On the heels of back-to-back chart topping albums, Future and Metro Boomin will be bringing live performances to an arena near you after announcing a “We Trust You” North American tour, with a performance at Brooklyn’s Barclay’s Center set for the summer.
Notably, Future and and frequent collaborator/ producer Metro Boomin took the internet by storm with the release of We Don’t Trust You on March 22, creating plenty of social media fodder with disses to Drake littered throughout the album, including the heavily deliberated Kendrick Lamar verse aimed at Drake and J. Cole. Less than 3 weeks later the duo made more waves with the release of a second, double-album in We Still Don’t Trust You, serving as melodic counter to the heavily trap influenced predecessor. In like manner, the latter is expected to have high first-week numbers in another chart-topping effort from the prolific duo.
Future and Metro Boomin’s “We Trust You” tour comes to Brooklyn this summer.
“We Trust Your Tour” Details
Thus, the duo announce their “We Trust You Tour” that will see them perform throughout the United States along with two notable dates in Canada roughly a month apart, including an August 11 stop in Drake’s hometown of Toronto. Presented by Live Nation, the “We Trust You Tour” begins on July 30 and will see the duo perform 27 dates in roughly a month-and-a-half. Moreover, they will bring the show to the Brooklyn’s Barclays Center with an August 15 date in New York City, before closing out the tour in Canada with a September 9 performance in Vancouver. Other notable stops include performances in Atlanta, Chicago and Los Angeles.
Presale tickets for the “We Trust You Tour” are available Wednesday, April 17 for Cash App card customers, starting at 10 a.m. local time. Additionally, general sale will begin on Friday at 10 a.m. local time on livenation.com.
Emmy Award winner and two-time GRAMMY Award nominee David Cross has assembled a lineup of A-list comedians and friends for a special night of laughter under the stars at SummerStage at Central Park in New York City for David Cross and His Super Pals on Aug. 8, 2024.
Joining Cross for this incredible evening in Central Park are Bob Odenkirk, Sarah Silverman, Fred Armisen, Sean Patton, Zach Zucker, Shane Torres, and more. The evening also marks a reunion on stage between Cross, the inventive performer, writer, and producer on stage and screen, with Odenkirk as both starred in the 1990s hit TV show, Mr. Show with Bob and David.
Adding to his long list of memorable TV and film characters, on August 8, Cross will join the cast of the Netflix series, The Umbrella Academy, as Sy Grossman for the fourth and final season. In February, Cross released his eighth stand-up special, David Cross: Worst Daddy in the World, to rave reviews on the 800 Pound Gorilla YouTube channel.
He hosts the podcast, Senses Working Overtime with David Cross, produced by Headgum and available every Thursday on all audio platforms with video available on Davidâs YouTube channel. In 2023, he was seen in the Julia Louis-Dreyfus film, You Hurt My Feelings, and the FX series, Justified: City Primeval. In 2021, he starred in the National Geographic series, Genius: Aretha, portraying famed music producer, Jerry Wexler opposite Cynthia Erivo as Aretha Franklin.
David Cross and His Super Pals join James Arthur, who will open the summer concert season at SummerStage on May 17, along with Masego (June 19), Gaslight Anthem with Joyce Manor (August 21), Counting Crows (July 11), The Roots (August 23), T-Pain (June 23), Robert Glasper and Yebba (August 1), Ethel Cain (June 27), and many others.
Tickets for David Cross and Super Pals go on sale on Friday, April 19 at 10 a.m.
Hip Hop duo $uicideboys$ have announced their “Grey Day” Tour which will include shows at UBS Arena in Belmont Park on September 20 and at KeyBank Center in Buffalo on September 28.
The renowned annual “Grey Day” tour in 2024 will include different opening acts ranging from Denzel Curry, Pouya, HAARPER, Shakewell, and Ekkstacy. With the tour announcement, $uicideboy$ have also announced that they have partnered with Plus1, a nonprofit and a trusted partner that leads cultural industry artists, events, and brands in unlocking funding and building visibility for high-impact social and environmental justice initiatives, which is something very near and dear to the group.
Coinciding with the tour announcement, the group has also revealed the lead track “Us Vs Them” from their eagerly awaited next full-length album, titled New World Depression, set to release on June 14. On “Us Vs Them,” $uicideboy$ delve into facing tough challenges and feeling disconnected from society. Ruby da Cherry and $crim deliver verses about coping with personal struggles and maintaining one’s identity in a challenging world. Fans can stream the single here.
In their upcoming album World Depression, the duo navigates themes of fame, self-destruction, and the relentless search for identity amidst chaos. Across the 13-track release, their raw, unfiltered lyrics serve as a gritty narrative of personal turmoil, substance abuse, and the struggle for authenticity in a world that often feels cold and indifferent. This album is an unapologetic exploration of the darker sides of human experience, resonating with anyone who has ever felt out of place or battled with their own shadows. The album will commemorate the 10th anniversary since the formation of $uicideboy$ and fans can pre-save it here.
$uicideboy$ will bring their “Grey Day” Tour at the UBS Arena in Belmont Park, NY on September 20 and at the KeyBank Center in Buffalo on September 28 and fans can find tickets here.
$Uicideboy$ 2024 Tour Dates
August 7 – Nashville, TN @ Bridgestone Arena
August 9 – Birmingham, AL @ Legacy Arena at the BJCC
August 10 – Atlanta, GA @ State Farm Arena
August 11 – Tampa, FL @ Amalie Arena *
August 13 – Houston, TX @ Toyota Center
August 14 – Dallas, TX @ American Airlines Center
August 16 – San Antonio, TX @ Frost Bank Center
August 17 – Austin, TX @ Moody Center
August 19 – Denver, CO @ Fiddler’s Green Amphitheatre
August 21 – Salt Lake City, UT @ Delta Center *
August 23 – Vancouver, BC @ Rogers Arena *
August 24 – Seattle, WA @ Climate Pledge Arena *
August 25 – Portland, OR @ MODA Center *
August 27 – Sacramento, CA @ Golden 1 Center
August 28 – San Francisco, CA @ Chase Center
August 30 – San Diego, CA @ Pechanga Arena
September 3 – Los Angeles, CA @ Crypto.com Arena
September 6 – Las Vegas, NV @ The MGM Grand Garden Arena
September 7 – Phoenix, AZ @ Footprint Center
September 10 – Albuquerque, NM @ Isleta Amphitheater
September 11 – Oklahoma City, OK @ Paycom Center
September 15 – Raleigh, NC @ PNC Arena
September 17 – Baltimore, MD @ CFG Bank Arena
September 19 – Philadelphia, PA @ Wells Fargo Center
September 20 – Belmont Park, NY @ UBS Arena
September 21 – Newark, NJ @ Prudential Center
September 23 – Toronto, ON @ Scotiabank Arena
September 24 – Montreal, QC @ Place Bell
September 25 – Boston, MA @ TD Garden
September 27 – Cleveland, OH @ Rocket Mortgage FieldHouse
September 28 – Buffalo, NY @ KeyBank Center
September 29 – Pittsburgh, PA @ PPG Paints Arena
October 1 – Cincinnati, OH @ Heritage Bank Center
October 2 – Detroit, MI @ Little Caesars Arena
October 4 – Indianapolis, IN @ Gainbridge Fieldhouse
DJ Premier and Snoop Dogg stay tapped in with the streets as two of hip hop’s most revered figures come together for the official music video to their latest single “Can U Dig That?.” After releasing the single a few weeks ago, the duo have now come together adding visuals to their groovy west coast track. Featuring cousin and fellow original Death Row records signee Daz Dillinger, “Can U Dig That?” pays ode to the state of California, their hip hop legends, and the urban life profiled throughout many of their songs.
Snoop Dogg, Daz Dillinger and DJ Premier pay tribute to the West coast in their new single.
“Can U Dig That?” Official Video
In light the music video follows a similar path as the record. Notably, Snoop Dogg is seen at a roundtable with with Daz Dillinger with DJ Premier on the 1’s and 2’s as the duo enjoy a trademark joint while Snoop reminisces on his journey as a West Coast native. Similarly, the record contains plenty of famous name drops as Snoop pays tribute to some of California’s most recognizable faces in hip hop, including Easy-E, E-40 and Ice-T. With a backdrop of a G-funk inspired beat with the now-iconic DJ Premier record scratches, Snoop also pays tribute to inner-city California life encapsulating the overall vibe of the Wes Coast. Uniquely while Snoop acknowledged the shootouts, those “on the yard,” he puts a positive twist to the record urging for the beef in the West come to an end.
Though Premier and Snoop have worked together previously; Snoop appeared on Gang Starr’s The Ownerz Album (“In The Life…”), Premier produced two songs on Snoop’s Paid Tha Cost To Be Da Boss album, “Unfucwitable” feat The Lady Of Rage from Snoop’s Doggy Style Allstars Vol. 1, “Can U Dig That?” is their first collaboration under DJ Premier and Ian Schwartzman’s independent imprint TTT.
Saigon and Swedish, multi-platinum producer Fredro release another track from their upcoming EP, The Jordan Era, channeling the musical ethos from one of the most romanticized periods in pop culture history. After the initial release of “Lyrical Genius” featuring Grandmaster Caz (co-author of “Rappers Delight” and the emcee with the longest running tenure atop the billboard Hot 100 Charts), the duo then released “Get Loose” featuring the legendary Pete Rock, with Saigon channeling the frenzied, experimental sound of hip hop from the early 90’s. In like manner, this latest effort,”Think Twice,” sees the duo recruit another great from hip hop’s golden age in Brand Nubian‘s Grand Puba.
Saigon and Fredro recruit another hip hop great for their latest release “Think Twice.”
Saigon and Grand Puba Make you “Think Twice”
“Think Twice” follows a similar recipe as the rest of The Jordan Era. In fact, you can hear “Think Twice” in season 3 episode 2 of the Starz breakout hit show BMF, chronicling the late ’80’s and ’90’s rise of the real life BMF drug empire. Staying true to the era Fredro comes with the jazz-inspired, funky production that littered the late ’80’s and ’90’s in hip hop. Moreover, Saigon and Grand Puba’s purposeful delivery are matched by their equally apt rhymes.
Keeping in theme with ’90’s lore, the duo drop plenty of knowledge along with their fair share of hip hop braggadocio. However, the purposeful record maintains an overall uptempo, positive and knowledgeable tone. While hip hop has evolved over the years, one of the main downturns in the genre has been the lack of positive messaging in contemporary music. In light Saigon, Fredro and Grand Puba look to bring back the times with this latest effort.
Growing up, Brand Nubian was one of my favorite groups, and Grand Puba as a solo artist shaped and molded my fashion sense at that time, and he is my favorite artist of all time. Grand Puba has never gotten his due respect. Before Kanye, it was Puba who made the rugby with the knapsack look cool. He also always made sure there was some kind of a positive message in his music.
– Saigon
The Jordan Era sees production entirely from Fredro, while sonically honing in on the 10-year from 1986 through 1996. Additionally, the album features guest appearances from Grandmaster Caz, Pete Rock, Big Daddy Kane, Kool G Rap, Grand Puba, Sadat X, Rockness Monsta, Craig G, Ill Skratch—with more features set for reveal upon release. The Jordan Era will be releasing on May 3 via Payday Records.
Bryant Park announces the 2024 lineup for its free summer performing arts series: Bryant Park Picnic Performances presented by Bank of America. The annual festival will feature 25 live music, dance, and theater events between May 31 and Sept. 13. All shows are free and casual with no tickets required with more than 700 picnic blankets for audience members to borrow and ample chairs available.
Photo Credit: Ryan Muir.
Picnic Performances has grown to become one of New York City’s foremost outdoor performing arts festivals. Last summer, more than 75,000 people attended the series and nearly half a million enjoyed the free performance livestreams. Bryant Park Picnic Performances has become a vital outdoor platform for the City’s arts institutions, showcasing long-standing partnerships with Carnegie Hall, New York City Opera, Harlem Stage, The Town Hall, and Joe’s Pub, as well as new partnerships with New Victory Theater, World Music Institute, and Belongó.
The Bryant Park 2024 season features GRAMMY winners, world-class dance companies, theater stars, celebrations of centenaries in jazz and opera, a James Bond-themed finale, and dozens of local artists and spotlight performers from Ghana, New Orleans, Mexico, and South Africa.
“Thanks to Bank of America’s support, Picnic Performances has become a summer tradition for tens of thousands of New Yorkers. There is no easier way to enjoy this city’s exemplary arts and culture: just join us on the lawn” said Bryant Park’s president Dan Biederman.
Picnic Performances Leon Bostein leads the American Symphony Orchestra performing at Bryan Park’s Picnic Performances, 9/7/2023. Photo by Chris Lee.
Highlights of the Bryant Park 2024 Picnic Performances include the New York City Opera honoring the 100th anniversary of the death of Giacomo Puccini with a two-night celebration of his music featuring orchestra, chorus, and star vocalists. The summer of Puccini continues with a fully staged production of Tosca in August. Internationally acclaimed dance companies – including Mark Morris Dance Group, Ronald K. Brown/EVIDENCE, and David Dorfman Dance – headline multiple evenings of Contemporary Dance alongside established, rising, and student companies.
Jazzmobile celebrates the Centennial of legendary jazz vocalist Sarah Vaughan, “The Divine One,” with a jubilant performance by the acclaimed vocalist Charenée Wade and her septet. Carnegie Hall Citywide presents five concerts in July and August, beginning with a special evening with Pulitzer-Prize-winning composer Tania León and The Harlem Chamber Players with special guests. Carnegie Hall will also present the acclaimed South African musician Thandiswa Mazwai, GRAMMY Award-nominated bandleader of The Late Show Band Louis Cato, the high-energy Afrojazz trailblazer Michael Olatuja and Lagos Pepper Soup, and red-hot salsa dura band La Excelencia.
Photo by Fadi Kheir.
Joe’s Pub brings rising theater stars Jaime Lozano and Florencia Cuenca for Broadway en Spanglish, featuring bilingual performances of iconic show tunes with Mariachi Real de Mexico and more guest stars TBA. As part of New Victory Theater’s summer series New Victory Dance, Ephrat Asherie and Barkin/Selissen Project join for an interactive dance event curated specifically for kids and families. World Music Institute welcomes Ghanaian highlife band Gyedu-Blay Ambolley (NYC debut).
Asian American Arts Alliance features MacArthur ‘Genius’ pianist Vijay Iyer and his trio. The beloved Bryant Park tradition Accordions Around the World returns with 2024 GRAMMY nominee Zydeco star Dwayne Dopsie and Latin funk band Afro Dominicano. American Symphony Orchestra kicks off its season with Beyond the Hall, a program highlighting music from beyond the confines of the traditional concert hall.
Finally, The Town Hall and Belongó celebrate John Barry’s iconic James Bond music with an all-star lineup of musicians led by Arturo O’Farrill with the Afro-Latin Jazz Orchestra, and composer arranger and slide trumpet master Steven Bernstein, together with exciting surprise special guests.
The Picnic Performances are one of the best ways for New Yorkers to get outdoors and celebrate the arrival of Spring and Summer. We believe that the arts are a unifying force that promote cultural understanding, and we are thrilled to continue our support of one of the most iconic green spaces in the city. We are excited to be, once again, the presenting sponsor of the Picnic Performances, marking a more than 10-year-long partnership with Bryant Park.
José Tavarez, president, Bank of America New York City.
This season, 16 shows will be live-streamed for free on Bryant Park’s social media channels and website, reaching national and international audiences. Additional media support is provided by public radio stations WBGO and WQXR.
Food and drink are available for purchase from a curated lineup of local vendors near the lawn. At all performances, attendees can discover new dishes and celebrate classics from the five boroughs with a rotating line-up of artisanal vendors by Hester Street Fair. Stout NYC offers light bites and beer, wine, and non-alcoholic beverages for purchase.
Additional artist and performance information will be available in the coming months. For the most current information please visit here.
Dynamic hip hop duo Gumbo — consisting of Caro Adé and Danger — continue to fight the power with the release of their debut album, Stir The Pot. Moreover, the duo have joined forces with the iconic Chuck D of Public Enemy on behalf of Black Lives Matter Grassroots to create a unique blend of music and activism. Furthermore, this partnership, encapsulated by the mantra “art + cause = community,” aims to make a meaningful impact on social justice through the universal language of music & art.
Gumbo are keeping conscious hip hop alive with their debut album
All in all, Gumbo are keen to keep conscious hip hop alive and their recruitment of Chuck D speaks to their values. After all the “Fight the Power” rapper has long used his music for purposes of social justice, unity and to spread uncomfortable truths. In light, Gumbo tabbed Chuck D for a collaboration on “All True” as the lead single for Stir The Pot.
Additionally, their social justice efforts have led them to collaborate with Black Lives Matter Grassroots and Chuck D to release a limited and exclusive merchandise collection during both celebrations for Black History Month and National Jazz Music Month (March/April). This exclusive collection is selling for $30 and will feature a specially designed t-shirt curated by renowned stylist Tony Magnetic and artwork by Tristan Childs.
Those who purchase the merchandise using the QR code will get exclusive access to “Stir The Pot.”
Uniquely, those who purchase the merchandise using the QR Code will get immediate access to Stir The Pot. Creating an immersive experience for fans, connecting them directly to GUMBO’s groundbreaking music and their cause. Notably, a share of the proceeds from this exclusive merchandise release will be to support Black Lives Matter Grassroots.
Grab your BLM Grassroots + Gumbo merch! Powerful partnership with Hip Hop legend @mrchuckd and prolific duo @gumboofficial to raise funds for our boots-on-the-ground organizing. BUY A SHIRT FOR $30 AND GET THE NEW GUMBO ALBUM “Stir the Pot” FREE!https://t.co/ju30sUoIz1pic.twitter.com/YzgKZhavqc
We believe in the power of music to bring people together and amplify important messages. This partnership with Chuck D/Public Enemy and Black Lives Matter Grassroots is a testament to the transformative potential of art when combined with a meaningful cause.
– Cado Adé and Danger
Moreover, Gumbo, Chuck D, and a representative from Black Lives Matter Grassroots stopped by Sway’s Universeto discuss the latest social justice efforts and the reason behind their activism. This culminated in a riveting live performance of “All True” by Cado Adé and Danger where their passion for their cause could be seen first hand. Stir The Pot is available for streaming on all DSP’s.
The Ashokan Center in Olivebridge, NY announced their first-ever Earth Fest hosted on April 21 from 12 to 4pm.
Earth lovers of all ages are invited to the Ashokan Center for a variety of family-friendly and planet-focused activities. This includes a birds of prey demonstration, hands-on educational workshops, story readings, nature crafts, art-making activities, guided hikes, and live music presented by Shokoloko.
Ravensbeard Wildlife Center will host an educational birds of prey demonstration at 12:30pm spotlighting their rescued and rehabilitating birds. Ravensbeard provides wildlife rehabilitation for injured, ill and orphaned animals in order to return them back to the wild.
Earth Fest features a guided hike around Cathedral Gorge. The trail passes relics of the recent and prehistoric past, including a 19th-century water mill, a 130-year-old covered bridge, and a glacial gorge, before it ends at a 80-foot waterfall. Folks can enjoy this day filled with art, music, nature, and food regardless of financial situation.
No one will be turned away for lack of funds, but any donation is appreciated. The Ashokan kitchen plans to serve savory vegetarian dishes to all. Various workshops are in store including Ink Making and Drawing with Natural Materials, Patching & Upcycling Clothes, and Nature Art. These workshops are hands-on and are encouraged for people of all ages.
For more information on Earth Fest 2024 on April 21 and to select tickets, click here.
In the formative years of hip hop, where the DJ reigned supreme, skill was the only testament to success. And if that world remained Mister Cee’s name would be commonplace in contemporary folklore. However, much like the rest of the entertainment industry, the glory goes to whomever fans see holding the mantle. Hip hop resembles the sports world in that sense. The MVP trophy holder gets all the credit, no matter the invaluable contributions of coaches, trainers and lesser-known role players.
In like manner, if an album goes number 1 then the name on the cover has accomplished a great feat. Notwithstanding, hip hop much like sports is a collaborative effort. One rapper can’t make a great album. It takes a team of producers, engineers, marketing experts and much more to propel a body of work to critical-acclaim. However, before any rapper reaches that point they need someone to believe in them and connect them to the industry.
This is where Bedford-Stuyvesant native and hip hop purist Mister Cee made his greatest contributions to the game. In the world of hip hop, Mister Cee–born Calvin LeBrun on August 17, 1966–was a connector. Someone who was a fan of the genre and pushed it forward several times over. Although, his talents as a DJ were second-to-none. Ultimately he was “the finisher because, you know, after he plays, the party’s over. You can’t go on after him,” according to Peter Rosenberg, protege and Hot 97 cohort of the legendary DJ.
Thus, in a sense his meticulous mixes featuring rare freestyles and album cuts was a microcosm of his overall presence within hip hop. After all DJ’s aren’t inherently creators, hip hop emerged from the turntable masters putting soul records together in a rhythmic, uptempo groove. Nonetheless, the connections made with sampling and knowing which records sounded best for scratching set the stage for hip hop.
Mister Cee The Connector
Alongside the other proprietors of hip hop’s golden era, Mr. Cee lived and bled the genre and along the way served as a connector for two of hip hop’s most influential acts. Beginning with Big Daddy Kane, who Mr. Cee connected with in high school and served as a DJ for beginning in the late ’80’s. With his connections to the Juice Crew, the fabled hip hop collective â spearheaded by producers Mr. Magic and Marley Marl â who introduced several legendary acts to the scene including Big Daddy Kane, Mr. Cee had successfully helped one of hip hop’s revered lyricist get on. As a testament to this, Mr. Cee notably featured on Big Daddy Kane’s classic debut album on the track “Mister Cee’s Master Plan.”
🙏🏿R.I.P to the legend MR. Cee God bless him, to all his family and friends I send my condolences. 🕊️ pic.twitter.com/poOcoaruVe
Moreover, the one known as “The Finisher” is widely recognized as the man who connected the Notorious B.I.G. with Puff Daddy and what eventually became Bad Boy Records. The rest as they say is history, but history’s nuance is rarely discussed. Hence, Mister Cee’s contributions to the career of arguably the greatest rapper ever remains stuff of legend. Yet, as he kept his ear to the streets as a local celebrity, he became known for showcasing rising acts. Along the way he came across the Notorious B.I.G. — who at the time went by Biggie Smalls– and connected him to the industry while also serving as an early producer for the legendary rhymer.
So Cee would definitely want me to credit Biggie’s first DJ, who was a guy named 50 Grand. And while Biggie and 50 Grand were working on a demo, doing their thing, Mister Cee was the DJ who was actually connected to the industry. He was the one who could get him different places, and he played the connector for Biggie. Sometimes it’s more complicated than rapper and DJ or artist and DJ, whatever it may be. There are these other people who play roles, and Cee was a connector for Biggie Smalls.
Furthermore, as he settled into his role as a tastemaker for hip hop, he enthralled listeners with his “Throwback at Noon” mixes on Hot 97. Which then became a staple of the lives of fellow hip hop enthusiasts. As his legend grew his moniker of “The Finisher” felt more apt than ever. With the April 10 passing of Mister Cee, hip hop lost one of its purists, someone who selflessly pushed others and the genre forward. As hip hop grew from local neighborhood parties to a worldwide phenomenon, Mister Cee’s contributions as one of the genre’s vanguards must not be forgotten.
Like, you knew you were listening to a guy who believed in every word that he was saying. But one thing that has to be stressed – I have never – in my now 30 years of DJing, I have never known a more meticulous, prepared deejay than Mister Cee
On April 17, the Frances Young Tang Teaching Museum and Art Gallery at Skidmore College will present “as if our hands could hold the weight of promise” in conjunction with the Elevator Music 48: Alone, only in flesh exhibition.
Artists MIZU, Theresa-Xuan Bui, Antonius-Tín Bui, and dancer Glenna Yu will turn the Tang elevator and atrium staircase into a living canvas of sound, movement, and spoken word poetry. They take the audience on an excursion, joining the diasporic artists on a migration embodying the hesitations, expectations, and contemplations of returning home.
Elevator Music 48: Alone, only in flesh is a collaborative meditation on the intersections of identity, belonging, and the spaces in-between. The artists invite viewers to commune with the unknown through Asian snacks, traditional Vietnamese áo dài clothing, and experimental cello. In this experience, they engage all five senses.
Additionally, Ivy K. Vương, Curatorial Assistant, is working with the artists to organize the performance. At 4:30pm, Skidmore College’s K-Pop II students will perform under Visiting Artist-in-Residence Chia-Ying Kao before the main event.
The Tang Teaching Museum at Skidmore College explores interdisciplinary learning, blending arts within history, economics, and biology. Designed by architect Antoine Predock, this award-winning building symbolizes the fusion of art and ideas. Open Tuesday-Sunday, noon-5pm, with extended Thursday hours until 9pm.
Save April 17 in your calendars to celebrate art, culture, and community at the Tang Teaching Museum. The performance is free for anyone to see and begins at 5pm. For show and artist details, click here.
