
Prior to Cage the Elephant, the ever-evolving indie rock band Young the Giant played a set of fan favorites. Formed in Irvine, California, in 2004, the band has become a staple in the alternative music scene, known for their melodic soundscapes and introspective lyrics. The band’s current lineup includes Sameer Gadhia (vocals), Jacob Tilley (guitar), Eric Cannata (guitar), Payam Doostzadeh (bass), and Francois Comtois (drums). After opening up with “Jungle Youth, “ and “The Walk Home,” the band would then unleash their biggest hit to date with “Cough Syrup,” a song that’s amassed over 340 million streams on Spotify alone. Afterwards, singer Sameer Gadhia noted the band had no plans of touring this summer, but when an opportunity from Caged the Elephant knocked, they were glad to answer.
Mind Over Matter: Young the Giant celebrated the 10th anniversary of the their 2nd album at SPAC on 8/18/24.
Speaking candidly to the audience, Gadhia talked about how it’s kind of crazy he’s feeling comfortable enough to banter with crowd since he’s usually a reserved person off stage. Through the enabling power of music and art, when he’s in the grips of performing, somehow it all that goes away and he feels like he can do anything. Living in the moment and trying not to be afraid of taking chances, he said Young the Giant was going to try some songs they haven’t played in a while, as well as something from every album they’ve released so far. Continuing on with “Waves” and “Dollar $tore,” the band would go back to 2016’s Home of the Brave for “Titus Was Born,” before going all the way back to the beginning on “Apartment.”
Young the Giant’s Sameer Gadhia speaking candidly to the crowd in Saratoga Springs on 8/18/24.
Pausing once again to have another moment with the receptive crowd, Gadhia would talk about how this year marks the 10th anniversary of their second album Mind Over Matter. Reflecting back, he said “When it first came out everyone was so confused by it, because it was so drastically different than [their] previous work.” “But if you put all of yourself and all of your heart into something and truly believe in it, eventually someone will hear it and connect with it.” Ten years later, the album has gone from being an initial flop to their most streamed overall. Reminding everyone to “never apologize for your art,” Young the Giant would launch into the title track of “Mind Over Matter” then “Tightrope” from the same album. Finishing up strong with a pair of their biggest hits, setlist staples “Silvertongue” and the closer, “My Body,” had everyone up on their feet and waving their arms from side to side, fully primed for the main event yet to come.
Bakar performing in Saratoga Springs on 8/18/24.
Perhaps the most unique voice on the diverse bill was genre-blending English artist Bakar. Hailing from Camden, London, his distinct style fuses elements of hip-hop, indie rock, and pop. Wearing a red cap and a shirt reading “Cage the Bakar/Neon Pill Tour Forever,” Bakar’s inclusion on the tour was a bold choice, but one that paid off immensely. Performing solo and singing over backing tracks, “1st Time” would feature samples of “Dancing in the Moonlight,” while “Right Here, for Now” and “Stop Selling Her Drugs” would showcase his versatility and unique perspective on societal issues. After working his way through “Alive!” and “Small Town Girl,” Baker would sing his biggest song, “Hell N Back” last to close out the set. Bringing a refreshing and unexpected twist to the evening, Bakar’s music talked issues of race, identity, and the struggles of youth, making him a voice for a generation that is often overlooked in mainstream music. The audience, initially unsure of what to expect, quickly warmed to his dynamic performance and were up on their feet with cheers by the end of it.
Willow Avalon kicked off the Neon Pill tour in Saratoga Springs on 8/18/24.
Kicking off the long evening of music with sophistication and grace was a star-making performance by the Willow Avalon band. A so-called “southern belle raising hell,” Avalon’s presence was magnetic from the start. Originally from Asheville, North Carolina, she’s quickly made waves in the indie music scene with her infectious country-pop twang, stunning vibrato and carefree spirit. It wasn’t just Willow having all the fun either, her whole band appeared to be having a blast playing for Saratoga. Performing most of the tracks from her 2024 debut album Stranger, songs like “Honey Ain’t No Sweeter,” and “Getting’ Rich, Goin’ Broke” were met with smiles and applause, as her happy-go-lucky attitude and genuine passion for her craft was obvious.
Willow Avalon and her band performing at SPAC on 8/18/24.
Backed by a talented group of musicians, Avalon even worked in a brand-new foot stomper the band just wrote called “Raise Some Hell.” Joyful and radiant, Willow often touched on themes of love, nature, and self-empowerment. Rapidly becoming known for her vibrant stage presence and beauty, her microphones were adorned with flowers, reflecting her connection to the natural world and her upbeat personality. Her “friend not food” tattoo, featuring a pig, further emphasized her advocacy for animal rights, endearing her even more to the crowd. After working their way though Willow’s latest single, “Yodelayheewho” and her biggest song so far, “Tequila or Whiskey,” the band would ask for a little help from the crowd on the final song of the set. Quickly teaching them the lyrics to “Homewrecker,” it’s easy to see why Avalon’s rise to popularity has been so swift—her beauty, authenticity and warmth are qualities that resonate deeply and surely will continue to do so with audiences everywhere.
Willow Avalon performing in Saratoga Springs on 8/18/24.
The Neon Pill Tour at SPAC was a resounding success, showcasing the diversity and talent of some of today’s most exciting artists. From the hard-hitting rock of Cage the Elephant to the introspective melodies of Young the Giant, the genre-defying sounds of Bakar, and the uplifting country-pop of Willow Avalon, the night offered something for everyone. If you missed out in Saratoga Springs, don’t worry. With upcoming dates in Mansfield, MA, Holmdel, NJ, the Artpark in Lewiston, NY and a massive show at Madison Square Garden on September 5th, there’s still plenty more chances to get in on the action. If you’ve never seen Cage the Elephant before, and you’re a fan of live music, you simply owe it to yourself to check it out.
Watch fan shot footage of Cage the Elephant’s encore, “Come A Little Closer”at SPAC on 8/18/24.
Cage the Elephant | August 18, 2024 | SPAC | Saratoga Springs, NY
Setlist: Broken Boy, Cry Baby, Spiderhead, Too Late to Say Goodbye, Good Time, Cold Cold Cold, Ready to Let Go, Neon Pill, Social Cues, Halo, Mess Around, Trouble, Ain’t No Rest for the Wicked, Skin and Bones, Rainbow, Telescope, Tokyo Smoke, House of Glass, Sabretooth Tiger
Encore: Shake Me Down, Cigarette Daydreams, Come a Little Closer
Young the Giant | August 18m 2024 | SPAC | Saratoga Springs, NY
Setlist: Jungle Youth, The Walk Home, Cough Syrup, Waves, Dollar $tore, It’s About Time, Titus Was Born, Apartment, Superposition, Mind Over Matter, Tightrope, Silvertongue, My Body.
Bakar | August 18m 2024 | SPAC | Saratoga Springs, NY
Setlist: All In, 1st Time (with Dancing in the Moonlight tease), Right Here, for Now, Stop Selling Her Drugs, NW3, Alive!, Small Town Girl, Hell N Back.
Willow Avalon | August 18m 2024 | SPAC | Saratoga Springs, NY
Setlist: Stranger, Honey Ain’t No Sweeter, Getting’ Rich, Goin’ Broke, Raise Some Hell (new song), Yodelayheewho, Tequila or Whiskey, Homewrecker.
Coming to Lake George’s Shepard Park Amphitheater this weekend are the Captial region-based party band The Accents and The United States Navy Band “Cruisers.” Cruisers arrive at Lake George on Thursday, August 22, performing from 7:30-9:30 pm. The Navy band also opens Friday at the Lake on August 23, from 6:00-7:10 pm, followed by the headliners, The Accents, at 7:30.
With over 50 years of experience and 4,000 performances under their belt, The Accents prepare to bring their non-stop energy to Friday at the Lake. As one of the capital region’s most prolific party bands, The Accents encourage all guests to let loose, enjoy their time, and have one last party as the summer season comes to a close. On Friday, August 22, The Accents’ extensive nine-person lineup will have the entire Friday at the Lake crowd dancing and singing all night long.
The United States Navy Band “Cruisers” make their first appearance in Lake George this Thursday, August 22, as part of their nationwide tour that begins on August 19 in Washington, D.C. They are also opening for The Accents this Friday.
Cruiser’s stop at Lake George is just another on a long list of tour dates. As one of the 11 different Navy Bands, Cruisers make up a part of 6,000 performances across the United States and around the world throughout the year. With each performance, Navy bands come together with communities to honor and celebrate the service of veterans. This Thursday and Friday, Cruisers present their world-class musicianship with renditions of classic jazz standards, classic rock, and today’s biggest hits in all genres. A fireworks show will follow their Thursday night performance at 9:30 pm.
All shows at Shepard Park are free to the public. Food and beverage vendors are available on-site. For information on vendors, performances, and more, visit the Lake George town’s website. If you are interested in the rest of Cruisers’ tour, the remaining dates are available here.
Saratoga Spring’s Universal Preservation Hall has a riveting slate of shows coming up this fall, spanning from Sept. 13 through Dec. 21. The lineup includes comedy shows, concerts, theatricals, and holiday performances.
Fall 2024 brings a versatile group of performers to Universal Preservation Hall. The first new show announced is comedian, Gary Gulman on September 13, who’s making a stop as part of his “Misfit” comedy tour. Gulman is widely beloved by many comedy fans and has performed in prestigious venues all over the country.
On Sept. 26, Grand Ole Opry member, Chris Janson will bring his hits like the four-time platinum “Buy Me A Boat,” and the nominee of CMA Song of the Year, and winner of ACM Video of the Year, “Drunk Girl.” Janson’s shows are lively and entertaining, as Rolling Stone declared him “a live legacy in the making.” This show is not one to miss and fans of country and music in general can look forward to an amazing performance.
Toward the end of the season, UPH will host a series of holiday shows, as it gets closer to Christmas. These events include “Merry Swift-mas: Taylor Swift Holiday Dance Party” on December 6 and a special Christmas show from country and bluegrass duo, The Gibson Brothers on December 21, the last show of the year. Moreover, the variety of shows allows people with any musical interests to experience a show in the Christmas Spirit.
Other announcements made are singer-songwriting duo, The Bengsons, with The Keep Going Concert as well as beloved country singer, LeAnn Rimes.
For the full Universal Preservation Hall fall show and event schedule and to purchase tickets visit atuph.org
UPH Newly Announced Fall Shows
September 13- Gary Gulman
September 26- Chris Janson
November 8- The Bengsons
November 10- LeAnn Rimes
December 6- Merry Swift-mas: Taylor Swift Holiday Dance Party
Continuing the tradition of capturing the excitement of The Band’s historic 1976 Thanksgiving concert at the Winterland Ballroom in San Francisco, Blackbird Presents has announced Life is a Carnival: Last Waltz Tour ‘24. A celebration of what many have hailed as the greatest live concert event of all time, this year’s tour will also celebrate the legacy of The Band’s co-founder, Robbie Robertson.
Over forty-five years ago, The Band performed their final concert to a sold-out crowd with a who’s-who of music royalty in attendance. The evening culminated with “Don’t Do It,” The Band’s cover of Marvin Gaye’s “Baby Don’t You Do It.” After the last note, Robbie Robertson, The Bands’ lead guitarist, songwriter, and founding member, said, “Goodnight. Goodbye,” walking off stage, forever immortalizing this epic event.
To adequately pay homage to The Band’s legendary performance, Life is a Carnival: Last Waltz Tour ‘24 will feature a star-studded lineup led by Ryan Bingham, Jamey Johnson, Mike Campbell, Benmont Tench (Tom Petty & The Heartbreakers), Don Was, John Medeski, Dave Malone, Terence Higgins, Cyril Neville, Mark Mullins and The Levee Horns (featuring the original horn arrangements of Allen Toussaint). Additionally, Lukas Nelson will be joining the tour for three special shows in Colorado. The multi-city tour will make a stop at the Beacon Theatre in New York on November 6 and The Capitol Theatre in Port Chester on November 7 and 8.
“This band, made up of these artists, playing these songs, is what Don and I dreamed of when we began planning this tour. Now the dream is a reality. Do not miss these shows!” said Keith Wortman, creator and producer of The Last Waltz Tour franchise.
A portion of the proceeds from the tour will be donated to local charities.
Tickets go on sale Friday, August 16 at 10 a.m. Eastern Standard Time. For more details, visit The Last Waltz Tour’s website here. See below for all tour dates.
The Band’s 1976 Thanksgiving concert at the Winterland Ballroom in San Francisco
The Last Waltz Tour 2024 Dates & Locations
Saturday, October 19 – The Warfield, San Francisco, CA
Tuesday, October 22 – Revolution Concert House and Event Center, Boise, ID
Thursday, October 24 – Mission Ballroom, Denver, CO
Friday, October 25 – Boulder Theater, Boulder, CO
Saturday, October 26 – Vilar Performing Arts Center, Beaver Creek, CO
Tuesday, October 29 – Orpheum Theater, Omaha, NE
Wednesday, October 30 – Coronado Theatre, Rockford, IL
Friday, November 1 – The Louisville Palace, Louisville, KY
Saturday, November 2 – Brady Music Center, Cincinnati, OH
Monday, November 4 – Count Basie Center for the Arts, Red Bank, NJ
Wednesday, November 6 – Beacon Theatre, New York, NY
Thursday, November 7 – The Capitol Theatre, Port Chester, NY
Friday, November 8 – The Capitol Theatre, Port Chester, NY
Saturday, November 9 – The Met Philadelphia, Philadelphia, PA
Tuesday, November 12 – Orpheum Theatre, Boston, MA
Grateful Dead pianist Tom Constanten has announced a farewell tour spanning September and October 2024. This tour alongside Live Dead & Brothers will give deadheads one last opportunity to see the legendary pianist live in concert. Among the tour dates are four performances across New York state.
Tom Constanten was born in Long Branch, New Jersey in 1944. Following enrollment at UC Berkeley, Constanten met future Grateful Dead bassist Phil Lesh, becoming further involved in music. This musical career soon led Constanten to study across Europe, playing alongside legends of modern classical, like Karlheinz Stockhausen and Steve Reich. Constanten then followed up his studies with a brief stint in the US Air Force.
Following his return to the US, Constanten immediately joined the Grateful Dead on tour. His debut with the band was a November 23, 1968 performance at Athens, Ohio’s Memorial Auditorium. During his three-year career with the band, Constanten played keyboards on three Grateful Dead recordings: Anthem of the Sun, Aoxomoxoa, and Live/Dead. Constanten’s stint with the Grateful Dead ended with an April 28, 1971 performance at the Fillmore East in New York.
Following his departure from the Grateful Dead, Constnaten remained close to his bandmates while pursuing other artistic endeavors. Since 1971, he has recorded alongside the Incredible String Band, Jefferson Starship, and more. In 1994, Constanten was inducted into the Rock and Roll Hall of Fame alongside the other members of the Grateful Dead.
Tom Constanten alongside Jerry Garcia
Now, after more than five decades of touring, Constanten will make a final farewell tour across the United States. Supergroup Live Dead & Brothers will join Constanten on stage throughout the tour. The band consists of Grateful Dead and Allman Brothers collaborators, dedicated to celebrating Constanten’s legacy. Among the musicians are the Allman Betts Band’s Berry Duane Oakley and Les Dudek. Also featured are Grateful Dead collaborators Mark Karan, Scott Guberman, and Pete Lavezzolli.
The tour will begin on September 6th in Irving, Texas, before making its way Northeast. Along the two month-long tour, Constanten will make four stops across New York State. The first stop comes in Buffalo’s Sportsman’s Tavern on September 26th. Following this performance is a September 27th show at Albany’s Empire Live. The 1000-person venue features state-of-the-art lighting and sound equipment, and a large stage, making it one of Albany’s premier venues.
Constanten will return to New York on October 9th with a show at Canandaigua’s Fort Hill Performing Arts Center. The venue’s features a 387-person orchestral theater dating back to 1928. The venue’s impeccable sound makes it one of the top theaters in the Finger Lakes region. Constanten will close out his tour with an October 12th performance at Syracuse’s prolific Westcott Theatre.
Across these tour dates, Constanten and Live Dead & Brothers will perform an eclectic mix of rock, jazz, and blues. These shows will act as a testament to the legacy of the Grateful Dead and Allman Brothers catalogs, featuring their trademark improvisational jams.
Tickets for Constanten’s farewell tour shows are currently on sale. For more information on tickets, visit the link here.
Tom Constanten Tour Dates
9/6 – Carpenter Hall – Irving, TX
9/7 – Cailloux Theater – Kerrville, TX
9/17 – Perot Theatre – Texarkana, TX
9/18 – Cullen Theatre – Houston, TX
9/19 – Greenville Municipal Auditorium – Greenville. TX
9/20 – Globe-News Center for the Performing Arts – Amarillo, TX
9/26 – Sportsman’s Tavern – Buffalo, NY
9/27 – Empire Live – Albany, NY
9/28 – Pat Garrett Amphitheater – Strausstown, PA
9/29 – The Hamilton – Washington, DC
10/1 – Sellersville Theater – Sellersville, PA
10/2 – Beacon Theatre – Hopewell, VA
10/5 – Rams Head on Stage – Annapolis, MD
10/8 – The Empire – Belleville, ON
10/9 – Fort Hill Performing Arts Center – Canandaigua, NY
10/10 – Jergel’s Rhythm Grille – Warrendale, PA
10/11 – Tussey Mountain Amphitheatre – Boalsburg, PA
