Category: News Desk

  • NYC Ferry Launches Ramones-themed Rockaway Beach Ferry

    On August 16th and 17th, the NYC Ferry in collaboration with Rhino Records launched a series of Ramones-themed ferry rides. These rides came in celebration of the 50th anniversary of the Ramones’ CBGB debut show. 

    Ramones Ferry

    The Ramones were founded in Forest Hills, Queens in 1974. From the start, their music marked a stark shift from 1970s rock conventions. With Johnny Ramone’s lightning fast guitar lines, and Joey Ramone’s sneering vocals, the band helped invent the fledgling genre of Punk Rock. Perhaps the most important date of the band’s career was August 16th, 1974. On that day, the four members made their stage debut at CBGB in Bowery, Manhattan. Donning ripped jeans and leather jackets, the band exuded a coolness that went on to revolutionize rock music. 

    Following this performance, the punk scene was born. From that point forward, CBGB went on to sit at the heart of New York’s punk music circle. For the next few decades, the band became a regular stop for Blondie, Talking Heads, Joan Jett, and more. The Ramones themselves returned to CBGB over 70 times throughout their career. 

    The impact of the Ramones’ August 16th has not been forgotten. According to Rolling Stone, afterwards the Ramones “inspired more bands than anybody since the Beatles.” The New York Times added that their influence “has been incalculable.” 

    To celebrate this revolutionary moment in punk music, Rhino Records partnered with the NYC Ferry for themed boat rides. In homage to the Ramones’ classic “Rockaway Beach,” three ferries out of Pier 11 took up Ramones theming. These ferries traveled the “Rockaway Route” from Manhattan’s Pier 11 to Brooklyn’s Sunset Park and ultimately Rockaway Beach.

    Along this route, the ferries featured Ramones’ themed decor and music. Additionally the cruises offered a raffle for a Ramones prize pack, sticker giveaways, and samples of locally-owned Rockaway Soda. At the ferry’s endpoint, the Rockaway Beach Bakery offered riders special Ramones-themed sweets. Among the offerings were “Ra-scones” and “Now I Wanna Sip Some (Cold) Brew.”

    In addition to these cruises, Rhino Records has planned a number of vinyl releases to celebrate the band’s 50th anniversary. In September, Vinyl Me Please will release an exclusive pink vinyl pressing of 1977’s Rocket to Russia. Upon its release, the album helped spawn timeless classics like “Rockaway Beach” and “Sheena Is a Punk Rocker.” The 2024 repressing features an exclusive liner notes booklet and print of the band. Rhino is also releasing limited editions of Too Tough to Die and Road to Ruin on exclusive color vinyl. These vinyl releases go on sale on August 30th, at the link here

  • Judy Collins, The Indigo Girls and Rufus Wainright To Perform At Tanglewood

    Musical legends Judy Collins, The Indigo Girls and Rufus Wainwright will perform together for one night and one night only on Aug. 30 at Tanglewood.

    Collins is a Grammy award winning singer and songwriter who started her career with her debut album A Maid of Constant Sorrow in 1961. She was a huge part of the Greenwich Village Folk movement in the 60’s, a time in music history that inspired other musicians like Joni Mtchel and Leonord Cohen. 

    Not only is she an accomplished musician with 55 albums to her name, but Collins is also an avid social activist and represents UNICEF today. In 2008, a group of contemporary artists released Born to the Breed: A Tribute to Judy Collins. One of those artists was Canadian American singer and songwriter Rufus Wainwright.

    Wainwright was raised in Montreal but later moved to New York City in 1996. Two years later he released his debut studio album Rufus Wainwright. Throughout his career he’s collaborated with other artists such as David Byrne, Joni Mitchell and Mark Ronson. His most recent 2023 album Folkacracy is a record full of folk duets as well as solo pieces exposing Wainwright’s melodic vocals.

    The Indigo Girls, Amy Ray and Emily Saliers, have been performing together since their highschool days. Last summer Greta Gerwig’s Barbie re-popularised their iconic song “Closer to Fine.” Their 2020 album Long Look is a reflection of their careers and childhoods.

    These folk-rock legends will take to the Koussevitzky Music Shed, at the annual concert series Tanglewood located in Western Massachusetts. Tanglewood is the summer residence of the Boston Symphony Orchestra who performs throughout the summer. 
    To buy tickets for the 7 p.m. performance you can visit the website here.

  • The Doobie Brothers Add Four More Tour Dates

    The Doobie Brothers just added four more dates on their 2024 tour in New York, New Jersey and Connecticut. On September. 30 and October 1, the Grammy-winners will be in Port Chester, NY at The Capitol Theatre. On Ocobert 4, yhey will stop in Atlantic City at Borgata Event Center, and on the following night they will be in Uncasville, at the Mohegan Sun Arena. All in all, Live Nation added these extra dates to due to the increased demand since the announcement of The Doobie Brothers tour. 

    About The Doobie Brothers

    The Doobie Brothers haven’t stopped performing and making music since their beginning in 1970. Over their career, they have won four Grammy Awards and sold 48 million albums worldwide. In 2020, they were included into the rock and roll hall of fame. Additionally, in 2021 they released their most recent album Liberté and last year they released their single, “Lahaina” in support of those affected by the deadly Maui fires. Moreover, the song featured other musical legends, Mick Fleetwood, Jake Shimabukuro, and Henry Kapono. 

    Their 2024 tour comes three years after the Doobie Brothers 50th anniversary tour that reunited Tom Johnston, Michael McDonald, Pat Simmons, and John McFee for the first time in 25 years. 
    Tickets for the new dates go on sale on Aug 16 at 10 a.m. You can find more information at

    LiveNation.com

    2024 Doobie Brothers Tour

    Thursday, August 29 Denver, CO Ball Arena

    Friday, August 30 Salt Lake City, UT USANA Amphitheater

    Monday, September 2 Macon, GA Macon Centreplex

    Tuesday, September 3 Savannah, GA Enmarket Arena

    Friday, September 6 Simpsonville, SC CCNB Amphitheatre at Heritage Park
    Saturday, September 7 Greensboro, NC White Oak Amphitheatre
    Monday, September 9 Charleston, SC Credit One Stadium

    Monday, September 30 Port Chester, NY Capitol Theatre

    Tuesday, October 1 Port Chester, NY Capitol Theatre

    Friday, October 4 Atlantic City, NJ Borgata Event Center

    Saturday, October 5 Uncasville, CT Mohegan Sun Arena

    Tuesday, October, 8 Atlantic City, NJ Hard Rock Hotel & Casino
    Sunday, October 13 Halifax, NS Scotiabank Centre
    Monday, October 14 Moncton, NB Avenir Centre
    Wednesday, October 16 Ottawa, ON Canadian Tire Centre
    Thursday, October 17 Ottawa, ON Tribute Communities Centre
    Saturday, October 19 St. Catharines, ON Meridian Centre
    Wednesday, October 23 Winnipeg, MB Canada Life Centre
    Thursday, October 24 Edmonton, AB Rogers Place
    Friday, October 25 Calgary, AB Scotiabank Saddledome
    Sunday, October 27 Kelowna, BC Prospera Place
    Monday, October 28 Abbotsford, BC Abbotsford Centre 

  • New Joni Mitchell Compilation to Include New York Recordings

    On October 4th, Joni Mitchell will release a new compilation titled Joni Mitchell Archives, Vol. 4: The Asylum Years (1976-1980). This compilation traces Mitchell’s musical evolution between the releases of Hejira and Mingus.

    Included in the four-disc record are three sets of live and studio recordings from New York performances by Joni Mitchell.

    Joni Mitchell Archives, Vol. 4: The Asylum Years (1976-1980)

    Born in Alberta, Canada, Joni Mitchell quickly emerged as one of the brightest lights in the folk genre. By 1969, her sophomore album Clouds cemented Mitchell as a folk icon, buoyed by songs like “Chelsea Morning” and “Both Sides Now.” Throughout the 1970s, Mitchell evolved her sound, further incorporating elements of jazz into her songs.

    While albums like Court and Spark dabbled with genre fusion, 1976’s Hejira fully realized this concept. Partnering with legendary jazz bassist Jaco Pastorius, Mitchell crafted songs that sounded leagues away from her prior folk work. Fittingly, this album is where Joni Mitchell Archives, Vol. 4 begins. Following this release was a period of unrivaled innovation by Mitchell. On 1977’s Don Juan’s Reckless Daughter and 1979’s Mingus – a collaboration with jazz great Charles Mingus – Mitchell fully embraced elements jazz fusion. 

    This album is the 12th release by the Joni Mitchell archives. The Grammy-winning series includes previously unreleased live recordings and studio outtakes. The multi-disc set features recordings hand-picked by Mitchell herself. The compilation’s tracks were salvaged and remastered from original stereo reels, cassette tapes, CD-Rs, and even a radio broadcast. Among the recordings are live recordings from Mitchell’s time with Bob Dylan’s Rolling Thunder Revue in 1975, and Anti-Nuclear Rally. Across the album’s tracks are collaborations with jazz greats like Herbie Hancock and Jaco Pastorious to Wayne Shorter and Pat Metheny.

    Joni Mitchell and Jaco Pastorius at the 1979 Berkeley Jazz Festival

    The compilation album additionally features three sets recorded in New York. First is a performance from the Nassau Coliseum in Uniondale, NY from February 20, 1976. The album only features one song from this performance. While it came as part of the tour for Hejira, the album features a recording of “For Free” from 1970’s Ladies of the Canyon

    Secondly are alternate versions of tracks from the 1978 Mingus sessions. The sessions were recorded at Greenwich Village’s legendary Electric Lady Studios. Originally commissioned by Jimi Hendrix, the studio was a recording hub throughout the 1970s. On top of Joni Mitchell, Stevie Wonder, Led Zeppelin, and David Bowie all recorded at the studio. The album features alternate versions of “Sweet Sucker Dance”, “A Chair in the Sky,” and “Sweet Sucker Dance” from these sessions.

    Joni Mitchell at Forest Hills Stadium 8/25/79

    The final New York recording comes as part of Mitchell’s August 25, 1979 performance at Forest Hills Stadium in Queens. The recording features tracks from Hejira and Mingus, which highlight Mitchell’s innovation during the period. Also featured in this recording are selected tracks from prior albums like “Big Yellow Taxi” and “Free Man in Paris.” 

    Joni Mitchell Archives, Vol. 4: The Asylum Years (1976-1980) releases on October 4th as a 6 CD set. Also releasing is an abridged 4LP vinyl release, featuring Mitchell’s personal favorite tracks. The compilation includes never-before-seen photos and liner notes by director Cameron Crowe. The liner notes include an exclusive interview with Mitchell with anecdotes from this period of her career. 

    Following the album’s release, Mitchell will headline the “Joni Jam” on October 19-20th. These performances at the Hollywood Bowl will feature a number of special musical guests. 

    Rhino Records will release Joni Mitchell Archives, Vol. 4: The Asylum Years (1976-1980) on October 4th, 2024. For more information on how to preorder the album, visit the link here

    Joni Mitchell Archives, Vol. 4: The Asylum Years (1976-1980) New York tracks

    Live at Nassau Coliseum

    Uniondale, NY, February 20, 1976

    19. For Free

    Mingus Sessions

    Electric Lady Studios, New York, NY

    Recorded & Mixed by Henry Lewy & Jerry Solomon

    3. Sweet Sucker Dance (Vocals & Drums Version – Take 5)

    4. A Chair in the Sky (Early Alternate Version – Take 6)

    5. Sweet Sucker Dance (Early Alternate Version)

    Live at Forest Hills Tennis Stadium

    Queens, NY, August 25, 1979

    Recorded by Joel Bernstein from PA mix by Ed Wynne

    7. Big Yellow Taxi

    8. Just Like This Train

    9. In France They Kiss On Main Street

    10. Coyote

    11. Edith and The Kingpin

    12. Free Man In Paris

    13. Goodbye Pork Pie Hat

    14. Jaco’s Solo/ Third Stone From The Sun

    15. The Dry Cleaner From Des Moines

  • Universal Preservation Hall Announces New Upcoming Fall Shows

    Saratoga Spring’s Universal Preservation Hall has a riveting slate of shows coming up this fall, spanning from Sept. 13 through Dec. 21. The lineup includes comedy shows, concerts, theatricals, and holiday performances.

    Universal Preservation Hall fall events

    Fall 2024 brings a versatile group of performers to Universal Preservation Hall. The first new show announced is comedian, Gary Gulman on September 13, who’s making a stop as part of his “Misfit” comedy tour. Gulman is widely beloved by many comedy fans and has performed in prestigious venues all over the country.

    On Sept. 26, Grand Ole Opry member, Chris Janson will bring his hits like the four-time platinum “Buy Me A Boat,” and the nominee of CMA Song of the Year, and winner of ACM Video of the Year,  “Drunk Girl.” Janson’s shows are lively and entertaining, as Rolling Stone declared him “a live legacy in the making.” This show is not one to miss and fans of country and music in general can look forward to an amazing performance.

    Universal Preservation Hall fall events

    Toward the end of the season, UPH will host a series of holiday shows, as it gets closer to Christmas. These events include “Merry Swift-mas: Taylor Swift Holiday Dance Party” on December 6 and a special Christmas show from country and bluegrass duo, The Gibson Brothers on December 21, the last show of the year. Moreover, the variety of shows allows people with any musical interests to experience a show in the Christmas Spirit.

    Other announcements made are singer-songwriting duo, The Bengsons, with The Keep Going Concert as well as beloved country singer, LeAnn Rimes.

    For the full Universal Preservation Hall fall show and event schedule and to purchase tickets visit atuph.org

    UPH Newly Announced Fall Shows

    September 13- Gary Gulman

    September 26- Chris Janson

    November 8- The Bengsons

    November 10- LeAnn Rimes

    December 6- Merry Swift-mas: Taylor Swift Holiday Dance Party

    December 21- The Gibson Brothers

  • Life Is a Carnival: Last Waltz Tour ‘24 To Stop in New York Five Times this Fall

    Continuing the tradition of capturing the excitement of The Band’s historic 1976 Thanksgiving concert at the Winterland Ballroom in San Francisco, Blackbird Presents has announced Life is a Carnival: Last Waltz Tour ‘24. A celebration of what many have hailed as the greatest live concert event of all time, this year’s tour will also celebrate the legacy of The Band’s co-founder, Robbie Robertson.

    Over forty-five years ago, The Band performed their final concert to a sold-out crowd with a who’s-who of music royalty in attendance. The evening culminated with “Don’t Do It,” The Band’s cover of Marvin Gaye’s “Baby Don’t You Do It.” After the last note, Robbie Robertson, The Bands’ lead guitarist, songwriter, and founding member, said, “Goodnight. Goodbye,” walking off stage, forever immortalizing this epic event.

    To adequately pay homage to The Band’s legendary performance, Life is a Carnival: Last Waltz Tour ‘24 will feature a star-studded lineup led by Ryan Bingham, Jamey Johnson, Mike Campbell, Benmont Tench (Tom Petty & The Heartbreakers), Don Was, John Medeski, Dave Malone, Terence Higgins, Cyril Neville, Mark Mullins and The Levee Horns (featuring the original horn arrangements of Allen Toussaint). Additionally, Lukas Nelson will be joining the tour for three special shows in Colorado. The multi-city tour will make a stop at the Beacon Theatre in New York on November 6 and The Capitol Theatre in Port Chester on November 7 and 8.

    “This band, made up of these artists, playing these songs, is what Don and I dreamed of when we began planning this tour. Now the dream is a reality. Do not miss these shows!” said Keith Wortman, creator and producer of The Last Waltz Tour franchise.

    A portion of the proceeds from the tour will be donated to local charities.

    Tickets go on sale Friday, August 16 at 10 a.m. Eastern Standard Time. For more details, visit The Last Waltz Tour’s website here. See below for all tour dates.

    The Band’s 1976 Thanksgiving concert at the Winterland Ballroom in San Francisco

    The Last Waltz Tour 2024 Dates & Locations

    Saturday, October 19 – The Warfield, San Francisco, CA

    Tuesday, October 22 – Revolution Concert House and Event Center, Boise, ID

    Thursday, October 24 – Mission Ballroom, Denver, CO

    Friday, October 25 – Boulder Theater, Boulder, CO

    Saturday, October 26 – Vilar Performing Arts Center, Beaver Creek, CO

    Tuesday, October 29 – Orpheum Theater, Omaha, NE

    Wednesday, October 30 – Coronado Theatre, Rockford, IL

    Friday, November 1 – The Louisville Palace, Louisville, KY

    Saturday, November 2 – Brady Music Center, Cincinnati, OH

    Monday, November 4 – Count Basie Center for the Arts, Red Bank, NJ

    Wednesday, November 6 – Beacon Theatre, New York, NY

    Thursday, November 7 – The Capitol Theatre, Port Chester, NY

    Friday, November 8 – The Capitol Theatre, Port Chester, NY

    Saturday, November 9 – The Met Philadelphia, Philadelphia, PA

    Tuesday, November 12 – Orpheum Theatre, Boston, MA

    Thursday, November 14 – Proctors, Schenectady, NY

    Friday, November 15 – Kodak Center, Rochester, NY

    Saturday, November 16 -Meridian Hall, Toronto, ON

  • Rockland County Jazz & Blues Society Presents Nyack Jazz Week

    From Set. 14-21, the Rockland County Jazz & Blues Society will host the Nyack Jazz Week with shows in Downtown Nyack and Piermont. The week will include the Nyack Jazz Festival presented by Maureen’s Jazz Cellar, as well as shows at The Turning Point in Piermont and Black Parakeetz in Nyack.

    The Nyack Jazz Week never fails to create a good time and an exciting environment. The week will include plenty of art, food, and music offering something for everyone. There will be plenty of artisan vendors selling a variety of products, food trucks, and a wine and beer garden. The creative and beautiful town of Nyack is undeniably the perfect location for the week of jazz.

    On Sept. 15 from 1-6 PM, The Nyack Jazz Festival will have about eight musicians participating throughout the day, including Swedish trombone player and multi-instrumentalist, Gunhild Carling. Saxophonist, Ravi Coltrane, who co-owns the label RKM Music, and is the son of the legendary John Coltrane, will also perform. Renowned jazz drummer Jeff “Tain” Watts along with David Budway, and Neal Caine will join Coltrane. Lastly, Middle Eastern jazz fusion band, Baklava Exress will perform various styles of genre-bending jazz.

    Other shows include Gunhild Carling on Sept. 14, The Steve Slagle Quartet on Sept. 20, and Joe Lavano Quartet on Sept. 21 at Maureen’s Jazz Cellar. John Richmond’s Jam Session with guest Duane Eubanks on Sept. 16 and Scott Reeves Big Band on Sept. 19 will happen at The Turning Point. On Sept. 18, Shirley Crabbe will play at Black Parakeetz.

    Nyack Jazz Festival
    Chris Yacopino 

    To purchase tickets for the shows, inquire directly at the respective venues. For more information about the Nyack Jazz Festival, visit www.maureensjazzcellar.com.

    Nyack Jazz Week 2024

    Maureen’s Jazz Cellar- Nyack

    Saturday, September 14 at 7 PM & 9 PM- Gunhild Carling with Idun Carling, David Budway, Neal Caine, and Daniel Glass

    Sunday, September 15 at 1-6 PM- Nyack Jazz Festival

    Friday, September 20 at 7 & 9 PM- Steve Slagle Quartet with Lawrence Fields (Piano), Ugonna Okegwo (Bass), and Byron Landam (Drums)

    Saturday, September 21 at 7 & 9 PM- Joe Lovano Quartet with Lawrence Fields (Piano), Peter Slavov (Bass), and Lamy Istrefi (Drums)

    The Turning Point- Piermont

    Monday, September 16 at 8 PM (Jam Session at 9)- John Richmond’s Jam Session with special guest, Duane Eubanks

    Thursday, September 19 at 8 PM- Scott Reeves Big Band

    Black Parakeetz- Nyack

    Wednesday, September 18 at 7 PM- Shirley Crabbe with David Janeway (Piano), Cameron Brown (Bass), and Tony Jefferson (Drums)

  • Grateful Dead Pianist Tom Constanten Announces Farewell Tour

    Grateful Dead pianist Tom Constanten has announced a farewell tour spanning September and October 2024. This tour alongside Live Dead & Brothers will give deadheads one last opportunity to see the legendary pianist live in concert. Among the tour dates are four performances across New York state. 

    Tom Constanten Farewell tour

    Tom Constanten was born in Long Branch, New Jersey in 1944. Following enrollment at UC Berkeley, Constanten met future Grateful Dead bassist Phil Lesh, becoming further involved in music. This musical career soon led Constanten to study across Europe, playing alongside legends of modern classical, like Karlheinz Stockhausen and Steve Reich. Constanten then followed up his studies with a brief stint in the US Air Force. 

    Following his return to the US, Constanten immediately joined the Grateful Dead on tour. His debut with the band was a November 23, 1968 performance at Athens, Ohio’s Memorial Auditorium. During his three-year career with the band, Constanten played keyboards on three Grateful Dead recordings: Anthem of the Sun, Aoxomoxoa, and Live/Dead. Constanten’s stint with the Grateful Dead ended with an April 28, 1971 performance at the Fillmore East in New York.

    Following his departure from the Grateful Dead, Constnaten remained close to his bandmates while pursuing other artistic endeavors. Since 1971, he has recorded alongside the Incredible String Band, Jefferson Starship, and more. In 1994, Constanten was inducted into the Rock and Roll Hall of Fame alongside the other members of the Grateful Dead.

    Tom Constanten alongside Jerry Garcia

    Now, after more than five decades of touring, Constanten will make a final farewell tour across the United States. Supergroup Live Dead & Brothers will join Constanten on stage throughout the tour. The band consists of Grateful Dead and Allman Brothers collaborators, dedicated to celebrating Constanten’s legacy. Among the musicians are the Allman Betts Band’s Berry Duane Oakley and Les Dudek. Also featured are Grateful Dead collaborators Mark Karan, Scott Guberman, and Pete Lavezzolli. 

    The tour will begin on September 6th in Irving, Texas, before making its way Northeast. Along the two month-long tour, Constanten will make four stops across New York State. The first stop comes in Buffalo’s Sportsman’s Tavern on September 26th. Following this performance is a September 27th show at Albany’s Empire Live. The 1000-person venue features state-of-the-art lighting and sound equipment, and a large stage, making it one of Albany’s premier venues. 

    Constanten will return to New York on October 9th with a show at Canandaigua’s Fort Hill Performing Arts Center. The venue’s features a 387-person orchestral theater dating back to 1928. The venue’s impeccable sound makes it one of the top theaters in the Finger Lakes region. Constanten will close out his tour with an October 12th performance at Syracuse’s prolific Westcott Theatre. 

    Across these tour dates, Constanten and Live Dead & Brothers will perform an eclectic mix of rock, jazz, and blues. These shows will act as a testament to the legacy of the Grateful Dead and Allman Brothers catalogs, featuring their trademark improvisational jams.  

    Tickets for Constanten’s farewell tour shows are currently on sale. For more information on tickets, visit the link here

    Tom Constanten Tour Dates

    9/6 – Carpenter Hall –  Irving, TX

    9/7 – Cailloux Theater – Kerrville, TX

    9/17 – Perot Theatre – Texarkana, TX

    9/18 – Cullen Theatre – Houston, TX

    9/19 – Greenville Municipal Auditorium – Greenville. TX

    9/20 – Globe-News Center for the Performing Arts – Amarillo, TX

    9/26 – Sportsman’s Tavern – Buffalo, NY

    9/27 – Empire Live – Albany, NY

    9/28 – Pat Garrett Amphitheater – Strausstown, PA

    9/29 – The Hamilton – Washington, DC

    10/1 – Sellersville Theater – Sellersville, PA

    10/2 – Beacon Theatre – Hopewell, VA

    10/5 – Rams Head on Stage – Annapolis, MD

    10/8 – The Empire – Belleville, ON

    10/9 – Fort Hill Performing Arts Center – Canandaigua, NY

    10/10 – Jergel’s Rhythm Grille – Warrendale, PA

    10/11 – Tussey Mountain Amphitheatre – Boalsburg, PA

    10/12 – Westcott Theatre – Syracuse, NY

    More dates to be announced

  • The Sembrich Announces Exciting Mid-August Events

    The Sembrich, Bolton Landing’s historical museum and music venue, announced their mid-August event schedule. Featuring violin guitar duo ArcoStrum, a James Joyce inspired opera, and an acclaimed Polish violinist, the Sembrich has an exciting month ahead.

    The Sembrich boasts a variety of musical events, a museum with a rich history, and indescribable natural beauty. Whether it’s a new museum exhibition or their annual music festival, The Sembrich always offers something to look forward to.

    On August 17, acclaimed Polish violinist Kinga Augustyn will perform at The Sembrich. Augustyn will perform a program of Polish masterworks, including Saint-Saëns’ “Introduction and Rondo Capriccioso,” Op. 28, Kreisler’s “Three Old Viennese Dances” and Polish masterworks by Henryk Wieniawski and Grażyna Bacewicz, accompanied by Alla Milchtein.

    Richard Wargo, The Sembrich’s artistic director, said, “Kinga was a part of our 2021 festival ‘Nature and Music,’ when she delighted listeners with nature-inspired violin melodies… This year’s performance promises an elegant evening with the celebrated musician and renderings of several rarely performed violin masterworks here in the Adirondacks.” Tickets are available at the following link.

    Award winning instrumental duo ArcoStrum will bring their exhilarating mix of music from around the world to The Sembrich on August 21. Guitarist TY Zhang and Violinist Strauss Shi met at Julliard, and discovered a personal and musical chemistry that would enhance their charismatic stage performances and immense technical proficiency. Committed to pushing boundaries, ArcoStrum creates a one of a kind performance by combining personal compositions with traditional Chinese instrumental music and 21st Century rock. Tickets are available here.

    Karina Rodriguez

    The James Joyce inspired musical At That Hour, Act One will be performed on August 24. Composed by Richard Wargo, the opera draws inspiration from Joyce’s poetry and prose. Wargo is an experienced composer who has drawn from literature before, namely when composed an opera inspired by classic Anton Chekov. Wargo has also served as the Sembrich’s Artistic Director and Composer-In-Residence since 1991, and write the opera as part of The Sembrich’s centennial anniversary. Tickets are available here.

    A video about The Sembrich’s centennial celebration is available below.

  • Buffalo Unites Against Newly Imposed “Amusement Fee”

    At the start of August 2024, Buffalo announced the enforcement of an “Amusement fee” on all ticketed events. This announcement was met with immediate backlash from venue owners, local politicians, and musicians across the city. Now, the city has placed a pause on fee collections, seeking other methods of raising revenue. This whole saga still raises some questions: Why did Buffalo implement such an unpopular policy and what is the best way forward?

    Letters sent to venue owners alerting them of the amusement fee. Source: Investigative Post

    The first question is: Why did Buffalo decide to enforce this unpopular amusement fee? The simple answer is that the city is in desperate need of money. Buffalo currently has a $40 million budget gap that it needs to fill. The city’s current budget adopted on July 1st, depends heavily on a 4.2 percent hike in property taxes and an increase in garbage collection fees. An additional $32 million in federal pandemic relief money, and nearly $15 million from the city’s reserves supplement these taxes. Past attempts to raise revenue, like a 9% tax hike in 2023, have all failed to fix this issue. Despite attempts to raise money, the city’s Control Board still identified over $131 million in potential shortfalls within the next four years. Due to this, Buffalo has attempted to raise money anywhere possible.

    The city decided that the best way to tackle these fiscal issues was to enforce an archaic law. The law was the obscure Chapter §75-1. Amusements Classifications of City code, also known as the “Amusement fee.” The law allows the city to charge fees for amusement licenses on all ticketed events. This not only includes music, but also “lectures, exhibitions, theater, sports, comedy…and other shows that charge a fee for entry.” In correspondence to venue owners, the city included a schedule of fees based on show size. For example, an event with tickets below $25 would have an additional $55 fee. Larger events, with tickets over $100, would likewise have higher fees, upwards of $350. 

    Critics of the law have pointed out its outdated nature. As Assemblymember Jon D. Rivera and Senator Sean Ryan noticed the law includes language referring to “minstrel shows,” and “kinetoscope” exhibitions. As this language implies, the city has not enforced the law in living memory. Many venue owners felt blindsided by its enforcement, never having to pay the amusement fee previously. 

    State Senator Sean Ryan (center) is one of the amusement fee’s major opponents

    While the city has only newly enforced this law, increased event fees are not uncommon in the city. In 2019, the city proposed a surcharge on all events held at city-owned venues. This proposal would have taxed tickets on a sliding scale, ranging from $.50 to $3.50. 

    Following the enforcement of the amusement fee, musicians and venue owners immediately fired back. Many pointed out that this new fee would cost venues tens of thousands of dollars each year. Not only would these fees put venues at financial risk, but they would waste owners’ time. As Babeville’s operator Scott Fisher pointed out “The burden [is] not only the money, but the time that our staff would have to spend making sure we’re compliant.” If venues fail to comply with event licensing, they could face fines from the city. 

    Musicians have likewise pointed out the harm on music fans. Buffalo-based musician Dave Thurman speaking to WIVB said “We are talking about asking somebody to pay a $30 ticket instead of a $20 ticket.” These amusement fees threaten to put Buffalo’s music scene at risk, dissuading people from attending concerts due to the elevated prices. As Thurman continues, he noted how this also hurts local business, “Well, that’s probably going to cut into the bar owners’ receipts at the end of the night too, because that person isn’t going to spend that much more.”

    Some have also criticized the law as misguided. Riverworks CEO Bill Casale said that money is better off “being reinvested into our facilities and investing into our communities, into our staff and our people.” Instead the city is using “taxes that they want to summon us with that we are unaware of with no notice.” The financial data backs up these points. In 2023, only .01% of the city budget came from event fees. Additionally, in the past 15 years, the city has raised less than $27,000 annually from these fees. 

    Buffalo Riverworks – one of many venues impacted by the amusement fee

    Alongside musicians’ criticisms have been those from Buffalo’s elected officials. At the forefront of the anti-amusement fee push are Assemblyman Jonathan D. Rivera and State Senator Sean Ryan. Ryan has stated that the city’s budget shortall “isn’t a problem that can be solved with quick fixes, and Buffalo can’t afford to keep kicking this can down the road.” He additionally points out that “Reviving an obscure amusement fee to plug budget gaps is the same type of short-term thinking that got the City into this mess in the first place.” Ryan believes that fees like this distract city officials from dealing with serious problems. “Buffalo’s leaders need to permanently scrap this fee and stop trying to put this burden on the backs of small business owners when they should be working on solving the root issues that got us here.”

    Assemblyman Rivera likewise pointed out the fee’s threat towards Buffalo’s unique character. Rivera stated that Buffalo needs to “Find a suitable way to improve the City’s finances without sacrificing the vibrant cultural and economic landscape that makes Buffalo unique.” This sentiment was echoed by Scott Fisher of Buffalo’s Asbury Hall. At a local press conference, he said “I have an idea of how to help Buffalo – find a way to raise the city’s population from 280,000 to 380,000 people by making it a friendlier place to live and enjoy the culture, instead of simply nickel-and-diming that culture toward the brink of extinction.”

    Asbury Hall’s Scott Fisher has been critical of the amusement fee

    The response to the amusement fee goes past criticism, with some local politicians seeking solutions. Buffalo Common Councilman Joe Golombek told Buffalo Rising that he “look[s] forward to working with [his] colleagues in the Common Council and the City administration to find a solution that is both equitable and consistent.”

    As a result of the backlash against the amusement fee, actions have already been taken to solve the issue. As of August 7th, the city of Buffalo has placed a temporary pause on amusement fee collections. This move has already gained praise from local venue owners. Jason Hall of Sportsmens Black Rock said to ABC7, “I’m very happy that the city came together really quickly to solve what would have been a real problem to businesses like mine.” Additionally, Venu’s Tim Walton added “It shows they are listening to businesses, shows they’re willing to work with small businesses.”

    While a pause has been implemented, the fight is not over according to local politicians. Both Rivera and Ryan have called for a permanent termination of amusement fee collections. WNY music journalist Jeff Miers reports “They vowed to fight side by side with our community of music venues to make this cessation permanent.” For now, this fight will have to wait, as the Common Council is on recess for the remainder of August. As Councilman Golombek pointed out “We can’t change anything until September…but we are very open to doing that.”

    This saga begs new questions for the future, specifically regarding how the city will deal with its budget shortfalls. As shown by the swift and unanimous backlash against the amusement fee, any new taxes on live events seem unlikely for the near future. As Common Council President Christopher P. Scanlon stated, any future moves would have to “ensure these vital venues and our arts and cultural scene continue to thrive and remain assets to our city and region.”